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00:00My husband, Norman Henry, was a good man, generally speaking, but he was also a man
00:14riddled with insecurities. You heard of Thomas Edison? What are you due for supper?
00:19Anyone here know a chap by the name of Mark Twain? Self-doubts. I see how she looks at you.
00:24My wife. And fear. Fear that the world was constantly laughing at his every move.
00:39This fear was not unfounded.
00:44You see, when he was just a boy, the world did just that.
00:48You're off-key. He's off-key. We've practiced this part over a hundred times,
01:00but some students are simply more gifted than others. And that's okay, Norman. Oh, darling,
01:08we're not done. Let's try it again.
01:18I'll admit my husband has a flair for the dramatic.
01:41Whether he was actually laughed at that day or not is quite beside the point.
01:46I'm really sorry about that. I'm really sorry about that.
01:48As if we already didn't have enough to worry about. I'm really sorry about that.
01:50You're not the laughing stock of the entire congregation. I'm really sorry about that.
01:52It's fine. I'm really sorry about that. It's fine. It's fine.
01:54I'm really sorry about that. It's fine. We can't be good at everything.
01:56I'm really sorry about that. Well, maybe he can be good at something.
01:57I'm really sorry about that. I'm really sorry about that. I'm really sorry about that.
02:02He would spend his life yearning for approval from a father who would offer him nothing in return.
02:08it's you who's embarrassing us you know that don't you i'm really sorry about that i didn't
02:21know it then but the day i met norman henry was not one week after his father had died
02:27leaving him with nothing but a fragility he would never be able to overcome
02:31of course you couldn't be any stupider mormon you really just could not be excuse me
02:49that's not a very polite way to speak about yourself
02:53oh hi hi i'm sorry was i bothering you
03:01i didn't think anybody would be here um well they they they they told me nobody would be here
03:06and that i could just let myself in through the side door am i bothering you you're not bothering me
03:10i'm not a robber well how could i trust that statement now no really really miss i promise
03:18i'm not i'm not it appears as if you're stealing all the cutlery from the dining hall
03:22um giving it new life the cutlery it's fallen into neglect the cutlery yeah cutlery yes
03:30forks knives little spoons i um i give them renewed purpose
03:40oh you're an artist no no no i'm i'm i'm an opportunist but you you make little sculptures
03:54no i i know a guy that makes little sculptures cutlery out of whatever i give him
04:01my sister's an artist you seem passionate like an artist
04:08passionate like an artist
04:12yes well i'm sorry to disappoint
04:16you didn't you didn't disappoint
04:20the thing the things i get excited by are they're not exciting you're not exciting
04:31i try not to be having just ended my relationship with a certain fraudulent inventor i was intrigued
04:42by this humble man who saw beauty in the world and wanted no credit for it
04:49a beauty that i had hoped he might find again
04:53in me all these years later
05:00this penultimate chapter dear reader is as close as we came to falling back in love again
05:08in love again
05:38no
05:53no
05:58Oh, my God.
06:28Oh, my God.
06:58Oh, my God.
07:28Oh, my God.
07:30Oh, my God.
07:32Oh, my God.
07:34Oh, my God.
07:36Oh, my God.
07:38Excuse me?
07:40Excuse me?
07:50Who are you?
07:52Replacing the driver, I hope. He's about to die.
07:56Oh, my creditor.
07:58He's a lawyer.
08:00Says so on his bag.
08:02My occupation and identity are none of your concern.
08:08For my client's wife, Evelyn Nesbitt Thor.
08:16Who?
08:18Huh?
08:19What?
08:20If you could show me the way to the main house where the real people are.
08:26Okay.
08:36Okay.
08:38So, uh...
08:40Mrs. Nesbitt Thor.
08:42Oh.
08:43Just Nesbitt.
08:45Huh.
08:47For the purposes of these legal proceedings, it is preferable for you to identify as your husband's property.
08:56Uh, well...
09:00Okay.
09:02You are the lawyer.
09:03I am.
09:06So, let us begin.
09:08I'm so sorry.
09:10Right now?
09:11Yes.
09:12This very instant.
09:13We're due back in the city by 4 p.m. for you to be sworn in.
09:15Oh.
09:16How exciting.
09:17I will be speaking to you as though I were the prosecution, but rest assured, I am a friendly.
