- 1 hour ago
- #the
- #realityinsighthub
The Famous Five (2023) Season 1 Episode 5 - Big Trouble on Billycock Hill
#The Famous Five
#RealityInsightHub
🎞 Please subscribe to our official channel to watch the full movie for free, as soon as possible. ❤️Reality Insight Hub❤️
👉 Official Channel: />👉 THANK YOU ⭐❤️❤️❤️⭐
#The Famous Five
#RealityInsightHub
🎞 Please subscribe to our official channel to watch the full movie for free, as soon as possible. ❤️Reality Insight Hub❤️
👉 Official Channel: />👉 THANK YOU ⭐❤️❤️❤️⭐
Category
😹
FunTranscript
00:00:00Let's go.
00:00:30Oh, my God.
00:00:59Sorry to bother. We're doing vehicle searches in this area.
00:01:03What are you looking for?
00:01:07Strictly between you and me, there's a fugitive on the run.
00:01:12Could I take a look in the back?
00:01:15Of course. Great.
00:01:29I've got to find the right key.
00:01:35Police Constable York.
00:01:38This person you're searching for, they must be a really nasty piece of work,
00:01:41considering you set up the roadblocks. Am I right?
00:01:45Well, that's putting it lightly. I've heard stories about this woman.
00:01:49Hmm.
00:01:51Somebody as dangerous as that probably doesn't want to be discovered, do they?
00:01:55Might do something bad if they were.
00:01:58And it would be very easy to find out where you live from your name and badge number, wouldn't it?
00:02:04Where your family live.
00:02:07Wouldn't want a dangerous person knowing that, would you?
00:02:11Police Constable York, number 318.
00:02:23Here.
00:02:24I insist.
00:02:25What do you see in there?
00:02:45Nothing.
00:02:47That's right, Constable.
00:02:49Absolutely nothing.
00:02:55No!
00:02:57No!
00:02:59No!
00:03:00No!
00:03:01No!
00:03:02No!
00:03:03No!
00:03:04No!
00:03:09From Enkmaat.
00:03:10Unready to the reversal.
00:03:12The radius of 80 time-files.
00:03:14Waiting back.
00:03:15Roger that.
00:03:16The skies are clear over the street.
00:03:18There's a hot cup of tea waiting for you.
00:03:20Control, this is Blue Leader.
00:03:22We've completed the sweep over sector Charlie.
00:03:24Clear skies.
00:03:25No sign of the hunt.
00:03:26Over.
00:03:30If they are though, they're playing hide and seek with the wrong crowd.
00:03:32Go four out.
00:03:33Dick.
00:03:34It's the crack of dawn.
00:03:36What are you doing?
00:03:38I'm just...
00:03:40I'm just checking that there's nothing bad going on.
00:03:43Did you hear they bombed Swansea last week?
00:03:46You're not allowed to use the comms unit.
00:03:48It's a top secret prototype.
00:03:49Uncle Quentin will be furious.
00:03:51Yeah, well, if you hadn't noticed there's fortifications down on the beach.
00:03:57We need to be aware of what's going on.
00:04:05Dick.
00:04:07Mum and Dad sent us here because it's safe.
00:04:10There's an RAF base just down the road for goodness sake.
00:04:13The Germans wouldn't dare try and invade Kirin.
00:04:22Oh.
00:04:24Look.
00:04:26Whoa.
00:04:27You're right, Dick.
00:04:28It's a blue atlas.
00:04:29Polyomatis atlantica.
00:04:30Stunning.
00:04:31Must have escaped from Jeremiah Diffus farm.
00:04:32He's got a big butterfly collection up there.
00:04:33I'm going up there this afternoon.
00:04:34In fact, I'll drop it off.
00:04:35Breakfast is served.
00:04:36Mmm.
00:04:37Aunt Fanny.
00:04:38Mm-hmm.
00:04:40Aunt Fanny.
00:04:42I don't mean to sound ungrateful because you know I love you.
00:04:45And appreciate everything about you.
00:04:47But do I have to have watery porridge again?
00:04:49It is served.
00:04:54Aunt Fanny, I don't mean to sound ungrateful
00:04:58because you know I love you and appreciate everything about you.
00:05:03But do I have to have watery porridge again?
00:05:07I'm sorry, Anne, but we're all in the same boat with the rations.
00:05:11Why don't you try imagining it's something else?
00:05:14Bacon on a freshly baked roll or...
00:05:18Marmalade and butter on toast or sausages.
00:05:23Aunt Fanny, don't say the s-word.
00:05:25I'm sorry, Timmy.
00:05:27Anne's just being dramatic, as usual.
00:05:29Pinch of salt is all it needs.
00:05:36That ass is really oaty.
00:05:39You're fooling no one.
00:05:41So, what were you going to do today?
00:05:43George has to work. Again.
00:05:46Before anyone moans, yes, I do have to work.
00:05:49But I spoke to the manager at the picture house
00:05:51and I can get you guys free tickets if you want to come along.
00:05:53There's this amazing film we're screening.
00:05:55Marius Bogarton's Return to Planet Zero.
00:05:58It's so exciting. It's got fighting, vengeance, treachery.
00:06:02It sounds a bit like your real life, George.
00:06:05You guys are going to love it.
00:06:07Target, Germany.
00:06:08In Britain, Bomber Command of the Royal Air Force was assigned the task of smashing the German war industry.
00:06:20This aircraft will take off for Germany to photograph the target.
00:06:23The material brought back was passed immediately to the photographic section.
00:06:28Flying control officers planned details on the night's takeoff and return.
00:06:32It was essential to Bomber Command's future planning to know just what damage had been done.
00:06:38Before the main feature begins, we've been asked to make the following announcement.
00:06:42Police have advised the public in the southwest to be on the lookout of an escaped Nazi war criminal.
00:06:47Special constables have been dispatched to conduct thorough searches across the countryside.
00:06:51And checkpoints have been established on major roads and at railway stations.
00:06:55Gertrude Drachman remains at large.
00:06:58Police are urging all residents to remain vigilant as she is extremely dangerous.
00:07:03Thank you and enjoy the main feature.
00:07:07It's starting.
00:07:12The year is 2261, and man has long since conquered the heavens.
00:07:37It doesn't feel right.
00:07:39I've never been this far out of this system before.
00:07:41It's like my body has no maps. As if I'm not even here.
00:07:45We've got no choice. It's going to be a squeeze.
00:07:48We have to use the escape pod.
00:07:56There it is. Pilot zero.
00:08:00I finally understand why the corporation wanted to find this place so badly.
00:08:03Now we're completely alone in the vastness of space.
00:08:06You're forgetting that I'm here.
00:08:08I'll always be by your side.
00:08:11I can't think of anyone I'd rather be alone with.
00:08:19People shouldn't kiss in films. They look so fake.
00:08:22When did you become a kiss expert?
00:08:23When did you become a kiss expert?
00:08:25I'm not a kiss expert.
00:08:26Do you think maybe a kiss is something you can't fake? That's all.
00:08:31That's all.
00:08:46Come on, Sammy.
00:08:48Oh, that was great.
00:08:50When the spaceship exploded and the captain had to hold his breath when the escape board pressurised.
00:08:55I could barely breathe myself.
00:08:58Imagine being in a film like that.
00:09:01Doing all the stunts.
