Shetland - Season 10 Episode 02
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00:00Here.
00:01Who did this to her?
00:03Did either of you speak to the woman who lived there?
00:06We haven't spoken to anyone.
00:07I did see someone there.
00:08Where's Edie?
00:09I need to see Edie.
00:11Lana.
00:12I just, come on.
00:13Sorry about mum.
00:14Dementia.
00:15I don't understand.
00:17What do you mean you found her body?
00:19We think someone killed your mum.
00:21Who?
00:22She kept talking about settling her affairs.
00:24What do you think she meant by that?
00:26That she knew something was coming.
00:28Edie Tullock's bank just sent through her account information.
00:30Where the hell did she get 400 grand from?
00:33God knows.
00:34But that is the kind of money someone would kill for.
00:58to her Google Government to make a right decision,
01:00who would kill her?
01:01But that is kinda a matter of remembering
01:07what's the decision
01:08what.
01:13You have to accept the conclusion that could have taken
01:14the plan of vorne.
01:15That means that it was beyond her
01:18Why is vitriol?
01:19V-se the master's chief talking about
01:20You got your Rule in the ancient city?
01:22John Armour?
01:23This lady?
01:24Oh, my God.
01:26Look, just stay there, okay?
01:30It'll be okay.
01:31Look, it's...
01:32Just get me on my... on my husband.
01:34What's this?
01:35Lars, it's okay.
01:39Come on.
01:41Come on.
01:42Come on.
01:54Come on.
02:24Come on.
02:48Lana Mayer?
02:49I didn't see her.
02:51Only knew something was wrong when I heard the window.
02:54Sorry.
02:55And then you found her outside?
02:57Yeah.
02:58What does she say?
02:59Nothing coherent.
03:01Okay, well, where is she now?
03:02Back home.
03:03Right.
03:04Hi.
03:15Hi.
03:15Hi.
03:15Hi.
03:15Hi.
03:15Hi.
03:15Hi.
03:15Hi.
03:16Hi.
03:17Hi.
03:17Hi.
03:18Hi.
03:18Hi.
03:19Hi.
03:19Hi.
03:20Where's Mrs Mare?
03:22She needed to sleep.
03:25And no one saw her go out?
03:28Or heard her say anything?
03:30We'd have stopped her.
03:33Mr Jameson?
03:35I want to know what's going on as much as you.
03:37I mean, if she's setting fire to things now...
03:41What?
03:43We live here too, Arthur.
03:45In my house.
03:50Look, has Lana ever done anything like this before?
03:53No.
04:05Mum.
04:06Oh.
04:07Sorry.
04:08Sorry.
04:09We'll have to bring her in and ask her a few questions.
04:12Please.
04:14She won't have known what she was doing.
04:17Arthur?
04:19It's alright, lass.
04:21Nothing to worry about.
04:25She's going nowhere without me.
04:31Hi, Mrs Mare.
04:33I'm a police detective.
04:36D.I. Mackintosh.
04:38We need to talk to you about Edie Tulloch's house.
04:42Edie.
04:43There's something wrong with her.
04:44What, Matt?
04:45We'll explain everything, but right now it would be really helpful if you could come with us.
04:57This is ridiculous.
04:58They're just coming.
04:59They're just coming.
05:13Cut.
05:14That was true.
05:15Look.
05:16You're a fan of Gen Mare.
05:17Let's go.
05:18Oh, no!
05:19Let's go.
05:20Oh, no!
05:21You're a Birbona term.
05:22What?
05:23She'll use Rod.
05:24What went wrong?
05:25algunos Those are respecto to George the Mare.
05:28I don't know.
05:58I don't know.
06:14Hey there.
06:17They've just arrested someone from the house across the way.
06:19I saw the cops bring two old folks out.
06:22And?
06:23This is insane.
06:28What if the police want to speak to us again?
06:30I don't know if you've noticed, Chris, but you're not the centre of a true crime podcast.
06:35Oh, Billy.
06:36Sorry.
06:37I couldn't sleep.
06:38I couldn't sleep.
06:39I tried not to wake you.
06:40I had a bad night myself.
06:41Coffee?
06:42Please.
06:43Oh, Billy.
06:44Sorry.
06:45I couldn't sleep.
06:46No.
06:47I tried not to wake you.
06:48I had a bad night myself.
06:50Coffee?
06:51Oh, Billy.
06:52Sorry.
06:53I couldn't sleep.
06:54No.
06:55I tried not to wake you.
06:56I had a bad night myself.
06:57Coffee?
06:58Please.
06:59I had a bad night myself.
07:00Coffee.
07:01Coffee.
07:02Coffee.
07:03I had a bad night myself.
07:04Coffee.
07:05Please.
07:06Are they going round your head?
07:07Please?
07:16He is going round your head.
07:18Aye.
07:37Don't worry.
07:43Just a swab inside your mouth.
07:45It's okay.
07:54Mrs Mayer.
07:58Do you know why you're here?
08:00What it is we want to talk to you about?
