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00:00His name is Jakob Rauer.
00:02How do you know him?
00:03From a previous life.
00:04The shipment arrives in Cartagena Port in three days.
00:07But he calls himself Richard Roper's true disciple.
00:10He's Teddy DeSantos.
00:11All I've got is a formation of Barquero Commerce and their charity foundation.
00:15Nothing above the parapet.
00:17That face is too pretty to lose.
00:19Do you think he's alright?
00:20I'm worried about him.
00:21Rex was murdered and the river house are involved.
00:25An import company in Cartagena is buying UK machine tools for oil pipelines.
00:29Something started to feel wrong.
00:31I took it to Rex.
00:32What about this man?
00:34No.
00:35Tell the team we're going to Spain.
00:36We're watchers.
00:37We're not the show, remember?
00:38Shipment lives with a government stab as requested.
00:42Waleed.
00:49Hi, this is Alex Goodwin.
00:51Please leave a message.
00:55The Night Owls is a surveillance unit.
00:58You watch.
00:59You listen.
01:00You report.
01:01You do not hunt down.
01:08Alex Goodwin was my boss.
01:11He gave the order to follow Michelle Hibbert to Spain.
01:14We thought that he had authority.
01:16Well, he had none.
01:17Did he say why he was following some gun runner on a fake passport?
01:21No.
01:22He only told us what we needed to know.
01:27That's all.
01:28Are you a sheep?
01:34You know, Alex Goodwin's recklessness not only cost him his own life, but the lives of some of our finest servants.
01:40I'm hereby terminating the Night Owls unit.
01:44And as for you, Miss Price Jones, you should take some time off.
01:50And if anyone outside this room asks, your unit was never in Spain.
01:57Is that clear?
01:59Yeah.
02:00Good.
02:01You can go.
02:04Good.
02:05You can go.
03:34To be there for a moment, thank you.
03:54It's all right, Jonathan.
03:55We're alone.
03:56I come here most weekends to fish.
03:58Bit of a bolt hole to clear the mine.
03:59Where's Sally?
04:00she's about a mile from here waiting for us to join her why does he call me
04:09Jonathan because it's your name Jonathan Pine the man who brought down Richard
04:17Roper
04:30when six years ago Rex asked for my help in creating the new you I was happy to
04:39oblige I've long been an admirer from afar let's have some tea we need to talk
04:49Myra Cavendish believes you died in that hotel room explosion I use my influence to ensure the
05:04report mentioned two bodies in that room there was in fact only one Sally's told me about the
05:12Alcestis Cartagena Teddy dos Santos let me help you Jonathan whatever you've got in
05:19mind you can't do this alone
05:42I found these in the Roper archive this one is from Teddy dos Santos
05:48did Richard Roper smuggle arms into Colombia in the 1990s it was never proven but almost certainly
06:01okay then I think Teddy is continuing his business model and I think British intelligence is helping
06:08him
06:13you can't use service cover now too risky Myra has friends in many places as Rex discovered
06:20what about Roxana Bolaños not a trace maybe they killed her too but we can't be sure
06:38hey well he shouldn't have been there I know he had children and he had a bloody beautiful wife I know I have no one an arthritic dog
06:58dog you should have told us about your past I'm sorry Sally
07:05how's Mike he left the service he went straight to the square mile you know you should do the same I've put you in too much danger already
07:18I'm not going anywhere they died for nothing otherwise
07:31okay the trucks arrived tomorrow to take the cargo from Cartagena Paul but
07:36you asked for a way to stop it who is he
07:40Alejandro Gualteros public prosecutor in Medellin now he has tried twice before to stop Barcaro but he got nowhere we've tipped him off under the code name Max
07:49he's impounded the shipment for us and he's frozen Barcaro's bank accounts
07:53which means Teddy will need cash flow that's your way in we'll use the Roper piggy bank seems appropriate given you've stolen in the first place
08:01300 million last time I looked
08:04okay
08:05but you can't be Alex Goodwin
08:09so who am I
08:12Matthew Ellis
08:1443 years old born in Norfolk to a second-rate merchant banker and an alcoholic mother who slept with Arthur Fakenham
08:23good for her
08:25good
08:26yeah
08:27try this one you're a very wealthy man with a penchant for risk
08:31get in the stripe
08:33try that
08:34that's not your stripe
08:36no it's it's it's cheap it's not
08:39it's obvious
08:40it's obvious
08:41you made your own path creating and then just trashing companies in Europe and the Gulf
08:45shoes
08:47no socks with these shoes
08:49try it with this
08:51yeah
08:52finally you settled in Hong Kong working for a Swiss investment outfit Steiger & Sons
08:57yeah
08:58yes
08:59that's him
09:00that's him
09:01you are in Medellin after a scandal with the Hong Kong bank
09:08you're on your own
09:10you're dodgy
09:11and you've money to burn
09:13you're staying at the Grand Melio because naturally that is the only hotel in Colombia that you would ever be seen dead at
09:20naturally
09:21naturally
09:22and
09:23and
09:32and
09:33you've gone away from family relationships in any responsibility and you've given into your vices
09:36You've run away from family, relationships and any responsibility.
