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The Famous Five (2023) Season 1 Episode 4 - Mystery at the Prospect
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#The Famous Five
#RealityInsightHub
🎞 Please subscribe to our official channel to watch the full movie for free, as soon as possible. ❤️Reality Insight Hub❤️
👉 Official Channel: />👉 THANK YOU ⭐❤️❤️❤️⭐
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FunTranscript
00:00:00Let's get started.
00:00:30Let's get started.
00:01:00A man is returning home, a musician of great talent and fortune, but his enemies await.
00:01:14He is in grave danger.
00:01:22In the shadows lurks death.
00:01:27The riddle of the missing monocle.
00:01:49A male man of our own mystery.
00:01:52That's a lot of M's, Mum.
00:01:54Who's Mal?
00:01:55He's my new detective and don't get marmalade on him, please.
00:01:58Has he found the missing monocle?
00:02:00He has not.
00:02:02And to be quite honest, neither have I.
00:02:04This is entirely without sense.
00:02:07Your great-uncle Horace is inviting you to visit him at the Prospect Hotel on Cragstone Ridge.
00:02:12Why doesn't that make any sense?
00:02:14I rather assumed your great-uncle Horace was still dead.
00:02:17There may be something of interest to your daughter Georgina, George.
00:02:21He's dead.
00:02:22You can't expect him to know that.
00:02:24She can't possibly go.
00:02:25Well, certainly not on her own, no.
00:02:27I am here, you know.
00:02:30Oh, Mum, Dad, please say yes.
00:02:32Look, I love you, but I'm dying of bored and being stuck here with you all summer.
00:02:38Oh.
00:02:39Charming.
00:02:40You know what I mean.
00:02:41I shall go with you.
00:02:43This is odd.
00:02:44I want to get to the bottom of it.
00:02:46Hear that, Timmy?
00:02:47Yeah.
00:02:48It's venture time.
00:02:49Yeah.
00:02:50No, no, no, no, no.
00:02:51Absolutely not.
00:02:52This is categorically not another one of your preposterous escapades.
00:02:56Well, how can it be?
00:02:56It's just me and Jimmy.
00:02:58Isn't it?
00:02:59Yeah.
00:03:00And me.
00:03:01And Dad.
00:03:02And Mum.
00:03:04I can write from there.
00:03:06Big spooky hotel in the middle of nowhere.
00:03:08That's where I'll find my monopole.
00:03:13Yeah.
00:03:26That was whale fat.
00:03:29Huh?
00:03:30In the sandwich.
00:03:32On the train.
00:03:33Highly likely.
00:03:35Rationing?
00:03:36Oh, it was yuck.
00:03:38Evacuation does sound grim.
00:03:40But we're here now.
00:03:42So we have to make a go of it.
00:03:44What does the letter say happens next?
00:03:47Dear sir, in light of the aerial bombardment of London,
00:03:50your children have been selected to join a party of 22 evacuees
00:03:53leaving the capital this Friday.
00:03:55The 910 from Paddington delivers them to Cragstone Ridge,
00:03:58once they will be escorted to the safety of the renowned prospect hotel.
00:04:01Renowned is good.
00:04:02We'll pretend it's holiday.
00:04:04No air raids, no sirens, no horrible gas masks.
00:04:08New friends.
00:04:09Next week is my birthday.
00:04:11And the most important thing about my birthday is that we're together,
00:04:15with Mum and Dad,
00:04:16and we all sing Green Grow the Russia Zone.
00:04:18It's compulsory, and now it's been cancelled,
00:04:20and I miss them already, and...
00:04:22That man is staring at us.
00:04:24Oh, no.
00:04:27He's coming over.
00:04:29Julian.
00:04:33Do I have the pleasure of beholding the family Barnard?
00:04:36Julian Division?
00:04:37Yeah, we're the Barnards.
00:04:39Ah.
00:04:39Mr Vincent, at your service.
00:04:42How was the journey?
00:04:43I trust they gave me something tasty to eat.
00:04:46They did.
00:04:47It was tasty.
00:04:48I'm so pleased.
00:04:50Cases?
00:04:51We can carry our cases.
00:04:56This way.
00:04:58Hello, Lord Sport.
00:04:59Stanley Crawford.
00:05:00Insurance agent.
00:05:01My card.
00:05:03I believe we have a common destination,
00:05:04the Prospect Hotel.
00:05:06Um, yes.
00:05:08What's it like?
00:05:10Brody, unsuitable place to dump a pile of kids,
00:05:12if you ask me, but there's a war on.
00:05:15Shall we?
00:05:23I've been reading up about Cragstone Ridge.
00:05:28It's surrounded by a marsh.
00:05:30Local legend says the place eats people.
00:05:33Great.
00:05:34A cursed hotel just gets better and better.
00:05:36I'm scared.
00:05:52There are no ghosts of the old Prospect.
00:05:55What there is, is buckets of bad blood.
00:05:58Broken promises, disappointments, betrayals.
00:06:02Yeah, that's what a man really should be allowed to insure against.
00:06:07Betrayal.
00:06:08Can't be.
00:06:34Playing tonight?
00:06:40Ah.
00:06:42Do I have the pleasure of welcoming the Barnard family?
00:06:46Yes.
00:06:46We just met.
00:06:48We certainly did.
00:06:49And what an unfettered, delighted was.
00:06:51I am Mr. Vincent, proprietor, and your host, Number 16.
00:06:56Are the other children here already?
00:06:57I don't think we're expecting any other children.
00:06:59Correction, we are one young man.
00:07:05What?
00:07:07Mr. Vincent, what is the meaning of this disgusting proposition?
00:07:15What did he say?
00:07:17Mummy.
00:07:17Well, don't mumble, Angela.
00:07:20It's so unattractive.
00:07:22This hideous threat of so-called popular music.
00:07:28I've just returned from Brazil, where the noise was insufferable.
00:07:34And in this hotel, I demand peace and quiet.
00:07:39Miss Clutterbuck.
00:07:41The music is jazz.
00:07:43It is thrilling.
00:07:45What?
00:07:46I didn't speak.
00:07:48Well, I heard you doing so.
00:07:49Speak it out, child.
00:07:51I was only going to say that Cab V is Mr. Vincent's son.
00:07:56I call that an error of taste.
00:08:00My son is celebrated in America?
00:08:03In America.
00:08:06How are we supposed to pretend it's a holiday when the people are so peculiar?
00:08:11You see, that's something about this letter I don't understand.
00:08:20The postmark was posted here.
00:08:23It should have come from Westminster.
00:08:24Excuse me.
00:08:25You've come from London, haven't you?
00:08:27Is it bad down there?
00:08:29Bombs and that?
00:08:30It's quite bad.
00:08:32It said on the wireless we lost 20 aircraft last week.
00:08:35The whole situation's extremely disturbing.
00:08:38You poor things.
00:08:39Now you're stuck in this godforsaken place.
00:08:43It's completely devastating.
00:08:46I'm going to be here on my birthday.
00:08:48I'm so sorry.
00:08:50But look, there's a dance band here tonight.
00:08:52They really swing.
00:08:54That's something, eh?
00:08:56Can I ask you a question?
00:08:58We were expecting things here to be a bit...
00:09:00different.
00:09:02Is there anything strange going on in the hotel?
00:09:05No more than normal.
00:09:06Well, of course, there is the Harrisbecks.
00:09:11That's Latin for fortune teller.
00:09:15The bloke on the fourth floor does tarot cards for the guests.
00:09:19The staff want to go near him, but I nipped in the other day.
00:09:22I asked him about my future in hospitality, and all he talked about was death.
00:09:29I asked for my money back, but he got really shirty.
00:09:32I believe I asked for the Times of London, not the Cragstone Herald.
00:09:36I'm so sorry, Mr. Standing.
00:09:38I must have misheard.
00:09:40Times?
00:09:41Cragstone?
00:09:41You must have been working quite hard to mishear.
00:09:44But now you're better informed.
00:09:47We should all be better informed.
