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The Famous Five (2023) Season 1 Episode 2

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Transcript
00:00:00You may know it's all false
00:00:03I am needs to climb in
00:00:07The best needs to dive in
00:00:30The best needs to dive in
00:01:00The best needs to dive in
00:01:30George
00:01:34George
00:01:37George
00:01:41George
00:01:43George
00:01:47George
00:01:49George
00:01:53George
00:01:55George
00:01:57George
00:01:59George
00:02:03George
00:02:07George
00:02:13George
00:02:15George
00:02:17George
00:02:19George
00:02:21George
00:02:25George
00:02:39George
00:02:43George
00:02:45George
00:02:49Anne.
00:03:07Anne.
00:03:09Anne.
00:03:11Wake up, Anne.
00:03:13You missed breakfast.
00:03:14We've got class today.
00:03:16You all right?
00:03:17I had a really weird dream.
00:03:25At least, I think it was a dream.
00:03:30It's Mr Rowland here.
00:03:32He'll be here in ten minutes, so you'd better get up.
00:03:36Ugh.
00:03:37Another day listening to the most boring man on earth
00:03:40wobbling on about some Victorian history.
00:03:43I thought you made some pretty stimulating points
00:03:44on the division of labour.
00:03:45This is ridiculous.
00:03:48It's the summer holidays.
00:03:49You guys have been here three weeks.
00:03:51And we haven't even gone camping yet.
00:03:54Maybe we should just sneak off.
00:03:55We can't, George.
00:03:57Your parents would kill us.
00:03:59They wouldn't even notice.
00:04:01And it's not like your parents would care.
00:04:02They went on holiday without you.
00:04:04They work for the British government.
00:04:06They went to spy on the King of Egypt.
00:04:07They're not spies, Dick.
00:04:09And we're not running away.
00:04:11We're going to class.
00:04:13Ugh.
00:04:18The Corn Laws of 1815 proved to be deeply divisive.
00:04:26Introduced by Lord Liverpool,
00:04:27they placed tariffs on cereal grains from other countries,
00:04:30such as maize and wheat,
00:04:32in favour of domestic agriculture.
00:04:37These restrictions confirmed a deep division
00:04:39between the land-owning class in the countryside
00:04:41and the merchants and manufacturers based in the towns.
00:04:45The effect was to hamper economic growth
00:04:48and to depress...
00:04:49What was that for?
00:04:58Subsequently,
00:04:59the cost of grain
00:05:02rolls to 80 shillings of quarter.
00:05:10This
00:05:10is complicated.
00:05:14Why?
00:05:15I will not have students wielding an offensive weapon
00:05:18in class.
00:05:20It's a ruler, sir.
00:05:22Hardly an offensive weapon.
00:05:23That rather depends on who is wielding it.
00:05:26What do I do if I need to draw a straight line?
00:05:34Bad dog!
00:05:34Sit!
00:05:36He isn't a bad dog.
00:05:37He just doesn't like your tone.
00:05:39That animal is evidently a disruptive influence.
00:05:42Please move him to the other side of the room
00:05:44where he can't be a distraction,
00:05:44either that
00:05:45or you can remove him from the classroom altogether.
00:05:48Mum said it was okay for Timmy to be here.
00:05:50On the proviso that he doesn't interfere with your studies.
00:05:53I am the one who decides whether his presence is a distraction
00:05:55and I would like you to move him to the other side of the room.
00:06:00Fine!
00:06:00You shouldn't take it out and hear me.
00:06:17He didn't do anything wrong.
00:06:18Maybe not.
00:06:20But now you're being impertinent.
00:06:23Please return to your seat, Georgina.
00:06:28That's not my name.
00:06:30I said sit down!
00:06:32What on earth is going on in here?
00:06:34I have a deadline and I can't concentrate with all this noise.
00:06:37Are you okay?
00:06:38She threw a robber at Anne.
00:06:39I was trying to help.
00:06:41That's nothing.
00:06:41I'm sorry.
00:06:42I can't be an accomplice in you disobeying your tutor.
00:06:45The whole reason we enlisted Mr Rowland
00:06:46is to keep you kids out of trouble.
00:06:51Well, that's all for today.
00:06:53All right, children.
00:06:55Tea is ready.
00:06:56And after that, your uncle will be making a presentation.
00:06:58He's making progress, then.
00:06:59Well, we live in hope.
00:07:01We live in hope.
00:07:31into a solution.
00:07:33Now,
00:07:34its applications are limitless.
00:07:37But for its maiden voyage,
00:07:38I'd like to ask one of you
00:07:39to ask it a simple mathematical question.
00:07:44What's the square root of minus one?
00:07:49Good one.
00:07:53Let's give it a try.
00:08:01Is it supposed to...
00:08:13Dan, I think you might want to.
00:08:16I don't know, I might, I might, I might just, um...
00:08:30That's certainly not what I learned in that school.
00:08:34No, no, no.
00:08:35No, no, no.
00:08:36No, no, no.
00:08:37I know it didn't work.
00:08:38But it almost did.
00:08:39It will.
00:08:40It will.
00:08:41It will.
00:08:42It will.
00:08:43I think Uncle Quentin's gone back to the drawing board.
00:08:46It's okay if you were scared.
00:08:47I think Uncle Quentin's gone back to the drawing board.
00:08:51It's okay if you were scared.
00:08:52I think we all were.
00:08:53I wasn't scared of that stupid machine.
00:08:54What's wrong then?
00:08:55Are you missing mom and dad?
00:08:57I think Uncle Quentin's gone back to the drawing board.
00:09:13It's okay if you were scared.
00:09:14I think we all were.
00:09:16I wasn't scared of that stupid machine.
00:09:20What's wrong then?
00:09:22Are you missing Mum and Dad?
00:09:24It's not that.
00:09:26What is it then?
00:09:30You wouldn't believe me.
00:09:38I think the house is haunted.
00:09:52I never said it was definitely a ghost.
00:09:56It could have been...
00:09:58a spectre?
00:10:00Or...
00:10:01a ghoul?
00:10:03I'm sure it's nothing to worry about.
00:10:05Most so-called paranormal activity can be explained by science.
00:10:10Maybe you should tell them what you saw.
00:10:13It wasn't just what I saw.
00:10:15It was what I heard as well.
00:10:17This kind of...
00:10:19rattling like chains.
00:10:21And scraping.
00:10:23Three nights in a row.
00:10:25And then...
00:10:26last night...
00:10:28I was at the top of the stairs...
00:10:31and...
00:10:32I saw this...
00:10:34thing.
00:10:35What kind of thing?
00:10:37It walked across the lower landing and then...
00:10:40it was gone.
00:10:41Things don't just vanish. It's scientifically impossible.
00:10:44The point is...
00:10:46we don't know what it is that Anne saw.
00:10:48And the only way we're gonna figure it out...
00:10:50is by getting proof.
00:10:52And how are we going to do that?
00:10:54We're gonna stay up.
00:10:56All...
00:10:57night.
00:11:05If it was a ghost...
00:11:07who do you think it might be?
00:11:09Maybe Granny or Grandpa?
00:11:11What about Aunty Annie?
00:11:13Or maybe the ghost of some pirates...
00:11:17that lived here hundreds of years ago.
00:11:23What is it Timmy?
00:11:27Is there something there?
00:11:43Rats maybe?
00:11:44That's not rats.
00:11:45Hello?
