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  • 2 days ago
First broadcast 29th April 2002.

Rev. Robin Sage dies after eating a meal prepared by Juliet Spence, an expert herbalist who should know the difference between wild parsnips and deadly hemlock.

Pippa Haywood - Juliet Spence
Charlotte Salt - Maggie Spence
Tony Boncza - Reverend Robin Sage
Joanna Dunn - Polly Yarkin
Lesley Vickerage - Helen Clyde
Nathaniel Parker - DI Thomas Lynley
Sharon Small - DS Barbara Havers
Christine Bottomley - Bride
John Vine - Kenneth Shepherd
Robert Goldsbrough - Police Officer One
Adam Godley - Tony Philips
Jason Merrells - Steve Shepherd
Nathan Naylor - Sergeant Mason
Maggie Guess - Woman at Bishops
David Lyon - Bishop
Jane Galloway - Kate Gutterman
Jon Millington - Police Officer Two
Roger Gartland - Official
Eliza McClelland - Mrs Steed (as Eliza Mcclelland)
Rebecca Lenkiewicz - Elaine

Category

📺
TV
Transcript
00:00:00The
00:00:16That's been my delivery. I'll get it.
00:00:46I'll get it.
00:01:16Come on.
00:01:46Come on.
00:02:16Come on.
00:02:46Come on.
00:02:56Come on.
00:03:06Come on.
00:03:16Come on.
00:03:26Come on.
00:03:36Come on.
00:03:46Come on.
00:03:56Come on.
00:03:57Come on.
00:03:58Come on.
00:03:59Oh.
00:04:00Hi.
00:04:01About time.
00:04:06Stupid car.
00:04:08I'm just going to break down.
00:04:09Why is it just a road in the middle of nowhere?
00:04:14Nice to see you too.
00:04:16Sorry.
00:04:17Hello.
00:04:18See?
00:04:19I'll cover it in the middle of nowhere.
00:04:20I'll take you back to the hotel.
00:04:28Yeah, my jacket.
00:04:29I'm really glad you suggested me for the job.
00:04:43Why wouldn't I?
00:04:44Why wouldn't I?
00:04:45Best profile in the business.
00:04:48So what are you working on?
00:04:51Not much.
00:04:52Local boys don't like to give outside as the good stuff.
00:04:55One of the drawbacks of being on attachment.
00:04:57How's Barbara coping?
00:04:58She's back in London for a few days.
00:04:59Now her mum's gone into her home.
00:05:00She's selling the house in Acton.
00:05:02Congratulations on cracking the Evans case.
00:05:04It was quite a result.
00:05:05No, it wasn't.
00:05:06It was sordid.
00:05:07The man goes on television, tears in his eyes, begging whoever it was that killed his wife
00:05:12to give themselves up, and all the time he'd murdered her.
00:05:16It's enough to put you off relationships for life.
00:05:19Thanks.
00:05:37Lynley?
00:05:41It's me.
00:05:43Um, have you seen my lighter coming much?
00:05:47Um, have you seen my lighter?
00:05:49I think I might have dropped it in your car.
00:05:51You must be psychic. Helen and I were just talking about you.
00:05:53You have to do some work in your seduction technique.
00:05:57How come I can't hear the clink of champagne glasses?
00:06:00Because we're in a dark country lane in Helen's car.
00:06:03That was quick work.
00:06:06Thanks, but did you have all the information, Hayward?
00:06:08It's circumstantial evidence.
00:06:10Oh, come on. Moonlight. All that nature.
00:06:15Have you told her how you feel?
00:06:16Oh, better go.
00:06:20You've come to Calvary.
00:06:21Well, it's number one.
00:06:23And I don't say that.
00:06:26I think what happened here...
00:06:29I think what happened here...
00:06:30I think what happened here...
00:06:30I think what happened here...
00:06:31I think what happened here...
00:06:32I think what happened here...
00:06:32I think what happened here...
00:06:33I think what happened here...
00:06:34I think what happened here...
00:06:34I think what happened here...
00:06:35I think what happened here...
00:06:35I think what happened here...
00:06:36I think what happened here...
00:06:36I think what happened here...
00:06:37I think what happened here...
00:06:37I think what happened here...
00:06:38I think what happened here...
00:06:38I think what happened here...
00:06:39I think what happened here...
00:06:39I think what happened here...
00:06:40I think what happened here...
00:06:40I think what happened here...
00:06:41I think what happened here...
00:06:41I think what happened here...
00:06:42I think what happened here...
00:06:42I think what happened here...
00:06:43I think what happened here...
00:06:43I think what happened here...
00:06:44I think what happened here...
00:06:59Where is he?
00:07:10Hey, try and stay calm.
00:07:12Look, where is he?
00:07:13Look, I've spoken to your dad.
00:07:14We're going to start ringing round and try and find him, okay?
00:07:17Excuse me.
00:07:20Hello?
00:07:22Yeah, this is DCI Shepherd.
00:07:29Where?
00:07:48The eye, Lele.
00:07:59What do you think happened?
00:08:18Not certain.
00:08:19Bluish tinge, lips and mouth.
00:08:23Signs of asphyxiation.
00:08:25Tony?
00:08:26Lindley?
00:08:27Sir.
00:08:28Oh.
00:08:30No wonder he didn't make the wedding.
00:08:32You know the victim, sir?
00:08:33It's the Reverend Robin Sage.
00:08:35He was due to take a marriage service this morning.
00:08:37What the hell?
00:08:40What happened to his tongue?
00:08:42It's swollen, probably as a result of trauma.
00:08:45It's severed.
00:08:46He almost bit it off.
00:08:48Could he have had a fit?
00:08:49Well, thanks, Inspector.
00:08:50I'd never have thought of that.
00:08:53An epileptic fit, maybe.
00:08:56Possibly poisoning.
00:08:57You what?
00:08:59Have to wait till I do the post-mortem to find out.
00:09:01Juliet.
00:09:02Mrs Spence.
00:09:03Vicar had dinner at her place last night.
00:09:05I called in on my round.
00:09:06She was really ill.
00:09:19Thanks.
00:09:20Well?
00:09:22Over the worst, I'd say.
00:09:24I want to go back in.
00:09:25In a minute.
00:09:26And then maybe you should go and stay with Josie for a moment.
00:09:29Look, I want to see my mum.
00:09:30Soon.
00:09:31Did you tell Mrs Spence about...
00:09:33What?
00:09:33Tell me what?
00:09:35Mum.
00:09:37Juliet, I need to talk to you.
00:09:38It's really important.
00:09:40Look, you can see your mum afterwards.
00:09:42Please, love.
00:09:42Don't love me.
00:09:44You're not my dad.
00:09:44Just give me a moment.
00:09:47Hmm?
00:09:49Please?
00:09:50Maggie, why don't we go downstairs?
00:09:51I'm sure he won't be long.
00:10:07What?
00:10:09I'm sorry to have to tell you, but the vicar, Reverend Sage, died last night.
00:10:16Well, no.
00:10:17That's not right.
00:10:18He couldn't have.
00:10:19I mean...
00:10:21He had dinner here with your mum, didn't he?
00:10:25Well, Robin did.
00:10:26I thought that...
00:10:27What?
00:10:31Nothing.
00:10:32So you didn't eat with the Reverend Sage and your mother?
00:10:35No, she, um, p-papped me after Josie's.
00:10:39What was going on?
00:10:41We do have to find out what happened.
00:10:44Is your father around?
00:10:45He left when I was younger.
00:10:47Are you, are you sure Robin's dead?
00:10:53I mean, he's, he's really dead.
00:10:57I think so.
00:11:03Right.
00:11:05Lindley, I want you to go and talk to the vicar's housekeeper.
00:11:08I miss Polly Yarkin.
00:11:10Constable, you go with the inspector.
00:11:11Do the introductions.
00:11:12We haven't been introduced.
00:11:17I'm D.I. Lindley.