00:09:52Well, I mustn't be caught talking.
00:09:54Being chummy with the guests is sackable.
00:09:57We'd like to be chummy with you.
00:10:01I'm Dyliss.
00:10:03He's Julian.
00:10:04Julian.
00:10:10So is that the famous marsh that eats people?
00:10:14Somewhere out there.
00:10:16I wish George was here.
00:10:20Mr. Crawford.
00:10:21Mr. Vincent.
00:10:22That man on the stairs.
00:10:24Mr. Standing.
00:10:26Everyone's weird.
00:10:28Dyliss wasn't weird.
00:10:29She was a bit weird.
00:10:31That's creepy.
00:10:35And what kind of hotel hires a full-time fortune teller to live on their top floor?
00:10:40They're all cranks and charlotte.
00:10:41I mean, he seems like a good business.
00:10:44You know what Dad will say.
00:10:45He calls mumble gun.
00:10:48I say, keep our heads down.
00:10:49Until he's got out.
00:10:50We're going to probably go.
00:10:51Why is the Horrorspex anyway?
00:11:15Well, strictly speaking, what a Horrorspex does is drag out your interests.
00:11:19It will be a fate, of course, but it will always are.
00:11:26You promised to stand by me.
00:11:29Events overtook my promise.
00:11:32What?
00:11:34Receiving from the guests and legging it to America, those the events you have in mind.
00:11:38Can't be.
00:11:40Well, Father, just watch the show tonight, then you'll understand where I had to go.
00:11:43You lost the right to understand it a long time ago, son.
00:11:46Son.
00:11:49You lost the right to that and all.
00:11:59Please, please, please, please, please.
00:12:01Anne?
00:12:08What's happened?
00:12:10I just... I...
00:12:13Oh, good God. Canine Angela, interpose yourself.
00:12:23Nice doggy.
00:12:25He likes you.
00:12:26Oh, good.
00:12:28George!
00:12:29Oh, my gosh, what are you guys doing here?
00:12:33The young man, it's you.
00:12:34You never get what's in our brain.
00:12:36There's a secret...
00:12:37How is this possible?
00:12:38I don't know. I nearly got a letter and then...
00:12:39Letter?
00:12:40No.
00:12:41It's Uncle Quentin with you.
00:12:42And Mum, they're outside.
00:12:43He's throwing out the truck.
00:12:44He was going too fast and then he bashed into a tree.
00:12:46But it doesn't matter, because here we all are together again.
00:12:48Take me to Great Uncle Horace.
00:12:50What?
00:12:51You didn't get a letter from Great Uncle Horace?
00:12:55Great Uncle Horace is dead.
00:12:57Definitely dead.
00:12:581919, squashed by an elephant on the rampage.
00:13:01This letter, George, is written on exactly the same paper as our evacuation order.
00:13:08Same smudging on the T's.
00:13:11Same typewriter.
00:13:13Both letters are fake.
00:13:15Somebody to lie to us all.
00:13:17Come on, Speedy.
00:13:18That tree was travelling far too fast.
00:13:20And it was on the wrong side of the road.
00:13:21There's a dog on the premises.
00:13:24How appalling.
00:13:26I don't believe it!
00:13:28What a wonderful surprise!
00:13:31Mum, they have four beds in there.
00:13:41It's almost my birthday.
00:13:43Thanks, Dad.
00:13:44Run!
00:13:45Where?
00:13:46Where?
00:13:47Where?
00:13:48What's the point?
00:13:52Hola, jóvenes.
00:13:56One, two, three, four...
00:14:00Five.
00:14:02Excellent.
00:14:04He will see you now.
00:14:06What?
00:14:07Who are you?
00:14:08Who wants to see us?
00:14:10The man who holds the future in his hands.
00:14:13She means the man on the fourth floor.
00:14:15The horror specks.
00:14:16The fortune teller.
00:14:18Electrical failures.
00:14:19They have them here too.
00:14:32electrical failures
00:14:42they have them here too
00:14:45it's the war
00:14:47nothing to worry about
00:15:02you took your time
00:15:09but now that you're here
00:15:13I shall explain you to yourselves
00:15:19be seated
00:15:32in this case
00:15:41no need of cards
00:15:45you, George
00:15:49an only child
00:15:51and lonely
00:15:53when separated from your cousins
00:15:56you feel you are only
00:15:58half a person
00:15:59that's completely ridiculous
00:16:04and yet completely true
00:16:06you are
00:16:10pathetically afraid of ghosts
00:16:13no I'm not
00:16:14when you lie your nose goes puce
00:16:16dick
00:16:18a brain the size of Jupiter
00:16:22but there is only one thing in life
00:16:25you really want to be
00:16:26and what is that?
00:16:27taller
00:16:28alright that's enough
00:16:29says Julian
00:16:31who wonders if and when
00:16:33he will ever kiss a girl
00:16:35how do you know this?
00:16:41come here my dear
00:16:42a trifle warm in here
00:16:52Gabrielle
00:16:53my poor old head is
00:16:58getting itchy
00:17:00hello children
00:17:12went what?
00:17:20after our last
00:17:22little adventure together
00:17:25I withdrew to Paris
00:17:27there I happened upon
00:17:30Gabriella
00:17:31at the roulette table
00:17:33I lost just about
00:17:37everything else
00:17:37but
00:17:38her I found
00:17:40I thought Paris was full of Nazis
00:17:42they were a disincentive
00:17:44to remain
00:17:45I returned to England
00:17:47penniless
00:17:48and secured discreet
00:17:50employment at this hotel
00:17:51as a fortune teller
00:17:52you wrote those letters
00:17:54didn't you?
00:17:55one to our parents
00:17:56pretending to be the government
00:17:57one to George's
00:17:58pretending to be Horace
00:17:59to get us all to come here
00:18:01why?
00:18:02very intelligent
00:18:04this guy
00:18:05what brings you here
00:18:09is murder
00:18:13this hotel
00:18:16is a fetid swamp
00:18:17of resentment
00:18:18and lust for revenge
00:18:19we heard
00:18:20you'd heard
00:18:21had you
00:18:21had you heard
00:18:22well you're now
00:18:23hearing the correct version
00:18:24from me
00:18:25you saw the poster
00:18:30for the singer
00:18:31Cab V
00:18:32his real name
00:18:35is Charlie Vincent
00:18:37son of the imbecile
00:18:40who runs this pub
00:18:42Charlie
00:18:43was supposed to take over
00:18:45managing the place
00:18:46but
00:18:47oh no
00:18:47he bolted to New York
00:18:49and became an international star
00:18:51meanwhile
00:18:53the hotel's gone down the drain
00:18:55and his father blames him
00:18:57so
00:18:58why did Charlie come back?
00:19:01to atone
00:19:01for what?
00:19:03having some ambition?
00:19:06Charlie distressed
00:19:07a great many people
00:19:09when he fled the country
00:19:10people he simply abandoned
00:19:12friends
00:19:13family
00:19:15at least one lover
00:19:16this
00:19:18is why
00:19:19he is destined
00:19:20to be murdered
00:19:21how could you possibly
00:19:23know that?
00:19:24because I had a vision
00:19:29because I had a vision
00:19:29there was
00:19:36nothing I could do
00:19:38death is coming
00:19:50death is coming
00:19:50it's inexorable
00:19:53it won't stop
00:19:54until it takes him
00:19:55do you understand
00:19:56what I'm saying?
00:19:59someone in this hotel
00:20:01is preparing
00:20:02to murder
00:20:02Charlie Vincent
00:20:03he has had visions
00:20:06before
00:20:07ever since he drank
00:20:08from that fountain
00:20:09on Kieran Island
00:20:09I have
00:20:11and the only people
00:20:14who know them
00:20:15to be true
00:20:15are gathered
00:20:16in this room
00:20:17nobody in the world
00:20:19can do this
00:20:19but you
00:20:20do what?
