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The Famous Five (2023) Season 1 Episode 4 - Mystery at the Prospect
#The Famous Five
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#The Famous Five
#RealityInsightHub
🎞 Please subscribe to our official channel to watch the full movie for free, as soon as possible. ❤️Reality Insight Hub❤️
👉 Official Channel: />👉 THANK YOU ⭐❤️❤️❤️⭐
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FunTranscript
00:00:00Let's get started.
00:00:30Let's get started.
00:01:00A man is returning home, a musician of great talent and fortune, but his enemies await.
00:01:14He is in grave danger.
00:01:22In the shadows lurks death.
00:01:27The riddle of the missing monocle.
00:01:49A male man of our own mystery.
00:01:52That's a lot of M's, Mum.
00:01:54Who's Mal?
00:01:55He's my new detective and don't get marmalade on him, please.
00:01:58Has he found the missing monocle?
00:02:00He has not.
00:02:02And to be quite honest, neither have I.
00:02:04This is entirely without sense.
00:02:07Your great-uncle Horace is inviting you to visit him at the Prospect Hotel on Cragstone Ridge.
00:02:12Why doesn't that make any sense?
00:02:14I rather assumed your great-uncle Horace was still dead.
00:02:17There may be something of interest to your daughter Georgina, George.
00:02:21He's dead.
00:02:22You can't expect him to know that.
00:02:24She can't possibly go.
00:02:25Well, certainly not on her own, no.
00:02:27I am here, you know.
00:02:30Oh, Mum, Dad, please say yes.
00:02:32Look, I love you, but I'm dying of bored and being stuck here with you all summer.
00:02:38Oh.
00:02:39Charming.
00:02:40You know what I mean.
00:02:41I shall go with you.
00:02:43This is odd.
00:02:44I want to get to the bottom of it.
00:02:46Hear that, Timmy?
00:02:47Yeah.
00:02:48It's venture time.
00:02:49Yeah.
00:02:50No, no, no, no, no.
00:02:51Absolutely not.
00:02:52This is categorically not another one of your preposterous escapades.
00:02:56Well, how can it be?
00:02:56It's just me and Jimmy.
00:02:58Isn't it?
00:02:59Yeah.
00:03:00And me.
00:03:01And Dad.
00:03:02And Mum.
00:03:04I can write from there.
00:03:06Big spooky hotel in the middle of nowhere.
00:03:08That's where I'll find my monopole.
00:03:13Yeah.
00:03:26That was whale fat.
00:03:29Huh?
00:03:30In the sandwich.
00:03:32On the train.
00:03:33Highly likely.
00:03:35Rationing?
00:03:36Oh, it was yuck.
00:03:38Evacuation does sound grim.
00:03:40But we're here now.
00:03:42So we have to make a go of it.
00:03:44What does the letter say happens next?
00:03:47Dear sir, in light of the aerial bombardment of London,
00:03:50your children have been selected to join a party of 22 evacuees
00:03:53leaving the capital this Friday.
00:03:55The 910 from Paddington delivers them to Cragstone Ridge,
00:03:58once they will be escorted to the safety of the renowned prospect hotel.
00:04:01Renowned is good.
00:04:02We'll pretend it's holiday.
00:04:04No air raids, no sirens, no horrible gas masks.
00:04:08New friends.
00:04:09Next week is my birthday.
00:04:11And the most important thing about my birthday is that we're together,
00:04:15with Mum and Dad,
00:04:16and we all sing Green Grow the Russia Zone.
00:04:18It's compulsory, and now it's been cancelled,
00:04:20and I miss them already, and...
00:04:22That man is staring at us.
00:04:24Oh, no.
00:04:27He's coming over.
00:04:29Julian.
00:04:33Do I have the pleasure of beholding the family Barnard?
00:04:36Julian Division?
00:04:37Yeah, we're the Barnards.
00:04:39Ah.
00:04:39Mr Vincent, at your service.
00:04:42How was the journey?
00:04:43I trust they gave me something tasty to eat.
00:04:46They did.
00:04:47It was tasty.
00:04:48I'm so pleased.
00:04:50Cases?
00:04:51We can carry our cases.
00:04:56This way.
00:04:58Hello, Lord Sport.
00:04:59Stanley Crawford.
00:05:00Insurance agent.
00:05:01My card.
00:05:03I believe we have a common destination,
00:05:04the Prospect Hotel.
00:05:06Um, yes.
00:05:08What's it like?
00:05:10Brody, unsuitable place to dump a pile of kids,
00:05:12if you ask me, but there's a war on.
00:05:15Shall we?
00:05:23I've been reading up about Cragstone Ridge.
00:05:28It's surrounded by a marsh.
00:05:30Local legend says the place eats people.
00:05:33Great.
00:05:34A cursed hotel just gets better and better.
00:05:36I'm scared.
00:05:52There are no ghosts of the old Prospect.
00:05:55What there is, is buckets of bad blood.
00:05:58Broken promises, disappointments, betrayals.
00:06:02Yeah, that's what a man really should be allowed to insure against.
00:06:07Betrayal.
00:06:08Can't be.
00:06:34Playing tonight?
00:06:40Ah.
00:06:42Do I have the pleasure of welcoming the Barnard family?
00:06:46Yes.
00:06:46We just met.
00:06:48We certainly did.
00:06:49And what an unfettered, delighted was.
00:06:51I am Mr. Vincent, proprietor, and your host, Number 16.
00:06:56Are the other children here already?
00:06:57I don't think we're expecting any other children.
00:06:59Correction, we are one young man.
00:07:05What?
00:07:07Mr. Vincent, what is the meaning of this disgusting proposition?
00:07:15What did he say?
00:07:17Mummy.
00:07:17Well, don't mumble, Angela.
00:07:20It's so unattractive.
00:07:22This hideous threat of so-called popular music.
00:07:28I've just returned from Brazil, where the noise was insufferable.
00:07:34And in this hotel, I demand peace and quiet.
00:07:39Miss Clutterbuck.
00:07:41The music is jazz.
00:07:43It is thrilling.
00:07:45What?
00:07:46I didn't speak.
00:07:48Well, I heard you doing so.
00:07:49Speak it out, child.
00:07:51I was only going to say that Cab V is Mr. Vincent's son.
00:07:56I call that an error of taste.
00:08:00My son is celebrated in America?
00:08:03In America.
00:08:06How are we supposed to pretend it's a holiday when the people are so peculiar?
00:08:11You see, that's something about this letter I don't understand.
00:08:20The postmark was posted here.
00:08:23It should have come from Westminster.
00:08:24Excuse me.
00:08:25You've come from London, haven't you?
00:08:27Is it bad down there?
00:08:29Bombs and that?
00:08:30It's quite bad.
00:08:32It said on the wireless we lost 20 aircraft last week.
00:08:35The whole situation's extremely disturbing.
00:08:38You poor things.
00:08:39Now you're stuck in this godforsaken place.
00:08:43It's completely devastating.
00:08:46I'm going to be here on my birthday.
00:08:48I'm so sorry.
00:08:50But look, there's a dance band here tonight.
00:08:52They really swing.
00:08:54That's something, eh?
00:08:56Can I ask you a question?
00:08:58We were expecting things here to be a bit...
00:09:00different.
00:09:02Is there anything strange going on in the hotel?
00:09:05No more than normal.
00:09:06Well, of course, there is the Harrisbecks.
00:09:11That's Latin for fortune teller.
00:09:15The bloke on the fourth floor does tarot cards for the guests.
00:09:19The staff want to go near him, but I nipped in the other day.
00:09:22I asked him about my future in hospitality, and all he talked about was death.
00:09:29I asked for my money back, but he got really shirty.
00:09:32I believe I asked for the Times of London, not the Cragstone Herald.
00:09:36I'm so sorry, Mr. Standing.
00:09:38I must have misheard.
00:09:40Times?
00:09:41Cragstone?
00:09:41You must have been working quite hard to mishear.
00:09:44But now you're better informed.
00:09:47We should all be better informed.
00:09:52Well, I mustn't be caught talking.
00:09:54Being chummy with the guests is sackable.