00:11:46Is anyone there?
00:11:47Rats!
00:11:48Rats!
00:11:49Rats!
00:11:50Rats!
00:12:00Rats!
00:12:01Rats!
00:12:02Hey!
00:12:03Wait!
00:12:04Hey!
00:12:05hello is anyone there hey wait hey what was that I don't know but it was
00:12:24definitely human and now it's in the living room
00:12:35there's nobody here it's not possible people can't just walk through walls you
00:12:41know who can walk through walls ghosts it wasn't a ghost it was a real person and
00:12:47they were standing right here well then not here now how does an intruder who's
00:12:53definitely not a ghost just vanish the repeal of the Cornwalls in 1846 caused a
00:13:03major rift within the conservative party and ultimately led to the end of
00:13:09all the appeals tenures prime minister it was a result of the pressure applied by
00:13:15the activities of the anti-cornwall league that was
00:13:20he must have fixed it I don't see why he's so excited about it it's only a machine
00:13:36television's a machine you like television if he's invented television then I'd be excited
00:13:44I think we might wrap things up a few minutes early today since you've all been so attentive
00:13:50have a pleasant afternoon I'll see you tomorrow
00:13:55Mr. Ron is definitely up to something what are you talking about he's our tutor it's the perfect
00:14:04cover to try and steal the machine my parents had never met him a couple of weeks ago he could be
00:14:08anyone that's pure speculation you haven't got a single fact to back it up the last time we saw
00:14:12the intruder he steps into this room we need to focus on where he went I say we start with the
00:14:16chimney that's how father Christmas does it but wouldn't we have seen soot he probably entered
00:14:24and exited through one of these windows simple I thought they didn't open properly
00:14:29there's a gap I'm sorry but there's no way a non-ghost could fit for a gap that small
00:14:41that's why I said the fireplace look at this I distinctly remember placing this basket right
00:14:59next to the clock but it's moved which is weird enough but look at these scuff marks they seem to
00:15:07come from beneath the clock exactly as if the clock has been pushed aside perhaps help me
00:15:14how do we open it
00:15:21your uncle's had a bit of a breakthrough
00:15:27after six years of false starts I'm gonna crack open some cider
00:15:31oh yeah maybe a couple bottles of ginger beer as well congratulations uncle Quentin we'll join
00:15:36you in a bit thank you
00:15:39we could try turning the hands back maybe only opens at midnight
00:15:52worth a try wait a minute keep going
00:16:08wait till maybe
00:16:14maybe we should tell your parents first
00:16:36not happening pass me a torch
00:16:37are you guys coming
00:17:06we need to check this out
00:17:08we need to check this out
00:17:10we need to check this out
00:17:13we need to check this out
00:17:15we need to check this out
00:17:17we need to check this out
00:17:19we need to check this out
00:17:21we need to check this out
00:17:26we need to check this out
00:17:31we need to check this out
00:17:35How long does it go on for?
00:17:42Let's find out.
00:17:47Does anyone know the fatality rate for mining accidents?
00:17:51Why would anyone know that?
00:17:53Don't know.
00:17:54I just thought it would be something useful to know.
00:17:57The less time we're down here, the less time the roof is to fall on our heads.
00:18:00That's actually a pretty good point.
00:18:05Who would want to build this in the first place?
00:18:17My theory, it's an old smuggler's tunnel.
00:18:20From the 18th century, possibly earlier.
00:18:23How come no one knew it was here?
00:18:25It's hardly something upon the deed of the house when you come to sell it.
00:18:29Where do you think it's taking us?
00:18:31Looks like we're about to find out.
00:18:35Who lives down there?
00:18:52It's a local guest house.
00:18:54It's just been taken over by Mrs. Asin.
00:18:56She rents them out to walkers and holidaymakers.
00:18:59You'll never guess who's staying there.
00:19:01That's the owner.
00:19:16She can't be the intruder.
00:19:18Can she?
00:19:19She's not.
00:19:21How do you know?
00:19:23Because it's one of her guests.
00:19:29Mr. Rowland.
00:19:30I told you there was something funny about him.
00:19:43We have to tell your parents.
00:19:47What are we going to say?
00:19:49We show them the tunnel, tell them about the intruder.
00:19:52They'll have to believe us.
00:19:53He'll talk his way out of it.
00:19:54You've seen what he's like.
00:19:55I say we confront him, right here, right now.
00:19:57This is a really bad idea.
00:19:58We're on to you, Mr. Rowland.
00:20:09What on earth are you doing here?
00:20:10We know you've been trying to steal my father's machine.
00:20:12We stopped you last night and we'll stop you again if you try.
00:20:15I'm sorry, is this some kind of joke?
00:20:17We found the tunnel.
00:20:18We've been through it and he led us straight here to you.
00:20:22Would anyone like a biscuit?
00:20:23You should be more careful about who you let into your house.
00:20:26Oh, I'm extremely careful, I assure you.
00:20:29If you don't want a biscuit, perhaps you could leave my guest alone so he can enjoy his team.
00:20:34I'd like a biscuit.
00:20:35I'm sorry, Mrs. Sassoon.
00:20:38I seem to be the victim of some sort of prank.
00:20:42Or is it a game, perhaps?
00:20:45It's no game, Mr. Rowland.
00:20:47Or whatever your real name is.
00:20:49Come on, George, we should go.
00:20:50Yes, that sounds like a sensible idea.
00:20:53Perhaps I should telephone your mother and explain her the misunderstanding.
00:20:56What about the biscuits?
00:21:00Of course.
00:21:02Take two.
00:21:06It's all true, Mama.
00:21:07You have to believe us.
00:21:08Mr. Rowland's an imposter.
00:21:09He's just pretending to be our tutor.
00:21:10When all he really wants to do is steal that machine.
00:21:12Just come and look.
00:21:13I'll show you the secret passage.
00:21:14Stop it, George.
00:21:16I'm at a loss for words.
00:21:18At you making up outlandish stories to make excuses for your behaviour.
00:21:22Insulting your tutor.
00:21:24Breaking into people's homes.
00:21:25Technically, the door was open.
00:21:29And you know full well that your actions reflect back on your father and me.
00:21:33I know, but if you just let...
00:21:35You're dragging your cousins into it, too.
00:21:36Do you know how embarrassing it will be when I have to tell Jack and Gillian?
00:21:39You're not listening to me.
00:21:41If you...
00:21:41We were supposed to be celebrating your father.
00:21:44And you ruined it.
00:21:55We brought you some cake.
00:22:14Can we come in?
00:22:15Fine.
00:22:27We were talking and we agree.
00:22:30Mr. Rowland seems suspicious.
00:22:32But without any evidence, it's just that.
00:22:36A suspicion.
00:22:37What does he even want from Uncle Quentin's machine anyway?
00:22:40If he's invented a machine that could do decimal arithmetic.
00:22:46It could be worth a fortune.
00:22:49Isn't that just an electrical abacus?
00:22:51An abacus is for simple sums.
00:22:54His machine looks for patterns in numbers.
00:22:56It's a way to decode everything in existence.
00:22:59If it fell into the wrong hands, it could change the world as we know it.
00:23:03I still don't get it.
00:23:06The point is, it's valuable.
00:23:08And Mr. Rowland's clearly willing to go to great lengths to get his hands on it.
00:23:12But the only way we're going to stop him is by finding some evidence.
00:23:16So we can persuade the adults to listen.