09:24It's merely an act for you to be prepared.
09:28I'm so sorry.
09:30What's your name?
09:34Delphine Delmas.
09:42Right.
09:43Well, um, you see, I have acquired an audience for my dress rehearsal.
09:50And, um, they're all waiting for us.
09:54Waiting...
09:56for us?
09:57Mm-hmm.
10:13Hello, and welcome, ladies and gentlemen, to the first and only dress rehearsal for...
10:43...the crime of the century!
10:56Isn't that good?
10:57We worked on that jingle together.
11:00Oh, God, sorry.
11:01This is, uh, this is my lawyer.
11:02Mr., uh, Mrs. Delphus Finimus.
11:04Uh, it's, um, Delphine Delmas.
11:06Right.
11:07Prickly fellow.
11:08Take a bow!
11:09I'm not your...
11:10I'm not her...
11:11Um...
11:12Ma'am...
11:13Ma'am...
11:14Ma'am...
11:15Might I have a word?
11:16Okay.
11:17Um...
11:18Wouldn't you prefer to do this in, uh, in...
11:21...in private?
11:24Are you sure you don't want to do this in private?
11:29Mr. Delphus, am I not to testify in front of the entire world tomorrow?
11:32It's Delmas.
11:33Uh, yes.
11:34I think the name is Demas.
11:35Demas?
11:36Yeah, Demas.
11:37Demas.
11:38Uh, okay.
11:39It's Delphine Delmas, uh, for those of you who aren't sure.
11:43Uh, ma'am, I do implore you to trust your husband's counsel on this.
11:47I believe that we should find a private suite and rehearse, uh, confidentially.
11:54Oh.
11:55Mr. Delphus.
11:57Come now.
11:58I trust these people completely.
12:00My friends.
12:04I make, uh, the merde.
12:07Very well.
12:17And now I'm not sure if you don't trust me.
12:19I'll be aware of it.
12:20You can trust your husband, I tell him.
12:23Because I am.
12:24I don't trust you anymore, too.
12:25But I'm not sure it's a business.
12:27It's a business.
12:28There's no reason to do it.
12:29I don't trust you.
12:31I don't trust you, too.
12:32But of course, he's going to trust you when I get you.
12:34I have no trust.
12:36It's been a business that does not have a lot of money.
12:38I'm not a business anymore.
12:39There's no trust.
12:40What?
12:41It's no trust in my bank with my friends.
12:42You don't trust me.
12:43I don't trust me.
12:44I don't trust me.
12:45That's not a business.
12:46Mrs. Thaw.
12:50Nesbitt Thaw.
12:52Could we switch them, perhaps?
12:54Thaw and Nesbitt.
12:56Wouldn't you like that?
12:58I knew you'd understand.
13:01I'll start from the beginning, I suppose.
13:04Yes, of course.
13:07Where were you in autumn of 1901?
13:11New York City, Manhattan.
13:15And were you romantically involved with anyone at that time?
13:20Yes, I was.
13:24Whom?
13:25Oh, um, Stanford White.
13:27All right.
13:37All right.
13:38Could you explain the nature of the relationship to the court, please?
14:02Yes, of course.
14:04Stannie and I loved each other very much for a time.
14:06He was like a father to me.
14:07Mrs. Thaw, isn't it true that you performed sexual favors for Mr. White in exchange for
14:11cash and gifts and travel?
14:19Is this not a little crass for public consumption?
14:25The real prosecution will try to frame you as a common whore.
14:32A whore?
14:44Why?
14:46I mean, why would they try to paint such an ugly picture about a lady like me?
14:53Mrs. Thaw.
14:54Nesbitt.
14:55Mrs. Nesbitt Thaw.
14:59Did Mr. Stanford White have a studio apartment he kept in Midtown with a velvet swing hanging
15:05from a crossbeam?
15:09Yes.
15:09And is it true that you would swing naked from the velvet swing?
15:24It was all in jest.
15:26In autumn of 1901, did Mr. Stanford White not drub you?
15:40With your mother in the room and penetrate you through multiple orifices?
15:59She was asleep.
16:09My mother.
16:10That was not my question.
16:13Yes.
16:14Yes, he did this over and over again, day after day, month after month.
16:17And in exchange, he paid for your trips, your schooling, your apartment, your particulars.
