Stranger Things - Season 5 Episode 04- Chapter Four- Sorcerer
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00:00:00Hey, I know you're scared, and I know you're angry, but I promise you, we are here to help you.
00:00:20Derek, Derek.
00:00:22If you keep doing that, you're just going to hurt yourself.
00:00:24You just calm down so we can talk, okay?
00:00:27Do you know who I am?
00:00:31An evil child kidnapper.
00:00:34Okay, I understand why you would think that, but I'm not evil.
00:00:39I'm just a mom, a regular mom.
00:00:42That's my son, Will.
00:00:45Zombie boy.
00:00:47You know why they call him that?
00:00:48Because he died and came back to life.
00:00:50But what people don't know is that when he went missing, he was taken by a terrible, scary monster.
00:00:58And now that scary monster is after you.
00:01:01Yeah, I know.
00:01:02Mr. What's It told me.
00:01:03Which is why you need a...
00:01:04No, no.
00:01:05Mr. What's It is not who he says he is, okay?
00:01:09He is lying to you.
00:01:10All these monsters, they work for him.
00:01:12Now, that's why we took you here to this barn.
00:01:14We thought this barn was safe, but he's found us, so we have to move you again somewhere he can't find you.
00:01:19So if I untie you, will you cooperate and come with us?
00:01:25Please?
00:01:27Okay, great.
00:01:29You're a very brave kid, Derek.
00:01:31I want you to know that.
00:01:33Very brave kid.
00:01:34Let me go!
00:01:43Get off of me!
00:01:44Please, the door!
00:01:45Get the door!
00:01:46Let me go!
00:01:47Help me!
00:01:49Get away!
00:01:51Somebody help me!
00:01:52Get in there!
00:01:53Get away from me!
00:01:54Let me go!
00:01:56Mom, the rope!
00:01:57I need the rope!
00:01:58Don't fool me!
00:01:59Let me go!
00:02:00Easter!
00:02:04Come try us, dipshit!
00:02:06Shit!
00:02:18Dude!
00:02:19Oh!
00:02:19She's not lying to you, okay?
00:02:21Mr. What's-It is a very bad guy.
00:02:22He sent the monsters after you.
00:02:24Suck my fat one!
00:02:26Jesus, what?
00:02:27You just signed your death warrant, dipshit!
00:02:29You're just a psycho and you're going to jail!
00:02:31There is a monster coming.
00:02:33I forgot his name.
00:02:35Don't kill me!
00:02:35You gotta come down!
00:02:37I'm not listening!
00:02:38I'm sorry!
00:02:39I'm not listening to dinner!
00:02:40I'm sorry!
00:02:41I'm not listening to dinner!
00:02:43No, no, no, no, no!
00:02:44No!
00:02:45No, no, no!
00:02:45No, no, no!
00:03:00No, no!
00:03:01No!
00:03:03Stay back!
00:03:13You want him? You're gonna have to come through me!
00:03:32We got him! We got him! We got him!
00:04:02It flipped! It's headed back towards us!
00:04:04Come on! What are you doing, man? We gotta turn around!
00:04:06Wait, the gates are kinda like peanut butter boppers, right?
00:04:08What?
00:04:09The outside is, like, crunchy and tough,
00:04:11but then you bite down on it,
00:04:12gives way to a gooey, creamy core.
00:04:14Dude, what the hell are you talking about?
00:04:16I drive fast enough, I think the Beamer can punch a hole straight into the gate,
00:04:18and then we can track the demo on its home turf in the upside down,
00:04:21follow it straight back to home.
00:04:23We're losing the signal!
00:04:24We're not gonna be able to follow anything if we crash!
00:04:26We're not gonna crash if it's like a bopper!
00:04:27It's almost gone!
00:04:32Do it.
00:04:37Oh, my God!
00:04:38Oh, my God!
00:04:39I got it!
00:04:40I got it!
00:04:41I got it!
00:04:42Oh, God!
00:04:43It's not gonna work!
00:04:44We're not gonna make it!
00:04:45It's not gonna work!
00:04:46It's not about... Stop!
00:04:47Jesus Christ!
00:04:48Oh, my God!
00:04:49Come on!
00:04:58You did it!
00:04:59Of the train.
00:05:00Come on!
00:05:01I got you!
00:05:02I got you!
00:05:03Ah, ah!
00:05:04Oh!
00:05:05Oh, my God!
00:05:06Get, you son of a bitch!
00:05:07We got you!
00:05:08Ah!
00:05:09Ah!
00:05:10Ah!
00:05:11Ah!
00:05:12Ah!!!
00:05:13Ah!
00:05:14Ah!
00:05:15Ah!
00:05:16Ah!
00:05:17Ah!
00:05:18Ah!
00:05:19Ah!
00:05:20Ah!
00:05:21Ah!
00:05:22Ah!
00:05:23Ah!
00:05:24Ah!
00:05:25Ah!
00:05:26Ah!
00:05:27I got you. I got you.
00:05:57I got you.
00:06:27I got you.
00:06:57Shush. Jelly.
00:07:07Alan Miller?
00:07:08I'm sorry. What is this about?
00:07:11It's your daughter, sir.
00:07:12It's your daughter.
00:07:42It looks like our boy's taking us on the shortcut through our own cemetery.
00:07:46That's the most of the county lying.
00:07:47Doesn't this thing ever get tired?
00:07:49Uh, unfortunately, it looks like the opposite. I think he's speeding up.
00:07:52Wait, what?
00:07:52I'm losing the signal.
00:07:54You've got to be shitting me, man.
00:07:55Can you go faster?
00:07:56Let's see.
00:08:00Henderson, you've got to talk to me here. What do you got, man?
00:08:03Henderson.
00:08:03Wait, I'm picking up some interference.
00:08:05How is that important right now?
00:08:06It means I can't hear the signal.
00:08:07Well, then listen harder, Henderson.
00:08:09You want to try to put these on?
00:08:10I'm driving.
00:08:11You do the driving.
00:08:12I'm driving, man.
00:08:13What is that?
00:08:14I don't know.
00:08:15Steve, slow down.
