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00:00How long has she been out here?
00:02A couple of days at least.
00:04But why would you bring her out here?
00:06Who did this to her?
00:08Did either of you speak to the woman who lived there?
00:10We haven't spoken to anyone.
00:12I did see someone there.
00:14Where's Edie? I need to see Edie.
00:16Lana. I just... come on.
00:18Sorry about mum. Dementia.
00:20I don't understand. What do you mean you found her body?
00:24We think someone killed your mum.
00:26Who?
00:27She kept talking about settling her affairs.
00:29What do you think she meant by that?
00:31That she knew something was coming?
00:33Edie Tullock's bank just sent through her account information.
00:35Where the hell did she get 400 grand from?
00:38God knows.
00:39But that is the kind of money someone would kill for.
00:59No.
01:00No.
01:01No.
01:02No.
01:03No.
01:04What?
01:05That is what the hell didn't get the majority...
01:06Lana?
01:08No.
01:10God.
01:11Jay?
01:12I am a bothered by oh why?
01:13No, not fluttering, I am a bothered by oh my goodness.
01:15Lana?
01:17No.
01:18This way. Come on!
01:19No.
01:20Oh, no.
01:21Come on!
01:22Aqua.
01:23This way, come on.
01:25No!
01:26Come on.
01:27It's okay.
01:28It's okay.
01:29Please.
01:30My God.
01:31Look, just stay there.
01:34Okay?
01:35It'll be okay.
01:36Look, it's...
01:37Just get me on my husband.
01:39What's this?
01:41It's okay.
01:43Come.
01:45Come.
01:47Come.
01:53Come.
01:55Come.
02:23Come.
02:29You're leaving.
02:37Everyone.
02:39No-oh.
02:40You're leaving.
02:42You're leaving.
02:45You're leaving.
02:46I've got two kids.
02:48Let's go.
02:51I didn't see her. Only knew something was wrong when I heard the window. Sorry.
02:58And then you found her outside? Yeah.
03:01What does she say? Nothing coherent.
03:04OK, well, where is she now? Back home. Right.
03:08Right.
03:19Hi.
03:21Uh...
03:25Where's Mrs Mare?
03:27She needed to sleep.
03:29And no one saw her go out? Or heard her say anything?
03:35We'd have stopped her.
03:38Mr Jameson?
03:40I want to know what's going on as much as you.
03:42I mean, if she's setting fire to things now...
03:46What?
03:48We live here too, Arthur.
03:50In my house.
03:54Look, has Lana ever done anything like this before?
03:58No.
04:05Mum?
04:10Oh.
04:11Sorry.
04:12Sorry.
04:13We'll have to bring her in.
04:15Ask her a few questions.
04:17Please.
04:19She won't have known what she was doing.
04:22Arthur?
04:24It's all right, lass.
04:26Nothing to worry about.
04:30She's going nowhere without me.
04:32Hi, Mrs Mare.
04:37I'm a police detective.
04:41D.I. Mackintosh.
04:43We need to talk to you about Edie Tulloch's house.
04:49Edie?
04:51There's something wrong with her.
04:53What?
04:55We'll explain everything,
04:57but right now,
04:58it would be really helpful if you could come with us.
05:02This is ridiculous.
05:12They're just coming.
05:27What anh?
05:28They're just coming.
05:29They'reïżœë„ah tuahuan corner,
05:30They're just going to show outside,
05:31You're from a tower to see him.
05:32They know us well.
05:33They're just helping me.
05:35They're breaking theぇ 1930s.
05:36The door
05:51Hey there.
06:21They've just arrested someone from the house across the way.
06:24Saw the cops bring two old folks out.
06:27And?
06:28This is insane.
06:32What if the police want to speak to us again?
06:35I don't know if you've noticed, Chris, but you're not the centre of a true crime podcast.
06:51Oh, Billy.
06:57Sorry.
07:02Couldn't sleep.
07:04I tried not to wake you.
07:06I had a bad night myself.
07:09Coffee?
07:10Please.
07:11Here they go and round your head.
07:22Aye.
07:23Aye.
07:45Don't worry.
07:46Just a swab inside your mouth.
07:49It's okay.
07:59Mrs Mayer.
08:03Do you know why you're here?
08:05What it is we want to talk to you about?
08:08You did tell her.
08:13Did something happen to her?
08:15Yeah, that's right.
08:16It did.
08:18It's the girl that I'd worry about.
08:21I mean, she was a force of nature.
08:24Edie, you mean?
08:26I used to help.
08:27I mean, I'd cook the tea for the lads and that.
08:32Lana, you know Edie died?
08:38Well...
08:41You reap what you sow.
08:49What do you mean by that, Lana?
08:51Well, she was always nosing into other people's business, you know.
08:55I mean, it was probably a joke, but...
08:57Are you saying that Edie did something?
09:00To someone else?
09:02Or to you?
09:03No.
09:05We were friends.
09:10Lana, her house was set on fire.
09:13Mm-hmm.
09:14Do you remember that?
09:20I want to see Arthur.
09:21Yeah, well, Arthur will be here soon.
09:24Kirsty's here to look after you.
09:25You're safe, Lana.
09:30Where are my clothes?
09:33Lana, you said that Edie did something.
09:37Did Edie hurt someone?
09:39No, that's all behind us now.
09:41Aye, it is, but we still need to know.
09:44No, some things are best just left to lie.
09:48Was it connected to the fire?
09:50Lana, can you help us?
09:51Tell us what happened.
09:53Lana, you're doing really well.
09:54We just need to chat about the fire and then you can go.
09:57I don't know about...
09:59Arthur, Arthur!
10:00Arthur!
