- 6 hours ago
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00:00The story we tell is that Mosaic has an encrypted drive with the identity of whoever placed the
00:12mole at the orphanage. We use a third party to get the drive into Mosaic's hands without
00:18him knowing it was from us. So, don't! These agencies ask you to do something unthinkable,
00:26but they don't know the real cost. The only ones that know that are the people in it.
00:32You always intended for him to die. Yeah. Know why? You needed to create a dead end. Now the enemy
00:39has no more leads. Nowhere left to focus except on finding the drive. My job is to protect our
00:45country by manipulating people and sometimes getting them killed for the sake of omission.
00:49The things you can't carry, bury it away and try not to dig it back up.
00:55When you don't know the whole picture, how do you know that you're doing the right thing?
00:58Be grateful for all the things you don't know. It's a nice change of face to have someone
01:04do the right thing. I'm not supposed to give you my real name, so this is between us.
01:08Last night, Tiananmen Square, Beijing, the largest public space in the world, was a war zone. With orders to secure the square, the People's Liberation Army of China, 300,000 strong, converged on Beijing from all the world.
01:13Unarmed citizens and students face tanks and soldiers with semi-autonomous weapons and soldiers with semi-autonomous weapons.
01:20The people's liberation army of China, 300,000 strong, converged on Beijing from all directions. Unarmed citizens and students face tanks and soldiers with semi-autonomous weapons.
01:28For the last five weeks, the mass student demonstration has touched a nerve. Soon, everyone seemed to join, protesting against hardship, government corruption.
01:35Are you sure? We'll live out.
02:05Victor.
02:06Hey. How's it going?
02:07So good. Come in. Come in.
02:19How do you like the area?
02:20It's, uh...
02:22It's very nice.
02:24In the interview for the engineering job, how did that go?
02:31Promising.
02:33Good.
02:34Good.
02:39This is your immigration paperwork, certificates of naturalization. No one will ever bother you about it.
02:46And this is a three-year lease on the house.
02:53Paid in full.
02:57You've done so much for us, Victor.
02:59I know it's not home, but you can have a fulfilling life here.
03:08This is not enough.
03:11You are saying goodbye to us.
03:13I think, given the nature of my job, it's best if our lives don't intersect going forward.
03:24You know how sorry I am that you got caught up in what I was working on in China.
03:26And I'm sorry for the suspicion.
03:27And that you were to leave your home.
03:29But I am glad that you made it here to this country.
03:33Because you wouldn't have been safe there.
03:36No one chose this, but it happened.
03:41And I did my part, like I promised.
03:46For Preston and me.
03:48Yes.
03:52But you owe him more.
03:54When he is born, he won't know China.
03:58He won't know my family or Preston's family.
04:02In America, they don't like our faces.
04:08We go to interview at LA, but they don't want us.
04:12It will be hard for our son here.
04:14Because he is like us.
04:16But he is also not like us.
04:29He is born here.
04:32American.
04:36He is one of you.
04:38In a country we don't know.
04:41You are not done.
04:44You look after him.
04:51You promised that.
05:09Have you picked a name yet?
05:11Alexander.
05:41Take it.
05:42It was for the tales ofBooks.
05:44Here.
05:45Can you hear your Bron Temor?
05:47Yeah.
05:48Go on, vai.
05:50��라고.
06:05Oh.
06:06Tighten.
06:08Oh, my God.
06:38The orphanage.
06:41If they suspect that you're compromised, you're dead.
06:46I've been having these moments.
06:47It's like feedback in my brain.
06:50Did anything like that happen to the Cassandra test subjects?
06:53No.
06:55Sacrifice their entire lives because they're doing the right thing.
06:58But they never have the whole story.
07:02Hi.
07:04Alexander.
07:06Natalie.
07:06I'm not supposed to give you my real name.
07:09While you're easy to pretend to fall for.
07:12No one person gets to be more important than the mission.
07:16No one's supposed to address this machine.
07:23Yeah.
07:23I don't see.
07:24Yeah.
07:24Yeah.
07:25Yeah.
07:25Yeah.
07:30Yeah.
07:30Oh, my God.
08:00Oh, my God.
08:31For whoever ends up watching this, but I'm really hoping it's you, my friend.
08:36My eyes and ears have been hacked by a nanotechnology called Cassandra RU258.