00:09:04Maybe I should be an actor.
00:09:05You?
00:09:06Yeah.
00:09:07An actor?
00:09:08And what's weird about that?
00:09:09But you get so nervous doing anything in public.
00:09:12Yeah.
00:09:13When you had to give that speech in awards assembly last year.
00:09:16You almost fainted.
00:09:18That's because it was really hot in the sports hall, actually.
00:09:21Everyone, this is Emily.
00:09:22She works with me.
00:09:24Emily, these are the cousins.
00:09:25The ones I told you about.
00:09:26Dick, Anne and Julian.
00:09:28Hi.
00:09:30Hello.
00:09:35Did you enjoy the film?
00:09:36I loved it.
00:09:37The action, the performances.
00:09:38It was just so visually stunning.
00:09:41Julian wants to become an actor one day.
00:09:43Anne.
00:09:45Oh, wow.
00:09:46That's exciting.
00:09:48Certainly got the looks for it.
00:09:52Do you guys want to come and take a look around behind the scenes?
00:09:55George and I can show you the projection room.
00:09:57Yeah.
00:09:58Come on.
00:10:06This is my grandpa, Rupert.
00:10:10They really like the film, GPAR.
00:10:13Can I tell them?
00:10:14Hmm.
00:10:16My uncle is the director.
00:10:19Your uncle's Marius Bogarton?
00:10:20Mm-hmm.
00:10:21And you knew this?
00:10:24Wait, I thought he was Danish.
00:10:25He is.
00:10:26He married my auntie, so they live over here.
00:10:29Emily's shooting film for him right now.
00:10:32Certainly B-roll.
00:10:33What's B-roll?
00:10:34Er, it's basically footage of scenery that they cut into the film.
00:10:38His current film is an adventure with a knight and dark magic,
00:10:41so I'm shooting the old woods and trails down at Billy Cockhill.
00:10:45You should be out there now, or the light's good.
00:10:49Would you like to come and help me out?
00:10:53Well, that would be...
00:10:55If it's not too much...
00:10:56We'd love to.
00:10:57I'd love to.
00:11:07Okay, so this film is called Sir Bryant's Blade.
00:11:10It's about a dark sorceress who falls in love with the brave knight who's hunting her.
00:11:14Ooh, dark sorceress. Love it.
00:11:15Yeah, so these shots really set the scene for the opening of the film.
00:11:19Sir Bryant is chasing the sorceress through the forest.
00:11:22So she enchants the trees to attack him.
00:11:25There's lots of sword fighting and casting of spells and things like that.
00:11:28Okay.
00:11:31Okay.
00:11:32Rolling.
00:11:33Smile. You're on film.
00:11:35Kieran, B-roll.
00:11:36Billy Cockhill, take one.
00:11:38Timmy, no!
00:11:41You're not supposed to be in the shot.
00:11:43I think Timmy wants to be an actor too, Julian.
00:11:47Come on, Timmy, this one.
00:11:49Let's go up here.
00:11:51Come on.
00:11:53Come on.
00:11:54Come on.
00:11:56Come on.
00:11:58Come on.
00:12:00Come on.
00:12:01Come on.
00:12:02Come on.
00:12:06So this is the lens.
00:12:08And you move it like that to focus it.
00:12:17This is a Ballin Howells Model 2709.
00:12:21It's the most precise film mechanism ever made.
00:12:25You know your stuff.
00:12:27Yeah, well, a bit of a boffin when it comes to film.
00:12:32This is the shot that my uncle Marius really wanted.
00:12:35The treetops rustling in the wind.
00:12:37Just for a bit of tension before Sir Bryant gets attacked by the evil sorceress.
00:12:44So, how long have you been staying in Kieran for?
00:12:49We're not really sure to be honest, with everything going on.
00:12:52Our parents are overseas helping with the effort.
00:12:56That must be hard.
00:12:58It is, but...
00:13:00I know Anne and Dick think about them all the time.
00:13:04Yeah, well, got you looking out for them.
00:13:07George told me that you're a good person.
00:13:10George said that.
00:13:12No, don't get too big headed. She said some other things too.
00:13:14Of course she did.
00:13:17So, if you could, if you could just hold it there.
00:13:21Yeah, like so.
00:13:23I'm so hungry, Julian.
00:13:27Can we head back to get some lunch?
00:13:30I should, er...
00:13:32Of course, yeah.
00:13:34Thanks for all your help.
00:13:35It's been great. We'll see you soon, I hope.
00:13:38Definitely.
00:13:39Nice to meet you, Emily!
00:13:40Nice to meet you, Emily!
00:13:48I wonder how Dad's getting on.
00:13:50He's probably invented an electric butterfly trap by now.
00:13:52What?
00:13:54Nothing.
00:13:55What is that?
00:13:57Sounds like a plane.
00:13:58It is. Look there.
00:14:01It's a spitfire.
00:14:03It's smoking. It's on fire.
00:14:05Pilot!
00:14:06He's gonna crash! Come on!
00:14:08No! No! No!
00:14:15It's a spitfire.
00:14:16It's smoking, it's on fire!
00:14:18Pilot!
00:14:19It's gonna crash. Come on!
00:14:21No! No!
00:14:38It's Timmy! He's found something!
00:14:48Please, you have to help, mate.
00:14:51I think I broke my wrist.
00:14:54Can't take off my chute.
00:14:56Julian, here, give me a boost.
00:15:00Be careful, Ab.
00:15:02Twist that.
00:15:05Yes?
00:15:07Good.
00:15:10Now push the catch.
00:15:20You okay?
00:15:22Yes, my hands.
00:15:24I think something's broken.
00:15:26We live nearby. We can take you to get help.
00:15:29What happened? How did...
00:15:32How did I get here?
00:15:34Your spitfire went down in Kiran Bay.
00:15:36You bailed out just in time.
00:15:40What's your name?
00:15:42My name is, um...
00:15:45I'm, um...
00:15:46I don't know.
00:15:49I don't know.
00:15:50I'm out of here.
00:15:51Jeremiah?
00:15:53WHISTLE BLOWS
00:16:13Jeremiah!
00:16:15What's the devil?
00:16:39There we are.
00:16:45WHISTLE BLOWS
00:16:52Quentin!
00:16:54Jeremiah! You scared me. Is everything all right?
00:16:57Oh, good, thanks. How can I help?
00:17:00We had a Blue Atlas visit us this morning. I've just returned him. Or her.
00:17:04You do know this door was wide open.
00:17:07What? Oh, he blew me the latch.
00:17:11Okay, I'll head out with my net and see how many I can salvage.
00:17:16Thank you so much for letting me know.
00:17:20Well...
00:17:22Bye now.
00:17:24If you need a hand...
00:17:25Thank you!
00:17:26I understand. Thank you, Doctor.
00:17:35Do take care.
00:17:38His name is Wing Commander Sidney Hamilton.
00:17:41One of our most talented test pilots. Very popular on the base.
00:17:44Terrible accident. It must have been a mechanical issue.
00:17:47Will he be okay, Captain?
00:17:49The Doctor seems to think so.
00:17:51Wrist is broken. Burns on his hands. Nasty bump on the head.
00:17:54But nothing that won't heal.
00:17:56And mentally?
00:17:58Amnesia, apparently.
00:18:00There's no knowing when his memory might return.
