Crown Court - Mrs Moresby's Scrapbook (1973) - video Dailymotion

Jezza

Crown Court: the gripping courtroom drama from the 1970s and 1980s.  "A ten year old girl has accused a man of groping her as she made her way past his seat in the cinema. However, it is the girls' mother who is in the dock accused of blackmailing the man, demanding money from him in return for not reporting the incident to the police. The man denies the child's' accusation and claims that he had slapped her leg for being rude to him." - IMDB  William Mervyn, David Ashford and Frederick Treves star.

Transcript

00:00:00On a Sunday in December, Mrs Grace Moresby, who is the mother of 10-year-old Tracy, called

00:00:20on Geoffrey Haynton and accused him of an indecent assault on her child in a small suburban cinema

00:00:25the afternoon before. Cases of child molesting are not uncommon. Hundreds are tried by our

00:00:31magistrates every year, but this case is different. It was Geoffrey Haynton, the alleged child

00:00:36molester, who called in the police. And it is not Geoffrey Haynton who is sitting in the

00:00:40dock today, but the mother of the child who is said to have been sexually assaulted.

00:00:46And I'd like to repeat, we are not here to consider a case of sexual offence against the

00:00:50child. We are here to try Mrs Grace Moresby on the very serious charge of attempted

00:00:55blackmail. I shall be calling only two witnesses. Mr Geoffrey Haynton, who has brought the charge

00:01:01against Mrs Moresby, and who will testify in this court that she completely fabricated the

00:01:06very damaging accusation of a sexual attack against her daughter in order to extort money

00:01:12from him. I shall also be calling Mr Lawford Brown, CBE, the eminent theatrical agent.

00:01:19I call Geoffrey Haynton.

00:01:25What is your religion?

00:01:31The Church of England.

00:01:32Take the book in your right hand and read aloud the words on the card.

00:01:36I swear by Almighty God that the evidence I shall give shall be the truth, the whole truth,

00:01:40and nothing but the truth.

00:01:41You are Geoffrey Donald Haynton of 12 Northfield Terrace, Fulchester.

00:01:45I am.

00:01:46And you are an actor by profession.

00:01:48That is correct.

00:01:49Would you regard yourself as a successful actor?

00:01:51Or perhaps rather as a contented one. I'm not famous at all. You could say that I was

00:01:56a jobbing actor. Most of my work is in television and films. I make a comfortable living out

00:02:01of it. I have a pleasant house here in Fulchester. I run a car.

00:02:04On the afternoon of Saturday the 7th of April, you drove to London to visit the majestic cinema

00:02:10in Talbot Road, New Cross.

00:02:11Yes.

00:02:12Why did you travel so far to go to the cinema?

00:02:14Well, I had a small part in a film there which I'd missed on the first time round.

00:02:18And I wish to go and take a look at my performance.

00:02:21Will you tell the court exactly what occurred in the cinema?

00:02:24Yes. It was a Saturday afternoon. The cinema was full of children.

00:02:28A lot of rushing about and shouting. It was really rather noisy.

00:02:32It was quite a bad film so I expect they were bored.

00:02:35Well, I didn't mind the dinner first. In fact, it was really rather amusing.

00:02:37Some of the wisecracks they were shouting at the screen were really very, very witty.

00:02:40But in my row, there was one little girl sitting in the middle of my row who was very irritating

00:02:46and troublesome.

00:02:47That would be Tracy Moresby, daughter of the accused.

00:02:50Yes. She kept getting up from her seat and pushing past me to go and see the other children.

00:02:54They didn't seem to welcome her company.

00:02:56Then a few minutes later, she pushed back past me again.

00:02:58Did you speak to her about this?

00:02:59Yes, about three times. I asked her very politely, would she please remain in her seat?

00:03:04She didn't take any notice at all.

00:03:05Well, despite all the jostling and pushing, she went on pushing past me and behaved as

00:03:11if I wasn't there at all, as if I didn't exist.

00:03:13Tell me, Mr. Haynton, did it not occur to you to move your seat?

00:03:16Well, I didn't feel I should be driven from my seat by this child.

00:03:19I paid for my ticket. I wanted to watch the film in peace.

00:03:22Anyway, I felt that she would follow me if I did move.

00:03:25What made you so sure of that?

00:03:26Well, she was so obviously enjoying making a nuisance of herself.

00:03:30The way she pretended to ignore me was so elaborate.

00:03:33I realised it was a battle of wills.

00:03:34I realised she wanted to make me lose my temper.

00:03:36And did she succeed?

00:03:38Yes, eventually she did.

00:03:40On the last occasion she pushed past me, she was very rough indeed.

00:03:45She banged my knees, stamped on my feet.

00:03:47And I spoke to her very sharply. I said, stop that at once.

00:03:50And then she spoke to me, or rather shouted.