00:11:18Steve.
00:11:18Constable Steve Shepard.
00:11:20Oh, do you see I, Shepard?
00:11:22He's my father.
00:11:23This is D.I. Lindley.
00:11:43He wants to ask you a few questions.
00:11:46Please, come in.
00:11:47Come in.
00:11:47Come in.
00:11:48Come in.
00:11:49Come in.
00:11:51Well, one minute he was alive and the next, they said, he suffered.
00:12:05I'm afraid so.
00:12:08How long had you worked for Reverend Sage?
00:12:10Ever since he got it.
00:12:12Four months ago.
00:12:14When was the last time you spoke with him?
00:12:15I asked him if he wanted dinner and he said he was going out.
00:12:20And did he tell you he was going to Juliet Spence's cottage?
00:12:24No.
00:12:26But he put his best suit on.
00:12:29What's that supposed to mean?
00:12:31Nothing.
00:12:32I'm just remarking.
00:12:34Did he ever ask you about Juliet?
00:12:36About Mrs Spence?
00:12:37No.
00:12:38He never said anything?
00:12:39Are you sure?
00:12:39Even in passing?
00:12:40Why are you asking me about Juliet Spence?
00:12:43It's Robin Sage who's dead.
00:12:45We'll leave it there for the moment.
00:12:47Thank you, Miss Yarkin.
00:12:50I mean, don't get me wrong.
00:12:51She's bound to be upset.
00:12:54But Polly's a bit...
00:12:56flaky.
00:13:00So, what's next?
00:13:03Check with the stocko, Sergeant.
00:13:04He may need help preserving the scene.
00:13:06Well, I'd be much better use back at the Spence's cottage.
00:13:09Not until we've got the results back on cause of death.
00:13:12I'll call Socker.
00:13:13Tell him I'm on your way.
00:13:15Constable.
00:13:16Sir.
00:13:29Have you seen the DCI anywhere?
00:13:31He's in the shop talking to Reverend Sage's verger.
00:13:33Thanks.
00:13:36Any progress, sir?
00:13:40Bit of a smart aleck, that Tony.
00:13:43Toxicology reports suggest the Reverend Sage died of water, hemlock poisoning.
00:13:47Someone poisoned him?
00:13:48Hemlock grows wild round here.
00:13:50Juliet Spence prepared a meal for the Reverend,
00:13:52and she picked hemlock thinking it was parsnip.
00:13:55Accidental death.
00:13:56That's one opinion, sir.
00:13:58And one the coroner is most likely to share.
00:14:01Until we can prove that beyond reasonable doubt,
00:14:03the investigation will continue.
00:14:04Sir.
00:14:10I don't mean to tread on your toes,
00:14:11but are you aware that your son, PC Shepherd,
00:14:14is having a relationship with Juliet Spence?
00:14:16You are?
00:14:17I came across this information accidentally.
00:14:19I had a senior investigating officer in this case.
00:14:21I thought you ought to know.
00:14:22You sure?
00:14:26Thanks.
00:14:28Well, you saved me a lot of trouble down the line.
00:14:30Word, Constance.
00:14:50Now.
00:14:51I stand there while some outsider tells me about you and Juliet Spence.
00:15:05What outsider?
00:15:07Lindley.
00:15:08Had to inform the super.
00:15:09Gives me an earful.
00:15:11Conflict of interest senior officer should have known.
00:15:14Sage wasn't murdered.
00:15:15There is no case.
00:15:17Not for you and me, there isn't.
00:15:18I turned it over.
00:15:20What?
00:15:22Who's who?
00:15:24That's Southern Ponce Lindley.
00:15:25It was an accident.
00:15:28That's obvious.
00:15:30How do you know it?
00:15:31Because you're giving her one.
00:15:32Why the hell didn't you tell me you haven't had an affair with Juliet Spence?
00:15:35I'm a grown-up.
00:15:36My personal life.
00:15:37You should have warned me.
00:15:38This is my career on the line.
00:15:46Hello?
00:15:47How's the packing going?
00:15:49Great.
00:15:50Now, if you feel like cutting your leaves short,
00:15:52the superintendent of Alred has handed me a suspicious death.
00:15:55I'd like you back up here, working with me.
00:15:58Well, I guess if you can't crack it without me,
00:16:02then it looks like I've got no choice.
00:16:05There's a train at 7...
00:16:0810 past 7.
00:16:10Pick me up at 10.30.
00:16:11See you then.
00:16:12Okay, bye.
00:16:25Hi, come on in.
00:16:32How was your first day?
00:16:34Fascinating.
00:16:36I hear you're in charge of the Robin Sage case.
00:16:41Come in.
00:16:41Tony Phillips, Helen Clyde.
00:16:48Oh, the profiler on the Evans case.
00:16:51Superintendent Alred's obviously very impressed.
00:16:54He's been singing your praises all day.
00:16:56Well, I'm not sure why.
00:16:57I've only just found my way to the canteen.
00:17:01Helen and I know each other from London.
00:17:02I thought I'd bring you up to speed on the Robin Sage case.
00:17:07If you can spare the time.
00:17:09Do you want me to leave?
00:17:10No, of course not.
00:17:13Steve Shepard said that Juliet Spence spent the night vomiting.
00:17:17Probably saved her life.
00:17:18The symptoms of hemlock poisoning are delirium, convulsions and abdominal pains.
00:17:24A single mouthful can kill a man.
00:17:26So, how come she survived?
00:17:29Because she threw up.
00:17:31But interestingly, hemlock doesn't make you vomit.
00:17:35You're telling me hemlock doesn't cause vomiting?
00:17:37No, not the way she describes.
00:17:39Two people eat the same meal.
00:17:41One person dies, the other conveniently has some form of stomach upset and lives.
00:17:45Exactly.
00:17:55All right.
00:17:59Have you eaten?
00:18:01Oh, thank you.
00:18:03Yeah, I had a roasted veg sandwich with organic wholemeal.
00:18:07I need a cigarette.
00:18:09Oh, I found your lighter.
00:18:10Oh, thank you, sir.
00:18:14How's your mum settling into the home?
00:18:17OK.
00:18:20Sometimes I go there and she thinks I'm a sister.
