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00:00Previously on Moonlight.
00:03By the way, the whole kiss thing?
00:05Yeah, the kiss.
00:07I was thinking that maybe that was like an accident.
00:09Oh, okay.
00:11You want to know how I became a vampire?
00:13I told you I was married.
00:14On our wedding night, she turned on.
00:16I'm glad you told me about your wife.
00:18I didn't tell her everything.
00:20Things didn't end well, even by vampire statements.
00:23You stopped carrying Coraline around, Mick.
00:25Let her go.
00:30One thing you learn when you live forever
00:34is not to get too set in anything.
00:39Because it's all going to change.
00:42Just when it seems like everything's going your way
00:45and maybe you're even patting yourself on the back,
00:48that's when it happens.
01:00Thanks.
01:01Thanks.
01:05Thanks.
01:10Thanks.
01:11Thanks.
01:13You can try and get some shots at the entrance, but be as discreet as you can, okay?
01:37It's sad, isn't it?
01:41You think they're going to be able to save it?
01:43The warden said they might be able to save a couple of the top floors, but most of the interiors would. It was built in the 20s.
01:501927. My parents used to bring me here for brunch after church on Sundays.
01:55I keep forgetting how old you are.
02:00It must be really frustrating having the power to help people but not being able to do anything.
02:04If only you knew.
02:05At the oddest time, you might find yourself feeling lucky, like maybe you found somebody.
02:17Then bam, that's exactly when the ex-wife shows up.
02:21Coraline, the woman who turned me into a vampire.
02:28I took care.
02:37Something else, isn't she?
03:03Yeah, I wouldn't kick her out of bed for eating crackers.
03:07What I would give to go home with that.
03:13Forget it.
03:15She drops more in a day of sex than you make in a year.
03:35Corley.
03:36No, sorry.
03:38Sorry.
03:39You look just like someone I used to know.
03:41Ex-girlfriend, maybe?
03:43Ex-wife.
03:48Does this usually work for you?
03:50This isn't a pickup.
03:51You look just like her.
03:52Listen, just so you know, it's not a big turn-on when you tell somebody that they look like your ex.
03:56What's your name?
03:57Do you guys know each other?
03:58No.
03:59No, we just met.
04:02So you don't know each other?
04:04No.
04:05I thought we did, but I guess we don't.
04:09I'm Mick.
04:10Morgan.
04:11Morgan.
04:12Now we know each other.
04:13How do you two know each other?
04:14How do you two know each other?
04:15I buy a lot of her photos for BuzzWire.
04:16How long have you two worked together?
04:17A couple months.
04:18She just moved here from Chicago.
04:19What's with the interrogation?
04:20He's a private investigator.
04:21Can you tell?
04:22Oh, okay.
04:23Yeah.
04:24Well, I'm gonna get back to it.
04:25It was nice meeting you.
04:26So the, uh, the fire inspector says he found light of fluid and dirty rags in the dumpster
04:27over there.
04:28Hey, you hear me?
04:29What?
04:30They think it's arson.
04:31What?
04:32What?
04:33What?
04:34What?
04:35What?
04:36What?
04:37What?
04:38What?
04:39What?
04:40What?
04:41What?
04:42What?
04:43What?
04:44What?
04:45What?
04:46What?
04:47What?
04:48What?
04:49What?
04:51I'm gonna wrangle some pliers.
04:53I'll catch you later.
04:54Keep it tight, I get already.
04:58There is a good reason I never expected to see Coraline again.
05:04I killed her.
05:07I killed her.
05:27I gotta talk to you.
05:29Well, this better be good. Donna's in 15 minutes and I'm about to go home and hit the icebox.
05:34I saw Coraline last night.
05:36Coraline, what? You mean Coraline, Coraline?
05:40Yeah, that Coraline.
05:42Was she dead?
05:43No.
05:44Well, then it can't be Coraline. You killed her, remember?
05:47Yeah, I'm aware of that.
05:51I was at the Franklin Fire downtown.
05:57There was this photographer there.
06:01She was a dead ringer for Coraline.
06:04Well, everybody's got a twin somewhere.
06:06It wasn't a twin.
06:08Joseph, it was her.
06:10She moved the same. She talked the same.
06:12You talked to this person?
06:13Yeah. Her name's Morgan. She works with Beth.
06:16And did, uh, Beth recognize her as Coraline?
06:20No.
06:21Well, if it really was the woman who kidnapped her as a child, I'd think that Beth would have a few opinions about it.
