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00:00Previously on Moonlight
00:02I saw Coraline last night
00:04You look just like someone I used to know
00:06Ex-girlfriend maybe?
00:08Ex-wife
00:10Coraline is dead
00:12You saw her die with your own eyes
00:14I was kidnapped when I was four
00:16I don't remember much, but the man who rescued me
00:18He was fearless
00:20As long as I was in his arms, I knew I was safe
00:24I know who saved me when I was a little girl
00:26I found my guardian angel
00:30Memories can be fragile
00:38Mick!
00:42Mick!
00:44Fleeting is a whisper one moment
00:46Powerful is a scream the next
00:48I got the proof
00:50She's been lying to us, stalking us
00:52Morgan is Coraline
00:54I know she is
00:56You know?
00:58A song hiding from my past
01:00Hi Beth
01:02Ignoring the whispers
01:04How could you?
01:06This is not what you think
01:08But I remember everything now
01:10And the screams are the only thing I can hear
01:14Hey
01:28I got your message
01:32Get in
01:34You wanna tell me what you're doing here?
01:36Okay
01:38Okay
01:50Okay
01:52Does this seem healthy to you?
01:54Morgan's quite the exhibitionist, isn't she?
01:56See?
02:00That got your attention
02:02What?
02:04So tell me about her
02:06Who?
02:08Your ex-wife
02:10What do you wanna know?
02:12Well, we got time
02:14So why don't you start from the beginning?
02:16How did she become a vampire?
02:18Coraline was turned in the early 1700s in France
02:20She was a courtesan
02:22Oh, she was a hooker
02:24No, more like a friend of the court
02:26She still got the moves
02:27Beth, that's not her
02:28Was the sex good?
02:29You understand that, right?
02:30So you were on and off for like 33 years
02:32Was it the sex that kept me coming back?
02:34What's this?
02:35She kidnapped me when I was four
02:36Took me from my bed
02:38Terrorized me
02:39Almost killed me
02:40Yeah
02:41Coraline did that
02:42Not the woman that you are currently stalking
02:45You're sure?
02:46100%
02:47No room for doubt?
02:52Get down, get up
02:53Look, if that's the same woman who destroyed my childhood, I've gotta know
03:06Are you telling me you can't understand that?
03:08Alright
03:09What do you want me to do?
03:11If Coraline reinvented herself as Morgan
03:14There must be something she forgot to cover up
03:16Some piece of evidence left behind
03:18You're the one who told me that her story checked out
03:21On the surface
03:22But now I wanna dig deeper
03:24You've gotta keep her occupied
03:25How am I supposed to do that?
03:27Just turn on the McSt. John charm
03:30What girl could resist?
03:34Alright, listen to me
03:35If
03:36Morgan is Coraline
03:37And I'm not saying she is
03:39If
03:40And she realizes that you suspect her
03:42I don't know what she'll do
03:45I'll be careful
03:47But one way or another
03:49I will finally find out the truth
03:52We both will
03:54Pretty
03:56Pretty.
04:24My wife, Tina.
04:26I want you to follow her.
04:28I want to know where she goes and who she sees.
04:33So what makes you think she's cheating on you?
04:35I didn't say she was.
04:36I've been doing this job for a while now, Mr. Haggins.
04:39Man, once his wife followed, he thinks she's having an affair.
04:43Tina's my second wife.
04:45Obviously much younger.
04:46I've given her financial stability, social status,
04:50and what I expect in return is fidelity.
04:53Lately, she's been distant.
04:55It's secretive.
04:57If she were an employee, I'd suspect that she was interviewing for another job.
05:01But she's not an employee.
05:02She's your wife.
05:04The principle's the same.
05:06I'm the CEO of a Forbes 500 company.
05:09If my trophy wife is stepping out,
05:12I want to know about her before my board of directors does.
05:14And I want someone with no ties to me to be looking into her.
05:1825,000 now, another 25,000 upon delivery of all audio and photo surveillance.
05:28I know a photographer who would be perfect for this job.
05:31I hope he knows how to keep his mouth shut.
05:33You're the only person that knows about this.
05:35Anything shows up on the internet,
05:37I'll know who leaked it, and there will be severe consequences.