00:18:22which isn't so stupid actually
00:18:25everyone says I look just like Auntie Joyce
00:18:27well except for the nose
00:18:52mum mum the place took all the bottles away
00:19:01what happened at the hospital
00:19:03are you okay
00:19:05it's alright
00:19:06I'm alright
00:19:08why didn't you tell me Robin was coming for dinner
00:19:18I wanted to talk to him privately
00:19:23yeah but I mean
00:19:25you should have told me
00:19:26I should have known
00:19:27you saw me preparing supper
00:19:30you could have asked
00:19:31who did you think I'd invited
00:19:35Maggie
00:19:37you think I don't know
00:19:42but I know
00:19:43I've heard the two of you
00:19:45and you
00:19:46what panting in his ear
00:19:48I love you Steve
00:19:49I love you
00:19:49this one is sick
00:19:52why didn't you say he knew about me and Steve
00:19:56why don't you tell me
00:19:57it doesn't mean anything
00:20:02it's not like you and me
00:20:05what are the gouges on the ground
00:20:10I know he dug his heels in as he crashed about
00:20:12you can see
00:20:13they clawed up the earth
00:20:15this tongue
00:20:19so swollen he'd almost chewed it in half
00:20:22if you're lucky you don't have heart failure
00:20:25no he wasn't lucky
00:20:26no he asphyxiated
00:20:27how long did it take
00:20:28too long
00:20:30we know how he died
00:20:33the hemlock poisoning
00:20:34we know who served him the poison
00:20:36Juliet Spence
00:20:36what we don't know
00:20:37is whether she deliberately
00:20:39gave him the hemlock
00:20:40or whether someone else
00:20:41substituted the hemlock
00:20:42for the parsnip
00:20:43not forgetting
00:20:44the terrible accident theory
00:20:46or it wasn't
00:20:49Reverend Sage
00:20:49who was supposed to die
00:20:50but if the pathologist
00:20:53is right
00:20:53and this
00:20:54Spence
00:20:54made herself vomit
00:20:56then
00:20:56then she must have known
00:20:58she'd eaten something poisonous
00:20:59but even if she'd deliberately
00:21:00made herself sick
00:21:01she could still have been
00:21:02the intended victim
00:21:03PC Shepard
00:21:10was the first person
00:21:11to see her
00:21:12after Sage left
00:21:13that night
00:21:14how's it going Lindley
00:21:34early days sir
00:21:36if you're looking for Steve
00:21:40you may have a long wait
00:21:41he's got a big area to cover
00:21:43looks like we're in luck sir
00:21:47would I like just a few words
00:21:49please constable
00:21:49oh well you'll have to come back
00:21:50there's a trailer tipped over
00:21:51on the way to Landridge
00:21:52so what are you doing here then
00:21:54who's she
00:21:55Detective Sergeant Havers
00:21:57look why don't I come inside
00:21:59and put the kettle on me
00:22:00you must be very busy sir
00:22:01you're not kidding
00:22:02I haven't even had time for lunch
00:22:13I want it on record
00:22:14that at no time
00:22:15was my impartiality in question
00:22:16noted
00:22:19why did you keep your relationship
00:22:24with Juliet Spence quiet
00:22:25I resent this
00:22:27you're hiding it from your wife
00:22:29my wife
00:22:31Annie is dead
00:22:33I'm sorry
00:22:36that's why he never put himself up for promotion
00:22:39he nursed her at home until she died a year ago
00:22:42if you're both free agents where the secrecy
00:22:45Juliet didn't want to upset Maggie
00:22:47what about Juliet's relationship with Robin Sage
00:22:51what relationship
00:22:53she invited him around for dinner
00:22:54went to a lot of trouble
00:22:56to discuss Maggie
00:22:58what about Maggie
00:22:59Sage wanted her to go to church
00:23:02he'd started a youth club
00:23:04Juliet wasn't keen on the idea
00:23:06she slaves over a hot stove
00:23:08just to say Maggie can't go to the youth club
00:23:10she's got a phone hasn't she
00:23:12she's a hospitable woman
00:23:14you know
00:23:16there is something sexy about men in dog collars
00:23:18there was nothing going on
00:23:21if you died
00:23:29I've got no one
00:23:32I'd have to go into a home
00:23:35oh Maggie
00:23:39I can't produce your dad for you sweetheart
00:23:45if I could I would
00:23:48in your statement you said
00:23:52that you called in at Juliet Spence's cottage at 9.15
00:23:55on the evening of Sage's death
00:23:56Juliet's cottage is very isolated
00:23:59it's all part of my patrol
00:24:00couldn't find any biscuits
00:24:03so
00:24:05where was Mrs. Spence?
00:24:10it's in my statement
00:24:11on the bathroom floor
00:24:13vomiting
00:24:14did she say she'd taken anything
00:24:16before she'd started being sick?
00:24:18what kind of a stupid question is that?
00:24:20sir
00:24:21simple enough for you to understand
00:24:23I'd have thought
00:24:24she was wrenching her guts up
00:24:25it wasn't exactly the time to have a conversation
00:24:27you didn't think to call Robin Sage
00:24:29find out how he was
00:24:30well I thought it was just ordinary food poisoning
00:24:32I thought you'd just have to let it run its course
00:24:35if Mrs. Spence was thrown up in the bathroom
00:24:38who let you in?
00:24:40I have a key
00:24:41for all you know
00:24:42Sage might still have been there with Juliet
00:24:44it could have been embarrassing
00:24:46he left at nine
00:24:47how do you know?
00:24:52how do you know constable?
00:24:55were you spying on Juliet Spence and Robin Sage?
00:24:57do you remember that case?
00:25:27a butcher
00:25:28and all those people dying of E. coli from his shop
00:25:32I remember thinking
00:25:34how do you live with that?
00:25:40you and Reverend Sage must have
00:25:42got on well for you to invite him for dinner
00:25:44I always think it's easier to discuss things over a meal
00:25:48it's more relaxing
00:25:50were you anticipating a row?
00:25:55no
00:25:55why didn't you want Maggie to go to his youth club?
00:26:02we're not churchgoers
00:26:04it seems hypocritical
00:26:06well not if Maggie wanted to
00:26:07and Reverend Sage didn't mind
00:26:09I was just trying to
00:26:10I don't know
00:26:12trying to set some moral standards
00:26:14does that include your relationship with Steve Shepard?
00:26:16I need some advice
00:26:23Maggie was telling me about the house rule
00:26:35the only people you can really trust are your family
00:26:37sounds a bit harsh
00:26:38typical moody teenager interpretation
00:26:42we've moved around a bit
00:26:44makes it hard to sustain friendships
00:26:47was she considered Reverend Sage a friend?
00:26:50hmm
00:26:50well he was a good listener
00:26:52and he wasn't me
00:26:54been acting up is she?
00:26:58this has nothing to do with Maggie
00:27:00she wasn't even here
00:27:01was she here when you were cooking the meal?
00:27:05yes
00:27:05did you leave her alone in the kitchen at any time?
00:27:09no
00:27:09what you didn't use the phone
00:27:11go to the bathroom?
00:27:13Maggie's my daughter
00:27:14are you suggesting?
00:27:17I'm sorry I'm not listening to this
00:27:19well?
00:27:21I was wondering what to do about
00:27:24Robin's
00:27:26the vicar's things
00:27:27I don't know who his next of kin is
00:27:30well you just leave everything as it is for the moment
00:27:34is that it?
00:27:44I want to be friends again
00:27:45and he knew
00:27:49I walked in
00:27:52and she knew
00:27:53my wife's dying
00:27:55and
00:27:56we're rolling around
00:27:57on that stinking barn floor
00:27:59she knew
00:28:02you make it sound disgusting
00:28:04that we did something wrong
00:28:05is that why you went with Mrs Spence?
00:28:09to punish me?
00:28:12you and me is special
00:28:14you and me is over
00:28:16never started
00:28:18but I loved you first
00:28:21I loved you before Annie
00:28:24before Juliet Spence
00:28:27how much did you love me Polly?
00:28:28enough to poison Juliet
00:28:29only you kill Reverend Sage instead
00:28:31no
00:28:31what are you hoping for now eh?
00:28:33then they'll send her away for the murder
00:28:35and you can have me alter yourself
00:28:36water hemlock poisoning
00:28:39doesn't present itself
00:28:40in the way you've described
00:28:41Mrs Spence
00:28:41no all I know is
00:28:43I had to be sick
00:28:44are you saying you made yourself sick?
00:28:46yes I took an emetic
00:28:47an old-fashioned cure-all
00:28:49it was in one of the bottles
00:28:50the police took away
00:28:50why didn't you tell Steve Shepard this at the time?
00:28:54I didn't have to
00:28:55he could see the bottle
00:28:56in fact
00:28:58yeah
00:28:59he poured me the second dose
00:29:01just to make sure
00:29:03why did Shepard learn about the emetic?
00:29:09to protect her
00:29:10he thinks she killed Sage
00:29:12well it was in fact a terrible accident
00:29:14but he knows how bad it would look
00:29:15if he found out
00:29:16that she made herself sick
00:29:17how about this?
00:29:25Sage is coming to dinner
00:29:26Shepard's jealous
00:29:27he swaps the parsnip for the hemlock
00:29:30we know he's watching the cottage
00:29:32he intended to call him
00:29:34whether Juliet rang or not
00:29:36if she hadn't already made herself sick
00:29:38then he had to
00:29:39that would explain
00:29:40why he encouraged her
00:29:40to take another dose of the emetic
00:29:42he's obviously crazy about Juliet
00:29:43he wouldn't risk killing the woman he adores
00:29:45so with respect
00:29:46so not everyone's as romantic in love as you are
00:29:48no if Shepard is a psychopath
00:29:50then
00:29:50well he might chance it
00:29:52he set up a meeting for me
00:29:59with Reverend Sage's bishop
00:30:00then talk to his church wardens
00:30:02and the parish council
00:30:03someone must know
00:30:04who his next of kin is
00:30:04can I have a word?