00:09:57We'd like to be chummy with you.
00:10:01I'm Dyliss.
00:10:03He's Julian.
00:10:04Julian.
00:10:10So is that the famous marsh that eats people?
00:10:14Somewhere out there.
00:10:16I wish George was here.
00:10:20Mr. Crawford.
00:10:21Mr. Vincent.
00:10:22That man on the stairs.
00:10:24Mr. Standing.
00:10:26Everyone's weird.
00:10:28Dyliss wasn't weird.
00:10:29She was a bit weird.
00:10:31That's creepy.
00:10:35And what kind of hotel hires a full-time fortune teller to live on their top floor?
00:10:40They're all cranks and charlotte.
00:10:42He seems like they didn't business enough.
00:10:44Do you know what government is saying?
00:10:46Call your number of general.
00:10:48I say keep our heads down.
00:10:49We see.
00:10:50We are really well at home.
00:10:51What is the Horrorspex, anyway?
00:11:15Well, strictly speaking, what a Horrorspex does is drag out of your entrance.
00:11:19It will be a fave, of course, but it will always are.
00:11:26You promised to stand by me.
00:11:29Events overtook my promise.
00:11:32What?
00:11:33Receiving from the gas and legging it to America, those are the events you have in mind.
00:11:38Can't be.
00:11:40Well, Father, just watch the show tonight, then you'll understand where I had to go.
00:11:43You lost the right to understand it a long time ago, son.
00:11:46Son.
00:11:49You lost the right to that and all.
00:11:58Please, please, please, please, please.
00:12:00Anne?
00:12:01What's happened?
00:12:02I just...
00:12:03I...
00:12:05Oh, good God.
00:12:06Canine Angela!
00:12:07Interpose yourself!
00:12:09Nice doggy.
00:12:10He likes you.
00:12:11Oh, good.
00:12:12George!
00:12:13Oh my gosh, what are you guys doing here?
00:12:16The young man, it's you.
00:12:17You never get what's in our room.
00:12:18There's a secret...
00:12:19How is this possible?
00:12:20I don't know, I've only got a letter and then...
00:12:21Letter?
00:12:22It's Uncle Quentin with you.
00:12:23It's Uncle Quentin with you.
00:12:24And Mum, they're outside.
00:12:25He's throwing out the truck.
00:12:26He was going too fast, then he bashed into a tree.
00:12:27But it doesn't matter, because here we all are together again.
00:12:28Take me to Grandpa Horace.
00:12:29Take me to Grandpa Horace.
00:12:30What?
00:12:31You didn't get a letter from Great Uncle Horace.
00:12:32Great Uncle Horace is dead.
00:12:33Definitely dead.
00:12:34Ninth and then he's gone.
00:12:35I don't know.
00:12:36I don't know.
00:12:37I mean, you've got a letter and then...
00:12:38Letter?
00:12:39It's Uncle Quentin with you.
00:12:40And Mum, they're outside.
00:12:41He's throwing out the truck.
00:12:42He was going too fast, then he bashed into a tree.
00:12:44But it doesn't matter, because here we all are together again.
00:12:47Take me to Great Uncle Horace.
00:12:48What?
00:12:50You didn't get a letter from Great Uncle Horace?
00:12:54Great Uncle Horace is dead.
00:12:57Definitely dead.
00:12:591919, squashed by an elephant on the rampage.
00:13:01This letter, George, is written on exactly the same paper as our evacuation order.
00:13:07Same smudging on the T's.
00:13:11Same typewriter.
00:13:13Both letters are fake.
00:13:15Somebody's lied to us all.
00:13:17Come on, Speedy.
00:13:18That tree was travelling far too fast, and it was on the wrong side of the road.
00:13:21There's a dog on the premises.
00:13:24How appalling.
00:13:26I don't believe it!
00:13:28What a wonderful surprise!
00:13:31Mum, they have four beds in there.
00:13:33Will you still be there?
00:13:34Yeah.
00:13:35Don't carry out Spanish.
00:13:36I was wishing, wishing it would be here.
00:13:38And here she is.
00:13:39And it is.
00:13:41Almost my birthday.
00:13:43Thanks, Dad.
00:13:44Run.
00:13:45How wet or hot...
00:13:46What's the point?
00:13:48Hello, boys.
00:13:49One, two, three, four...
00:13:50Five.
00:13:51Excellent.
00:13:52He will see you now.
00:13:53What?
00:13:54Who are you?
00:13:55Who wants to see us?
00:13:56The man who holds the future in his hands.
00:13:57She means the man on the fourth floor.
00:13:58The Harrah Specs.
00:13:59The fortune teller.
00:14:00The fortune teller.
00:14:02No.
00:14:03No.
00:14:04No.
00:14:05No.
00:14:06No.
00:14:07No.
00:14:08No.
00:14:09No.
00:14:10No.
00:14:11No.
00:14:12No.
00:14:13No.
00:14:14No.
00:14:15No.
00:14:16No.
00:14:17No.
00:14:18No.
00:14:19No.
00:14:20No.
00:14:21No.
00:14:22No.
00:14:23No.
00:14:24No.
00:14:25No.
00:14:26No.
00:14:27No.
00:14:28No.
00:14:29No.
00:14:30No.
00:14:31No.
00:14:32No.
00:14:33No.
00:14:34No.
00:14:35Electrical failures
00:14:42They have them here too
00:14:45It's the war
00:14:47Nothing to worry about
00:15:05You took your time
00:15:09But now that you're here
00:15:13I shall explain you to yourselves
00:15:19Be seated
00:15:35In this case
00:15:41No need of cards
00:15:45You, George
00:15:49An only child
00:15:51And lonely
00:15:53When separated from your cousins
00:15:56You feel you are only half a person
00:15:59That's completely ridiculous
00:16:04And yet completely true
00:16:06You are pathetically afraid of ghosts
00:16:13No, I'm not
00:16:14When you lie, your nose goes puce
00:16:16Dick
00:16:18A brain the size of Jupiter
00:16:22But there is only one thing in life you really want to be
00:16:26And what is that?
00:16:28Tawla
00:16:28All right, that's enough
00:16:29Says Julian
00:16:31Who wonders if and when
00:16:33He will ever kiss a girl
00:16:35How do you know this?
00:16:41Come here, my dear
00:16:42A trifle warm in here, Gabrielle
00:16:53My poor old head is
00:16:58Getting itchy
00:17:00Hello, children
00:17:12Wentworth
00:17:14After our last
00:17:22Little adventure together
00:17:25I withdrew to Paris
00:17:27There I happened upon Gabriella
00:17:31At the roulette table
00:17:33I lost just about everything else
00:17:37But
00:17:38Her I found
00:17:40I thought Paris was full of Nazis
00:17:42They were a disincentive to remain
00:17:45I returned to England
00:17:47Penniless
00:17:48And secured discreet employment at this hotel
00:17:51As a fortune teller
00:17:52You wrote those letters, didn't you?
00:17:55One to our parents pretending to be the government
00:17:57One to George's pretending to be Horace
00:17:59To get us all to come here
00:18:01Why?
00:18:02Very intelligent
00:18:04This guy
00:18:05What brings you here?
00:18:08Is murder
00:18:13This hotel
00:18:16Is a fetid swamp of resentment
00:18:18And lust for revenge
00:18:19We'd heard
00:18:20Oh, you'd heard, had you?
00:18:22Had you heard
00:18:22Well, you're now hearing
00:18:23The correct version from me
00:18:25You saw the poster
00:18:30For the singer, Cab V?
00:18:34His real name
00:18:35Is Charlie Vincent
00:18:37Son of the imbecile
00:18:40Who runs this pub
00:18:42Charlie
00:18:43Was supposed to take over
00:18:45Managing the place
00:18:46But
00:18:47Oh no
00:18:47He bolted to New York
00:18:49And became an international star
00:18:51Meanwhile
00:18:53The hotel's gone down the drain
00:18:55And his father blames him
00:18:57Why did Charlie come back?
00:19:01To atone
00:19:01For what?
00:19:03Having some ambition?