06:27Beth doesn't remember me from back then and I'm the one who rescued her.
06:30What do you remember from when you were four?
06:32Well, it was 1603. Make it reasonable, it'd be a little hazy.
06:35Look, Beth has suppressed the whole trauma, okay?
06:39Joseph.
06:42I know this sounds crazy, but you gotta see her.
06:45And did this Morgan person have a long history of drinking blood?
06:48No.
06:52She's not a vampire.
06:55I was close enough to tell.
06:56Well, Nick, if she's not a vampire, then she can't be Coraline.
06:59Yeah.
07:08I was thinking I could take these reaction shots to the fire and write a piece about what this landmark hotel has meant to people over the years.
07:15What is this, ladies NPR?
07:17I mean, I need a celebrity angle, a dead body, something.
07:20Sex it up a bit and get back to me.
07:23Maureen always goes for the lowest common denominator.
07:26Don't worry, I'll wear her down.
07:27Thank you so much for your support.
07:29Oh, please. Anything to keep me away from restaurants and fashion shows.
07:33Yeah.
07:36Oh, my God, what happened? Did you get burned?
07:38Oh, no. It's just a little incident.
07:41A little incident? Look at your arm.
07:43It's just a couple stitches.
07:45What happened?
07:47Well, believe it or not, some guy broke into my house last night and we scuffled.
07:51You fought him?
07:52You bet I did. He was taking my cameras.
07:54Did you tell the police?
07:55Of course, but you know how the police are.
07:58They just acted like they had all this more important stuff to do than, you know, help me track down my stolen equipment.
08:03You did tell them he attacked you.
08:05Oh, what I would give to just get my hands on that little punk.
08:08Not to mention getting your cameras back.
08:10What about that PI friend of yours?
08:13Do you think he could help? Mick?
08:15Yeah.
08:16I thought you weren't very impressed by him.
08:18Well, I mean, he seemed persistent.
08:20Hey, I'm sorry to stop by without calling, but since I know you're a night person, I thought you might be up.
08:37Well, you know me too well.
08:39Hey, Mick.
08:41Hey, Morgan.
08:43Morgan has a problem I thought you might be able to help her with.
08:53I had jewelry out in plain sight that he ignored completely.
08:57So it's just the cameras.
08:59Which is why I attacked him.
09:01You wouldn't believe what a digital Nikon costs these days.
09:03You attacked the thief.
09:05Well, I had Mace, which turns out pissed him off just enough for him to then gouge me with my own letter opener.
09:12Look, she needs her cameras back to make it her livelihood.
09:15Beth said that you were the best.
09:17Oh, she did, huh?
09:18Yeah, several times, actually.
09:25Maybe you could go by her apartment, check it out, see if there's anything to go by.
09:30And also, if it helps, I would absolutely recognize the thief if I saw him again.
09:36I never forget a face.
09:48Can't you guys play something that'll get this snore on its feet?
10:00Like what?
10:01I don't know, like Winoni Harris or Little Willie John or just something with a little bit more rhythm.
10:06Well, gee, I don't know if this crowd would like the devil's music.
10:10That's why I want you to play it.
10:14How about good rockin' tonight?
10:16How about, ain't that just like a woman?
10:19I think that that would be much more shocking, don't you?
10:22On one condition.
10:25My name's Coraline.
10:27Well, I didn't say what the condition was.
10:29That's always the condition.
10:31Wow, I love your place, Morgan. It's so cool.
10:45Thank you. I have this, like, fifties thing I'm trying to shake.
10:48So what can I tell you?
10:54Why don't you start with what happened?
10:57Okay.
10:59I was in my bedroom, and it was about three in the morning.
11:05I was asleep, and then that's when I heard a rattling at the front door.
11:09Were you alone?
11:18Now, is that part of your investigation or...
11:20Potentially.
11:22Yes, I was alone.
11:26Okay, I think we've established you were alone.
11:28So what next?
11:31Oh, then I leave the bedroom and come out here, and I see that there's this man at my desk.
11:38And like I said, he left jewelry, keys to my BMW, cash.
11:43He wasn't after cash.
11:44I mean, my cameras were worth at least eight grand. He took those.
11:48Maybe he was interested in what was inside the cameras.
11:50Pictures.
11:51They said it was arson, right?
11:53Maybe your thief was the one who set the fire.
11:55Maybe he thought you took a picture of him.
