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00:00...tale of mystery and murder.
00:03But first...
00:05Hey, Lucky.
00:06Power's out in the dining room again.
00:08...by trying to hoard it.
00:10Well, I'm talking.
00:13Mr. Henry made his fortune as a junk man.
00:17Something he was quite proud of, actually.
00:20But it wasn't until a chance encounter with Mr. Thomas Edison
00:25that he became purely revelant.
00:30So, let's go.
01:00This should be good.
01:09Oh, shit.
01:12At this exact spot is where Thomas Edison
01:17accidentally slipped on a rug,
01:20hitting his head right here on this second step.
01:24And as we all know,
01:51Mr. Henry is widely credited with saving his life.
01:57It is the dawn of...
01:58...of a hobbyist.
01:59One day, I'm going to be an inventor.
02:03Dear reader,
02:12this is not a story in the conventional sense.
02:16You see, nothing is neat and tidy.
02:21Nor is it laid out with ease for a dim-witted pony.
02:24Which I hope you are not, for both her sakes.
02:27No.
02:29This story in particular is a cautionary tale.
02:33My husband is dead, killed in the dead.
02:41Anything to sabotage a deal with Thomas Edison.
02:44Looking back now, I can admit I was rooting for her.
02:47His point could be sealed if I've ever been part of Poodles.
02:54When I was a child,
02:56I had foolish dreams of what I might become.
03:00I saw the world differently.
03:14I don't get it.
03:15What does it do?
03:16It's not about that.
03:18What do you mean?
03:20It's not about the trap.
03:21If the entire contraption is used to cage poor Beatrice here...
03:24But look what I built.
03:26Look at all the intricacies of it.
03:30It's interesting.
03:32One day,
03:33I'm going to be an inventor.
03:36I wanted to invent something that might have saved our mother from her untimely fate.
03:40Do you both understand why God created you to reside together on this earth?
03:46She would say that her destiny was written, but ours was not.
03:50Slightly ironic sitting here now, right into you.
03:53Before our mother died,
03:56she would instill a sense of connection that would bond us to our core.
04:07We had promised our mother that we would come together on this day each year.
04:12No matter where life might take us,
04:14we would find each other.
04:16Again.
04:16When you become one together,
04:19you see the world for what it truly could be.
04:23And today,
04:35the day that Norman died,
04:40would be the day that I see clearly again.
04:44I love you.
04:46It keeps looking for a big joke.
04:46Just saying.
04:47If I ever get lost,
04:48let's do it one more time again.
04:50Katherine 2000 verbessered me in my初めて despite the next week's job.
04:52We've continued to meet another another week's year.
04:54Corporate Coachicano with regrasible in theralski.
04:55Sorry about this one.
04:58And we're seeing a little bit more losing andämä.
04:59It's about that in passing and it's about five feet.
05:02It's about 3,000,
05:03the morning Этот episode has not been waiting for her to be the day.
05:06I'm just going to be the day for a little bit更新.
05:08It's about 4,000.
05:08It seems to be the marriage where it chỉ got a little bit cornfield here.
05:11Oh, my God.
05:41Someone gets around.
06:11While Norman and I had become infatuated with one another all over again, the rest of our world, so it seemed, was at a standstill.
06:29That's the funny thing about love. It's quite indulgent.
06:37What have you done, Lily?
06:39I've done nothing.
06:41He has not called on you, not in days.
06:44I don't care.
06:49Read between the lines, this isn't good.
06:53Maybe we should leave.
06:55Huh. Leave where?
06:58Lilith.
06:59Leave to go where?
07:04I didn't see it then, but we had become frozen in time with no money.
07:09Fuck!
07:10And no way out.
07:16Finito!
07:17Duke are on Tuesdays.
07:19But it's Wednesday.
07:21And like any caged animal, you become fidgety.
07:24I say, old maid, who are you calling an old maid?
07:29She's gonna make that joke until she's dead.
07:31I was afraid to reveal the truth about Edison to my husband.
07:35Afraid of what it might do to us.
07:41Afraid yet again.