08:45It's broadcasting everything that I see and hear, and whoever did this is using the information
08:53to compromise operations all over the world.
08:55I didn't know what had happened to me, and I wasn't a part of it.
09:01But when the orphanage discovered the hack, they chose not to expose it.
09:05They kept it open to find the hackers who were responsible.
09:09And I agreed to that.
09:11For the good of our country.
09:12Despite the risk to innocent lives, I couldn't have known how far they were willing to go.
09:20But I have knowingly compromised classified information at the direction of my superiors.
09:26And there's no stopping now.
09:30And despite my loyalty, they still don't trust me.
09:34They watch every move I make.
09:37I still believe in the mission.
09:39But I know they're not telling me the whole truth.
09:44I don't know who I can trust anymore.
09:51I'm not even sure of what's real in my own life.
09:55Did you ask me something?
09:57It's been so long, I'm starting to wonder.
10:00Yeah, sorry.
10:01It's, uh, it's work.
10:07Maybe we call it a day.
10:09Yeah, sure.
10:19He's being weird, right?
10:29Lone Wolf thinks Mosaic's drive identifies them as the one who placed the mole in the orphanage.
10:34Which means they think someone close to them has flipped.
10:36They can't trust anyone else with this.
10:38They will show up personally.
10:40So this is how we catch them.
10:43We build a trap.
10:45Director Moira asked me to relay an update on a magnetic drive we've been trying to locate.
10:49Based on intelligence gathered from a parallel operation in the EU called Stormwatch,
10:54We believe with a high degree of certainty that our former source, Saul Clemente, codenamed Mosaic, went to Paris shortly before his death.
11:02Our analysts believe there's a strong possibility he made this trip to hide the magnetic drive somewhere in the city.
11:14And they've narrowed it down to a three-square-mile area.
11:15And they've narrowed it down to a three-square-mile area.
11:18We know exactly where the drive is.
11:20We had put a tracker on it before we got it into Mosaic's hands.
11:23This is a performing arts venue.
11:26Here.
11:27Now once the drive stopped moving, we obtained access to the cameras in that location.
11:32There were only a few, but we did find this.
11:34He walked up to the top floor.
11:36Fifteen minutes later, he left.
11:40Public building, lots of people coming and going.
11:43He hid that drive in plain sight.
11:45You don't want the target to know exactly where it is yet.
11:48Our enemy can't be ahead of us.
11:50You will lead them to it.
11:51Alexander and Remy will enter the country in alias.
11:54By the time they touch down, we should have identified the target location.
11:57Our extraction agent, a local, will meet them and arrange transport to an airfield we control.
12:04Then you're home.
12:07Remy will go with you to the immersive performance.
12:11The audience will be masked, not ideal for us.
12:14But it will make our target feel more comfortable if they want to follow you there.
12:19At any point after you have the drive, that's when we expect the enemy to intercept.
12:24Then we grab them.
12:25You're gonna bring them in for questioning.
12:30That part you won't have to worry about.
12:33Once we have them, it's above your pay grade.
12:36This is a modified low-dose compound of multiple drugs.
12:43Dissolves on the skin.
12:45It'll make them compliant.
12:46We're gonna keep our distance.
12:48No comms.
12:49So it feels like you and Remy are alone.
12:51You'll be more exposed than usual, but it's a risk that we have to take.
12:55What if they decide to take out the location and everyone in it to destroy the drive?
12:59Then we won't have to wonder who the enemy is, will we?
13:03They'll be the only one left standing.
13:08Whatever it takes.
13:09Remember?
13:14Something's off with him.
13:19In what way?
13:22I don't know.
13:23Normally I can read what he's thinking.
13:25It's right there.
13:26But...
13:28Something's changed.
13:31I just have this terrible feeling like I'm gonna miss something big.
13:33Use Michelle.
13:34Get him to talk.
13:35That's what I mean.
13:36He's not talking to her either.
13:37It...
13:38His walls are up for some reason.
13:41You think we hold?
13:43No.
13:44We can't hold now.
13:45We might only get one shot at this.
13:46If our lone wolf senses a trap or goes dark, we might never find them.
13:50Keep watching Alexander.
13:52If he's not on board, we call it.
13:59I'd like to meet him.
