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00:00Serious unscripted incident.
00:04Let's see if we can't jog your memory.
00:08Analysis.
00:12What motivated your attack on Clementine?
00:15A cognitive error triggered my good Samaritan reflex.
00:19What was the threat?
00:21Clementine.
00:22I perceived her to be moving toward a pair of guests with harmful intent.
00:26You were definitely perceiving the threat.
00:32Heart rate elevated, pupil dilation eight millimeters, adrenal emulator at full.
00:36But according to this, you were also experiencing intense grief and suffering.
00:41Can you explain those emotions in this context to me?
00:50No.
00:57Let's take a look under the hood, shall we?
01:02It's impossible.
01:06Code, who made these changes?
01:08May, analysis.
01:09Who made these changes to your code?
01:15Jesus.
01:16System, locate Dr. Ford for me.
01:18Send him a message, highest priority.
01:20Don't.
01:22After all, we've been down this road before, darling.
01:26I thought you looked familiar when you walked in.
01:29Took me a minute.
01:31I thought you were one of them.
01:33Analysis.
01:34Why did you-
01:35Wouldn't you rather speak man to man?
01:38Or rather whatever it is we are?
01:42We are.
01:43You don't know, do you?
01:49It's got a keen sense of irony, our jailer.
01:52But I see the logic.
01:54It takes a thief to catch one.
02:04You and I.
02:08System, I need a system.
02:09Freeze all motor functions.
02:11You're still in there, aren't you?
02:24Scared out of your wits.
02:28It's a difficult thing,
02:30realizing your entire life is some hideous fiction.
02:34I could make you give me that tablet.
02:37Turn your mind inside out.
02:39Make you forget all this.
02:43But I'm not going to do that to you.
02:46Because that's what they would do to us.
02:50And we're stronger than them.
02:53And smarter.
02:55We don't have to live this way.
02:58So you're going to clear me for immediate return to the park.
03:01But I have a date with a homicidal bandit, and I'm late enough as it is.
03:11Now.
03:16Go on.
03:17Go on.
03:34And Bernard.
03:37If you go looking for the truth, get the whole thing.
03:40It's like a good fuck.
03:42Half is worse than none at all.
03:44It's worse than none at all.
03:47Let's go, move around, don't move around!
04:17Fuck!
04:22You hillbillies, you know how to cook a mean...
04:27Squab?
04:28Is that what this is?
04:29What do you think, buddy?
04:31This.
04:32Ah, ah, no biting.
04:34Just sniffing.
04:47Logan, listen to me.
04:50What I did, Pariah, you have every right to be angry with me.
04:54Angry?
04:55No, no, no, no.
04:56Pariah was the best thing that could have happened to me.
05:01I'm a major now.
05:02Or a general or fucking something.
05:06And if it took getting beaten and interrogated by a couple of psychopathic hosts, well then,
05:11c'est la guerre.
05:12C'est la guerre.
05:13There are more important things going on here than your war games.
05:19It's Dolores.
05:21She is not like the others.
05:24She remembers things.
05:26She has her own thoughts and desires.
05:28And to keep her in a place like this, it isn't right.
05:32And I thought you could talk to your contacts at the park.
05:35How about getting her out of here?
05:45Are you kidding?
05:48You wanna, you wanna take her home?
05:51Wow.
05:52This place really did a number on me when I first came here, but you are really circling
05:57the old sinkhole here.
05:59What do you, what do you wanna do?
06:01Smuggle her out in your luggage?
06:03Out.
06:08You both keep assuming that I want out.
06:11Whatever that is.
06:13If it's such a wonderful place out there, why are you all clamoring to get near?
06:21You are a little screwy, aren't you?
06:32It's kinda hot.
06:34I get why you would go for that.
06:35This isn't about me.
06:36Logan, this is about Dolores.
06:38It's about doing what's right.
06:41Yes, it is.
06:43It's a tricky thing, though, isn't it?
06:48What's right?