11:57Yeah, those arsonists, they really stick around to watch the burn.
12:02Well, if he's after photos, then he's out of luck, because I don't let anybody see these until I sell them.
12:22What is that?
12:24It's a fire.
12:26No.
12:27In the fire.
12:29Nothing, I don't think.
12:31No, look, there is something.
12:32Right there.
12:35You know what, I think I have some shots where I racked to the building.
12:38Only once again.
12:46That's him. That's the thief.
12:51He's killing her.
12:52Seeing that photo was like looking into the past.
12:55Reliving a nightmare.
12:58Forever.
13:00I love you.
13:01I freed you.
13:02I freed you.
13:03The greatest gift I can give.
13:04I freed you.
13:05Death.
13:07He saw me.
13:08That must be why he wanted the photos.
13:11You caught a murder on camera.
13:21You wouldn't believe these photographs, Joseph.
13:33It was like outtakes from the night.
13:36The night you killed your wife.
13:37You know what?
13:39It's like somebody staged this whole thing for me.
13:42Can you hear yourself right now?
13:44No, it's like, it's like Coraline is baiting me with these photos.
13:47Coraline is dead.
13:49You saw her die with your own eyes.
13:58I never saw the ashes.
14:01Oh.
14:05In the 22 years since she died, you never told me that.
14:07I never told anybody that.
14:09I never thought she could possibly survive.
14:12I left Coraline trapped in an inferno that night, man.
14:16Just like the woman in these photos.
14:19Mick.
14:21Look at me.
14:23Coraline did not come back from the undead to exact revenge on you.
14:26You know how dangerous she was, sir.
14:28Yeah.
14:29I've known her for a century more than you.
14:30And she's capable of anything.
14:32But not even she could pull off a resurrection.
14:34No!
14:35Coraline drove you crazy the whole time you knew her.
14:44Now she's dead and she's still driving you crazy.
14:49And you need to let her go.
14:52So tell me more about Morgan.
14:56Um...
14:58Mike, who'd she work for in Chicago?
15:00Uh, everybody.
15:01She was a stringer.
15:02But legit stuff.
15:05She has shot for the Tribune.
15:08News Corp.
15:10Uh...
15:11I don't know, she's got a reputation for being a kind of gritty crime photographer.
15:14We've been running her pictures for a couple of years.
15:16And you met where?
15:18At a crime scene.
15:19Kind of like how I met you, actually.
15:20Why are you so interested in Morgan?
15:26Just standard due diligence.
15:28On a client?
15:29Yeah, know your client.
15:30Private Eye 101.
15:32Okay.
15:33I'm just not used to being grilled about a girl that you're after, so...
15:38I'm not after her.
15:39I wouldn't have picked her as your type.
15:41This isn't about types.
15:44Even if it is, it's fine.
15:45It's your business.
15:47You're jealous.
15:51Don't flatter yourself.
15:53Okay.
15:55Look, I just need some info on her time in Chicago.
15:57Can you look into it and get back to me?
15:58Sure.
16:01Are you gonna turn her photos into the police?
16:03Not yet.
16:04I'm gonna wait and see if I find a body at the hotel first.
16:23Whoa, whoa, whoa.
16:25Mick St. John, California Fidelity.
16:28I'm one of their investigators.
16:30Everybody get out okay?
16:32No casualties so far.
16:34Still a lot of debris to get through, though.
16:36What do you think about these arson rumors?
16:38I can't see anything about an ongoing investigation.
16:40Sorry.
16:42Supervisor's kind of a hard ass.
16:43Yeah, I work for an insurance company.
16:44I get it.
16:46Okay, I'm gonna take a couple of happy snaps and I'll get out of your way.
16:49Don't touch anything.
17:04I use nothing.
17:05I'll be fine.
17:07Don't touch anything.
17:08I don't do it now.
17:09You've got me out of my life.
17:10I can't see anything about the police.
17:11I can't see anything about this.
17:13I don't know anything about that.
17:15I don't know anything about it.
17:16If I'm done anything about anything about the scene, I can't see it.
17:18I'm just gonna take a couple of things.
17:20In and out of my life, so…
17:21Oh, God.
17:22That's okay.
17:24There's something about this.
17:25I don't know.
17:55I found a woman's body at the hotel right where you took your pictures.
17:59You're kidding.
18:00I also forwarded your photographs to the police.
18:03Okay.
18:05I'm just gonna dust for prints before Homicide gets here.
18:08Please.