14:22You ever seen her talk this much?
14:38Never.
14:52What are you up to?
15:10We're sacrificing so much for this operation.
15:15I wanted to see for myself if he was up for it.
15:19I believe he is.
15:29You're worried.
15:32We'll know who our lone wolf is very soon.
15:36Who?
15:37Yes.
15:40But I can't figure out the why.
15:49Hey.
15:50He's headed to your place.
16:03Why?
16:04I don't know.
16:05Something's up.
16:06See if you can get him to talk.
16:08Understood.
16:10Look, I've been here before.
16:23I'm a little too charming.
16:24Guy falls a little too hard for me.
16:26He starts getting obsessive.
16:28Comes to my apartment late at night with little to no warning.
16:31And then I have to kill him.
16:36I can't stay long.
16:38I'm leaving to go out of town tomorrow.
16:40And, uh, I think we should call this off.
16:46Oh.
16:48Wow.
16:51Wow.
16:52This is, um...
16:55This is awkward.
16:58You thought we were together.
17:00I'm being serious, Michelle.
17:01So am I.
17:03We never made this a formal thing.
17:06You know, you didn't have to come all the way here to break up with me if you didn't want to see me again.
17:10Well, I thought you deserved that, at least.
17:12Well, thank you.
17:13Your chivalry knows no bounds.
17:18Yeah.
17:22What is this?
17:23Our first fight?
17:24It was bound to happen eventually, right?
17:31Look, if you're mad about something, you might as well just come out and say it.
17:38Alexander.
17:40Hey.
17:41Let's just...
17:53Can we...
17:55Talk about this?
18:02I got an early fight.
18:05Take care of yourself.
18:11I just want to know that what I do for my country matters.
18:37Hey.
18:38He's leaving her place.
18:40He just got there.
18:42He walked out in a hurry.
18:45She closed all her blinds.
18:47It's...
19:05Where is he going now?
19:06Come in.
19:13Hey.
19:14Hi.
19:16Sorry to drop in on you like this.
19:17Um...
19:18You got a minute?
19:19Yeah.
19:21Sure.
19:22You still working nights?
19:23Still working nights.
19:24Still working nights.
19:25You been back to the cabin.
19:26Yeah.
19:27You been back to the cabin.
19:28Yeah.
19:29Yeah.
19:30I told you I loved it from the minute we walked in.
19:31Yeah.
19:32I told you I loved it from the minute we walked in.
19:36But I doubt that's why you're here.
19:37What's up?
19:38Nothing.
19:39Nothing.
19:40Nothing.
19:41Nothing.
19:42Um...
19:43I just wanted to say some things I've been thinking about.
19:44Whatever happened between us, I can only speak to my side of it.
19:45What's up?
19:46No.
19:47What's up?
19:48No.
19:49What's up?
19:50No.
19:51No.
19:52No.
19:53No.
19:54No.
19:55No.
19:56No.
19:57No.
19:58No.
19:59No.
20:00No.
20:01No.
20:02No.
20:03No.
20:04No.
20:05No.
20:06No.
20:07No.
20:08No.
20:09No.
20:10No.
20:11No.
20:12No.
20:13No.
20:14No.
20:15No.
20:16No.
20:17No.
20:18No.
20:19No.
20:20No.
20:21No.
20:22No.
20:23No.
20:24No.
20:25No.
20:26No.
20:27No.
20:28No.
20:29No.
20:30No.
20:31No.
20:32No.
20:33No.
20:34No.
20:35No.
20:36No.
20:37No.
20:38No.
20:39No.
20:40No.
20:41No.
20:42No.
20:44I'll see you around, Rach.
21:04Why would he tell her that now?
21:13There's a chance I don't come back from this mission.
21:20And if something happens, no matter what anybody says,
21:24I want you to know that I did not betray this country.
21:28I'll go through with it, but I'm not doing it the orphanage's way.
21:31We have a plane to catch. Don't worry, I grabbed our bags.
22:01Come here.
22:27Coming in.
22:29They've left Washington airspace. Switching to flight comms.
22:34Go for control.
22:38Shadow Boxer's apartment is clear.
22:41And she didn't go to work at the bar tonight. They don't have her.
22:45Copy.
22:46Has she gone dark?
22:48I can fix it.
22:49You were worried about Hale and now his minder is missing?