05:40Do I make myself clear?
05:44Crystal.
05:45She's leaving my office building on Bunker Hill today around 1 p.m.
05:52Just one more question, Mr. Hagans.
05:55You obviously don't trust your wife.
06:00Do you love her?
06:01I own her, Mr. St. John.
06:04That's all you need to know.
06:05I wasn't sure that you'd show up.
06:22Yeah, me either.
06:23Notice I chose a public place.
06:31You're buying, right?
06:33Yes, of course.
06:34Ready to order?
06:35I'm gonna have the carpaccio plate with some French fries
06:39and, um, this burgundy here, the Roman Conti Richevoix.
06:44Excellent choice.
06:44And for you, sir?
06:46Oh, nothing for me.
06:50I'm on a special diet.
06:53Yeah, you and everybody else in this town.
06:55Body image freaks.
06:58Okay, so if you're not here to break bread,
06:59then what's this about?
07:01I want to apologize.
07:02I would think so.
07:04The other night?
07:05I was completely out of line.
07:06That's an understatement.
07:08There's absolutely no excuse for the way I act.
07:11Now, are you talking about when you ripped off my clothes
07:13or threw me to the ground
07:15or just generally scaring the crap out of me?
07:17Which one?
07:19Pretty much all of the above.
07:21It's just you look so much
07:23like someone I know.
07:26new, new, a long time ago.
07:28If that's the way that you acted towards her, too,
07:31I gather it didn't end very well.
07:33No.
07:34No, it didn't.
07:36But I want to make it up to you.
07:38I have a surveillance case.
07:39I need a photographer.
07:41It's gonna be $10,000 for a couple of days' work.
07:43$10,000?
07:45Yeah.
07:46The Roman Conti of Richburg?
07:48Apology accepted.
07:52You're very welcome.
07:54French fry?
07:56No, thanks.
07:57You sure?
07:57Why don't you enjoy them for me?
08:01So what's this case about?
08:03Husband thinks his wife's having an affair.
08:05He wants proof before he confronts her.
08:06Mm.
08:08Sorted, huh?
08:09Well, you can't always judge.
08:10No, I meant that in a good way.
08:13Oh.
08:15About this, um, ex-girlfriend
08:17that I remind you so much of,
08:19what happened?
08:21Did she cheat on you, or...?
08:22Ex-wife, actually.
08:23And no, fidelity wasn't our problem.
08:25It was just a very complicated relationship.
08:29It's probably best if we leave it there.
08:31Uh, that sounds like a story.
08:35So do you want the job or not?
08:36Let me see.
08:37$10,000 to follow people around
08:40and take pictures of them having sex.
08:43I'm in.
08:55Digging into a person's background
08:57these days is pretty simple.
09:00Google search here, credit check there.
09:11But when their background goes back
09:12almost 300 years...
09:16Journalism 101.
09:18Begin at the beginning.
09:21Go back to where it all started.
09:24I needed a hold for the therapy that went home...
09:28No!
09:29No!
09:30No!
09:30No!
09:31No!
09:32No!
09:32No!
09:33No!
09:37No!
09:38Aha!
09:44No!
09:48I love you!
09:51I love you.