00:20:23the Nazis
00:20:24have our country
00:20:24by the throat
00:20:25choking us to death
00:20:27we cannot
00:20:27speak
00:20:28we cannot breathe
00:20:29but Charlie Vincent
00:20:30can sing
00:20:32his music
00:20:33is a fount
00:20:35of joy
00:20:35hope
00:20:36inspiration
00:20:37for a country
00:20:38to lose him now
00:20:39would be catastrophic
00:20:40to the morale
00:20:41of the nation
00:20:42so
00:20:44what I want you
00:20:46to do children
00:20:46is identify
00:20:48the would-be
00:20:50assassin
00:20:50and stop him
00:20:53now I am
00:20:58exhausted
00:20:59leave me
00:21:00go
00:21:00I must warn you
00:21:14Thomas
00:21:15the father
00:21:16of the tall girl
00:21:17I believe
00:21:18he will interfere
00:21:19Mama writes a book
00:21:24Papa has nothing
00:21:26to occupy his mind
00:21:28al contrario
00:21:32Gabriela
00:21:33he has you
00:21:36is Charlie
00:21:40really going to die?
00:21:43that insurance man
00:21:44Crawford
00:21:44he was going on
00:21:45about betrayal
00:21:46what about that
00:21:48old lady that went
00:21:48to Brazil
00:21:49Miss Clusterbuck
00:21:50she said his music
00:21:51was hideous
00:21:52no you listen to me
00:21:52cab V
00:21:54is a high value commodity
00:21:56be forceful already
00:21:58hey
00:21:59you keep your wig on
00:22:01you want forceful
00:22:02I can be forceful
00:22:03I want it now
00:22:04well consider me
00:22:05your executioner
00:22:07Julian
00:22:13you should write a list
00:22:15put Mr. Standing
00:22:16at the top of it
00:22:17he called Charlie
00:22:18a commodity
00:22:19what's a commodity?
00:22:21step one
00:22:22surely should be
00:22:23fine Charlie
00:22:24he's the one
00:22:24who's about to be
00:22:25murdered
00:22:25we have to warn him
00:22:26hang on
00:22:27Wendworth
00:22:28has visions
00:22:29okay
00:22:29but he also
00:22:30lies through his teeth
00:22:31so how do we know
00:22:32which one he's doing now?
00:22:33we don't
00:22:34so why are we
00:22:35getting involved?
00:22:36because it's what we do
00:22:37we get involved
00:22:39if there's any chance
00:22:40at all that we can
00:22:41stop someone from being
00:22:41killed
00:22:42we have to try
00:22:43I've missed you George
00:22:45she's right Nick
00:22:47even if it's a trap
00:22:48we have to try
00:22:49okay
00:22:50Timmy gets the casting bow
00:22:52okay
00:22:54five nil for investigation
00:22:56let's find Charlie
00:22:57intemperate
00:23:12intented abulation sir
00:23:13I want to see your
00:23:14hotel register
00:23:15I want material proof
00:23:16of my uncle's
00:23:17continued existence
00:23:18I'm afraid we don't
00:23:19keep such records here sir
00:23:20our guests we find
00:23:22are very jealous
00:23:23of their privacy
00:23:24the prospect is above all
00:23:26discreet
00:23:27George
00:23:35are you particularly busy?
00:23:37er
00:23:38we're just playing
00:23:40hide and seek
00:23:40who's hiding?
00:23:42you're all here
00:23:42advanced version
00:23:45what's up?
00:23:46there's something
00:23:47rummy going on
00:23:48in this establishment
00:23:49Uncle Horace
00:23:50there's nowhere to be found
00:23:51and I need to know why
00:23:53I suggest
00:23:53we investigate this together
00:23:55Professor
00:23:57Quentin
00:23:58Bernard
00:23:58wow
00:24:01creator of the
00:24:04legendary algebra
00:24:05engine
00:24:05integrator
00:24:07theorist
00:24:08master
00:24:09logician
00:24:10logician
00:24:10you know that science
00:24:12governs all
00:24:13but I know
00:24:14that science
00:24:15is covered
00:24:16by magic
00:24:17we have much
00:24:19to discuss
00:24:20you and I
00:24:21go go go
00:24:27we do
00:24:29sorry Mr. Crawford
00:24:41are you looking for
00:24:43someone else?
00:24:45Charlie
00:24:45cab V
00:24:46now that's him
00:24:47punishing the piano
00:24:48but take my tip
00:24:50if Charlie Vincent
00:24:52shakes your hand
00:24:53count your fingers
00:24:54my card
00:25:05my card
00:25:05do you know
00:25:27we once had a warlock
00:25:29speak at the world society
00:25:30the students booed him
00:25:32off the podium
00:25:32they threw wet blotting paper
00:25:34it's terribly disrespectful
00:25:36I wanted to hear
00:25:37what he had to say
00:25:37you're a man of imagination
00:25:39at last
00:25:41I had quite given up
00:25:43hope of proper conversation
00:25:44here
00:25:45allow me to furnish you
00:25:48with an aperitif
00:25:50senora
00:25:50senorita
00:25:52please
00:25:53cabriela
00:25:54is this anybody's?
00:25:58not for you sir
00:25:59that's uh
00:26:02Charlie's five o'clock
00:26:03it's rested
00:26:04so the ingredients
00:26:06can combine
00:26:07good lord
00:26:07can I uh
00:26:09prepare you both
00:26:10a house cocktail?
00:26:12it's called
00:26:12death comes
00:26:14for the archbishop
00:26:15sounds heavenly
00:26:17marvelous
00:26:17your present research
00:26:20professor
00:26:20what does it concern?
00:26:23how do you plan
00:26:23to astonish
00:26:24civilization?
00:26:26well
00:26:26I believe
00:26:28that it will
00:26:29one day be possible
00:26:30to harness
00:26:31the natural
00:26:31spontaneous energy
00:26:32of the world
00:26:33around us
00:26:34rather than rely
00:26:36on fossil fuels
00:26:37I mean
00:26:37why rely on fossil fuels
00:26:38when
00:26:38even my jumper
00:26:40is constantly
00:26:40generating electricity
00:26:42your jumper?
00:26:44oh
00:26:44jumper
00:26:45but the magicians
00:26:48you know
00:26:49they have been
00:26:49harnessing
00:26:50the energy
00:26:51of creation
00:26:51for thousands
00:26:52of years
00:26:53in fables
00:26:54not in life
00:26:55you scurn
00:26:56the wisdom
00:26:57of the ancients
00:26:58two deaths
00:26:59this for
00:27:05Charlie
00:27:05I wonder
00:27:10would you care
00:27:11to dine with us
00:27:11this evening?
00:27:12us?