09:46And you've given in to your vices.
09:52Now, Teddy's lawyer, Carascow, is your way in.
10:02He loves to gamble.
10:04They lunch together every Tuesday after his tennis practice at his club.
10:07That's your chance to be a snake in their garden.
10:11Jonathan, any red flags, you follow the escape routes immediately.
10:16That'd normally take months to do something like this.
10:22See you there.
10:25With my son hat on.
10:34Morning.
10:43Morning.
10:44He might have the same problem I had.
10:48Coach had to leave.
10:49Family issues, apparently.
10:51You're new to the club.
10:58Flew in two days ago.
11:00Matthew Ellis, member of the Simmons in London.
11:02Hi.
11:03You want to play a set?
11:08Yeah.
11:09You want to make it count?
11:19Yeah.
11:20How much for?
11:21A thousand dollars?
11:23You don't mess around, do you?
11:25You don't mess around, do you?
11:26I'm going to fulminar.
11:34Ace.
11:35Thanks, sir.
11:42Straight up.
11:47Game.
11:49One love to me.
11:50Well done, Needless, man.
11:54Too low.
11:55Well done.
11:56Come on.
11:57We're going three low to me.
11:59Ouch.
12:00Nice.
12:01Nice.
12:02Nice.
12:03Nice.
12:04Nice.
12:05Nice.
12:06Nice.
12:07Nice.
12:08Nice.
12:09Nice.
12:10Nice.
12:11Nice.
12:12Nice.
12:13Nice.
12:14Nice.
12:15Nice.
12:16Nice.
12:17Nice.
12:18Nice.
12:19Nice.
12:20Nice.
12:20Nice.
12:21Nice.
12:22Nice.
12:23Nice.
12:24Nice.
12:25Nice.
12:26Nice.
12:27Nice.
12:28Nice.
12:29Nice.
12:30Nice.
12:31Nice.
12:32Nice.
12:33Nice.
12:34Nice.
12:35Nice.
12:36Nice.
12:37Nice.
12:38Nice.
12:39Nice.
12:40Nice.
12:41Nice.
12:42Nice.
12:43Nice.
12:44Nice.
12:45Nice.
12:46Nice.
12:47Nice.
12:48Nice.
12:49Nice.
12:50You have us come for a hand, but you rely on me too much.
12:54You sound like my father.
13:05Here's your money.
13:07Forget it.
13:08It will be like taking candy from a baby.
13:10Hey, Juan, don't be cruel.
13:12Hmm?
13:13Or have to become Sanchez.
13:15Ali.
13:20How was your game?
13:22I lost.
13:23You know what they said?
13:26The pit makes you stronger.
13:29Let's hope so.
13:31You are new, right?
13:32I just flew in.
13:35Come.
13:37I'll walk you inside.
13:38Good morning, sir.
13:51Hi.
13:51You're English.
13:53I'm from Hong Kong, Swiss Bank.
13:55Been there for 10 years.
13:57And what are you doing in Colombia?
14:00Let's just say it's getting more complex to work with our Chinese friends, so...
14:05I'm seeking new opportunities.
14:06You're a risk-taker.
14:11Life...
14:13as on the court.
14:14I like that.
14:15Dígalo.
14:15Señor Dos Santos, disculpe que le moleste.
14:17General Sánchez le está esperando en el bar.
14:18Muchas gracias.
14:19Voy para allá.
14:20I have to go, my friend.
14:21Sure.
14:22Nice to meet you.
14:23I hope Colombia te ha hecho bien.
14:25See you around.
14:27Where are you staying?
14:29At the Grand Melia, while I make plans.
14:33Take it, amigo.
14:36General, muchísimas gracias por venir.
14:38De verdad, se lo agradezco.
14:40Es con mucho gusto, Eduardo.
14:42Dime, ¿qué te puedo ayudar?
14:45Se llama Alejandro Walteros.
14:46Está siendo la vida muy complicada, hermano.
14:48¿Qué suelo?
14:49Me tiran las cuentas congeladas.
14:51Y ahora se quieren meter a verificar un cargamento que me confiscó.
14:55Y eso no puede pasar.
14:57No te preocupes.
14:58Yo me encargo.
14:59Y que sea rápido.
15:01Que si no hay dinero, no hay plan.
15:14¿Cómo hay?
15:16¿Verdale, Alejandro, cómo está?
15:18Regálame un titico, por favor.