09:51what's that oh um a fleur-de-lis did you know that french courtesans were branded with them
10:03back in the 18th century it's like a permanent scarlet letter oh does this have something to
10:08do with paris hilton uh no oh then i don't care do you have a story you're working on i do actually
10:16i'm off to do some research now good bring me something sexy that i can lead with sex betrayal
10:22murder this one's got it all yum oh she's pretty but for 50 grand it could have upgraded to a new
10:36model there's a lot of people around a lot of cell phones that means a lot of interference
10:41i'm gonna have to stay close if haggens wants all this on tape i'll keep moving and try to get
10:46clean shots okay this is for you keep the line open you let me know if you see anything that i don't
10:52okay this is so born identity i love it okay
10:57target entering plaza from northeast corner i'm on her
11:16i think we got something i see him
11:33what are they saying there's too much interference i'm gonna have to get closer
11:45okay so i know you're going to the office
12:06look don't worry i got it all working i don't know sometimes i feel like we waited too long i know
12:13okay i told you nobody else knows it's just us how can you be sure that he doesn't know
12:17oh she sees you
12:27what's the matter what is it
12:31nothing i'm just being paranoid
12:34i really shouldn't get in here what are they saying
12:41what are they saying this mic falls off here they obeyed for it
12:45i really shouldn't get in here what are they saying this mic falls off here they obeyed for it
12:59that was a money shot
13:06all right you go
13:09this is what you call acting natural
13:11okay it's black now but if he finds out
13:14he'll kill us
13:17talk to you later
13:20mic i got it
13:22it's full frame the kiss
13:23i'm amazing
13:24what's your problem we can go up to haggins right now with his photo it'll be like the easiest ten grand ever
13:30yeah i don't think we should do that
13:31why i just heard tina say that haggins is going to kill her
13:34i know you're going to the office tonight but what about me
13:50don't worry that it all worked out
13:53you know after the kiss i heard what tina and ome were saying
13:56why are you right about the interference
13:58cell phone news traffic noise it's going to take a while to sort this out
14:02it's just us
14:04how can you be sure that he doesn't know
14:05because i know
14:07have i ever
14:08no that's not it
14:09he's right around here
14:12i heard it i heard it the man said
14:26but if he finds out and then tina responded
14:28you know he'll kill us
14:30i swear to you i heard it
14:31i mean he could be a figure of speech you know
14:33like i'd kill for a burger right now
14:34you're not going to really kill somebody for the hamburger
14:37that didn't sound like that to me
14:38and you're sure it was them talking
14:39i'm positive
14:40maybe the mic missed it
14:42and you think your ears can pick up something that a five thousand dollar digital unidirectional microphone can't
14:48what if haggins isn't thinking about divorce
14:51what if he's actually going to use this evidence as an excuse to murder his wife
14:55wouldn't divorce be easier
14:57yeah and it'd also be more public
14:59haggins doesn't strike me as the kind of man who wants his personal life on display
15:02will you meet him does he strike you as the kind of man that would be capable of murder
15:06anybody is capable of murder
15:08given the right circumstances
15:14haggins hired you to get information
15:22you're not responsible for what he does with it okay
15:25i'm not going to get those people killed
15:27no info no paycheck
15:28all right
15:29i'll talk to haggins again okay
15:31you need to ask him if he's planning on murdering his wife
15:33you know what i might try something a little more subtle than that
15:36well on the way we can stop by buzzwire
15:41i'm friendly with one of the sound guys
15:44and maybe he can help us clean up some of his audio
15:47i had a boyfriend in college who taught me how to pick locks
15:53thought it was a cool party trick
15:55he also taught me how to chug a beer in one gulp
15:58not really as useful as an adult
16:02it's one thing to be in someone's space when they invite you in
16:08they make the bed, clean the dishes, hide the bong
16:11but when they're not expecting company
16:14that's when you see how someone really lives
16:18so let's see how morgan really lives
16:41i need to see mr. haggins
16:46mr. haggins isn't here
16:48i can see him
16:51well yes he's here technically
16:53but i've been given strict orders not to disturb him
16:55okay why don't you just tell him mick st john's here to see him
16:57when mr. haggins gives me an order i take it very seriously
16:59you tell him or i'm gonna tell him myself
17:11mr. haggins wants to know if you have the surveillance he requested
17:27if so i've been instructed to give you your final payment
17:32i'm not giving the surveillance to anybody but mr. haggins
17:35personally
17:41you tell your boss when he's ready to see me he can have his surveillance
17:46not before
17:52how'd that go?
17:53haggins wouldn't see me
17:54okay doesn't mean he's the murderer though
17:56doesn't mean he's not i'm gonna keep following tina until we know for sure
18:11no
18:18no
18:25no
18:32Let's go.
19:02What's wrong?
19:03Bail from North Hotel, room 713, an hour.
19:07We should follow him.
19:10They're going to be at the Billmore in an hour.
19:12Wait, how did you know them?
19:14Trust me.
19:19Don't know what I was expecting to find.
19:22Impressive shoes, though.
19:24Prada, Y3, Manolo's.
19:27I'm in the wrong line of work.
19:29Guess Immortals don't shop at Shoe Barn.
19:32I know, I know, but this will only take a minute.