10:01I don't want your eyes.
10:02Lana, Mrs Mayor.
10:04Arthur!
10:09Arthur, Arthur!
10:10Lana!
10:11Arthur!
10:12Lana!
10:13Mrs Mayor!
10:14No, just...
10:15Lana, we need to...
10:16I think we need to stop this!
10:17No!
10:18No!
10:19No!
10:20Arthur!
10:21Arthur!
10:22Arthur!
10:23Arthur, Arthur!
10:24I'm so sorry.
10:25Let's go, go, go!
10:27You're okay?
10:28Hey!
10:29I don't know what happened there.
10:30Hey, lass.
10:31I'm so sorry.
10:32I'll be coming.
10:33I'll be coming.
10:34It's okay.
10:35It's all right.
10:37Oh, my God.
10:39Oh, my God.
10:40Oh, my God.
10:41What's been going on here?
10:42I'm so sorry.
10:43I'm so sorry.
10:44I'm so sorry.
10:45I'm so sorry.
10:46I'm so sorry.
10:47I'm so sorry.
10:48It's all right.
10:49First the fire at our murder site, then an interview with a vulnerable adult descends
10:55into bedlam.
10:56Matt, we had an appropriate adult.
10:58We were gentle, respectful.
11:00So gentle she's been seen by a doctor.
11:02Matt, no one in our family could explain why she started that fire.
11:06We had to at least try and talk to her.
11:09Right, well, then you've got a problem.
11:10Because now you can't talk to her.
11:12Well, I know.
11:13Not until she's been checked over, obviously, and she's calm.
11:15No, absolutely not.
11:16Not if she's going to get distressed like that again.
11:19And let's brace ourselves for a formal complaint.
11:28Maybe we did push her too hard.
11:30Well, I don't know about that.
11:34You reap what you sow.
11:35But we don't know what it means.
11:37Well, maybe she meant Edie had it coming to her or that she had something coming.
11:44Or maybe she was just babbling.
11:47Well, either way, I think we need to consider the possibility that maybe Edie had some enemies,
11:52including Lana.
11:54Yeah.
11:55Yeah.
11:56Yeah, okay.
11:57Maybe you're right.
11:58Well, I'll have a word with David Powell.
12:00See if Edie mentioned having any issues with anyone.
12:03Ruth.
12:04Eight tolics out front.
12:07Oh, okay.
12:08Thanks.
12:09Hey.
12:15I can talk to him as well.
12:17Were you expecting him?
12:19Yeah.
12:20He...
12:21Well, he...
12:22He wanted someone to go with him to ID the body.
12:24You know, a bit of more support.
12:27And he...
12:28He asked you.
12:30Uh-huh.
12:34Oh, and Billy rang too.
12:36Asked if you could go and see him at their house this afternoon.
12:39Morag has some information.
12:41Oh, sure.
12:42Oh, hey.
12:43Did you get anywhere with the money in Edie's account?
12:46Talking to the bank today.
12:47Yeah.
12:48Okay.
12:49So, is that it then?
13:00You're releasing me, right?
13:02You're still the last person to see Edie alive, David.
13:05So you will need to stay on the aisles.
13:07Do you understand?
13:10Yeah, okay.
13:12Also, I have a question.
13:15When you chatted with Edie,
13:17did she ever mention Lana Mayer?
13:19Yeah.
13:20Uh...
13:21They...
13:22They both used to help organise the Lana's Week Gala.
13:27Did you get any sense that they'd fallen out?
13:30That Edie had done anything to upset Lana?
13:34No.
13:35Did Edie talk about anything that was worrying her?
13:37No.
13:38What about that last time when she mentioned settling her affairs?
13:42She was cleaning up her tea when I got there.
13:46Most of us talked about her son.
13:48She...
13:49She always did.
13:50Ed?
13:51No.
13:53The one that died.
13:55Craig.
13:56Never really mentioned Ed.
13:57Never really mentioned Ed.
14:15Yeah, that's fine.
14:26I'm sorry it's been so long.
14:56I could deal with something stronger really.
15:01Thanks for being in there with me.
15:02Look, it's...
15:03Fine.
15:05Listen, uh...
15:06Mum's house...
15:08This fire last night, what the hell happened?
15:11Uh, I'm sorry about that.
15:14We are still trying to get to the bottom of it, but...
15:17Was it an accident or something?
15:19Uh...
15:21Do you know Lana Mare?
15:24You're not saying Lana caused the fire.
15:27Why would she do that?
15:28Mum and Lana were close.
15:30We all were.
15:31Kim but not blood, Dad would say.
15:33What does that look like?
15:35Well, you know...
15:36Us kids played together.
15:37I mean, their boy Ali and our Craig were best mates.
15:40Mum and Lana ran the village organising stuff.
15:44Dad and Arthur went fishing.
15:45And then...
15:47My brother died and...
15:49Yes.
15:50I, uh...
15:51I heard.
15:52I'm sorry about that.
15:54It was a long time ago, but...
15:55That shared loss tied them even closer.
15:58What do you mean, shared?
16:00Well, Ali and Craig, they were in the storm together.
16:04Wait...
16:06Uh...
16:07Both families lost a son?
16:09Eh?
16:12Yeah, that's...
16:13What started the rift between me and Mum, really.
16:15Could never live up to Craig.
16:23I might head back to the pub.
16:24Get something stronger after all.
16:27Were you there last Saturday?
16:29Working at the pub?
16:30Uh...
16:31Saturday, yeah.
16:32Yeah, I would have been there until pretty late.
16:33Why?
16:34It was the last time anyone saw your Mum alive.
16:36I just need to know everyone's movements.
16:42Sure.