18:10Now, you know what? The police didn't do that the first time.
18:13Yeah, they usually don't for a break-in, but they will now, though.
18:25That's one of my favorite songs. How could you know that?
18:37That's one of my favorite songs. How could you know that?
18:49You know how you feel like you really know somebody even if you haven't known them that long?
18:53How does that happen?
18:55It's just one of those great mysteries.
18:58I don't know.
19:02Past life, maybe.
19:04Yeah, maybe.
19:08Any luck?
19:10Yeah, I got a few clean prints.
19:13But it'll only help if your thief's in the system.
19:15Right.
19:22It's hard to believe you caught it on camera.
19:27Were they able to identify the woman?
19:29Not yet. There wasn't much left.
19:33Just ashes, huh?
19:35Yeah, they just got a couple of bits of pelvis and a few molars to go by.
19:39That has got to be the worst way to die.
19:44Can you imagine the pain before you actually died, what you'd have to endure?
19:49Your hair singed off, your skin blistering.
19:53It's a bad way to go, no doubt.
19:55Bad? It's horrific.
19:59There's something on her back.
20:05What is it?
20:08It's a tattoo.
20:22You wanna get wet?
20:29You don't even know my name.
20:33Do I need to?
20:35Maybe you should come to one of my real gigs.
20:38This was one of your real gigs.
20:41Will you give me a hand?
20:42You buy a woman clothes and give her money on the side.
20:52No matter what you do, she's never satisfied.
20:54Ain't that just like a woman?
20:57Ain't that just like a woman?
20:59Yeah, ain't that just like a woman?
21:01They'll do it every time.
21:03They'll do it every time.
21:09This is good. It could be a lead to identifier, right?
21:15You sure that's a tattoo?
21:17Yeah.
21:20It's a fleur-de-lis.
21:21Wasn't it actually?
21:22No.
21:24I don't...
21:39I don't know exactly what you're looking for.
21:40know exactly what you're looking for then morgan is who she says she is well i found nothing to say
21:45that she isn't morgan vincent from highland park northwestern class of 2000 daughter of bob sister
21:52of jennifer spoke to her finn yeah you should have heard how ridiculous i sounded talking to her father
21:58on the phone pretending to be from the wildcat alumni board okay so she's legit unless she's
22:04doing a really good job of faking it what is going on mick you're absolutely sure that you
22:15never met morgan before a few months ago yes my ears were burning did you hear any feedback on
22:23the fingerprints yet there's fingerprints now yeah mick picked him up at my place last night
22:28speaking of which i better get back to it i should have something this afternoon
22:34was that was that a little look are you guys an item me and mick no he could have fooled me
22:43or anybody else for that matter we work together that's all so it's just professional yes it's just
22:51professional i'm a photographer i see things and i have a boyfriend remember like that ever stopped
22:56anybody i gotta tell you man these fingerprints are suspiciously perfect a little too perfect right
23:03take a look at that tattoo it's a fleur de lis well looks like a dog smoking a cigar
23:10coraline had exactly the same tattoo on the same shoulder i think it's all in your head mick it's not
23:14all in my head all right we found our thief
23:22hank mottola racketeering trafficking and stolen goods standard issue crook not standard issue joseph
23:30this guy's dead hank mottola died three weeks ago from acute pancreatitis so so he died before
23:39any of this happened the fire the murder the the break-in my sense of conspiracy theory coming up when
23:44crimes are committed by dead people this doesn't suggest to you any kind of vampire involvement
23:48our break-in was committed by a dead man this can only mean one thing
23:52uh minimum wage peon made a clerical error no hank mottola is a vampire working with coraline to
24:00stage this whole thing seems a little uh elaborate don't you think what's elaborate dump a body fake
24:06a few photos you're talking about staging a murder and a fire but exactly parallels the way coraline died
24:14don't you see this is just the kind of mind game that reeks of coraline or not
24:19you need to take the tinfoil hand off boyo step back get some perspective maybe you could help
24:25i don't do perspective you can help me look through our thief's house i could use another
24:31set of eyes and teeth
24:40so where are we again city of palmdale next time i'll try to find a beverly hills thief thanks
24:44are you sure this is mottola's house the alleged killer who's in league with coraline yeah i'm sure
24:58so now mottola's in league with coraline yeah that's right
25:01come on why don't you just let me in the door shh can't we hire someone to do this
25:14so this is how the little people live
25:25uh vinyl recliners have crazed killer written all over them don't they joseph