00:08:16Steve!
00:08:17Steve!
00:08:18Steve!
00:08:18Steve!
00:08:19Watch out!
00:08:19Steve!
00:08:20Watch out!
00:08:20Steve!
00:08:20Watch out!
00:08:21Jonathan, it's Mom. Answer me, please. Over.
00:08:32Jonathan, please answer.
00:08:34Jonathan, Nancy, Dustin, it's Joyce. Please answer me.
00:08:40Hey, any luck?
00:08:43Well, on the plus side, I guess that means they made it through.
00:08:47You want to see where they're headed?
00:08:51What is it?
00:09:21I don't know, but I could feel it's important to him.
00:09:28It's Mr. What's it?
00:09:31His real name is Henry.
00:09:32A.K.A. Vecna.
00:09:33A.K.A. One.
00:09:34That's too many names.
00:09:36Why won't you just zip it and listen, dipshit?
00:09:39I had this feeling he didn't want me there.
00:09:43I wasn't supposed to see it.
00:09:45You've never been this close to the hive mind before.
00:09:49I mean, that thing was, like, feet away.
00:09:53Sometimes at the squawk, when a signal comes in too strong, it overloads the whole system.
00:09:59I think that's what this was, an overload.
00:10:01You didn't just tap into the hive mind.
00:10:04And you jacked right into the goddamn control center.
00:10:07And Holly.
00:10:08Where was Holly?
00:10:10Holly.
00:10:11Holly, she was attached to this spire.
00:10:16She became a part of it somehow, like it was doing something to her.
00:10:23And there were others.
00:10:25There were three others.
00:10:30I thought Vecna was just coming for dipshit.
00:10:33So did I.
00:10:33But I only knew about Derek because he walked right past me.
00:10:39Serendipitous timing.
00:10:40You hear that?
00:10:41Serendipitous.
00:10:42I don't know what that means.
00:10:43I'm really not loving all of these extra spires.
00:10:46I mean, night one, Vecna kidnaps Holly.
00:10:48Night two, he takes three more.
00:10:50He's escalating.
00:10:51And he's coming for more.
00:10:52Yeah, eight more, if this is accurate, which brings him to a total of twelve.
00:10:56What does he want with them?
00:10:57And why kids?
00:10:58And why swell?
00:10:59I don't know.
00:11:00But we have to stop him before he takes any more and buy Dustin and the others' time to find this place.
00:11:04To find Holly.
00:11:05Maybe if we can pinpoint his exact targets, we could get them out of Hawkins.
00:11:09And out of Vecna's reach.
00:11:10Did you forget we're quarantined?
00:11:12That's not all!
00:11:12There's another problem.
00:11:14On the way here, we saw soldiers load Debbie Miller onto a bus with a bunch more kids.
00:11:18And then we followed them for two blocks more, and they loaded more kids onto it.
00:11:22I don't think they were taking them to school.
00:11:25Vecna's not the only one that wants these kids.
00:11:27Eleven was at the Wheeler house the same night Holly was taken.
00:11:37Twenty-four hours later, we've got three more missing kids.
00:11:40There's seventy-three children in Hawkins between the age of nine and ten. If the pattern holds, our next target will be from this group.
00:11:48And you believe eleven has taken these kids? For what purpose?
00:11:53Killing them, protecting them, the reason doesn't matter.
00:11:56And these children? Where are they now?
00:11:58Arriving at the Max-Z any moment, which is where I want you.
00:12:02I should be looking for Lieutenant Akers. I find Akers, I find-
00:12:04You'll find a dead man. Report to the Max-Z, Colonel. That's an order.
00:12:16Major General.
00:12:20With all due respect, these kids are in danger. To use them as bait seems...
00:12:25Seems... what, Sergeant?
00:12:31Reckless.
00:12:31It's only reckless... if you fail to protect them.
00:12:38Are you telling me you can't protect them, Sergeant?
00:12:42No, ma'am.
00:12:46Good.
00:12:47I'm sorry for scaring you.
00:13:03I haven't seen anyone in a really long time, so...
00:13:08I guess I got excited.
00:13:10Good news is, it doesn't look that deep. Not enough for stitches.
00:13:17I bet it stings though, huh?
00:13:19You can talk to me, you know.
00:13:23I won't bite.
00:13:25You do remember me, right?
00:13:27I've been to your house.
00:13:28Like, a lot.
00:13:31You're Max.
00:13:32Max Mayfield.
00:13:33You skateboard and never take off your Walkman.
00:13:35That's me.
00:13:36But how am I in here when I'm in a coma in Hawkins General?
00:13:40That's a very reasonable question.
00:13:44We should get going.
00:13:46It's not safe here.
00:13:47Come on.
00:13:48Where are we going?
00:13:49My home.
00:13:50Well, I can't go far.
00:13:51I came here to meet Henry.
00:13:52Do you know Henry?
00:13:53Yeah, you could say that.
00:13:54Well, he left me this note here, see?
00:13:55And he told me to meet him right here at the X, right here.
00:13:57I think he's in trouble with the monsters.
00:13:58Henry is a lot of things, but in trouble with the monsters is not one of them.
00:14:00No, but look.
00:14:01Look, the note says...
00:14:02Holly, I know what the note says.
00:14:03Then how do you know he's in trouble?
00:14:04Holly.
00:14:05He said hurry!
00:14:06Holly, I know what the note says because Henry didn't write it.
00:14:08I did.
00:14:09I...
00:14:10I...
00:14:11I...
00:14:12I...
00:14:13I...
00:14:14I...
00:14:15I...
00:14:16I...
00:14:17I...
00:14:18I...
00:14:19I...
00:14:20I...
00:14:21I...
00:14:22I...
00:14:23I don't...
00:14:24I don't understand.
00:14:25I'm sorry.
00:14:27I didn't want to lie.
00:14:30I...
00:14:31I just...
00:14:32I had to make sure that you came here.
00:14:33You're one of them, aren't you?
00:14:36One of what?
00:14:37The monsters.
00:14:38Do I look like a monster?
00:14:39I don't know.