16:43So, Billy says she wanted to talk about Edie's work.
16:50Aye, it's, uh...
16:52It's to do with Amy Shannon.
16:54Okay.
16:55Who's Amy Shannon?
16:56An old case of Edie's.
16:58She recommended that Amy and her sister be removed from their birth mum.
17:02She's suing social services.
17:04Why?
17:05It happens, Tosh, you know.
17:08Kids grow up.
17:09They look back.
17:11They want someone to blame.
17:14She's angry.
17:16But...
17:17The way she's been pressing her case, it's been very stressful.
17:21Has she been contacting you directly?
17:23Or Edie?
17:24She turned up at our offices once.
17:26Shouting.
17:27Accusing us of delaying the legal process.
17:29She threatened you?
17:30Not really.
17:31She...
17:32She calmed down and she left.
17:34It's just that...
17:35After Edie, I...
17:38Not that I think that Amy would...
17:40I thought you should know.
17:43Well, yeah.
17:45So...
17:46Amy's in Shetland?
17:47Aye, she was adopted here.
17:49She's a teacher.
17:50She...
17:51She's got a flat in Lowerwick with a partner and a kid.
17:53And her sister?
17:54Stevie.
17:55And she ended up in the mainland.
17:57Look, I'm sure Amy's got nothing to do with this.
18:02It's just...
18:03Edie had a long career.
18:05And the kind of work she was doing...
18:07Well, it...
18:10Made her unpopular.
18:16So, I'll need copies of the letters Amy Shannon's solicitor sent.
18:19And I'll look at her case file.
18:20I'll get more if you send them over.
18:22Well, here.
18:23There's something I was going to ask you.
18:24I was talking to Gina Powell last night.
18:26I was pulling her up for hindering the case.
18:28And she said something strange.
18:30She said,
18:31The last time she helped us,
18:33she nearly lost her family.
18:36Us?
18:37As in the police?
18:38Yeah, I think she meant Shetland police.
18:41You said her husband was arrested.
18:43Ray Powell.
18:44Was there anything unusual about the case?
18:47Not really.
18:48Robert was the one who charged him.
18:50I didn't have anything to do with it.
18:51But...
18:52I do know that he confessed.
18:54Hmm.
18:57Alright.
18:58Well, you take care.
18:59Yeah.
19:00Okay?
19:01So, er, what'd you make of yesterday's poetry now?
19:12Well, er, I can't say I've been to many.
19:16Quite like your poem though.
19:18Hmm?
19:19Like the wind.
19:20Yeah?
19:21It's an old one.
19:22From back when I wrote properly.
19:24Well, I had a collection published years back.
19:28Hmm?
19:29Won a few awards.
19:30Oh.
19:31Well, was it successful?
19:33Well, I've definitely seen it in the odd charity shop.
19:40You, er, seen James recently?
19:44Er...
19:45No.
19:46No.
19:47Erm...
19:48Well, not since Carl's funeral.
19:50I mean, I...
19:51I wanted to, but, er...
19:53Just, you know...
19:54I reckon he'd appreciate it.
19:56Yeah.
20:00Sorry.
20:01Gotta go.
20:02Sure.
20:07Loudon!
20:16I trust you to choose a dead end.
20:20I've been looking for you...
20:21...since your disappearing act yesterday.
20:23I told you that I could not be there when you started making arrests.
20:26You said we didn't make any, did we?
20:28Yeah, I heard about that.
20:30Oh, I heard, did you?
20:31What did you hear?
20:32After?
20:33Or did you set us up?
20:34What?
20:35No.
20:36Why...
20:37Why would I set you up?
20:38Oh, I don't know, you tell me.
20:39Look, I thought the stuff was on that boat, right?
20:42That's why I've been laying low since.
20:44Why?
20:45Because if it's not on the boat then they're gonna know someone talked.
20:47Look, they're gonna know about me.
20:49Oh, I think you'll be fine, Will.
20:51You're hardly super grass material, are you?
20:56So that means they still need to land the gator, right?
20:58Yeah, I think so.
21:00You think so?
21:02Right.
21:03Well, if you hear of anything,
21:05you get in touch.
21:07Anything at all.
21:09Right?
21:10Yes.
21:11Yes!
21:12Yes!
21:13Good.
21:14You wee shite.
21:18I'll get directions to this beach.
21:22What's this now?
21:27It's not the same house as earlier, but they were there yesterday.
21:33Oh.
21:35Dropping someone back.
21:36For God's sake, Chris.
21:40Oh, God.
21:41Oh, God.
22:03Hey.
22:04Hey.
22:05I'm at the mortuary.
22:06Cora rang.
22:07She's got something for us.
22:08Hey.
22:09Great.
22:10Well, I'll be with you as soon as I can.
22:11How's it going?
22:12Well, I had an unexpected interlude with Will Loudon.
22:15Loudon?
22:16Where did you find him?
22:17Just walking along the street.
22:19Says he had no idea that boat was clean.
22:21What are you up to?
22:22I think you might be right about Edie having made some enemies.
22:25Well, who have you got in mind?
22:27Hmm.
22:28Maura gave me a heads up on an Amy Shannon,
22:30an old social work client.
22:32She has issues with the way Edie handled her case.
22:34Right.
22:35Have you spoken to her yet?
22:36Just about to.
22:37Okay.
22:38I'll see you here when you're done.
22:39Hi.
22:40Sorry.
22:41Are you Amy Shannon?
22:42No.
22:43I'm her sister, Stevie.
22:44Who is it?
22:45Can I help?
22:46Is this about our case against children's services?
22:48Indirectly.
22:49It is about Edie Tulloch.
22:50Our social worker?