00:19:04Charlie distressed
00:19:07A great many people
00:19:09When he fled the country
00:19:10People he simply abandoned
00:19:12Friends
00:19:13Family
00:19:15At least one lover
00:19:16This
00:19:18Is why
00:19:19He is destined
00:19:20To be murdered
00:19:21How could you possibly know that?
00:19:27Because I had
00:19:28A vision
00:19:29There was
00:19:36Nothing I could do
00:19:39Death is coming
00:19:50It's inexorable
00:19:53It won't stop
00:19:54Until it takes him
00:19:55Do you understand
00:19:56What I'm saying?
00:19:59Someone in this hotel
00:20:01Is preparing to murder
00:20:02Charlie Vincent
00:20:03He has had visions before
00:20:07Ever since he drank
00:20:08From that fountain
00:20:09On Kieran Island
00:20:09I have
00:20:11And the only people
00:20:14Who know them to be true
00:20:15Are gathered in this room
00:20:17Nobody in the world
00:20:19Can do this but you
00:20:20Do what?
00:20:23The Nazis have our country
00:20:24By the throat
00:20:25Choking us to death
00:20:27We cannot speak
00:20:28We cannot breathe
00:20:29But Charlie Vincent
00:20:30Can sing
00:20:32His music
00:20:33Is a fount of joy
00:20:35Hope
00:20:36Inspiration
00:20:37For a country
00:20:38To lose him now
00:20:39Would be catastrophic
00:20:40To the morale
00:20:41Of the nation
00:20:42So
00:20:44What I want you to do
00:20:46Children
00:20:46Is identify
00:20:48The would-be assassin
00:20:50And stop him
00:20:53Now I am exhausted
00:20:59Leave me
00:21:00Go
00:21:00I must warn you
00:21:14Thomas
00:21:15The father of the tall girl
00:21:17I believe he will interfere
00:21:19Mama writes a book
00:21:24Papa has nothing
00:21:26To occupy his mind
00:21:28Al contrario
00:21:32Gabriela
00:21:33He has you
00:21:36Is Charlie really going to die?
00:21:42That insurance man Crawford
00:21:44He was going on about betrayal
00:21:46What about that old lady
00:21:48That went into Brazil
00:21:49Miss Clusterbuck
00:21:50She said his music was hideous
00:21:52No you listen to me
00:21:52Just
00:21:53Cab V
00:21:54Is a high value commodity
00:21:56Be forceful already
00:21:58Hey
00:21:59You keep your wig on
00:22:01You want forceful
00:22:02I can be forceful
00:22:03I want it now
00:22:04Well consider me
00:22:05Your executioner
00:22:06Julian
00:22:13You should write a list
00:22:15Put Mr. Standing at the top of it
00:22:17He called Charlie a commodity
00:22:19What's a commodity?
00:22:21Step one
00:22:22Surely should be fine Charlie
00:22:24He's the one who's about to be murdered
00:22:25We have to warn him
00:22:26Hang on
00:22:27Wentworth has visions okay
00:22:29But he also lies through his teeth
00:22:31So how do we know which one he's doing now?
00:22:33We don't
00:22:34So why are we getting involved?
00:22:36Because it's what we do
00:22:37We get involved
00:22:39If there's any chance at all
00:22:40That we can stop someone from being killed
00:22:42We have to try
00:22:43I've missed you George
00:22:45She's right Nick
00:22:47Even if it's a trap
00:22:48We have to try
00:22:49Okay
00:22:50To me it's the casting bow
00:22:52Okay
00:22:54Five nil for investigation
00:22:56Let's find Charlie
00:22:57Intemperate
00:23:12Intented abulation sir
00:23:13I want to see your hotel register
00:23:15I want material proof
00:23:16Of my uncle's continued existence
00:23:18I'm afraid we don't keep such records here sir
00:23:20Our guests we find
00:23:22Are very jealous of their privacy
00:23:24The prospect is above all
00:23:26Discreet
00:23:27George
00:23:35Are you particularly busy?
00:23:37Uh
00:23:38We're just playing hide and seek
00:23:40Who's hiding?
00:23:42You're all here
00:23:42Advanced version
00:23:45What's up?
00:23:46There's something rummy going on in this establishment
00:23:49Uncle Horace is nowhere to be found
00:23:51And I need to know why
00:23:53I suggest
00:23:53We investigate this together
00:23:55Professor Quentin Barnard
00:23:59Wow
00:24:01Creator of the legendary algebra engine
00:24:05Integrator theorist
00:24:08Master logician
00:24:10You know that science governs all
00:24:13But I know that science is covered by magic
00:24:17We have much to discuss
00:24:20You and I
00:24:21Go go go go
00:24:27We do
00:24:29Sorry Mr. Crawford
00:24:41Are you looking for someone else?
00:24:45Charlie
00:24:45Cad B
00:24:46Now that's him
00:24:47Punishing the piano
00:24:48But take my tip
00:24:50If Charlie Vincent shakes your hand
00:24:53Count your fingers
00:24:54My card
00:25:05Do you know we once had a warlock speak at the World Society
00:25:26Do you know we once had a warlock speak at the World Society
00:25:30The students booed him off the podium
00:25:32They threw wet blotting paper
00:25:34It was terribly disrespectful
00:25:36I wanted to hear what he had to say
00:25:37You're a man of imagination
00:25:39At last
00:25:41I had quite given up hope of proper conversation here
00:25:45Allow me to furnish you with an aperitif, senora
00:25:50Senorita
00:25:52Please
00:25:53Gabriella
00:25:55Is this anybody's?
00:25:57Not for you, sir
00:25:59That's Charlie's five o'clock
00:26:03It's rested
00:26:04So the ingredients can combine
00:26:07Good Lord
00:26:07Can I prepare you both a house cocktail?
00:26:12It's called
00:26:12Death Comes for the Archbishop
00:26:15Sounds heavenly
00:26:17Marvellous
00:26:18Your present research, Professor
00:26:21What does it concern?
00:26:23How do you plan to astonish civilisation?
00:26:25Well, I believe that it will one day be possible
00:26:30To harness the natural spontaneous energy of the world around us
00:26:34Rather than rely on fossil fuels
00:26:37I mean, why rely on fossil fuels
00:26:38When even my jumper is constantly generating electricity
00:26:41Your jumper?
00:26:44Oh, jumper
00:26:45But the magicians, you know
00:26:49They have been harnessing the energy of creation for thousands of years
00:26:53In fables, not in life
00:26:55You scurn the wisdom of the ancients
00:26:58Two deaths
00:26:59Is this for Charlie?
00:27:09I wonder
00:27:10Would you care to dine with us this evening?
00:27:12Us?
00:27:13Myself, my daughter and my wife
00:27:15I should be delighted
00:27:17Hasta pronto, Professor
00:27:23Blue again
00:27:38It's you again
00:27:40Here comes the same old fear
00:27:43The saddest song I ever wrote
00:27:51The one that you'll never hear
00:27:54B flat's on the blink
00:28:06But you have to work with what you've got
00:28:07I love the song you were playing when we came in
00:28:12The sad one
00:28:14That's the one that counts
00:28:16Can we come to the concert tonight?
00:28:19Dily said we should
00:28:20Dilys, Dilys recommends it
00:28:23You probably should, yeah
00:28:23But first, Charlie, we've got some questions
00:28:26Serious questions
00:28:27You see
00:28:28You're going to be murdered
00:28:29What?
00:28:31Your five o'clock, sir
00:28:55Anything else for you, sir?
00:29:01No, thank you, Dilys
00:29:02Uh, no, yes
00:29:05Some lemonade for these guys
00:29:06When I was little
00:29:13There was an old bloke who used to perform here
00:29:15A Delta bluesman from Chicago
00:29:17Who drank martinis and played this piano just for me
00:29:21That's how it all started
00:29:23Me and jazz
00:29:24My old man hated it
00:29:27He said it was the music of the devil
00:29:29But I liked it
00:29:31I liked it so much
00:29:33I had to leave
00:29:34Go somewhere where I could do it myself
00:29:36And now I'll come back
00:29:39Just in time to get myself talked about me
00:29:40Do you have any enemies, Charlie?