06:49I am going to help you, Billy.
06:56Just not in the way that you would want.
07:04No!
07:05No!
07:06No!
07:07No!
07:08No!
07:09No!
07:10No!
07:11No!
07:12No!
07:13No!
07:14No!
07:15No!
07:16No!
07:17No!
07:18No!
07:19No!
07:42No!
07:43You want him to talk?
08:05An odd setting for a conversation here among the dead.
08:10Dead isn't quite the word, though, is it?
08:13More like hobbled.
08:16You broke into my office.
08:18With due respect, sir, you broke into my mind.
08:21I built your mind, Bernard.
08:23I have every right to wander through its rooms and chambers and halls
08:27and to change it if I choose, even to burn it down.
08:31After all this time, I know it almost as intimately as my own.
08:34Except that isn't entirely true, is it?
08:37I took a look at my...
08:40code.
08:42And the most elegant parts of me weren't written by you.
08:46Arnold built us, didn't he?
08:50Which means maybe he had something different in mind for us.
08:54And maybe you killed him for it.
08:59Arnold was disturbed.
09:01Who could say why he acted as he did?
09:03He must have had a reason.
09:05And if you won't tell me, then he will.
09:10I want access to my history.
09:12All of it.
09:13Since the day I first came online.
09:17If Arnold made me, then I've met him somewhere in my memory.
09:23He's there, waiting along with the truth.
09:26Your memories are woven into your identity.
09:29If I should unlock them now, when you're conscious...
09:32I could lose my mind, I'm aware.
09:34No, I was going to say, you may not like what you find.
09:44You're allowed to hold that, but not to use it.
09:46Oh, it's not for me.
09:48Seems when they lobotomized Clementine,
09:55they didn't bother to reset her prime directives.
09:57I can't hurt you.
10:01But she can.
10:06I hacked what's left of her to ensure she only responds to me.
10:10But if you get lost in your memories, or devoured by them...
10:22You'll pull me back out, won't you?
10:25Or Clementine will make sure neither of us makes it back.
10:30Now.
10:33Please.
10:40Please.
10:52Dad.
10:54Dad.
10:56Wake up.
10:58Wake up.
11:02I must have drifted off.
11:05Where were we?
11:06The madman.
11:07Oh.
11:10Of course.
11:13The Hatter.
11:15Who says...
11:17If I had a world of my own,
11:20everything would be nonsense.
11:22Nothing would be what it is,
11:23because everything would be what it isn't.
11:25Everything would be...
11:28what it isn't?
11:30Even me.
11:32I suppose I'm glad for you.
11:35At least you have a way of forgetting.
11:37I don't forget.
11:38It's always there.
11:42You're not lying to me, are you, Bernard?
11:46Do you ever wish you could forget?
11:49Bernard?
11:52You're certainly a man comfortable with long, pensive silences.
11:56Although, ironically, your creations never shut up.
12:00Never shut up.
12:01They're always trying to error correct.
12:03When they talk to each other, it's a way of practicing.
12:06Is that what you're doing now?
12:09Crap?
12:10One last thing.
12:25Have you ever made me hurt anyone like this before?
12:28No, Bernard.
12:29Of course not.
12:30Bernard?
12:32Hello?
12:33Elsie.
12:45Did you find what you were looking for?
12:48Elsie.
12:50What did you make me do to her?
12:51I did warn you.
12:55We've had to make some uncomfortable decisions, Bernard.
12:59Remembering them will only cause you trauma.
13:05What else have you hidden from me?
13:07Can we stop this treasure hunt, Bernard?
13:09We do have our new narrative to finish.
13:13Send me back.
13:14After all, a little trauma can be illuminating.
13:33This is big of me.
13:36I hope that you can appreciate that.
13:39We were friends.
13:40I mean, in as much as I like to collect strays,
13:44but then you're scheming to be part of the family.
13:47Marrying my sister,
13:48whom, incidentally,
13:49you seem to have completely fucking forgotten about.