22:51Yeah.
22:52I don't know.
22:53No.
22:54No.
22:55No.
22:56No.
22:57No.
22:58No.
22:59No.
23:00No.
23:01No.
23:02No.
23:03No.
23:04No.
23:05No.
23:06No.
23:07No.
23:08No.
23:09No.
23:10No.
23:11No.
23:12No.
23:13No.
23:14No.
23:15No.
23:16No.
23:17No.
23:18No.
23:19No.
23:20No.
23:21No.
23:22No.
23:23No.
23:24No.
23:25No.
23:26No.
23:27No.
23:28No.
23:29No.
23:30No.
23:31No.
23:32No.
23:33No.
23:34No.
23:35No.
23:36No.
23:37No.
23:38No.
23:39No.
23:40No.
23:41No.
23:42The complaint is that she made a mistake in your care, is that right?
23:46She did.
23:48A few months after we were removed, our mum died.
23:52And then they split us up.
23:55You mean when you went to the mainland?
23:59Yeah, disposed of in Aberdeen.
24:01On Edie Tulloch, say so.
24:04Stevie's been through four different foster families.
24:07Two children's homes.
24:10Did you ever talk to Edie directly about the case?
24:13No, of course not. Everything went to the solicitor.
24:17But you did go to the social services offices once?
24:21Once.
24:24But Edie wasn't there. She was longer tired.
24:27What about you, Stevie? Had you seen Edie?
24:30No. No, not since I was a kid.
24:35Sorry, why exactly are you here?
24:38We're just looking into Edie's connections, since your case is a live issue.
24:43You think we might have killed her?
24:45Hey, Edie.
24:46Mommy!
24:49Oh, sorry.
24:52What's going on?
24:54Nothing.
24:56I think we were... I think we were finished.
24:58OK, well, look, thanks for your time.
25:11Stay where you can see us, Chloe. It's rocky down there.
25:14I will, Dad.
25:16Pretty spectacular.
25:17No?
25:23For God's sake.
25:27What?
25:29You're the one who brought us here, Hale.
25:32We dropped everything because you suddenly needed a break.
25:35And here we are, babe, on a beach having a break.
25:38Yeah, but you haven't been here since we've arrived.
25:42You've got sneaking off.
25:44Checking your emails, is it?
25:45Do you think the questions from the staff, the supplier,
25:47do you think they just stop coming?
25:48Yeah, they do.
25:50If you don't log on.
25:52I run two restaurants.
25:53It's not like taking the odd front of house shift.
25:56Then let me help you.
25:57Chris, you're amazing with customers, but you're hardly...
26:02What?
26:03A top entrepreneur?
26:04A girl boss?
26:05Oh, piss off.
26:13I thought things had got a lot better this year.
26:16You seemed less stressed.
26:19Why Shetland?
26:21Lunasvik?
26:22I mean, it's the end of the world.
26:23I'm sorry.
26:24You were the one that didn't want to leave this morning
26:25because you were getting off on some local tragedy.
26:28Mil?
26:32You keep an eye on Chloe for once.
26:33I'm going for a walk.
26:38I wanted to go to Mallorca.
26:46Whiskey?
26:48You could smell it as soon as I opened the stomach.
26:50And we're not just talking a wee dram here.
26:53Toxicology will give us an idea of how much she actually consumed.
26:57But we're talking a skinful.
26:59So, hang on.
27:00Are you saying she was actually drunk at the time she was killed?
27:04More than likely, yes.
27:06That would account for the lack of self-defence wounds.
27:09She didn't fight back because she was in no fit state.
27:13Any food?
27:15Intestinal contents suggest ongoing digestion.
27:17But that's from a meal consumed well before death.
27:21How long before?
27:2310 to 14 hours, maybe.
27:25Sushi took to the whiskey after.
27:27And then some.
27:32So, turns out our 76-year-old victim was paralytic at the time of our murder.
27:38Yeah, except I don't remember there being any booze in the house.
27:42Well, maybe we missed it.
27:44Sandy, can you ask Socko to send over the inventory from the Tulloch house?
27:49Sure. What are we looking for?
27:51Specifically, whiskey bottles.
27:53But, see if you can find anything else that would indicate that Eddie Tulloch was a drinker.
27:57I'll get on to them.
27:58Yeah, and speak to Colin, wait.
27:59Find out if he ever added a bottle of scotch to one of our food parcels.
28:04Oh, sorry Sandy, could you also phone Aberdeen Children's Services?
28:09I need some background on a Stevie Shannon.
28:12Got it.
28:14I thought it was Amy Shannon you were talking to.
28:16Who's Stevie Shannon?
28:18Her sister.
28:19Brought up in Aberdeen, but it turns out she's staying with Amy at the moment.
28:23Kinda got a weird vibe from her.
28:26Why did Morag put you on to them?
28:27So, Edie handled their case, and now Amy's suing social services.
28:32Any grounds?
28:34I mean, it seems pretty clear from their file that they were being neglected.
28:38And the mum had a string of boyfriends, a recurring drug habit, but they're angry at Edie's decision.
28:44Angry enough to hurt her.
28:48Well, it could be a motive, if they felt that Edie had ruined their childhood.
28:52Question is, is there anyone else out there with a grudge against her?
28:55Did you get anything from Ed Tulloch?
28:59I don't think Ed knew anything about what was going on with his mum.
29:03He did say that Lana and Edie were close though.
29:06So, why set fire to her house?
29:10Well, unless Matt lets us have another crack at her, we'll never know.
29:15Hmm.
29:17I've had an idea about that.
29:19No.
29:20After this morning, we should have been sent home hours ago.