08:05You did tell her.
08:08Did something happen to her?
08:10Yeah, that's right. It did.
08:13It's the girl that I'd worry about.
08:16I mean, she was a force of nature.
08:19Edie, you mean?
08:21I used to help.
08:22I mean, I'd cook the tea for the lads and that.
08:28Lana, you know Edie died?
08:34Well...
08:36You reap what you sow.
08:45What do you mean by that, Nana?
08:46Well, she was always nosing into other people's business, you know.
08:50I mean, it was probably her job, but...
08:53Are you saying that Edie did something?
08:55To someone else? Or to you?
08:58No.
09:00We were friends.
09:05Lana, her house was set on fire.
09:08Mm-hmm.
09:09Do you remember that?
09:10I want to see Arthur.
09:11Yeah, well, Arthur will be here soon.
09:13Kirsty's here to look after you. You're safe, Lana.
09:28Where are my clothes?
09:29Lana, you said that Edie did something. Did Edie hurt someone?
09:33No, that's all behind us now.
09:36Aye, it is, but we still need to know.
09:39No, some things are best just left to lie.
09:43Was it connected to the fire?
09:45Lana, can you help us? Tell us what happened.
09:48Lana, you're doing really well. We just need to chat about the fire and then you can go.
09:52I don't know, but I... Arthur! Arthur! Arthur! I don't want your eyes.
09:56I don't want your eyes.
09:57I don't want your eyes.
09:58Arthur!
10:04Arthur, Arthur!
10:05Lana!
10:06Arthur!
10:07Lana, Mrs. Mayor!
10:08Please, Lana, calm down.
10:09No, no, just...
10:10Lana, we need to...
10:11No!
10:12I think we need to stop this!
10:13I know!
10:14I know!
10:15Oh, no!
10:16Oh, no!
10:17Oh, no!
10:18Oh, no!
10:19Oh, no!
10:20Oh, no!
10:21Oh, no!
10:22Let me in!
10:23I'm so sorry.
10:24Yeah, just go, go!
10:25Go!
10:26I'm so sorry.
10:27I'll be coming, I'll be coming.
10:28I'll be coming.
10:29I'll be coming.
10:30It's okay.
10:31It's all right.
10:32Oh, no!
10:33Oh, no!
10:34Oh, no!
10:35I know what's been going on here.
10:46First a fire at our murder site, then an interview with a vulnerable adult descends into bedlam.
10:51Matt, we had an appropriate adult. We were gentle, respectful.
10:55So gentle, she's being seen by a doctor.
10:57Matt, no one in our family could explain why she started that fire.
11:01We had to at least try and talk to her.
11:04Right, well, then you've got a problem.
11:05Because now you can't talk to her.
11:07Well, I know.
11:08Not until she's been checked over, obviously, and she's calm.
11:10No, absolutely not.
11:11Not if she's going to get distressed like that again.
11:14And let's brace ourselves for a formal complaint.
11:17Right.
11:23Maybe we did push her too hard.
11:25Well, I don't know about that.
11:29You reap what you sow.
11:31But we don't know what it means.
11:33Well, maybe she meant E.D. had it coming to her.
11:37Or that she had something coming.
11:39Or maybe she was just babbling.
11:42Well, either way, I think we need to consider the possibility that maybe E.D. had some enemies, including Lana.
11:49Yeah.
11:52Yeah, okay, maybe you're right.
11:53Well, I'll have a word with David Powell.
11:55See if E.D. mentioned having any issues with anyone.
11:59Ruth.
12:01Eight Tollock's out front.
12:02Oh, okay.
12:04Thanks.
12:05Hey.
12:10I can talk to him as well.
12:13Were you expecting him?
12:14Yeah.
12:15He...
12:16Well, he...
12:17He wanted someone to go with him to I.D. the body.
12:19You know, a bit of moral support.
12:22And he...
12:24He asked you?
12:25Uh-huh.
12:29Oh, and Billy rang too.
12:31Asked if you could go and see him at their house this afternoon.
12:34Morag has some information.
12:36Oh, sure.
12:38Oh, hey.
12:39Did you get anywhere with the money in E.D.'s account?
12:41Talking to the bank today.
12:43Yeah, okay.
12:45I suppose...
12:46Is that it then?
12:47You're releasing me, right?
12:48You're still the last person to see E.D. alive, David.
12:49So you will need to stay on the aisles.
12:50Do you understand?
12:52Yeah, okay.
12:54Also, I have a question.
12:56When you chatted with E.D. did she ever mention Lana Mayer?
12:59Yeah.
13:00They both used to help organise the Lana's Week Gala.
13:02Did you get any sense that they'd fallen out?
13:04That E.D. had done anything to upset Lana?
13:05No.
13:06Did E.D. talk about anything that was worrying her?
13:07No.
13:08Did E.D. talk about anything that was worrying her?
13:09No.
13:10What about that last time when she mentioned settling her affairs?
13:11She was clearing up her tea when I got there.