15:19Let me get that for you, Alejandro.
15:26Gracias.
15:27Por eso.
15:29Excuse me, who are you?
15:30You received a tip-off ten days ago.
15:32The sender's codename was Max.
15:37You impounded this shipment for us.
15:40And Max wants you to know we're very grateful.
15:43Yeah, but I can't open it.
15:45I just got this letter.
15:46The military are stopping me.
15:49Let me guess.
15:50General Horatio Sanchez.
15:53Yes.
15:56Who are you?
15:57Okay, Alejandro, we're friends.
16:01This conversation was recorded in Richmond, London, two weeks ago.
16:04Listen to it, but share it with no one.
16:07We want to know what's going on, just like you do.
16:10So, whatever Teddy DeSantis offers you to release that shipment, you refuse it.
16:16It's okay.
16:16It's okay.
16:17It's okay.
16:18It's okay.
16:18The first time ever I saw your face
16:42I thought the sun rose in your eyes
16:57Rex Mayhew was a servant to his country over many decades
17:02He was a man of deep principle
17:05A dyed-in-the-wool Englishman
17:08But more than anything
17:12He was a devoted husband to Celia
17:15An adoring father and grandfather
17:18And a dear friend
17:21Whom I shall remember with a twinkle forever in his eye
17:26I hear you're having Alex Goodwin's body flown back from Spain
17:41What's left of it?
17:44Not much I'm afraid
17:45You see
17:58Alex made a mistake
18:01He got involved above his head
18:05Vought the wrong people
18:08And Rex
18:11Rex
18:16It was a tragedy
18:19What about you, Basil?
18:27Where do you stand in all this?
18:29You know where I stand
18:31I'm loyal to the service
18:32Always have been
18:33But what service?
18:36This mythic England of Rexes
18:38Greenfields and Croquet
18:39It's been paved over
18:42Our paymasters want us at the top table
18:49We may have to stand on some heads to get there
18:53What do you need from me?
19:03All of Rex's operational files
19:10You send them over?
19:12Well, these are the declarations of the Secretary General of the Nation, Consuelo Arbenz
19:21On the news of LIA
19:23The order of capture
19:24The letter of the Secretary General of the Nation, Consuelo Arbenz
19:27In two weeks we are celebrating a decade of having signed the peace process in this country
19:32But in 2002 we forget that the family Cabrera is in this country for 30 years
19:37And we're not going to wait for you to do what you want to do
19:39This, without a doubt, is a political manipulation
19:44And cynic that comes from a government that is afraid of what the people really want to represent
19:51And the government
19:52Is that the Matthew Ellis?
20:01Yes, who is this?
20:03It's your tennis partner
20:04Would you care to join me and Teddy at a welfare racing gala tomorrow?
20:09I'd love to
20:11Good evening, thank you
20:25Would you like some champagne?
20:34I'd love to
20:52Good evening, thank you
20:55With again
20:56Last time I saw you, you were angry at losing on the tennis court.
21:24I still am.
21:25Matthew, thank you for coming.
21:28It's so important to have your support.
21:30Oh, you don't have it yet.
21:31Ooh.
21:32One should be here in a minute, eh?
21:34Very good.
21:35He's picking up a guest.
21:36Okay.
21:37Maybe another drink?
21:39Why not?
21:44Thank you very much.
21:45You're welcome.
21:48So, you came alone?
21:51No one to keep your company?
21:53I'm always open to offers.
21:57Oh.
21:58I like that.
22:00And I'm sorry, I just thought that you might be married or...
22:04I tried it for a while.
22:05French woman in Hong Kong didn't get a plan.
22:08Ooh.
22:09She's back in Paris now with our daughter.
22:13So...
22:15So, not a family guy.
22:18Let's just say, I like my freedom.
22:22Okay.
22:23Let me help you with that.
22:24I'm sorry.
22:25Not to worry.
22:26It's all in a twist.
22:27Not to worry.
22:28It's all in a twist.
22:29Not to worry.
22:30It's all in a twist.
22:31There you are.
22:32Octavia.
22:33Good luck.
22:34These kids, where'd you find them?
22:36In every street corner.
22:37Orthans grow wild in Colombia.
22:39When I looked into that, who's the bank you work for in Hong Kong?
22:42They are a secretive bunch.
22:43And we all...
22:44Were?
22:45Well...
22:46Octavia, good luck.
22:50These kids, where'd you find them?
22:54In every street corner.
22:57Orphans grow wild in Colombia.
23:00When I looked into that, who's the bank you work for in Hong Kong?
23:04They are a secretive bunch.
23:08And we all...
23:10Well...
23:12You know, there's one now.
23:15Oh.
23:16Hi.
23:24Who's he with?
23:26She's a very close friend of mine.