00:30:07of course
00:30:08thanks Andy
00:30:09I re-read the Sage report
00:30:14it says that Juliet Spence
00:30:15is a herbalist
00:30:16she calls herself
00:30:18an alternative therapist
00:30:19she has stalls
00:30:20at local markets
00:30:20and so on
00:30:21why?
00:30:22what distinguishes
00:30:23water hemlock
00:30:23from other members
00:30:24of the umbiliferi
00:30:25is the root
00:30:25while plastic has a single root
00:30:28water hemlock
00:30:28has a tuberous bundle
00:30:30of roots
00:30:30and you're saying
00:30:31Juliet Spence
00:30:32should have known this
00:30:32when she dug it up
00:30:33there are other characteristics
00:30:35a herbalist should notice
00:30:36when you cut lengthways
00:30:38into water hemlock
00:30:39it displays nodes
00:30:40and internodes
00:30:41er sorry
00:30:42it was either biology
00:30:43or communication skills
00:30:44at my school
00:30:45I took communication skills
00:30:47very good
00:30:49it was a pathologist
00:30:49Barbara Havers
00:30:50Barbara Havers
00:30:52finally get to put a face
00:30:53to the name
00:30:54sorry
00:30:56I was working with
00:30:57the Met last year
00:30:58they were offering
00:30:58five to one
00:30:59that your partnership
00:31:00wouldn't make it out
00:31:01of the paddock
00:31:01I beg your pardon
00:31:02it was just a bit of fun
00:31:03I'm sure everyone's delighted
00:31:05that Barbara's eventually
00:31:06managed to find someone
00:31:07she could work with
00:31:07you know
00:31:08call me a snob
00:31:09Tony
00:31:09but given the choice
00:31:11between working
00:31:12with a clever
00:31:13considerate man
00:31:14or a
00:31:14mouthy git
00:31:16I'll know
00:31:17who I'd choose
00:31:18you've obviously
00:31:20got a broken in
00:31:21Lindley
00:31:21if you're ever hard up
00:31:23you're onto a dead search
00:31:25no no
00:31:26it's okay sir
00:31:27see Tony spends
00:31:29most of his time
00:31:29cutting up dead people
00:31:31he can't help having
00:31:32a warped
00:31:33sick mind
00:31:34well this warped
00:31:36sick mind
00:31:37has come to the conclusion
00:31:38that Juliet Spence
00:31:39had to know
00:31:39that hemlock
00:31:40has chambers
00:31:41looks like
00:31:43if she did cook
00:31:44the hemlock
00:31:44it can't have been
00:31:45an accident
00:31:45it had to be murder
00:31:47right except
00:31:49Tony
00:31:50that Juliet Spence
00:31:51isn't the only one
00:31:52with access to the cottage
00:31:53there's Maggie
00:31:54Steve Shepard
00:31:56what about
00:31:57Polly Yarkin
00:31:58and she's crazy
00:31:59about Steve
00:32:00who knows
00:32:01what that might
00:32:01drive her to do
00:32:02have them carry out
00:32:07another house to house
00:32:08first thing
00:32:08double check the names
00:32:10of all the people
00:32:10found in the vicinity
00:32:11of Juliet's cottage
00:32:11on the day I said
00:32:12to Steph
00:32:12what exactly
00:32:17did Tony Phillips
00:32:17say to her
00:32:18doesn't matter
00:32:21poor kid
00:32:27no wonder he's miserable
00:32:28should be in bed
00:32:29by now
00:32:29you don't want
00:32:31children do you
00:32:32not sure
00:32:34you
00:32:35yes
00:32:36I suppose so
00:32:39sometime
00:32:41do your duty
00:32:43keep on in there
00:32:45till
00:32:45your exhausted wife
00:32:47provides the next
00:32:48male heir of Asherton
00:32:49we're talking about
00:32:50love
00:32:51not livestock
00:32:51I remember my dad
00:32:54dug in behind the paper
00:32:55he hated the noise
00:32:58the mess
00:33:00the fact my mother
00:33:02couldn't give him
00:33:02her undivided attention
00:33:04one day you're gonna
00:33:06come to me
00:33:07all gooey eyed
00:33:08saying you found
00:33:08the father of your
00:33:09children
00:33:10I don't do gooey
00:33:12besides before long
00:33:14we won't need
00:33:14you men at all
00:33:15maybe
00:33:17think of all that
00:33:19pleasure you'd be
00:33:20missing
00:33:20you
00:33:30you
00:33:34you
00:33:37everything all right yeah fine thanks
00:34:00I can have him up in front of a disciplinary board no no I just prefer it if he just
00:34:06held him against the wall and I just hit him I'll leave it then
00:34:10come on come on come on come on joy's a family life
00:34:24you'll have a wife and kids one day you'll so always do
00:34:36probably have them delivered from Harrods
00:34:38night then
00:34:45yes I know I'm sorry
00:35:01it's a rush job sergeant Havers could be back in a few days
00:35:05well the keys are with the neighbor at number 16
00:35:10if you have any problems get it to give me a call
00:35:12all right thanks
00:35:15you
00:35:25MUSIC CONTINUES
00:35:47Well, this is the spot. I dug it up here.
00:35:50Can you see any plants now that look like wild parsnip?
00:35:52Um, no.
00:35:56What does the book say, Sergeant?
00:35:58Um...
00:36:04That one, maybe.
00:36:06Give it a go.
00:36:16What do you think, Mrs Spence?
00:36:22I'm not sure.
00:36:28No, don't.
00:36:30Why not?
00:36:32Why not, Mrs Spence?
00:36:36That isn't parsnip. It's water hemlock.
00:36:38Are you saying that when you dug up the parsnip problem's age, you knew it was hemlock?
00:36:42No, it had one root. I would have noticed.
00:36:44What are you saying?
00:36:46The only way the hemlock could have got into your cooking pot is if somebody else put it there.
00:36:48No.
00:36:50I'm not sure.
00:36:52When Maggie was little and ate too much cake, like kids do, did you used to give her a nemetic?
00:36:58What?
00:36:59Well, Maggie knows that the minute her mum eats something bad, she makes herself sick.
00:37:02Look, I've told you...
00:37:03Do you consider yourself a good mum?
00:37:04Yes.
00:37:05So you must have taught Maggie which plants are poisonous.
00:37:06Well, Maggie can't.
00:37:07It didn't do anything.
00:37:08I was with her in the kitchen all the time.
00:37:09No, you weren't.
00:37:10We did a house-to-house.
00:37:11At 5.13 on the evening of Robin Sage's death, you had a parcel-force delivery.
00:37:14The driver remembers it very clearly.
00:37:15It was his last call.
00:37:16He had a cold.
00:37:17You suggested several remedies.
00:37:18He says you were on the doorstep for almost ten minutes.
00:37:19You were on the doorstep for almost ten minutes.
00:37:21What?
00:37:22What?
00:37:23What?
00:37:24What?
00:37:25What?
00:37:26What?
00:37:27What?
00:37:28What?
00:37:29What?
00:37:30What?
00:37:31What?
00:37:32What?
00:37:33What?
00:37:34What?
00:37:35What?
00:37:36What?
00:37:37What?
00:37:38What?
00:37:39What?
00:37:40What?
00:37:41It was ten minutes.
00:37:42Was Maggie alone then?
00:37:43Why would Maggie want to kill anyone?
00:37:46It's absurd.
00:37:49I'd like permission to interview your daughter.
00:37:51No, it's out of the question.
00:37:53Why don't you want us to talk to her, Mrs. Spence?