00:14:40Maybe you're in disguise, you're dressed weird, and you're in a coma.
00:14:43Okay.
00:14:44Well, would a monster know that your brother tried to get a mohawk until your sister stopped him,
00:14:50saving him from possibly the greatest social humiliation that a freshman has ever experienced at Hawkins High?
00:14:56What color was this mohawk?
00:14:58Hot orange.
00:14:59And personally, I think the use of the word hot is a bit ironic, but people say I'm too negative.
00:15:05I just think I'm honest.
00:15:07Come on.
00:15:31Welcome.
00:15:59Hey.
00:16:01It even comes with a view.
00:16:26Where are we?
00:16:28In a memory.
00:16:30Which exists inside a world of a thousand memories.
00:16:34I know it might look nice.
00:16:36But it's not.
00:16:39This place.
00:16:40This world.
00:16:42It's a prison.
00:16:50Henry's prison.
00:16:51It's okay, sweetie.
00:17:19These are the good guys.
00:17:21They're going to keep everyone safe.
00:17:23Just try and think of this as a field trip.
00:17:27A learning expedition.
00:17:29Cargo has arrived.
00:17:44I repeat, cargo has arrived.
00:17:47They're taking them into a barrack second from the library.
00:18:01Tunnels.
00:18:02Yeah, see, the North Tunnel of the Max Z runs right underneath the barracks.
00:18:12Lucky break.
00:18:13Well, I'm having one of these days.
00:18:15We're going to need a lot more luck if we want this plan to work.
00:18:17If we're right, the military is trying to protect these kids.
00:18:19So this barracks is going to be heavily guarded.
00:18:21I mean, we have to dig up into the barracks unnoticed, grab the kids, get them to Murray, smuggle them out of Hawkins.
00:18:26All before anyone notices they're gone.
00:18:28Dick.
00:18:29What?
00:18:30What?
00:18:31Oh.
00:18:33Sorry, did I say that out loud?
00:18:34I thought I was talking in my head.
00:18:35But you guys know Tom, Dick, and Harry, right?
00:18:40Seriously?
00:18:41None of you have seen The Great Escape?
00:18:43Well, basically, it's about these POWs, right?
00:18:46And they're stuck in a barracks just like this one, and they need to escape.
00:18:50So they dig these tunnels, and they call their tunnels Tom, Dick, and Harry.
00:18:53They have to hide the tunnels from the Nazis, so they put Tom in this dark corner, and they put Harry under the stove, and they put Dick in the washroom.
00:19:00And personally, for us, I like Dick.
00:19:06Oh, um, sorry, the washroom.
00:19:08I actually don't even...
00:19:10Never mind.
00:19:10Okay.
00:19:11Say we go with Dick.
00:19:13How do we find the washroom?
00:19:15And how do we get the kids to it?
00:19:17How do we even know which kids are being targeted by Vecna?
00:19:19We use an inside man.
00:19:21Someone who could get into the barracks, measure the distance of the washroom, find out which kids have actually seen Mr. What's-It, and somehow avoid the military altogether.
00:19:28Well, that's a lovely plan, but isn't it a tad...
00:19:31Mission impossibly.
00:19:32Yeah.
00:19:33I mean, Mike, who are you gonna get to do this?
00:19:35Bond?
00:19:36Magnum?
00:19:36No, no, no, we don't want a super spy.
00:19:39We want the opposite.
00:19:39We want someone no one would suspect.
00:19:42Someone that could just walk in, no questions asked.
00:19:44The one kid the military failed to wrangle.
00:19:54What?
00:19:54Who is that?
00:20:24Two grunts in the tower by the west gate.
00:20:29One more in the tower by the east gate.
00:20:32One, two, three, four on the ground.
00:20:35I hope to God you're right and Vecna is in there.
00:20:37Because we might just die trying to break in.
00:20:40I am right.
00:20:41Well, you can't be right about everything because your theories aren't exactly lining up.
00:20:44Why not?
00:20:45You heard Kryptonite.
00:20:46It means that Vecna is in there.
00:20:48He doesn't have his powers.
00:20:48And if he doesn't have his powers, how could he have anything to do with Holly's kidnapping?
00:20:52You can ask him before I kill him.
00:20:54How high is that fence?
00:20:57Hey, you're not jumping that.
00:20:59Why not?
00:21:00Because this is not training.
00:21:02This is a real world situation.
00:21:04And that roof is metal.
00:21:07You hit that on a jump, you're going to alert the whole damn base.
00:21:10Not if I time it with the thunder.
00:21:12Yeah.
00:21:13It's seven seconds.
00:21:14One, two, three, four, five, six, seven.
00:21:30Okay.
00:21:31You got lucky.
00:21:34Hopper, you copy.
00:21:35Dustin.
00:21:36Hopper, you copy.
00:21:38Dustin.
00:21:39Hey, hey, uh, it's Hop.
00:21:41I copy.
00:21:42Who is it?
00:21:43Okay.
00:21:43Well, they're alive.
00:21:45Elle.
00:21:45Ask about Elle.
00:21:46Elle.
00:21:46Elle.
00:21:46Is Elle with you?
00:21:47Over.
00:21:47Yes.
00:21:48I'm here.
00:21:49Over.
00:21:49Okay.
00:21:50Yay.
00:21:51Terrific.
00:21:51I don't know what you're doing right now.
00:21:53Or if you're kind of in something important, but...
00:21:54Dustin, meet us.
00:21:55Meet us at Rhone Cemetery Church.
00:21:57Please.
00:21:58Rhone Cemetery?
00:21:58How the hell are you contacting us?
00:22:00From there.
00:22:00Right.
00:22:01You don't know.
00:22:02We're in the Upside Down.
00:22:04What?
00:22:05Long story short, we're in here to track a Demogorgon using our telemetry tracker, only to then hit a wall.
00:22:09Literally.
00:22:10Now, Steve's Beamer is stuck, so we need Elle to come and pry it loose using her power so we can then resume the search for said Demogorgon, which will, in theory, lead us to Holly.
00:22:17Does any of this make sense?
00:22:18Do you need additional details?