00:18:02The Doctor's advised that he stay put here for a while.
00:18:05Thinks removing Hamilton will unsettle him even further.
00:18:10Would that be okay?
00:18:11Oh, of course.
00:18:13You'll never guess what happened up at Jeremiah's farm.
00:18:16The door to the bus lay house was wide open.
00:18:18And he was in a very strange...
00:18:20Darling, there's been an accident.
00:18:23A plane crashed in the bay.
00:18:25Group Captain Smith, what happened? Is everyone alright?
00:18:28Might I have a word, Quinton?
00:18:31I'll catch you up in private.
00:18:32And before you start, this is not an adventure.
00:18:53Understood?
00:18:57This is a very sick man, and we will be gentle with him.
00:19:10Can you really not remember anything?
00:19:15How about who the Prime Minister is?
00:19:22It's Winston Churchill, Wing Commander.
00:19:25He's helping us win the war.
00:19:28A war?
00:19:29We need to find out what happened.
00:19:44Wing Commander Hamilton.
00:19:46We saw your plane crash.
00:19:49The tail fin looked damaged and there was smoke coming from the nose.
00:19:53Do you think it was a malfunction?
00:19:57I can't remember a darn thing about it, I'm afraid.
00:20:01I just...
00:20:03I just have this feeling.
00:20:05Can't explain it.
00:20:07What kind of feeling?
00:20:09Something bad is happening.
00:20:14Something bad is happening.
00:20:17Something has come here.
00:20:19Something...
00:20:21Awful.
00:20:23The group captain said he thought it was an accident.
00:20:29That means no one's looking into this.
00:20:31I think we should try and figure out what's going on here.
00:20:33Maybe it's begun.
00:20:34Maybe it's the Germans and Messerschmitt.
00:20:36Hold on a minute.
00:20:37Think about it.
00:20:38If you wanted to invade, wouldn't it make sense to cripple our air defenses by taking out our best pilots?
00:20:43This could be the beginning.
00:20:46Well...
00:20:48What are we going to do?
00:20:50What can we do?
00:20:52All the answers are locked away in the mind of a man who lost his memory.
00:20:55Julian?
00:20:57There's a girl called Emily on the phone for you.
00:21:03Ooh!
00:21:04Julian Barnard?
00:21:16Hello Julian Barnard.
00:21:18This is Emily Hatcher from the cinema.
00:21:21You can probably guess why I'm calling.
00:21:23You all saw the plane come down, right?
00:21:25Yes, he's alive.
00:21:26The pilot has saved him.
00:21:28You're kidding me?
00:21:29That's so crazy.
00:21:32Anyway, listen...
00:21:34I think we might have caught the whole thing.
00:21:36Sorry, no.
00:21:37You can't come in here.
00:21:39Emily?
00:21:40Hey!
00:21:41Get off of him! Stop!
00:21:43Bikes! Now!
00:22:00Emily?
00:22:01Shh!
00:22:02Emily?
00:22:03Emily?
00:22:04Emily?
00:22:05Emily?
00:22:06The film we shot today, she took the real.
00:22:08You guys take care of them.
00:22:09I'm going to get it back.
00:22:10I'm coming with you.
00:22:11Hey!
00:22:12Hey!
00:22:13Hey!
00:22:14Hey!
00:22:15Hey!
00:22:16It's you.
00:22:17It's you.
00:22:18The Nazi.
00:22:19The Nazi.
00:22:20Hey!
00:22:21Hey!
00:22:22Hey!
00:22:23Hey!
00:22:24Hey!
00:22:25You guys take care of them.
00:22:26I'm going to get it back.
00:22:27You guys take care of them.
00:22:28I'm going to get it back.
00:22:29Hey!
00:22:30Hey!
00:22:31Hey!
00:22:32Hey!
00:22:36What's going on?
00:22:37Hey!
00:22:38Hey!
00:22:39Hey!
00:22:40Hey!
00:22:41Hey!
00:22:42Hey!
00:22:43Hey!
00:22:44The Nazi.
00:22:52You want this?
00:22:57Why don't you try and take it off me?
00:23:01You want to, don't you?
00:23:05I see pride in you.
00:23:08I see a little girl who wishes she was stronger than she is.
00:23:14Go on.
00:23:16Take it.
00:23:22I was wrong.
00:23:26You are a little scaredy, kid.
00:23:29It's pathetic.
00:23:32If I see you again, I will crush you. Do you understand me?
00:23:41Huh?
00:23:42What?
00:23:43What?
00:23:44What?
00:23:45What?
00:23:46What?
00:23:47What?
00:23:48What?
00:23:49What?
00:23:50What?
00:23:51What?
00:23:52What?
00:23:54What?
00:23:55What?
00:23:56What?
00:23:57What?
00:23:58The plane crash.
00:23:59What?
00:24:00What?
00:24:01What is on it?
00:24:02The plane crash?
00:24:03I can't be sure, I wasn't looking through the viewfinder, but I think I caught the whole thing on film.
00:24:05Well, that's it.
00:24:07That's why she wanted the real.
00:24:08well that's it that's why she wanted the real she wanted the footage of whatever happened on
00:24:13billycock hill there must be something on there she doesn't want others to see
00:24:19she escaped from kingsbridge high security prison last week
00:24:24government says she's been responsible for the capture and imprisonment of hundreds of british
00:24:28intelligence personnel many of whom are likely never to return to british soil good grief
00:24:34what did she do she worked for us as a spy special intelligence the whole time it turns out she's
00:24:42leaking our information to the germans which they used to capture our men and women people like
00:24:50people like mom and dad
00:24:53how are you emily i'm pine jeeper oh my darling
00:24:58oh dear what kind of a world is this where some crazy person steals a charlie chaplin one reel of
00:25:09you in broad daylight what are you talking about she took the b-roll no no marissa's assistant
00:25:18collected that this afternoon he wanted it in a standard canister so i i switched it for the
00:25:26chaplin film wait she stole a charlie chaplin film by mistake yeah where am i going to get a
00:25:35replacement for mabel's married life it's extremely rare imagine drachma's face when she opens up that
00:25:44reel and realizes she didn't get what she wanted oh she's gonna be livid so where's your uncle now
00:25:50where's the reel it'll be at tivoton studios where he's shooting sir bryant's blade
00:25:56i knew this wasn't over first thing tomorrow we're going to tivoton studios
00:26:00and finding out what is on that reel
00:26:11is
00:26:25mercury no no
00:26:30mercury x
00:26:34mercury x
00:26:36No.
00:26:37No!
00:26:39Get back!
00:26:41Get back!
00:26:42It's okay when you come on.
00:26:43It's me, it's Dick.
00:26:44We're just having a nightmare.
00:26:48Whenever I have nightmares, I try and distract myself.
00:26:52You have nightmares?
00:26:55I mean, not nightmares.
00:26:58Just sort of bad dreams, you know?
00:27:00I'm not afraid or anything.
00:27:01So what if you were?
00:27:10What's that?
00:27:11Let me show you. It's really something.
00:27:19What's this?
00:27:20It's one of Uncle Quentin's projects.
00:27:22It's a radio telephone.
00:27:24He's developing it to operate in the VHF band.
00:27:27It uses amplitude modulation.
00:27:28Yes, I, I, uh, I think I know this machine.
00:27:35Is that possible?