07:43And as our world grew more insular by the day,
07:49I grew more tepid.
07:52Cars!
07:53You know what that?
07:55You're just such a cheese, all right?
07:57How are we supposed to hold this?
08:00She's so perfect, the head.
08:02Me.
08:02Oh, my God.
08:03What are you all doing?
08:04Are we playing cards or aren't cards?
08:06I could not shake the feeling that something was not right between us.
08:10Can we just play?
08:11And it was all a charade.
08:13Every single time.
08:19And then, like clockwork, she arrived.
08:27Right on schedule to break us free from this insanity.
08:31Okay?
08:52I'm not sure we was expecting you.
08:55Where the Henry's expecting you?
09:04Lovely to see you're still kicking, Gretch.
09:10Oh, deal.
09:12Ah, the stench of rotting paper bills.
09:20How I have missed you.
09:30Gretchen, can you be lighter underfoot?
09:33I've been saying that for many years.
09:35It's as if you're a direct descendant of Napoleon himself.
09:38Mr. Henry.
09:40Stomp, stomp, stomp.
09:42Yes, Gretchen.
09:42I do know the word choleric.
09:44Thank you very much.
09:45Mr. Henry.
09:45She has me reading now.
09:47Mr. Henry.
09:48Yes.
09:48We have a visitor.
09:52Is he coming for me?
09:54Now?
09:55You're not going to lie.
09:55Damn it, woman!
09:56Rosie!
09:57Rosie!
09:58Rosie Morsh!
09:59Oh, no.
10:07Did she die?
10:09Not yet, sir.
10:12She's here.
10:15How the fuck does she find us?
10:18How the fuck does she always find us?
10:26Will you be greeting her?
10:28Relax, Norman.
10:30I do believe you should.
10:31She is your sister.
10:32She is, yes.
10:33Yes, she is your sister.
10:35Yes, yes.
10:36It's a terrible time to entertain company, though.
10:39She isn't company.
10:41She is my sister.
10:42It's just not a good time for us right now.
10:43We've got an artist wandering the halls.
10:44He's asking for money everywhere he goes.
10:46It's fine.
10:46It's fine.
10:47It's fine.
10:47It's fine.
10:48All right?
10:49It's fine.
10:50It would not be fine.
10:52My sister had a way of making Norman feel exposed.
10:54I'll have the chef cook the remainder of the pheasant.
10:58This pheasant's old.
11:00Oh, I knew that pheasant wasn't old.
11:03I knew it.
11:06When Norman got nervous, he would laugh uncontrollably.
11:10Get out.
11:10Get out.
11:11The doctors called it manic hysteria, previously only diagnosed in women.
11:18Oh, my God.
11:20He was unable to form cohesive thoughts.
11:23Tonight we'll be hosting Marion's sister.
11:26That means our finest linens and our holiday china, please.
11:30Lily, I shall need you to dance this evening.
11:32No, you do not.
11:32Yes, I do.
11:33I do.
11:33I said I will not.
11:34Seaboo play.
11:35Seaboo play.
11:36I will not.
11:36Oh, please.
11:38How much of that pheasant do we have left?
11:41There's not left.
11:42Oh, please.
11:43No.
11:43That's impossible.
11:44Oh.
11:45Chickens.
11:46To a chicken or a hen.
11:47She's a sculptor.
11:48She won't know the fucking difference.
11:50Where are you going?
11:52This is for the mess in the great room.
11:54What's this for?
11:55Where's the ice?
11:56We don't have ice.
11:58No ice.
12:02We need to ration our supplies appropriately.
12:07We need to do a much better job rationing our supplies appropriately.
12:10You hear me?
12:12Goes for every single one of you.
12:16What are you standing there for?
12:17Why isn't anybody working?
12:19Uh-uh.
12:19Oh.
12:20Huh?
12:20Yes, sir.
12:21Yes, sir.
12:21What do you mean, yes, sir?
12:22Nobody's working?
12:23No, no, sir.
12:23I meant yes, sir to the other.
12:25Give me some fucking ice.
12:26Yes, sir.