00:22:19Questions?
00:22:20Concerns?
00:22:21Over.
00:22:21You hit a wall.
00:22:24What kind of wall, exactly?
00:22:27Uh...
00:22:28It's a bit...
00:22:29hard to describe.
00:22:32Sort of...
00:22:33Huge.
00:22:35Disgusting.
00:22:36Smells like Henderson's armpit.
00:22:39Yeah, we hit the same thing, but not at the Rhone Cemetery.
00:22:41We hit it about a quarter mile southeast of the Old Hagen Bridge.
00:22:45That's the opposite side of town.
00:22:48Fascinating.
00:22:49We don't know what it is, but we think that Holly's behind it.
00:22:52Don't bother trying to break through.
00:22:53You can't.
00:22:55We're working on a solution.
00:22:56It needs a solution.
00:22:58What kind of solution?
00:23:01Wait, what kind of solution?
00:23:03Hop in!
00:23:04Listen, we gotta keep the airwaves clear, alright?
00:23:06We'll come get you.
00:23:07Just stay put.
00:23:10You think they're safe?
00:23:12I mean, compared to us, yeah.
00:23:13Okay.
00:23:17Let's go see if that training is paid home.
00:23:19You're gonna let me jump?
00:23:22Let's go.
00:23:23Before I change my mind.
00:23:24Thekna's curse.
00:23:34It never goes away.
00:23:36It never leaves you.
00:23:38With each victim that he took, he created a new gate.
00:23:41A gate to the Upside Down?
00:23:43When he took me, he opened the fourth, final gate.
00:23:48Splitting Hawkins in two.
00:23:52Wait, but if Mr. What's It, I mean, Henry, took you, how are you here?
00:23:59You mean, shouldn't I be dead?
00:24:01It's okay.
00:24:02It's a fair question.
00:24:04I definitely should be.
00:24:06And for a moment, I was.
00:24:10I don't know how long I was gone, but then I felt something calling to me.
00:24:20What?
00:24:20What?
00:24:36What?
00:24:37What?
00:24:37What?
00:24:38What?
00:24:38What?
00:24:39What?
00:24:39What?
00:24:39What?
00:24:40What?
00:24:40What?
00:24:40What?
00:25:10What?
00:25:10One night only. Don't miss it. Tickets are only 50 cents.
00:25:23That's two quarters for your point, Dexter.
00:25:25Joyce! Is that stupid play of yours?
00:25:28Better see you there, Harrington.
00:25:30Friday night? You wish.
00:25:35Nice shot, jerk.
00:25:40Somehow, I was in another time, Hawkins, 30 years ago.
00:25:48Time travel. Only, I wasn't actually there.
00:25:53Not really. I was just an observer.
00:26:00And that's when I understood.
00:26:02I was trapped inside Henry's mind. His memories.
00:26:06It's like a nightmare prison world ruled by an evil, psychopathic piece of shit.
00:26:15Like Kamazots.
00:26:16Kama...what?
00:26:18Kamazots. From Wrinkle in Time.
00:26:21Never read it.
00:26:21You should. It's amazing. Kamazots is like this dark planet that's under the control of It,
00:26:25which is this giant disembodied evil brain.
00:26:27Anyways, Meg's dad, Meg's the main character, he gets taken prisoner there.
00:26:31So, Henry's kind of like It, and you're kind of like Meg's dad.
00:26:34Okay, well...
00:26:36I don't know if Meg's dad would agree, but the way I see it,
00:26:40when you're a prisoner in a messed up prison world, you really only have a few doors open to you.
00:26:47Door one, you take your own life.
00:26:51Door two, accept your fate.
00:26:53Or, door three.
00:26:55You escape.
00:26:56I chose door three.
00:26:58That seems like the best door.
00:27:00So, I kept moving from memory to memory.
00:27:05Only this place is a maze.
00:27:09I became lost.
00:27:11Turned around.
00:27:13I got so turned around, I actually ended up right back at the beginning.
00:27:16And that's when I heard her.
00:27:28I heard Kate Bush.
00:27:33Is she one of your friends?
00:27:37You could say that.
00:27:38Music has a way of finding you, even in the darkest of places.
00:27:46Lucas had used it before, to reach me, to guide me out of Vecna's mind.
00:27:51Back to the light.
00:27:52So, this music was coming from, from Lucas, from the real world.
00:28:08Even after all this time, he hadn't given up on me.
00:28:18If you followed this music...
00:28:21Then what?
00:28:23Then it would lead me out of here?
00:28:27Back home?
00:28:28At least that's what I thought.
00:28:40Then...
00:28:41Everything went wrong.
00:28:41Come on, come on, come on, come on, come on, darling.
00:28:46Let's exchange...
00:29:08Hey!
00:29:10What the hell are you doing?
00:29:12Can't you read, kid?
00:29:14No trespassing.
00:29:16Right, I see that, officer.
00:29:18It's just...
00:29:19My school is missing.
00:29:27Let's go.
00:29:38Move it.
00:29:40Holy shit, are those laser blasters?
00:29:48Might just be.
00:29:49And the blaster, if you don't keep it moving.
00:29:56Boys.
00:29:58Boys.
00:29:59All right.
00:30:00Absolutely not.
00:30:01Whoa, whoa, whoa, whoa, whoa, whoa, whoa.
00:30:05This is private chat.
00:30:07You do exactly as he says.
00:30:09Got any questions?
00:30:10Direct them to him.
00:30:12Where might I relieve myself?
00:30:15Yeah, whoa, whoa, whoa, whoa.
00:30:23Breaking bar.
00:30:24Shovel.
00:30:25Five safety goggles.
00:30:26A surveyor's wheel.
00:30:27And hold for applause.
00:30:32Santa's sleigh is ready for his Reindeer.
00:30:36We got built-in benches, seatbelts, foam padding.
00:30:40Everything a kidnapped child could desire.
00:30:43Foam padding.
00:30:44Don't want to break any eggs en route now, do we?
00:30:48I'm in. We copy. Repeat, I'm in. We copy.
00:30:52Yes, yes, we copy. We copy. Where are you?