00:27:36I don't think so.
00:27:37It's just a prototype.
00:27:40Perhaps you've seen something like it?
00:27:41We're going to find out what's going on, Wing Commander.
00:27:54I promise.
00:27:56And I promise you're going to be safe here, in Ciaran Cottage.
00:28:05Good night, Dick.
00:28:06Can't wait.
00:28:30How's it going?
00:28:32How's it going?
00:28:33How's it going?
00:28:34All right.
00:29:04All right.
00:29:34All right.
00:29:35Just be yourself.
00:29:41Wow.
00:29:47This is amazing.
00:29:50Welcome to Tiverton Studios.
00:29:51That's the sound stage where we actually film all the movies.
00:29:55Then there's costume, hair and makeup and the actors' dressing rooms.
00:29:59Where would the real be?
00:30:01This place is like a maze.
00:30:06We'll have to follow the green arrows to post-production.
00:30:09Excuse me.
00:30:10This is private property.
00:30:11You can't just wander around.
00:30:13I'm Marius Bogarton's niece, Emily.
00:30:16Oh.
00:30:17My apologies.
00:30:19You mentioned you'd be on set.
00:30:21Yeah.
00:30:22Well, as you can see, it's quite chaotic here today.
00:30:25So you can come through, but I'm afraid your pals will have to wait outside.
00:30:29Actually, my friend here is an actor.
00:30:34Oh, my God.
00:30:35You're not Len Richards, are you?
00:30:38They have been waiting for you in hair and makeup for an hour.
00:30:41Len Richards?
00:30:42No, that's...
00:30:43Julian Barnard.
00:30:44Len Richards' replacement.
00:30:45Nobody told me.
00:30:46Well, nobody told us until 30 minutes ago.
00:30:49We had to rush him down here.
00:30:51Pulled him from another project.
00:30:53If you don't want him, I'm sure we can...
00:30:54No, no, no.
00:30:55It's fine.
00:30:56Julian, you need to be on set right now, okay?
00:30:58Come with me.
00:31:00There is no way I'm going along with this.
00:31:02You have to.
00:31:03Otherwise, we'll get kicked out and we won't be able to find the real.
00:31:06But...
00:31:07Julian, just buy us enough time to see what's on that film.
00:31:11Hey!
00:31:13Hurry up.
00:31:14Julian, I'll come with you.
00:31:20Break a leg.
00:31:22Come on.
00:31:23Let's look for those green arrows.
00:31:36Sit there.
00:31:37I'm not an actor, Emily.
00:31:38I've never acted before.
00:31:39It'll be fine, I promise.
00:31:40My uncle always says that people who work in movies are making it up as they go along anyway.
00:31:50Look, you've only got one line.
00:31:52I need water or something.
00:31:53My mouth is drying out.
00:31:54I've heard about this.
00:31:55About the food that movie stars eat.
00:31:57They can literally order anything they want.
00:31:59Timmy, look, there's even sausages.
00:32:00Don't earn.
00:32:01Wait.
00:32:02This is fake.
00:32:03Okay, bring in the banquet.
00:32:04Is anything in here real?
00:32:05Look, a green arrow.
00:32:06We'll be ready for Miss Dumont in five minutes.
00:32:07Are you playing?
00:32:08I don't know.
00:32:09I'm a green arrow.
00:32:10They can literally order anything they want.
00:32:13Timmy, look, there's even sausages.
00:32:15Don't earn.
00:32:17Wait.
00:32:19This is fake.
00:32:19Bring it to the banquet.
00:32:23Is anything in here real?
00:32:25Look, a green arrow.
00:32:31We'll be ready for Miss Dumont in five minutes.
00:32:36Are you playing Sebastian the servant?
00:32:38Oh, it's you.
00:32:40Sorry?
00:32:42I mean, yes.
00:32:43I'm Sebastian's son.
00:32:45Wonderful.
00:32:46I'm Mona Dumont.
00:32:47We have the scene together.
00:32:49Shall we run our lines?
00:32:52I'm a little nervous.
00:32:54Don't overthink it, darling.
00:32:55Just hit your mark and say your line.
00:33:00Hello, Sebastian.
00:33:01Still taking orders from my father, I see.
00:33:04Magritte, you came back.
00:33:06Didn't I say I would?
00:33:10See?
00:33:11I told you it was easy.
00:33:13Here you go.
00:33:16Phew.
00:33:17Okay, I mean, maybe I can do this.
00:33:20Of course you can.
00:33:21And at that point, we kiss.
00:33:23So I'll move over to you and pull you in by your shirt collar, okay?
00:33:26Sorry?
00:33:27We kiss just before the guests for the banquet arrive.
00:33:29Let's get these actors dressed and on set, please.
00:33:41Look!
00:33:44Great, they're all labelled with random names.
00:33:46Sunsets for a royal wedding.
00:33:48Dungeon vision.
00:33:49What did Emily say the bureau was for again?
00:33:51She said at the start of the film,
00:33:53where Sir Bryant and the sorceress are fighting in the Enchanted Woods.
00:33:56Here.
00:33:57Blackworld.
00:33:58Blackworld Woods.
00:33:59Skirmish.
00:34:00That has to be it.
00:34:01Come on.
00:34:01We have to see what's on this.
00:34:02Now.
00:34:03That's my Uncle Marius.
00:34:21Good luck.
00:34:23Bye.
00:34:27How are you doing, Emily?
00:34:29Never better.
00:34:29Okay, Mr. Cook.
00:34:33Let's start rolling.
00:34:36Marks, please.
00:34:41Mark it.
00:34:42Scene 36, take one.
00:34:45And action.
00:34:50Hello, Sebastian.
00:34:52Still taking orders from my father, I see.
00:34:55Magritte, you came back.
00:34:57Cut.
00:34:59Um, Mona, that was perfect, as always.
00:35:06Listen, Julian, I want you to consider this.
00:35:10The life of this servant, what is it like?
00:35:15A tough life?
00:35:17Exactly.
00:35:18Now, consider this.
00:35:21Perhaps his mother left him on the steps of the local nunnery.
00:35:27Okay.
00:35:28Sounds great.
00:35:29Now, the nuns, they were brutal.
00:35:32They would only feed him bread and water.
00:35:34Even made him believe that his mother never wanted him.
00:35:37But you see, that wasn't true.
00:35:39Because when he turns 15, she returned to tell him that she actually did love him.
00:35:45Only to violently die when she's crushed by an apple cart the next day.
00:35:52You see, you have an entire sentence to tell me this story.
00:35:59You make me cry.
00:36:05Okay.
00:36:06Reset.
00:36:08Marks, please.
00:36:11Scene 36, take two.
00:36:13Mark it.
00:36:16And action.
00:36:19Hello, Sebastian.
00:36:21Still taking orders from my father, I see.
00:36:23Magritte, you came back.
00:36:26Cut!
00:36:32Hey, Presto.
00:36:33Hit the lights.
00:36:40Han, it's you.
00:36:43Why did none of you tell me my pigtails were uneven?
00:36:45I looked lopsided.
00:36:48Hello, Sebastian.
00:36:50Still taking orders from my father, I see.
00:36:53Magritte, you came back.
00:36:55Cut!
00:36:59It's you, Timmy.
00:37:00That's you.
00:37:01Still taking orders from my father, I see.