12:26Chip it off the rocks.
12:27I don't care.
12:29You leave her parched.
12:30You leave her parched until you get a coffer full of fucking ice.
12:34Fuck her.
12:34How you doing, sweetheart?
12:37I can't wait to taste it.
12:39I cannot wait to have your lovely, horrible fucking food.
12:48Rosie.
12:50Marion, my darling.
12:51You look gaunt.
12:55As if the wrath of Judgment Day hath pummeled you across a cliff's edge.
13:01Oh, how I've missed you.
13:03Oh, I've missed you.
13:03Mwah.
13:04Mwah.
13:04Oh, for sake.
13:05Well, sit down.
13:06Sit down.
13:10Ah.
13:11Are you remodeling?
13:12What?
13:12It appears as if you're remodeling in this room specifically.
13:15What?
13:16No.
13:17You're missing art.
13:18Oh.
13:19Uh.
13:21No, you know, it's just a room in our house.
13:23You haven't responded to my letters.
13:25I thought you were dead.
13:27Every day I'd wait and wait with a renewed sense of dread.
13:31It's a bit dramatic, isn't it?
13:34I've been holding a tenancy in a small boarding house in the city while I prepared my new show,
13:40which you'd have been to if you cared about art anymore.
13:43Anyway, I wandered over to you, Brownstone, by the park.
13:47You know, I'd never come uptown unless I felt the need of some suffocating masochism.
13:52Yes!
13:53Oh, my God.
13:53But as I knocked on the door, an entirely different rich old drab man answered.
13:58Not Norman, a different one.
14:01He said you sold the house and moved up to the country on some sort of exclusive basis.
14:04No, that's not exactly what happened.
14:06Mary, I think it's fabulous!
14:07Finally away from the druthers of status and free to think,
14:10think, think, think, and tinker.
14:12A free tinker-thinker again, at last!
14:15That rhymes.
14:16It does.
14:17Oh, so is it difficult to finally leave Norman?
14:25I have a current work entitled The Menstruation of the Lonesome Mistress.
14:30I thought of you.
14:31Oh, yeah.
14:31I have not left Norman.
14:35Oh.
14:36I'm sorry about that.
14:37No, in actual fact, we are experiencing a sort of renaissance.
14:43I think you'd be quite surprised by Norman.
14:44A renaissance are you creating?
14:46You must be creating something meaningful to declare a renaissance.
14:49No, no, that's not what I'm saying.
14:50Otherwise, you're just blissful.
14:51Then we're blissful.
14:52We're just fucking blissful, okay?
14:55Blissful with a tinge of defensiveness, I see.
14:57Still your sissy here, Mary.
15:03You give this note directly to Nora Bays.
15:06You tell her she can have whatever she wants.
15:08You heard that directly from me, yes?
15:10Yes?
15:11Yes, sir.
15:128 p.m. sharp.
15:13Tell her, 8 p.m. sharp.
15:14I don't think Nora Baez winters in the country, sir.
15:17She's having an affair with the gardener next door.
15:19She's having an affair with more than just the gardener.
15:22See, she's having an affair with all sorts of people.
15:24Good for Nora Baez, huh?
15:26Great for us tonight.
15:28Sir, I have but a single working appendage at the moment.
15:32Yes.
15:32Oh, my God.
15:33Oh, Ferdinand, you shouldn't warn me.
15:34I'm not entirely sure.
15:35I'll make the walk from this Baez's residence in time for 8 p.m.
15:38Ferdinand, please.
15:39Sir?
15:40Put it away, Ferdinand.
15:41I'm begging you, please.
15:41Put it away.
15:42Put it away.
15:42I swear to God.
15:43Okay.
15:44I don't mind.
15:52It's pond water.
15:53That's fucking pond water.
15:55Pond ice chipped from the rocks.
15:57Oh, my God.
16:00I don't have a panic attack.
16:05I don't have a panic attack.
16:08Stop it.
16:08Stop it.
16:09Stop it.
16:10Please.
16:12Please.
16:13Please.
16:14Somebody get my wife.