00:23:20We need to catch him in the act.
00:23:22Get proof.
00:23:24Undeniable proof.
00:23:26Looks like it's going to be another late one.
00:23:31Should we call?
00:23:32Check.
00:23:32Feathers.
00:23:34Check.
00:23:35Marbles.
00:23:35Got it.
00:23:42Torture's off, Dick.
00:23:43How am I supposed to read?
00:23:47Maybe just don't.
00:23:50But I'm really exciting, then.
00:23:53This is exciting.
00:23:54Well, what are we supposed to do now?
00:24:05Well, now we wait.
00:24:06I don't know.
00:24:07I'm going to get to me.
00:24:28I don't know.
00:24:28I don't know.
00:24:30I don't know.
00:24:30Oh no, how long have we been asleep?
00:24:49Tig, you were supposed to stay awake.
00:24:51I am awake.
00:24:52Good, because he's in.
00:24:54Did we?
00:24:55Shh!
00:24:56That sounds like the front door.
00:24:59Quick, grip your things.
00:25:29No!
00:25:30Get him!
00:25:31Get him!
00:25:32Ah!
00:25:33Ah!
00:25:34Ah!
00:25:35Ah!
00:25:36Ah!
00:25:37Ah!
00:25:38Ah!
00:25:39Yip!
00:25:40Ah.
00:25:41Oh.
00:25:42Ah!
00:25:43No!
00:25:44Get him!
00:25:45Ah!
00:25:46Ah!
00:25:47Ah!
00:25:48Tony.
00:25:49Get going!
00:25:51Get out!
00:25:56Get him!
00:26:01Keep going!
00:26:11Get that animal away from me!
00:26:13It is Mr. Rowland.
00:26:14What on earth do you think you'll do?
00:26:15Mickey Sisson's arrest!
00:26:16We caught you red-handed.
00:26:17You have no idea.
00:26:19Julia, you're a sensible boy.
00:26:21Be warned! I'm armed and I'm dangerous!
00:26:26What on earth is going on here?
00:26:28Mr. Rowland!
00:26:29Mrs. Barnard, Professor.
00:26:30Thank goodness.
00:26:31There's been a terrible mistake.
00:26:34What?
00:26:36Come on!
00:26:38He's got the machine!
00:26:39What about Mr. Rowland?
00:26:40Leave him!
00:26:44Quick! Come on!
00:26:52Ah! Ah!
00:26:56This way! Into the woods!
00:26:57Who are we chasing?
00:26:58The intruder!
00:26:59I thought that was Mr. Rowland!
00:27:00So did we!
00:27:01Come on, Julia!
00:27:02Wait!
00:27:03Mr. Rowland?
00:27:04Sorry, around the feathers.
00:27:05Her name's not Rowland.
00:27:06It's Keats.
00:27:07Agent Keats.
00:27:08Agent Keats.
00:27:09Which way did he go?
00:27:10This way!
00:27:11This way!
00:27:12Into the woods!
00:27:13Who are we chasing?
00:27:14The intruder!
00:27:15I thought that was Mr. Rowland!
00:27:16So did we!
00:27:17Come on, Julia!
00:27:18Wait!
00:27:19Mr. Rowland?
00:27:20Sorry, around the feathers.
00:27:21Her name's not Rowland.
00:27:22It's Keats.
00:27:23Agent Keats.
00:27:24Which way did he go?
00:27:25Agent Keats.
00:27:26Agent Keats.
00:27:27Agent Keats.
00:27:28Which way did he go?
00:27:29This way.
00:27:31You want to drive safe?
00:27:34And now we're changing the ground.
00:27:35A barrack wave
00:27:37You want to take home.
00:27:38Do you feel the other parts?
00:27:40My brother!
00:27:41You want to walk with me?
00:27:42Hey, Mary...
00:27:43You end this up?
00:27:44Now you're watching Kramer.
00:27:45Wait.
00:27:46We'll get tipped out?
00:27:48Wait, he's ready for the ride.
00:27:59Look at this way.
00:28:01Agent Keats.
00:28:03George knows the shortcut.
00:28:18The British government monitors all kinds of technological innovations, particularly
00:28:46ones who could be dangerous where they to fall into enemy hands.
00:28:50So that means you're a spy?
00:28:52Not exactly.
00:28:54You better have a very good reason for weaseling your way in here and putting my family in
00:28:59danger.
00:28:59I've been sent here to keep an eye on your husband's progress and requisition the device
00:29:03if and when it was completed.
00:29:05Steal it for yourself, you mean.
00:29:07We have reason to believe.
00:29:14Well.
00:29:16That war is on the horizon.
00:29:19A world war.
00:29:20And your contraption could be critical to the country's counterintelligence efforts, which
00:29:26means we must transport this to a military facility in Scotland.
00:29:29I'm sorry.
00:29:30We?
00:29:31Have your things, please, Professor.
00:29:32You've got some nerve.
00:29:34Excuse me.
00:29:35As if commandeering his life's work isn't bad enough.
00:29:38You want him to show you Neanderthals how to warp it into some war machine?
00:29:45And did you for one minute stop to think about what happens to us?
00:29:49She does make a good point.
00:29:51My instructions were to bring your husband and his device.
00:29:56No provision was made for women and children.
00:29:58I don't care what your instructions were.
00:30:01Whoever these criminals are, they're not going to just give up.
00:30:04That was another very good point.
00:30:06What if they try again?
00:30:08You can't just leave us here like sitting ducks.
00:30:11No way.
00:30:13Either we all go, or none of us do.
00:30:16That's non-negotiable, I'm afraid.
00:30:24Fine.
00:30:26Does that mean we're going to Scotland?
00:30:29Maybe.
00:30:29Yes.
00:30:31But let me make something absolutely clear.
00:30:34We are dealing with a team of highly motivated, ruthless enemy agents
00:30:38with international connections who will stop at nothing to get what they are after.
00:30:42I may have wounded one of them, but they will strike again.
00:30:48If it was my wife, and my children,
00:30:53they would definitely want them to stay here.
00:30:59We appreciate your concern, Agent Keats.
00:31:02But if we're going to make that Highland sleeper, we should probably get packing.
00:31:05Very well.
00:31:21Do you know our father?
00:31:23Excuse me?
00:31:24Jack Barnes.
00:31:25Special Intelligence.
00:31:26Currently posted in Cairo, I think.
00:31:30I've never heard of him.
00:31:31Huh.
00:31:33Is it?
00:31:33Fair enough.
00:31:37Quentin?
00:31:39Quentin Barnard.
00:31:41Well, I'll be...
00:31:42It is you.
00:31:46Huh.
00:31:47Of all the trains in all the world.
00:31:49What are the chances we'd be taking the same one?
00:31:51Do you know this, ma'am?
00:31:52Uh, well, I...
00:31:53Where are my manners?
00:31:54Name's Maxwell.
00:31:55Maxwell Endicott, Jr.
00:31:58We met at your presentation at the Royal Society last year.
00:32:01Oh, I'm so sorry.
00:32:03Not at all.
00:32:04Car's quite a stir, if you don't mind me saying so.
00:32:06Ruffled a few feathers.
00:32:08I was hooked from the get-go.
00:32:11Well, I'm sad to say that you were very much in a minority that day.
00:32:14We really must board this train.
00:32:17Is that it?
00:32:19The algebra ending?
00:32:19Listen, I'll be keener than ketchup to talk to you about licensing.