00:03:52What did she say?

00:03:54She said, shut your face, you stupid old freak.

00:03:58Well, of course, I didn't know what to say to this, but I really suddenly saw red.

00:04:01I smacked her on the leg.

00:04:04Not hard, I didn't want to hurt her, but I wanted her to realise that she couldn't get away with this sort of rusedness.

00:04:09Did you touch her in any other way?

00:04:11No, the slap was purely a reflex action.

00:04:14And how did she react to this?

00:04:17Well, her reaction was extreme.

00:04:19I was quite taken aback by it.

00:04:20She stood stock still for a moment, her face contorted with rage, and then she spat in my face.

00:04:30Well, I know this is ridiculous, but I was very shocked.

00:04:33It wasn't like a child at all.

00:04:35It was all too powerful, too, too violent.

00:04:37And after she spat in your face?

00:04:41Well, she got up and left the cinema, and I got up to follow her.

00:04:43I was very upset and concerned.

00:04:44It occurred to me this was no ordinary child,

00:04:47but one who was suffering from an unstable psychological state.

00:04:50Your feeling for the child at this point was one of concern?

00:04:53Very much so.

00:04:53I mean, that little face, dreadful little face, like an animal, like a savage.

00:05:00Yes, I was very upset indeed,

00:05:01but I felt that I might have been overharsh with her.

00:05:03That's why I followed her.

00:05:04Did you catch her up?

00:05:06No, well, yes.

00:05:08That is, she came back into the cinema with her mother,

00:05:10who I understand runs the kiosk in the foyer,

00:05:13and then the whole thing became quite chaotic.

00:05:14How do you mean chaotic?

00:05:16Well, the child was making a terrible racket.

00:05:18I was trying to explain to the mother how sorry I was,

00:05:21and she seemed willfully to misunderstand me.

00:05:23I mentioned something about the child's state of mind.

00:05:25She got into a terrible temper and said she would go to see the manager.

00:05:28Did she, in fact, get the manager?

00:05:30Well, I don't know.

00:05:31I mean, the whole thing had got so out of proportion and ridiculous

00:05:33I thought there was no point in me staying here to watch this ridiculous melodrama,

00:05:38so I simply left.

00:05:39Thinking that that would be the end of the episode?

00:05:41Oh, yes, I thought that was that.

00:05:42Of course, I was very unhappy about this,

00:05:43but, yes, I didn't think I'd see either of them again.

00:05:45But you did see the mother again, Mrs. Moresby.

00:05:48Yes, very next day.

00:05:50Early on Sunday morning,

00:05:52there was a ring at my front doorbell,

00:05:54and there she was on the doorstep,

00:05:55and she said,

00:05:57I'm Tracey's mother.

00:05:58I've come about yesterday afternoon.

00:06:01And what happened then?

00:06:02She pushed past me into my house,

00:06:06marched into my drawing room,

00:06:07sat down, very calm, very businesslike,

00:06:10and then I couldn't believe my ears when I heard her say,

00:06:12I've decided not to put the police on to you,

00:06:15but you must make it up to me.

00:06:18After what she thought she was saying,

00:06:19she said,

00:06:19you know very well what I'm saying.

00:06:21You interfered with my daughter yesterday afternoon.

00:06:22I could put you in prison.

00:06:24Well, I was so astounded at this,

00:06:26I said, I think you'd better leave my house,

00:06:27but she wouldn't budge.

00:06:28She just sat there and said,

00:06:29I want a hundred pounds.

00:06:31She said it several times.

00:06:33Well, I was absolutely thunderstruck by this,

00:06:35and then I began to realise

00:06:36that she'd come to my house to blackmail me,

00:06:39and then I got very angry indeed.

00:06:40Now, what did you do?

00:06:41Well, I told her, of course, she knew perfectly.

00:06:42Well, I had no intention of interfering with her daughter.

00:06:44I told her,

00:06:44if she thought she could victimise me,

00:06:46she was very much mistaken.

00:06:47I asked her how she dared say these disgusting lies,

00:06:50and did she realise

00:06:51that she was in my house blackmailing me,

00:06:53and it should be she who was in prison, not me.

00:06:56Now, what was her reaction to this?

00:06:57Well, one of rage, same as in the cinema.

00:07:00I mean, quite hysterical.

00:07:01I mean, she went on and on and on,

00:07:03saying that if I didn't give her the money,

00:07:06she'd have me in prison for life.

00:07:07All sorts of things.

00:07:09I didn't know what to do.

00:07:10I thought, well, I'd better call the police.

00:07:12I went over the phone, and I did.

00:07:13Had you the intention, when you telephoned the police,

00:07:15of charging her with attempted blackmail?

00:07:17No, no, no.

00:07:18I just really wanted her out of the house.

00:07:19But when the police came,

00:07:20you did, in fact, make this formal charge.