16:15Please get my wife.
16:16She's with her sister.
16:18I'll go fetch her.
16:18No, no, no, no, no, no, no, no, no, no, no, no, no, no, she's with her fucking sister.
16:24Please, please, please help me.
16:27Please, please, please.
16:28Help me, please.
16:30Okay.
16:33Where are you going?
16:34Uh, nowhere.
16:35I'm just going.
16:36Let me come with you.
16:37No, no, no, no, no.
16:37You stay here.
16:38I'll have them bring you some refreshment, you know.
16:41I can fetch my own glass of water, Mary.
16:43I'm a single woman living in the village.
16:44I know, I know, but not here.
16:46Go, sit down.
16:47I hate this room.
16:48Shut up.
16:54One more.
16:58All right.
17:03My chest feels really quite physical, doctor.
17:10Please help me, help me, please.
17:12I'm so sorry.
17:13It's not a heart attack.
17:14You're not having a heart attack.
17:16I'm going to call him, doctor.
17:17A bucket.
17:18I don't want to die.
17:20I don't want to die, please.
17:21Oh, wait.
17:33I'm so sorry.
17:37I'm so sorry.
17:38I'm so sorry.
17:40I can't do it.
17:41I can't do it.
17:42I'm so sorry.
17:43I'm so sorry.
17:46I'm sorry.
17:48Please.
17:52Oh, my God.
17:55You seem to be in a bit of a state.
17:58Lord.
17:59Lord, is that your, um, your professional assessment?
18:06I worry for you.
18:08Are you lurking in the halls now?
18:10I said I worry for you.
18:11Yes, yes.
18:12I heard you.
18:12But then instead of answering your question, I sort of pivoted to one of my own.
18:16I do not lurk.
18:17You're scaring us.
18:21Because I feel things.
18:23Because I'm a man who stinks with his heart.
18:26A man that will, who will devote every second of every day to setting you free.
18:33Oh, God.
18:33You're an imbecile.
18:35Stop.
18:36Stop.
18:36Stop.
18:39My Marianne.
18:40No, no, no.
18:42Mrs. Henry.
18:44Dammit, Echo.
18:44Come on.
18:45It's Mrs. Henry.
18:47Please, let me approach you a few steps.
18:50So that I may make out your figure in the light.
18:54Yes.
18:56I will say this once.
18:59And then I shall leave.
19:01Yes, yes.
19:02You need to leave.
19:03Echo, you need to leave.
19:04Look, I will arrange a promissory note.
19:07That's, you know, it's as good as cash on the Henry name.
19:10But you must leave.
19:11You really, you must leave.
19:13Please, hear me.
19:14Oh, my hearing.
19:16That girl, I do, I hear you.
19:18Yeah.
19:19Please, hear me.
19:21I have never, ever felt my heart swoon so.
19:27Never, ever in my life.
19:32It is quite concerning.
19:35My passion has always come from the control of my stroke.
19:41I have always been in control of my stroke.
19:44My own, eh?
19:47Yes, thank you.
19:49Yes, yes.
19:51Halt.
19:51Halt.
19:52No, halt.
19:53Halt.
19:53I suddenly realized that the Buddhas are a metaphor for my life.
20:03I am but a trained hound in the hand of their master.
20:11I am not your master.
20:14I do not love you.
20:15I do not have secrets that only you can decipher.
20:18I, I, I, I, you've created this narrative of delusion.
20:22And that's what artists do.
20:23Right?
20:23So congratulations, free thought.
20:25But I am a married woman.
20:27And, you know, we, I mean, we, we, we, we shared a moment in, in, in a, uh, you know,
20:32a bedroom where you were as blind as a band.
20:34You couldn't even make out the contours of my fucking cheekbones.
20:37So it's over.
20:39All right?
20:39It's over.
20:43Stop.
20:44I will not accept a promisade.
20:47No.
20:48I explained to your husband that I will not say ah.
20:51Halt.
20:51Halt.
20:52Please hear me.
20:53Halt.
20:53Do you hear me?
20:55Come.
20:56Yes.