00:30:55Bathroom. Back stall.
00:30:56Forty-five of mine paces from the front entrance.
00:30:59Good job. Now round up anyone who's seen Mr. Wetted.
00:31:01And we'll be there soon.
00:31:03And remember, you're not dipshit Derek.
00:31:06You're delightful, Derek.
00:31:19Okay, once you get that gate open and I'm inside...
00:31:23You lead.
00:31:25That's right.
00:31:26And you?
00:31:27I will destroy your crypt tonight.
00:31:30Don't worry.
00:31:32Okay.
00:31:36I will destroy your crypt.
00:32:03All right, come on.
00:32:17Come on, you got this, you got this.
00:32:33Wait, you're too early, you're too early.
00:32:57God.
00:33:01Sorry.
00:33:03You trying to give your old man a heart attack?
00:33:10Nice job, by the way.
00:33:18Pop.
00:33:20Yeah?
00:33:23For what?
00:33:25For teaching me.
00:33:28And trusting me.
00:33:31Always.
00:33:31Always.
00:33:32The day of reckoning has arrived.
00:33:41With this in mind, I've been sent by Mr. What's-It to gather the Chosen Ones.
00:33:45If you've been visited by Mr. What's-It, speak now.
00:33:48And when night falls, follow me to the latrine.
00:33:50And I will lead you to our savior.
00:33:52To safety.
00:33:53Derek's gone mental.
00:33:56The monsters are coming and you're all gonna die.
00:34:01Ha, ha, ha, ha, ha.
00:34:02Derek?
00:34:03Were you talking about Henry?
00:34:06Anywhere from Derek yet?
00:34:19Not yet.
00:34:21Give him time.
00:34:23It hasn't been that long.
00:34:24I just can't get over the fact that the fate of the world rests on Derek freaking Turnbow.
00:34:31When you look in the mirror, do you see a Navy SEAL looking back at you?
00:34:34Sometimes people need someone to believe in them.
00:34:38And they can do amazing things.
00:34:41Your mom and Robin are getting along better.
00:34:43Well, it didn't hurt that mom scared off that demo.
00:34:47It saved Robin's life.
00:34:49Everybody's life.
00:34:54So, when your mom, when she had her axe, you could see her?
00:34:59Like, through the demo's eyes?
00:35:00Yeah.
00:35:01And I was so close to the hive, it's like I could-I could feel what it was feeling.
00:35:06Like-like this anger.
00:35:08That I was still in there, too.
00:35:10And I was afraid.
00:35:11I was afraid for my mom.
00:35:13You wanted the protector.
00:35:14Yeah, but-but I-I-I just couldn't.
00:35:17It was like this-this scary movie you just can't turn off.
00:35:24Open sesame.
00:35:27Oh, well.
00:35:29Have fun.
00:35:31Thanks.
00:35:33Are you positive you didn't?
00:35:35Didn't what?
00:35:35Turn off the scary movie.
00:35:37Protect your mom, not the other way around.
00:35:38I mean, no offense, I know she's badass and everything, but you know.
00:35:41Yeah, she's five foot three.
00:35:42Yeah, and Vecna likes to control the hive mind like a puppet master.
00:35:46So, maybe when you tap into the hive, you can pull the strings, too.
00:35:49Except I'm not Vecna.
00:35:51You sort of are.
00:35:52You're trying to say that I'm evil and hell-bent on destroying the world?
00:35:56Totally.
00:35:57No.
00:35:57I'm just saying that, you know, you're like a wizard, like him.
00:36:00In D&D, Mike, not in real life.
00:36:02True.
00:36:03In real life, you're more like a sorcerer, because your powers don't come from a book of spells.
00:36:07They're innate.
00:36:08Ugh.
00:36:09Listen, as far as crazy theories go, I've had crazier.
00:36:12And with Eleven in the Upside Down, we really need some magic up here.
00:36:15And with Eleven in the Upside Down, we need some magic up here.
00:36:45Working on a solution?
00:36:55I mean, if Hopper has a solution to get through this and to get to Hawley, he should share it with us.
00:37:01No, I just say we ignore the old man.
00:37:03We keep moving.
00:37:04Look for a door or something.
00:37:06Yeah, and, um, just curious, uh, this door of yours, why it's soft like a peanut butter bopper?
00:37:11You got something to say, Bars? Why don't you just come out and say it, man?
00:37:13I'm just saying that maybe you shouldn't be making the calls from now on.
00:37:16It was not just his call.
00:37:17It was mine.
00:37:18Because it's my sister.
00:37:21And I agree with Steve.
00:37:23Okay, we can't just sit here.
00:37:25I don't know about a door, but this wall can't go on forever.
00:37:29There has to be a way around it.
00:37:31There isn't.
00:37:33This wall is a circle.
00:37:35A circle completely surrounding the Upside Down.
00:37:38Oh, yeah? And how exactly do you figure that?
00:37:40Because unlike you, I didn't sleep through Algebra 1.
00:37:42So my telemetry tracker picked up a weird frequency coming from the wall.
00:37:48And it took me a bit to place, but I've heard it before.
00:37:52Rather, we have.
00:37:53You remember when we were out looking for Hop and you heard that sound off of Irwin Road?
00:37:56Yeah, you said it was an interference.
00:37:58It was.
00:37:59But this interference, it wasn't coming from a military broadcast or an EMI.
00:38:02It was coming from this wall, which is important because that gives us three known locations.
00:38:08So I connected the dots, measured the midpoints, drew the perpendicular bias.
00:38:12All right, yeah, we're not your teachers.
00:38:15We don't need to see your work.
00:38:16We get it.
00:38:16You think it's all a big circle.
00:38:18I don't think I know.
00:38:19I triple checked and my calculations are correct.
00:38:21Jesus, whatever.
00:38:22I still don't see how this gets us any closer to finding Holly.
00:38:25Because it's not about the circle.
00:38:26It's about the center.
00:38:30The DOE.
00:38:31The Department of Energy.
00:38:33That's...
00:38:33Hawkins Lab.