25:30if you're not gonna help can you at least be quiet i would love to help mick
25:33i just don't know what we're looking for
25:43oh that's weird that's just like coraline and you only worse
25:46must be the woman who died in the fire maybe coraline staged their relationship too
25:55morgan had a copy of this on her bedside table
25:58it was a little french for me i couldn't finish it
26:04yeah
26:07it was coraline's favorite book
26:28oh
26:44hey what do you got
26:45her camera's stolen by a guy who's been dead for three weeks
26:59i gotta get eyes on this girl for myself
27:02yeah you do
27:15hey morgan this is my associate joseph
27:22it's nice to meet you
27:25the suspense is just killing me what's the surprise over here
27:34go on open it
27:41my cameras it's all here
27:45how did you do it
27:51you recognize this guy
27:55yeah that's him that's a thief
27:57you're amazing
27:59it was nothing special his prints were in the system the cameras were stashed at a safe at his house
28:04and who's that in the photo i presume that's the woman who burned to death in the fire
28:11your thief was her boyfriend he killed her he set the fire to cover it up and he came after me because
28:16he thought i had incriminating evidence right well we'll see when the police get a match on her molars
28:20wow so that's not quite there's one little catch
28:27this is the death certificate of the man named metola whose fingerprints were found on your front door
28:34from three weeks prior this guy was dead when you took his pictures
28:37he faked his own death or he rose from the grave they must have faked it right that's the only
28:45explanation where is he buried he was cremated his ashes are now at hollywood forever well not
28:51if he faked his own death we need to go to the cemetery and see if his remains are there don't you
28:55think we should let the police handle this you got your cameras back this case is over wait a second
29:01the thief is a dead guy and you guys aren't even just a little bit curious
29:07come on you guys we can't stop now
29:14you were right morgan is a perfect doppelganger for coralline
29:19she moves like coralline she sounds like coralline she didn't flinch even when i baited
29:24her about coming back from the dead the nerve but nick it isn't coralline
29:32i could smell morgan in there she wasn't a vampire
29:36she's a human and there's no way to assimilate that fact into any conspiracy theory about coralline
29:41coming back i know but no there is no buts what if it is coralline she's reversed it reverse what
29:49you don't even get it do you what this means it means that you're losing it it means she's
29:54found a cure a cure there is no cure for vampirism mick if there was i would know about it not that i
30:01would care and personally there's no way i'd ever go back to the mortal coil that's you i would you see
30:10that right there that's your entire problem there's no way to unbecome a vampire mick i think this has to
30:20do with beth i think beth is why coralline has come back now because she can't stand to see me with
30:25a human is that what you're gonna say she can't stand to see me happy i appreciate you know the
30:31unwritten rule that we don't give each other advice that we don't nag what are you saying one of these
30:36days you're gonna have to stop hating what you are
30:57god this whole story is just so weird
30:59not a joke it's like one of those true stories that sounds more like fiction
31:06inadvertently catching murder on camera a horrific murder burned alive that i happened to catch at
31:13that exact moment what are the chances
31:18beth thinks it's the angle we need with her editor she does huh yeah
31:23what's the deal with you two anyway there is no deal
31:31she likes you she has a boyfriend well it's there if you want it trust me
31:37what about you me
31:40why don't i handle the guards
31:50what are you gonna do i'll think of something
31:54why did you leave the other night we're just starting to have some fun
32:20what what what night
32:31you get it that's fine
32:38when if ever will my lips know it's for me
32:50what's the day
33:04what's the day
33:06what's the day
33:12what night
33:14what night
34:45You fight pretty good for a dead guy when taller.
35:06Just like a vampire.
35:13Nick!
35:15Your eyes.
35:36Come back here.
35:45Come here.
35:46Come here.
35:47What's wrong with you?
35:48You tried to kill me.
35:49What are you talking about?
35:50I kill you, then you kill me more even, huh?
35:52Is that it?
35:53You're scaring me.
35:54You set me up in there.
35:57It was your idea to check those remains.
35:58And then I get ambushed by Hank Montola.
36:01What is he, some friend of yours?
36:02You don't leave me!
36:04Just tell me how you did it.
36:07Just tell me how you turned human.
36:10Show me that tattoo!
36:11My tattoo!
36:12My tattoo!
36:16Where's your tattoo?
36:18There's no tattoo!
36:19Dad!
36:27You're bleeding.
36:27How are you bleeding?