19:47Or maybe just two minutes.
19:48I have one thing I have to take care of.
19:50I have the perfect rig for this.
19:59And a long lens that'll pick up a bead of sweat from like 100 yards.
20:03You're enjoying this way too much.
20:04You know that, right?
20:09Bathroom.
20:09Did you say something?
20:16Yeah, I said, come on, hurry up.
20:17Let's go.
20:18Okay, I'm just...
20:21Ow.
20:21Just making sure I have everything.
20:24Now, let me see.
20:29Are you okay?
20:31What you've got is good.
20:32We don't have much time.
20:32Come on, we don't want to miss anything.
20:34Let's go.
20:34Wow.
20:35Someone's sure getting into the spirit.
20:37I still don't know how you heard them talking about this.
21:05You must have ears like a bat.
21:06Not like a bat, exactly.
21:09You don't be grateful.
21:10I used to date a lot of musicians, and after a few years on stage, I was just like deaf as doornails.
21:17Musicians, huh?
21:18Yeah.
21:24Hey.
21:25Hey, can you talk?
21:27Not really.
21:29Where are you?
21:30Still at Morgan's.
21:31That was close.
21:32Yeah, it was way too close.
21:35Uh-huh.
21:36Oh, hurry up.
21:40The clothes are starting to hit the floor.
21:43Where are you?
21:45I'm at a hotel.
21:46Whose clothes are hitting the floor?
21:47You know something?
21:48I can't really get into this right now.
21:51Oh, my God.
21:53Seriously, what are you guys doing?
21:56We're working the case.
21:57Sounds like you're working something.
21:58You have to hurry up, or I'm just going to start without you, because this is hot.
22:02Mick?
22:04I gotta go.
22:05I-I gotta go.
22:07I gotta go.
22:20There we go.
22:30Are they saying anything?
22:44Not unless you're using deep breathing and moaning as code.
22:49Listen to this.
23:00What would your father think about that?
23:15You're his wife.
23:16Ask him yourself.
23:18Hagen's wife is having an affair with his son.
23:21Who's stepson?
23:23Like that wouldn't be the final nail in our coffin.
23:26That's kinky.
23:27And a pretty good motive for murder.
23:31Yeah.
23:33Yeah?
23:48Hey.
23:50Hey.
23:55Hey.
23:56How's the case going?
23:57There's nothing like spending the afternoon cuddled up in a hotel room watching family members have sex.
24:03Huh?
24:03They're not even actually related to biologicals.
24:06It was like pay-per-view, but more hair.
24:08Do you want to see their photos?
24:09They're so hot.
24:10You know what?
24:10I think, no.
24:11They're confidential.
24:12You're not blushing right now, but I think you're actually embarrassed.
24:16You're so cute.
24:16You're so old-fashioned.
24:18No, I'm not.
24:19You weren't so shy when it was happening.
24:21Well, I'm so glad you guys are working so well together.
24:24Seems like you make quite the team.
24:26I was thinking maybe we could make this a permanent arrangement.
24:29I tend to work alone.
24:30I mean, there's got to be something for Beth to do, right?
24:31We could make it a threesome or something?
24:33I would love that, but I've got my own investigation going on, research on this new story.
24:40You know, Maureen, relentless.
24:42But, um, you two have fun.
24:45Hey, listen, Beth, uh, Morgan and I are going to be here for a couple of hours, so, uh, maybe, uh, maybe I'll see you when you get back.
24:53Maybe.
24:55I'll call you and I'm wrapping up.
24:56Hey.
25:06About what happened at the hotel.
25:08Which part?
25:10The kiss.
25:12That was nice, huh?
25:14Well, sure, but...
25:16Don't be all weird.
25:19It doesn't mean anything.
25:21Oh.
25:22Unless you want it to.
25:23No, of course not.
25:24I mean...
25:26Oh, I get it.
25:27You don't want me to tell Beth.
25:29You've got it bad for her, don't you?
25:31Which I've got to say, I don't think she's your type.
25:34Really?
25:34Uh-huh.
25:35What do you think my type is?
25:36Well, that would be me.
25:39Looking so much like the ex and all.
25:41I say, John.
25:53This is Mr. Haggins' assistant.