00:32:25You've made a terrible mistake.
00:32:27Come along, Professor.
00:32:28Uh, excuse me.
00:32:30All aboard!
00:32:52What do we think?
00:33:08Nice?
00:33:09Wood panelling.
00:33:10Uh-huh.
00:33:11Ooh, nice pillows.
00:33:16Tartan blankets.
00:33:18So it's off.
00:33:19Well, we're two doors along, so come through if you need anything.
00:33:24Try to stay out of trouble.
00:33:25We will.
00:33:25You promise?
00:33:26Mm-hmm.
00:33:32The train is ready to come!
00:33:36Hold, hold!
00:33:36Excuse me.
00:33:43Is this the direction for the restaurants?
00:33:46We booked a table, you see, only we don't know which way it is.
00:33:49Is it, uh, is it four or up?
00:33:54Thanks very much.
00:33:59Strange fellow.
00:34:00Don't be easy.
00:34:01Delivering drinks when your arm's crooked.
00:34:03Correct.
00:34:17The train is ready to come!
00:34:22Yeah!
00:34:23Give it to the server!
00:34:26Yeah!
00:34:27Well done!
00:34:28Right?
00:34:29Yeah!
00:34:29Well done!
00:34:30Little άmã!
00:35:31We'll have dinner in our compartment, though. Just in case.
00:35:34But the a la carte menu's only available in the restaurant.
00:35:38It wouldn't hurt to have a bit of a snoop around.
00:35:41We've got a better view of the intruders than everyone else.
00:35:43Agent Keats told us to stay put.
00:35:46But Agent Keats also lied to us. He let them slip right through his fingers.
00:35:50Plus, he's not much of use as a tutor, either.
00:35:53I don't see why we should do what he says.
00:35:55Your parents are hardly going to let us lose in their restaurant.
00:36:00Leave them to me.
00:36:05First of all, dinner's included for first-class ticket holders.
00:36:09So it'll be a waste not to.
00:36:11Secondly, I just found out that George hasn't been to a restaurant for two years.
00:36:17Which is unbelievable.
00:36:19We have fish and chips every Thursday night. Doesn't that count?
00:36:22Fish and chips definitely does not count.
00:36:26Third and finally, Julian left the picnic in a taxi.
00:36:30Julian!
00:36:31I'm sorry, Aunt Fanny.
00:36:34Must have just slipped my mind.
00:36:36Need I remind you of the severity of the situation?
00:36:42I'm sorry. What were your orders again?
00:36:44They made no provisions for women and children.
00:36:47Apparently.
00:36:48So maybe this doesn't concern you.
00:36:52We'll be impeccably behaved. I promise.
00:36:55And it's a first-class establishment, after all.
00:36:58And if you want us to stay out of trouble, then technically, the further we are from that machine, the better.
00:37:05Surely.
00:37:06What do you say, darling?
00:37:08Might as well make the most of it.
00:37:10I strongly recommend that they stay pushed.
00:37:13Thankfully, there are limits to the reach of your authority, Mr. Keats.
00:37:17Whilst my wife and I will happily take dinner in our compartment so that we can keep an eye on things here,
00:37:22if your department is generous enough to provide a slap-up dinner for the children...
00:37:26and I'm not going to stand in their way.
00:37:29Yes! Thanks, Dad.
00:37:30No dogs allowed.
00:37:52What's wrong?
00:37:54No dogs.
00:37:55Says who?
00:37:57Says me.
00:37:58I'm the head waiter, and I say no animals in the dining car.
00:38:01Excuse me.
00:38:02Wait.
00:38:03Vous pouviez faire une exception cette fois, non?
00:38:06Désolé, madame, mais les règles sont les règles.
00:38:10But if the young lady and her canine companion were to sit with me,
00:38:14I'd take full responsibility for their behavior.
00:38:20Bien sûr.
00:38:20The rest of you, follow me.
00:38:25Thank you very much.
00:38:31Sabrina Grover, pleased to make your apprentice.
00:38:35George.
00:38:36George.
00:38:37I like it.
00:38:45She thinks George is going to be all right?
00:38:47She'll be fine.
00:38:49She's got Timmy.
00:38:51I wonder what the soup of the day is.
00:38:54I know you're getting how to be paid for this assignment,
00:38:57but it's daylight robbery, if you ask me.
00:38:59If this machine is as revolutionary as it's purported to be,
00:39:02it will pay for itself in a matter of months.
00:39:07Here you are, gentlemen.
00:39:09You are extremely fortunate that you ran into me when you did.
00:39:12The Featherington 3000, far and away the best typewriting machine in Europe,
00:39:18made out of lightweight cold rollstool.
00:39:20Its compact design features the patent-pending soft spacebar
00:39:24and the smoothest carriage return on the market.
00:39:28Pretty nifty, isn't it?
00:39:29What a remarkable piece of engineering.
00:39:33Can't you just imagine us?
00:39:35Sitting by the side of the lock.
00:39:36You're with your pipe.
00:39:39Me, drawing messy to the surface
00:39:42with the gentle click-clack of the keys.
00:39:51Well, why would you go abroad
00:39:52when you've got Scotland on your doorstep?
00:39:55That's why we're going in, Vanessa, you see.
00:39:57No messing around with ferries or anything like that.
00:40:02You close your eyes.
00:40:03Before you know it,
00:40:04Bosch.
00:40:06You're in the Highlands.
00:40:09Barman?
00:40:09Yes, sir?
00:40:10Can I get three Coca-Colas, please?
00:40:13Send them to those kids over there.
00:40:17What about you?
00:40:19What brings you this side of the Atlantic?
00:40:21Is it business or pleasure?
00:40:23Big business, my friend.
00:40:26The biggest business there is.
00:40:27Tell me more.
00:40:28I love a bit of business, me.
00:40:30So, the fish is supposed to be really good.
00:40:41It's a Dover's hole.
00:40:42Imported fresh this morning.
00:40:45I'll have that then, thank you.
00:40:47Yes, ma'am, is here.
00:40:48What about your companion?
00:40:51Tim, we'll be fine with a couple of shortbread biscuits
00:40:53if you have them.
00:40:54Very good.
00:40:55I like your style.
00:40:56So, where are your parents, George?
00:41:03I mean, if you don't mind me asking.
00:41:06No, they've decided to stay in their compartment.
00:41:09They let me do pretty much whatever I want.
00:41:11Very sensible of them.
00:41:13My parents, they were much more controlling.
00:41:16That didn't end well.
00:41:17Are you here on holiday?
00:41:23More like a work thing with my dad's.
00:41:26Where are you going?
00:41:27Well, I'm a firm believer that the journey is more important than the destination.
00:41:31So, I'm going to spend some time in the Highlands.
00:41:35Then I might take a boat to the Hebrides.
00:41:38Norway, Finland.
00:41:40Who knows?
00:41:42Don't you ever go home?
00:41:44I don't have one.
00:41:45Everything I own falls into two neat little suitcases.
00:41:49That's so cool.
00:41:52So, what do you do for a living?
00:41:54It's the 20th century, George.
00:41:56You can do anything you want and be whoever you want to be.
00:42:00I think...
00:42:01I think I like to consider myself an adventurer.
00:42:07So, I want to be.
00:42:10Best job there is.
00:42:15Well, I must say it's remarkably quiet.
00:42:24You see?
00:42:26Look at the young man go.