00:27:13myself
00:27:14my daughter
00:27:14and my wife
00:27:15I should be delighted
00:27:17hasta pronto
00:27:21professor
00:27:23hmm
00:27:24blue again
00:27:38it's you again
00:27:40here comes
00:27:42the same old fear
00:27:43the saddest song
00:27:48I ever wrote
00:27:51the one that you'll never hear
00:27:54B flat's on the blink
00:28:06but you have to work
00:28:07with what you've got
00:28:07I love the song
00:28:11you were playing
00:28:11when we came in
00:28:12the sad one
00:28:14that's
00:28:15that's the one that counts
00:28:16can we come to the concert
00:28:18tonight
00:28:18Dillis said we should
00:28:20Dillis recommends it
00:28:23you probably should
00:28:23yeah
00:28:23but first Charlie
00:28:25we've got some questions
00:28:26serious questions
00:28:27you see
00:28:28you're going to be murdered
00:28:29what
00:28:31the five o'clock sir
00:28:55anything else for you sir
00:29:00no thank you Dillis
00:29:02no yes
00:29:05some lemonade
00:29:06for these guys
00:29:06when I was little
00:29:13there was an old bloke
00:29:14who used to perform here
00:29:15a delta bluesman
00:29:16from Chicago
00:29:17who drank martinis
00:29:19and played this piano
00:29:20just for me
00:29:21that's how it all started
00:29:23me and jazz
00:29:24my old man hated it
00:29:27he said it was
00:29:28the music of the devil
00:29:29but I liked it
00:29:31I liked it so much
00:29:33I had to leave it
00:29:34go somewhere
00:29:35where I could do it myself
00:29:36and now I'll come back
00:29:39just in time
00:29:39to get myself
00:29:40talked about me
00:29:41do you have any enemies
00:29:43Charlie
00:29:43my departure from England
00:29:45wasn't my finest hour
00:29:46I upset a lot of people
00:29:48none of whom
00:29:50would want to kill me
00:29:51though
00:29:51give me a slap maybe
00:29:53manners to me
00:29:59quite right
00:30:01cherries have no business
00:30:03tasting of gin
00:30:04acid
00:30:12or possibly extreme alkali
00:30:15I'm assuming your drink
00:30:16doesn't usually do that
00:30:17not usually no
00:30:18yeah I meant to drink that
00:30:22who made that cocktail
00:30:24Mr. Vincent
00:30:26you brought it here
00:30:27you could have done
00:30:27anything to it
00:30:28I did nothing but bring it
00:30:29we should think this through
00:30:31well guys
00:30:31look whatever's going on here
00:30:32it's extremely dangerous
00:30:34I think it's better
00:30:35if you don't get involved
00:30:36okay
00:30:39we won't get involved
00:30:40love
00:30:45at the prospect
00:30:46I have to say
00:30:48I'm actually rather hurt
00:30:49that you could suggest
00:30:50such an uncooked thing
00:30:51we're not accusing you sir
00:30:53we just want to know
00:30:54what happened to the drink
00:30:55after you made it
00:30:56it rested
00:30:59yes it should
00:31:00so that the ingredients
00:31:02can combine
00:31:03and then
00:31:04delivered by Dilys
00:31:08that's not Dilys
00:31:09do you know
00:31:10we can't just say that
00:31:11just because
00:31:12she's you know
00:31:13pretty
00:31:14it's nothing to do with that
00:31:16if she is
00:31:18I really hadn't noticed
00:31:20it's simply
00:31:22that I happen to believe
00:31:23she's innocent
00:31:24well I happen to be
00:31:25not so sure
00:31:26both of you
00:31:26please stop arguing
00:31:28you don't mind my saying
00:31:29you lot don't seem to have
00:31:30a very clear idea
00:31:31of what you're doing
00:31:32he's right
00:31:32we need to be more
00:31:33scientific about this
00:31:34we need professional advice
00:31:37run that by me again
00:31:40say
00:31:41you have a bunch of people
00:31:43and
00:31:45you know one of them
00:31:46is a murderer
00:31:46how would you find out
00:31:48who that person might be
00:31:49I mean what would you look for
00:31:51what are you up to George
00:31:54nothing
00:31:55we just bought it
00:31:56it's a game
00:31:56the holy trinity
00:32:02of detection
00:32:04one
00:32:05means
00:32:06did the suspect
00:32:07possess the correct tools
00:32:09for the job
00:32:10deadly asset
00:32:11two
00:32:12opportunity
00:32:13was the suspect
00:32:14in the right place
00:32:15at the right time
00:32:16and three
00:32:17motive
00:32:19now this is crucial
00:32:20did the suspect
00:32:21have a reason
00:32:22to murder
00:32:23now that reason
00:32:24may be a secret
00:32:24known only to them
00:32:25sometimes not even
00:32:26to themselves
00:32:27what's the top motive
00:32:29for murder
00:32:29money
00:32:31sometimes love
00:32:32sometimes both
00:32:34so how do detect
00:32:35is find out what people
00:32:36are really thinking
00:32:37now the trick
00:32:38to detecting
00:32:39is getting people
00:32:40to tell you things
00:32:41they don't want to tell you
00:32:42ideally without them
00:32:43knowing that they're doing it
00:32:44also you need to be able
00:32:45to see through walls
00:32:47behind closed doors
00:32:48see the stuff that people
00:32:49think is hidden safe
00:32:51and that's hard
00:32:53does that help
00:32:56with your game?
00:32:58why didn't I remember
00:33:06this before
00:33:07what if I told you
00:33:11that in our room
00:33:12there's a hidden door
00:33:13that leads to a secret passage
00:33:15from which you can
00:33:16spy into people's rooms
00:33:17through painted
00:33:19people's eyeballs
00:33:20who's first?
00:33:25to do what?
00:33:28to do in's first
00:33:29whoa
00:33:34who's next?
00:33:37Mr. Vincent?
00:34:07the visit's office
00:34:08there's no one there
00:34:09but someone was here
00:34:1160-20-90-20
00:34:14what's that about?
00:34:15what do you mean
00:34:19buffet?
00:34:20it's where one serves oneself
00:34:22I know what a buffet is
00:34:24you ninny
00:34:25doubtless one of
00:34:27Vincent's dismal economies
00:34:28you can get the girl
00:34:31to serve me
00:34:32yes mummy
00:34:32you've done something
00:34:36facetious to your hair
00:34:38go and sort it out
00:34:39sometimes you know
00:34:53I'm quite overcome
00:34:56with an irresistible desire
00:34:58to annihilate
00:35:00every moron
00:35:02on the face of the earth
00:35:04like
00:35:05god
00:35:06with a flood
00:35:07this
00:35:10this urge
00:35:12to lay waste
00:35:13is in
00:35:13the clutterbug
00:35:14blood
00:35:15I think
00:35:16I know you have it
00:35:21all right
00:35:28let's look at the suspect so far
00:35:30him
00:35:31the American
00:35:32standing
00:35:33he's under pressure
00:35:34he's agreed to do something
00:35:36he doesn't want to do
00:35:37and he calls himself
00:35:39the executioner
00:35:40singers are always mixed up
00:35:42in the mob
00:35:42the mafia
00:35:43standing's probably a hitman
00:35:45sent to whack Charlie
00:35:46whack?
00:35:48where do you get all this stuff?
00:35:50school
00:35:50what about Crawford?
00:35:54he says Charlie betrays him
00:35:55and that's obviously
00:35:56driven him du lal
00:35:57don't forget the clutterbug woman
00:35:59she hates everything
00:36:01dogs
00:36:01music
00:36:02Brazil
00:36:03this hotel
00:36:04even her own daughter
00:36:05Dillis bought the drink
00:36:07but Mr. Vincent made it
00:36:12time's running out
00:36:15somebody tried to murder Charlie
00:36:17it happened right in front of us
00:36:18and it's going to happen again
00:36:19unless we do something about it
00:36:21means
00:36:22motive
00:36:22opportunity
00:36:23what we have to do
00:36:24is watch everybody
00:36:26like Hawks
00:36:27hello
00:36:39dad
00:36:40have you got anything
00:36:41anything formal
00:36:42have I got anything formal?
00:36:44are you mad?
00:36:44yes
00:36:45mother says she's packed you something
00:36:46I don't care if mum packed
00:36:48oh
00:36:48this ruddy tie
00:36:50he's trying to tie up his tie
00:36:52speak at the same time
00:36:53we're dressing for dinner
00:36:53okay
00:36:54okay
00:36:54downstairs
00:36:5520 minutes
00:36:56okay
00:36:56okay
00:36:57don't be late
00:36:58okay
00:36:59dinner in 20 minutes
00:37:01evening everyone
00:37:11this way George
00:37:12one word and I'll smash your face in
00:37:18hello
00:37:36hello again old sport
00:37:37could you get your dog off the furniture please
00:37:41um sorry
00:37:43why is there no butter?
00:37:47we can't have butter mummy
00:37:49what?
00:37:50says who?
00:37:52Adolf Hitler
00:37:53him and whose army?
00:37:55his mummy
00:37:56just
00:37:57get that Hitler on the phone
00:37:59what do you want?
00:38:02do you mind if I join you?
00:38:08brown shoes of dinner
00:38:10that's how it starts
00:38:12what next?