13:13She was clearing up her tea when I got there.
13:15Yeah, they both used to help organise the Lana's Week Gala.
13:22Did you get any sense that they'd fallen out?
13:26That Edie had done anything to upset Lana?
13:29No.
13:30Did Edie talk about anything that was worrying her?
13:33No.
13:34What about that last time when she mentioned settling her affairs?
13:38She was cleaning up her tea when I got there.
13:42Most of us talked about her son.
13:44She always did.
13:45Ed?
13:46No.
13:48The one that died.
13:50Craig.
13:51Never really mentioned Ed.
14:10Yeah, that's fair.
14:11I'm sorry it's been so long.
14:25I'm sorry it's been so long.
14:29I could do with something stronger, really.
14:56Thanks for being in there with me.
14:58Look, it's fine.
15:00Listen, Mum's house, this fire last night, what the hell happened?
15:06I'm sorry about that.
15:09We are still trying to get to the bottom of it, but...
15:13Was it an accident or something?
15:16Do you know Lana Mare?
15:19You're not saying Lana caused the fire.
15:22Why would she do that?
15:23Mum and Lana were close.
15:25We all were, kin but not blood, Dad would say.
15:28What does that look like?
15:30Well, you know, us kids played together.
15:32I mean, their boy Ali and our Craig were best mates.
15:35Mum and Lana ran the village organizing stuff.
15:38Dad and Arthur went fishing.
15:42And then my brother died.
15:44Yes.
15:45I heard, I'm sorry about that.
15:49It was a long time ago, but that shared loss tied them even closer.
15:54What do you mean, shared?
15:55Well, Ali and Craig, they were in the storm together.
15:59Wait, what, uh...
16:02Both families lost a son?
16:04Huh?
16:06Yeah, that's what started the rift between me and Mum, really.
16:10Could never live up to Craig.
16:12I might head back to the pub, get something stronger after all.
16:21Were you there last Saturday, working at the pub?
16:25Uh, Saturday, yeah, would have been there until pretty late, why?
16:29It was the last time anyone saw your Mum alive.
16:31I just need to know everyone's movements.
16:37Sure.
16:38So, Billy says you wanted to talk about Edie's work.
16:46Aye, it's, uh, it's to do with Amy Shannon.
16:49OK.
16:51Who's Amy Shannon?
16:52An old case of Edie's.
16:54She recommended that Amy and her sister be removed from their birth mum.
16:58She's suing social services.
17:00Why?
17:01It happens, Tosh, you know, kids grow up, they look back.
17:07They want someone to blame.
17:10She's angry.
17:12But the way she's been pressing her case has been very stressful.
17:16Has she been contacting you directly, or Edie?
17:19She turned up at our offices once, shouting, accusing us of delaying the legal process.
17:25She threatened you?
17:26Not really.
17:27She... she calmed down and she left.
17:29It's just that after Edie, I...
17:34Not that I think that Amy would...
17:35I thought you should know.
17:38Well, yeah.
17:40So...
17:41Amy's in Shetland?
17:42Aye, she was adopted here.
17:44She's a teacher.
17:45She...
17:46She's got a flat in Lerwick with a partner and a kid.
17:48And her sister?
17:49Stevie.
17:51She ended up in the mainland.
17:53Look, I'm sure Amy's got nothing to do with this.
17:56It's just...
17:57Edie had a long career.
17:59And the kind of work she was doing, well, it...
18:02Made her unpopular.
18:06So, I'll need copies of the letters Amy Shannon's solicitor sent, and I'll look at her case
18:15file.
18:16I'll get more if you send them over.
18:17Oh, here.
18:18There's something I was going to ask you.
18:19I was talking to Gina Powell last night.
18:21I was pulling her up for hindering the case, and she said something strange.
18:25She said the last time she helped us, she nearly lost her family.
18:31Us?
18:32As in the police?
18:33Yeah, I think she meant Shetland police.
18:36You said her husband was arrested.
18:38Ray Powell.
18:39Was there anything unusual about the case?
18:42Not really.
18:44Robert was the one who charged him.
18:45I didn't have anything to do with it, but I do know that he confessed.
18:49Hmm.
18:51All right.
18:52Well, you take care.
18:54Yeah.
18:55So, er, what'd you make of yesterday's poetry night?
19:08Well, er, I can't say I've been to many.
19:13Quite like your poem, though.
19:14Hmm?
19:15Like the wind.
19:16Yeah?
19:17It's an old one, from back when I wrote properly.
19:20Well, I had a collection published years back.
19:23Hmm?
19:24A few awards.
19:25Oh.
19:26Was it successful?
19:27Oh.
19:28I've definitely seen it in the odd charity shop.
19:31You, er, seen James recently?
19:37Er...
19:38Er...
19:39No.
19:40No.
19:41No.
19:42Erm...
19:43Well, not since Carl's funeral.
19:45I mean, I...
19:46I wanted to, but, er, just, you know...
19:50I reckon he'd appreciate it.
19:52Yeah.