29:25Mr. Mayor, what Lana did was very, very serious.
29:31Why don't you help us to get her home?
29:34You'd need to let Lana talk on her own terms.
29:38You couldn't speak for her, but you would help her to feel safe.
29:42Lana, we need to speak to you again about the fire that you started.
30:01The one at Edie's house.
30:03We were such good friends.
30:05Yeah, we know that you were close.
30:08That's why we don't understand last night.
30:14I know what happened.
30:17What do you mean, Lana?
30:20Edie Tulloch.
30:22You know what happened to Edie?
30:26It was terrible what it did.
30:28What, who did Lana?
30:35Him.
30:39Arthur.
30:44It's confusing having me here.
30:46We need to stop now.
30:48Lana.
30:49What did Arthur do?
30:50I said we need to stop.
30:53Are you cross?
30:55Lana.
30:56Lana.
30:58Could you tell us what it was that Arthur did?
31:01No.
31:02Stop.
31:03It's so cruel.
31:04So damn cruel.
31:06You've got a temper on you, Arthur Mayor.
31:10What was she talking about, Arthur?
31:12I told you.
31:13It's nonsense.
31:14She doesn't know what she is saying.
31:18I'm not sure that's entirely true.
31:20You're not answering any more of your damn questions.
31:28What are you doing?
31:29It's like she's got away with it.
31:30Who?
31:31Edie.
31:32I mean, everything that she did and we're the ones they're looking into.
31:33I know.
31:34Look, maybe it's a sign to take stock as well.
31:35What Edie did was wrong.
31:36I know Stevie had it tough.
31:37But she was only supposed to stay a few days.
31:38Stevie's my sister.
31:39Who I didn't see for years because Edie Tulloch sent her to fucking Aberdeen.
31:40Where she apparently has no life to go back to.
31:42Where she apparently has no life to go back to.
31:43I know.
31:44I know.
31:45I know.
31:46I know.
31:47I know.
31:48I know.
31:49I know.
31:50I know.
31:51I know.
31:52Stevie had it tough.
31:53But she was only supposed to stay a few days.
31:56Stevie's my sister.
31:57Who I didn't see for years because Edie Tulloch sent her to fucking Aberdeen.
32:02Where she apparently has no life to go back to.
32:12Stevie, I'm sorry.
32:13Stevie, I'm sorry.
32:34Okay, so tonight where and when do you want to meet?
32:42Look, I just need to work out how I'm going to get away.
32:52It's not going to be easy.
33:11Chloe?
33:12Chloe?
33:13Chloe?
33:14Chloe?
33:15Chloe?
33:16Chloe?
33:17Chloe?
33:18Chloe?
33:19Chloe?
33:20Where is she?
33:21Chloe?
33:22Oh my God.
33:23Just stay there, stay there.
33:24I was just looking for shells.
33:26There we go.
33:27Oh, go.
33:28I'll call you.
33:29Chloe?
33:30Chloe?
33:31Oh God.
33:32Oh, you're okay.
33:33Chloe?
33:34Chloe, what happened?
33:35She's okay.
33:36She's fine.
33:37She's fine.
33:38You're okay.
33:39I'm fine, Dad.
33:40You're okay.
33:41You're supposed to be watching her.
33:47Okay, sweetheart.
33:48You all right?
33:50It's silly mum giving you a friend.
33:52Anything?
33:53Still saying nothing.
33:54We could arrest him.
33:55For what?
33:56Not talking to us?
33:57Colin Wirt was offended when I asked him if he ever brought Edie whiskey.
33:58He says Edie didn't drink.
33:59Oh, wait till he sees the path report.
34:00But Socko did come up with this.
34:04Where did they find that?
34:05Buried in Edie's wheelie bin.
34:06Were there any fingerprints on it?
34:07Any DNA traces?
34:08Contaminated apparently.
34:09But that's a special release means it's pretty rare.
34:10Check the distillery website.
34:11You have to order this one direct from them.
34:12All right.
34:13Well, give them a call.
34:14See if anyone in Shetland ordered one.
34:15Will do.
34:16So how did it go with Lana Mare?
34:17Well, we're no closer to finding out why she set fire to Edie.
34:19Well, we're not going to go with this.
34:20We're going to go with this.
34:21Where did they find that?
34:22Buried in Edie's wheelie bin.
34:23Were there any fingerprints on it?
34:24Any DNA traces?
34:25Contaminated apparently.
34:26But that's a special release means it's pretty rare.
34:29Check the distillery website.
34:30You have to order this one direct from them.
34:33All right.
34:34Well, give them a call.
34:35See if anyone in Shetland ordered one.
34:36Will do.
34:41So how did it go with Lana Mare?
34:43Well, we're no closer to finding out why she set fire to Edie's house.
34:47She did accuse her husband though.
34:49Accuse him of what?
34:50Well, we don't exactly know.
34:53Arthur shut the interview down.
34:55He's scared of something.
34:56So maybe Lana's accusing him of killing Edie.
34:59That's why she started the fire.
35:01Covering Arthur's tracks.
35:03Destroying the evidence.
35:04Want to maybe take a wee breath here?
35:05Because we don't actually have any evidence that would support that.
35:08Yeah.
35:09Everyone we've spoken to says the Mayors and the Tullochs were close friends.
35:12For over 40 years.
35:14Come on.
35:15There must have been some issues.
35:16Can't have all been sweetness and light.
35:18So who really knows them?
35:20So why haven't you released her?
35:24Um...
35:25Because we...
35:26We don't quite have the answers that we're looking for yet.
35:28And you really think you will?
35:30Some days...
35:31Mum barely recognises me.
35:32Could I, er...
35:33So what we're trying to do is...