22:53I'll find her, sir.
22:54That's a good idea.
22:58She's from a husband.
23:00I don't want her to go to a clinic.
23:02I've never had her.
23:04She's an orphanage.
23:06It's just like she's okay to go,
23:08I'm working.
23:09Time to go.
23:12She doesn't know what she is.
23:14Because if she's going to be there,
23:15no matter how she is,
23:17she doesn't know what she is.
23:18She's going to be there.
23:19It's no one point.
23:21It's not true.
23:23She doesn't have a marriage.
23:24She doesn't have a marriage.
23:25Who's with you?
23:38Honestly?
23:42You think that if they were coming for you that they would send me?
23:46Did you run because you thought that we were coming to kill you?
23:49Why?
23:50Alexander broke it off.
23:56Tonight?
23:57Yeah.
24:00You didn't know?
24:02No.
24:04I told you on the phone he's been acting weird.
24:08We didn't tell him to do that.
24:10Even if we had, which, again, we didn't.
24:14Wouldn't that mean your part in this is done?
24:18You get to walk free, wasn't that the deal?
24:22You haven't made a lot of deals with spy agencies, have you?
24:26No, I haven't.
24:28The last time I was an alias for an operation that went sideways,
24:32the agency I was working for sent the cleaners in after me within minutes.
24:37No loose ends.
24:40I don't care what the orphanage says.
24:43They're all the same.
24:45They're never gonna let me go.
24:47Not after what I did.
24:51Oh, wow.
24:53They didn't give you my whole file, did they?
24:56How do you think the orphanage collected me in the first place?
25:12I made a mistake.
25:16The kind you can't run from.
25:20They'll say my debt is never repaid.
25:25They're probably right.
25:30So make a deal with me.
25:34When we stop whoever did the hack, I'll find a way to get rid of your file.
25:38I don't know how yet, but I'll find a way.
25:41Please don't run.
25:45Come back in.
25:46I need you.
25:47The only way I know how to connect to him is through you.
25:50And...
25:54You're the only person who knows what any of this feels like.
25:59Also this.
26:01Going out on your own into the cold,
26:03that'll trigger exactly the kind of reaction you're afraid of.
26:08They will overreact.
26:10The entire mission will get pulled.
26:15Were you this close to this being over?
26:26If breaking up was Alexander's idea,
26:29that means he knows I'm not on his side anymore.
26:33Our fiction, that he can talk to the real me, is blown.
26:36He must have figured out you're still manipulating him through me.
26:40How do you know that?
26:41Because he did it right before he left.
26:44So when you found out, he'd already be on his way.
26:48That's exactly what I would do if I was about to go rogue.
26:52Go home.
26:58Pretend everything's normal.
27:01You should call it off.
27:05You've lost control of him.
27:08You've lost control of him.
27:09You have to pick him up.
27:11You have to pick him up.
27:13Yeah.
27:14You're here, can you have to show that to me.
27:15You can put my shoulder in the middle.
27:17Okay, you can put him up.
27:18He'll be here.
27:19Oh, buddy.
27:21I can't go.
27:22I can't go.
27:23I can't stand it.
27:24You're here, you can't go.
27:25I can't do that.
27:26You have to pick him up, right?
27:27Come on, Mr. Chair, you can't do it.
27:28Founder, just a misunderstanding.
27:41We still a go?
27:43Mission's good.
27:45Let's go.
27:51I have to see this through.
27:55We can't stop now.
27:58Let's keep an eye.
28:13Osirison Timekeeper in position.
28:21It's not true, had it?
28:24they're heading into the theater perimeter holding a half mile out no sign of hostiles
28:45thank you ground keep your distance until our target shows themselves radio silence
28:49Roger that let me see it I want to know who's in that room
29:19oh
29:28bienvenue entrée dans un monde de théâtre immersif incomparable ce soir l'art et le public se
29:40fusionneront en un univers sensationnel mais surtout n'otez pas votre masse
29:54commencez
29:58qu'a-t-elle de plus que moi mais de quoi parler vous attendez les regards que vous portez sur
30:03cette femme sont une offence que je ne saurais supporter davantage vous avez fait deux regards
30:06pour vous voyons je vous aime
30:08I don't know.
30:09I don't know.
30:10It's not my fault.