20:56I will not accept it.
20:59I'll be right back.
21:01Would you be just a man?
21:02It appears as if you're being chased by a gardener.
21:05No, no, no.
21:06It's, it's just the help.
21:08It's a murderer.
21:10You shall have me cast you as a wicked witch.
21:14On contraire.
21:16On contraire.
21:17Will you leave us alone?
21:20I'd rather be a widow than you set us free.
21:24A widow, did you say?
21:32I'll set you free.
21:38We're very sorry for your loss, but golly, it's the winter months,
21:42and the ground's frozen solid.
21:43What do you do?
21:44Introducing the new temporary receiving vault system.
21:47This state-of-the-art design allows your local cemetery to store up to five bodies
21:51with limited decomposition, just until the ground thaws.
21:55No more burning pyres or formaldehyde.
21:57The receiving vault system, coming to a cemetery near you.
22:01Norman, Norman, wake up.
22:16It is time to go to your party.
22:17Norman!
22:18Norman!
22:19Norman!
22:22Norman!
22:22Norman!
22:22Norman!
22:23Norman!
22:28Norman!
22:33You have your party.
22:40Norman!
22:40Service! Service! Service!
22:57I'm tired. Thank you. Oh my God.
23:04Which is what they don't tell you about a two-hub cowboys positively orgasmic!
23:13Do you remember the bathhouse?
23:15No! No! You shut your mouth!
23:20May I produce Mr. Norman Henry?
23:24Normie. Normie.
23:29You look positively tempestuous. Look at this one. Tempestuous. Am I right?
23:34Very good. Hello, Rosie. Hello.
23:36Loosen up.
23:37God.
23:38Do you know what your problem is? Do you meditate?
23:40No.
23:41You need to loosen up. It'll bring back that old Henry charisma.
23:50May I present the one, the only, fresh off her world tour?
23:55Who is Brooklyn?
23:56Brooklyn.
23:57Hello. Hello, hello.
23:59Hello.
24:00It's Nora Baez.
24:04Yeah, she's fabulous.
24:05She has fabulous tits, am I right?
24:07Rosie.
24:08She's straight off a world tour.
24:10I've heard, Norman. Your geriatric maid just told me.
24:14She told everyone here in this room.
24:17Shall I begin?
24:22Lord have mercy. Yes, yes, begin.
24:26Il buono.
24:28Come la mamma.
24:30This is art.
24:31Don't let anybody tell you otherwise.
24:33Ah.
24:34I see clearly.
24:39Tonight, I will set her free.
24:44Come Dio vuole.
24:46One day we will all be free.
24:48Tonight.
24:49Tonight is her night.
24:51There was a certain lawyer in a certain town.
25:02You're flat.
25:03You're flat.
25:04From always snooping round.
25:06Higher.
25:07He was the most peculiar man I'd ever seen.
25:10Have a note higher.
25:12Higher.
25:14Oh, there it is. Right to our girl.
25:17Would you shut up and let her sing?
25:19Snoop the lawyer.
25:20Well, if you're going to spend money on an act,
25:21might as well have her put the diaphragm into it.
25:23Snoop the lawyer.
25:24Rosie, it's snore bias.
25:25Are you having a stroke?
25:26Snoop the lawyer.
25:27Snoop the lawyer.
25:28Do you even know what a diaphragm is?
25:29Oh!
25:30That's a diaphragm.
25:31Snoop the lawyer.
25:32What is wrong with you?
25:33Snoop the lawyer.
25:34Snoop the lawyer.
25:35Snoop the lawyer.
25:36For fuck's sake, I've had enough of this.
25:37Never spent a dollar.
25:38Oh!
25:39Oh!
25:40Oh, my God.
25:41Dizzy.
25:42Dizzy.
25:43I'm dizzy.
25:44I'm dizzy.
25:45Did you get him some ice?
25:46No, no, no, no, no.
25:47No ice for me.
25:48Don't be so silly.
25:49Suddenly a man of the people.
25:50Rosie, would you please just simmer?
25:51He has anxiety.
25:52I'm not anxious.