23:28Huh?
23:29You want to say hi?
23:32I'd like that.
23:33Let's take a look.
23:39Juan?
23:40How are you?
23:41Look who arrived.
23:42Juan, lovely to see you.
23:44Hey, how's your up?
23:45We've already recovered.
23:46We should have a rematch.
23:47What?
23:48Roxy, precious.
23:50Hola.
23:51I want you to meet someone.
23:53He's my friend Matthew, from Hong Kong.
23:55Mm-hmm.
23:56Hello.
23:57Pleasure to meet you.
23:58And you.
23:59Welcome to Colombia.
24:00Mm-hmm.
24:01You new in town?
24:02Oh, I just flew in.
24:03Terrible turbulence on the way over.
24:05I thought I might not make it.
24:08But here you are.
24:09Here I am.
24:10Here I am.
24:11You're stuck.
24:12Si.
24:13Matthew, excuse me for a moment.
24:15Of course.
24:16Can you take care of our guest?
24:17Can you take care of our guest?
24:18Can you take care of our guest?
24:19You're in a tour first, or shall I?
24:20Why don't you?
24:21In London, you told me you didn't know Teddy.
24:22Said you'd never met him.
24:23That's not the case, is it?
24:24You called him from that hotel room.
24:27You were working for me.
24:28I don't know.
24:29Yeah.
24:30I know.
24:31I know.
24:32I know.
24:33I know.
24:34I know.
24:35I know.
24:36I know.
24:37I know.
24:38But here, I know.
24:39You're going to talk first, or shall I?
24:40Why don't you?
24:42In London, you told me you didn't know Teddy.
24:46Said you'd never met him.
24:47That's not the case, is it?
24:50You called him from that hotel room.
24:53You were working for him all that time.
24:55I don't know what you're talking about.
24:56Don't lie to me.
24:59Well, I recorded our loving conversation,
25:01and it places you right at the heart of the Barcairat operation,
25:05so we can do this informally,
25:06or we can choose a different route.
25:09Arrest warrant.
25:10Accessory to murder.
25:13Extradition to London.
25:16I'm not alone here, by the way.
25:18There's a support team outside waiting,
25:20so who will do this is up to you.
25:23What do you want?
25:32The truth.
25:37Keep smiling for the cameras.
25:42Rex found me.
25:43He called me in Miami.
25:46Why?
25:48He noticed traffic between Riverhouse and Columbia.
25:51My name was mentioned.
25:53So, you flew to London to reassure him.
25:57You fed back to Teddy, and they killed him.
25:59I had no idea that would happen.
26:00Who did it?
26:01Teddy's people?
26:02London?
26:04I don't know.
26:05What's in the Barcairat shipment, because it isn't machine tools.
26:09Teddy didn't tell me.
26:10Who's he selling to?
26:12Colombian military?
26:12I told you I don't know.
26:15I just front the deal.
26:16And how much does he pay you for that?
26:21He's watching us.
26:22Hmm.
26:27Are you two together?
26:28He's with nobody in that way.
26:30But he trusts you, clearly.
26:31He trusts no one.
26:32I should be back in Miami by now.
26:34Instead, I'm stuck here at his villa under constant surveillance.
26:37It's like I'm this fucking prisoner.
26:39You don't look like a prisoner to me.
26:41The man talking with him on the mezzanine, he's a senior prosecutor, Alejandro Galteros.
26:48Ten days ago, he impounded the shipment after an anonymous tip-off.
26:54That was you.
26:56He's also frozen the company's bank accounts.
26:58Now, Teddy's going to need cash flow to meet his deadline.
27:01That's where you come in.
27:03You're going to convince him that Matthew Ellis is the man he needs.
27:08You're going to vouch for me.
27:09I want a meeting in three days.
27:10You know, I can't do that.
27:11You want to get away clean, that's the price.
27:14You have a choice to make, Roxana.
27:16You can either get me inside his operation, or you can tell Teddy everything.
27:21There is nothing.
27:22My apologies.
27:23Teddy!
27:25What did he say?
27:26I don't want to play.
27:29Matthew, I'm sorry, but we have to leave.
27:32Thank you for coming, and don't forget to make a donation to my charity.
27:35We save lives.
27:38Roxana.
27:39Roxana.
27:40Why don't you take my card?
27:43Perhaps we can discuss things further over a private drink.
27:46Yeah, I'd like that.
27:48I just want you to be polite.
27:50I don't know the meaning of a word.
27:53We'll take care of that for you.
27:54Matthew, goodbye, old boy.
28:05Nice to see you.
28:06Bye.
28:07I'll see you.
28:07Nice gaffrey up.
28:19Nice gaffrey up.
28:21Nice gaffrey up.
28:35How's yours?
28:37Sans aircon and sticky carpets.