25:55Mr. Haggins wants to know if you're ready to hand over the materials he requested.
25:58Well, that depends.
25:59Is he ready to meet with me?
26:01Mr. Haggins will meet with you if you have the surveillance.
26:04Okay, you tell him one hour of the Savile restaurant.
26:08We can discuss my terms of handing over the surveillance.
26:13You're meeting with Haggins?
26:15Maybe I can find out if he suspects his son is the one involved with Tina.
26:19Then what about the surveillance files?
26:20I'm taking everything back to my office on the way to the restaurant.
26:23I'm not giving Haggins anything until I know what he's up to.
26:26Let me have your memory card.
26:27Well, this is unexpected.
26:49So then.
26:50I need to talk to you about Mick.
26:58I know you're his friend.
27:00Is he in trouble?
27:01I don't know.
27:02I think so.
27:04It's his ex-wife, Coraline.
27:13Coraline died a long time ago.
27:16I don't think she did.
27:16I think she survived and became human and is masquerading as Morgan Vincent.
27:28Look, I don't know what Mick has told you about me.
27:31Not much.
27:32But I know you're a vampire.
27:35And I know he trusts you.
27:38But what do you want?
27:45The truth.
27:46I'm sorry, sir, but you can't just keep sitting here without ordering something.
27:55I'm waiting for someone.
27:57Have a sandwich while you wait.
27:58No, thank you.
27:59Something off the dessert menu?
28:00I'm not hungry.
28:01Then why do you keep meeting people at restaurants?
28:04Fine.
28:04But at this point, maybe you should consider...
28:06Your date's not showing.
28:07Okay.
28:07Okay.
28:07Okay.
28:07Okay.
28:07Okay.
28:07Okay.
28:08Okay.
28:08Okay.
28:08Okay.
28:08Okay.
28:08Okay.
28:08Okay.
28:08Okay.
28:08Okay.
28:08Okay.
28:09Okay.
28:09Okay.
28:10Okay.
28:10Okay.
28:10Okay.
28:10Okay.
28:10Okay.
28:11Okay.
28:12Okay.
28:12Okay.
28:13Okay.
28:14Okay.
28:14Okay.
28:15Okay.
28:16Okay.
28:16How did it go with Higgins?
28:28He never showed.
28:29He never intended to.
28:30It was a ruse to get me out of my office so he could steal the surveillance.
28:34Well, let's go to his office and confirm him then.
28:36No.
28:36I have to get to Higgins' son.
28:38Higgins now knows about his relationship with Tina.
28:40Yeah.
28:41All right.
28:42I'm gonna look up his address for you right now.
28:43Let's see.
28:44Okay.
28:45All right.
28:46Here we go.
28:47Owen Hackins, 22 Wedgwood Lane, Belair.
28:50I'm on my way.
28:51Be careful.
28:52Yeah, yeah.
28:53I thought you were a photographer.
28:55Yeah, I am.
28:56You can still think that.
28:57Then why did one of my sound guys give me this jump drive to give to you?
29:01Well, because I asked him to clean up some audio for me.
29:04That's why.
29:05Hmm.
29:06What story is this for?
29:08It's, uh...
29:09It's still in the concept stages, but I think you're really gonna love it.
29:12Hmm.
29:20I met Morgan.
29:21Now, sure, she looks like Coraline.
29:24A lot like Coraline.
29:25But it's not her.
29:26Morgan is not a vampire.
29:28What if Coraline found a way to become human again?
29:33Oh, I first make, now you.
29:35There is no cure for vampirism.
29:37There's no magic pill, no clicky ruby slippers together and rejoin the mortal coil.
29:41And becoming a vampire is a one-way street.
29:44There has to be a way.
29:45I think Mick...
29:46When it comes to Coraline, Mick doesn't think with his big head.
29:50Hey, you have to understand.
29:52Mick and Coraline's relationship was one of those terrifying, completely self-destructive freak shows
29:57that you spend your whole life searching for, knowing it can only end in one or both of you dead.
30:02That's your idea of love?
30:04Well, can I tell you?
30:05I'm a romantic.
30:06This was Coraline's house in Hollywood.
30:09Where they first met.
30:12You know, it was quite the scene back then when she could really throw a party.