00:37:04Magritte, you came back.
00:37:06Cut!
00:37:07Magritte, you came back.
00:37:09Cut!
00:37:10Magritte.
00:37:11Cut!
00:37:11Cut!
00:37:12Cut!
00:37:12Cut!
00:37:12This must be it.
00:37:15Watch the sky.
00:37:18Keep your eyes on the clouds.
00:37:22George.
00:37:25It can't be.
00:37:29Okay, we're going to continue straight into the kiss this time.
00:37:33Scene 36, take nine.
00:37:34Mark it.
00:37:37Action.
00:37:38Hello, Sebastian.
00:37:45Still taking orders from my father, I see.
00:37:48Magritte, you came back.
00:37:53Didn't I, Sarah would?
00:38:05What?
00:38:05I'm so sorry, but I've got to go.
00:38:11Julian, you're not trapped.
00:38:13Julian!
00:38:14You know, Emily,
00:38:15they'll say I pushed them too far.
00:38:19I see you there.
00:38:19Ah.
00:38:43Ooh.
00:38:44Ooh.
00:38:44Ooh.
00:38:46Uh-oh.
00:38:46Ooh.
00:38:46Ooh.
00:38:47Ooh.
00:38:48Ooh.
00:38:48Ooh.
00:38:48Ooh.
00:38:48Ooh.
00:38:48Ooh.
00:38:49so sorry to skate i knocked at the front but i don't think anyone heard me
00:38:59everything all right oh i'm from raf breckenshaw i believe you have a wing commander in need of
00:39:05transport oh group captain smith said he'd come personally to pick him up this afternoon
00:39:10yes change of plan the group captain's very busy sorry about that may i
00:39:19i just saw drachman she must be here for the reel we need julian you have to see this
00:39:34play it again george dick just watch
00:39:41why excuse me i'm very sorry to bother you but uh i need directions to where the reels
00:39:48are kept i would ask someone else but uh to be honest you're the first person i've come across
00:39:56who actually looks like they knew what they're doing you don't know the half of it do i know you
00:40:05you look very familiar you may have seen me around the studios i oversee popular culture for the
00:40:14government as you can imagine at a time like this it's prudent to review the sorts of messages we're
00:40:20putting out into the world which way did you say the reels were i just need to see identification
00:40:27is there a reason you're trying to delay me today no i just how did you get your job here at the
00:40:33studios it was my brother's body got drafted so
00:40:39look i'm not trying to delay the reels are kept in post just follow the green arrows
00:40:48we could do with more people like you at the ministry
00:40:50we think that's hamilton's plane
00:41:00okay
00:41:07that's someone else it's a second spitfire he was attacked by another plane
00:41:11so
00:41:18cid
00:41:20wake up
00:41:23hello old boy
00:41:27harry
00:41:30do you remember this man wing commander
00:41:35yes yeah he's my best friend
00:41:41i remember
00:41:50you've shot me down
00:41:53get out of here now this man is dangerous
00:41:55you're not going anywhere
00:41:59i thought you were my friend
00:42:01my wingman
00:42:03what on earth is going on here
00:42:05we're supposed to be on a routine exercise
00:42:07all of a sudden he pulls behind me and opens fire
00:42:12because i found out what he's been up to
00:42:14that's enough
00:42:16it's nothing personal sid
00:42:18as you say you know too much and you have to be silenced and now you've wrote these poor people in too
00:42:23someone shot him down
00:42:32at first i thought it must be a messer schmidt
00:42:36but it isn't it's a second spitfire
00:42:40maybe the german stole one
00:42:43there is another possibility
00:42:47he could have been shot down by one of our own
00:42:50by someone in the RAF
00:42:51hello again
00:43:02you're too late we saw the film we know you had someone shoot down hamilton's plane
00:43:06someone from the inside
00:43:08very remarkable
00:43:10and you worked all this out on your own
00:43:12we'll tell people
00:43:15we'll let the police know
00:43:17they'll put a stop to whatever it is you're up to
00:43:21i told you if we met again i would crush you
00:43:25as you get older you realize there are things far worse than being hurt yourself
00:43:33for example
00:43:36one's parents being hurt
00:43:38what are you talking about
00:43:42my associate is currently at your lovely little cottage
00:43:47he is there to kill that precious pilot of yours
00:43:52i told him that if anyone got in his way he should deal with them also
00:43:58where are your parents right now
00:44:02this isn't you harry don't do this
00:44:05look take me
00:44:08you can get rid of me later but if you take me now at least you have some sort of insurance
00:44:12but for goodness sake leave these people out of
00:44:14stop talking
00:44:16look you're an excellent shot harry
00:44:18you could have easily obliterated my plane but you didn't
00:44:22you let me live because you're not a killer
00:44:24i said stop talking
00:44:27i was told not to leave any loose ends and you're all loose ends
00:44:35whatever it is you're doing you won't succeed i'm going to make sure you end up back in prison
00:44:41where you belong
00:44:42many have thought that
00:44:46but this is why i always win
00:44:49normal people people like you
00:44:53you are concerned with things like family with friends
00:44:57you have things to lose i do not have such distractions
00:45:03i can focus on a higher purpose
00:45:06like servings of your
00:45:07you are
00:45:15you okay are you right uncle quentin
00:45:33we're all right darling we're not hurt
00:45:37where's wing commander hamilton he's gone dick he's been taken
00:45:40no it's all right dick we'll take care of it
00:45:44i'll call the police
00:45:52let's go through what we know
00:45:54drachman and this raf officer are working together and they wanted hamilton dead
00:45:59now he might very well be dead
00:46:01we don't know that
00:46:02so the whole scheme was to assassinate the wing commander
00:46:06no that's the thing isn't it they didn't just want hamilton dead they didn't want anyone
00:46:11knowing they tried to kill him because they're planning something maybe hamilton found out
00:46:15whatever it is they're up to that's why they tried to get rid of him so he couldn't scupper their
00:46:20plans and when we filmed the crash it risked blowing the lid off the whole thing
00:46:25at that point they had to get rid of hamilton and the real
00:46:27so what are they planning okay
00:46:31aunt fanny and i are going to have to go down to the police station in half an hour to make a statement
00:46:38will you all be fine here on your own
00:46:40we'll be fine
00:46:43hamilton mentioned something during his sleep it's probably nothing but
00:46:47what mercury x the problem is i literally have no idea what it is it's in no book i've read or news
00:46:58report i've heard it's so strange
00:47:00dad hmm you all right yes fine i'm fine do you know what mercury x is
00:47:12but my what no i've never heard of it i'm just um i'm just gonna i'm just going to um dad you're a
00:47:19terrible liar probably the worst liar i've ever met how did you know group captain smith's name when you
00:47:24walked in after the crash and how did he know yours i i i really can't talk about it now please
00:47:30please uncle quentin this is really important if you don't tell us we're just going to keep asking
00:47:34again and again and again i can't express how annoying that's going to be for you
00:47:38do any of you know what the official secrets act is it means if you disclose national secrets you
00:47:56can be sent to prison correct
00:48:02what i'm about to say must not leave this kitchen understood
00:48:08last year i was contacted by raf breckenshaw they're building a prototype aircraft
00:48:21it's the most advanced technology in the world now this plane is a game changer for the allies
00:48:28but more than that it'll be the first ever aircraft to break the sound barrier
00:48:33whoa human beings traveling faster than the speed of sound imagine the advantage this will give us over