28:40Way out of your league.
28:41Just make sure you lock the bedroom door, okay?
28:44Yeah, I can.
28:45I can look after myself.
28:49Our prosecutor came to the museum tonight.
28:52And?
28:52He refused their offers, just as you asked.
28:56Good boy.
28:58I think we can trust him.
29:00Anything else?
29:02Roxana Balandios was at the party tonight.
29:04It's okay.
29:05She's getting me inside Teddy's setup.
29:07And you trust her?
29:10Not exactly.
29:11But she's all we've got.
29:13I've still got nothing concrete on Teddy's past.
29:16Did you get any more on Barquero?
29:18No, nothing.
29:20The paper trail seems clean.
29:22What she told us in London checks out.
29:24I need more.
29:25I know.
29:26I'll keep looking.
29:28Good night.
29:29Bye.
29:37Bye.
30:07Bye.
30:37Hello, good morning.
31:05I'm Max Robinson.
31:08Ah, Mr Robinson.
31:10From London, yes?
31:11Si.
31:12Welcome.
31:13Welcome.
31:14Gracias.
31:15So what can I do for you?
31:17I hear you're good at finding people.
31:28I'm sorry it took so long.
31:30Rex was somewhat unorthodox in terms of paperwork.
31:33I've sorted it as best I can.
31:35Find anything irregular?
31:36Nothing.
31:37Well, thank you, Basil.
31:39You're an angel.
31:41An angel with migraine.
31:43Well, why don't you go home?
31:45Leave me and the team with us.
31:47Are you sure?
31:48Of course.
31:49Thanks, Mark.
31:50Come on.
31:51Mr Khan.
31:52Yes.
31:53Sorry.
31:54Have you been waiting?
31:55Oh, it's fine.
31:56I've got another viewing at 4.30.
31:57I'll fit you in.
31:58It's Ashdown.
31:59Oh, yeah.
32:00And you need to just give it a shove.
32:01Straight up to the top.
32:02Got the dual aspect feature as well.
32:03Gorgeous view.
32:04Holland Park is such a glassy area.
32:05Oh, I could probably get one to keep the table and lamp too, if that helps.
32:07My client's from the Gulf.
32:08He'll take possession immediately.
32:09He'll take possession immediately.
32:10He'll take possession immediately.
32:11Oh, yeah.
32:12Oh, yeah.
32:13And you need to just give it a shove.
32:16Straight up to the top.
32:21Got the dual aspect feature as well.
32:25Gorgeous view.
32:26Holland Park is such a glassy area.
32:29Oh, I could probably get him to keep the table and lamp too, if that helps.
32:33My client's from the Gulf.
32:35He'll take possession immediately.
32:37He's happy to pay six months up front.
33:03All right, boys.
33:04Let's go over here.
33:05Over here.
33:06Long time.
33:08Go ahead.
33:09Go to the nose.
33:12Run.
33:26Are you okay?
33:37I was a cop for 10 years.
33:41I had this crazy idea.
33:44Police were meant to arrest the bad guys.
33:49I learned my lesson, the hard way.
33:56It's a small town. Someone will know her.
34:13Alright.
34:26Here she is.
34:47Maria Luisa Vidal.
34:48She died so young.
35:01Sorry.
35:07What are they doing here? Why are they asking for my mom?
35:11Is it her mother?
35:12Yes.
35:13What's her name?
35:14Clara. Who are you?
35:16Who are you?
35:23Do you know this man?
35:30Where did you get this photograph?
35:31You know him.
35:35He's my brother, Eduardo.
35:38I haven't talked to him in 30 years.
35:41He was not brought up here.
35:42You're sure it's him?
35:43I know my brother.
35:47Listen.
35:48I think he may be in trouble.
35:50Okay?
35:51I'm a friend of his.
35:52And I need to find him.
35:54Anywhere you can help me.
35:55How do you call him?
36:07How do you call him?
36:09The Christ of the Holy Spirit.
36:14No.
36:15I'm not sure who I am.
36:16I'm sorry.
36:17I'm not sure.
36:18No.
36:20No.
36:21He's not got enough.
36:22He's not the one.
36:24He's not the one.
36:26No.
36:27No.
36:28No.
36:29No.
36:31No.
36:33No.
36:34No.
36:35Vidal.
36:38Creí que era usted historiador de arte.
36:41Estoy tratando de encontrar a Eduardo.
36:44Me envió a su hermana Clara.
36:47Eduardo se fue cuando tenía 16 años
36:50y no he vuelto a verlo desde entonces.
36:52¿Sabe por qué su madre lo mandó aquí?
36:55Por lo visto hubo un escándalo,
36:57pero nosotros no nos inmiscuimos en asuntos familiares.
37:00Nuestra única preocupación era el muchacho.