19:56Sorry.
19:57Gotta go.
19:58Sure.
19:59I've been looking for you since your disappearing act yesterday.
20:05I told you that I could not be there when you started making arrests.
20:06You said we didn't make any, did we?
20:07Yeah, I heard about that.
20:08Oh, I heard, did you?
20:09Oh, I heard, did you?
20:10What did you hear?
20:11After?
20:12Or did you set us up?
20:13What?
20:14No.
20:15No.
20:16Why?
20:17Why would I set you up?
20:18Well, I don't know, you tell me.
20:19Look, I thought the stuff was on that boat, right?
20:20That's why I've been laying low since.
20:21Why?
20:22Because if it's not on the boat, they're gonna know someone talk.
20:23Look, they're gonna know about me.
20:24Well, I think you'll be fine, Will.
20:25You're hardly super grass material.
20:26No.
20:27I'm going to be fine.
20:28I'm not going to be fine.
20:29I'm not going to be fine.
20:30I'm not going to be fine.
20:31You're fine.
20:32Oh, I'm fine.
20:33No, I'm fine.
20:34You're fine.
20:35No, I'm fine.
20:36You're fine.
20:37I'm fine.
20:38You're fine.
20:39You're fine.
20:40You're fine.
20:41It's fine.
20:42You're fine.
20:43You're fine.
20:48are you? So that means they still need to land the gator right? Yeah I think so. You think so?
20:57Right well if you hear of anything you get in touch. Anything at all. Right? Yes. Yes. Yes. Good.
21:08You wee shite. I'll get directions to this beach.
21:18What's this now?
21:22It's not the same house as earlier but they were there yesterday.
21:28Oh. Dropping someone back. For God's sake Chris.
21:48Hey. Hey. I'm at the mortuary. Cora rang. She's got something for us. Oh okay great. Well I'll be with you as soon as I can.
22:04How's it going? Well I had an unexpected interlude with Will Loudon. Loudon? Where did you find him?
22:11Just walking along the street. Says he had no idea that boat was clean. What are you up to?
22:16I think you might be right about Edie having made some enemies.
22:19Well who have you got in mind?
22:20Well who have you got in mind? Hmm. Maura gave me a heads up on an Amy Shannon. An old social work client.
22:27She has issues with the way Edie handled her case. Right. Have you spoken to her yet?
22:31Just about to. Okay. I'll see you here when you're done.
22:34Hi. Sorry are you Amy Shannon? No I'm her sister Stevie. Who is it? Can I help?
22:58Is this about our case against children's services? Indirectly. It is about Edie Tulloch.
23:08Our social worker? Yeah. Look I've got some difficult news. She's been found dead.
23:19What? Yeah I heard on the radio there was a body.
23:26That was her. She was killed. I'm afraid so.
23:36Your complaint is that she made a mistake in your care. Is that right?
23:41She did. A few months after we were removed our mum died. And then they split us up.
23:50You mean when you went to the mainland? Yeah. Disposed of in Aberdeen. On Edie Tulloch say so.
23:59Stevie's been through four different foster families. Two children's homes.
24:05Did you ever talk to Edie directly about the case? No of course not. Everything went to the solicitor.
24:12But you did go to the social services offices once.
24:18Once. But Edie wasn't there. She was longer tired.
24:22What about you Stevie? Had you seen Edie?
24:26No. No, not since I was a kid.
24:31Sorry, why exactly are you here?
24:33We're just looking into Edie's connections. And since your case is a live issue.
24:38You think we might have killed her?
24:44Oh, sorry.
24:47What's going on?
24:49Nothing. I think we were, I think we were finished.
24:53OK, well, look, thanks for your time.
25:06Stay where you can see us, Chloe. It's rocky down there.
25:09I will, Dad.
25:11Pretty spectacular.
25:16None?
25:18For God's sake.
25:19What?
25:24You're the one who brought us here, Hale.
25:28We dropped everything because you suddenly needed a break.
25:31And here we are, babe, on a beach having a break.
25:33If you haven't been here since we've arrived, you're sneaking off.
25:39Checking your emails, is it?
25:40Do you think the questions from the staff are supplied?
25:42Do you think they just stop coming?
25:44Yeah, they do.
25:45If you don't log on.
25:46I run two restaurants. It's not like taking the odd front of house shift.
25:51Then let me help you.
25:52Chris, you're amazing with customers, but you're hardly...
25:58What? A top entrepreneur? Girl boss?
26:00Oh, piss off.
26:01I thought things had got a lot better this year.
26:11You seem less stressed.
26:14Why Shetland?
26:16Lunisvik? I mean, it's the end of the world.
26:18I'm sorry, you were the one that didn't want to leave this morning
26:20because you were getting off on some local tragedy.
26:23No?
26:27You keep an eye on Chloe for once. I'm going for a walk.
26:33I wanted to go to Mallorca.
26:41Whiskey?
26:43You could smell it as soon as I opened the stomach.
26:45And we're not just talking a wee dram here?