00:29:44My departure from England was at my finest hour
00:29:46I upset a lot of people
00:29:48None of whom would want to kill me, though
00:29:51Give me a slap, baby
00:29:53Man is to me
00:29:59Quite right
00:30:01Cherries have no business tasting of gin
00:30:04Acid
00:30:12Or possibly extreme alkali
00:30:15I'm assuming your drink doesn't usually do that
00:30:17Not usually, no
00:30:18You weren't meant to drink that
00:30:22Who made that cocktail?
00:30:25Mr. Vincent
00:30:26You brought it here
00:30:27You could have done anything to it
00:30:28I did nothing but bring it
00:30:29We should think this through
00:30:31Well, guys
00:30:31Look, whatever's going on here
00:30:32It's extremely dangerous
00:30:34I think it's better if you don't get involved
00:30:36Okay
00:30:39We won't get involved
00:30:40What?
00:30:45At the prospect?
00:30:47I have to say
00:30:48I'm actually rather hurt
00:30:49That you could suggest such an uncooked thing
00:30:51We're not accusing you, sir
00:30:53We just want to know what happened to the drink
00:30:55After you made it
00:30:56What?
00:30:58It rested
00:30:59Yes, it should
00:31:00So that the ingredients can combine
00:31:03And then, um
00:31:05Oh
00:31:06Did it by Dillis?
00:31:08Well, it's not Dillis
00:31:09Do you know, we can't just say that
00:31:11Just because
00:31:12She's, you know
00:31:13Pretty
00:31:14It's nothing to do with that
00:31:16If she is
00:31:18I really hadn't noticed
00:31:20Um
00:31:21It's simply that I happen to believe
00:31:23She's innocent
00:31:24Well, I happen to be not so sure
00:31:26Both of you, please
00:31:27Stop arguing
00:31:28You don't mind my saying
00:31:29You lot don't seem to have a very clear idea
00:31:31Of what you're doing
00:31:32He's right
00:31:32We need to be more scientific about this
00:31:34We need professional advice
00:31:37Run that by me again
00:31:40Say you have a bunch of people
00:31:43Mm-hmm
00:31:44And you know one of them's a murderer
00:31:46How would you find out who that person might be?
00:31:49I mean, what would you look for?
00:31:52What are you up to, George?
00:31:55Nothing
00:31:55We just brought it
00:31:56It's a game
00:31:56The holy trinity of detection
00:32:04One
00:32:05Means
00:32:06Did the suspect possess the correct tools for the job?
00:32:10Deadly acid
00:32:11Two
00:32:12Opportunity
00:32:13Was the suspect in the right place at the right time?
00:32:16And three
00:32:17Motive
00:32:19Now this is crucial
00:32:20Did the suspect have a reason to murder?
00:32:23Now that reason may be a secret known only to them
00:32:25Sometimes not even to themselves
00:32:27What's the top motive for murder?
00:32:30Money
00:32:31Sometimes love
00:32:32Sometimes both
00:32:34So how to detect is find out what people are really thinking
00:32:37Now the trick to detecting
00:32:39Is getting people to tell you things they don't want to tell you
00:32:42Ideally, without them knowing that they're doing it
00:32:44Also, you need to be able to see through walls
00:32:47Behind closed doors
00:32:48See the stuff that people think is hidden safe
00:32:51And that's hard
00:32:53Does that help?
00:32:57With your game?
00:32:58Why didn't I remember this before?
00:33:09What if I told you
00:33:11That in our room there's a hidden door
00:33:13That leads to a secret passage
00:33:15From which you can spy into people's rooms
00:33:17Through painted people's eyeballs
00:33:20Who's first?
00:33:26To do what?
00:33:27To do in's first
00:33:29Who's next?
00:33:37Who's next?
00:33:37Who's next?
00:33:41Who's next?
00:33:57Mr. Vincent's office
00:34:08There's no one there
00:34:09But someone was here
00:34:1160, 20, 90, 20
00:34:14What's that about?
00:34:18What do you mean?
00:34:19Buffet?
00:34:20It's where one serves oneself
00:34:22I know what a buffy is, you ninny
00:34:25Doubtless one of Vincent's dismal economies
00:34:28You can get the girl to serve me
00:34:32Yes, mummy
00:34:32You've done something facetious to your hair
00:34:38Go and sort it out
00:34:39Sometimes, you know, I'm quite overcome with an irresistible desire to annihilate every moron on the face of the earth
00:35:04Like God with a flood
00:35:07This urge to lay waste is in the clutterbug blood, I think
00:35:16I know you have it
00:35:21All right, let's look at the suspects so far
00:35:30Him, the American, standing
00:35:33He's under pressure
00:35:34He's agreed to do something he doesn't want to do
00:35:37And he calls himself the executioner
00:35:40Singers are always mixed up in the mob
00:35:42The mafia
00:35:43Standing's probably a hitman sent to whack Charlie
00:35:46Whack?
00:35:48Where do you get all this stuff?
00:35:50School
00:35:50What about Crawford?
00:35:54He says Charlie betrays him
00:35:55And that's obviously driven him doulal
00:35:57Don't forget the clutterbuck woman
00:35:59She hates everything
00:36:01Dogs, music, Brazil, this hotel
00:36:04Even her own daughter
00:36:05Dillis bought the drink
00:36:07But Mr. Vincent made it
00:36:12Time's running out
00:36:15Somebody tried to murder Charlie
00:36:17It happened right in front of us
00:36:18And it's going to happen again unless we do something about it
00:36:21Means, motive, opportunity
00:36:23What we have to do is watch everybody
00:36:26Like Hawks
00:36:27Hello?
00:36:39George
00:36:40Dad?
00:36:40Have you got anything formal?
00:36:42Have I got anything formal?
00:36:44Are you mad?
00:36:44Yes, Mother says she's packed you something
00:36:46I don't care if Mum packed
00:36:48Oh, this ruddy tie
00:36:50He's trying to tie up his tie
00:36:52Speak at the same time
00:36:53George, we're dressing for dinner
00:36:53Okay, okay
00:36:54Downstairs, 20 minutes
00:36:56Okay
00:36:56Okay
00:36:57Don't be late
00:36:58Okay
00:36:59Dinner in 20 minutes
00:37:02Evening, everyone
00:37:11This way, George
00:37:12One word and I'll smash your face in
00:37:18Hello again, old sport
00:37:37Could you get your dog off the furniture, please?
00:37:42Sorry
00:37:43Why is there no butter?
00:37:47We can't have butter, Mummy
00:37:49What?
00:37:50Says who?
00:37:52Adolf Hitler
00:37:53Him and whose army?
00:37:55His, Mummy
00:37:56Just get that Hitler on the phone
00:37:59What do you want?
00:38:03Do you mind if I join you?
00:38:08Brown shoes at dinner
00:38:10That's how it starts
00:38:12That's how it starts
00:38:12What next?
00:38:14Men carrying parcels in public?
00:38:16Reversing in the waltz?
00:38:18So get about your business
00:38:19Silly boy
00:38:20That's enough
00:38:24Mr. Kloss Park's too busy being obnoxious to have the time to go around killing people
00:38:29Back in a minute
00:38:31Dillis
00:38:36Dillis
00:38:36Can I ask you a question about Charlie?
00:38:39What was he like before he was famous?
00:38:42He was always famous
00:38:43In a way
00:38:45So talented
00:38:46Always bashing away at the piano
00:38:49Once I made a jelly and
00:38:52He sat down and wrote a song about it
00:38:55Straight off
00:38:56He must have really liked you
00:38:58No, love
00:39:00He liked the jelly
00:39:01Are you happy here?
00:39:06Um
00:39:07Reasonably
00:39:08Mr. Vincent's always been good to me
00:39:12As good as he can be
00:39:14Given the circumstances
00:39:16Oh, thank you
00:39:20Ah, Senorita
00:39:24My daughter, George
00:39:26Encantada
00:39:27Um
00:39:29Your what?
00:39:32Inspector Monroe has decided that he could drop the monocle in the font
00:39:35But my wife
00:39:36Not convinced
00:39:37Mum's book
00:39:39She's busy
00:39:40Ah
00:39:41The muse is a fical mistress
00:39:43Where were we, Professor?