37:03Y nunca vino nadie a hacer la visita.
37:10Solo su padre.
37:12Niño, está llegando.
37:15Podría venir una vez al año.
37:18Y Eduardo le esperaba todo el año con muchas ganas.
37:22Y practicaba su inglés todo el año.
37:24Y solo para ese día.
37:26Mira.
37:28Ahí está.
37:30Eduardo.
37:31Eduardo.
37:32Eduardo.
37:33El padre.
37:34Era inglés.
37:39Sí.
37:40¿Qué es esto, señor Robinson?
37:53¿Quién eres?
37:55Gracias.
37:57Gracias.
37:58Gracias.
37:59Gracias.
38:00Gracias.
38:01Gracias.
38:02Gracias.
38:03Gracias.
38:04Gracias.
38:05Gracias.
38:06Gracias.
38:07Gracias.
38:08Gracias.
38:09Gracias.
38:10Gracias.
38:11Gracias.
38:12Gracias.
38:13Gracias.
38:14Gracias.
38:15Gracias.
38:16Gracias.
38:17Gracias.
38:18Gracias.
38:19Gracias.
38:20Gracias.
38:21Gracias.
38:22Gracias.
38:23Gracias.
38:24Gracias.
38:25Gracias.
38:26Gracias.
38:27Gracias.
38:28Gracias.
38:29Gracias.
38:30Gracias.
38:31Gracias.
38:32Gracias.
38:33Gracias.
38:34Gracias.
38:35Gracias.
38:36Gracias.
38:37Gracias.
38:38Gracias.
38:39Gracias.
38:40Gracias.
38:41Gracias.
38:42Gracias.
38:43Gracias.
38:44Gracias.
38:45Gracias.
38:46Gracias.
38:47Gracias.
38:48Gracias.
38:49Gracias.
38:50Gracias.
38:51Gracias.
38:52Gracias.
38:53Gracias.
38:54Gracias.
38:55Gracias.
38:56Gracias.
38:57Gracias.
38:58Gracias.
38:59Gracias.
39:00Gracias.
39:01Gracias.
39:02Gracias.
39:03Gracias.
39:04Gracias.
39:05Gracias.
39:06Gracias.
39:07Gracias.
39:08Gracias.
39:10What's going on?
39:11What's going on?
39:25Talk to me, Jonathan.
39:27Teddy is Richard Onslow Roper's son.
39:33Roper was gun running in Colombia in the 90s.
39:36He met a married woman.
39:38They had an affair.
39:39She had a son.
39:40They sent him away.
39:41Changed his name.
39:42He has passed.
39:43Now he's continuing the family business.
39:52You okay?
39:53I feel like I'm chasing ghosts.
39:56Jonathan, no.
39:57Look at me.
39:58There are no ghosts here.
40:00Okay?
40:01There's a dodgy shipment in Cartagena that me and you need to open before they do.
40:05He's six of six.
40:06Hello?
40:07I've got you and in.
40:12If you're interested, I'll come and pick you up tomorrow for lunch.
40:13Tomorrow lunch sounds great.
40:14Wait.
40:15If he finds out, he'll kill me.
40:16If he finds out, he'll kill me.
40:17He won't find out.
40:18If he finds out, he'll kill me.
40:19He won't find out.
40:20He won't find out.
40:21If he finds out, he'll kill me.
40:22He won't find out.
40:23If he finds out, he'll kill me.
40:24He won't find out.
40:25me when will, when will he will?
40:26I will, I can't tell you, he'll kill me.
40:27I'll kill you.
40:28I'll kill you, I'll kill you.
40:29If I'll kill you.
40:30To be here.
40:31I've got you and in.
40:32If you're interested, he'll come and pick you up tomorrow for lunch.
40:34Tomorrow lunch sounds great.
40:36Wait.
40:38If he finds out, he'll kill me.
40:43He won't find out.
41:13It was delivered to my home.
41:43I'm just trying to scare you.
41:49Well, we are succeeding.
41:53So, you need to tell me what's going on.
41:57I'm pretty sure the cargo you impounded contains illegally imported British weapons.
42:02It's the last of six shipments.
42:04If we're right, that's a lot of weapons, and we need to know who they're for.
42:09There's been talk of a deadline for the final shipment, codenamed anniversary.
42:16That may not be a codename.
42:18What do you mean?
42:20The 10-year anniversary of the peace process is in a week's time.
42:25Maybe the anniversary is real.
42:30We need to open that shipment, Alejandro.
42:32You saw the letter from the military.
42:34My hands are tied.
42:38Okay, if I can get you proof of what's inside those containers, then will that help untie them?
42:44If I can get you a list.
42:47Good.
42:48Is that it?
42:49Cheers.
42:50So, they're interested.
42:52The Baricato bank account remains frozen.