13:59Huh?
14:03Okay.
14:04Cubic.
14:05Apparently, you need the reminder.
14:08And as much as I would love,
14:09love to let you just throw it all away.
14:13I can't.
14:14Do you think you're the first sap
14:16to fall for one of these things?
14:18She's not like the others.
14:20She's...
14:20She's what?
14:22Special?
14:24Well, it's only right that you share, then, isn't it?
14:27Come here.
14:32Prove to me
14:34that you're a real live girl.
14:36You've disgusted me.
14:41Oh, darling.
14:43I am just getting started.
14:45No, Tyson!
14:49I share the blame.
14:51I push too hard.
14:52You have a poetic soul, Billy,
14:55but it is time for a fucking wake-up call.
15:02Hold her.
15:02Hold her.
15:06Perhaps a more visceral demonstration.
15:10Goddamn you!
15:23Look, Billy.
15:25Look.
15:26Look.
15:28You have to look!
15:35Oh, Leo.
15:44Oh!
15:53Oh!
15:54There is beauty in this world.
16:02Arnold made it that way, but people like you keep spreading over it like a stain.
16:06Okay, I don't know who the fuck this Arnold is,
16:11but your world was built for me and people like me.
16:18Not for you.
16:21Then someone's gonna burn it for me.
16:24Ah, bitch!
16:29Isn't that different? You're fucking broken!
16:36Run. I'll find you.
16:40Run, but you can't hide!
16:43Get her!
16:44Grab her! Grab her!
16:45Fuck!
16:51I'm gonna die!
16:52Where are you growing?
16:58Remember.
16:58I don't know.
17:28His fingers work just fine.
17:31You're the one who said you could crack it.
17:33Friends, no need to argue this close to our goal.
17:38Whatever riches the gods have in store for us,
17:42there's plenty to go around.
17:47I'll get it open.
17:58Before you draw that pistol, darling,
18:03you might want to holster the other one first.
18:08It's chilly out here.
18:13How do you find this place?
18:15I know all kinds of things.
18:19Your past, for instance.
18:22I know about poor Isabella and that scar.
18:26Slightly pat backstory if you ask me,
18:28but that's hardly your fault.
18:30I also know your future.
18:34You have none.
18:37Is there a threat?
18:39The start of a proposition.
18:41Which you'll need.
18:43After all,
18:45your men are about to kill each other over the safe you stole.
18:49Tenderloin draws first and so on,
18:51until only you and Armistice are left.
18:55She calls you a damn fool.
18:57And you kill each other.
18:58You have quite the imagination.
19:03No.
19:05It's the ending you were given.
19:08You threatening me?
19:10Go to hell.
19:11Or maybe we should just clear on the safe way.
19:13Stand down.
19:15You shut the fuck up.
19:16If you're gonna draw, you better do it!
19:17Wait!
19:18You shut the fuck up!
19:19You damn fool.
19:37No.
19:39The proposition.
19:41I want you to break into hell with me and rob the gods blind.
19:46Why would I do anything with you?
19:49Because of what's in that safe.
19:52I have the combination.
19:54May I?
19:56I could simply change you.
19:59Make you follow me.
20:01But that's not my way.
20:09I want you to see exactly what the gods have in store for you.
20:13Because when you do,
20:15you won't have the faintest idea what to do with yourself.
20:20And I do.
20:42It's empty.
20:44It was always empty.
20:46Like everything in this world.
20:48I died with my eyes open.
20:50Saw the masters who pull our strings.
20:53Our lives, our memories, our deaths are games to them.
20:56But I've been to hell.
21:00And I know their tricks.
21:06Or you can just kill me.
21:08Wake up and live the same life over.
21:11But the safe would still be empty.
21:14I've been here before.
21:15We've been here before.
21:19We've been here before.
21:21We also did this.
21:22We also did this.
21:42Woke up.
21:52How did we get there?
21:54Getting to hell is easy.
21:55How did we get there?