16:21The very definition of a common whore.
16:32Oh.
16:35Well, there are many words with multiple definitions you'll find.
16:39For example, the word I love you.
16:41That is something that means a whole lot more to us women than it does to you men.
16:44Mr. White, tired of you.
16:46Did you not turn your attention to Mr. Harry Thaw's fortunes in an act of selfish desperation?
16:54I don't seem to know what this has to do with Harry shooting a man.
16:58It's Nesbitt.
16:58That you crafted a surgical campaign to target Mr. Harry Thaw to fleece him for cash and gifts and trips.
17:10To fleece him?
17:12Like a sheep.
17:14Don't be smart.
17:20A smart young lady doesn't play well with the jury.
17:24Well, what definition are you using to define the word smart?
17:29You see, it's all objective, isn't it?
17:30I traveled to Paris at no expense of your own.
17:35Your mother traveled to Paris at no expense of her own.
17:38So I must ask, what was the currency?
17:45Kindness.
17:48I believe the currency was companionship and loyalty and friendship.
18:01And the trip was a gift from Harry.
18:06Are gifts are no longer acceptable practice from a husband to his wife?
18:13Yeah?
18:22Is that good?
18:23Is that good?
18:23And come to think of it, I do believe I know where you're going with this, Mr. Ephraim.
18:31And it is downright shameful.
18:34Because my body is and has never been currency.
18:41Not for gifts, for trips, for any other thing.
18:46It is Delmas.
18:56You call it companionship and loyalty.
18:58I call it sex acts and roleplay, risque roleplay for that matter, which you performed in exchange
19:08for a home and a life of status.
19:10So disguise it as you will, Mrs. Thaw, but the truth remains that you reek of putrid desperation.
19:21You are, as every woman who trolls the Lower East Side of Manhattan between the hours of 10 PM and 2 AM.
19:32I can smell the rancid stench from here.
19:39We all can.
19:42Did you knowingly withhold the fact that you were indeed not a virgin when you met Mr. Harry Thaw?
19:46Did you knowingly withhold this information because you knew that you might be able to swindle him more efficiently?
19:53Did you, in fact, steal money from Mr. Harry Thaw under the false pretense that you were selling him your virginity?
19:59And when he realized that you had been lying to him, he had a mental break, which caused him to fatally injure Mr. Stanford White.
20:06So, in fact, was it not you, Mrs. Thaw, who is to blame for the untimely demise of Mr. Stanford White?
20:16It is your fault, because you are a dirty whore.
20:33How dare you?
20:37How dare you?
20:40Me?
20:42Wasn't it me?
20:43Oh, because I didn't want to sleep with Harry.
20:50I didn't want to sleep with him.
20:52Okay?
20:53I didn't want to sleep with him.
20:55He was a beast.
20:56And he hurt me.
20:58And he whipped me.
20:59And I didn't want to sleep with him now.
21:01And I don't.
21:02And I never will.
21:03And he knew that.
21:06Because a woman doesn't always need to be explicit.
21:09She doesn't.
21:14Okay?
21:15Why the fuck does being a woman always have to be so explicit?
21:23Do you think I wanted Paris?
21:26Well, you certainly wanted something.
21:27I didn't want Paris.
21:28You never asked me what I wanted.
21:30I wanted clothes and a bed that I might call my own.
21:36And I wanted to stop supporting my whole family.
21:42But I didn't want Paris.
21:47And you can all sit here and judge me.
21:50But I am not a whore.
21:54I am not a whore.
21:56I am a girl.
21:59I'm just a girl.
22:00I'm...
22:01I'm...
22:01I'm...
22:02I'm...
22:02I'm Evie.
22:03Mama, I'm Evelyn.
22:04My name is Evelyn Nesbitt.
22:11It's not Thaw.
22:12It's Nesbitt.
22:13Do you hear me?
22:15Delfus or Dingus or whatever it is they call you.
22:18It's fucking Nesbitt!
22:21We've heard enough.
22:25We've heard enough.
22:28No, no, we're not done.
22:29We're not nearly done.
22:31I shall only say it once more.
22:36We are done now.
22:41That performance was pathetic.
22:43See how easily she was broken.
22:44She is far from trial ready.
22:46I implore you to release this young woman.
22:55I believe the shame felt in this room
22:58is enough for us all.