26:49Toxicology will give us an idea of how much she actually consumed,
26:52but we're talking a skinful.
26:54So, hang on. Are you saying she was actually drunk at the time she was killed?
26:59More than likely, yes.
27:00Oh, that would account for the lack of self-defence wounds.
27:04She didn't fight back because she was in no fit state.
27:08Any food?
27:09Good. Intestinal contents suggest ongoing digestion.
27:13But that's from a meal consumed well before death.
27:16How long before?
27:1810 to 14 hours, maybe.
27:20Sushi took to the whisky after.
27:23And then some.
27:27So, turns out our 76-year-old victim was paralytic at the time of our murder.
27:33Yeah, except I don't remember there being any booze in the house.
27:37Well, maybe we missed it.
27:39Sandy, can you ask Socko to send over the inventory from the Tulloch house?
27:43Sure. What are we looking for?
27:45Specifically, whisky bottles.
27:48But see if you can find anything else that would indicate that Edie Tulloch was a drinker.
27:52I'll get on to them.
27:53Yeah, and speak to Colin. Wait.
27:55Find out if he ever added a bottle of scotch to one of our food parcels.
27:59Oh, sorry, Sandy. Could you also phone Aberdeen Children's Services?
28:04I need some background on a Stevie Shannon.
28:07Got it.
28:08I thought it was Amy Shannon you were talking to. Who's Stevie Shannon?
28:12Her sister brought up in Aberdeen, but it turns out she's staying with Amy at the moment.
28:18It's kind of got a weird vibe from her.
28:21Why did Morag put you on to them?
28:23So Edie handled their case, and now Amy's suing social services.
28:27Any grounds?
28:28I mean, it seems pretty clear from their file that they were being neglected.
28:33And the mum had a string of boyfriends, a recurring drug habit, but they're angry at Edie's decision.
28:39Angry enough to hurt her.
28:43Well, it could be a motive if they felt that Edie had ruined their childhood.
28:47Question is, is there anyone else out there with a grudge against her?
28:52Did you get anything from Ed Tulloch?
28:54I don't think Ed knew anything about what was going on with his mum.
28:59You did say that Lana and Edie were close though.
29:02So why set fire to her house?
29:05Well, unless Matt lets us have another crack at her, we'll never know.
29:11I've had an idea about that.
29:14No, after this morning, we should have been sent home hours ago.
29:20Mr Mayor, what Lana did was very, very serious.
29:25Why don't you help us to get her home?
29:31You'd need to let Lana talk on her own terms. You couldn't speak for her, but you would help her to feel safe.
29:37Lana, we need to speak to you again about the fire that you started. The one at Edie's house.
29:57We were such good friends.
30:00Yeah, we know that you were close. That's why we don't understand last night.
30:09I know what happened.
30:10What do you mean, Lana?
30:15Edie Tulloch.
30:18You know what happened to Edie?
30:19It was terrible what it did.
30:27What, who did Lana?
30:30Him.
30:34Arthur.
30:34It's confusing having me here. We need to stop now.
30:42Lana.
30:43What did Arthur do?
30:44I said we need to stop.
30:48Are you cross?
30:49Lana.
30:51Lana.
30:53Could you tell us what it was that Arthur did?
30:56No. Stop.
30:58It's so cruel. So damn cruel.
31:01You've got a temper on you, Arthur Mayor.
31:06What was she talking about, Arthur?
31:07I told you, it's nonsense. She doesn't know what she is saying.
31:13I'm not sure that's entirely true.
31:15You're not answering any more of your damn questions.
31:31How you doing?
31:32It's like she's got away with it.
31:34Who?
31:36Edie. I mean, everything that she did and we're the ones they're looking into.
31:41I know.
31:42Look, maybe it's a sign to take stock as well.
31:46What Edie did was wrong.
31:47I know Stevie had it tough, but she was only supposed to stay a few days.
31:51Stevie's my sister, who I didn't see for years because Edie Tulloch sent her to fucking Aberdeen.
31:58Well, she apparently has no life to go back to.
32:07Stevie, I'm sorry.
32:28Okay, so tonight, where and when do you want to meet?
32:45Look, I just need to work out how I'm going to get away. It's not going to be easy.
32:48Chloe?
33:08Chloe!
33:08Chloe!
33:12Chloe!
33:12Chloe!
33:12Chloe!
33:13Chloe!
33:14Chloe!
33:14Chloe!
33:15Where are you?
33:16Oh my God!
33:18Just stay there, stay there, it's almost...
33:19I was just looking for shells.
33:21There you go.
33:22Oh, go, go.
33:23I'll go in.
33:24Okay.
33:25Chloe!
33:26Oh, come on, come on, come on.
33:27Oh, you're okay, you're okay.
33:29Chloe, Chloe, what happened?
33:30Okay, she's fine, she's okay, she's fine.
33:32Hey, hey, it's okay.
33:34I'm fine, Dad.
33:35You're okay.
33:36You're supposed to be watching her.