00:38:35What are the chances that the center of this wall just so happens to be in the very place
00:38:39where all of this started?
00:38:40Where the Upside Down was created?
00:38:42So the lab created the wall?
00:38:45No idea.
00:38:46But I think we should find out.
00:38:48Don't you?
00:38:56The music.
00:38:57It led me to a new memory.
00:38:59Only something was different about this memory.
00:39:03I was there.
00:39:03It was the day that Henry cursed me.
00:39:08It was his first memory of me.
00:39:11I know, as if this goddamn place wasn't heady enough, right?
00:39:15But I still had the music to guide me.
00:39:19So I followed it.
00:39:23And...
00:39:23It led me through new memories.
00:39:25Terrible memories.
00:39:33Let's go!
00:39:34Follow me...
00:39:36Into death.
00:39:37Yeah!
00:39:37And it felt like they would never end.
00:39:57But then eventually...
00:39:58They did.
00:40:00It was the night that Bekna killed me.
00:40:07The night he took me prisoner.
00:40:15I finally found it.
00:40:16The way out.
00:40:23And I was so close.
00:40:47So close that I could feel his hand on mine.
00:40:50And it was like I was there.
00:40:56Like I was with him.
00:40:58In that hospital.
00:40:59In that hospital.
00:40:59No.
00:41:10Come on, darling.
00:41:11Let me see you in the middle.
00:41:15No.
00:41:17No.
00:41:21No.
00:41:21No.
00:41:22No.
00:41:27No.
00:41:28No!
00:41:35Lucas!
00:41:37Lucas! Lucas!
00:41:40Lucas!
00:41:44Hello, Max.
00:41:49I ran.
00:41:53And I kept running.
00:41:58No!
00:42:03No!
00:42:05No!
00:42:07No!
00:42:12No!
00:42:15Uh...
00:42:17I'll never forget the look on his face that day.
00:42:31He was scared.
00:42:33More than scared.
00:42:34He was terrified.
00:42:37There's something about this cave.
00:42:41This memory.
00:42:44He won't come in.
00:42:45And here, I'm safe.
00:42:51So I turned it into my sanctuary.
00:42:58My home.
00:43:01I took door two.
00:43:05Shitty door two.
00:43:08Except your fate.
00:43:11That was.
00:43:12Until you showed up.
00:43:15And now door three is back.
00:43:19Escape.
00:43:21I have a plan.
00:43:23A plan to get us out of here.
00:43:24And it's going to take time.
00:43:26More time than we have now.
00:43:28Henry will return to his house soon.
00:43:30And when he does, he cannot know that you're gone.
00:43:33You want me to go back there?
00:43:36Back to him?
00:43:37Back to Henry?
00:43:37No, I know.
00:43:38It's scary.
00:43:40But if you want to get out of here.
00:43:42If you want to escape Camazots.
00:43:45This is the only way.
00:43:48It's the only way.
00:43:49Tell me what I need to do.
00:43:56Tell me what I need to do.
00:43:58Hey.
00:43:59Hi.
00:44:00Do you, um, by any chance remember Tammy Thompson?
00:44:08Yeah, isn't she that terrible singer?
00:44:27Yeah, but in the ninth grade, I thought that she sounded like Whitney goddamn Houston.
00:44:35I mean, the first time I saw her, oh my God, like, time slowed down.
00:44:40It was like a scene from some label movie, you know?
00:44:43Her hair blew in the wind and she just looked perfect.
00:44:48So goddamn perfect.
00:44:49And, uh, it was right then and there that I knew she was the one.
00:44:53That with Tammy, I would finally be able to be myself.
00:44:57You know, all of myself.
00:44:59Because there was always this part of me that kind of scared me, you know?
00:45:03But I thought that if Tammy loved me, all of me, you know, I wouldn't be so scared anymore.
00:45:11And then he showed up.
00:45:13Steve the hair, Harrington.
00:45:14Oh, God.
00:45:16You probably can't guess the rest.
00:45:17Because Tammy fell for him hard.
00:45:21And my entire fantasy life with her, along with the rest of my life, pretty much imploded before my eyes.
00:45:28I mean, my grades plummeted.
00:45:30I got grounded.
00:45:30I had to stay home every weekend doing chores.
00:45:32But then one day, I was cleaning that shit out of my parents' garage and I found this, this, this eight millimeter film reel, you know?
00:45:38And it was just from this silly movie that I made in the fourth grade.
00:45:41But I got it up on the projector.
00:45:44And all of a sudden, I was looking at this little version of myself.
00:45:49And that little me, I could hardly recognize her.
00:45:52You know, she was so carefree and, like, fearless.
00:45:59She just loved every part of herself.
00:46:02And that's when it hit me.
00:46:04I mean, it was never about don't have to him.
00:46:08It was always just about me.
00:46:12I was looking for answers in somebody else, but I had all the answers.
00:46:19I just needed to stop being so goddamn scared.
00:46:22I was scared of who I really was.
00:46:27Once I did that, I felt so free.
00:46:33It's like I could fly, you know?
00:46:35Like, like I could finally be...
00:46:37Rock and Robin.
00:46:39Yeah.
00:46:41Rock and Robin.
00:46:43Hey, guys!
00:46:45Take your time, will you?
00:46:46You finally hit Dick.
00:46:53Hit the dick.
00:46:54Yep.
00:46:54Let's just hope it's not too hard.
00:46:56If it is, I'll soften it.
00:47:05Hey!
00:47:07Hey!
00:47:10Hey!
00:47:13Take me to K.
00:47:16Make a sound, it'll be your last.
00:47:43Not if you understand.
00:47:46Come on, let's go.
00:47:51Come on!
00:47:54It's not working.
00:47:56How do we get through?
00:47:57I don't have clearance.
00:47:58I didn't ask if you have clearance.
00:48:00I asked, how do we get through?
00:48:01You can't.
00:48:03Dr. K, your boss.
00:48:04She got clearance?
00:48:06I don't know.
00:48:08I don't know.
00:48:09Thanks for your help.
00:48:12Plan B.
00:48:13Thanks for your help.