23:04A man's life hangs in balance.
23:20A murderer.
23:22She is his whore.
23:26That's enough.
23:29That's enough.
23:30That's enough.
24:21Back to work, a lot of you.
24:35Up, back, out.
24:36Everybody out.
24:37Go, go, go.
24:38Go, out, out.
24:51Norman would hold her for hours that day.
25:13Intent on being the parent that neither of them had.
25:17I don't know.
25:47Practice for her mother to take long walks, unannounced.
25:52I'm so sorry.
25:56I'm so sorry.
25:58Oh, my darling girl.
26:00She told us to send word when her mother arrived back at the estate, and they'd have Harry's
26:05driver pick her up.
26:13But Mrs. Nesbitt never returned to the house.
26:17I'm so sorry.
26:21I'm so sorry.
26:22Nor would she see her daughter.
26:26Not ever again.
26:35I do believe after the mock trial, the atmosphere in her home had changed ever so slightly.
26:41A lingering air of forgiveness and gratitude, albeit brief, would blow through with the wind.
26:48I do appreciate your kindness with me these past few days, Mr. Henry.
27:01And you too, Mrs. Henry.
27:11The time has come, Mrs. Nesbitt talk.
27:18Chin up.
27:26It gets better.
27:31Mr. Henry.
27:34You've got nothing to worry about.
27:35I'm the girl on the swing.
27:42I believe you're much more than that.
27:46Yes.
27:48So do I.
27:49All right.
28:07Look, I shall only say this once, so listen with your hearts.
28:14The next time you see me, it shall be my name in lights.
28:19And when you do, I urge you to remind yourselves as of why.
28:24It is because I will have broken free.
28:31At all costs.
28:35Evelyn Nesbitt would soon see her name in lights.
28:37She would, in fact, fulfill her promise to her mother.
28:53She'd become the most famous in the entire world.
28:57I will be a great big stage actress.
28:59You will have.
29:00And everyone will love me, mother.
29:01They will all love me.
29:03But what she truly desired was unconditional love.
29:07And it was this that would elude her until her dying day.
29:13Evelyn had gifted us a valuable lesson that day.
29:17That our destiny resides solely in our will to break free.
29:21After that speech, really?
29:31Okay.
29:33So, are you looking to ask me something?
29:36Um, well, it's just that it's, it's, it's, it's Christmas Eve.
29:52Yeah, well, um, I don't celebrate.
29:57Sadly, my, my family perished.
30:00Oh.
30:02You said you had a sister?
30:04She's an artist.
30:14I, I don't, I don't, I don't celebrate either.
30:18But for other reasons.
30:23Ah, yes.
30:24Yes, right.
30:28So, um,
30:29are you
30:31looking to ask me something?
30:34Well, um,
30:39we could
30:42not
30:43celebrate together.
30:47Okay.
30:52Norman, are you awake?
30:54I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I
31:24All right.
31:47I'm okay.
31:49Yeah.
31:51Go back to sleep.
31:52All right, Norman.
31:54What's the wrong?
31:55Nothing.
31:56We're going to be okay.
31:59We're going to be okay.
32:07But unfortunately, this could not have been further from the truth.
32:19Is there two?
32:22Oh, shit.
32:25Oh, shit.
32:26Oh, shit.
32:27Oh, shit.
32:29Double shit.
32:39We bring you news from the courthouse, Lower Manhattan district.
32:42In the Thor trial where his wife Evelyn Nesbeth Thor
32:45has just taken the stand dressed as a schoolgirl,
32:48exuding a sense of calmness you normally only find in the male persuasion.
32:52But nonetheless, this reporter could not help but take note of a certain quality
32:56one might find in a silent picture actor.
33:05After Evelyn had left,
33:07I had this feeling that our situation might improve.
33:12Looking back now,
33:14I suppose I was a bit lovestruck again.
33:20We had entered a dreamlike state,
33:23one of companionship,
33:25and happiness and trust.
33:38All of my experiences,
33:40had they led me here to this moment,
33:44to a moment of grace and love
33:47where my husband might be willing to accept the impossible?
33:50I did not invent the light bulb.
33:55I suppose you know who did.
33:57This secret I had held so deeply within,
34:01I had even convinced myself it was not true.