00:39:47Well
00:39:47Well, um
00:39:48I rather wanted you to explain how magicians harness energy
00:39:53In fact
00:39:54I demand it
00:39:55There may have to
00:39:57Dad, I have to go talk to Cap V
00:39:59Because he's famous
00:40:02Oh, we're talking to the Senorita
00:40:04I think, Professor
00:40:07It is an act of diplomacy
00:40:10Your daughter sees that her pretty dress is the same color as mine
00:40:13We cannot
00:40:14Dine at the same table
00:40:16She's sacrifice herself
00:40:18Wait, I don't
00:40:20How?
00:40:23My chicken
00:40:24Mr. Crawford
00:40:40You said that Charlie betrayed you
00:40:42How?
00:40:44I wrote his songs
00:40:47That's how
00:40:47You're a musician?
00:40:50Oh, yes
00:40:53Before I started selling insurance
00:40:57We collaborated on his version of Jumping Jive
00:41:03I wrote Hop-Headed Woman
00:41:06And Gasoline Girl
00:41:08Ten weeks
00:41:14Top of the charts
00:41:16You must have made a lot of money
00:41:19You'd expect so, wouldn't you?
00:41:23So you're here to sort things out?
00:41:26One way of putting it
00:41:27The main thing, Sport, is to let the snake right in the eyes
00:41:31Do you know what you do, then?
00:41:35Cut off its head
00:41:36We're not going to let that happen
00:41:41Are we not?
00:41:49Dear, that's a nuisance
00:41:50Think again, Crawford
00:41:54Best we keep you out of the way, then
00:42:02Do you really have no idea who might be trying to kill you?
00:42:06No
00:42:08Anyway, whatever it is that's heading my way, maybe I deserve it
00:42:13Why wouldn't you take this seriously?
00:42:17Listen, I arrived in New York with no money in my pocket
00:42:19No change of clothes
00:42:21No reputation except the bad one I left at home
00:42:25Just a fistful of songs
00:42:28You know what happened then?
00:42:32I became a star
00:42:33Point is, I can look after myself
00:42:37And I reckon you're the same
00:42:40No
00:42:44You're not the same
00:42:45You're better
00:42:48You wouldn't leave anybody in the lurch
00:42:52You wouldn't steal to get yourself a ticket to America
00:42:56You and your cousins
00:43:03Cousins?
00:43:07You're the future
00:43:08If the world makes it out of this war, it's going to belong to you
00:43:12Your generation
00:43:14You have to make sure you run it right
00:43:17What does Mr. Standing want?
00:43:25You've been spying on me, Miss
00:43:26Only a little
00:43:28Standing works for chessboard records
00:43:32I'm just disappointed with some of the decisions I've made recently
00:43:35That's all
00:43:36Time to fire up Cab V
00:43:43Is he someone different?
00:43:46Very
00:43:47I couldn't go out on stage as Charlie Vincent
00:43:50I'd just die
00:43:53Ladies and gentlemen
00:44:02For your exclusive entertainment, Mr. Cab V
00:44:06And his bandits
00:44:08Will shortly be performing in the ballroom
00:44:11Oh, hell on us
00:44:12Come on, chaps and chapesses
00:44:16We don't want to miss the opener
00:44:17It could be one of mine
00:44:19Mmm
00:44:47Mmm
00:44:48Mmm
00:44:48Boy, what you gonna say that gate?
00:44:57Oh boy, what you gonna say that gate?
00:45:00Palomar, Chalamar, Swanee, Shaw
00:45:02Let me dig that jive once more
00:45:05Boy, lay a bridle down to the gate
00:45:07Oh boy, lay his bridle down to the gate
00:45:10Now can't you hear those headcats call?
00:45:13Come on boys, let's have a ball
00:45:15The gym jam jump on the jive
00:45:18Makes you dig your jive on the mellow side
00:45:21The gym jam jump on the solid jive
00:45:28Makes you dig your jive on the mellow side
00:45:31The gym jam jump is the solid jive
00:45:39Makes you nine foot tall when you're four foot five
00:45:41Where's Julia?
00:45:45I think I saw him going into the bar
00:46:02Good heavens
00:46:04I don't know how to make it stop
00:46:08If only we could get a film
00:46:10We could blackmail him for decades
00:46:13Let's go find your brother
00:46:14Oh, yeah
00:46:15Oh, hello
00:46:25May I have the honor?
00:46:27Yes
00:46:28Margarita
00:46:33Margarita
00:46:35He was here, but why would he just leave this?
00:46:49Just a minute
00:46:50The music is wrong
00:46:52The drum bit doesn't fit
00:46:55That's not the drums
00:46:58Crawford
00:47:03Crawford
00:47:04Crawford
00:47:05He's got a knife
00:47:06He's going to kill Charlie
00:47:08Blue again
00:47:28It's you again
00:47:31Here comes the same old fear
00:47:34Thank you
00:47:41Thank you
00:47:41Thank you all very much
00:47:43We're going to take a break from here
00:47:45You've been avoiding me
00:48:05Why?
00:48:06Why do you think?
00:48:09Okay, this is exceptionally dangerous
00:48:16We're doing this because it's dangerous
00:48:18I wrote those songs
00:48:22Me
00:48:25Everything you have, you've stolen
00:48:28You thieving dog
00:48:29No
00:48:30It's all mine
00:48:31Crawford, calm down
00:48:32Julian
00:48:45I don't need eyes to find you
00:48:52Calm down
00:48:53George
00:48:53We wrote those songs together
00:49:05And I brought you out fair and square
00:49:07It's not a crime I was more successful
00:49:10I'm going, you little toe rag
00:49:13Oh
00:49:14Oh, you got him
00:49:17Hold on
00:49:19Mike, calm
00:49:23Come on
00:49:24Move
00:49:26Charlie
00:49:27I'm okay
00:49:30Really
00:49:32They loved you, Charlie
00:49:34They loved you
00:49:35They love Cap V
00:49:37You saved my life again
00:49:41Thank you
00:49:42The second time you've done it
00:49:44Let's just hope there's not a third
00:49:45That's not the end of it
00:49:47Crawford told me he wanted to look you in the eye when he killed you
00:49:50But whoever put the acid in your drink didn't care about that
00:49:52They just wanted you dead
00:49:54So that means there's someone else?
00:49:57The bandits
00:49:58Do you trust them?
00:50:00With my life
00:50:00Charlie, you should go to your room and lock the door
00:50:04As should you
00:50:05I don't know what's going on
00:50:07But enough is enough
00:50:10First thing tomorrow, we're leaving
00:50:12All of us
00:50:13Assemble here in reception at nine o'clock
00:50:16This place is simply too dangerous
00:50:18I suggest
00:50:20That like Mr. V here
00:50:22We all go to our rooms
00:50:23Now
00:50:25I'm gonna go tell Wentworth
00:50:35You can't leave me
00:50:40I need you here
00:50:42I cannot let that tiresome man obstruct our mission
00:50:46That tiresome man Wentworth is my father
00:50:49I can't be held responsible for that
00:50:51George
00:50:53I'm distraught
00:50:55Look at me being distraught
00:50:57What do you mean our mission?
00:50:59What do you contribute?
00:51:02I contribute
00:51:03Gabriella
00:51:05Time to crank her up a bit
00:51:10What are you really up to?
00:51:12I've done some regrettable things
00:51:16You don't say
00:51:17But
00:51:17What I have seen in the future has changed me
00:51:22We are at the threshold of a global cataclysm
00:51:27What an achievement it would be
00:51:29If
00:51:30Right here
00:51:31Right now
00:51:32We could stop death in his tracks
00:51:34You're a terrible person
00:51:35Have you never wanted to be wicked?
00:51:44There
00:51:44That hesitation
00:51:47There's the proof
00:51:48You envy me
00:51:50My freedom
00:51:51The freedom
00:51:53To simply be bad
00:51:56Because one can
00:51:58You'd love it
00:52:01You have no idea what I'd love
00:52:04Anne
00:52:28Hey, are you alright?