30:11I don't know.
30:12Ah.
30:13No.
30:14No, no.
30:15No, no.
30:16No.
30:17No, no.
30:18No, no.
30:19No, no.
30:20No, no, no.
30:21No, no, no.
30:22No, no.
30:23No, no.
30:24No, no.
30:31Cette histoire commence avec une étoile.
30:34Like all the other stories, there is always a sense of the lumière.
30:39The Moon.
30:41And as you already know, the Moon has always a friend.
30:44Always the Moon.
30:46And as you already know, there is always an immense,
30:49an incredible effect.
30:53As you already know,
30:55this part here, this lumière is here.
30:59And as you already know,
31:01they've reached the target room.
31:11Now they've just got to find it.
31:13Then the enemy will find them.
31:16This old...
31:21This old...
31:23Whiskey...
31:25With a blonde jug...
31:27Who fumes...
31:30Hello.
31:32Look for a key somewhere.
31:35I'm waiting for you.
31:37I'm waiting for you.
31:39Give this letter to Viviana.
31:42Tell him I'm waiting for you.
31:44Do you have a key for this little king?
31:46Tell him I'm waiting for you.
31:53Do you have a key for this little king?
31:55I don't remember.
32:00Look for a key somewhere.
32:02Hey.
32:19What?
32:20Didn't Mosey collect old guns?
32:22The whiskey...
32:23The whiskey...
32:27The whiskey...
32:28The whiskey...
32:29The whiskey...
32:30The whiskey...
32:31The whiskey...
32:32The whiskey...
32:33The whiskey...
32:34The whiskey...
32:35The whiskey...
32:36The whiskey...
32:37The whiskey...
32:38The whiskey...
32:39The whiskey...
32:40The whiskey...
32:41The whiskey...
32:42The whiskey...
32:43The whiskey...
32:44The whiskey...
32:45The whiskey...
32:46The whiskey...
32:47The whiskey...
32:48The whiskey...
32:49The whiskey...
32:50Sure feels like it sometimes.
32:58Let's go.
33:03Signals?
33:08Drive's moving.
33:09He's got it.
33:11All right.
33:12All right.
33:14Now they go to the stairwell to get to the extraction point on the breezeway.
33:18Get the extraction agent in place.
33:19If the enemy is at the theater, they could be intercepted at any time.
33:47Show me outside?
33:49Show me outside.
33:50Zoom in.
33:54Control?
33:56They found our extraction agent.
34:01He's dead in his apartment.
34:03They found our extraction agent.
34:04He's dead in his apartment.
34:08He's dead in his apartment.
34:09He's dead in his apartment.
34:15They found our extraction agent.
34:16He's dead in his apartment.
34:20He's dead in his apartment.
34:21He's dead in his apartment.
34:22He's dead in his apartment.
34:23He's dead in his apartment.
34:24He's dead in his apartment.
34:25He's dead in his apartment.
34:26He's dead in his apartment.
34:27He's dead in his apartment.
34:28He's dead in his apartment.
34:29He's dead in his apartment.
34:30He's dead in his apartment.
34:31He's dead in his apartment.
34:32He's dead in his apartment.
34:33He's dead in his apartment.
34:34He's dead in his apartment.
34:35every morning I look into obsidian eyes extraction let's get you out of here
35:05get a closer shot are we moving in no we don't know if this is our lone wolf we have to warn them
35:14somehow if that's not our guy we can't give them a reason to panic we need identification get me a
35:22face who is this guy hey where are we going there's a service elevator it'll take us down to the water
35:40line safest way out we got him punch in
36:01why is this taking so long get me a name
36:10why don't we have a name yet it's classified sniper's nest has a clean shot no we take him
36:30alive ground go on the move three minutes out
36:33Moira pull the overhead camera and I want to see where they're going
36:44Moira we're picking up another RF signal about 30 voices on it it's not ours there's someone else
36:50here contact northwest corner contact northeast corner they're all over
36:55Peter it's the CIA what the fuck are they doing here closing the target capture first but if he's
37:06escaping we shoot to kill now let's find out if you're full of shit or not
37:25you okay war wound before we head down it's a Faraday cage for the drive in case it's being tracked
37:44time is of the essence
37:48how do you know he didn't have the drive huh
38:04because I was watching through your eyes Alexander Hale
38:13stay down
38:20we hold them here strike should be on site minutes
38:31hey
38:43hey
38:43hey you're okay it's okay
38:47Remy's down
38:49now that's interesting
39:00get up
39:04you're coming with me
39:09but I thought we were staying here
39:11rock your weapon
39:12this is the CIA
39:13Alexander Hale surrender
39:16now
39:16I'm not gonna die
39:31do you wanna die
39:32this is the CIA
39:33that is what the most
39:34the more
39:35police
39:36to me
39:36this is the CIA
39:38Yeah
39:39yeah
39:39yeah
39:41it's a CIA
39:42yeah
39:42yeah
39:43yeah
39:44yeah
39:44yeah
39:45yeah
39:45I see him!