00:07:23That was uncanny.

00:07:25Directly the police arrived.

00:07:27She became quite calm.

00:07:29She said she'd come round to my house

00:07:31to find out if what her daughter had told her was the truth.

00:07:34And then she said,

00:07:35I offered her money to keep quiet about it.

00:07:39Well, I was so appalled by this malicious invention

00:07:42that I told the police what, in fact, had happened,

00:07:45and said I wished to charge her there and then.

00:07:47Had you at any point during this interview with Mrs. Moresby

00:07:50offered her money or suggested anything

00:07:52that might be interpreted as an offer of money?

00:07:55Nothing at all.

00:07:57Now, Mr. Hayton, I must ask you

00:07:58if there was anything you said or did

00:08:00to Tracy Moresby in the cinema

00:08:02that could possibly be interpreted

00:08:03as having a sexual intention?

00:08:07Absolutely nothing whatsoever.

00:08:09Has anyone at any time before this Sunday

00:08:10suggested that you had committed a criminal offence?

00:08:14No.

00:08:15Indeed, have you ever before been seen by the police

00:08:17in connection with any criminal matter?

00:08:19No.

00:08:21Thank you, Mr. Hayton.

00:08:22No further questions?

00:08:25Mr. Hayton, you do admit to touching Tracy Moresby on the leg.

00:08:29Is that so?

00:08:30I think I said I slapped her, yes.

00:08:32Where on the leg did you touch her?

00:08:34My lord, I object to my learned friend's use of the word touch.

00:08:37Mr. Hayton has said he slapped the child.

00:08:39He used the word touch as misleading

00:08:41and implies a motive other than anger.

00:08:43Yes, I think that is a fair objection.

00:08:45But quite apart from that, Miss Tate,

00:08:46does it matter what happened in the cinema?

00:08:48We must keep in the forefront of our minds

00:08:51that it is not Mr. Hayton

00:08:53who is on trial here in this court today.

00:08:56But my client is, my lord.

00:08:58And the prosecution have been at great lengths

00:09:00to point out that nothing happened in the cinema that day

00:09:02that could possibly warrant the accusations

00:09:05that Mr. Hayton said my client made against him.

00:09:07In other words, that they were a complete and groundless fantasy.

00:09:11Now, both Mrs. Moresby and her daughter

00:09:13will testify that they were neither fantastic nor groundless

00:09:16and that because they happened,

00:09:18Mr. Hayton freely offered money.

00:09:20Yes, I see.

00:09:22But we must keep well in mind

00:09:24that we shall be asking the jury

00:09:26to reach a verdict on a charge of blackmail

00:09:28and not on one of sexual assault.

00:09:31I'll ask you the question again, Mr. Hayton.

00:09:35Where exactly on the leg did you touch Tracey Moresby?

00:09:38In the region of the knee,

00:09:40the back of the knee or the calf, perhaps.

00:09:42And only with one hand?

00:09:44Well, naturally.

00:09:45How do you take two hands to slap someone?

00:09:47Mr. Hayton, I put it to you

00:09:49that after slapping Tracey Moresby on the leg,

00:09:52you put both hands round her thighs

00:09:54and you touched her private parts.

00:09:55That's just not true. She's lying.

00:09:57Well, we've not yet heard from Tracey,

00:09:58but you have told us that she spat in your face

00:10:01and you said that this was what you considered

00:10:03to be a disproportionate and somewhat shocking response

00:10:06to something as simple as a slap.

00:10:08Now, I agree with you.

00:10:09It was shocking.

00:10:10But it was not you,

00:10:12it was not you who were shocked, Mr. Hayton,

00:10:14but Tracey Moresby,

00:10:16shocked by something far more, far more disturbing

00:10:19than an ordinary slap on the leg,

00:10:21shocked in the way that you suggest

00:10:22enough to respond like a little animal

00:10:25in a terrifying and menacing situation.

00:10:27I just slapped her, as I said.

00:10:29Nothing else.

00:10:31For God's sake,

00:10:32if I had done what you are suggesting,

00:10:34do you think I would admit to slapping her?

00:10:36Why not deny the whole thing,

00:10:39if I was prepared to lie about some of it?

00:10:41Well, you're not here to ask questions, Mr. Hayton,

00:10:43but I'll answer that one.

00:10:45You knew perfectly well

00:10:46that a total denial would be useless.

00:10:49A child had cried out,

00:10:51had burst into tears,

00:10:52there'd been an angry scene.

00:10:53You knew that you would be obliged to admit

00:10:55that something had happened,

00:10:56and naturally enough,

00:10:57it would be better for you

00:10:58if that something were nothing more innocuous

00:11:00than an ordinary slap on the leg.

00:11:02Now, if I may be permitted to ask a question,

00:11:05are you seriously suggesting

00:11:07that Tracey Moresby

00:11:08deliberately provoked you into attacking her?