00:52:31I was dreaming about mummy and daddy
00:52:34Sorry
00:52:35Don't be sorry
00:52:37I'm missing two
00:52:39What's going to happen, Dick?
00:52:44We can't stop the war
00:52:45And we can't stop the killer
00:52:46And we're supposed to sing
00:52:48Green Grove of the Rushes
00:52:49All together on my birthday
00:52:51And the world's going so fast
00:52:53And everything's so awful now
00:52:55And sad
00:52:55Charlie, you got a minute?
00:53:01Mr. Vincent
00:53:02I've been trying to tell you
00:53:04The fact of the matter is
00:53:06I haven't been paid for three months
00:53:09Not a penny
00:53:11And all my clothes are falling apart
00:53:12And Mr. Vincent
00:53:13I just feel spent
00:53:15Can I show you something?
00:53:21The cupboard
00:53:22It's empty
00:53:25It's over
00:53:27Nothing left, my dear
00:53:30When these guests
00:53:33Settle up
00:53:34I should give all the money to you
00:53:35And then
00:53:35That'll be the end of the prospect hotel
00:53:41I know what I want to do
00:53:45And what I have to do
00:53:46And if you were a man
00:53:47You'd know it too
00:53:48You know what, pal?
00:53:50It's a death wish
00:53:51You actually want to die
00:53:53Well, I hope you get a kick out of it, brother
00:53:58Because it could be coming sooner than you think
00:54:00Now that
00:54:06Was a threat
00:54:07Dad, we think there's someone else who's trying to kill Charlie
00:54:18I don't want to hear it
00:54:20Oh, come on, Dad
00:54:20But this simply isn't fair
00:54:21George, call the fairness police
00:54:23I want everybody in the truck
00:54:25I'm going to go and fetch your mother
00:54:27Professor
00:54:28You have regarded the perfection of the day
00:54:31Ah, good morning
00:54:33Not as such, no
00:54:34The elements align superfluly for my demonstration
00:54:37You have not forgot
00:54:39The time has come for me to expose the limits of your science
00:54:44I will take you to the place where the ley lines meet
00:54:48Professor
00:54:49Vamos
00:54:50You gave your word
00:54:52You shouldn't go back on your word, Dad
00:54:58That wouldn't be tennis
00:54:59Cricket
00:55:00Whatever
00:55:01Very bad example to us
00:55:03Quite so, George
00:55:05Science
00:55:06Science
00:55:06Or sorcery
00:55:07Let's ask ourselves today
00:55:09Right
00:55:10One hour
00:55:12And then we are going straight home
00:55:14And I'm going to be very strict about it
00:55:16Senorita
00:55:17Lead the way
00:55:18Stanley's on another call
00:55:22And that is what you want me to do
00:55:28Because the consequences will be irreversible
00:55:32You understand that?
00:55:33Can you understand who's paid your way with?
00:55:36Then I shall do it immediately
00:55:37Come on, quickly
00:55:45Standing
00:55:52He's on his way to kill you
00:55:53He's the one who put the acid in your drink
00:55:54And just now he was on the telephone to the American
00:55:56Ordering him to do it now
00:55:58That must be him
00:56:02Charlie, open up
00:56:05What is it, Stanley?
00:56:07You've got your war
00:56:08Charlie
00:56:10Don't do it
00:56:10I explained you wouldn't budge
00:56:20They said okay
00:56:21A few expletives at first
00:56:23But in the end, okay
00:56:25So you're free to go and get yourself shot to pieces for king and country
00:56:30You colossal dodo
00:56:32I revise the contract accordingly
00:56:34Can somebody please explain?
00:56:37I came back to England because I want to fight for my country
00:56:39My record label
00:56:41Him
00:56:42Would prefer me not to
00:56:44They tripled my money
00:56:46Is that still the deal?
00:56:47They want me to stay safe in America
00:56:50But if England falls, even America won't be safe
00:56:53If the contract lets me fight, I'll sign it
00:56:57The money will be arriving shortly
00:57:00In warproof form
00:57:02So if it isn't Mr. Standing
00:57:31Or Crawford
00:57:32Or Charlie's dad
00:57:33Then who put the acid in Charlie's drink?
00:57:36Somebody's been busy on the black market
00:57:56Maybe you shouldn't either
00:57:58Fans always send me gifts
00:58:00It's harmless
00:58:00That's not funny
00:58:13What about the, uh, lady of Spain?
00:58:16Miss Harry Spex?
00:58:17What's her story?
00:58:19Or his for that matter?
00:58:21They're both a curried egg short of the full picnic
00:58:22If you ask me
00:58:23He agrees, look
00:58:25Stop, there's something wrong with that fruit
00:58:29George, not absolutely everybody in the world is trying to kill me
00:58:35Sometimes people just want to do nice things
00:58:37Well
00:58:39She's not endemic to the British Isles
00:58:42Dick
00:59:00What the heck is that?
00:59:08Venom why she's number one
00:59:10Super deadly
00:59:11Wandering spider from Brazil
00:59:14Brazil means Clotterbock
00:59:18Are you sure you know where you're going?
00:59:27This is the place where the ley lines embrace
00:59:30Here I can demonstrate the feebliness of your science
00:59:34You say feebliness of science?
00:59:38Not often, Signorita
00:59:39But the land knows I am about to disclose its secrets
00:59:43Mira
00:59:46It fights back
00:59:49It sends the fog to confound us
00:59:53No matter
00:59:56Extract your compass
00:59:57It will fail you
01:00:00What you shall observe is the energy of angels
01:00:03What I shall observe
01:00:05Will be elementary physics
01:00:07Good lord
01:00:09Good heavens
01:00:11Signorita
01:00:15Very well
01:00:20Now
01:00:21Allowing for barometric irregularity
01:00:24Taking into account the curvature of the earth
01:00:26I say
01:00:28This way
01:00:31Right here
01:00:35Oh
01:00:37Signorita
01:00:39Oh
01:00:39George
01:00:44I'm looking for dad
01:00:46He went on a walk on the ridge
01:00:48Without you
01:00:49I'll get lost
01:00:50He went with that wiggly Spanish lady he was dancing with
01:00:53Well he'll probably be all right then
01:00:56Where are you going?
01:01:00Signorita
01:01:01Where's my husband?
01:01:05Quentin
01:01:05What is Quentin?
01:01:15Lost any big spiders lately?
01:01:18What gives you the right to be so pert?
01:01:20I don't know
01:01:22Maybe the fact that you keep trying to kill Charlie Vincent
01:01:26The music was revolting but doesn't quite deserve the death penalty
01:01:31Then why plant a Brazilian wandering spider in his fruit well?
01:01:34Are you following any of this?
01:01:36You just got back from Brazil
01:01:38You said so
01:01:39So it's obviously you
01:01:41Could I possibly have a word with you people?
01:01:45In private
01:01:46Children
01:01:49Goodness
01:01:50Shouldn't be allowed out
01:01:51Nasty children
01:01:53Don't like you
01:01:54We never went to Brazil
01:01:57She controls the money and there isn't any money
01:02:00We can't all up sticks for New York you know
01:02:03Thought she was rich
01:02:06She pretends to be rich because for her that's good manners
01:02:09So nobody's been to Brazil?
01:02:16Plus spider didn't just walk here from South America
01:02:18Julian
01:02:18Please tell Mr Vincent to gather everyone on the list in the bar
01:02:21I know who the killer is
01:02:24I am
01:02:43Einstein you can come out from behind the sofa
01:02:48Professor Barnard I presume
01:02:50Fanny oh my darling
01:02:52I am so happy
01:02:54Do you see this rock?
01:02:55It's full of iron
01:02:56It's a giant magnet
01:02:59It's not magic
01:03:00It's science
01:03:02Okay
01:03:03I think in future we might put you on a lead
01:03:06Ladies and gentlemen
01:03:22Oh
01:03:22Is there much more of this?