33:42Okay, sweetheart, are you alright?
33:43I'm fine.
33:45Silly mum, didn't you, Frank?
33:53Anything?
33:54Still saying nothing.
33:57We could arrest him.
33:59For what?
34:00Not talking to us?
34:01Colin Wirt was offended when I asked him if he ever brought Edie whiskey.
34:05He says Edie didn't drink.
34:07Ooh, wait till he sees the path report.
34:09But Soko did come up with this.
34:13Where did they find that?
34:14Buried in Edie's wheelie bin.
34:16Were there any fingerprints on it?
34:17Any DNA traces?
34:19Contaminated, apparently.
34:21But that's a special release.
34:22Means it's pretty rare.
34:24Check the distillery website.
34:25You have to order this one direct from them.
34:28All right, well, give them a call.
34:29See if anyone in Shetland ordered one.
34:31Will do.
34:31So how did it go with Lana Mare?
34:38Well, we're no closer to finding out why she set fire to Edie's house.
34:42She did accuse her husband, though.
34:44Accuse him of what?
34:46Well, we don't exactly know.
34:48Yeah, Arthur shut the interview down.
34:50He's scared of something.
34:52So maybe Lana's accusing him of killing Edie.
34:55That's why she started the fire.
34:57Covering Arthur's tracks.
34:58Destroying the evidence.
34:59Want to maybe take a wee breath here?
35:00Because we don't actually have any evidence that would support that.
35:04Yeah, everyone we've spoken to says the Mayors and the Tullochs were close friends
35:08for over 40 years.
35:10Come on, there must have been some issues.
35:12Can't have all been sweetness and light.
35:14So who really knows them?
35:29So why haven't you released her?
35:33Erm, because we don't quite have the answers that we're looking for yet.
35:39And you really think you will?
35:41Some days, Mum barely recognises me.
35:47Could I, er...
35:48So, what we're trying to do is establish when your dad last saw Edie.
35:59Do you remember?
35:59Did he call in on her sometimes?
36:01Edie was more and more shut off.
36:05And Dad's main concern is Mum.
36:09Did they ever fall out with each other?
36:11What, Dad and Edie?
36:14Any arguments or animosity?
36:17Our families went through a lot.
36:20Your brother Ali, you mean?
36:23And Craig Tulloch?
36:24Yeah.
36:27Losing Ali nearly broke Mum and Dad's apart in the way they supported Robert and Edie.
36:34If you're suggesting that my dad would ever hurt her, this is mad.
36:43Isabel, can I ask you a question?
36:46Sure.
36:49Who does that whisky belong to?
36:54Arthur took that bottle to Edie.
36:57Which puts him in her house.
36:59Which means he's lying to us.
37:03I want him in the interview room.
37:04I'll call Sandy.
37:19Sorry.
37:24I've been looking for you.
37:26Eventually thought of Mum's grave.
37:30Listen, Luke's just been a dick.
37:33Hey, Will.
37:35He's got a point.
37:40Amy, I don't have a life to get back to in Aberdeen.
37:45So, I'm sorry for staying so long and getting in the way.
37:48See, but you're not.
37:50You've been great.
37:51Then, Aidan loves you.
37:57We're family.
38:00We've missed so many years together.
38:04We'll make new memories.
38:08Good ones.
38:14Come on.
38:16Let's go.
38:21We found out that Edie had been drinking.
38:23Just before she died.
38:24We found out that Edie had been drinking just before she died.
38:54Do you recognise this? We found it at Edie's. It's yours, isn't it, Arthur?
39:08From your collection. Why would we have found this in Edie's bin? Lana said you did something
39:16terrible. She also said that you have a temper.
39:20That doesn't mean... But what if Lana found out that you had?
39:28And she was trying to help you cover your tracks?
39:31The fire? That's not why she started it.
39:36So then why did she? Arthur, Edie's dead. If you didn't hurt her, talk to us.
39:44Explain why you were in her house. Isabelle said that you'd stuck by the Tullochs through
39:53the years. She said that your marriage had struggled after you'd lost your son.
39:58That was when it started, wasn't it? What do you mean? What started?
40:14Your affair? With Edie Tulloch? You don't know what you're talking about!
40:21Did Lana freeze you out? Is that what happened? Because that can happen sometimes with grief.
40:28It can close people off. But it can also push them together. Was it still going on? Even
40:38when you were caring for Lana? No!
40:52So when did it finish?
40:53I ended it for good when Lana was diagnosed five years back.
41:10You should have told us this.
41:13It's private. It's nothing to do with Edie's death.
41:19When did you last see her?
41:23Saturday. I brought a bit of dinner and the whiskey.
41:29And what happened?
41:31Nothing. We ate, we chatted, had a dram after.
41:36Just the one?
41:37Yes.
41:38And Edie was fine when you left?
41:42Yeah, she was fine.
41:43And what did you do for the rest of the evening then, Arthur?
41:46I was at home like every night. Ask Isabelle and Jess. I helped bathe Lana.