00:38:00Detective Inspector Lindy would like to ask you a few questions.
00:38:04What about?
00:38:05Robin Sage.
00:38:08if she doesn't want to talk
00:38:11I'm not a kid
00:38:12just go, will you?
00:38:38I'm not a kid
00:39:08when you were younger
00:39:12your mum used to take you with her
00:39:14when she went out collecting wild plants
00:39:16me, I'm hopeless
00:39:18I don't know, one plant from another
00:39:19I'm as good as mum
00:39:21so you wouldn't make a mistake
00:39:23you'd know the difference between
00:39:25wild parsnip and water hemlock for instance
00:39:28maybe, it depends
00:39:30if you didn't know
00:39:32Robin Sage was coming to dinner that night
00:39:34who did you think your mum was cooking for?
00:39:37who cares
00:39:38wasn't interested
00:39:39Steve?
00:39:43your mum invites her boyfriend round
00:39:46and you're chanted off to some mates
00:39:48and you don't care
00:39:50yeah
00:39:50do you have a boyfriend?
00:39:55no
00:39:55bet all your mates have
00:39:57all that stuff they have to gossip about
00:40:00did he kiss?
00:40:03how far did they get?
00:40:05and there's you
00:40:06stuck on the outside
00:40:07I don't want their stupid boyfriends
00:40:09they're just kids
00:40:10oh you mean you prefer your men older
00:40:14like Steve
00:40:16oh I've got it sir
00:40:19she fancies Steve Shepard
00:40:21no I don't
00:40:22I hate him
00:40:23I hate everything about him
00:40:25Margaret Spence
00:40:28you do not have to say anything
00:40:30but it may harm your defence
00:40:31if you do not mention when questioned
00:40:33something which you later rely on in court
00:40:35you've got it all wrong
00:40:35you don't understand
00:40:36you've got it all wrong
00:40:36you don't understand
00:40:36you don't understand
00:41:05I spoke to Robin
00:41:19what did he say?
00:41:23he told me to do nothing
00:41:24he said
00:41:26he knew it was hard
00:41:27but
00:41:28it wasn't always going to be me and mum
00:41:30that
00:41:31one day I'd leave
00:41:32a life of my own
00:41:33why didn't you want your mum just now?
00:41:43she didn't like you seeing Robin said
00:41:44look Robin was my friend
00:41:48every time she banged on about it
00:41:51it just felt like she was spoiling it
00:41:52what else did you and Robin talk about?
00:41:58everything
00:41:59books I read
00:42:01favourite movies
00:42:03what I wanted to do
00:42:05my dreams
00:42:06he was saying
00:42:07what did you say Maggie?
00:42:14he said I was a unique person
00:42:16if she thought Steve was coming to dinner
00:42:24and she knew her mum takes an emetic
00:42:25whenever she feels ill
00:42:27she still could have killed Robin by mistake
00:42:29okay we don't rule her out
00:42:31I can see why Maggie liked Robin
00:42:34father figure
00:42:35her own special friend
00:42:37but why was he so interested in her?
00:42:46Linley
00:42:47that interview you wanted with the bishop
00:42:49I finally made contact
00:42:50would you like a drink?
00:43:01a cup of tea?
00:43:02there's some sherry
00:43:04yours?
00:43:05alchemical magic herbs and spices
00:43:07I don't know
00:43:09possibly where'd you get it?
00:43:11your bedroom
00:43:12H for hemlock
00:43:14dig out the root
00:43:16when the plant is dormant
00:43:17I don't understand
00:43:19quite a habit you've got isn't it?
00:43:21spying on Juliet's cottage
00:43:22you got it wrong
00:43:23did you see her leave the cottage?
00:43:25did you slip into the kitchen?
00:43:26no
00:43:27and put water hemlock in her cooking pot?
00:43:29L for love
00:43:30a love potion
00:43:31like she must have given you
00:43:33that's why I bought the book
00:43:35I drink it
00:43:36you look at me and
00:43:37but you don't do you?
00:43:41you just see what you want to see
00:43:42I see
00:43:43a sick
00:43:44twisted
00:43:45human being
00:43:46you made suit for my wife
00:43:48before she died
00:43:49what are you saying?
00:43:51not only did I try to kill Juliet
00:43:53I killed Annie too
00:43:55did you?
00:43:56like you wanted to you mean
00:43:57you what?
00:43:58admit it
00:43:58you were relieved the day she died
00:44:00nothing was good enough for Annie
00:44:02the food was too cold
00:44:04the tea too strong
00:44:05she even managed to blame you
00:44:06for her cancer remember
00:44:08shut it
00:44:08the only moments of pleasure
00:44:10of joy
00:44:11of love you had that year
00:44:13were with me
00:44:14you help Annie on her way
00:44:15so you can have me
00:44:16you don't get me
00:44:17I meet Juliet
00:44:18and you decide to kill her
00:44:20only you end up murdering
00:44:21Robin Sage
00:44:22I don't need to kill Juliet
00:44:22deep down you love me
00:44:25you know you do
00:44:26love?
00:44:27you and me wasn't love
00:44:29banging away on the floor
00:44:31like animals
00:44:32banging away like stinking
00:44:33filthy animal
00:44:35oh come on
00:44:42cake?
00:44:50no thanks
00:44:51we're here on police business
00:44:52you're still one of God's family
00:44:54try and declare
00:44:56I said no
00:44:57that was a bit sharp
00:45:07I'm not a flaming charity case
00:45:09she offered you a cake
00:45:11that's all
00:45:11you may enjoy eating cucumber sandwiches
00:45:13with your little finger stuck out
00:45:15surrounded by
00:45:17brain women with
00:45:21upturned flower pots
00:45:22and there it is
00:45:23but I don't
00:45:25thank you sir
00:45:27Sage originally came from Cornwall
00:45:32he was such a
00:45:35terrible loss
00:45:36he had a marvellous record
00:45:38youngest archdeacon
00:45:39lecturer
00:45:40fantastic fundraiser
00:45:41why did he give all that up
00:45:44to become a parish priest
00:45:45his wife
00:45:47Susanna
00:45:48committed suicide
00:45:50suicide how?
00:45:54threw herself over the side of a ferry
00:45:56on the way to France
00:45:57and when was this?
00:45:59about 12 years ago
00:46:00I really don't know
00:46:01much about it
00:46:02must have been
00:46:03extremely traumatic for him
00:46:04listening to myself
00:46:06I realised I didn't know
00:46:08Robin very well at all
00:46:09before he moved here
00:46:12he seemed quite different
00:46:13how do you mean?
00:46:15a man with
00:46:16great faith
00:46:17strong convictions
00:46:18he changed?
00:46:20in the last few months
00:46:22he seemed
00:46:22uncertain
00:46:23distressed
00:46:24he didn't tell you
00:46:26what was troubling him?
00:46:28God forgive me
00:46:29I should have asked
00:46:31he wasn't troubled
00:46:33inspector
00:46:34he was in crisis
00:46:59what are you doing?
00:47:03God for help on this
00:47:03what are you doing?
00:47:05what are you doing?
00:47:09What is your doing?
00:47:10What do you mean?
00:47:26From now on, you only eat food that can't be tampered with.
00:47:30I don't understand.
00:47:31You're not responsible.
00:47:33It wasn't your fault.
00:47:35What do you mean?
00:47:37It wasn't Robin Sage that was meant to die.
00:47:40It was you.
00:47:41Susanna Sage committed suicide 12 years ago.
00:47:46Reverend Robin Sage moves parishes regularly.
00:47:49Has formed a very close relationship with unique Maggie, an underage teenager.
00:47:54But hence the crisis, Juliet kills him.
00:47:56I'm sorry, sir.
00:47:58But why didn't you report it?
00:48:00Tell PC Shepherd.
00:48:02Maggie was genuinely fond of Sage.
00:48:04Says she wouldn't testify against him.