35:34Establish when your dad last saw Edie.
35:36Do you remember?
35:37Did he call in on her sometime?
35:38Did he call in on her sometime?
35:39Why haven't you released her?
35:40Why haven't you released her?
35:41Did he call in on her sometimes?
35:42Edie was more and more shut off.
35:43And...
35:44Dad's main concern is Mum.
35:45And...
35:46Dad's main concern is Mum.
35:47I don't really think you will.
35:48I don't really think you will.
35:49Some days...
35:50Mum barely recognises me.
35:52Could I, er...
35:54So...
35:55What we're trying to do is...
35:57Establish when your dad last saw Edie.
35:59Do you remember?
36:00Did he call in on her sometimes?
36:01Edie was more and more shut off.
36:02And...
36:03Dad's main concern is Mum.
36:04Did they ever fall out with each other?
36:05What?
36:06Dad and Edie?
36:07Any arguments?
36:08Or...
36:09Animosity?
36:10Our families went through a lot.
36:11Your brother Ali, you mean?
36:12And Craig Tulloch?
36:13Yeah.
36:14I don't know.
36:15I don't know.
36:16I don't know.
36:17I don't know.
36:18I don't know.
36:19I don't know.
36:20I don't know.
36:21I don't know.
36:22I don't know.
36:23I don't know.
36:24I don't know.
36:25I don't know.
36:26I don't know.
36:27I don't know.
36:28I don't know.
36:29I don't know.
36:30Yeah.
36:31Losing Ali nearly broke Mum and Dad's apart in the way they supported Robert and Edie.
36:39If you're suggesting that my dad would ever hurt her, this is mad.
36:48Isabel, can I ask you a question?
36:51Sure.
36:52Who does that whiskey belong to?
36:56Arthur took that bottle to Edie's.
36:58Which puts him in her house.
36:59Which means he's lying to us.
37:00I want him in the interview room.
37:01I'll call Sandy.
37:02Sorry.
37:03I've been looking for you.
37:04I've been looking for you.
37:05Eventually thought of Mum's grave.
37:07Listen Luke's just being a dick.
37:08I've been looking for you.
37:09I've been looking for you.
37:10I've been looking for you.
37:11I've been looking for you.
37:12Eventually thought of Mum's grave.
37:16Listen Luke's just being a dick.
37:17Yeah, well.
37:18I've been looking for you.
37:19I've been looking for you.
37:20I've been looking for you.
37:21I've been looking for you.
37:22I've been looking for you.
37:23I've been looking for you.
37:24I've been looking for you.
37:25I've been looking for you.
37:26I've been looking for you.
37:27I've been looking for you.
37:28I've been looking for you.
37:29I've been looking for you.
37:30I've been looking for you.
37:31I've been looking for you.
37:32I've been looking for you.
37:33I've been looking for you.
37:34I've been looking for you.
37:35I've been looking for you.
37:36I've been looking for you.
37:37I've been looking for you.
37:38I've been looking for you.
37:39I've been looking for you.
37:40I've been looking for you.
37:42I've been looking for you.
37:43I've been looking for you.
37:44I've been looking for you.
37:45I've been looking for you.
37:46I've been looking for you.
37:47So I'm sorry for staying so long and getting in the way.
37:53See, but you're not. You've been great.
37:57And Aidan loves you.
38:01We're our family.
38:05We've missed so many years together.
38:09We'll make new memories.
38:12Good ones.
38:17Come on. Let's go.
38:47We found out that Edie had been drinking just before she died.
39:01Do you recognise this?
39:07We found it at Edie's.
39:11It's yours, isn't it, Arthur?
39:13From your collection.
39:15Why would we have found this in Edie's bin?
39:19Lana said you did something terrible.
39:23She also said that you have a temper.
39:25That doesn't mean...
39:27But what if Lana found out that you had?
39:33And she was trying to help you cover your tracks?
39:37The fire?
39:39That's not why she started it.
39:41So then why did she?
39:43Arthur, Edie's dead.
39:45If you didn't hurt her, talk to us.
39:49Explain why you were in her house.
39:51Isabelle said that you'd stuck by the Tullochs through the years.
39:59She said that your marriage had struggled?
40:01After you'd lost your son?
40:03That was when it started, wasn't it?
40:17What do you mean?
40:19What started?
40:21Your affair.
40:23With Edie Tulloch.
40:24You don't know what you're talking about!
40:26Did Lana freeze you out?
40:28Is that what happened?
40:29Because that can happen sometimes.
40:30With grief.
40:32It can close people off.
40:36But it can also push them together.
40:40Was it still going on?
40:42Even when you were...
40:43You were caring for Lana?
40:45No!
40:56So when did it finish?
41:02I ended it for good when Lana was diagnosed five years back.
41:15You should have told us this.
41:17It's private.
41:19It's nothing to do with Edie's death.
41:23When did you last see her?
41:24Saturday.
41:25I brought a bit of dinner and a whisky.
41:26And what happened?
41:27Nothing.
41:28We ate, we chatted, had a dram after.
41:29Just the one?
41:30Yes.
41:31And Edie was fine?
41:32And Edie was fine when you left?
41:34Yeah, she was fine.
41:35And what did you do for the rest of the evening then, Arthur?
41:38I was at home like every night.
41:39Asked Isabel and Jess.
41:40I helped bathe Lana, helped put her to bed and we fell asleep together.
41:45There's a reason for the fire.
41:46If he's telling the truth.
41:47You think he's lying?
41:48He did lie.
41:49Concealed this affair.
41:50Didn't tell us about being at Edie's on the day she died.
41:51What did you do for the rest of the evening then, Arthur?