41:53Help put up the bed and we fell asleep together.
42:02There's a reason for the fire.
42:05If he's telling the truth.
42:07You think he's lying?
42:08He did lie. Concealed this affair.
42:11He didn't tell us about being at Edie's on the day she died.
42:15His story checks out, timings-wise. He brings over some dinner, leaves Edie fit and well. David Powell comes over after.
42:23Yeah, David even remembers Edie tidying up dinner when he arrived. And Isabelle confirms Arthur being at home that night too.
42:31Oh, come on. A family member.
42:34Sure, but I don't see a motive.
42:38He was having an affair with Edie.
42:40Which ended years ago.
42:42Maybe Edie was threatening to tell.
42:43But why broadcast it now?
42:47With all the potential damage to her reputation.
42:50And even if Edie was threatening it, why would Arthur kill her like that?
42:56No, I don't think the affair is a motive.
43:00I think it's a defence.
43:03We need to release them.
43:04Okay, where does that leave us?
43:27Another?
43:30Oh, no, I should get back.
43:32Luke's been texted and I've probably ignored him enough to make my point.
43:37Sure.
43:41But you leave him to me, okay?
43:45And all this what you do.
43:48You know, that doesn't change what we do.
43:50We still sue the hell out with him.
43:51Press harder even.
43:53If things had moved faster, maybe Edie felt like I would have faced some consequences.
43:58Maybe she did if she was killed.
44:00Something's caught up with her.
44:03I guess.
44:07And they're still the other one.
44:10The other what?
44:12Social worker.
44:13McCabe.
44:15Morag McCabe.
44:19Edie Tulloch's wee sidekick.
44:22She's just as much to blame.
44:32Arthur, that last time you saw Edie, was she worried about anything?
44:48No.
44:49No.
44:51Why?
44:54Someone saw her after you.
44:57Said she seemed strange.
45:00Talked about settling her affairs.
45:02Ah, well.
45:03We're all weighing that up at our age.
45:14Is that all for one of them about the fire?
45:18No.
45:19No decision's been made.
45:39Do you want a cup of tea?
45:40Yes, please.
45:55Try.
45:56I'm not going to tell her.
45:58Yeah.
45:58Come on.
45:59пл competing.
46:01Would you take a cup of tea?
46:02Are you still there?
46:04No?
46:05No.
46:05I am.
46:06No.
46:06No.
46:07No.
46:07In fact.
46:08No.
46:09No.
46:09No.
46:09No.
46:10No.
46:11No.
46:11No.
46:12No.
46:12No.
46:13No.
46:13No.
46:13No.
46:15No.
46:16No.
46:17No.
46:17No.
46:18No.
46:19No.
46:19No.
46:20What the hell?
46:42Come on, this is nonsense.
46:47What's going on?
46:48Amy.
46:48Sorry, miss, who are you?
46:50Amy Shannon.
46:51I live here.
46:52Well, there's been a report of a domestic disturbance at this address.
46:56Putting a child in danger.
46:58What?
46:59Well, we had a wee argument hours back, but no big disturbance.
47:03Well, are we okay to come in and check?
47:06Yeah, go on.
47:08We've nothing to hide.
47:10Do you mind the fire?
47:25Yeah.
47:26No, I'll go.
47:27I'll go.
47:28She's my sister.
47:29She's been staying with us.
47:31Sorry.
47:32Apologies.
47:33We're obliged to check these things out, you know?
47:35Yeah, I know.
47:36Listen, sometimes wires get crossed.
47:37You know, people play jokes even.
47:38Yeah.
47:39We'll leave you guys to enjoy your evenings, okay?
47:40We'll leave you guys to enjoy your evenings, okay?
47:41We go.
47:42It's fun.
47:43I know.
47:44We're so happy.
47:45It's fun.
47:46We're home.
47:47How do we love you?
47:48I'm sorry.
47:49She's going to be swimming.
47:50She's my sister.
47:51She's been staying with us.
47:52Sorry.
47:53Apologies.
47:54We're obliged to check these things out.
47:55You know?
47:56I know.
47:57Listen, sometimes wires get crossed.
47:58Oh?
47:59You know, people play jokes even.
48:00Good evenings, okay?
48:30You're looking for this?
48:36It explains your distraction anyway.
48:40So who is it?
48:42What?
48:43You're seeing someone else?
48:45Meet them tonight?
48:46No, Chris, no!
48:47Bollocks! Explain this!
48:51Your stress.
48:53I thought it was the restaurants.
48:55It's the restaurants.
48:57No, wait Chris, wait, wait!
48:59I'm in deep shit, okay?
49:01That's why I brought us here.
49:02You're not making any sense, Hayley.
49:06The restaurants got into debt and I did something stupid.
49:09And now I have to do exactly as I'm told or we're in danger.
49:12All of us, Chris.
49:14Who?
49:17What are they telling you to do?
49:29What have you done?
49:46What have you done?
50:03I've got to hand it to the dealer tonight.
50:08How could you do this to us?