25:53I don't suffer from anxiety.
25:55He's wide open, darling.
25:56Let's just call it what it is.
25:57He's stressed about money.
25:59Norman.
26:00Rosie, Rosie, don't do this.
26:01Clearly this is a fucking charade.
26:06Rosie, right fucking here.
26:18You're to have me believe that you willfully moved up to the country to hear Nora Bay sing bedtime stories.
26:27We have not moved up to the country.
26:29You are broke, Norman.
26:46Rosie, don't do this.
26:49You just bend over and take it.
26:51You always have.
26:52I do not bend over.
26:53You don't talk to my wife that way.
26:54Don't talk that way.
26:55I do not bend over and take it.
26:56You don't speak to my wife that way.
26:57Come on.
26:58What was I supposed to do?
26:59It's not what they expected you to do.
27:01It's what you expected of yourself, Mary.
27:03We are not broke.
27:05Yes, we are, Norman.
27:06Yes, we are, Norman.
27:07Will I be paid?
27:08You'll be paid.
27:09Probably not.
27:10I assure you, you will be paid, my darling.
27:13You know she was a genius.
27:15She built things.
27:16Contraptions.
27:17Did you know that?
27:19Your stupid name means nothing compared to what she could have been.
27:23I've worked very hard for my stupid name, Rosie.
27:30A junk man.
27:32I've built my fortune through diligence and hard work.
27:36I have built it out of absolutely nothing.
27:40And you still have nothing.
27:42You're a middle man with nothing.
27:44No skills.
27:45No talent.
27:46Nothing.
27:48Nothing.
27:49Well, that's not what Thomas Edison said to me.
27:52Oh, really?
27:53Thomas Edison?
27:55Oh, really?
27:56Yes, Thomas Edison and I are changing the world because I mean something.
28:03You understand?
28:05I mean something.
28:06What did you say?
28:07Wow.
28:08I don't know what I said.
28:09What did you say?
28:10Shut up, Rosie.
28:11I don't know.
28:12I don't know what I said.
28:13What did you say?
28:14I made a deal.
28:15I made a brilliant deal.
28:18A brilliant, brilliant deal.
28:22袖 of the Prime Minister.
28:32What did you say?
28:39Marian?
28:41Marian?
28:42Marian, please.
28:44Please, Marian.
28:45Can you please, can you, can you just let me explain?
28:51You're...
29:05Well, it seems my work here is done.
29:15That's how you take a bow, honey.
29:22Gretchen!
29:23Gretchen!
29:24Get my valise, my hatbox, my easel, my luggage, and call my carriage.
29:34Yes, ma'am.
29:37Marriott, Marriott.
29:40Oh, that's Spike. Spike, Marriott.
29:45It's all about Spike.
29:51I'm sorry.
29:54I'm sorry.
30:01Oh, God.
30:04You don't have any?
30:09Will you let me explain? Please, will you let me explain?
30:13I wouldn't do this to you?
30:18I don't know what to say.
30:26Fuck!
30:27I forgave you.
30:30I've forgiven you our whole life.
30:37Nothing's equal!
30:40How could I have been so stupid?
30:43Not fair!
30:44To cast aside all inhibitions and believe that something might have changed within my husband.
30:53He left Marriott.
30:55He can quit the charade. He's gone about his business.
30:57There will be other deals.
30:58I promise.
30:59No.
31:00He still saw me as a pawn.
31:03That was eventful.
31:05Always is.
31:07So, are you ready to make more money than God?
31:11A chess piece that he could simply move aside for the betterment of the Henry name, of course.
31:16Oh, my God.
31:19I prayed for you, Marion.
31:21I prayed for this deal.
31:23I prayed for this deal every day.
31:26I don't think I made a mistake, Marion.
31:27You just have to trust me, for God's sake.
31:29I'll wait you out, girl.
31:47I'll wait you out.
31:52I'm standing there trying to make a meal.
31:54I'm trying to...
31:55He comes in and he says,
31:56Oh, you are an artist.
31:57I'm an artist.
31:58Oh, the stupid idiot.