00:48:05Yeah, but is that enough to make Juliet take the law into her own hands and...
00:48:10And kill him.
00:48:11She's her mum.
00:48:12Who knows what she'd do to protect her own daughter.
00:48:16We need to talk to the housekeeper, Polly.
00:48:19Find out if she was in the vicarage where Maggie used to visit.
00:48:21Dark in here.
00:48:37What happened, Polly?
00:48:38Oh, I fell down the back steps.
00:48:41Stupid.
00:48:42I just washed him.
00:48:44That's typical me racing about.
00:48:46Perhaps we should get you to the hospital.
00:48:49No.
00:48:50Would you like to talk to Barbara alone?
00:48:52No, of course not.
00:48:55Just between you and me.
00:48:57We might help.
00:48:58What?
00:49:00You think...
00:49:02I fell down the back steps, honest.
00:49:06Look, you came to ask questions about Reverend Sage, so far away.
00:49:10Why don't we take a seat?
00:49:11Did Reverend Sage ever talk about his wife?
00:49:26What wife?
00:49:28Well, she committed suicide 12 years ago.
00:49:30He never said.
00:49:32Well, he never even mentioned her.
00:49:35Well, to be honest, he didn't seem interested in women.
00:49:38What about Maggie Spence?
00:49:39I gather she came here quite often.
00:49:42Yeah, but she's just a kid.
00:49:46What did they do?
00:49:48Sat in a study together.
00:49:50And taught their heads off.
00:49:51Did her mum ever come?
00:49:53No.
00:49:58June the 10th, social services, 12.30.
00:50:01Why visit the social services?
00:50:03How about you seeing a social worker?
00:50:06Same question, Hayworth.
00:50:08Why?
00:50:09Maybe you're right.
00:50:14Robin Sage and Maggie wasn't the problem.
00:50:16All those heart-to-hearts together.
00:50:17Maybe what he learnt from Maggie was that Juliet was an unfit mother
00:50:20and decided to talk to the social services about it.
00:50:22And we went to London on June 10th, 8.30 train.
00:50:27Well, whoever he was seeing in social services was in London.
00:50:31The question is, why were they interested in a girl in Lancashire?
00:50:33Inspector?
00:50:38Inspector?
00:50:40PC Shepherd's got some important information on the Sage case.
00:50:43Polly Yarkin.
00:50:44I'm disgusted to say, has an obsession with me.
00:50:47I found this in her cottage.
00:50:49Look under H for Hemlock.
00:50:50So you decided to interview her yourself, did you?
00:50:54Yeah.
00:50:54Give her the personal touch.
00:50:56Oh, come on, Sergeant.
00:50:57You took the law into your own hands.
00:50:59Don't think you can hide behind your father.
00:51:01So you get your kicks?
00:51:02Hitting female suspects?
00:51:03You slanderous cow!
00:51:05Right, right.
00:51:05She decided to punch herself in the man.
00:51:07Steve, what is it with you?
00:51:12Maggie?
00:51:21Kids at school yell and stuff.
00:51:24Mum's a psycho.
00:51:29Is that what you think?
00:51:33No.
00:51:34It's all wrong.
00:51:35You didn't do it.
00:51:37It's just...
00:51:38Whatever's happened, Maggie,
00:51:45we'll get through this together.
00:51:47Hmm?
00:51:54Mum?
00:51:55It's Barbara.
00:51:57Well, I said it'd ring.
00:52:00Barbara, your daughter...
00:52:02No, I'm not coming to take you out.
00:52:07Um...
00:52:07Well, I explained, but...
00:52:10No, you like it there.
00:52:13Yes, you do.
00:52:14You told me you liked it last time I came.
00:52:23Last week, Mum.
00:52:26I came to see you last week.
00:52:27I think it appears from what you said as if Steve Shepard is on the verge of a breakdown.
00:52:32Jealous, paranoid, violent.
00:52:34But...
00:52:34Is he a murderer?
00:52:37It all seems too premeditated.
00:52:39I think he's more likely to strike out in anger.
00:52:42Have you got anything on Polly Yarkin?
00:52:48Cheap spellbook.
00:52:50Unrequited passion for said PC Shepard.
00:52:53I've decided to wait and see if someone more substantial turns up before you question her again.
00:52:58What about Maggie, Spence?
00:53:01Angry, confused, only child.
00:53:03Desperate to hang on to her mother's affections.
00:53:08Things we put ourselves through for love.
00:53:12Is this something you're not telling me?
00:53:15Why?
00:53:17Nothing.
00:53:19Come in.
00:53:19Um, there's stuff on Robin Sage's dead wife, Susanna.
00:53:25He'll be here in half an hour.
00:53:27Thanks.
00:53:29There's no point in you staying.
00:53:31That's all right.
00:53:33No, no, I've got loads of things to do.
00:53:36There's no point in both of us hanging around.
00:53:48Marcus.
00:53:49Night, Andy.
00:53:51Night.
00:53:53Yeah, I appreciate they'd be over time.
00:53:56Just send me the bill, hmm?
00:53:58Thanks.
00:54:04Can I give you a lift to the hotel?
00:54:08Great.
00:54:12I'd love a drink.
00:54:14Yeah.
00:54:16If everyone would have luck.
00:54:17Never mind.
00:54:18I hadn't realised it was so late.
00:54:26Hi.
00:54:27Room six, please.
00:54:31Twelve, please.
00:54:32Thanks.
00:54:33See you in the morning.
00:54:35Yeah.
00:54:36Room service.
00:54:51Room service?
00:55:03Do you think we'll be sitting together like this when we're 90?
00:55:15Some night in shining arm was bound to have whisked you away before then.
00:55:20Are you saying I need rescuing?
00:55:21Ah, it's okay.
00:55:23You don't have to answer.
00:55:23I was ready to launch to save you from the window.
00:55:27This isn't advisable behaviour for close friends.
00:55:39This isn't advisable behaviour for close friends.
00:55:41Susanna, Robinsage's late wife, committed suicide on a ferry to France 12 years ago.
00:55:52It was a rough crossing and she went to the loo complaining of feeling sick.
00:55:57She never came back.
00:55:58She never came back.
00:55:58Did the police investigate Robinsage?
00:56:04Er, yeah.
00:56:05There were no signs of a struggle.
00:56:06No witnesses.
00:56:08Her handbag was found in the car with a note.
00:56:11What did it say?
00:56:12Er, sorry, can't carry on.
00:56:17Her passport was in her bag.
00:56:19There was no trace of her in the ship and she couldn't have got off the ferry in France.
00:56:24It's the way I tell them.
00:56:29What about the body?
00:56:31Erm, it was, it was never found.
00:56:34Er, but, here's the best bit.
00:56:35Oh, okay.
00:56:37I'll get them to bring a fresh pot of coffee.
00:56:39Thanks, but, erm, I'm driving back to London.
00:56:42London?
00:56:43I've got some research to do.
00:56:46Erm, I don't want to disturb your work, so, we'll speak later.
00:56:49Bye, Barbara.
00:56:58I'll be back in a minute.
00:57:08Oh, thank you very much.
00:57:10Why are you running away?
00:57:13Don't be melodramatic.
00:57:15I've got a job to do, so have you.
00:57:18I'll ring you later.
00:57:19Did something happen last night?
00:57:36Anything else?
00:57:38Erm, yeah, actually, erm...
00:57:40Er, Robin and Susanna had, er, a son, er, Joseph.
00:57:47He died when he was three months old.
00:57:51Get back onto the incident room.
00:57:52I want everything they confide on Robin Sage's dead wife.
00:57:54Um, we've turned up a sister for Susanna's bed.
00:58:12Um, we've turned up a sister for Susanna Sage, uh, Kate Gutterman.
00:58:27She's a social worker, lives in London.
00:58:42What do you think happened to your sister on that ferry?
00:58:46Robin Sage killed her.
00:58:49Maybe he didn't actually push her over the side, but he killed her.