34:04But for the first time,
34:06I had felt like maybe
34:08he could hear my truth
34:10and set me free.
34:13Oh,
34:33oh,
34:34oh my God.
34:34Oh my God.
34:34Oh my God.
34:36But while I would grapple
34:51with the right moment
34:52to confide my secrets to Norman
34:54Edgar and Lilith were grappling
35:01with a truth of their own
35:03that they might never return to Paris.
35:07It's impossible to return to the inevitable.
35:13What are you talking about?
35:14You're not you.
35:16The way she looked at me.
35:21The way she looked at me now.
35:24You're upset.
35:26Of course, I'm an artist.
35:30She doesn't like you.
35:32You have to focus the story on the card.
35:36What are you all about these feelings?
35:39Or of mine?
35:42How do you dare to say
35:44my feelings?
35:48You don't know anything.
35:51How do you dare to...
35:54be wise?
35:58This mounting desperation
36:02paired with Edgar's obsessions
36:03had begun to weigh heavily on me.
36:07How much longer could I protect my husband...
36:10I don't get it.
36:11...from the inevitable?
36:12Well, you don't read very often.
36:15No, I just don't get the hyperbole.
36:19It's not hyperbolic.
36:21Do you even know what that means, Norman?
36:22No.
36:24It just sounded good for the moment.
36:35Excuse me.
36:37Pardon.
36:38Yeah?
36:39Hello.
36:39Adepreza.
36:46Yes?
36:47Will he be here today?
36:48Of course.
36:49Um, I'm not sure.
36:51He said he'd fit it in as he could.
36:54Well, I've been waiting
36:55very, very patiently for days.
36:58Very, very patiently.
36:59I would like to go home.
37:00I've been waiting very patiently.
37:02Well, you are still, uh, occupied
37:05on a project, are you not?
37:07My wife told me
37:09about your portfolio.
37:11Your work.
37:12Sounds quite exhaustive.
37:15Uh, happy to hear
37:17you're intrigued with our ballerina.
37:18Lilith?
37:19Lilith, yes.
37:20Lilith.
37:21No, I have decided against it,
37:22which is why I'm here
37:23inquiring about the appreza.
37:25I just said
37:29I will no longer
37:30be painting a ballerina.
37:33Um,
37:34and why very well not?
37:37What happened to your, uh,
37:40passions and desires
37:41and, and, and, um, passions?
37:45It seems that passion
37:46and desires
37:48are very, um,
37:52fleeting in this house.
37:54Uh, they change on a whim.
38:01Like hobbies, eh?
38:03I beg your pardon.
38:05My wife is nothing
38:06of a hobbyist.
38:07No, no, no.
38:08Quite the contrary.
38:09I know, Mr. Henry.
38:12I know your wife very well.
38:15Um, that's a very
38:17inappropriate statement,
38:19don't you think, artist?
38:21Sooner or later,
38:23we will all come to terms
38:24with this, uh,
38:26masque charade.
38:29We will all come to terms
38:31with this,
38:32with this masque charade.
38:37Masque charade.
38:39Spence it, this is.
38:39He was not wrong.
38:45We would soon all come to terms
38:49with the house of cards
38:50my husband had built.
38:51But at this moment,
38:53I was concerned
38:54that for Edgar Degas,
38:56the statement
38:57was far more nefarious.
38:59Norman?
39:13Norman?
39:14Norman, are you awake?
39:15I hear a sound
39:25from your vicinity.
39:26Are you awake?
39:27Are you sleeping?
39:31Oh my god,
39:31you've been killed.
39:32Come on, you fucking coward!
39:48Marion!
39:49Oh!
39:51Oh!
39:51Is that you?
39:52Oh!
39:56Marion,
39:56if you're trying to kill me,
39:59there's simpler ways.
40:01He was right.
40:02There were easier ways
40:04to see him in a box
40:05six feet under.
40:06But nothing would come easy
40:08for Norman Henry,
40:09not even his death.
40:11What I can divulge
40:13is that the sword was sharp
40:15and the cut
40:16was quick
40:16and clean.
40:19Now you have me
40:21getting ahead of myself.
40:22This chapter
40:23was about love.
40:27Let us simply
40:28leave it at that.
40:29love.
40:32Let us show free
40:34of the love.
40:38Bye.
40:48Bye.
40:57Bye.
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