31:59And I say to him,
32:00Look, what? What?
32:01He takes the knife.
32:02He says, I'm going to save her.
32:03I'm going to save my Marion.
32:05And he stands up there and he goes walking away.
32:08And I say,
32:10Who? Who?
32:11The fucking French artist.
32:13You know who.
32:14He's on his way, madame.
32:24Here.
32:40It comes.
32:41Don't do this.
32:42Where are you?
32:49Marion.
32:50I'll leave you alone if you just come in here.
32:52Marion, talk to me, Marion, please.
32:55You just have to trust me, for God's sake.
32:58Shut up! Shut up!
33:01Like with the painting.
33:04Stop feeling sorry for yourself.
33:06You are not the fucking victim.
33:09Just because you had an onslaught of guilt
33:11doesn't mean that you get to, you know,
33:13make this moment about you.
33:15Darling, take your time. Take your time.
33:17This is not about that.
33:19Whatever this is, it's not that.
33:21And I am not forgiving you.
33:22Could you just, your robe, Norman?
33:24Oh.
33:25Please, could you have a...
33:27That was unintentional.
33:28Tell you something.
33:29Of course it was unintentional.
33:30Everything you do is unintentional, Norman.
33:32That's not true, Marion.
33:33That's the problem.
33:34That's not true.
33:35Just because, you know, you've, you know...
33:36Take your time.
33:45Of all the nights,
33:46you could have snuck your whore into your bedroom.
33:48Oh, I got it.
33:51Well, Marion.
33:54You look quite queasy.
33:57I bet you are, Norman.
33:59I bet you are.
34:00Oh.
34:01I think I need to cold call on the doctor.
34:08Oh.
34:09Call on the doctor.
34:11I think I need to call on the doctor.
34:14It doesn't work.
34:15Look.
34:16I don't care.
34:17Gretchen!
34:18Gretchen!
34:19Gretchen!
34:20Gretchen!
34:21Gretchen!
34:22Gretchen!
34:23Gretchen!
34:24Get the doctor!
34:25Get the doctor!
34:26Get the doctor!
34:27Take your hands off her!
34:31You come sucker!
34:32You come sucker!
34:33Gretchen!
34:38Get out, mate!
34:40Gretchen!
34:41Gretchen!
34:42Gretchen!
34:43Gretchen!
34:44Gretchen!
34:45Gretchen!
34:46Gretchen!
34:47Gretchen!
34:48Gretchen!
34:49Whoаю!
34:50Gretchen!
34:51Al.
34:52The trats…
34:53Andrew…
34:54It's the-
34:55Put your fuc-ing hands up my husband's car!
34:57Olala!
34:58Put that cuck down, you fuc-ing-
34:59Gretchen!
35:00Gretchen!
35:01Fabian is we,
35:02…
35:03Americaker mere!
35:04Pecel!
35:05Get out!
35:06What is this?
35:07For sake!
35:08Al.
35:09I dash the doctor!
35:12It wasn't love.
35:13It wasn't love at all.
35:16It was simply…
35:17I...
35:18I'm a thief.
35:20I'm a thief.
35:21Fucking damn it, Norman!
35:23Why couldn't you keep your underwear on just his one knife?
35:25He wasn't supposed to use me?
35:26Shut the fuck up!
35:28Oh, I'm sorry, I'm sorry, I've...
35:32I can't feel my legs.
35:33Fuck's sake, don't you fucking die on me, don't you dare.
35:35Norman, don't you dare die on me.
35:37You were a coward, don't you dare!
35:40You know, no, no, no, no.
35:43You know, I'm gonna speak my...
35:46if it is the last thing that I ever say to you.
35:48I am gonna say this to you.
35:50Yes, I am.
35:51Norman Avery.
35:54I'm your wife, and I invented the fire.
35:59I do see you.
36:03I do.
36:08Is he fucking dead?
36:10Did you fucking die?
36:11Did he die on me? Did he...?
36:14Norman, you fucking louse!
36:16How could you die on me right then?
36:18You fucking hell.
36:20I just...