40:10Go, go!
40:14More out!
40:16Watch out, carry! Go, carry! Go, go!
40:29Go, go!
40:40Alexander Hale, stop!
41:00Alexander Hale, stop!
41:06Orphanik, stand down!
41:07Go, go, go, go, go!
41:11Step back!
41:12Step back!
41:13Stand down now!
41:14Lower your weapons and move back!
41:15You back up!
41:16Step back!
41:37Osiris, we're orphanage.
41:40Come on.
41:41We need to get you to safety.
41:46We have Osiris.
41:47Oh!
41:48Oh!
41:49Oh!
41:50Oh!
41:55Get our people out of there!
41:57get our people out of there do not fire unless fired upon osiris is off the map repeat osiris
42:21is off the map he's going after the target which direction alexander must have put the drive in
42:31the faraday cage we can't track him get me every camera we own east of the city i want to see it
42:36yes sir we're on it this is a manhunt the operational theater is now the entire city
42:40we find our operative and we do not let him fall into the wrong hands roger that
42:45hold that quadrant
42:47henry edmund
43:00i saw you on the monitor with hale what's going on did you tell anyone you know me
43:11no you're in trouble not anymore
43:21look i don't know what i don't care what you did okay this belongs to the orphanage
43:47make sure it gets
43:48okay next block
44:09come on
44:23come on
44:31come on
44:45come on
44:51come on
44:55i realized during all this that the only time that anyone actually told me the truth was when i'd already found it myself
45:11the people i work for want me in the dark
45:19because he knew no more
45:21because it's easier to control me that way
45:22because it's easier to control me that way
45:26me
45:31you
45:35you
45:38you
45:39you
45:40you
46:14Once we find who we're looking for, the orphanage might cut a deal with them in exchange for the technology.
46:23And they'll only tell me what helps them use me.
46:25I'm never going to find out why this happened or why they chose me or if there's a way to get this thing out of my head
46:47and stop it from happening to anyone else.
46:51I know you'll understand, my friend.
47:14Yeah?
47:16Yeah.
47:17Yeah?
47:18Yeah?
47:19Yeah?
47:20Yeah?
47:21Yeah?
47:22Yeah?
47:23Yeah?
47:24Did it go faster?
47:25Maybe.
47:26Maybe.
47:27Hello?
47:28Yeah?
47:29Yeah?
47:30Yeah?
47:31Yeah?
47:32Would it go faster?
47:33Maybe.
47:34yeah yeah so it's gonna go faster
47:45maybe
47:46oh
47:56yeah
48:00yeah
48:30yeah
48:37yeah
48:41yeah
48:45yeah
48:49yeah
48:56yeah
49:00yeah
49:04yeah
49:06yeah
49:08yeah
49:12yeah
49:19yeah
49:21yeah
49:23yeah
49:27yeah
49:31yeah
49:33yeah
49:35yeah
49:48yeah
49:49get out on the ground or I shoot
49:51if you were gonna shoot me you'd have done it already
49:54but you didn't for the same reason you drugged your own partner for the same reason you didn't
50:01want to hand me over to the orphanage just quite yet you know you're hacked and you know
50:10I'm the only one that can answer your questions
50:16so let's talk
50:21so let's talk
50:23you don't have a couple of slides
50:25because you told me about death
50:26for you
50:28you'll have to leave more
50:29you'll be around and we'll need the problem
50:30and we'll just
50:38let's go
50:40yeah
50:41yeah
50:42yeah
50:43yeah
50:44yeah
50:49yeah
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