00:38:14men carrying parcels in public
00:38:16reversing in the waltz
00:38:18so get about your business
00:38:19silly boy
00:38:20that's enough
00:38:24Mr. Kloss Park's too busy being obnoxious
00:38:27to have the time to go around killing people
00:38:29back in a minute
00:38:31Dillis
00:38:36can I ask you a question about Charlie?
00:38:39what was he like before he was famous?
00:38:42he was always famous
00:38:43in a way
00:38:45so talented
00:38:46always bashing away at the piano
00:38:49once I made a jelly
00:38:52and he sat down and wrote a song about it
00:38:55straight off
00:38:56he must have really liked you
00:38:58no
00:38:59he liked the jelly
00:39:01are you happy here?
00:39:06um
00:39:07reasonably
00:39:08Mr. Vincent's always been good to me
00:39:12as good as he can be
00:39:14given the circumstances
00:39:16oh
00:39:19thank you
00:39:20ah
00:39:23senorita
00:39:24my daughter
00:39:25George
00:39:26encantada
00:39:27um
00:39:29your wife?
00:39:32inspector munro has decided that he could drop the monocle in the font
00:39:35but my wife
00:39:36not convinced
00:39:37mum's book
00:39:39she's busy
00:39:40ah
00:39:41the muse's afical mistress
00:39:43where were we
00:39:45professor?
00:39:47well
00:39:47well
00:39:48um
00:39:48I rather wanted you to
00:39:50explain
00:39:51how magicians
00:39:52harness energy
00:39:53in fact
00:39:54I demand it
00:39:55there's plenty though
00:39:56there may have to
00:39:57dad I have to go talk to Cap V
00:39:59because he's famous
00:40:02oh we're talking to the senorita
00:40:04I think
00:40:06professor
00:40:07it is an act of diplomacy
00:40:10your daughter sees that her pretty dress is the same color as mine
00:40:13we cannot
00:40:14sign at the same table
00:40:16she sacrifice herself
00:40:19wait
00:40:20how
00:40:22magic
00:40:24mr. Crawford
00:40:40you said that charlie betrayed you
00:40:42how
00:40:44I wrote his songs
00:40:47that's how
00:40:47you're a musician
00:40:50oh yes
00:40:53before I started selling insurance
00:40:57we collaborated on his version of jumping jive
00:41:03I wrote hop-headed woman
00:41:06and gasoline gal
00:41:09ten weeks
00:41:14top of the chart
00:41:16you must have made a lot of money
00:41:19you'd expect so wouldn't you
00:41:22so you're here to sort things out
00:41:24one way of putting it
00:41:27the main thing sport is to look the snake right in the eyes
00:41:31do you know what you do then
00:41:32cut off its head
00:41:36we're not gonna let that happen
00:41:41are we not
00:41:47dear that's a nuisance
00:41:50think again
00:41:53awkward
00:41:54best we keep you out of the way then
00:42:02do you really have no idea who might be trying to kill you
00:42:06no
00:42:08anyway whatever it is that's heading my way maybe I deserve it
00:42:13why wouldn't you take this seriously
00:42:15listen I arrived in New York with no money in my pocket
00:42:19no change of clothes
00:42:21no reputation except the bad one I left at home
00:42:25just a fistful of songs
00:42:28you know what happened then
00:42:31I became a star
00:42:33point is I can look after myself
00:42:37and I reckon you're the same
00:42:40no
00:42:44you're not the same
00:42:45you're better
00:42:48you wouldn't leave anybody in the lurch
00:42:52you wouldn't steal to get yourself a ticket to America
00:42:56you and your cousins
00:43:03cousins
00:43:04you're the future
00:43:08if the world makes it out of this war it's going to belong to you
00:43:12your generation
00:43:14you have to make sure you run it right
00:43:17what does Mr. Standing want?
00:43:25you've been spying on me miss
00:43:26only a little
00:43:28standing works for chessboard records
00:43:32I'm not just disappointed with some of the decisions I've made recently
00:43:35that's all
00:43:36time to fire up cab V
00:43:43is he someone different?
00:43:46very
00:43:47I couldn't go out on stage as Charlie Vincent
00:43:50I'd just die
00:43:53ladies and gentlemen
00:44:02for your exclusive entertainment
00:44:05Mr. Cab V
00:44:06and his bandits
00:44:08will shortly be performing in the ballroom
00:44:11oh hell on us
00:44:12come on chaps and chapesses
00:44:16we don't want to miss the opener
00:44:17it could be one of mine
00:44:19hmmm
00:44:22mmm
00:44:31oh
00:44:32wang tang
00:44:33did i
00:44:33come to tap up the jumping job
00:44:36jam jam jump
00:44:37jumping job
00:44:38uncatch gonna beat you up the smell of jab
00:44:41beat it out on the mellow side
00:44:44Boy, what you gonna say there, Kate?
00:44:57Oh, boy, what you gonna say there, Kate?
00:45:00Palomar, Chalamar, Swanee, Shaw
00:45:02Let me dig that job once more
00:45:05Boy, say, ride her down to the gate
00:45:07Oh, boy, say, ride her down to the gate
00:45:10Now, can't you hear those headcats call?
00:45:13Come on, boys, let's have a ball
00:45:15The gym jam jump on the jumping high
00:45:18Makes you dig your job on the mellow side
00:45:21The gym jam jump on the solid job
00:45:28Makes you dig your job on the mellow side
00:45:31The gym jam jump is the solid job
00:45:39Makes you nine foot tall when you're four foot five
00:45:41Where's Julia?
00:45:43I think I saw him going into the bar
00:46:02Good heavens
00:46:04I don't know how to make it stop
00:46:08If only we could get a film
00:46:10We could blackmail him for decades
00:46:13Let's go find your brother
00:46:14May I have the honor?
00:46:27May I have the honor?
00:46:27Yes
00:46:28He was here, but why would he just leave this?
00:46:47Why would he just leave this?
00:46:49Just a minute
00:46:50The music is wrong
00:46:52The drum bit doesn't fit
00:46:55That's not the drums
00:46:58Crawford!
00:47:05Crawford!
00:47:06He's got a knife
00:47:06He's got a knife
00:47:07He's going to kill Charlie
00:47:08It's going to kill Charlie
00:47:42Thank you all very much.
00:47:44We're going to take a break from here.
00:47:59Ah.
00:48:03You've been avoiding me.
00:48:05Why?
00:48:08Why do you think?
00:48:12Okay, okay.
00:48:15This is exceptionally dangerous.
00:48:17We're doing this because it's dangerous.
00:48:20I wrote those songs.
00:48:24Me.
00:48:26Everything you have, you've stolen.
00:48:28No, no, no.
00:48:29You thieving dog!
00:48:30No.
00:48:31It's all mine!
00:48:32Calm down.
00:48:45Julian!
00:48:50I don't need eyes to find you!
00:48:52Calm down.
00:48:53George!
00:49:04We wrote those songs together and I brought you out fair and square.
00:49:07It's not that Grimau's more successful.
00:49:11Oh God, you little toe rag!
00:49:14Oh.
00:49:16Oh, you got him.
00:49:18Hold on.
00:49:22Mike can't.
00:49:23Come on.
00:49:24Come on.
00:49:25Move.
00:49:26Charlie.
00:49:28Charlie.
00:49:30I'm okay.
00:49:31Really.
00:49:33They loved you, Charlie.
00:49:34They loved you.
00:49:36They loved Cap V.
00:49:40You saved my life again.
00:49:43The second time you've done it.
00:49:44Let's just hope there's not a third.
00:49:46That's not the end of it.
00:49:47Crawford told me he wanted to look you in the eye when he killed you.
00:49:50But whoever put the acid in your drink didn't care about that.
00:49:53They just wanted you dead.
00:49:55So that means there's someone else?
00:49:58The bandits.
00:49:59Do you trust them?
00:50:00With my life.
00:50:02Charlie, you should go to your room and lock the door.
00:50:04As should you.
00:50:06I don't know what's going on.
00:50:08But enough is enough.