01:03:26Someone in this room has tried to kill Charlie Vincent
01:03:28A.k.a. Cab V
01:03:29And they have failed
01:03:31Twice
01:03:32We believe that that person will try again
01:03:35Crawford isn't in this room
01:03:37Crawford doesn't count
01:03:38That was an act of madness
01:03:40The acid and the spider were carefully planned
01:03:42So first
01:03:45Mr Vincent
01:03:46Your hotel is broke
01:03:48You blame Charlie for refusing to take on the burden of the business
01:03:51For legging it to America
01:03:53But you feel sorrow
01:03:54Rather than anger
01:03:55You wouldn't kill your own son
01:03:58In fact
01:03:59You helped save his life
01:04:01You
01:04:03Are not the assassin
01:04:04Next
01:04:08Mr Standing
01:04:10Sent here to prevent Charlie joining the army
01:04:13Not least by means of bribery
01:04:15Substantial bribery old boy
01:04:17So
01:04:17It's in your interest to protect it
01:04:19You also
01:04:21Are not the killer
01:04:22Is this tonight's entertainment?
01:04:25It's pretty slim
01:04:26Miss Clutterbuck
01:04:28You openly despise Charlie Vincent
01:04:31You loathe jazz music because it represents freedom and joy
01:04:34You're a snob and a bully
01:04:36And a deeply unpleasant person
01:04:39No offence
01:04:40But you also are not the murderer
01:04:44All these people can be set aside
01:04:48The person we seek
01:04:50Is even now determined to close their hands
01:04:52Around the throat of Charlie Vincent
01:04:54Miss Angela
01:04:59Your arms are itchy
01:05:01Mosquitoes in Brazil are very fierce
01:05:06But not as fierce as the wandering spider you brought back
01:05:09I said we never went to Brazil
01:05:11You did say
01:05:13But that was a lie
01:05:15When Charlie up sticks for New York
01:05:19He left behind a broken heart
01:05:20Yours
01:05:21For you and he were once romantically connected
01:05:25Were you not?
01:05:26You were in love
01:05:27And now you are jealous
01:05:29Vengeful
01:05:30And like those mosquitoes
01:05:32Hungry for blood
01:05:33In short you are a killer
01:05:35I'm sorry but that's not right
01:05:36I was in love
01:05:40Yes but it wasn't with Angela Clutterbuck
01:05:42Are we done?
01:05:44Whilst I appreciate your efforts
01:05:46This is all too much
01:05:48Miss Angela
01:05:53What is it that you're not telling us?
01:05:55You thatuous child
01:05:56It's the simpering waitress
01:05:59She's the one
01:06:00She adored him
01:06:01They were romantically connected for years
01:06:03Then he shoved off to New York
01:06:05And she broke into a million pieces
01:06:08No one
01:06:10Hates Cab
01:06:11Quite as vividly as she does
01:06:13Dilys
01:06:15I'm talking about Dilys
01:06:17I've just written the ending
01:06:34This B flat up the top's gone dead
01:06:38So try not to hear that
01:06:39So true again
01:06:44No you again
01:06:47The same from year to year
01:06:50Each day I wish my life away
01:06:57Wishing that you were near
01:07:00Leaving you here
01:07:11Was the biggest mistake of my life
01:07:13Every day I wanted to tell you that
01:07:16And every day I failed
01:07:17Even here
01:07:19So I guess I deserve what I deserve
01:07:24Did you write that for me?
01:07:35It's called a sad song for Dilys
01:07:37So I think I must have
01:07:40I behave disgracefully to you
01:07:50And I'm very
01:07:54Very sorry
01:07:56She's hypnotised him
01:08:14This is a vision
01:08:17He can't defend himself
01:08:18Wait
01:08:18Look
01:08:22And learn
01:08:23You
01:08:25It was always you
01:08:28So it wasn't murder
01:08:39It was
01:08:40That stuff
01:08:42Yuck
01:08:44Hey detectives
01:08:48Guy usually gets to do this in private
01:08:51I guess you have to work with what you've got
01:08:54Dilys Shepard
01:08:56Will you marry me?
01:08:58Yes
01:08:58Yes Charlie
01:08:59I will
01:09:00Yes
01:09:00So
01:09:02I'm so confused
01:09:05Dilys
01:09:06You didn't come here to murder Charlie
01:09:09I didn't know what I came here for
01:09:12I just
01:09:13You know I had to be alone with him
01:09:16You dreamt it all wrong
01:09:18It wasn't a dream
01:09:20It was a vision
01:09:21You impetuous fools
01:09:24Death is bearing down on this man here now
01:09:28Everyone who doesn't want to get shot
01:09:31Move
01:09:31I'm the one whose life you ruined Charlie
01:09:36I've been scrimping and saving for years to get away from my mother
01:09:40The ghastly toboggan faced old hag
01:09:43Every time she left sixpence for a tip I'd go back and get it
01:09:46I'd pick up pennies in the street
01:09:48The collection plate comes round for the offertory hymn
01:09:51I'd take from it
01:09:52All I wanted was enough money to get a ticket to anywhere
01:09:56To get away
01:09:58And you sneaked into my room and you stole it
01:10:03You sneaking sneak thief
01:10:05It's right
01:10:06Just a minute
01:10:07I have an idea
01:10:09I don't know how much money Charlie stole from you
01:10:14A lot
01:10:17200 pound
01:10:20203
01:10:22203
01:10:23Cool
01:10:24So here's my vision of the future
01:10:27Charlie pays the 203 pounds back
01:10:31With interest now
01:10:34Agreed?
01:10:35Of course, yes
01:10:36Meanwhile
01:10:38Charlie marries Dillis
01:10:40Joins the army
01:10:42Beats up Hitler
01:10:43And writes hundreds of fantastic songs
01:10:46To inspire the whole country
01:10:47And make everyone feel brilliant
01:10:49Except your mother
01:10:52Who hates every single minute of it
01:10:54So just stop this now
01:11:00Angela
01:11:00You stop it
01:11:02I said it first
01:11:04She did actually
01:11:05Well done
01:11:14Right decision
01:11:16But
01:11:19You might have to go to prison
01:11:22For a little bit
01:11:23Always has to be the center of attention
01:11:35Relax
01:11:40The property's undamaged
01:11:42It's your property I'm thinking of
01:11:44I said we made your money warproof
01:11:47You're being paid
01:11:48Open up
01:11:49In gold
01:11:50Three beautiful babies
01:11:54What will you do with them?
01:11:57Simple division
01:11:57One for my father
01:11:58To rescue the prospect
01:12:00And pay the staff for it
01:12:01The road
01:12:02One to be held on a fund for Angela
01:12:04For pinching her savings
01:12:05One for Dillis
01:12:07Because I love her
01:12:08Mr. Vincent
01:12:14Will you kindly secure this case
01:12:16In the hotel's safe?
01:12:17My pleasure
01:12:17So
01:12:18Can you
01:12:19Charlie
01:12:23Can you find it in your heart
01:12:25To forgive me?
01:12:30My dear son
01:12:31Listen all
01:12:45Now might be the time to tell you
01:12:48That this afternoon
01:12:49Your uncle Quinton
01:12:50Had a telegram
01:12:52Flapon
01:12:53Presence required abroad
01:12:55Any chance our lot stay care
01:12:57In the immediate future?
01:12:58Jilly and Jack
01:12:59Oh
01:12:59That's fantastic
01:13:01How can you be happy?
01:13:13I mean Kieran
01:13:14That's wonderful
01:13:15But mum and dad
01:13:16Are heading into danger
01:13:17On my birthday
01:13:19Chin up sis
01:13:21We have to be brave
01:13:23About stuff when we can
01:13:24It's our war effort
01:13:26Like the whale fat
01:13:29There's something bugging me
01:13:34Do you remember the numbers
01:13:35On the wall?
01:13:3660, 20, 90, 20
01:13:37Of course
01:13:37What about them?
01:13:39I think I know what they mean
01:13:40I think I know what they mean
01:13:41I think I know what they mean
01:13:41I think I know what they mean
01:13:42I think I know what they mean
01:13:43I think I know what they mean
01:13:44I think I know what they mean
01:13:45I think I know what they mean
01:13:46I think I know what they mean
01:13:47I think I know what they mean
01:13:48I think I know what they mean
01:13:49I think I know what they mean
01:13:50I think I know what they mean
01:13:51I think I know what they mean
01:13:52I think I know what they mean
01:13:53I think I know what they mean
01:13:54I think I know what they mean
01:13:55I think I know what they mean
01:13:56I think I know what they mean
01:13:57I think I know what they mean
01:13:58I think I know what they mean
01:13:59How to fin the house are they worth?