00:11:11I don't think I did attack her.

00:11:14Now, perhaps you don't,

00:11:15but in fact,

00:11:16that is exactly what you did.

00:11:19Now, you describe this situation

00:11:21as a battle of wills,

00:11:23and yet you remained in your seat,

00:11:25subjecting yourself to this pushing

00:11:27and jostling as you describe it,

00:11:29so you too were enjoying this battle of wills.

00:11:31Far from being an annoying situation,

00:11:34the repeated physical contact

00:11:36was giving you pleasure and excitement,

00:11:39and so you decided to stay where you were,

00:11:41hoping that the opportunity would engage

00:11:43for you not only to be touched by this child,

00:11:46but to touch her yourself,

00:11:47to attack her.

00:11:48I certainly wasn't enjoying

00:11:49any experience of pleasure or excitement.

00:11:51It was just extremely irritating.

00:11:53The slap was merely an impulsive

00:11:55and a very natural reaction

00:11:57to the whole situation.

00:11:58I did it before I knew I'd done it.

00:11:59But if you were finding it all

00:12:01extremely irritating, as you say,

00:12:02then why did you not take

00:12:03the obvious measure of changing your seat?

00:12:05As I have said already,

00:12:07I thought that if I moved,

00:12:09she would follow me,

00:12:10and it seemed to me

00:12:11that the situation would get

00:12:12a great deal more irritating

00:12:14than it was already.

00:12:16Yes.

00:12:18Well.

00:12:23Now, you've said that you had,

00:12:25that you had a part in this film.

00:12:28Yes, that's right.

00:12:29Would you tell us something about it?

00:12:31Well, it's quite a small part.

00:12:33Interesting, just the one scene.

00:12:35And at what point in the film

00:12:36did this scene take place?

00:12:38About 20 minutes to half an hour

00:12:39after the beginning, I should say.

00:12:40I suppose it was virtually impossible

00:12:42for you to watch the scene

00:12:44with all this disturbance.

00:12:45That must have been very frustrating.

00:12:46No, there was no frustration

00:12:47on that score.

00:12:48The real rouse started

00:12:49after halfway through the film.

00:12:51I'd seen my part already.

00:12:52You'd already seen your part.

00:12:55Now, at the beginning of your testimony,

00:12:56you said that you drove up

00:12:58to this particular cinema

00:12:59from Fulchester

00:12:59in order to have a look

00:13:01at your performance.

00:13:01And yet, after having seen

00:13:03your performance,

00:13:05you stayed on

00:13:05in spite of the irritating behaviour

00:13:07of Tracey Moresby

00:13:08and in spite of the fact

00:13:09that it was not a good film.

00:13:10Well, I think I said

00:13:11it might be a boring film

00:13:13for children.

00:13:13No, Mr. Haynton.

00:13:15You said it was quite a bad film,

00:13:17I'm afraid,

00:13:18so I expect they were bored.

00:13:20But it seems that you,

00:13:21Mr. Haynton,

00:13:22were quite prepared

00:13:23to put up not only

00:13:24with a bad film,

00:13:25but with an extremely

00:13:27uncomfortable situation.

00:13:28It would seem, Mr. Haynton,

00:13:29that you were not bored at all.

00:13:31Mr. Haynton,

00:13:48you would agree, then,

00:13:49that Tracey Moresby

00:13:50was in a bad state?

00:13:51I think I said

00:13:52I thought she was

00:13:52an over-excitable little child.

00:13:54And you felt concern for her?

00:13:56That's right.

00:13:57At what point did you cease

00:13:58to feel this concern?

00:13:59Well, I didn't stop

00:14:00feeling concern.

00:14:01It was when the mother

00:14:01went off the handle.

00:14:03When the mother left

00:14:04to get the manager,

00:14:05I thought the whole thing

00:14:05had got out of hand.

00:14:06You didn't consider

00:14:07that if you yourself

00:14:08explained the situation

00:14:09to the manager,

00:14:11a neutral person,

00:14:12that between you,

00:14:13you could have perhaps

00:14:14pacified the mother

00:14:14and calmed down

00:14:15the little girl?

00:14:16Didn't seem likely to me.

00:14:17So, as you say,

00:14:18you simply left?

00:14:19It seemed the best thing to do.

00:14:20Well, not only the best thing,

00:14:22but the only thing.

00:14:23I put it to you

00:14:24that you were already

00:14:25on your way out

00:14:25when Mrs. Moresby

00:14:26came back into the cinema

00:14:27with Tracy.

00:14:28No, I've told you.

00:14:29You had no intention

00:14:30of following the little girl

00:14:31to make amends,

00:14:32so you made your getaway

00:14:33leaving the cinema

00:14:34at a near run.

00:14:35Oh, that's absolutely ridiculous.