30:15So you knew her?
30:17I met her for the first time in New York.
30:19Lincoln was president.
30:21Mick said she was a courtesan.
30:23Yeah.
30:24And Coraline was a lot of things to a lot of people.
30:27Most of them men.
30:28But Mick was different?
30:30Yeah, she wanted him and got him.
30:33And then really worked him over.
30:36But eventually the crazy got to be too much.
30:38And Mick wanted out.
30:40Now he'd break it off, but Coraline was like a bad drug habit.
30:44He kept going back to her.
30:45Until she took me?
30:48Mick couldn't stand the thought of a child dying because of him.
30:52And finally one happy family.
30:56It was too much.
30:58I gave them the strength to break away once and for all.
31:01I remember the fire.
31:09I watched her burn.
31:21I haven't been able to ask Mick this.
31:23I know he feels guilty enough as it is.
31:26But why did Coraline choose me?
31:30Maybe she thought she could put a little family together and settle down.
31:33You're like the woman who gets pregnant to save a bad marriage.
31:36And you specifically, you were probably just in the wrong place at the wrong time.
31:41But it didn't work.
31:42She didn't get him back.
31:43I think you know Mick better than that.
31:45And you knew Coraline for a long time.
31:48So if she is back, what does she want?
31:51If Coraline is back, then that's a big if.
31:55And she's back for Mick.
31:57I made up my mind to see Coraline's party house for myself.
32:06It's one thing to want to know the truth.
32:08It's another to confront it head on.
32:10My mind has spent so long trying to protect me.
32:14Shielding me from what happened.
32:17It was the only way I could feel safe.
32:21Even now something inside me is screaming stop.
32:28But I can't.
32:29And I'm beginning to wonder if I'll ever feel safe again.
32:51Yeah.
33:11My name's Mick St. John.
33:13I'm a private investigator hired by your father.
33:16Come on in.
33:20Thanks.
33:21I told you no one else knows.
33:23It's just us.
33:27Now listen, when you go home, act natural.
33:29Okay? It's planned out.
33:30But if he finds out, then we're trying to kill him.
33:34Now listen, when you go home, act natural.
33:36Okay? It's planned out.
33:37But if he finds out, then we're trying to kill him.
33:39I know.
33:40And he'll kill us first.
33:41So, uh, why would my father hire a private investigator?
33:47To follow Tina.
33:48He suspected she was having an affair, but didn't know with whom.
33:52Who's you?
33:53You broke into my office.
34:10You broke into my office.
34:24We can't take the chance that anyone else knows.
34:27We'll never get to my father if he suspects.
34:32So we kill him tonight.
34:58Mick?
35:05Mick?
35:06Come on.
35:10Pick up, Micka.
35:33Mick?
35:35Here.
35:39Oh, my God.
35:44They must have hit me from behind.
35:46Oh, my God.
35:47Here.
35:54All right, let's get you to a hospital.
35:56No, no, I'm fine.
35:57It's just a scalp laceration.
35:59They're always worse than they look.
36:01What?
36:02Uh, look.
36:03Look worse than they are.
36:04That's what I meant.
36:07Higgins wasn't the one planning the murder.
36:10I know that.
36:11Higgins is the intended victim.
36:14They're going after Higgins now.
36:15We have to get to him first.
36:16Let's get to him first.
36:17Let's get to him first.
36:46Oh, my God.
36:47Oh, my God.
36:48Oh, my God.
36:49Oh, my God.
36:50Hello, honey.
37:08Oh, my God.
37:10No, it's okay.
37:11It's okay.
37:13You have to go to bed now, okay?
37:23This is where she kept me.
37:25Alone.
37:27Locked in this room.
37:29Waiting for her to bring me to meet Mick.
37:34To lure him back.
37:35To make us a family in her deranged mind.
37:41Okay, there we go.
37:46You need to get some sleep tonight, do you know why?
37:49Because tomorrow's a big day.
37:51You're going to meet your new daddy tomorrow.
37:53I'm going to take it and meet your new daddy.
38:11Hey.
38:24Hey.
38:25Mr. Haggins isn't here.
38:26Where is he?
38:27Gone for the day.
38:28Where'd he go?