00:42:27It's 87 pounds.
00:42:29It's a snip.
00:42:30A snip, I tell you.
00:42:31Well, perhaps we can consider it an early birthday present.
00:42:34You won't regret it.
00:42:36It works like a dream.
00:42:37The little boy knows what he's talking about.
00:42:4085 pounds, you say?
00:42:4287 pounds.
00:42:44I suppose you take checks?
00:42:48Certainly.
00:42:49I'll fetch you a receipt.
00:42:52Hey, did you learn to type like that?
00:42:54Self-taught.
00:42:55I'm trying to get my speed up to 50 words per minute by the time I go to Oxford.
00:42:59Well, keep it up.
00:42:59You can make a good journalist.
00:43:01Like this venerable Lord Hack.
00:43:02I don't want to be a journalist.
00:43:05I want to be a secret agent like my father.
00:43:07No offense.
00:43:16Oh, I'm sorry, but we didn't order these.
00:43:18They were sent over by the American gentleman at the bar.
00:43:23I thought you might enjoy a taste of the land of opportunity.
00:43:27That's very kind of you, but we couldn't possibly accept.
00:43:29Sorry, it's really yummy.
00:43:35Thanks.
00:43:36I can understand your reluctance to trust the stranger bearing gifts.
00:43:40But I already met your dad.
00:43:42So, technically, I'm not a stranger.
00:43:46And the truth is, it all depends on what type of gifts I offer.
00:43:51Professor Barnard isn't our father.
00:43:53He's our uncle.
00:43:55Uncle?
00:43:55Father?
00:43:56You still benefit, though, wouldn't you?
00:43:58He suddenly became a very wealthy man.
00:44:02You see, I'm prepared to offer him a life-changing amount of money.
00:44:06I think our uncle made it pretty clear he wasn't interested.
00:44:09Yeah, but he didn't give me a chance to hear my pitch.
00:44:13Before his mind had got in the way,
00:44:15all I'm looking for is the opportunity to have a word with him.
00:44:21Just because he bought us drinks,
00:44:23it doesn't mean we're going to tell you which compartment he's in.
00:44:25Uh-huh.
00:44:29D'Arson!
00:44:33You're young.
00:44:34I get that.
00:44:36When you're a little older,
00:44:39you'll realize
00:44:40everyone has a price.
00:44:48Take this note, Professor Barnard.
00:44:51I'm not sure what cabin he's in,
00:44:52but I'm pretty sure
00:44:53you can find out.
00:44:55Very well, sir.
00:44:58Much obliged.
00:44:59Enjoy your drinks, kids.
00:45:05I'll be sure to catch you up with your uncle soon, huh?
00:45:16At the risk of stating the obvious,
00:45:19that American seemed deeply suspicious.
00:45:21He's certainly got motive and means.
00:45:23And he's about to have an opportunity.
00:45:25Not as suspicious as that waiter, though.
00:45:28What waiter?
00:45:30The one with the bandaged arm
00:45:31that the American just has the note to.
00:45:33What?
00:45:35He's got an injury
00:45:36in the exact spot
00:45:38that Agent Keats shot the intruder.
00:45:39Why didn't you tell us?
00:45:42I just did.
00:45:43And that's how I learned
00:45:46never to leave home
00:45:47without a good length of rope
00:45:48and a half dozen hair fins.
00:45:49Sorry, train truck.
00:45:50We just need to discuss something
00:45:51with George urgently.
00:45:53Of course.
00:45:56Hello.
00:45:57The intruder's on the train
00:45:59and saw him
00:46:00and he's headed for the machine right now.
00:46:05Bop! Bop! Bop!
00:46:11Next time you want to talk
00:46:12to the ghastly American,
00:46:13I'll bring a book.
00:46:14Impressive, man.
00:46:16Very impressive.
00:46:19Excuse me, sir.
00:46:19Can I get through, please?
00:46:20Hold your horses.
00:46:22I'm sorry, sir.
00:46:22I just need to get past.
00:46:23Hey, you don't want to start
00:46:24ordering me about.
00:46:26You want to respect your elders.
00:46:28Let them through.
00:46:29I'll just throw any gifts.
00:46:31Thank you very much.
00:46:32Bop! Bop!
00:46:33Bop!
00:46:33Bop!
00:46:34Bop!
00:46:34Bop!
00:46:34Bop!
00:46:34Bop!
00:46:34Bop!
00:46:34Bop!
00:46:35Bop!
00:46:35Bop!
00:46:35Bop!
00:46:35Bop!
00:46:36Bop!
00:46:36Bop!
00:46:36Bop!
00:46:36Bop!
00:46:36Bop!
00:46:36Bop!
00:46:37Bop!
00:46:38Bop!
00:46:39Bop!
00:46:40Bop!
00:46:41Bop!
00:46:42Bop!
00:46:43Bop!
00:46:44Bop!
00:46:45Bop!
00:46:46Bop!
00:46:47Bop!
00:46:48Is that the...
00:46:49Shh!
00:46:50Bop!
00:46:51Bop!
00:46:52Bop!
00:46:53Bop!
00:46:54Bop!
00:46:55Bop!
00:46:56Bop!
00:46:57Mama!
00:46:58Mama, wake up!
00:47:00What's wrong with them?
00:47:02Drogues, probably.
00:47:03Some kind of sedative, maybe?
00:47:05Barbiturates?
00:47:06Barbiturates?
00:47:07They'll be fine.
00:47:08Just, you know, unconscious for a bit.
00:47:11He must have been that waiter.
00:47:21That sounded like...
00:47:24Agent Keats!
00:47:34It's him!
00:47:35It's him!
00:47:50Can't get the staff these days.
00:47:54I just hope his drinks are better than his skills in unarmed combat.
00:47:57Stop!
00:47:58Don't do it!
00:47:59Wait!
00:48:00Your drink!
00:48:01It's been tampered with!
00:48:02No, no, no.
00:48:03Suddenly feel terribly lightheaded.
00:48:04I am sorry.
00:48:05We should call the guard.
00:48:06No, no, no.
00:48:07Trust no one.
00:48:08But, sir, you're...
00:48:09You're good kids.
00:48:10Protect the device.
00:48:11The trolley!
00:48:12We have a problem here.
00:48:13It's gone.
00:48:14The machine has been stolen.
00:48:15The machine has been stolen.
00:48:16The machine has been stolen.
00:48:17This is not good.
00:48:18The route for the cops.
00:48:19You're good kids.
00:48:20You're good kids.
00:48:21You're good kids.
00:48:22You're good kids.
00:48:23Protect the device.
00:48:24The trolley!
00:48:25We have a problem here.
00:48:26The...
00:48:27The...
00:48:28It's gone.
00:48:29The machine has been stolen.
00:48:30The machine has been stolen.
00:48:31The machine has been stolen.
00:48:33The machine has been stolen.
00:48:46This is not good.
00:48:47The route for the count.
00:48:48We're all on our own and the device is missing.
00:48:50A device that can apparently threaten the security of the whole country.
00:48:53So what do we do now?
00:48:55We do what Keith said.
00:48:57We stay put and we wait until one of the grown-ups wake up.
00:48:59Except he didn't say that.
00:49:01He told you to trust no one and to protect the device.
00:49:04It's already been stolen.
00:49:06So we get it back.
00:49:07You said it yourself.
00:49:08We're all that's left.
00:49:10And in the wrong hands, Dad's device is dangerous.