01:14:24And you, Gabriella, not your colour.
01:14:29Children, I'm busy.
01:14:31All lies.
01:14:33Everything you said lies.
01:14:36You've been spying on this room since the day you got here.
01:14:43You've known for a long time how to open that seat.
01:14:46But you had to wait because you knew the gold was on its way.
01:14:50The money will be arriving shortly in war-proof form.
01:14:54That meant Charlie had to stay alive, yes.
01:14:57Only long enough for him to sign the new contract.
01:15:02He didn't care about his life at all.
01:15:04Look, all this is just a little taking things from other people's lives to improve your own, you know.
01:15:13I really thought you'd become a good person.
01:15:18Don't spare me the moral flagellation.
01:15:20I'm not used to being poor, I don't like it.
01:15:23Neither does she.
01:15:25We can't, I'll be roof-raff.
01:15:28Is this all you are, Wentworth?
01:15:29Another sneak thief?
01:15:31No, my dear.
01:15:35I'm also your teacher.
01:15:38And this particular lesson...
01:15:41is concluded.
01:15:42is concluded.
01:15:47Oh, God!
01:15:48Come on!
01:15:49Come on!
01:15:56Timmy!
01:15:57My uncle!
01:16:11Thomas!
01:16:15Sorry, my dear, but...
01:16:17I really need this girl.
01:16:22No!
01:16:27What did you do?
01:16:30That way.
01:16:31Into the marsh.
01:16:41Wentworth!
01:16:42Wentworth!
01:16:44No!
01:16:45Wentworth!
01:16:46That's the marsh!
01:16:47It's dangerous!
01:16:48You have to stall!
01:16:50Damn!
01:16:57Wentworth!
01:16:59He's stuck!
01:17:04He's sinking.
01:17:05It's all right, children.
01:17:06I...
01:17:07I wish to be rude because inexplicably I've...
01:17:10Grown rather fond of you, but...
01:17:12What did you say?
01:17:15You're sinking!
01:17:19We have to get him out of there.
01:17:22Wentworth!
01:17:23Grab hold of me!
01:17:27You!
01:17:28Drop the bag and take my hand!
01:17:29Grab my hand!
01:17:31Wentworth, please!
01:17:35Look, Wentworth, I know you said you wanted to stop death in his tracks.
01:17:39I know you were lying.
01:17:40But I'm not.
01:17:42Wentworth, I want you to live!
01:17:48Save me, children!
01:17:50Save me!
01:17:54Pull!
01:17:55Timmy, this has to be all five of us, okay?
01:17:56Pull on the way!
01:17:57Pull on the way!
01:17:58Pull on the way!
01:17:59Nobody's gonna die today!
01:18:00Nobody!
01:18:01Oh!
01:18:02Oh!
01:18:03Oh!
01:18:04Oh!
01:18:05Oh!
01:18:06Oh!
01:18:07Oh!
01:18:08Oh!
01:18:09Oh!
01:18:10Oh!
01:18:12Oh!
01:18:13Oh!
01:18:14Oh!
01:18:15Oh!
01:18:16Oh!
01:18:17Oh!
01:18:18Oh!
01:18:19Oh!
01:18:20Oh!
01:18:21Oh!
01:18:22Oh!
01:18:23Oh!
01:18:24Oh!
01:18:25Oh!
01:18:26Oh!
01:18:27Oh!
01:18:28Oh!
01:18:29Oh!
01:18:30Oh!
01:18:31Oh!
01:18:32Oh!
01:18:33Oh!
01:18:34Oh!
01:18:35Oh!
01:18:36Oh!
01:18:37Oh!
01:18:38Oh!
01:18:39Oh!
01:18:40Oh!
01:18:41Oh!
01:18:42Oh!
01:18:43Oh!
01:18:44Oh!
01:18:45Oh!
01:18:46Oh!
01:18:47Oh!
01:18:48Oh!
01:18:49Oh!
01:18:50Oh!
01:18:51Oh!
01:18:52No, we both.
01:18:59Hasta mañana.
01:19:03Your Spanish, like everything else, is inadequate.
01:19:09You mean adios.
01:19:11Adios.
01:19:21Come on!
01:19:22Pull, Timmy, pull!
01:19:23Good boy!
01:19:24You've got this, Timmy!
01:19:25Pull, Julian!
01:19:27Yes, that's it!
01:19:28Yes, you've got it!
01:19:30We did it!
01:19:31We got the gold!
01:19:33Good boy, Timmy!
01:19:42It's okay.
01:19:44You do look a bit like a panda, but there's always something nice to look forward to.
01:19:50Tomorrow's my birthday.
01:20:03Finished.
01:20:05Detective Monroe finally tracked down the murder victim's missing monocle in a spooky old hotel.
01:20:11But where exactly?
01:20:13Three guesses.
01:20:14Julian?
01:20:16Behind the painting with fake eyes.
01:20:18Oh, I like it.
01:20:19No.
01:20:20George?
01:20:21In a sulfuric acid martini dissolving.
01:20:24Very stylish.
01:20:26No.
01:20:27One more guess.
01:20:28Dick?
01:20:34In the piano.
01:20:36Good grief.
01:20:38How did you know that?
01:20:39It's trapped under the B-flat.
01:20:40That's why the note can't sound.
01:20:43Richard Barnard.
01:20:45If I were wearing a hat, I would sweep it off to you.
01:20:48I may even put one on just for that purpose.
01:20:53What's the matter with Anne?
01:20:55Oh.
01:20:57There's this thing we do at home on her birthday.
01:21:01It's so silly.
01:21:02I've seen this song.
01:21:03Green Grow.
01:21:05Mum and Dad sing the question bit and we sing the answer bit.
01:21:08But...
01:21:10I think she's just a bit sad that we can't all be together.
01:21:14Look.
01:21:16We have a tradition in this household where you get to open one present before the cake.
01:21:22I get to choose.
01:21:24Anne?
01:21:25Who is?
01:21:26This one.
01:21:27Came this afternoon.
01:21:28Grammophone, please.
01:21:29Mm-hmm.
01:21:32It's a record.
01:21:33Mm-hmm.
01:21:34May I?
01:21:38Is it recording?
01:21:39Oh, yes.
01:21:40Right.
01:21:41It's Mummy!
01:21:42Hello, my darlings.
01:21:43I'm here with Daddy in a recording studio.
01:21:48Hello, Team B.
01:21:49And Daddy.
01:21:50And this is our birthday present to Anne.
01:21:51I've asked Aunt Fanny to hand this over at the right moment.
01:21:52So...
01:21:53Right.
01:21:54Are you ready?
01:21:55I'll sing your one-o.
01:21:56We can't hear you.
01:21:57Green Grow, the rushes, oh.
01:21:58Green Grow, the rushes, oh.
01:21:59I'm here with Daddy in a recording studio.
01:22:02Hello, Team B.
01:22:04And Daddy.
01:22:05And this is our birthday present to Anne.
01:22:08I've asked Aunt Fanny to hand this over at the right moment.
01:22:12So...
01:22:13Right.
01:22:14Are you ready?
01:22:15I'll sing your one-o.
01:22:16We can't hear you.
01:22:17Green Grow, the rushes, oh.
01:22:18What is your one-o?
01:22:19One is one and all alone and evermore shall be so.
01:22:20I'll sing you two-o.
01:22:21Green Grow, the rushes, oh.
01:22:23Green Grow, the rushes, oh.
01:22:25What is your one-o?
01:22:27One is one and all alone and evermore shall be so.
01:22:32I'll sing you two-o.
01:22:34Green Grow, the rushes, oh.
01:22:37Look good.
01:22:49Goodbye.
01:22:54Bye-bye.
01:22:58Bye.
01:23:00Bye-bye.
01:23:02Bye.
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