00:50:11First thing tomorrow, we're leaving.
00:50:13All of us.
00:50:14Assemble here in reception at nine o'clock.
00:50:17This place is simply too dangerous.
00:50:19I suggest that like Mr. V here, we all go to our rooms.
00:50:24Now!
00:50:34I'm going to go tell Wentworth.
00:50:38You can't leave me.
00:50:41I need you here.
00:50:43I cannot let that tiresome man obstruct our mission.
00:50:47That tiresome man, Wentworth, is my father.
00:50:49I can't be held responsible for that.
00:50:52George.
00:50:55I'm distraught. Look at me being distraught.
00:50:58What do you mean our mission?
00:50:59What do you contribute?
00:51:02I contribute...
00:51:04Gabriella.
00:51:07Hmm.
00:51:09Time to crank her up a bit.
00:51:11What are you really up to?
00:51:13I've done some...
00:51:15regrettable things.
00:51:16You don't say.
00:51:17But...
00:51:19What I have seen in the future has changed me.
00:51:23We are at the threshold of a global cataclysm.
00:51:27What an achievement it would be if...
00:51:30Right here, right now, we could stop death in his tracks.
00:51:34You're a terrible person.
00:51:36Have you never wanted to be wicked?
00:51:39Be wicked.
00:51:44There.
00:51:46That hesitation, there's the proof.
00:51:49You envy me my freedom.
00:51:52The freedom to simply be bad.
00:51:57Because one can.
00:52:00You'd love it.
00:52:02You have no idea what I'd love.
00:52:04I have no idea what the hell is.
00:52:06No.
00:52:10No.
00:52:16It's okay.
00:52:18I have no idea what the hell is doing.
00:52:20At least it's not so fun.
00:52:21I had no idea what the hell is.
00:52:23Anne.
00:52:30Hey, are you all right?
00:52:32I was dreaming about Mummy and Daddy.
00:52:35Sorry.
00:52:36Don't be sorry.
00:52:38I miss them too.
00:52:41What's going to happen, Dick?
00:52:44We can't stop the war and we can't stop the killer.
00:52:47And we're supposed to sing Green Grove of the Rushes, though,
00:52:49all together on my birthday.
00:52:51And the world's going so fast
00:52:53and everything's so awful now and sad.
00:52:58Mr. Vincent, I've been trying to tell you.
00:53:05The fact of the matter is
00:53:06I haven't been paid for three months.
00:53:10Not a penny and all my clothes are falling apart
00:53:12and, Mr. Vincent, I just feel spent.
00:53:17Can I show you something?
00:53:21The cupboard is empty.
00:53:27It's over.
00:53:29Nothing left, my dear.
00:53:32When these guests settle up,
00:53:34I should give all the money to you and then...
00:53:36That'll be the end of the Prospect Hotel.
00:53:41I know what I want to do and what I have to do.
00:53:46And if you were a man, you'd know it too.
00:53:48You know what, pal?
00:53:50It's a death wish.
00:53:51You actually want to die.
00:53:55Well, I hope you get a kick out of it, brother,
00:53:58because it could be coming sooner than you think.
00:54:00Now, that was a threat.
00:54:16Dad, we think there's someone else who's trying to kill Charlie.
00:54:18I don't want to hear it.
00:54:20Oh, come on, Dad, but this simply isn't fair.
00:54:22George, call the fairness police.
00:54:24I want everybody in the truck.
00:54:26I'm going to go and fetch your mother.
00:54:27Professor, you have regarded the perfection of the day.
00:54:32Ah, good morning.
00:54:33Not as such, no.
00:54:34The elements align superfluly for my demonstration.
00:54:38You have not forgot.
00:54:41The time has come for me to expose the limits of your science.
00:54:45I will take you to the place where the ley-lines meet.
00:54:49Professor, vamos.
00:54:51You gave your word.
00:54:52You shouldn't go back on your word, Dad.
00:54:58That wouldn't be tennis.
00:54:59Cricket.
00:55:00Whatever.
00:55:01Very bad example to us.
00:55:03Quite so, George.
00:55:05Science or sorcery?
00:55:08Let's ask ourselves today.
00:55:10Right.
00:55:11One hour, and then we are going straight home,
00:55:14and I'm going to be very strict about it.
00:55:16Senorita, lead the way.
00:55:18Senorita, lead the way.
00:55:21Stanley's on another call.
00:55:27And that is what you want me to do?
00:55:28How are you getting the idea?
00:55:29Because the consequences will be irreversible.
00:55:32You understand that?
00:55:33Can you understand who's paid your way with?
00:55:36Then I shall do it immediately.
00:55:44Come on, quickly!
00:55:45Stanley!
00:55:51Stanley!
00:55:52He's the one who put the acid in your drink.
00:55:55And just now, he was on the telephone to the American,
00:55:57ordering him to do it now.
00:56:01That must be him.
00:56:03Charlie, open up.
00:56:05What is it, Stanley?
00:56:07You've got your war.
00:56:09Charlie.
00:56:10Don't do it!
00:56:10Don't do it!
00:56:10Don't do it!
00:56:11Don't do it!
00:56:12Don't do it!
00:56:13Don't do it!
00:56:14I explained you wouldn't budge.
00:56:20They said okay.
00:56:22A few expletives at first, but in the end, okay.
00:56:26So you're free to go and get yourself shot to pieces for king and country, you colossal dodo.
00:56:32I revised the contract accordingly.
00:56:34Can somebody please explain?
00:56:36I came back to England because I want to fight for my country.
00:56:40My record label, him, would prefer me not to.
00:56:45They tripled my money.
00:56:46Is that still the deal?
00:56:47Uh-huh.
00:56:48They want me to stay safe in America.
00:56:51But if England falls, even America won't be safe.
00:56:55If the contract lets me fight, I'll sign it.
00:56:57The money will be arriving shortly, in war-proof form.
00:57:02All right.
00:57:02So, if it isn't Mr Standing or Crawford
00:57:32or Charlie's dad, then who put the acid in Charlie's drink?
00:57:54Somebody's been busy on the black market.
00:57:57Maybe you shouldn't either.
00:57:59Fans always send me gifts. It's harmless.
00:58:02That's not funny.
00:58:13What about the, uh, Lady of Spain?
00:58:16Miss Harry Spex?
00:58:17What's her story?
00:58:19Or his, for that matter?
00:58:20They're both a curried egg short of the full picnic, if you ask me.
00:58:24He agrees, look.
00:58:27Stop! There's something wrong with that fruit!
00:58:29George, not absolutely everybody in the world is trying to kill me.
00:58:35Sometimes people just want to do nice things.
00:58:39Well, she's not endemic to the British Isles.
00:58:42Dick, what the heck is that?
00:59:02Venom, why she's number one?
00:59:10Super deadly.
00:59:12Wandering spider from Brazil.
00:59:16Brazil means clutterbuck.
00:59:18Are you sure you know where you're going?
00:59:27This is the place where the ley lines embrace.
00:59:31Here I can demonstrate the feebliness of your science.
00:59:36You say feebliness of science?
00:59:38Not often, Sinnerita.
00:59:40But the land knows I am about to disclose its secrets.
00:59:43It's...
00:59:44Mira.
00:59:47It fights back.
00:59:51It sends the fog to confound us.
00:59:55No matter.
00:59:56Extract your compass.
00:59:57It will fail you.
01:00:01What you shall observe is the energy of angels.
01:00:04What I shall observe will be elementary physics.
01:00:07Good lord.
01:00:10Good heavens.
01:00:11Senorita?
01:00:19Very well.
01:00:20Now, allowing for barometric irregularity,
01:00:24taking into account the curvature of the earth,
01:00:27I say...
01:00:29this way.
01:00:32Oh!
01:00:32Oh!
01:00:34Right here!
01:00:36Oh!
01:00:38Senorita!
01:00:39Senorita!
01:00:41Where's my husband?
01:00:45Quentin?
01:00:46What is Quentin?
01:00:47What is Quentin?