42:54They need money while they solve the problem.
42:56Teddy's noticed you.
42:57He detects an alcohol problem, an appetite for risk.
43:00He wants this out in you out.
43:01I'll buy a potential short term loan.
43:02No fingerprints, easy getaway.
43:03How much?
43:04$20 million.
43:05That's a lot of money.
43:06Well, it's a serious operation.
43:07remains frozen, they need money while they solve the problem.
43:10Teddy's noticed you, he detects an alcohol problem,
43:13an appetite for risk.
43:15He wants this out and you help.
43:17But a potential short-term loan,
43:19no fingerprints, easy getaway.
43:23How much?
43:24$20 million.
43:27That's a lot of money.
43:28Well, it's a serious operation.
43:30And right now they need cash flow.
43:32But I want guarantees.
43:35What kind of guarantees?
43:37I get you what you want,
43:40I disappear back to Miami.
43:42No plea bargain, no key witness.
43:45I was never here.
43:54I'm done?
43:56What happens though?
43:58I called Teddy from the bathroom.
44:01If I still think you're the right man for this,
44:04I think you're the right man for the job.
44:09Make the call.
44:34Welcome.
44:35Hi.
44:36Hello, hello.
44:37How are you, Roxy?
44:38Hi.
44:39Hi.
44:40Hi.
44:41Hi.
44:42Hi.
44:43Hi.
44:44Hi.
44:45Hi.
44:46Hi.
44:47Hi.
44:48Hi.
44:49Hi.
44:50Hi.
44:51Hi.
44:52Hi.
44:53Hi.
44:54Hi.
44:55Hi.
44:56Hi.
44:57Hi.
44:58Hi.
44:59Hi, Roxy.
45:00Hi.
45:01Hi.
45:02Hi.
45:03Hi.
45:04Hi.
45:05Hi.
45:06Hi.
45:07Hi.
45:08Hi.
45:09Hi.
45:10Hi.
45:11Hi.
45:12Nice to meet you.
45:13Nice digs.
45:14Hey man.
45:15Who's Matthew?
45:16Dennis.
45:17Hi.
45:18Not bad.
45:19Nice pad.
45:20Yeah.
45:21It's our pad.
45:22Victor.
45:23Tell the chief of our guys is here.
45:26Good year for Barcaro, I think.
45:28He and the fucking Hollywood Hills up here.
45:30I know.
45:31This is what it is.
45:47Hey Teddy.
45:48Hi.
45:49The main man.
45:50Matthew.
45:51Teddy.
45:52How good of you to come.
45:53How was lunch?
45:54It was lunch?
45:55Why am I here?
45:56First, have a drink with me.
45:57Then we can talk.
45:58Come on in.
45:59Please.
46:00Nice spot you got here.
46:01Roxy.
46:02Hola.
46:03Que más?
46:04Como esta, todo bien?
46:05Bien.
46:06Bien.
46:07Bien.
46:08Okay.
46:09How's it?
46:10Hi.
46:11How's it?
46:12Um.
46:13You got a single malt?
46:14Nice spot you've got here.
46:19Roxy.
46:20Hello.
46:21What else?
46:22How are you?
46:23How are you?
46:24How are you?
46:25Good.
46:26Have you got a single malt?
46:29Of course.
46:30What do you want Roxy?
46:31No, I'm fine.
46:33How?
46:34No, I'm fine.
46:39Hello.
46:40Cheers.
46:41Um, Teddy.
46:47What's with the muscle?
46:49You're afraid?
46:50Well, they're just, you know, there's a lot of them.
46:52Don't worry.
46:53They're afraid.
46:54We go back a long way.
46:57So, how did you two meet?
47:02It was in Miami.
47:04Yes.
47:05At a party.
47:06Yes.
47:07We danced for three, four hours.
47:10Cuatro horas.
47:11Cuatro horas.
47:12Mm-hmm.
47:13And then, I offer her the Barquero Commission.
47:16Just like that?
47:17Just like that.
47:18One dance and you get a whole business deal.
47:20Well, I'm one hell of a dancer.
47:22I bet you are.
47:23What is important is that five years later, here we are.
47:29I'm loyal, Matthew, to those loyal to me.
47:34But now, Roxy tells me that you are looking for investment opportunities.
47:39Is that right?
47:41Well, that depends.
47:42Mm-hmm.
47:44You left England in your twenties.
47:49And never went back.
47:51A man on the run.
47:53But from what I won?
47:56That is none of your business.
47:58You were in the army for a while.
48:00I was.
48:01I left.
48:02No.
48:03Turn out.
48:04Bad behavior.
48:07Sir?
48:09Ten years in Hong Kong.
48:10Indeed.
48:11Working for a private Swiss bank.
48:13Mm-hmm.