00:48:38the germans now as such they need a whole new radio communication device which is where i come in
00:48:44that's why hamilton was drawn to the comms unit he had seen her before the aircraft's name is
00:48:51mercury x uncle quentin we have to warn the army base we'll tell the police everything we know
00:48:58and we'll let them deal with it no dad we have to tell them stop george now i don't need to impress
00:49:03on you all how fraught things are right now we're dealing with very bad people and i don't want
00:49:09any of us getting hurt so please please do not get any further involved in this okay george george
00:49:17okay i heard you good
00:49:31they're gonna steal mercury x that's why she's working with the man from the raf he's gonna do it
00:49:45you have to listen someone's gonna steal one of your aircraft
00:50:02i don't think so son this is one of the most high security locations in the country
00:50:06yes but it's someone who works here who's gonna steal it one of your own men
00:50:10now look here this is a very serious place and this country's at war so off your pop
00:50:18no you look here you have to listen to us how dare you come down here and speak to me like that
00:50:24mercury x that's the plane your office is going to steal
00:50:27what did you say mercury x that's the plane they're going to steal
00:50:46you did it he actually stole the plane for her
00:51:04she won
00:51:07drachman won
00:51:08all of you stay right where you are and someone control that dog
00:51:19captain smith now look here dad why is he here
00:51:30dad
00:51:30what do you know about flight lieutenant harry maddox
00:51:47just that he tried to kill hamilton and now he's stolen mercury x
00:51:51he mentioned it in his sleep it's not his fault he's not well he didn't know what he was doing
00:52:08why have you arrested my dad he has nothing to do with it your dad took an oath to work in the utmost
00:52:14secrecy that secrecy exists to protect our men and women
00:52:19he only mentioned it because he knew hamilton had mentioned it he was worried about him
00:52:24if he's foolish enough to divulge the name of a top secret project to a bunch of children
00:52:28perhaps he's foolish enough to get involved in the stealing of a plane
00:52:32we already know this was something of an inside job until we find out how far that goes he's going to
00:52:36remain in custody
00:52:38no he's a good person please
00:52:42please
00:52:54you better hope we find maddox and drachman you better hope for your father's sake that we find
00:52:58that plane it's going to be very hard to believe he wasn't involved if we don't
00:53:03what do you mean find it i thought it was gone
00:53:05coastal defense never picked it up on radar we don't know where it is
00:53:24it's still here in kieran mercury x
00:53:36they said it never appeared on the radar
00:53:38why not because it landed almost as soon as it had taken off
00:53:42why would they not just get out of here straight away
00:53:45because only maddox is on board he needed to land the plane to pick up drachman
00:53:50drachman needs to be on the plane because it's her only means of escape from britain
00:53:54and when they get it to germany they hand over mercury x to the luftwaffe
00:53:57and they're lauded as heroes so maddox stole the plane and then landed it straight away to pick up
00:54:05drachman correct and now they're waiting for the right time to make their final escape
00:54:10one hour till sundown gertrude is everything set yeah and what about the pilot what about him
00:54:26i told you to blow his plane out of the sky so he couldn't talk i then told you to find him in the
00:54:32cottage and kill him and now i find him here alive i thought it would be useful to have a hostage
00:54:39he is of absolutely no use to us we have the plane now before it made sense to get rid of him
00:54:45in case he ruined the plan but now well he's my friend oh he's your friend this is a war harry
00:54:56you have no friends over here anymore maybe i was wrong about you maybe you are not the type of man
00:55:05that i thought you were
00:55:16when we get back to germany you are going to be hailed as a hero you will finally get the appreciation you
00:55:22you have never had here
00:55:35there you are come inside before you get cold did they let you speak to dad
00:55:51he's still in custody
00:56:02is he upset is he mad at me he's mad at himself he knows it was stupid to tell you about the project
00:56:13it wasn't stupid he only did it because he's a good person
00:56:16and he can't lie he especially can't lie to me and i pressed him
00:56:22he's always telling me not to get myself into trouble and now i got him into trouble
00:56:26it isn't your fault george
00:56:33it is my fault
00:56:35and i need to fix it
00:56:52okay come on we can't let drachman get away with this we have to find that plane
00:56:58no you're right earlier george she has one even if the plane's still in the area we have no idea of
00:57:04knowing where
00:57:09i promised hamilton that he'd be safe here that i had to keep him safe
00:57:13all the more reason to do everything we can to find him we can't just give up dick
00:57:16exactly it's not over it is over why aren't you listening to me we had a chance of stopping them
00:57:22getting that plane and we missed it now the germ's gonna use it against us i'm sick of this war i'm
00:57:28sick of thinking about it every day i just want my mum and dad home dick
00:57:39i just want to be on my own for a while
00:57:52i just want to be on my own for a while
00:58:00quite a beauty isn't she
00:58:07yes she should be
00:58:09amount of time and money we put into her
00:58:16i owe you an apology
00:58:20i was sloppy
00:58:23if i'd have been more careful you would have never found out what i was planning
00:58:26that's why i shot you down
00:58:34i should have reported you first time i became suspicious
00:58:40but i didn't
00:58:43because you're my wingman
00:58:44i trusted you convinced myself that you weren't capable of it
00:58:53all this for her harry she told me the truth about the war
00:58:59over here our heads are being filled with lies
00:59:05germany doesn't want war with britain it wants peace and over there i'll be appreciated how many
00:59:11times have i've been passed over for promotion these aren't your words harry
00:59:15the trackman's i love her
00:59:19i love her
00:59:24send you out here to finally finish me off did you
00:59:26we leave when the sun goes down
00:59:29no loose ends no loose ends
00:59:35well if this is to be it
00:59:36at least let me enjoy my last sunset you owe me that
00:59:50well if that's not a day
00:59:51i'm going to die
00:59:52i'm going to die
00:59:53i'm going to die
00:59:54i'm going to die
00:59:55i'm going to die
00:59:56Come in.
01:00:20Come in.
01:00:21Come in, Dick.
01:00:23Hello?
01:00:24Dick, is that you?
01:00:26Wing Commander?
01:00:27Dick, I'm so glad to hear a friendly voice.
01:00:30Listen, I remember who I am.
01:00:31I remember it all.
01:00:32Now, I need you to pay attention.
01:00:34I managed to get to the plane.
01:00:36There's no chance I can fly it out of here because of my wrist.
01:00:40I can't believe you're alive.
01:00:42Well, not for much longer, I'm afraid.
01:00:44Look, at sunset, they're going to kill me and then make their escape.
01:00:49What?
01:00:49Now, listen, what's important is Mercury X.
01:00:52We cannot allow the Nazis to get their hands on it.
01:00:54Where are you?
01:00:57I'm not sure.
01:00:59It's hard to tell from here.
01:01:00Seems to be some sort of farmhouse by the looks of it.
01:01:05I...
01:01:05Dick, they're here.
01:01:10Wing Commander?
01:01:12Wing Commander?
01:01:17Hamilton's still alive.
01:01:18We have until sunset to save him.
01:01:19I just spoke to him on Uncle Quentin's radio.
01:01:22They're at a farmhouse.
01:01:23Farmhouse? Which farmhouse?