00:48:40Oh, my God.
00:49:10We're through.
00:49:40Oh, shit.
00:50:01Close your eyes and focus on your breathing.
00:50:04Breathe in and out.
00:50:06As you continue breathing, I want you to picture yourself on a beach.
00:50:12The water is blue, blue as a smurf.
00:50:15You listen to it lap the sandy shore, like a dog slurping from his bowl.
00:50:27It's called visualization.
00:50:30Mom does it when she's out of Valium.
00:50:36Go.
00:51:06Howdy.
00:51:36Feel the sand under your butt. It feels cool and soft.
00:51:42Time. There you go.
00:51:45Good job, good job. All right.
00:51:48Hey, sweetie. What's your name?
00:51:51Debbie. Do you work for Mr. What's It?
00:51:55Mr. What's It? Oh, yes, of course. I'm one of his elves.
00:51:59You know, like a magic elf.
00:52:06Right here. A couple more steps. All right. Nice. Good? All right. Great job. Step by step.
00:52:27Step.
00:52:43Shit.
00:52:45Step.
00:52:47Step.
00:52:48Step.
00:52:49Step.
00:52:50Step.
00:52:51Step.
00:52:52Step.
00:52:53Step.
00:52:54Step.
00:52:55Step.
00:52:56Step.
00:52:57Step.
00:52:58Step.
00:52:59Step.
00:53:00Step.
00:53:01Step.
00:53:02Step.
00:53:03Step.
00:53:04Step.
00:53:05Step.
00:53:06Step.
00:53:07Step.
00:53:08Step.
00:53:09Step.
00:53:10Step.
00:53:11Step.
00:53:12Step.
00:53:13Eleven, I have been looking for you for a very long time.
00:53:29My name is Dr. K.
00:53:34I know who you are.
00:53:38Know who you've taken.
00:53:43And I also know that you and your men are going to die.
00:54:13What the hell?
00:54:25Oh.
00:54:26No.
00:54:29No.
00:54:32Oh.
00:54:33Oh.
00:54:34Oh.
00:54:38Oh.
00:54:40Oh.
00:54:40Oh.
00:54:42Oh, my God.
00:55:12It's best not to struggle.
00:55:33The greater the perceived threat, the more aggressive its response.
00:55:42Ms. Robin, what about the others?
00:55:46Uh, just Robin, and don't worry, they're right behind us.
00:55:48Something's wrong, isn't it?
00:55:49No! No, Sari, everything is going exactly according to plan.
00:55:52Carol, just with your dad already with your dad!
00:55:56Hold it, hold it, hold it, hold it!
00:56:02Sorry, a bit of a plumbing problem here.
00:56:04Are you by chance looking for Mr. What's-It?
00:56:07Right through there.
00:56:12There's a little breeze in the air telling you to see it.
00:56:23You look up at the sky, searching for clouds, but all the-
00:56:27Mr. What's-It?
00:56:34Shit!
00:56:38Officer! Officer!
00:56:40Whoa, whoa, whoa. Hey, calm down. What's going on?
00:56:42Shit balls.
00:56:43Good job, man.
00:56:44Lucas!
00:56:45We've been spotted!
00:56:46Oh, no, no!
00:56:47Just get him out of here!
00:56:48Just go!
00:56:49What about the others?
00:56:50Just go, go, go, go!
00:56:51Damn it!
00:56:52Okay, come on, guys!
00:56:53Go, go, go!
00:56:54Hey, go, go, go, go!
00:56:55Get him out of here!
00:56:56Good job, man.
00:56:57Lucas! We've been spotted!
00:56:59No, no, no!
00:57:00Just get him out of here.
00:57:01Just go.
00:57:01What about the others?
00:57:02Just go, go, go, go!
00:57:03Damn it!
00:57:04Okay, come on, guys.
00:57:09Go, go, go, go, go!
00:57:11Go, go, go, go!
00:57:13Ashley, stop right there!
00:57:15Ashley Clyde is a stitch!
00:57:26So you're the reason...
00:57:37The reason she's been so hard to track.
00:57:41The thorn in my side.
00:57:45And after all that effort to hide her,
00:57:49you bring her here, of all places?
00:57:54Why?
00:57:56Why risk her life for the other?
00:58:01What do you know that I don't?
00:58:10It's actually holding back, if you can believe it.
00:58:14That heat you feel...
00:58:18Weakened it.
00:58:23But in the cold...
00:58:26It thrives.
00:58:31I can stop it.
00:58:34But you're gonna have to start talking.
00:58:36God, Al...
00:58:43I can stop it.
00:58:52God, Al...
00:58:57In your current state, I'm afraid that won't work.
00:59:24Well, not the sharpest, are we?
00:59:27We're too late.
00:59:47Cavalry's on its way.
00:59:49That's all right.
00:59:51I'll be quick.
00:59:52I'll be quick.
01:00:05Grocery delivery.
01:00:06Where's everyone else?
01:00:08Coming.
01:00:11Come on, sweetie.
01:00:13Come on down.
01:00:15Come on.
01:00:16You get down here right now or a monster's gonna eat you.
01:00:19Get out of the way.
01:00:25Goddamn power.
01:00:35I got you.
01:00:37That's good.
01:00:38Good, good.
01:00:39Hey there.
01:00:40Where do you think you're going?
01:00:41What are you doing?
01:00:57Hey.
01:00:58You gotta go.
01:00:59Oh, you gotta go.
01:01:00Come on.
01:01:01We're gonna get to the woods?
01:01:06That kryptonite shit can't get you there.
01:01:09We can't.
01:01:10We can't leave.
01:01:11We came for Henry.
01:01:12Hey, you take this compass.
01:01:13You're gonna follow it northeast.
01:01:15That'll take you to the graveyard.
01:01:16You're gonna find Nancy and the others.
01:01:18Whoa, whoa, whoa.
01:01:19Hey, hey, hey.
01:01:20Hey.
01:01:20What is it?
01:01:22It's just a failsafe, okay?
01:01:23It's a failsafe.
01:01:24If anything happens, I gotta make sure that he goes down with me.
01:01:27No.