00:14:36I did not run out.

00:14:37I said a near run,

00:14:38Mr. Hainte,

00:14:39and obviously a man

00:14:40running from the cinema

00:14:41would be bound

00:14:41to attract attention.

00:14:42I'd hardly describe

00:14:43my departure

00:14:44as a near run.

00:14:45But it was convenient

00:14:46for you to get out fast.

00:14:47Well, I didn't mean

00:14:47that at all.

00:14:49I made a decision.

00:14:51I carried it out

00:14:52in a suitable manner.

00:14:54I see.

00:14:57Well, let's come

00:14:58to the events

00:14:58of the following day,

00:14:59shall we?

00:15:00Now, when you saw

00:15:01Mrs. Moresby standing

00:15:02at your door,

00:15:03you must have wondered

00:15:03how she'd managed

00:15:04to track you down,

00:15:06as it were.

00:15:07It occurred to me

00:15:08she might have traced

00:15:08my dress through my car.

00:15:11Oh, really, Mr. Hainteam?

00:15:12Well, that would have meant

00:15:12that first she discovered

00:15:14you left the cinema,

00:15:15and then she'd have

00:15:16to get outside

00:15:17in order to see you

00:15:18driving off.

00:15:19I left my car

00:15:20near the front of the cinema.

00:15:21It took me a little time

00:15:21to get to it.

00:15:22As you'd left

00:15:23by a side entrance?

00:15:25Yes.

00:15:26So you thought

00:15:27that perhaps she did

00:15:27see you driving off

00:15:28and then, of course,

00:15:29she'd have to go

00:15:29to the police

00:15:30and they'd have to trace

00:15:31the registration number

00:15:32and it was Saturday evening.

00:15:34Well, I suppose so.

00:15:35These are little details.

00:15:36It was just a first notion

00:15:37that crossed my mind.

00:15:38So one of the first notions

00:15:39that crossed your mind

00:15:40on seeing Mrs. Moresby

00:15:41on your doorstep

00:15:42was that the police

00:15:43were involved already.

00:15:45It must have been

00:15:45a considerable relief

00:15:46to you to realise

00:15:47that that was not the case.

00:15:48No, no, no.

00:15:49At any rate,

00:15:50she did find out

00:15:50where you lived

00:15:51and she came to your house

00:15:52and almost immediately

00:15:53after she'd arrived

00:15:54there was this

00:15:55offer of money.

00:15:56Yes.

00:15:57No.

00:15:59No, what?

00:16:00Not offer.

00:16:01Oh, oh, I, um...

00:16:02I beg your pardon.

00:16:03I meant to say

00:16:03a demand for money.

00:16:05Yes.

00:16:05There was a demand.

00:16:07A hundred pounds.

00:16:08I'd like to repeat

00:16:09what I said earlier.

00:16:10I never offered her money.

00:16:12Never.

00:16:12But you did say,

00:16:13did you not,

00:16:13that she was quite calm

00:16:15and businesslike

00:16:16when she first arrived?

00:16:17Yes, yes, yes.

00:16:18Do we have to go

00:16:19over all this again?

00:16:20Yes, it does seem

00:16:21a little bit repetitive,

00:16:22Miss Tate.

00:16:23Can you give us an idea

00:16:25of what you are driving at

00:16:26with these questions?

00:16:27My Lord,

00:16:28I'm simply curious to know

00:16:29why Mr. Haynton

00:16:30resorted to the extreme measure

00:16:31of calling in the police

00:16:32when surely

00:16:33an irrational man

00:16:34would realise

00:16:34that no effort

00:16:35should be spared

00:16:36before taking

00:16:36such drastic action.

00:16:38Now, Mr. Haynton

00:16:38has already explained

00:16:39that he believed

00:16:40that he was being

00:16:41blackmailed by a person

00:16:42who, in his view,

00:16:44was not capable

00:16:44of acting rationally.

00:16:46Are you suggesting

00:16:47that that wasn't

00:16:48sufficient reason

00:16:49for him to call the police?

00:16:51My Lord,

00:16:52my case is

00:16:53that Mr. Haynton

00:16:54left the cinema

00:16:54on the previous afternoon

00:16:56because he specifically

00:16:57did not want

00:16:58any discussion

00:16:59about what happened.

00:17:00Now, here we are

00:17:01with the same situation

00:17:02on the following day.

00:17:04A trivial

00:17:04and embarrassing incident

00:17:05had spiralled

00:17:06into a menacing situation

00:17:08and yet

00:17:08he forewent

00:17:10any effort

00:17:10at discussion,

00:17:11any attempt

00:17:12to bring order

00:17:12to chaos.

00:17:13I couldn't bring

00:17:13any order out of chaos.

00:17:14Everything moved so fast.

00:17:16It was well beyond

00:17:16my control.