01:01:24He didn't know.
01:01:25There's about a million farms around here.
01:01:27About half an hour to the sunset.
01:01:28Half an hour to save Hamilton and the plane.
01:01:31And my dad.
01:01:32This is impossible.
01:01:32We have nothing to go off.
01:01:34That's so weird.
01:01:36What?
01:01:36When Hamilton first arrived, I thought his jacket had three stripes on it.
01:01:40Now it's got two.
01:01:41It did have three.
01:01:44He's the Wing Commander.
01:01:46Well, where's the other one gone?
01:01:48It's not his jacket.
01:01:50It must be Maddox's.
01:02:00It's him.
01:02:01Is there anything else in there?
01:02:07Nothing.
01:02:09Wait.
01:02:09Wait.
01:02:11A tiny peapod?
01:02:14Let me see.
01:02:19This isn't a peapod.
01:02:21It's a chrysalis.
01:02:23The butterflies.
01:02:26The blue atlas.
01:02:28The Painted Lady.
01:02:29The Emperor Swallowtail.
01:02:31We've seen so many.
01:02:33When Quentin came back from Jeremiah's farm,
01:02:36he said there was something strange going on.
01:02:38The door was left open.
01:02:39Look, Jeremiah's such a particular man.
01:02:43He treasures those butterflies.
01:02:45Why was he so careless?
01:02:52I think I know where they're hiding that plane.
01:02:54This is it.
01:03:08This is where old Jeremiah keeps the butterflies.
01:03:11I'm scared, George.
01:03:13Stay close, all right?
01:03:15If we stick together, we'll be okay.
01:03:16There it is.
01:03:24You were right, Dick.
01:03:26It looks like it's from the future.
01:03:28No wonder they chose to take over this farm.
01:03:31That big flat field is a perfect airstrip.
01:03:33Lots to cover, too.
01:03:35Come on.
01:03:40Get down!
01:03:40And you've made everything okay with your superiors.
01:03:56I've told you.
01:03:58You are going to have a hero's welcome.
01:04:00I can't wait to see the Black Forest.
01:04:04Just you and me, together.
01:04:07Peace and quiet.
01:04:09Of course we'll have.
01:04:11We'll have to make things official.
01:04:14You'll have to teach me the German.
01:04:16For I do.
01:04:18They're together?
01:04:20Oh, yuck.
01:04:22She looks uncomfortable, though.
01:04:23Fake kiss.
01:04:32What?
01:04:33Like the one in the movie.
01:04:35Like you said, you can't fake a kiss.
01:04:39Just one last job to do.
01:04:41Hmm.
01:04:42If we don't move fast, Hamilton's done for.
01:04:58We have to distract Maddox somehow.
01:05:01Julian, you look at least 18 nowadays.
01:05:04Pretend you're passing the farm and need something.
01:05:07How?
01:05:08I don't know.
01:05:09Act.
01:05:10I can't act.
01:05:11You can, Julia.
01:05:11No, you didn't see me today.
01:05:13It was awful.
01:05:15Julian, you have to.
01:05:17Hamilton has no time left.
01:05:22Do I really look 18?
01:05:24Definitely.
01:05:24100%.
01:05:25Get your mark.
01:05:29Say your lines.
01:05:30Don't overthink it.
01:05:36Hello.
01:05:37Who the hell are you?
01:05:39Ted Davies.
01:05:40I'm from the National Grid.
01:05:41Sorry to bother you on this fine evening.
01:05:45Stunning view on the way up here.
01:05:47Say what you want about this corner of the world, but it is absolutely beautiful at this
01:05:51time of year.
01:05:52What do you want?
01:05:53Yes.
01:05:54I get carried away sometimes.
01:05:56My fiancée said I could talk for Britain in the Olympics.
01:05:59I'm here because of the blackouts.
01:06:02Blackouts?
01:06:03Well, they're technically brownouts, but that's by the by.
01:06:07One of our P-150 junction boxes is on this property.
01:06:09I need your help locating it.
01:06:11I need your help locating it.
01:06:21Oh, my gosh.
01:06:22She's actually brilliant.
01:06:26He's amazing.
01:06:26I need your help locating.
01:06:29Okay.
01:06:29Let's find Hamilton.
01:06:32Timmy.
01:06:33Do you remember that nice man who fell up from the sky?
01:06:36Yeah, the one we pulled up from the tree.
01:06:38You liked him, didn't you?
01:06:39Can you find him for me?
01:06:41Yeah.
01:06:41Good.
01:06:42Search, Timmy.
01:06:42Search.
01:06:43What was that?
01:07:03Hello.
01:07:05Let's check it out.
01:07:10Oh, don't see me.
01:07:13Oh, Dick.
01:07:15You found me.
01:07:16I can't believe it.
01:07:23We're Maddox and Drekman.
01:07:25They don't know we're here yet.
01:07:26We have to be quiet.
01:07:27We have to get you out of here.
01:07:29No chance, Dickie.
01:07:30The plane is too important, believe me.
01:07:33I'm not leaving here without it.
01:07:41Hello?
01:07:43Hello?
01:07:45Oh, no.
01:07:50I'm in here.
01:07:52Please help.
01:07:53Oh, no.
01:07:55Oh, no.
01:08:05Oh, no.
01:08:07Oh, no.
01:08:07Oh, no.
01:08:07Oh, no.
01:08:08Oh, no.
01:08:09Georgina Barnard, it's you!
01:08:11I'm saved!
01:08:13I'm saved, thank you!
01:08:15We have to be quite pleased, do we?
01:08:18Those people, they've taken over the farm.
01:08:22They even made me lie to your dad about...
01:08:34You take me for a fool?
01:08:37Move.
01:08:44It's okay.
01:08:58You!
01:09:01What's going on?
01:09:04It's these kids again.
01:09:07This one tried to trick me.
01:09:09You can't keep away, can you?
01:09:11I'm afraid not.
01:09:13You should be afraid, because this time I am going to get rid of you.
01:09:20Flight Lieutenant, aren't you curious as to why you and Miss Jackman met?
01:09:24Bit of a coincidence, don't you think?
01:09:26That you happen to be working on the same base with Britain's most important aircraft.
01:09:31You get in first, Dick.
01:09:41What do you mean?
01:09:42I can't pilot.
01:09:43Not like this.
01:09:46I can't do it, sir.
01:09:47Yes, you can, Dick.
01:09:48You can.
01:09:51You must, and you will.
01:09:52Now, get in.
01:09:54You don't understand, Wing Commander.
01:09:57I lied earlier.
01:09:59I lied about my dreams, about not being scared.
01:10:03Ever since this war started, I've been terrified.
01:10:07We think you can be brave without being scared.
01:10:11Everyone in this country is scared at the moment, Dick.
01:10:14If they tell you otherwise, they're lying.
01:10:16It's what you do when you're scared that determines the type of person you are.
01:10:23I'll be right here.
01:10:25Right alongside you.
01:10:28So, let's get to it.
01:10:31Right.
01:10:32There's a little catch at the bottom.
01:10:37Now, open that.
01:10:40We love each other.
01:10:42It's not something a child like you would understand.
01:10:46Oh, is that right?
01:10:47Well, last time I and your girlfriend's paths crossed, she boasted that unlike me, she has no weaknesses because she has no family, she has no friends, she only has her mission.