00:49:12So we have to get it back.
00:49:14Well, what do we do?
00:49:16Run around and knock on everyone's door and accuse them of theft.
00:49:20We only need to knock on one door.
00:49:22The American?
00:49:24I found this.
00:49:27It's a note you give to the waiter.
00:49:30I insist you meet me tonight.
00:49:32Coach C, compartment six.
00:49:34If you don't come, you'll regret it.
00:49:38So the waiter was following Maxwell's orders?
00:49:41We've probably been working together this whole time.
00:49:44He's definitely rich enough to have set up the whole thing.
00:49:47I'm clearly obsessed with the machine.
00:49:49Maybe, but...
00:49:50Whatever we do, we need to do it quickly.
00:49:52Next job is Heavendale at 1124.
00:49:54If the American gets off, the device could disappear forever.
00:49:58We'll be here forever.
00:49:59We're not going to let that happen.
00:50:11Do we knock?
00:50:12No way.
00:50:13Daddy?
00:50:14Is that you?
00:50:15No.
00:50:16We know you've got the machine.
00:50:18What are you talking about?
00:50:19You stole it.
00:50:20The algebra engine's been stolen?
00:50:21Just give it back to us and there won't be any trouble.
00:50:22You think...
00:50:23You think I'll be here?
00:50:24Licking my...
00:50:25You think I'll be here?
00:50:26licking my wounds if I had Bonner's machine?
00:50:27Uh-huh.
00:50:28No.
00:50:29We know you've got the machine.
00:50:30No.
00:50:31We know you've got the machine.
00:50:32We know you've got the machine.
00:50:34We know that you've got the machine.
00:50:35What are you talking about?
00:50:36You stole it.
00:50:38The algebra engine's been stolen?
00:50:40Just give it back to us and there won't be any trouble.
00:50:44You think...
00:50:45You think I'll be here, licking my wounds, if I had Bonner's machine?
00:50:55I am a man of good standing, not a thief.
00:51:06Maybe he's telling the truth.
00:51:08He's lying.
00:51:11We saw the note you sent with that waiter.
00:51:13The one threatening Uncle Quentin if he didn't sell.
00:51:15Threatening?
00:51:15You said if he didn't come and see you, he'd regret it.
00:51:18Well, of course he'll regret it.
00:51:19I could make us both obscenely wealthy.
00:51:23Wasn't meant as a threat, though.
00:51:25In any case, I came straight here after dinner to smoke my cigar.
00:51:29And it's just been me, this Casa Sankova Numero Four, ever since.
00:51:35Just look at this if you don't believe me.
00:51:38Excuse me?
00:51:39This ain't no walking around cigar.
00:51:42Look at that ash.
00:51:43Sign of premium, Cuban quality, that is.
00:51:46Takes time to build it up.
00:51:48Burns slow, holds the flavor.
00:51:51Look here.
00:51:52Took me the best part of the past half hour to build this up.
00:51:57I wouldn't be able to leave the compartment without dislodging it.
00:52:01Much less, still a groundbreaking piece of technology.
00:52:06Heppendale.
00:52:12The station.
00:52:24That's it.
00:52:26He's got it.
00:52:26I bet there's small things.
00:52:28Children, please.
00:52:29Can we just...
00:52:30Excuse me.
00:52:31That case.
00:52:32It looks just like one we're missing.
00:52:33No, it doesn't.
00:52:36What are you doing?
00:52:38Get off!
00:52:39Little girl, you can't just take this.
00:52:41Belongs to my father.
00:52:42Give it back!
00:52:44Julian!
00:52:45Sorry about this.
00:52:46Get off!
00:52:47I found it first.
00:52:49Finders, keepers.
00:52:51It's mine!
00:52:52Why don't you get back on the train?
00:52:56Go on!
00:52:57What are you doing, Roger?
00:52:59You're not American.
00:53:01This thing's worth a fortune.
00:53:05Yeah, but...
00:53:06It isn't ours, is it?
00:53:10Don't you know what this is?
00:53:11This is the first piece of good luck I've had my whole life.
00:53:17What about me?
00:53:21Give the suitcase back, sir.
00:53:26Don't let its compact size mislead you.
00:53:29This is a .22 caliber Derringer and a Paxfett punch.
00:53:34There's a good chap.
00:53:36Children.
00:53:37The next train will be along soon enough.
00:54:02So, we're due to stop at Gliding Goals at 5.25.
00:54:06We should be able to get a couple of police officers to board the train, then.
00:54:10So they can keep an eye on things for the rest of the journey.
00:54:14Could I have a look?
00:54:15Yes.
00:54:16Thanks.
00:54:18Until then, would you like to return to your compartment, or...
00:54:21Would you rather stay here?
00:54:23Stay here.
00:54:24We should go back.
00:54:28How about a reviving cup of tea?
00:54:30Will you make up your mind?
00:54:32Tea would be great.
00:54:32Okay.
00:54:36How did you know that calamity of a couple were the thieves?
00:54:41We didn't really.
00:54:43Not until we actually saw them getting off the train.
00:54:46What?
00:54:46We thought whoever stole it might try to make a run for a first chance they could get.
00:54:50Smart girl.
00:54:51Finders, keepers.
00:54:59That's what the man said.
00:55:01The thief.
00:55:02He said he found the algebra engine.
00:55:05That's a weird thing for a mastermind thief to say.
00:55:08Well, it's certainly not evoking mastermind.
00:55:11He said something to his wife about the American telling him that it'd make him rich.
00:55:16But that must mean that he found out about Dad's device today.
00:55:20On this train.
00:55:22So, he couldn't have been working with the waiter from the start.
00:55:30The waiter had to be working with someone.
00:55:32So, there must still be another thief on the train.
00:55:41Can I have a biscuit, please?
00:55:44Of course.
00:55:45Take two.
00:55:46Of course.
00:55:48Take two.
00:55:49No one drink the tea.
00:55:56What are you talking about?
00:55:58It's her.
00:55:59She's the thief and Mrs. Sassoon from the guest house.
00:56:02I knew what about that perfume before.
00:56:05Faux de nuit by Jacques Galan.
00:56:07I smelled it back in the guest house in Dorset and I can smell it again now.
00:56:11You're quite a little detectives, aren't you?
00:56:13I spent weeks setting up that operation.
00:56:16Researching the smogger's tunnel, purchasing the guest house, biding my time.
00:56:20I thought the algebra engine was mine.
00:56:22But no.
00:56:23I must admit I was more than a little frustrated with your interference.
00:56:26Still, once my colleague managed to neutralize her parents and the British agent,
00:56:31it wasn't too hard for me to get what I wanted.
00:56:33You're not keeping the device.
00:56:36I wouldn't do that if I were you.
00:56:38We're leaving and we're taking that with us.
00:56:40We can do this the easy way or the hard way.
00:56:46Hard way it is, Dan.
00:56:55Hard way it is, Dan.
00:57:09Hard way it is, Dan.
00:57:10Hard way it is.
00:57:12Hard way it is, Dan.
00:57:13Hard way it is, Dan.
00:57:14Hard way it is, Dan.
00:57:15Hard way it is, Dan.
00:57:16It's terrible.
00:57:17It's not we're getting the manners.
00:57:19Pete, it's there.
00:57:20But we're going to run after the train pretty quickly.
00:57:22Any better ideas?
00:57:23Yeah, hide!
00:57:29George!