00:17:17Not at all,

00:17:18Mr. Haynton.

00:17:18You were in complete control.

00:17:20You telephoned the police.

00:17:21I was driven

00:17:21to that measure.

00:17:22Yes, you were.

00:17:23But not quite

00:17:24in the way

00:17:25that you say.

00:17:27Telephoning the police

00:17:27was a deliberate

00:17:28and calculated tactic

00:17:30on your part.

00:17:31An inescapable tactic,

00:17:32was it not?

00:17:32I don't understand.

00:17:33Oh, I think you do,

00:17:34Mr. Haynton.

00:17:34I think you do.

00:17:36Your back was

00:17:36against the wall.

00:17:38Now, may I be permitted

00:17:39to tell you

00:17:40the dilemma

00:17:41that you were in?

00:17:42Mrs. Moresby

00:17:43turns up at your house

00:17:44to find out for certain

00:17:46what happened

00:17:46on the previous afternoon.

00:17:48Now, as you say,

00:17:50no attempt

00:17:51at discussion

00:17:52was any use

00:17:53because you knew

00:17:54that her accusations

00:17:55were true

00:17:56and so you were afraid.

00:17:58You offered her money

00:17:59to hush up

00:18:00the whole situation

00:18:01but when she refused,

00:18:03you telephoned the police

00:18:04before she could do

00:18:05because you knew

00:18:06that they would be called

00:18:07in any way.

00:18:09Your mind must have moved

00:18:10very quickly,

00:18:11Mr. Haynton.

00:18:12If you called

00:18:13the police

00:18:14and fabricated this tale

00:18:15of attempted blackmail,

00:18:17then you would be

00:18:18the victim.

00:18:19It would be your word

00:18:20against hers.

00:18:22And you gamble

00:18:23that they would believe

00:18:24your word.

00:18:24Now, that is the position.

00:18:25Do you deny it?

00:18:26I can and I do.

00:18:28I deny it absolutely.

00:18:31Just one last question,

00:18:33Mr. Haynton.

00:18:34Are you in the habit

00:18:35of visiting the cinema

00:18:36on Saturday afternoons?

00:18:37I do occasionally

00:18:39go to the cinema

00:18:39on a Saturday afternoon.

00:18:40I'd hardly call it a habit.

00:18:42And always alone?

00:18:44Usually alone.

00:18:45Thank you, Mr. Haynton.

00:18:46No further questions.

00:18:47Mr. Haynton,

00:18:49I should first just like

00:18:51to dispel

00:18:52the rather sinister

00:18:55overtones

00:18:56of my learned friend's

00:18:57last question to you.

00:18:58You were a very ardent

00:19:00cinema goer,

00:19:00are you not?

00:19:01Yes, I see a film

00:19:02two or three times a week.

00:19:04Is it your custom

00:19:05to go by yourself?

00:19:06Yes, I prefer to go

00:19:07to films of my own.

00:19:08Films of my hobby, really.

00:19:10Mr. Haynton,

00:19:11have you ever had occasion

00:19:12to appear in court before?

00:19:14Only once.

00:19:15As a juror, actually.

00:19:17Sir Haynton,

00:19:17the word fear

00:19:18has been used in this court.

00:19:20In the cinema,

00:19:21when Mrs. Moresby

00:19:22came to visit you

00:19:23in your house,

00:19:24did you at any time

00:19:25feel afraid?

00:19:26No, not at all.

00:19:27I had nothing to be afraid of.

00:19:28What was the sequence

00:19:29of emotions that you felt

00:19:31during Mrs. Moresby's

00:19:32visit to you?

00:19:33Well, at first,

00:19:34one of total amazement.

00:19:36And then,

00:19:37of real anger

00:19:38when I realised

00:19:38what she was up to.

00:19:40And then,

00:19:41when I saw her stamping

00:19:42and raging around the room,

00:19:43a feeling of pity.

00:19:45It was very sad.

00:19:47When the police arrived

00:19:48and she became calm

00:19:49and started trotting out

00:19:50her neat little lies,

00:19:52I felt an emotion

00:19:53approaching that

00:19:54of horror.

00:19:56That's why I knew

00:19:56I must make this charge.

00:19:59So, one way or another,

00:20:00the rational man

00:20:01took quite an emotional beating

00:20:03during those two days.

00:20:04And the physical one, too.

00:20:06When I got home

00:20:06on Sunday evening,

00:20:08I was so drained

00:20:09and shaky,

00:20:09I rang my doctor

00:20:11to see if he'd come

00:20:11and see me

00:20:12and he thought

00:20:13the whole situation

00:20:15might have some effect

00:20:16on my heart.

00:20:17You have a heart condition?

00:20:18Well, it's nothing very serious.

00:20:19I get a little touch

00:20:20of angina,

00:20:22troublesmith

00:20:22from time to time.