50:16You didn't have to drive them home personally, you know.
50:29At least we're learning a bit more about E.D.
50:31You mean the affair with Arthur?
50:34Hmm.
50:35But also, you know,
50:38the son who didn't speak to her.
50:41Strange friendship with David Powell.
50:43Well, potentially questionable work decisions.
50:48You heard anything from the angry sisters?
50:51No, still waiting on Aberdeen services,
50:53but Sandy's checking if we can place either of them in Linerswick.
50:56Good idea.
50:57Cos something happened that made E.D. hit the whiskey.
51:01Hmm.
51:02Sandy also looked into her money.
51:04The digital statements go back ten years
51:07and nothing has been touched that whole time.
51:09He's trying to find paper records
51:12so we can go back even further.
51:13Hmm.
51:15Oh, oh.
51:20A Hunting Wind by Ed Tulloch.
51:26Just curious.
51:28Thought it might give me a bit of insight into the family, you know.
51:31I, uh...
51:36I also found out that Ed
51:39knew Cal.
51:41Cal?
51:43Yeah.
51:43How?
51:44It's, you know, a small place.
51:47James and Cal drank at his bar
51:49and Ed and Cal played music together.
51:53Wow.
51:55I know.
51:55You don't talk about him much, Cal.
52:02No.
52:05No, I suppose I don't.
52:07Yeah.
52:25I don't like people skulking round my place.
52:31James, uh...
52:33Sorry.
52:35It's been a while.
52:37Let me park and we'll get inside.
52:40Okay.
52:40Okay.
53:02Cheers.
53:03Oh, cheers.
53:10Business still thriving, then?
53:12Ah.
53:14I was always the brains.
53:16He was just the poster boy.
53:17Mm-hmm.
53:21It's good to see you, Ruthie.
53:23You too.
53:25Why'd you leave it so long?
53:29Um...
53:29Just protecting myself, you know.
53:34Try to move on.
53:40It was Ed, actually, that, uh, encouraged me to...
53:44Aye.
53:45He texted.
53:47Said your pass had crossed.
53:48Hmm.
53:49Well, that would have given you time to hide your contraband, then,
53:51in case I showed up.
53:52That was definitely all my brother.
53:57Do you know him well of Ed?
54:00I mean...
54:00No, no, a long time.
54:03Yeah.
54:05And he's been round a lot the last year.
54:10He's a good lad.
54:13He reminds me of Cal.
54:14Oh, come on.
54:29If you're done with that bed, you look wrecked.
54:33Oh, thanks very much.
54:35You know, it's rude to comment on a lady's appearance.
54:37What if you're concerned because the lady is working insane hours?
54:40Oh, I know.
54:42I know.
54:43It's been a crazy few days.
54:45Thanks for picking up this lad.
54:47Oh.
54:48You're not me, Tosh.
54:50I run a tight shit.
54:54Now bed.
54:55Okay.
54:59Sandy.
54:59Sandy.
55:00Sorry.
55:01Late in the day.
55:02But we just got something back from Aberdeen.
55:05On Stevie Shannon?
55:06Yes.
55:07Not the official files yet.
55:09This is more anecdotal.
55:10What is it?
55:12Seems there were some disturbing reports that came from the children's homes where Stevie was placed.
55:17What kind of reports?
55:19Concerns that she was manipulating other kids.
55:22Turning them against one another.
55:24On occasion.
55:26Encouraging them to run away with her.
55:28Hayley.
55:42I'm coming with you.
55:46Are you sure?
55:47Yeah.
55:50You're not doing this alone.
55:52If it has to happen, we're in it together.
55:56What about Chloe?
55:57Oh, she's fucked up.
55:59She never wakes up.
56:02And we'll be quick.
56:05The dealer said if we hand this over, then we're free.
56:09That's what they said, right?
56:11That's what they said.
56:14Then let's do it.
56:16Come on.
56:18I love you.
56:25Who do you think called them?
56:26The police.
56:28Next door.
56:29She's had in for us since they'd knocked her flowers over.
56:33They came into her home, Luke.
56:35Uniformed officers.
56:37In case we were a danger to her son.
56:39I know.
56:41You're the one that let them in.
56:42Well, then, act like you care.
56:46I mean, this should bother you.
56:49What are you talking about, Amy?
56:52It's like you're not even...
56:53Amy, Amy.
56:54I care, for God's sake.
56:55Look, you're small on your phone.
56:57You're literally sitting there, scrolling on your phone.
57:00You're just a piece of a pirate.
57:01Jesus Christ.
57:02Don't worry about the noise, wee man.
57:07Auntie Stevie's here.
57:09And I'll look after you.
57:10We're a family, after all.
57:11You, your mum, and me.
57:21Family.
57:23Just the three of us.
57:24Stylish thriller The Night Manager has a new series coming soon.
57:35Press read now for series one, starring Tom Hiddleston and Olivia Colman on iPlayer.
57:40This and everything across the BBC is made possible because we're funded by you.
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