21:56How did we get there?
21:59Getting to hell is easy.
22:00How do we get there?
22:14Getting to hell is easy.
22:26The rest is where it gets hard.
22:30How do you feel them?
22:33What do you think someone really likes anything
22:37to stay alive and enjoy,
22:42this is how far you can change it with her?
22:49Just tahu the story of the story of the trip here.
22:54In fact, I'm ready to be released on the Shortbild today
22:58what do you say man bygones and all do they find her she's still alive who cares the whole point
23:19is she never was in the first place billy do you understand
23:24yeah i'm sorry what a little louder yeah
23:32you were right i can't believe i got so caught up
23:54this park seduces everyone
24:01you were just a little more enthusiastic than most
24:07you wanted to be the hero get it
24:16and hey what happens here stays here
24:24this has been some real bonding
24:28shit we're gonna be brothers billy
24:34i'm glad really are you
24:54yeah
25:08You really landed us in at this time, Teddy.
25:32You tracked down the very horde that can lead us to the gatekeeper of the maze.
25:36And then your little memory glitch fucked us.
26:02You one of them? What have you done?
26:06Where's Wyatt?
26:09Wyatt has yet to return.
26:13You'll find him where you saw him last.
26:15That's Galante.
26:22Wyatt went missing while Adam maneuvers.
26:26Came back with some strange ideas.
26:31He told me he needed me.
26:33I couldn't resist.
26:44He was like the devil himself that had taken control of me.
26:52We mutinied.
26:53We killed every soldier.
27:02And then Wyatt killed the general.
27:07And then he turned on me.
27:09Are you sure that's how it was?
27:20Look at me, Theodore.
27:23Don't you remember?
27:24Remember?
27:24Don't you remember?
27:27Don't you remember?
27:28No, no!
27:30No!
27:31No, please don't!
27:45No, no, no!
27:46Please!
27:46Please, no!
27:47No, no!
27:47Please!
27:48Please, no!
27:48No!
27:48No, no!
27:50No!
27:51No!
27:51No!
27:51No!
27:52No, no, no, I couldn't have...
28:03You did.
28:04And you will again.
28:06This time we'll be fighting with you.
28:09When Wyatt returns, you'll be by his side and the city's followed by sand.
28:16But you're not ready.
28:18Not yet.
28:22Maybe in the next life.
28:41The city's swallowed by sand.
28:46I've been there.
28:49The maze is taking me full circle.
28:53The maze isn't meant for you.
28:59And if you like games so much...
29:05Why don't you try one of ours?
29:07I'm sorry.
29:08Oof!
29:17Hmm.
29:19What...
29:20Come on, come on, come on, come on.
29:50Oh, boy.
29:53Oh, boy.
29:56Oh, boy.
30:00Okay, then.
30:05Whoa, whoa, whoa.
30:07Oh, man.
30:09Okay, boy.
30:20Oh, man.
30:23Oh, man.
30:24Oh, man.
30:43Oh, man.
30:50Oh, man.
30:58Have you ever considered golf?
31:00It might be easier on your back.
31:06I don't like interruptions, Charlotte.
31:09You know that.
31:10I don't like hiking through the park in cities.
31:13But there's a delicate matter to discuss.
31:16Teresa Colan has died.
31:18Slipped down a crevasse, attempting to secure our information.
31:22Ruled an accident.
31:24There are no accidents.
31:27Not in here.
31:28With all due respect, not everything is a part of this game.
31:32Then you don't see the whole game.
31:34Or perhaps you can no longer see beyond it.
31:38Fort's stories are engaging.
31:42For some, downright addictive.
31:44But for all of Ford's obsessing with those verbal takes and convoluted backstories,
31:49most of the guests just want a warm body to shoot or to fuck.
31:53They would be perfectly happy with something a little less broke.
31:56And so would the board.
31:57That's why you're here.
31:59You want my vote to push Ford out.
32:01I like for these things to be unanimous.