48:14Big profits.
48:15Then, three months ago, a sudden split.
48:19No explanation.
48:21And now you're here.
48:23On the lookout.
48:24I don't know, but some people will call that question, I don't know, Matthew.
48:30Look, I made a lot of money.
48:33I got bored.
48:34What's to explain?
48:36Roxy likes you.
48:38No.
48:39No, I didn't say I liked him.
48:41Is there anything we can work together?
48:43In that case, I have a simple offer for you.
48:48If you say yes, I can promise you rich rewards.
48:53There is only one condition.
48:56Which is?
48:57You ask no questions of me, and I ask no questions of you.
49:02Everything is trust.
49:05What's the return?
49:07Double your money in three months.
49:09If you accept, you are in.
49:11It's a leap of faith.
49:13Understand?
49:15I think about it.
49:27Oh.
49:30Está bien.
49:31Just don't take too long, because we might look elsewhere.
49:34Well, we don't have to rush things up.
49:37You know what?
49:38You're right.
49:39Let's enjoy.
49:40Maria, champagne, please.
49:44I think I understood that one.
49:46Oh, come, come, come, come.
49:49Oh, it's like...
49:51Yay!
49:53One, two, five, six.
49:55Okay!
49:56Oh, my God.
49:57Okay.
49:58All right.
49:59Now we're really getting the party started.
50:01You guys know how.
50:02No, no, no.
50:03No, this is the real Colombian.
50:05So, in my country they say,
50:08I'm not going to be an American.
50:09It means one, like,
50:10to another.
50:11Victor, déjalo en paz.
50:12Déjalo en paz.
50:13Ven, ayúdalo.
50:14No, no.
50:15That's Mr. Elvis.
50:16We have to train well.
50:17Good.
50:18Good.
50:19Very cool.
50:20Roxy.
50:21And remember, here, always to the dead ones.
50:23Just a little to the dead ones.
50:25How much?
50:26How much?
50:27Yeah?
50:28Yeah.
50:29For the dead ones.
50:30Hey, chico.
50:31Chico.
50:32A little more.
50:33You don't think I bought that for this one?
50:34No, no, no.
50:35We got.
50:36Thank God.
50:37Good, good, good.
50:38Good, good, good.
50:39It's the core of the Colombian shuffle.
50:43Good, good, good guys.
50:44Good job, yeah?
50:46Yeah, yeah, yeah.
50:47I remember.
50:48I remember that.
50:49What was the semi-final?
50:50It was the semi-final, quarter-final?
50:51This is the way.
50:53This is the Colombian way.
50:54Yeah.
50:55The Colombian way, well.
50:56Salud, wait, one to the dead.
50:57To the dead ones, right?
50:58No, no, no!
50:59Okay.
51:00Chin, chin, down the hatch.
51:02Don't let us all
51:08I'm gonna have to go down
51:32Help me.
51:57Help me.
52:02Welcome to the family.
52:19Goodbye.
52:24Goodbye.
52:26Is he okay?
52:38Hey.
52:39Hey.
52:41Help me.
52:47Matthew.
52:51Matthew.
52:54You okay?
53:00Who are you Matthew?
53:03Why are you really here?
53:07You can tell me everything.
53:09You're safe here.
53:13I've come here.
53:22Really?
53:24Why?
53:27I'm cleaning the money.
53:31What money?
53:35I lost the bank.
53:38600 million.
53:41Whew.
53:42That's a lot of money.
53:44Yeah.
53:46Yeah.
53:47Mm-hmm.
53:49Gone.
53:51Swiss bank is not happy.
53:54Mm-hmm.
53:55Riz found the image.
53:57Mm-hmm.
53:59So they kicked you out?
54:01Yeah.
54:03Yeah.
54:04So how is it you have money to invest with me?
54:08Huh?
54:10Uh-huh.
54:12Wow.
54:14I hit it.
54:23Hmm.
54:2525 million.
54:30Special account.
54:33Yes.
54:35Fucking squested for it.
54:37Shh.
54:38Shh.
54:40Shh.
54:42I'm not real.
54:44And you're not real.
54:49So now, now you need to clean that money, huh?
54:54Mm-hmm.
54:55Wash it clean.
54:59Caloniasa.
55:01Londresa.
55:04Lavanderia.
55:08Lavanderia.
55:10Mm-hmm.
55:11I can help you to do that, Matthew.
55:16If you trust me.
55:20I trust you.
55:24Yeah?
55:25I can make you clean.
55:30Make me clean.
55:32Make me clean.
55:34Make me clean.
55:36It's a light.
55:49Yeah.
55:50Yeah.
55:51Yeah.
55:53Yeah.
55:54Yeah.
55:55Yeah.
55:56Yeah.
55:57Yeah.
55:58Yeah.
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