01:00:48What is Quentin?
01:00:50Oh, I'm looking for dad.
01:00:51Er, he went on a walk on the ridge.
01:00:52Without you?
01:00:53I'll get lost.
01:00:54He went with that wiggly Spanish lady he was dancing with.
01:00:56Well, he'll probably be all right then.
01:00:57Where are you going...
01:00:58Senorita?
01:00:59Where's my husband?
01:01:00Quentin?
01:01:01What is Quentin?
01:01:02Where's my husband?
01:01:05Quentin?
01:01:06What is Quentin?
01:01:07Lost any big spiders lately?
01:01:18What gives you the right to be so pert?
01:01:20I don't know.
01:01:22Maybe the fact that you keep trying to kill Charlie Vincent.
01:01:25The music was revolting but doesn't quite deserve the death penalty.
01:01:30Then why plant a Brazilian wandering spider in his fruit well?
01:01:34Are you following any of this?
01:01:36Yes.
01:01:37You just got back from Brazil.
01:01:38You said so.
01:01:39So it's obviously you.
01:01:41Could I possibly have a word with you people?
01:01:46In private?
01:01:47Children.
01:01:48Oh, my goodness.
01:01:49Shouldn't be allowed out.
01:01:51Nasty children.
01:01:52Don't like your...
01:01:55We never went to Brazil.
01:01:58She controls the money and there isn't any money.
01:02:01We can't all up sticks for New York, you know.
01:02:04I thought she was rich.
01:02:06She pretends to be rich because for her that's good manners.
01:02:09And you are!
01:02:11Come here!
01:02:13So nobody's been to Brazil?
01:02:15Plus, Spider didn't just walk here from South America.
01:02:18Julian, please tell Mr. Vincent to gather everyone on the list in the bar.
01:02:23I know who the killer is.
01:02:34Iron!
01:02:35Iron!
01:02:36Ah!
01:02:37Einstein, you can come out from behind the sofa!
01:02:38Professor Barnard, I presume?
01:02:39Fanny, oh my darling.
01:02:40I am so happy.
01:02:41Do you see this rock?
01:02:42It's full of iron.
01:02:43It's a giant magnet.
01:02:44It's not magic.
01:02:45It's science.
01:02:46Okay.
01:02:47Okay.
01:02:48I think in future, we might put you on a lead.
01:02:49Okay.
01:02:50I think in future, we might put you on a lead.
01:02:52Okay.
01:02:53Ladies and gentlemen,
01:02:55Oh.
01:02:56Oh.
01:02:58giant magnet it's not magic it's science I think in future we might put you on a
01:03:06lead
01:03:20ladies and gentlemen oh is there much more of this someone in this room has
01:03:27tried to kill Charlie Vincent aka cab V and they have failed twice we believe that that person
01:03:34will try again Crawford isn't in this room Crawford doesn't count that was an act of
01:03:39madness the acid and the spider were carefully planned so first Mr. Vincent your hotel is broke
01:03:48you blame Charlie for refusing to take on the burden of the business but legging it to America
01:03:53but you feel sorrow rather than anger you wouldn't kill your own son in fact you helped save
01:04:00his life you are not the assassin
01:04:07next Mr. Standing sent here to prevent Charlie joining the army not least by means of bribery
01:04:15substantial bribery old boy so it's in your interest to protect it
01:04:19you also are not the killer is this tonight's entertainment it's pretty slim
01:04:26Mr. Clutterbuck you openly despise Charlie Vincent you loathe jazz music because it represents freedom
01:04:34and joy you're a snob and a bully and a deeply unpleasant person no offense
01:04:42but you also are not the murderer
01:04:47all these people can be set aside the person we seek is even now determined to close their
01:04:52hands around the throat of Charlie Vincent
01:04:57miss Angela your arms are itchy
01:05:03mosquitoes in brazil are very fierce but not as far as the wandering spider you brought back
01:05:09i said we never went to brazil
01:05:12you did say but that was a lie when Charlie up sticks for new york
01:05:19left behind a broken heart yours for you and he were once romantically connected were you not
01:05:26you're in love and now you're jealous vengeful and like those mosquitoes hungry for blood
01:05:34in short you are a killer i'm sorry but that's not right
01:05:39i was in love yes but it wasn't with Angela Clutterbuck are we done whilst i appreciate your
01:05:46efforts this is all too much
01:05:52miss Angela what is it that you're not telling us
01:05:55you thatuous child it's the simpering waitress she's the one she adored him they were romantically
01:06:02connected for years then he shoved off to new york and she broke into a million pieces
01:06:07no one hates cab quite as vividly as she does
01:06:15dillis i'm talking about dillis
01:06:16i've just written the ending this b flat up the top's gone dead so try not to hear that
01:06:39so true again
01:06:45no you again the same from year to year
01:06:53each day i wish my life away wishing that you were near
01:07:06leaving you here was the biggest mistake of my life
01:07:15every day i've wanted to tell you that and every day i failed
01:07:19even here
01:07:23so i guess i deserve what i deserve
01:07:24did you write that for me
01:07:36it's called a sad song for dillis so i think i must have
01:07:40i behave disgracefully to you
01:07:50and i'm very very sorry
01:08:12she's hypnotized him
01:08:13this is a vision he can't defend himself wait
01:08:22look and learn
01:08:25you it was always you
01:08:28so it wasn't murder it was that stuff
01:08:43yuck
01:08:47hey detectives
01:08:49a guy usually gets to do this in private
01:08:51i guess you have to work with what you've got
01:08:55dillis shepard will you marry me
01:08:57yes yes charlie i will yes
01:09:02so i'm so confused dillis
01:09:06you didn't come here to murder charlie
01:09:09i didn't know what i came here for
01:09:12i just
01:09:13you know i had to be alone with him
01:09:16you dreamt it all wrong
01:09:19it wasn't a dream it was a vision
01:09:22you impetuous fools
01:09:25death is bearing down on this man here now
01:09:29everyone who doesn't want to get shot move
01:09:33i'm the one whose life you ruined charlie
01:09:36i've been scrimping and saving for years to get away from my mother
01:09:40the ghastly toboggan-faced old hag
01:09:44every time she left sixpence for a tip i'd go back and get it
01:09:47i'd pick up pennies in the street
01:09:49the collection plate comes around for the offertory hymn
01:09:51i'd take from it
01:09:53all i wanted was enough money to get a ticket to anywhere
01:09:57to get away
01:10:00and you sneaked into my room and you stole it you sneaking sneak thief
01:10:06just a minute
01:10:08i have an idea
01:10:10i don't know how much money charlie stole from you
01:10:16a lot
01:10:19200 pound
01:10:21203
01:10:22203
01:10:24cool so so here's my vision of the future
01:10:27charlie
01:10:29charlie pays the 203 pounds back
01:10:32with interest now
01:10:34agreed of course yes
01:10:38meanwhile charlie marries dillis joins the army beats up hitler and writes hundreds of fantastic songs to
01:10:46inspire the whole country and make everyone feel brilliant
01:10:51except your mother who hate every single minute of it
01:10:54so just stop this now angela
01:11:00you stop it
01:11:02i said it first
01:11:03well she did actually
01:11:13well done
01:11:14well done
01:11:15right decision
01:11:16but you might have to go to prison for a little bit
01:11:24the
01:11:32always has to be the center of attention
01:11:40relax the property's undamaged
01:11:42now it's your property i'm thinking of
01:11:45i said we made your money war proof
01:11:47you're being paid open up
01:11:49in gold
01:11:52three beautiful babies
01:11:55what will you do with them
01:11:57simple division one for my father
01:11:59to rescue the prospect and pay the staff with the road
01:12:02i want to be held on a fund for angela for pinching her savings
01:12:06i'm on for dillis
01:12:07because i love her
01:12:13mr vincent will you kindly secure this case in the hotel's safe
01:12:17my pleasure
01:12:22charlie can you find it in your heart
01:12:27to forgive me
01:12:27my dear son
01:12:39and i'll just
01:12:41save me
01:12:44listen all
01:12:46now might be the time to tell you that this afternoon
01:12:49your uncle quinton had a telegram
01:12:53flap on presence required abroad
01:12:55any chance i'll not stay kieran immediate future
01:12:58jillian jack
01:12:59oh that's fantastic
01:13:11how could you be happy
01:13:13i mean kieran that's wonderful but mom and dad are heading into danger on my birthday
01:13:20chin up sis
01:13:22we have to be brave about stuff when we can
01:13:25it's our war effort
01:13:27like the whale fat
01:13:33there's something bugging me do you remember the numbers on the wall
01:13:3560 20 90 20 of course what about them i think i know what they mean
01:13:51wow
01:14:02How to fin the house are they worth?