41:52I was at home like every night.
41:53Asked Isabel and Jess.
41:54I helped bathe Lana.
41:55I helped put her to bed and we fell asleep together.
42:04There's a reason for the fire.
42:09If he's telling the truth.
42:11You think he's lying?
42:13He did lie.
42:15Concealed this affair.
42:16Didn't tell us about being at Edie's on the day she died.
42:19But his story checks out, timings wise.
42:22He brings over some dinner, leaves Edie fit and well.
42:26David Powell comes over after.
42:28David even remembers Edie tidying up dinner when he arrived.
42:32And Isabel confirms Arthur being at home that night too.
42:36Oh, come on.
42:37A family member.
42:39Sure.
42:40But I don't see a motive.
42:43He was having an affair with Edie.
42:45Which ended years ago.
42:47Maybe Edie was threatening to tell.
42:49But why broadcast it now?
42:52With all the potential damage to her reputation.
42:55And even if Edie was threatening it, why would Arthur kill her like that?
43:01No, I don't think the affair is a motive.
43:05I think it's a defence.
43:07We need to release them.
43:09Okay, where does that leave us?
43:12Another?
43:13Oh, no.
43:14I should get back.
43:15Luke's been texted and I've probably ignored him enough to make my point.
43:19Sure.
43:20But you leave him to me.
43:22Okay?
43:23And I'll list what you do.
43:24He's the only one who's a friend.
43:25I'm a friend.
43:26I'm a friend.
43:27I'm a friend.
43:28You're a friend.
43:29You're a friend.
43:30You're a friend.
43:31I'm a friend.
43:32I'm a friend.
43:33Oh, no.
43:34I should get back.
43:35Oh, no.
43:36I should get back.
43:37Luke's been texted and I've probably ignored him enough to make my point.
43:42Sure.
43:43But you leave him to me, okay?
43:49And all this what you do.
43:52You know, that doesn't change what we do.
43:54We still sew the hell out of them. Press harder even.
43:58If things had moved faster, maybe Edie felt like I would have faced some consequences.
44:03Maybe she did if she was killed. Something's caught up with her.
44:07I guess.
44:08And they're still the other one.
44:14The other what?
44:16Social worker. McCabe.
44:19Morag McCabe.
44:23Edie Tulloch's wee sidekick.
44:26She's just as much to blame.
44:38Arthur, that last time you saw Edie, was she worried about anything?
44:54No.
44:56Why?
44:58Someone saw her after you.
45:02Said she seemed strange.
45:05Talked about settling her affairs.
45:08Ah well.
45:10We're all weighing that up at our age.
45:12Is that all for one of them about to fire?
45:24No decision's been made.
45:25Do you want a cup of tea?
45:26Yes, please.
45:27Do you want a cup of tea?
45:28Do you want a cup of tea?
45:29Yes, please.
45:30Do you want a cup of tea?
45:31Do you want a cup of tea?
45:32Do you want a cup of tea?
45:33Do you want a cup of tea?
45:46Yes, please.
45:47Do you want a cup of tea?
45:48Yes, please.
46:17Do you want a cup of tea?
46:18There are a few more you can enjoy.
46:19Don't do it.
46:20Think of it.
46:21Let's do it.
46:22A little bit.
46:25Just let's do it.
46:27Do you want a cup of tea?
46:28No.
46:29No.
46:30No.
46:31No.
46:32No.
46:33No.
46:35No.
46:36No.
46:38No.
46:39No, no, no.
46:40No, no.
46:42No, no.
46:43No, no.
46:44Do you want a cup of tea?
46:45No.
46:46No, no.
46:47We need to check out what's been reported.
46:49Come on, this is nonsense.
46:52What's going on?
46:53Amy.
46:54Sorry, miss. Who are you?
46:56Amy Shannon. I live here.
46:58There's been a report of a domestic disturbance at this address.
47:02Putting a child in danger.
47:04What?
47:05We had a wee argument. Hours back, but no big disturbance.
47:09Well, are we OK to come in and check?
47:13Yeah, go on. We have nothing to hide.
47:17Now to 5127, on site at the Shannon, is it?
47:29Do you mind if I...?
47:31Yeah.
47:43No, I'll go. I'll go.
47:48She's my sister. She's been staying with us.
47:52Sorry.
47:53Apologies. We're obliged to check these things out, you know.
47:58Yeah, I know.
47:59Listen, sometimes wires get crossed.
48:01You know, people play jokes even.
48:03Yeah.
48:04We'll leave you guys to enjoy your evenings, OK?
48:06We'll leave you guys to enjoy your evenings, OK?
48:08What helps?
48:09I know.
48:10No, we're all going to be the way around us.
48:11No, no, no, no, no.
48:12No, you're going to suffer.
48:14No, no.
48:15No, no, no, no.
48:16No, no, no.
48:17No, no, no!
48:19I know.
48:20No, no, no.
48:21No...
48:22No.
48:23No.
48:24What a you do?
48:25No, no...
48:26No, no, no.
48:28No, it's 3,000.
48:29No, no, no.
48:30you're looking for this
48:41explains your distraction anyway
48:45so who is it
48:47what
48:48you're seeing someone else
48:49meet them tonight
48:51no Chris no
48:52bollocks explain this
48:54your stress
48:57I thought it was a restaurant
49:00which is the restaurants
49:01no wait Chris wait
49:03I'm in deep shit
49:06okay that's why I brought us here
49:07you're not making any sense Hayley
49:09the restaurants got into debt
49:13and I did something stupid
49:14and now I have to do exactly as I'm told
49:17or we're in danger
49:18all of us Chris
49:19what who
49:20what are they telling you to do
49:30what do I need to do
49:45what's the plan
49:47so
49:48What have you done?