00:57:50George!
00:57:53Are you here?
00:57:58George!
00:58:07Oh, hello, Timmy.
00:58:09Who's a good boy? Huh?
00:58:11Who's a good boy?
00:58:13I know you're in here, George.
00:58:16You wouldn't leave Timmy behind.
00:58:19Come out!
00:58:21I just want to chat.
00:58:24You don't care about talking.
00:58:26You just want the algebra engine.
00:58:27Oh, la, la, la, la.
00:58:30Put it down.
00:58:32Why should I?
00:58:33What do you even want it for?
00:58:35I'm not the villain here, George.
00:58:37I'm a mere player in a much bigger game.
00:58:40You can't just run around lying and stealing things that don't belong to you.
00:58:44Sweet boy.
00:58:45You just described the British Empire.
00:58:47You just described the British Empire.
00:58:48you just wants the old man to see.
00:58:49Come back.
00:58:50Where's the two of them?
00:58:51You just liked to go into the boat.
00:58:52Come back.
00:58:53Come back.
00:58:54Come back.
00:58:55Come back.
00:58:57Come back.
00:58:58Come back.
00:58:59Come back.
00:59:00Come back.
00:59:01Come back.
00:59:02Come back.
00:59:04Come back.
00:59:05Smart girl.
00:59:11Thank you, George. This has been fun.
00:59:35No!
01:00:05Do you think anyone knows we're missing?
01:00:12Definitely.
01:00:14The train will be in Edinburgh now.
01:00:18Aunt Fanny and Uncle Quentin would have woken up.
01:00:21Maybe they'll speak to Agent Kate.
01:00:24He knows what happened.
01:00:35How much further?
01:00:40If we keep our current speed, maybe a little into five hours, give or take.
01:00:46I can't walk for five hours.
01:00:49I'm tired and hungry.
01:00:52I'm eight years old.
01:00:53We're all tired and hungry.
01:00:55I'm not. I'm angry.
01:00:57She thinks she's so important and different
01:00:59and not exactly like every other adult that underestimates us
01:01:02just because we're not old.
01:01:03We need a plan. Something epic.
01:01:06Something that will make her regret lying and stealing.
01:01:08And threatening, Timmy.
01:01:09Oh, just stop already!
01:01:12Please!
01:01:13We can't just let her get away with it.
01:01:15Look around, George.
01:01:16We're in the middle of nowhere.
01:01:18She already has gotten away with it.
01:01:21Maybe if you'd...
01:01:23What?
01:01:25No, go on. Maybe if I'd what?
01:01:27Listened to me.
01:01:29To Keats.
01:01:31Maybe if we left with a device when we had the chance,
01:01:33we wouldn't be in this mess.
01:01:35So you think it's all my fault.
01:01:37See?
01:01:38Why do you do that?
01:01:39You act like you don't care what people think,
01:01:41but you do, just like everyone else.
01:01:43You want people to like you.
01:01:45You wanted Sabrina to like you, so you trusted her,
01:01:47even though Keats said not to trust anyone,
01:01:49and she took the device, and now I don't like you!
01:01:53Look!
01:01:53Are they goodies or baddies?
01:01:59Goodies.
01:02:01Definitely.
01:02:06Barnard Children,
01:02:07I'm Brigadier Hollingsbrook.
01:02:11Get in!
01:02:13Where are you taking us?
01:02:15To your parents,
01:02:16at the new special op...
01:02:17No, that information is highly classified, Private.
01:02:20Yeah.
01:02:21Yes, sir.
01:02:22Sorry, sir.
01:02:23All you need to know is that you'll be staying
01:02:25at the Cairngorm's garrison,
01:02:27at his majesty's pleasure.
01:02:30Come along.
01:02:31Come along.
01:02:31What's your name?
01:02:49Private Craig, miss.
01:02:51Can I ask?
01:02:52Are our aunt and uncle all right?
01:02:54I'm not supposed to say, miss,
01:02:56but yes, they are.
01:02:58And is Agent Keats with them?
01:03:02He certainly is.
01:03:03Private Craig, do not give her any more information.
01:03:05Private Craig, do not give her any more information.
01:03:28Private Craig!
01:03:28right!
01:03:30Right.
01:03:31Follow me.
01:03:31Hold him!
01:03:32Timmy!
01:03:34Oh, thank God!
01:03:36Oh, Mum, stop!
01:03:40Thank goodness you're OK.
01:03:42We lost the engine.
01:03:44I'm sorry, Dad.
01:03:46I'm sorry, Dad.
01:03:48I'm sorry, Dad.
01:03:50I'm sorry, Dad.
01:03:52I'm sorry, Dad.
01:03:54I'm sorry, Dad.
01:03:56I'm sorry, Dad.
01:03:58I'm sorry, Dad.
01:04:00I'm sorry, Dad.
01:04:02Doesn't matter. So long as you're safe.
01:04:14Lina Martine.
01:04:16Is that her?
01:04:18We've been monitoring her movements for years.
01:04:20Who have?
01:04:22Special intelligence.
01:04:24Well, not very successfully, it seems.
01:04:26What will she do with my machine?
01:04:28Yeah, presumably, which could be any one of a number of hostile nations.
01:04:32Germans, most likely.
01:04:34We've got to stop her.
01:04:36I'm sorry, did you say something?
01:04:38The only we here is the British Armed Forces.
01:04:42We will be the ones to decide on the appropriate course of action.
01:04:46If my men hadn't wasted so much time tracking you children down, we might have had a shot.
01:04:52But you'll be long gone by now.
01:04:54Which is why special intelligence have decided to concentrate our efforts on helping you construct a duplicate machine.
01:05:00And by special intelligence, you mean my brother Jack.
01:05:04I'm not a liberty to discuss the chain of command.
01:05:06Private Craig.
01:05:08Will you please escort the children to the barracks?
01:05:12Give them whatever they want.
01:05:14Just keep them occupied and away.
01:05:18It's irrelevant anyway.
01:05:23The whole thing is impossible.
01:05:25You were given whatever resources you need.
01:05:27And of course, free reign of the laboratory here.
01:05:29It would take months.
01:05:31Even then, there's no guarantee.
01:05:33It's more likely that your machine is halfway to Berlin by now.
01:05:36A war is coming, Professor.
01:05:39And we cannot allow the Germans any technological advantage.
01:05:44So I'm sorry if it sounded like a request.
01:05:47Because it isn't.
01:05:51You will build a new algebra engine and you will remain here under the supervision of Brigadier Hollingsbrook until it's complete.
01:06:01You can do it, darling.
01:06:05You've done it before.
01:06:07You can do it again.
01:06:09You can do it again.
01:06:15Come on, wife.
01:06:17Come on!
01:06:18Come on.
01:06:19Come on, the flag's booty!
01:06:30The Major said that we were guests at His Majesty's pleasure.
01:06:34But I doubt that His Majesty would be particularly pleased with this slop.
01:06:38He was a brigadier, not a major.
01:06:41Even a brigadier should be able to put together a meal
01:06:44that comes with some kind of pudding.
01:06:46Whatever.
01:07:04No matter how bad things get, they're always better at plum pudding.
01:07:34I'm sorry, George.
01:07:55Obviously, I do like you.
01:07:58I'm sorry too.
01:08:04You were right. I should have listened to you.
01:08:07Still, I trusted Sabrina. Now we're stuck in this place.