38:29I'm not at liberty to sleep.
38:31Tell me where Haggins is.
38:32You better hope this job has a good dental plan.
38:34He just left two minutes ago.
38:36With his son.
38:37You take the elevator.
38:53He was waiting in the car for us.
39:07So you're not going to tell me what the plan is?
39:08Where we're going?
39:09Oh, come on, Dad.
39:10That'll ruin the surprise.
39:14Surprise.
39:16Mr. St. John.
39:17Get your...
39:18Hey!
39:18What the hell?
39:19It's my son!
39:20Yeah, it's your son.
39:21It's also your wife's love.
39:23These two have been conspiring to kill you.
39:25It's impossible.
39:29Call the police.
39:30Now, now!
39:32Gloria!
39:48Holy crap.
39:50What was that?
39:52And they say Jordan had air.
39:58So the son and the stepmom have an affair and conspire to kill the husband slash father?
40:03They'll probably figure with him out of the way they could have both the company and each
40:07other.
40:07Remind me to have kids.
40:10Listen, Haggins' assistant, a guy named Tucker, lured me out of my office for Owen.
40:14He had to have been working for me.
40:16I'll send a car.
40:17We do have evidence to back all this up.
40:19Audio and vision.
40:20I'm gonna need those photographs.
40:24Morgan.
40:28Sorry.
40:30Sorry, I'm just still a little freaked out.
40:34I've never been almost killed.
40:36You got everything you need?
40:42Yeah.
40:43Go on and get cleaned up.
40:45We can bring everything down to the station tomorrow.
40:48Come on, let's go.
40:48Go on.
40:49Go on now.
40:52Yeah.
41:01Yeah.
41:01I will surely break.
41:04There's out the way.
41:06The world I want to take
41:09Forget the urgency
41:12But hurry up and wait
41:15My heart will start to separate
41:20Oh, oh, oh, oh
41:25Please, baby
41:28Oh, oh, oh
41:31Oh, oh, oh
41:38Please, baby
41:40I look after you
41:45Do you want something, babe?
41:51I look after you
41:55After you
42:01Oh, oh, oh
42:07Carly
42:08Carly
42:09I'm really surprised
42:13How many clues did I have to give you?
42:17A Proust book?
42:19A old song?
42:20I even ordered my favorite glass of wine
42:22You really thought you killed me, didn't you?
42:27How have you done this?
42:29How have you done it?
42:30Become human
42:31Yeah
42:32I thought it would get your attention
42:34They seem to like the human girls
42:36You're telling me there's a way back?
42:39You're telling me there's a cure?
42:44Is that what you're telling me?
42:49Max!
42:50Wait
42:50Max!
42:51Come on
42:52Max!
42:53I got the proof
43:10She's been lying to us
43:13Stalking us
43:14Morgan is Carly
43:15I know she is
43:16You know?
43:19Hi, Beth
43:20And how could you?
43:27This isn't what you think
43:28This isn't what you think
43:28No, no!
43:43No!
43:43What are you doing?
43:45Oh my god
43:48Try not to move
43:49What have you done?
43:54Listen to me, Carly
43:55Try not to move
43:56We have to get her to a hospital
43:59Stakes don't kill vampires
44:00They just paralyze them
44:01She's not a vampire
44:02She's Coraline
44:03You just said so yourself
44:04She's Coraline
44:05But she's not a vampire
44:06Not anymore
44:08She's human
44:10There's a cure
44:12She has a cure
44:14She's not a vampire
44:15She's not a vampire
44:16She's not a vampire
44:17She's not a vampire
44:18She's not a vampire
44:19She's not a vampire
44:20She's not a vampire
44:21She's not a vampire
44:22She's not a vampire
44:23She's not a vampire
44:24She's not a vampire
44:25She's not a vampire
44:26She's not a vampire
44:27She's not a vampire
44:28She's not a vampire
44:29She's not a vampire
44:30She's not a vampire
44:31She's not a vampire
44:32She's not a vampire
44:33She's not a vampire
44:34She's not a vampire
44:35She's not a vampire
44:36She's not a vampire
44:37She's not a vampire
44:38She's not a vampire
44:39She's not a vampire
44:40Transcription by CastingWords
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