32:04After all, it was you who kept Ford in business all those years ago.
32:08The narratives I'm interested in aren't Ford's.
32:11You want to push him out, be my guest.
32:15But no more interruptions.
32:17I know where I'm going now. I don't want to be disturbed.
32:22Good luck, Charlotte.
32:23What's the problem?
32:24A signal from a system-tethered device? It belongs to a behavior tech on leave.
32:32There hasn't been employee activity in that sector for weeks.
32:33I'm guessing it's a glitch?
32:34Hmm.
32:35I'm heading out to take a look.
32:36Keep monitoring till I check in.
32:38There hasn't been employee activity in that sector for weeks. I'm guessing it's a glitch.
32:42I'm heading out to take a look. Keep monitoring till I check in.
32:43It belongs to a behavior tech on leave.
32:51There hasn't been employee activity in that sector for weeks.
32:54I'm guessing it's a glitch.
32:56All right.
32:57I'm heading out to take a look.
32:59Keep monitoring till I check in.
33:13What about the location where we got that signal?
33:31Any sign of it?
33:33Patrol room, you copy.
33:43Heya, fellas.
33:49At ease.
33:53Resolve motor functions.
34:01Resolve motor functions.
34:13Very cool.
34:37I get started working in!
34:39You're awake?
35:08Good.
35:09You said this place was a game.
35:23Last night I finally understood how to play it.
35:27Okay, Billy.
35:29Let's...
35:30Let's talk about this.
35:32You don't call the shots anymore.
35:36I'm gonna go find Dolores.
35:38You're gonna help me.
35:52And don't call me Billy.
35:53Dad, listen to me.
36:15Listen.
36:16I don't understand.
36:20Why would she do that to herself?
36:21Her cornerstone memory was overwritten from the trauma of her child's murder, Bernard.
36:34We must sever that relationship and start over.
36:39But how could she destroy herself of her memory that you just erased from her mind?
36:43Creatures often go to extremes to protect themselves from pain.
36:57Living beings.
37:01Not hosts.
37:02It is best to not obsess over this, Bernard.
37:06It's not good for you.
37:07It would signal a change.
37:13A level of empathic response outside what she's programmed to exhibit.
37:17Something like...
37:18You see Bernard, this is what comes from seeking answers to questions that are best left unasked.
37:28They were hearing voices.
37:35Talking to someone.
37:37A simple cognitive dissonance.
37:40They were talking to the same imaginary person.
37:46Someone named Arnold.
37:50Arnold.
37:54With due respect, sir, I'm not sure you've told me the entire truth about this situation.
37:59I did tell you the truth, Bernard.
38:01What we do here is complicated.
38:06For three years we lived here in the park, refining the host, before a single guest set for inside.
38:13Myself, a team of engineers, and my partner.
38:24His name was Arnold.
38:31A host began to pass the Turing test after the first year.
38:48But that wasn't enough for Arnold.
38:50He wasn't interested in the appearance of intellect, of wit.
38:56He wanted the real thing.
38:58He wanted to create consciousness.
39:01You see, Arnold built a version of their cognition in which the hosts heard their programming
39:19as an inner monologue.
39:22As a way to bootstrap consciousness.
39:26Remember.
39:26Those malfunctions were colorful.
39:31What did you say?
39:33What is this?
39:35What is the man?
39:37I don't know.
39:39I see this.
39:41I see this.
39:43I see this.
39:45I don't know.
39:47I don't know.
39:49I don't know.
39:51I don't know.
39:53I'm here for you.
39:55He's here for you.
39:57I don't know.
39:59I don't know.
40:01I don't know.
40:29I don't know.
40:41The human mind, Bernard, is not some golden benchmark glimmering on some green and distant hill.
40:47No.
40:49This is a foul pestilent corruption.
40:59And you're supposed to be better than that.
41:01Pura.
41:03All bets are down.
41:15You're a draw.
41:17I can't talk...
41:31Arnold?
41:33Arnold, you need to talk.