01:10:58Do those sound like the words of someone deeply in love?
01:11:02She's lying, boo-boo.
01:11:04Am I?
01:11:05She needed you to get the plane, and now she needs you to fly the plane, Flight Lieutenant.
01:11:10That's all.
01:11:11She doesn't love you.
01:11:12You keep quiet, you'll sh-
01:11:14Quiet!
01:11:15Quiet, both of you, I need to think.
01:11:23Do you love me?
01:11:27Give me the pistol, Harry.
01:11:28Gertrude.
01:11:29You are making me nervous.
01:11:31Answer the question!
01:11:32Answer the question!
01:11:45Check's complete.
01:11:46Helmet on.
01:11:47Right.
01:11:48Go, Dick.
01:11:49Push that lever forward.
01:11:50It'll make us go faster.
01:11:55Good.
01:11:57Aim the nose in the direction of the moon.
01:12:00Dick.
01:12:01That's it.
01:12:05Shoot the pilot, Harry!
01:12:06Hit the cockpit!
01:12:07Okay.
01:12:08Pull throttle now.
01:12:09Put the hammer down.
01:12:10All the way.
01:12:11Good.
01:12:12If you don't stop that plane, I will have no way out of here.
01:12:14We will have no way out of here.
01:12:15Okay, now I need you to pull.
01:12:16More.
01:12:17Shoot him!
01:12:18Kill him!
01:12:19Ahh!
01:12:20Ah!
01:12:21Ah!
01:12:22Fine!
01:12:23Fine!
01:12:24Fine!
01:12:25Harry, you're going to kill me!
01:12:26Pull?
01:12:27Ah!
01:12:28Pull!
01:12:29More!
01:12:30More!
01:12:31More!
01:12:32More!
01:12:33We're not gonna make it!
01:12:34You're not gonna make it!
01:12:35No!
01:12:36No!
01:12:37No!
01:12:38No!
01:12:39No!
01:12:40No!
01:12:41No!
01:12:42No!
01:12:43No!
01:12:44No!
01:12:45No!
01:12:46More.
01:12:47We're not gonna make it.
01:12:49Now pull back as hard as you can.
01:12:57And wheels up.
01:13:01I did it. I did it.
01:13:03Good job, old boy.
01:13:05I knew you had it in you.
01:13:07I'm flying a plane.
01:13:09I'm flying a plane.
01:13:17It's over, Gatrid.
01:13:20We're over.
01:13:23I'll take that.
01:13:24If you don't mind.
01:13:30Just so you know,
01:13:32having no one,
01:13:34caring about no one,
01:13:36that's how you lost.
01:13:40I have a family.
01:13:42I have friends.
01:13:44That's how I won.
01:13:46That's how we always win.
01:13:51How am I gonna land this thing?
01:13:53Don't worry.
01:13:55Turn on your uncle's comms unit there.
01:13:57Uh-huh.
01:13:58We'll get base to walk us home.
01:14:01With you every single step of the way, Dick.
01:14:03Every single step.
01:14:07Come in, Command.
01:14:08This is Wing Commander Hamilton.
01:14:09And me, Dick,
01:14:11requesting clearance for emergency landing.
01:14:13Over.
01:14:14Great to hear your voices, gentlemen.
01:14:16Approach the runway from due east,
01:14:18and we'll be ready for you.
01:14:19And we'll be ready for you.
01:14:20And we'll be ready for you.
01:14:21Take care.
01:14:22She's ready for me.
01:14:24I will be right back.
01:14:25The end.
01:14:26She's ready for me.
01:14:28No.
01:14:29Oh man, no.
01:14:30She's ready for me.
01:14:31I didn't miss my dream.
01:14:33The end.
01:14:34And we'll be ready for you.
01:14:35Are you okay?
01:14:48Why haven't they released Dad yet?
01:14:51I don't know.
01:14:53But I'm sure it'll be soon.
01:15:05OK, so we're going to have to use our imagination here.
01:15:10The toast is adorned with a variety of condiments and preserves,
01:15:16such as raspberry jam and honey.
01:15:19Lovely.
01:15:20And to wash it all down,
01:15:22lashings of the most ferocious ginger beer known to man.
01:15:27Bon appetit.
01:15:29Come on, you lot.
01:15:35Do you hear that?
01:15:50We heard you were having a picnic.
01:15:58You don't mind if we join, do you?
01:15:59Quentin!
01:16:00Hey!
01:16:02Come on.
01:16:05Are you okay?
01:16:08How could Quentin?
01:16:09How was prison?
01:16:10I had temporary detention.
01:16:17The National Grid.
01:16:19I talked for two minutes about how the war caused chaos in the utilities industries.
01:16:23That's brilliant.
01:16:27So,
01:16:28how come you were so nervous on set,
01:16:31but not in front of the murderous criminal?
01:16:35I'm trying to decide whether I should be totally honest with you or whether I should try and look good instead.
01:16:45Don't think you can be anything but honest, Julian.
01:16:49I think that's just the way you are.
01:16:50I wasn't...
01:16:52I wasn't...
01:16:53I wasn't nervous about the scene.
01:16:58It was that after my line, I had to kiss Mona.
01:17:01I mean,
01:17:02my character had to kiss her character and...
01:17:04and, well...
01:17:07Have you never kissed anyone before?
01:17:10Well, actually, there was this time a couple summers back
01:17:12when I...
01:17:13I...
01:17:14I...
01:17:15No.
01:17:16No, no, I...
01:17:17I haven't.
01:17:19Well, that's a relief.
01:17:22Neither have I.
01:17:23Ladies and gentlemen...
01:17:36Ladies and gentlemen,
01:17:39as you all know,
01:17:42these brave youngsters
01:17:43saved not only the salmon
01:17:45and not only a plane,
01:17:47but maybe the whole country too.
01:17:50so please enjoy this feast you've more than earned it and for timmy the dog a plate of sausages from
01:18:00marlowe's of kieran may i win commander i just i just want to say a personal thank you to george
01:18:07julian dick and ann and timmy sometimes we grown-ups we get so cross and the children
01:18:17when they don't do as they told them sometimes of course we're right but sometimes it's because
01:18:21we've forgotten what it is to be adventurous what it is to be out in the world having fun
01:18:27and to our george you may not always follow the rules but you always do what's right
01:18:35and we wouldn't have you any other way
01:18:37cheers
01:18:40cheers
01:18:43you say i can't go and fight the sorceress with sir bryant but why because i'm too dangerous
01:19:05who was it who secretly won the jazton tournament who was it who saved you from the boiling lake
01:19:11go go have your banquet with the king don't worry i'll play the role of beautiful daughter as i always do
01:19:19it's you hello sebastian still taking orders from my father i see
01:19:41oh my gosh
01:19:43oh my gosh
01:19:51oh my gosh
01:19:53margreet you came back
01:19:55did no sarah would
01:19:59i'm so sorry but i have to go
01:20:03so first my father denies me and then sebastian
01:20:11but i care little for the opinion of men i have work to do
01:20:17great job
01:20:23there was no you'd be a great actor one day
01:20:27and
01:20:29and
01:20:33and
01:20:35and
01:20:37and
01:20:39and
01:20:41and
01:20:43and
01:20:45and
01:20:57and
01:20:59and
01:21:01and
Be the first to comment