36:22This, this, this right here,
36:24this is worse than Edison, you know that?
36:28You, you had the last laugh, didn't you, Norman?
36:32You laugh...
36:34You just... Oh, Norman.
36:37Oh, Norman.
36:43Oh, Norman.
36:47Oh...
36:55Oh, Norman.
36:57Oh, Norman, you can't...
37:07Oh, Norman, you can't...
37:09Do you ever imagine your life...
37:23a hundred years from now?
37:25Oh...
37:27Of course.
37:29What young lady doesn't?
37:31Well...
37:33You're different than most young ladies.
37:39Oh, because I'm educated, or...?
37:41No.
37:43Because you're different than most young ladies?
37:45A cantankerous painter once said that the bones of an artist would live on forever.
38:05And then they'd die with God forever.
38:19Unlike one forever.
38:23Once the break of a rich man like you shall fade to dust.
38:28Oh!
38:29When Norman Henry died, it was frigid.
38:34The ground was frozen solid, too frozen to dig even the shallowest of graves.
38:41And so I would sit and contemplate what was to become of my husband after he would fade to dust.
38:48And in turn, what would become of me.
38:51Yes.
38:55My name is Marian...
38:58Morsh Henry.
39:01Marian Henry.
39:04Marian Henry Morsh.
39:06My name is...
39:10As I told you on the first page of this journal, this was never a story of murder.
39:17It was always a cautionary tale.
39:21You see, if you're lucky enough to have ideas and passions, you must embrace them at all costs.
39:45Because it is these ideas and passions that push the world round.
39:50You see, there's a big tall tightrope, right? And I'm at a circus.
39:55And I'm...
39:57I'm wobbly up there in the sky.
40:00I know I'm gonna fall.
40:01And on one side of the tightrope, there is a beautiful life as a mother.
40:08And on the other side of the rope, a career.
40:11Both...
40:14Both...
40:16Very hard.
40:19In different ways, I imagine.
40:22Exactly.
40:23I, for one, I don't believe in compromise.
40:34Yes, well...
40:36You're not a woman.
40:37I'm a woman.
40:40Hm.
40:43Now, I'll have you know that while I am indeed a woman, I will no longer be compromising.
40:51You see, I am a woman of invention.
41:00I always have been.
41:02And I always will be.
41:04Hi.
41:06I'm looking for the records of a student you had here in 1867.
41:10This would be it.
41:12It's very delicate works.
41:33What I have learned, dear reader, is that against all odds, you must stay true to who you are, or risk fading to dust.
42:03For a moment in time, I had forgotten my very name.
42:29name, and like all those around me, the artists, the craftsmen, the creators, while sometimes
42:51we might lose our way, we will never, ever lose our sense of purpose. I am Marion Morsh, college
43:05graduate, loyal wife, and the one and only inventor of the lightbulb.
43:23Now perhaps, take a moment and imagine what I might do next.
45:03What's he digging for?
45:29Oh, my God.
45:32Come on.
45:33Come on.
45:35Come on, come on.
45:50Janice!
45:51Janice, look at this.
45:54Oh.
45:57Those look like your poodles.
45:59Oh, Loris, please, you rest in peace.
46:02Oh, God, too soon.
46:04Hey, you should get this.
46:07Can you see that?
46:09It says Degas.
46:11Degas.
46:13What a sense of humor you all have.
46:15But we're not paying $5 for this.
46:17OK, what you want to do?
46:21I have $3 left on me.
46:23Will you take that?
46:24Three bucks?
46:25It's a picture of poodles.
46:27This is not a Degas, honey.
46:29I'm an art history professor.
46:31It's not a Degas.
46:37Three bucks?
46:38Yeah, three bucks.
46:39Just whatever.
46:40Enjoy.
46:41Thanks.
46:42So cute.
46:44So cute.
46:45So cute.
46:46Didn't it?
47:14Actually.
47:16So sweet.
47:17Will you walk hard okay?
47:20Two bucks.
47:22Zoned.
47:27Jenny's advocate.
47:35It's very comfortable.
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