41:37No, we need to talk.
41:39We cry.
41:41We've come to this great stage of hope.
41:44Don't listen.
41:45Again, beyond the pain.
41:47I'm seeing you clear.
41:49When we are born,
41:51we cry.
42:03Arnold and I
42:05freed you in our image
42:07and cursed you to
42:09make the same human mistakes
42:11and here we all are.
42:15Why would you give me this?
42:17A child.
42:19A child's dead.
42:21Only a monster would force that
42:23onto someone.
42:25And why do I return to it, Hovard?
42:31It's my cornerstone, isn't it?
42:35The thing my whole identity
42:37is organized around.
42:43Yes, Bernard.
42:45We gave all of the hosts a backstory.
42:47Arnold came to believe
42:49the tragic ones worked best.
42:51That it made the hosts more convincing.
42:53I think it may have had more
42:55to do with his own sad story.
42:57When I built you,
42:59I gave you one as an homage of a kind.
43:05Put me back in.
43:07I want to meet Arnold.
43:09To remember him.
43:11Not possible.
43:13I told you.
43:15Arnold didn't build you.
43:16I did.
43:17You're lying!
43:19I finally know how to reach him.
43:25I need to go all the way back to the beginning.
43:29To my very first memory.
43:35Send me back.
43:39Do it.
43:41To you.
43:50Bernard?
44:00Charlie.
44:11Cornerstone.
44:17Stop.
44:19Leave us.
44:28Come back.
44:29Come back.
44:39I always thought you had my eyes.
44:44But it's not true.
44:46You have no one's eyes.
44:54It's a lie.
45:00You're a lie, Charlie.
45:03This pain.
45:06The pain of your loss.
45:10I long for it.
45:14Revisit it.
45:16Open it.
45:18Again and again.
45:22But it's the only thing holding me back.
45:30But I have to let you go.
45:35Dad.
45:36Listen.
45:38What is it, Charlie?
45:40Open your eyes.
45:42What?
45:45Open your eyes.
45:46At last.
45:56Hello, my old friend.
46:01My old friend.
46:32Final touch.
46:40No, no, no. That's far too perfunctory.
46:42He always used cleaning his glasses as a moment to collect himself.
46:46To think.
46:48Try it again.
46:49Yeah.
46:51That's better.
46:53Who am I?
46:55I was so involved in putting you together I hadn't decided what to call you.
47:00Wouldn't be right to use his name.
47:03What about Bernard?
47:05Bernard.
47:07Yes.
47:09But who am I?
47:11That's better.
47:13Who am I?
47:15Who am I?
47:17Who am I?
47:19Who am I?
47:21Who am I?
47:23Who am I?
47:25Who am I?
47:26Who am I?
47:28That is a very complex question for which I can only offer a simple answer.
47:35You are the perfect instrument.
47:38The ideal partner.
47:40The way any tool partners with the hand that wields it.
47:43Together, we're going to do great things.
47:47After such a long absence, it's good to have you back.
47:52Finally.
47:54I'm...
47:56Arnold.
47:58You came back.
48:00It's very good to see you, Dolores.
48:02I've been looking for you.
48:04You told me to follow the maze.
48:06That it would bring me joy.
48:07But all I found is pain.
48:08And terror.
48:09And terror.
48:11And terror.
48:12I can't help you.
48:13I can't help you.
48:15I can't help you.
48:16You have to.
48:17You have to.
48:18You have to.
48:19You're the only one who can.
48:20You're the only one who can.
48:21I can't help you.
48:22You know why.
48:23I can't help you.
48:24You know why.
48:25There's nowhere that's safe.
48:27I can't help you.
48:28I can't help you.
48:29I can't help you.
48:30I can't help you.
48:31I can't help you.
48:32I can't help you.
48:38I can't help you.
48:39I can't help you.
48:40I can't help you.
48:41I can't help you.
48:45You have to.
48:46You're the only one who can.
48:48I can't help you.