01:01:27Noah.
01:01:28It's the only way.
01:01:28It's the only way.
01:01:29I'm not gonna risk losing you.
01:01:31I will not risk it.
01:01:33Hopper, no.
01:01:35I want you to know something.
01:01:36From here on out, I want you to know how proud I am of you.
01:01:40I am so proud of you.
01:01:41I am so proud of what you've overcome.
01:01:45I'm proud of who you are.
01:01:47No.
01:01:49No.
01:01:50Noah.
01:01:52Hopper.
01:01:52I love you, Jane.
01:01:54Hopper.
01:01:54Hopper.
01:01:55I love you.
01:02:04Hopper.
01:02:05Halt.
01:02:07Hunter.
01:02:13Hopper.
01:02:18Hopper.
01:02:21Hopper.
01:02:23Hopper.
01:02:23Hopper.
01:02:23Hopper.
01:02:23Oh, my God.
01:02:53All right, kids. Come on. Find a seat in the back.
01:03:06All right.
01:03:09Okay, let's have some fun, huh?
01:03:11This is going to be great, huh?
01:03:13Okay, let's get our seatbelts on, hmm?
01:03:15Safety first. Come on, time's a-wasting.
01:03:17Pretty comfy, huh?
01:03:19Not really.
01:03:20Oh, sorry.
01:03:21Robin, Lucas, do you copy? Over.
01:03:25Copy, it's Robin.
01:03:26Lucas, I copy.
01:03:28We've got a problem here at the Mac.
01:03:30What kind of problem?
01:03:31Let go of me, you asshole!
01:03:35You want to explain to me what in God's name is going on here?
01:03:37Get the hell off me!
01:03:38We've got five missing kids, sir.
01:03:40You've lost five kids?
01:03:41How is that possible?
01:03:42This woman...
01:03:43Joy Spires?
01:03:44She broke into the barracks.
01:03:45She's been helping them escape through some kind of tunnel.
01:03:48I'm sorry. Can you repeat that?
01:03:50Listen, these kids, they are not safe, okay?
01:03:54They are in danger.
01:03:55And why exactly do you think they're here, ma'am?
01:03:57They're under our protection.
01:03:59If I may interject, officer, I've seen what's coming.
01:04:02And no disrespect meant, but you and your men can't protect shit!
01:04:06Back to the police.
01:04:07Take it off!
01:04:09Do you want me to do that?
01:04:11What's the matter?
01:04:17Do you want me to talk to a gun?
01:04:19Hey, kids!
01:04:20Will!
01:04:21Will!
01:04:22Will!
01:04:23Will!
01:04:23Are you okay?
01:04:25Baby, are you okay?
01:04:26They're here.
01:04:33I'm here.
01:05:03Take the nearest threat! Engage on sight!
01:05:12We're all gonna die! We're all gonna die!
01:05:20Get behind me! Get behind me!
01:05:33Get behind me!
01:05:38Under the van!
01:05:44Is there better? Red!
01:05:48Under the van! Under the van!
01:06:00No!
01:06:01Stay behind me!
01:06:03Stay behind me!
01:06:05Move! Move!
01:06:07Move!
01:06:09Will!
01:06:21We are under attack! I repeat, we are under attack!
01:06:31We gotta go. We gotta go!
01:06:37What about the other kids? Shit!
01:06:49Go, go, go, go, go!
01:06:55Come on, shall we?
01:07:01You see me coming back?
01:07:03Yes.
01:07:09Cheering a few part.
01:07:11No, no.
01:07:13Stop!
01:07:15OK Dune!
01:07:17Oh no?
01:07:19There we are!
01:07:21What is this first?
01:07:23Hit back!
01:07:25remembered!
01:07:27He was very не Flu example!
01:07:29I know he game, scaryļæ½ L Team!
01:07:30Hey, we're getting out of here, all right?
01:07:33Eyes on me.
01:07:34Stay close.
01:07:35We'll see.
01:07:36Come on.
01:07:36Come on.
01:07:43Wait, wait, wait, wait, wait.
01:07:45I'm not running in time.
01:07:46I'm not running in time.
01:07:47Wait up.
01:07:48Wait up.
01:07:48Stay close.
01:07:49Stay close.
01:07:50Derek, I'm not running in time.
01:07:55Is everybody OK?
01:07:56Are you guys OK?
01:07:57We need to have it.
01:08:01Radio shack.
01:08:02If we move quick enough, I think we can make it.
01:08:04Get into the tunnels and get the hell out of here.
01:08:06OK.
01:08:06OK?
01:08:07Eyes on me.
01:08:08Remember?
01:08:08Yeah.
01:08:16All right, go.
01:08:21Get down.
01:08:25Go, go, go.
01:08:25Go, go, go.
01:08:31Go, go, go.
01:08:34Go, go.
01:08:35Go, go!
01:08:35Hold on, baby! Hold on!
01:09:05What the hell just happened?
01:09:08I have no idea, but I love it!
01:09:35Oh, my God!
01:10:05Oh, my God!
01:10:35Oh, my God!
01:11:05Oh, my God!
01:11:35Oh, my God!
01:12:05Oh, my God!
01:12:35Oh, my God!
01:13:05Oh, my God!
01:13:35Oh, my God!
01:14:05Oh, my God!
01:14:35Oh, my God!
01:15:05Oh, my God!
01:15:35Oh, my God!
01:16:05Oh, my God!
01:16:35Oh, my God!
01:17:05Oh, my God!
01:17:35Oh, my God!
01:18:05Oh, my God!
01:18:35Oh, my God!
01:19:05Oh, my God!
01:19:35Oh, my God!
01:20:05Oh, my God!
01:20:35Oh, my God!
01:21:05Oh, my God!
01:21:35Oh, my God!
01:22:05Oh, my God!
01:22:35Oh, my God!
01:23:05Oh, my God!
01:23:35Oh, my God!
01:24:05Oh, my God!
01:24:35Oh, my God!
01:25:05Oh, my God!
01:25:35Oh, my God!
01:26:05Oh, my God!
01:26:35Oh, my God!
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