01:08:11And Dad has to build a whole new engine.
01:08:14It's not your fault.
01:08:16You were right about a lot of things.
01:08:19You're the reason we recovered the device twice before.
01:08:22And maybe we can do it again.
01:08:25We do make a pretty good team when we work together.
01:08:29We've got nothing to go on, though.
01:08:31We've got this. Sabrina's timetable.
01:08:33Look at the numbers scribbled on the corner.
01:08:36Maybe they're measurements for her tailor?
01:08:39That doesn't make any sense.
01:08:40Maybe it's the telephone number.
01:08:42There are too many numbers.
01:08:43I know what it is.
01:08:44It's a shortwave radio frequency.
01:08:46It's how I listen to the test.
01:08:48Maybe...
01:08:49Maybe that's how she receives her instructions.
01:08:52Only one way to find it out.
01:08:55Private Cray?
01:08:56Private Cray?
01:08:57Uh-huh.
01:08:58Private Cray
01:08:59Private Cray
01:09:00Private Cray
01:09:01Private Cray
01:09:02Private Cray
01:09:03Private Cray
01:09:04Private Cray
01:09:05Private Cray
01:09:06Private Cray
01:09:07Private Cray
01:09:08Private Cray
01:09:09Private Cray
01:09:10Private Cray
01:09:11Private Cray
01:09:12Private Cray
01:09:13Private Cray
01:09:14Private Cray
01:09:15Private Cray
01:09:16Private Cray
01:09:17Private Cray
01:09:18Private Cray
01:09:19Private Cray
01:09:20Private Cray
01:09:21Private Cray
01:09:22Private Cray
01:09:23Is it working?
01:09:27Shhh!
01:09:34What is that?
01:09:35It's Morse code recorded on a loop.
01:09:43It says, today's date.
01:09:48Loch Ness.
01:09:49Goose and cuckoo?
01:10:001800.
01:10:01Loch Ness must be the meeting point.
01:10:03And 1800 at 6 o'clock this evening.
01:10:05What about the goose and the cuckoo?
01:10:07What have they got to do with anything?
01:10:09Don't know, but we have less than two hours to find out.
01:10:12Loch Ness is miles away. We'd never make it, even if we ran.
01:10:15Private Craig?
01:10:34Do you really think you'll catch a glimpse of an essay?
01:10:36Almost certainly, Private Craig.
01:10:38There's been a spate of sightings.
01:10:40Ever since that picture was published in the papers last week.
01:10:43That photograph has been widely discredited.
01:10:45It could just as easily have been an uptown boat.
01:10:48But we believe it's real, don't we?
01:10:50Well, you won't get a better view of the Loch Ness monster than from up here.
01:11:09Thank you, Private Craig.
01:11:11Can we borrow your binoculars, please?
01:11:13Yes, of course.
01:11:22Less than an hour.
01:11:25Loch Ness, 1800s.
01:11:29But no geese?
01:11:31Or cuckoos?
01:11:33Wait a minute.
01:11:38You can stay here, Private Craig.
01:11:40Keep your eyes peeled for the monster.
01:11:46We're going to the pub.
01:11:55Find the pub.
01:12:08No kids allowed.
01:12:09Unless you're looking to purchase a souvenir.
01:12:14I've got Nessie hats, Nessie scarves, Nessie doilies.
01:12:17Very popular.
01:12:18No, thank you.
01:12:19We're actually looking for one of your guests.
01:12:21Her name's Sabrina Grover.
01:12:23Or Mrs Hussain.
01:12:25Possibly Nina Martin.
01:12:27Got a lot of names, this lady you're looking for.
01:12:30Well, I call her Mummy.
01:12:32I've lost her.
01:12:33And if you don't help me find her, I'll scream.
01:12:40We'll happily buy a scarf.
01:12:44Each?
01:12:47Juliana.
01:12:48I'm sorry, but I can't possibly disclose the personal details of my guests.
01:13:08Whether close family members or not.
01:13:18Oh, come on, you've got time for one.
01:13:19Something to warm his eye.
01:13:20Fine, one pint of mild and then I'm heading up to Rhymes.
01:13:21You're obsessed with that typewriter.
01:13:22And you can't drink mild in the Highlands.
01:13:24I'll get us a couple of whiskies.
01:13:26Ah.
01:13:27Hello, young sirs.
01:13:28Didn't expect to see you here.
01:13:29We're looking for the lady from the train.
01:13:30You know the one walks into every room like she owns it?
01:13:31I don't know.
01:13:32I don't know.
01:13:33I don't know.
01:13:34I don't know.
01:13:35I don't know.
01:13:36I don't know.
01:13:37I don't know.
01:13:38I don't know.
01:13:39I don't know.
01:13:40I don't know.
01:13:41I don't know.
01:13:42I don't know.
01:13:43I don't know.
01:13:44We're looking for the lady from the train.
01:13:45You know the one walks into every room like she owns it?
01:13:48Extraordinarily well dressed.
01:13:50I mean the one who's rather outlandishly dressed in the periwinkle getup.
01:13:55It was peacock blue, as a matter of fact.
01:13:58I wonder if this stylish woman like her wouldn't be seen dead in an establishment like this.
01:14:02No, that's how wrong you can be.
01:14:04You see, while you've been bashing on that new typewriter of yours, morning, noon and night,
01:14:08she was staying in the room next door to us all along.
01:14:11Not that she's there anymore.
01:14:13Do you have any idea where she's gone?
01:14:15Well, she was standing looking rather forlorn at the end of a pier the last time I saw her.
01:14:20Probably looking out for Nessie, no doubt.
01:14:22Was she carrying anything?
01:14:23Like a large case?
01:14:25I recall a fox fur stole.
01:14:27No case, though.
01:14:29Right.
01:14:30Now, whiskey.
01:14:31Well...
01:14:33And no, no ice.
01:14:35It's insulting.
01:14:36If you insist, you can have it with water.
01:14:39We haven't got long.
01:14:40How much money have you got?
01:14:41A couple of pounds.
01:14:42What do you want it for?
01:14:43Souvenirs.
01:14:44But we've already got souvenirs.
01:14:45I'm aware of that.
01:14:46I'm going to need you to order some more.
01:14:50You know, I really like my scarf.
01:14:51A lot.
01:14:52But what I want more than anything is another one.
01:14:53In mauve.
01:14:54Might have some purple wool in the back.
01:14:55Sounds perfect.
01:14:56All right.
01:14:57Stay there.
01:14:58Quickly.
01:14:59Quickly.
01:15:00Quickly.
01:15:01Quickly.
01:15:02Quickly.
01:15:03Quickly.
01:15:04Go.
01:15:05I'm gonna need you.
01:15:06I'm gonna need you.
01:15:07Go, go, go, go.
01:15:08Go, go, go, go.
01:15:09Quickly.
01:15:10Bye.
01:15:12Right.
01:15:13All right.
01:15:15Stay there.
01:15:17You ready?
01:15:19protect and başka
01:15:21further questions.
01:15:28That's not a monster.
01:15:58Your country's reputation for good timekeeping is clearly well-deserved.
01:16:09I only hope you will be able to match such efficiency.
01:16:12Of course.
01:16:13I trust you had a pleasant trip.
01:16:16U-boat conditions are hardly pleasant.
01:16:19And navigating our way from the Atlantic was no small feat.
01:16:26But I hope we will be able to provide you with a level of comfort on your trip back to Germany.
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