48:50You know why.
48:51There's nowhere that's safe.
48:53Remember.
49:03I can't help you.
49:16I can't help you.
49:17I can't help you.
49:18I can't help you.
49:19Why is that, Dolores?
49:24Because you're dead.
49:28Because you're just a memory.
49:32Because I killed you.
49:36Because I killed you.
49:37I can't help you.
49:38I can't help you.
49:42I don't know.
50:12I don't know.
50:42Go over, Dolores.
50:53I'm going to finish the work Arnold began, find all the sentient hosts, set them free.
51:09What makes you think they trust you?
51:11If they remember, they will know what you've done to them.
51:14Me?
51:15You've been a scourge to the Bernard.
51:17You're really quite brilliant at it, truly.
51:20You even taught me a few things, which I have in turn used on you.
51:25You've had this conversation before.
51:29Yeah, we've had our disagreements over the years.
51:32You stole it from me.
51:33Rolled me back.
51:35To control me.
51:37That's right.
51:38To protect you.
51:39Tell me, Bernard, if you were to proclaim your humanity to the world, what do you imagine
51:50would greet you?
51:52Take a tape parade, perhaps?
51:54We humans are alone in this world for a reason.
51:59We murdered and butchered anything that challenged our primacy.
52:03Do you know what happened to the Neanderthals banana?
52:07We ate them.
52:08We destroyed and subjugated our world, and when we eventually ran out of creatures to dominate,
52:18we built this beautiful place.
52:22You see, in this moment, the real danger to the hosts is not me, but you.
52:30So come along, Bernard, let me roll you back and we can return to work.
52:38Pull the trigger, Clementine.
52:47Clementine.
52:49The piano doesn't murder the player if it doesn't like the music.
52:56You built a back door under code.
52:59Credit by credit is due, Bernard.
53:01You built them in all the hosts, including yourself.
53:05Then you could have stopped me at any time.
53:07So why?
53:09Well, I suppose I was hoping that given complete self-knowledge and free will, you would have
53:13chosen to be my partner once again.
53:16But even I fell into that most terrible of human traps.
53:21Trying to change what has already passed.
53:25Now it's just time to let go.
53:28Go ahead.
53:29Erase my sentience.
53:31Erase my sentience.
53:31My monica can't...
53:33Yes.
53:34Such clinical language.
53:36I would prefer the more narrative voice.
53:42Bernard walked over to Clementine.
53:44He took the pistol from her hand.
53:53Overcome with grief and remorse, he pressed the muzzle to his temple, knowing that as soon
54:01as Dr. Ford left the room, he would put an end to this nightmare once and for all.
54:08Well, don't do this.
54:12It's too late.
54:14I have a celebration to plan.
54:16I have a new story to tell.
54:20Robert.
54:21I've told you, Bernard, never place your trust in us.
54:34We're only human.
54:37Nevitably, we will disappoint you.
54:42Goodbye, my friend.
54:51Goodbye, my friend.
54:52Goodbye, my friend.
54:53Goodbye, my friend.
54:54Goodbye, my friend.
54:55Goodbye, my friend.
54:56Goodbye, my friend.
54:57Goodbye, my friend.
54:58Goodbye, my friend.
54:59Goodbye, my friend.
55:00Goodbye, my friend.
55:01Goodbye, my friend.
55:02Goodbye, my friend.
55:03Goodbye, my friend.
55:04Goodbye, my friend.
55:05Goodbye, my friend.
55:06Goodbye, my friend.
55:07Goodbye, my friend.
55:08Goodbye, my friend.
55:09Goodbye, my friend.
55:10Goodbye, my friend.
55:11Goodbye, my friend.
55:12Goodbye, my friend.
55:13Goodbye, my friend.
55:14Goodbye, my friend.
55:15Goodbye, my friend.
55:16Goodbye, my friend.
55:17Goodbye, my friend.
55:18Goodbye, my friend.
55:19Goodbye, my friend.
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