50:08I've got to hand it to the dealer tonight.
50:13How could you do this to us?
50:18You didn't have to drive them home personally, you know.
50:33At least we're learning a bit more about E.D.
50:37You mean the affair with Arthur?
50:39Hmm.
50:40But also, you know, the son who didn't speak to her.
50:46Strange friendship with David Powell.
50:49Potentially questionable work decisions.
50:53You heard anything from the angry sisters?
50:56No, we're still waiting on Aberdeen services,
50:57but Sandy's checking if we can place either of them in Linerswick.
51:01Good idea.
51:02Cos something happened that made E.D. hit the whisky.
51:06Hmm.
51:07Sandy also looked into her money.
51:09The digital statements go back ten years
51:12and nothing has been touched that whole time.
51:15He's trying to find paper records so we can go back even further.
51:19Hmm.
51:20Oh, oh.
51:22A Hunting Wind by E.D. Tulloch.
51:31Just curious.
51:33Thought it might give me a bit of insight into the family, you know?
51:36Yeah.
51:38I, er, I also found out that E.D. knew Cal.
51:46Cal?
51:47Yeah.
51:48How?
51:49It's, you know, a small place.
51:51James and Cal drank at his bar and...
51:54Ed and Cal played music together.
51:57Wow.
51:59I know.
52:00You don't talk about him much.
52:04Cal?
52:05No.
52:06No, I suppose I don't.
52:29I don't like people skulking round my place.
52:33James, er...
52:38Sorry.
52:40It's been a while.
52:42Let me park and we'll get inside.
52:45Okay.
53:00Cheers.
53:01Oh, cheers.
53:02Business still thriving, then?
53:17Ah.
53:18I was always the brains.
53:20He was just the poster boy.
53:22It's good to see you, Ruthie.
53:27You too.
53:30Why'd you leave it so long?
53:33Erm...
53:36Just protecting myself, you know?
53:39Trying to move on.
53:45It was Ed, actually, that, er, encouraged me to...
53:49Aye.
53:50He texted.
53:51Said your pass had grossed.
53:53Hm.
53:54Well, that would have given you time to hide your contraband, then,
53:56case I showed up.
53:57That was definitely all my brother.
54:01Do you know him well?
54:03Oh, Ed.
54:04I mean...
54:05No, no, a long time.
54:07Yeah.
54:08And he's been round a lot the last year.
54:11He's a good lad.
54:15He reminds me of Cal.
54:19Oh, come on.
54:33If you're done with that bed, you look wrecked.
54:38Thanks very much.
54:40It's rude to comment on a lady's appearance.
54:42What if you're concerned cos the lady is working insane hours?
54:45I know.
54:46I know.
54:47It's been a crazy few days.
54:49Thanks for picking up this lad.
54:51Aw.
54:52You know me, Tosh.
54:54I run a tight shit.
54:56No bad.
54:57Okay.
54:58Oh.
54:59Sandy.
55:00Sorry.
55:01Late in the day.
55:02But we just got something back from Aberdeen.
55:05On Stevie Shannon?
55:06Yes.
55:07Not the official files yet.
55:08This is more anecdotal.
55:09What is it?
55:10Seems there were some disturbing reports that came from the children's homes where Stevie was placed.
55:15What kind of reports?
55:16Concerns that she was manipulating other kids.
55:18Turning them against one another.
55:19On occasion.
55:20Encouraging them to run away with her.
55:22Hayley?
55:23What is it?
55:24What is it?
55:25What is it?
55:26Seems there were some disturbing reports that came from the children's homes where Stevie was placed.
55:28What kind of reports?
55:29Concerns that she was manipulating other kids.
55:30Turning them against one another.
55:31On occasion.
55:32Encouraging them to run away with her.
55:43Hayley?
55:44Hayley?
55:47I'm coming with you.
55:51Are you sure?
55:52Yeah.
55:54You're not doing this alone.
55:57If it has to happen, we're in it together.
56:01What about Chloe?
56:02Oh, she has to bark it out.
56:04She never wakes up.
56:07And we'll be quick.
56:09The dealer said if we hand this over, then we're free.
56:13That's what they said, right?
56:15That's what they said.
56:17Then let's do it.
56:20Come on.
56:22I love you.
56:23I love you.
56:30Who do you think called them?
56:31The police.
56:33Next door.
56:34She's had in for us since they'd knocked her flowers over.
56:38They came into her home, Luke.
56:40Uniformed officers.
56:41In case we were a danger to her son.
56:44I know.
56:45You're the one that let them in.
56:47Well then act like you care.
56:50I mean, this should bother you.
56:53What are you talking about, Amy?
56:55It's like you're not even...
56:57Amy, Amy.
56:58I care for God's sake.
56:59Look at you.
57:00You're small on your phone.
57:02You're literally sitting there,
57:03small on your phone,
57:04and you're just a physical house.
57:06Jesus Christ.
57:09Don't worry about the noise, wee man.
57:11Auntie Stevie's here.
57:13And I'll look after you.
57:15We're a family after all.
57:18You, your mum, and me.
57:26Family.
57:28Just the three of us.
57:55We're a family after all.
57:57You're walking around.
57:58Put it out.
57:59Baby, come out.
58:02You've been yelling.
58:04We've been yelling.
58:05He was doing a vholes.
58:06We've been yelling after.
58:08researcheron.
58:10TheakREE.
58:12He wasiçÔes when told the Levi prz跑,
58:14we had to play and be malfunctioned orgili怩a called the MVP Gordon.
58:18She died from both myself.
58:20But before her, she fell caught.
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