00:20:24Did your decision

00:20:25to leave the cinema

00:20:26that afternoon

00:20:26have anything to do

00:20:27with a fear

00:20:28of the effect

00:20:29on your heart?

00:20:29No, no, no.

00:20:30I hardly ever think about it.

00:20:31I've never had

00:20:31a severe attack.

00:20:33Just the occasional

00:20:33odd twinge

00:20:34now and again.

00:20:35No, I left the cinema

00:20:36because I thought

00:20:37it was the only thing

00:20:38I could do

00:20:38under the circumstances.

00:20:40Were you at all

00:20:41inhibited by the thought

00:20:42of the possible damage

00:20:43that could be done

00:20:44to your career?

00:20:44No, no, no.

00:20:45Not at all.

00:20:46As I've said,

00:20:47I'm not famous at all.

00:20:49What was your predominant motive

00:20:51in calling the police?

00:20:53Well,

00:20:54I thought this woman

00:20:55was behaving wickedly.

00:20:58I'm a stubborn man

00:20:59and not easily frightened.

00:21:01But supposing I've been

00:21:02someone of a much

00:21:02weaker nature,

00:21:03what if she'd tried

00:21:05to trap someone else

00:21:06and intimidate them?

00:21:10I believe

00:21:11that if I had been weak

00:21:12and had given in

00:21:14and been afraid

00:21:15of how I might look

00:21:16in this situation,

00:21:17the demands for money

00:21:18would have gone on

00:21:19and on and on.

00:21:20And don't forget,

00:21:22she was prepared

00:21:23to involve

00:21:24her own child

00:21:25in this web

00:21:26of conspiracy

00:21:27and deceit.

00:21:30I'm not a

00:21:31revengeful man.

00:21:32I think really

00:21:33perhaps I'm a little

00:21:34puritanical.

00:21:36But I believed

00:21:37what this woman

00:21:38was doing

00:21:38was wicked.

00:21:41In calling the police,

00:21:42did you make

00:21:43what has been called

00:21:43this lightning

00:21:45tactical move

00:21:46in order to appear

00:21:47in a more favourable light?

00:21:48No, no, no.

00:21:50I mean,

00:21:50even if she had

00:21:51telephoned the police

00:21:52and accused me

00:21:52of being a

00:21:53child molester,

00:21:54we'd have had to have

00:21:55the whole story

00:21:55as we've had today.

00:21:56I mean,

00:21:57the position

00:21:58would have been

00:21:58reversed,

00:21:59but I would have

00:22:00had to experience

00:22:01the same things

00:22:03as I had to do today.

00:22:05I don't suppose

00:22:06there would have been

00:22:06any more

00:22:07gruelling

00:22:08or humiliating

00:22:10or fatiguing

00:22:12a day

00:22:13from this one.

00:22:16Thank you,

00:22:17Mr. Hinton.

00:22:17I have no further questions.

00:22:19You may leave

00:22:20the witness box,

00:22:20Mr. Hinton.

00:22:26I must speak

00:22:37to Miss Tate.

00:22:38It's extremely important.

00:22:39I'm sorry, sir.

00:22:40That's impossible.

00:22:41Miss Tate is in the

00:22:42court at the moment.

00:22:42Well, how can I get

00:22:43in touch with her?

00:22:43I must speak to her

00:22:44today.

00:22:45Well, just wait

00:22:46here a moment, sir.

00:22:47I'll go in the court

00:22:48and see if I can find

00:22:48somebody to come

00:22:49and help you.

00:22:56Can I help you, Mr...

00:23:13Bray, John Bray.

00:23:13It's imperative

00:23:14that I speak to Miss Tate.

00:23:15Is this a personal matter,

00:23:16may I ask, sir?

00:23:17Or a professional one?

00:23:18It's about this case.

00:23:20You must tell Miss Tate

00:23:21that I have some information

00:23:22which may be a great deal

00:23:23of use to her.

00:23:24I am willing to appear

00:23:26as a witness in this case.

00:23:27The case of the Queen

00:23:52against Moresby

00:23:53will be resumed tomorrow

00:23:54in the Crown Court.

00:23:57Geoffrey Hinton,

00:24:20a 59-year-old actor,

00:24:22claims that Mrs. Grace Moresby

00:24:24came to his house in

00:24:25Fulchester on April the 8th

00:24:27and accused him

00:24:28of making an indecent assault

00:24:29on her 10-year-old daughter,

00:24:31Tracey,

00:24:31in a small London cinema

00:24:33the previous afternoon.

00:24:35He says she threatened

00:24:36to go to the police

00:24:37unless he gave her

00:24:38a hundred pounds.

00:24:39He entirely repudiated

00:24:41her accusation,

00:24:42saying all he had done

00:24:43was slap Tracey on the leg

00:24:44for being rude and noisy

00:24:46in the cinema.