00:58:55Well, how do you mean?
00:58:57Joseph, the baby's son, was running a temperature.
00:59:01Robin insisted the poor little thing should sleep in the other room.
00:59:05When Susanna went in the next morning, Joseph was dead.
00:59:08How was their relationship after that?
00:59:10How do you think?
00:59:12Terrible.
00:59:13That's why I know he did or said something to make her end it.
00:59:18That's a very serious accusation.
00:59:20Susanna came to see me weeks before she died.
00:59:24She'd been a social worker, too, before she was married.
00:59:27She'd decided to write a book.
00:59:30I let her borrow some of my case notes.
00:59:32That's illegal.
00:59:34She was my sister. I trust her with my life.
00:59:37Uh, what's this got to do with her state mind?
00:59:39Well, suddenly she was the old Susanna again.
00:59:42Energised. Focused.
00:59:45Then she committed suicide.
00:59:47Her only epitaph, a note saying, sorry, I can't carry on.
00:59:51Have you seen anything of Sage since?
00:59:54He did come to visit me a couple of months ago.
00:59:58After all this time, suddenly he cares.
01:00:02He wanted to know what Susanna and I had talked about in the last weeks of her life.
01:00:06And who did she see and where did she go?
01:00:09Well, how often did he come?
01:00:11Once was enough.
01:00:12We found tickets for several trips to London.
01:00:16Did he have any friends here?
01:00:19No. Not that I know.
01:00:21There were no photographs of Susanna in the vicarage.
01:00:24I'd never go anywhere without it.
01:00:32They never found her.
01:00:34Perhaps if I'd had a body to bury, maybe things would have been easier.
01:00:39Do you know a woman called Juliet Spence?
01:00:43No.
01:00:45How old would Joseph have been if he'd lived?
01:00:48Nearly 13.
01:00:50Why?
01:00:51Did Susanna have any children before, Joseph?
01:00:55No.
01:00:56He was a bit of a miracle.
01:00:58They'd been trying for years to have a baby.
01:01:01Somehow it just hadn't happened.
01:01:06Juliet Spence is Susanna Sage.
01:01:09Robin Sage is supposedly dead wife.
01:01:12She must have got a passport in the name of Juliet Spence.
01:01:15Faked her suicide.
01:01:17Slept off the ferry into France.
01:01:18Then came back here and started a new life.
01:01:20With a new child.
01:01:22But Maggie can't be her biological daughter.
01:01:24Because Maggie's only 14 years old.
01:01:26Well, her sister says she didn't have any more kids before Joseph.
01:01:29If she isn't Juliet's child, who is she?
01:01:32Some dodgy adoption deal.
01:01:35Juliet comes to London.
01:01:37Sees her sister's files.
01:01:38She's her old self.
01:01:40She buys Maggie off one of her sister's clients.
01:01:48Look, it's getting late.
01:01:49Why don't you go home?
01:01:50I'll call into the office.
01:01:51Get them to run a check on Kate's clients 12 years ago.
01:01:54Make sure all their children are accounted for.
01:01:56I don't believe this.
01:02:20Get me a discreet check on all these families.
01:02:38Oh, and all reported cases of missing babies in London 12 to 14 years ago.
01:02:47With special attention to the area that Juliet Spence's sister worked.
01:02:50I don't believe this.
01:03:20I don't believe this.
01:03:21I don't believe this is true.
01:03:27Helen.
01:03:30Where are we going to go?
01:03:32We're not supposed to leave our assembly plants.
01:03:35All right.
01:03:35Let's have the conversation here.
01:03:48Last night.
01:03:48It was fun.
01:03:50Yes.
01:03:51It was one of other things too.
01:03:52You know that.
01:03:52I'm just trying to put things in perspective.
01:03:55Two mates away from home.
01:03:56You never lie to me.
01:03:58See?
01:03:59Sex changes everything.
01:04:01No, it doesn't.
01:04:03Fear does.
01:04:04And you've nothing to be frightened of.
01:04:05You're my confidant.
01:04:07My...
01:04:08Oh.
01:04:08Her best friend speech.
01:04:10I've been rehearsing it all day.
01:04:12And there was me thinking you were basking in the glow of last night's passion.
01:04:17You know too much about me.
01:04:20I can't honestly think I'd abuse that.
01:04:22No, not deliberately.
01:04:25It's myself I don't trust.
01:04:27My judgment.
01:04:28Oh, you think I'm a bad choice?
01:04:31Maybe.
01:04:32For me, yes.
01:04:35I'll ruin it.
01:04:35I always do.
01:04:36I won't let you ruin it.
01:04:38If you don't let me.
01:04:43I'm sorry, Tony.
01:04:44The answer's no.
01:04:47It's safe to go back in the building.
01:04:54What if that's what you want?
01:04:57I have to respect that.
01:04:58It doesn't mean I'm giving up.
01:05:03I don't think we should have this conversation in public.
01:05:30I don't believe you.
01:05:33I mean, how could you do that?
01:05:34You totally redecorated my house.
01:05:37I mean, who do you think you are interfering in my life?
01:05:40I didn't mean to upset you.
01:05:41I thought I was helping.
01:05:43Oh.
01:05:44Oh, the 8th Earl of Ashton patronising the peasants?
01:05:47Go away!
01:05:48Come in!
01:05:53You, uh, might find these interesting, sir.
01:05:56Thank you very much.
01:06:01All right.
01:06:03Come on, then, explain.
01:06:05I was letting a bunch of decorators loose in my house help me.
01:06:09Well, be honest.
01:06:09You were never going to sell the place until you'd done it up.
01:06:12And you're paying a mortgage for a flat you're not even living in.
01:06:14That is my business, not yours!
01:06:17Well, I thought we'd forged some sort of a bond here, however bizarre.
01:06:20I thought showing some concern was permitted.
01:06:23Concern?
01:06:24This is fascism.
01:06:25I mean, I don't even like duck white.
01:06:29Concerned because you're sitting there night after night avoiding the inevitable.
01:06:32If I hadn't done it, you never would.
01:06:36You patronising, sanctimonious...
01:06:40Okay.
01:06:40I have been stalling.
01:06:48I am a coward.
01:06:52Now, I'm panicking about leaving because the thought of...
01:06:55Of coming home to nothing is more scary than coming home to a mother who doesn't even know who I am.
01:07:00I just keep putting off visiting my mum because she doesn't understand that I am dismantling her life and packing it into cardboard boxes.
01:07:11Now, that is my problem.
01:07:14And I don't need you to show me that I am an inadequate human being.
01:07:20All right.
01:07:22What I did was inexcusable.
01:07:27I'm very sorry.
01:07:28But one thing you are not is an inadequate human being.
01:07:40And another thing.
01:07:43The brushwork and the pipes in the bathroom is really sloppy.
01:07:48I'll tell them.
01:07:58Work.
01:08:09Please.
01:08:15Apparently, two little girls went missing from the area that Juliet's sister covered.
01:08:20According to these, if they're alive now, they will be the same age as Maggie Spence.
01:08:25And how do you have a deuce when you've finished that?
01:08:40Detective Sergeant Havers.
01:08:42Have you found her?
01:08:43Oh, no, sorry.
01:08:45I'm just going through old case notes, seeing if we missed anything.
01:08:48Hi.
01:08:49Is your mum in?
01:09:08Someone belongs to the social?
01:09:15Do you have a social worker?
01:09:16Yeah.
01:09:18Kate, got them.
01:09:19Boys, outside.
01:09:22Have you had her long?
01:09:24Fifteen years or so.
01:09:25I'm a friend in no school.
01:09:28Are you still with the father of that, baby?
01:09:30No.
01:09:30I'd hold him to Slingy.
01:09:31Would it be easier if your husband was here?
01:09:35He left.
01:09:37A couple of years ago now.
01:09:39Started again with a new family.
01:09:43If you're a mum, you feel it differently, don't you?
01:09:48Um.