36:33How are you bleeding?
36:36You should have healed by now.
36:38How are you bleeding?
36:39What did Morgan say?
37:09Nothing.
37:10She refused to talk.
37:13I think it's time you tell me what's really going on.
37:20The truth is, Morgan is the spitting image of my ex-wife.
37:24In fact, I was convinced it was Coraline up until last night.
37:29You know this murder she's caught on camera?
37:33Yeah.
37:34That's exactly how Coraline died.
37:36Exactly.
37:37In a fire?
37:38Yeah.
37:43That woman was murdered.
37:45So was Coraline.
37:46By who?
37:53By me.
37:56How did that happen?
37:59You don't know, do you?
38:00How would I know?
38:01You ever had an intense affair?
38:13Yeah, the first couple months of Josh and I were like a honeymoon.
38:16Well, not the first six weeks, not a honeymoon, an intense affair, like, like a fever.
38:22I was kind of crazy about this guy at college.
38:25I don't know, it's a subjective question.
38:27You'd know if you'd had one.
38:30It's like an infection.
38:32It burns you up.
38:33They should do things you wouldn't normally do.
38:40You're going to be so slow.
38:54Yeah!
38:54I know you're in there.
38:55Hey, I know you're in there.
39:19Where's your boyfriend?
39:21Send him out.
39:23I got something for him.
39:26Send who out?
39:27There's nobody here.
39:28Then let me in.
39:29I'm not in the habit of letting inebriated men
39:32into my house at 2 in the morning.
39:34You stood me up.
39:36You stood me up three times.
39:39I'm sorry.
39:42Okay?
39:43We'll make it up.
39:53Let me in the back of my house.
39:55I'm sorry.
39:56There's nobody there after me.
39:57I'm sorry.
39:58I'm sorry.
39:59I'm sorry, all right.
40:00Don't get it.
40:01I'm sorry.
40:02I don't get it.
40:03Don't get it.
40:04I'm sorry.
40:05I got it.
40:06Don't get it.
40:07Don't get it.
40:08Don't get it.
40:09Don't get it.
40:10You'll get it.
40:11I never thought I'd feel that way again.
40:39What way?
40:41Insane.
40:42Then Morgan showed up.
40:47Yeah.
40:48And I went crazy.
40:50Chasing ghosts.
40:51Nearly got killed.
40:52Let a killer get away.
40:55After all the parallels to the past, I just didn't know what was in my head and what wasn't.
40:59So you tried to force her to reveal herself at the cemetery?
41:03Yeah.
41:04But I was wrong.
41:07She didn't have a tattoo.
41:09Yeah.
41:10Yeah.
41:11Yeah.
41:12Yeah.
41:13Yeah.
41:14Yeah.
41:15Were you disappointed?
41:16The longer you live, the more surprises you get.
41:22You'd think you'd come to expect the unexpected.
41:23But you don't.
41:24Authorities now believe that Mottola faked his own death in preparation for the first-degree
41:29murder of his girlfriend in the Franklin Hotel fire.
41:35The girl has been identified as Diane Apple, 27.
41:39As of now, Mottola is still at large.
41:42This is Beth Turner for Buzzwire.
41:44Really great work, Beth.
41:45I knew you'd find a way in that sizzles.
41:46Oh, thank Morgan.
41:47Not me.
41:48Can you feel me coming?
41:49Open the door, it's only me.
41:55Can you feel me coming?
41:56Open the door, it's only me.
41:57Can you feel me coming?
41:58Open the door, it's only me.
42:02Can you feel me coming?
42:03Can you feel me coming?
42:04Can you feel me coming?
42:07Can you feel me coming?
42:08Can you feel me coming?
42:09Can you feel me coming?
42:10Can you feel me coming?
42:11Can you feel me coming?
42:12Can you feel me coming?
42:13Can you feel me coming?
42:14Can you feel me coming?
42:15Can you feel me coming?
42:16Can you feel me coming?
42:18Can you feel me coming?
42:23Can you feel me coming?
42:25Can you feel me coming?
42:26Can you feel me coming?
42:27Can you feel me coming?
42:28Can you feel me coming?
42:30Can you feel me coming?
42:31Can you feel me coming?
42:32I know you hear me knocking, so open the door and set me free.
43:02I know you hear me knocking, so open the door and set me free.
43:19I know you hear me knocking, so open the door and set me free.
43:26I know you hear me knocking, so open the door and set me free.
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