01:14:24And you, Gabriella, not your colour.
01:14:30Joran, I'm busy.
01:14:32All lies.
01:14:34Everything you said lies.
01:14:37You've been spying on this room since the day you got here.
01:14:44You've known for a long time how to open that seat.
01:14:47But you had to wait, because you knew the gold was on its way.
01:14:51The money will be arriving shortly in warproof form.
01:14:55That meant Charlie had to stay alive, yes.
01:14:57But only long enough for him to sign the new contract.
01:15:00You didn't care about his life at all.
01:15:05Look, all this is just a little taking things from other people's lives to improve your own, you know.
01:15:14I really thought you'd become a good person.
01:15:19Don't spare me the moral flagellation.
01:15:21I'm not used to being poor.
01:15:22I don't like it.
01:15:24Neither does she.
01:15:24We can't all be real friends.
01:15:28Is this all you are, Wentworth?
01:15:30Another sneak thief?
01:15:33No, my dear.
01:15:35I'm also your teacher.
01:15:37And this particular lesson is concluded.
01:15:47Oh, God!
01:15:50Come on!
01:15:56Timmy!
01:15:57Timmy!
01:15:57Timmy!
01:15:57Timmy!
01:15:57Timmy!
01:15:58Timmy!
01:15:59Timmy!
01:16:00Timmy!
01:16:01Timmy!
01:16:02Timmy!
01:16:03Timmy!
01:16:04Timmy!
01:16:05Timmy!
01:16:06Timmy!
01:16:07Timmy!
01:16:08Timmy!
01:16:09Timmy!
01:16:10Timmy!
01:16:11Timmy!
01:16:12Timmy!
01:16:13Timmy!
01:16:14Timmy!
01:16:15Timmy!
01:16:16Sorry, my dear, but...
01:16:17I really need this girl.
01:16:19Timmy!
01:16:20Timmy!
01:16:21Timmy!
01:16:22Timmy!
01:16:23Timmy!
01:16:24Timmy!
01:16:25Timmy!
01:16:26Timmy!
01:16:27Timmy!
01:16:28Timmy!
01:16:29Timmy!
01:16:30What did you do?
01:16:31That way.
01:16:32Into the marsh.
01:16:33Timmy!
01:16:34Timmy!
01:16:35Timmy!
01:16:36Timmy!
01:16:37Timmy!
01:16:38Oh, my God.
01:16:41Wentworth!
01:16:42Wentworth!
01:16:44Wentworth!
01:16:45Wentworth!
01:16:46That's the marsh.
01:16:47It's dangerous.
01:16:48You have to stall.
01:16:50Damn!
01:16:58Wentworth!
01:17:00He's stuck.
01:17:05He's sinking.
01:17:06My children, I wish to be rude because inexplicably I've grown rather fond of you, but what did you say?
01:17:16You're sinking.
01:17:19We have to get him out of there.
01:17:23Wentworth, grab hold of me.
01:17:27Drop the bag and take my hand.
01:17:29Grab my hand!
01:17:31Wentworth, please.
01:17:32Please.
01:17:35Look, Wentworth, I know you said you wanted to stop death in his tracks.
01:17:39I know you were lying.
01:17:40But I'm not.
01:17:42Wentworth, I want you to live.
01:17:49Save me, children!
01:17:50Save me!
01:17:51Pull!
01:17:52Pull!
01:17:57Pull!
01:17:59Timmy, this has to be all five of us, okay?
01:18:01Pull on the way!
01:18:02Pull on the way!
01:18:03Pull on the way!
01:18:07Nobody's gonna die today!
01:18:08Nobody!
01:18:09The truth is, estimado, I've never greatly enjoyed being with you.
01:18:33Well, I don't like being with me either, but it's something we both have to put up with.
01:18:49There's no have to, Thomas, because there's no we both.
01:18:54You're Spanish, like everything else, is inadequate.
01:19:10You mean adios.
01:19:12Come on!
01:19:13Pull, Timmy, pull!
01:19:14Good boy!
01:19:15You've got this, Timmy!
01:19:16Pull, Julian!
01:19:17Yes, that's it!
01:19:18Yes, you've got it!
01:19:19We did it!
01:19:20We got the gold!
01:19:21Good boy, Timmy!
01:19:22It's OK.
01:19:23You do look a bit like a panda, but there's always something nice to look forward to.
01:19:38Tomorrow's my birthday.
01:19:40It's OK.
01:19:41You do look a bit like a panda, but there's always something nice to look forward to.
01:19:45a bit like a panda but there's always something nice to look forward to. Tomorrow's my birthday.
01:20:04Finished. Detective Monroe finally tracked down the murder victim's missing monocle
01:20:09in a spooky old hotel. But where exactly? Three guesses. Julian? Behind the painting with fake eyes.
01:20:18Oh, I like it. No. George? In a sulfuric acid martini dissolving. Very stylish. No. One more guess. Dig?
01:20:29In the piano. Good grief. How did you know that? It's trapped under the B flat. That's why the note can't sound.
01:20:44Richard Barnard. If I were wearing a hat, I would sweep it off to you. I may even put one on just for that purpose.
01:20:51What's the matter with Anne? Oh, there's this thing we do at home on her birthday.
01:21:01It's so silly. We sing this song, Green Grow. Mum and Dad sing the question bit and we sing the answer bit.
01:21:09But I think she's just a bit sad that we can't all be together.
01:21:13Look, we have a tradition in this household where you get to open one present before the cake.
01:21:22I get to choose. Anne, this one came this afternoon. Grammophone, please.
01:21:29Uh-huh. It's a record.
01:21:43May I?
01:21:51Is it recording? Oh, yes. Oh, right.
01:21:54It's Mummy!
01:21:57Hello, my darlings.
01:21:59I'm here with Daddy in a recording studio.
01:22:03Hello, Team B.
01:22:04And Daddy.
01:22:05And this is our birthday present to Anne.
01:22:10I've asked Aunt Fanny to hand this over at the right moment.
01:22:15Right. Are you ready?
01:22:18I'll sing your 1-0.
01:22:22We can't hear you.
01:22:23Green Grow, the rush is, oh.
01:22:25What is your 1-0?
01:22:28One is one and all alone and evermore shall be so.
01:22:33I'll sing you 2-0.
01:22:35Green Grow, the rush is, oh.
01:22:37Thank you for cooking.
01:22:38Thanks for having me.
01:22:38Bye.
01:22:39Nobody has a feeling all day.
01:22:41Bye.
01:22:43Hit over.
01:22:43Bye.
01:22:46Bye.
01:22:47Bye.
01:22:47Bye.
01:22:48Come on I'll listen to you soon.
01:22:48Bye.
01:22:49Bye.
01:22:49Bye.
01:22:50Bye.
01:22:50Blockadamont.
01:22:51Bye.
01:22:51Bye.
01:22:51Bye.
01:22:52Bye.
01:22:53Bye.
01:22:53Bye.
01:22:54Bye.
01:22:55Bye.
01:22:57Bye.
01:22:58Bye.
01:22:58Bye.
01:22:59Bye.
01:23:00Bye.
01:23:01Bye.
01:23:02Bye.
01:23:03Bye.
01:23:03Bye.
01:23:04Bye.
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