01:09:50The newspaper report said that your daughter, um, Cass, had brown hair.
01:09:57Red.
01:09:57They got it wrong.
01:10:00Red hair.
01:10:02Green eyes.
01:10:04Like her grandma.
01:10:07What happened to baby Jessie?
01:10:11I had her in the pram.
01:10:14I met my mates, all tarted up.
01:10:18They said, come for a quick drink.
01:10:23I put the pram by the open door.
01:10:24And some moron said there was a draft.
01:10:30Shut it.
01:10:36Finished my drink.
01:10:38Went out.
01:10:41She's gone.
01:10:43What happened then?
01:10:47Police came.
01:10:50The scum suggested I'd done away with her.
01:10:52Why did they think that?
01:10:57She'd broken her leg.
01:10:59Before, it wasn't me.
01:11:01It was her dad.
01:11:02He always was a clumsy prat.
01:11:06You were lucky the authorities gave you another chance.
01:11:09My husband, Chris, he loves kids.
01:11:13Kate got me off the at-risk register.
01:11:16Did a vicar come and see you recently?
01:11:18The one writing a book about losing a kid.
01:11:20I told him.
01:11:25Jessie isn't dead.
01:11:27How do you know?
01:11:30Just do.
01:11:36Can you confirm for me how old Jessie would be now?
01:11:41Fourteen.
01:11:46Come on.
01:11:47I drew a blank.
01:11:50I didn't.
01:11:51Juliet learned of Elaine's baby from her sister's files.
01:11:54She thinks 15-year-old mum, baby's already had a broken leg.
01:11:57What chance has it got?
01:11:59She stalks Elaine.
01:12:00First opportunity, snatches the baby.
01:12:02It's Inspector Lindley here, sir.
01:12:04I need you to get a team of officers to Juliet Spencer's house
01:12:06and a restaurant on suspicion of murder.
01:12:09And now...
01:12:09Tom, Andy, come with me.
01:12:11Juliet, it's me.
01:12:20Pick up the phone.
01:12:22I need to talk to you.
01:12:25I don't understand this, Juliet.
01:12:29Lindley's not want to talk to you again.
01:12:30It's my friend.
01:12:48My friend is hot...
01:12:51And now...
01:12:53I don't know.
01:13:23I don't know.
01:13:53I found it an hour ago.
01:14:03No sign of any passengers, no reported sightings.
01:14:06And there's blood on the passenger side, which indicates the girl may be injured.
01:14:10Right.
01:14:11If I were Juliette, I'd get as far as I could before the car's discovered and we're called.
01:14:16Then I'd hole up, give Maggie a chance to get some rest, move again under cover of darkness.
01:14:20Thanks.
01:14:23Where could she go, Steve?
01:14:27Anywhere.
01:14:28There's loads of outbuildings round here.
01:14:30Come on, Steve.
01:14:31If you know, tell him.
01:14:32Not for me, for the kid.
01:14:34How about in the direction of Bentham?
01:14:35Maybe she tried to get the first train out in the morning.
01:14:37Come on, that's the first place you know we'll look.
01:14:41Where are we?
01:14:41We're here, sir.
01:14:43Okay, I suggest we get men covering a six-mile radius from this point.
01:14:46If you can get them to move from the outside in, please, sir.
01:14:49We're not going to get very far on foot.
01:14:51I'll get on to it.
01:15:00I appreciate how hard this is for you, Steve, but it's over.
01:15:05No.
01:15:07Juliette pretended to be dead for 12 years.
01:15:09She took another person's identity.
01:15:11She stole her baby.
01:15:12She deceived her husband and then murdered him.
01:15:16The Juliette Spence you fell in love with never existed.
01:15:20Help me, Steve.
01:15:23Come on.
01:15:29There used to be an old railway track running through the Vale.
01:15:33They closed it down.
01:15:36She could be in the old railway building.
01:15:42Yeah.
01:15:43She could make it within three hours under reasonable cover.
01:15:46Once you're in the Vale, it's easy walking.
01:15:49Right.
01:15:50She's got a shotgun with her.
01:16:01Call the armed response unit.
01:16:32Call DCI Shepard.
01:16:52Gets me to cut their engines and pull up when they get to the corner.
01:16:56Any closer, she might spot us.
01:17:02Gets me to cut their heads.
01:17:32It's Maggie's.
01:17:33We wait for the ARU.
01:17:36Can't have our police bursting in.
01:17:38Think of Maggie.
01:17:39Juliet's got a gun.
01:17:40We take no chances.
01:17:42I see you.
01:17:43Juliet, love.
01:17:49Don't be scared.
01:17:50I'm coming in.
01:17:56I'm coming in.
01:17:57I'm coming in.
01:17:58I'm coming in.
01:17:59I'm coming in.
01:18:00I'm coming in.
01:18:01I'm coming in.
01:18:02I'm coming in.
01:18:03I'm coming in.
01:18:09I'm coming in.
01:18:10I'm coming in.
01:18:11I'm coming in.
01:18:12I'm coming in.
01:18:13I'm coming in.
01:18:14I'm coming in.
01:18:15I'm coming in.
01:18:16I'm coming in.
01:18:17I'm coming in.
01:18:18I'm coming in.
01:18:19I'm coming in.
01:18:20I'm coming in.
01:18:21I'm coming in.
01:18:22I'm coming in.
01:18:23I'm coming in.
01:18:24I'm coming in.
01:18:25I'm coming in.
01:18:26I'm coming in.
01:18:27I'm coming in.
01:18:28I'm coming in.
01:18:29I'm coming in.
01:18:30I'm coming in.
01:18:31I'm coming in.
01:18:32I'm coming in.
01:18:33I'm coming in.
01:18:34I'm coming in.
01:18:35It's Inspector Linley, Juliet.
01:18:36Why don't I just come in, huh?
01:18:37No officers.
01:18:38No guns.
01:18:39Just me.
01:18:40Just let you know it's loaded.
01:18:41Put the gun down, Juliet, love.
01:18:42Come on.
01:18:43Are you all right, Maggie?
01:18:44She's going to learn the truth soon.
01:18:49I think she'd come from you.
01:18:52Please.
01:18:54Everything I did, I did it for you.
01:19:00But you can't ask.
01:19:02You really are Robin Sage.
01:19:04He was going to take you away from me.
01:19:06They're going to put you in jail for life.
01:19:08Go ahead.
01:19:10Please, Mom, I want to go home now.
01:19:14I love you more than anything in the whole world.
01:19:18It's so long.
01:19:20Prove it.
01:19:22They're murdering two police officers in front of her.
01:19:33Sergeant!
01:19:39Jenna Sage!
01:19:40What?
01:19:41Jenna Sage, I'm arresting you for suspicion of murder.
01:19:43Trust me, other slaves!
01:19:45The caution, Sergeant!
01:19:47You do not have to say anything.
01:19:49It may harm your defense if you do not mention any questions.
01:19:51Come on, Maggie.
01:19:52Come on.
01:19:53Get out of me!
01:19:54Don't punch me!
01:19:55Just a few minutes!
01:19:56Please!
01:19:57No.
01:20:00Mom!
01:20:01She's my baby.
01:20:14No, she isn't.
01:20:17Her real mum's in London, living a nightmare every day because you decided to play judge and jury and stole her baby.
01:20:23And now Maggie, who you say means more to you than anything in the world, is left with nothing.
01:20:31No home, no friends, no family, no mother.
01:20:37Nothing, no king.
01:20:39Nothing.
01:20:43Mm-hm.
01:21:11Decided what colour to paint the new flat yet?
01:21:14Not dark white, that's for sure.
01:21:20So, what about you and Helen?
01:21:22There's always tomorrow.
01:21:24Hmm. I suppose so.
01:21:26I suppose so.
01:21:27I suppose so.
01:21:28I suppose so.
01:21:29I suppose so.
01:21:31I suppose so.
01:21:32I suppose so.
01:21:36Well...
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