00:24:47He called the police himself

00:24:49and charged Mrs. Moresby

00:24:50with attempted blackmail.

00:24:52You are Michael Clarence,

00:24:56Lawford Brown, CBE

00:24:57of 3 Emerson Mews,

00:24:59London, South West One.

00:25:00I am.

00:25:00You are a theatrical agent

00:25:02and managing director

00:25:03of the firm Lawford Brown Limited.

00:25:05That's correct.

00:25:06You're also very well known

00:25:07as the founder

00:25:08and originator

00:25:08of the old people's village

00:25:09in Wiltshire,

00:25:10Oak Valley.

00:25:11Well, I doubt very much

00:25:12if I'm well known,

00:25:13but naturally I'm pleased

00:25:14that Oak Valley should be.

00:25:15It was for your work

00:25:16in starting this village

00:25:17that you were awarded

00:25:17the CBE

00:25:18by Her Majesty the Queen

00:25:19two years ago.

00:25:20Yes, I had that honour.

00:25:22How long have you known

00:25:23Geoffrey Haynton?

00:25:25It must be about 35 years.

00:25:27Yes, I first met him in 1938.

00:25:28How did you meet?

00:25:29Well, I'd just started my career

00:25:31as a theatrical agent.

00:25:32I'd come down from Oxford

00:25:33and I was travelling

00:25:34around the country

00:25:34seeing plays

00:25:35and looking for talented actors.

00:25:37Geoffrey was my first discovery.

00:25:39I saw him giving

00:25:39a remarkably good performance

00:25:40as a Juval Island lead

00:25:42in a musical comedy in Wales,

00:25:43a little repertory company.

00:25:45I recognised that he'd be

00:25:46the perfect man for a part

00:25:47in a West End musical

00:25:48that was just about

00:25:49to go into production.

00:25:50I persuaded him

00:25:51to sign up with me

00:25:51as his agent.

00:25:52He did get the part.

00:25:53He came to London

00:25:54and I may say

00:25:55he was a huge success.

00:25:57And you've been

00:25:57his agent ever since?

00:25:58Yes, I have.

00:25:59Can you remember

00:26:00where you were

00:26:01on Sunday

00:26:02the 8th of April

00:26:03of this year?

00:26:03Yes, I went to see

00:26:04some friends in Fulchester

00:26:05and I thought

00:26:06I'd drop in on Geoffrey.

00:26:07Mr Haynton?

00:26:08Yes.

00:26:09Did you visit him?

00:26:10Not exactly.

00:26:11Now, what do you mean?

00:26:12Well, I'd parked the car

00:26:14and I was just coming up

00:26:15to the door

00:26:15when I heard

00:26:15a most dreadful row going on.

00:26:17Well, can you describe

00:26:18what you heard

00:26:18in more detail?

00:26:19Yes, I heard

00:26:20a woman's voice raised.

00:26:21She sounded very angry,

00:26:23almost hysterical.

00:26:24What did you do?

00:26:25Well, I'm afraid

00:26:26I went away.

00:26:27I didn't want

00:26:27to walk into a scene.

00:26:29Were there any police cars

00:26:31outside the house

00:26:32at this time?

00:26:33No, I think it must have been

00:26:34before they called.

00:26:35Were you able to hear

00:26:36anything the woman

00:26:37was saying?

00:26:38Yes, there was one phrase

00:26:39which stuck in my mind

00:26:40that was repeated.

00:26:41The woman was saying,

00:26:42I want a hundred pounds.

00:26:44You heard the woman say,

00:26:45I want a hundred pounds.

00:26:47You're quite sure of that?

00:26:48Quite sure.

00:26:50Thank you, Mr Lawford-Brown.

00:26:52Mr Lawford-Brown,

00:26:53were you visiting

00:26:53Mr Haynton on business?

00:26:55No, I was in the district

00:26:56and I decided to drop in.

00:26:57You were not going in

00:26:58to discuss business?

00:26:59No, that's correct.

00:27:00So that your relationship

00:27:01has not been solely

00:27:02a professional one?

00:27:04Oh, no, indeed.

00:27:04We became friends

00:27:06almost on meeting.

00:27:07We both were early successes

00:27:08in the theatre.

00:27:09I took a very special interest

00:27:11in Geoffrey's career,

00:27:12his stengali, as it were.

00:27:14We saw a great deal

00:27:15of each other.

00:27:15We were tremendous friends.

00:27:17When the war came,

00:27:17we joined up together

00:27:18and strangely enough,

00:27:20we ended up in the same

00:27:20prison camp in Italy.

00:27:22And the friendship

00:27:22continued after the war?

00:27:24Yes, it did.

00:27:24In fact, I was the one

00:27:25who persuaded Geoffrey

00:27:26to stay on in the theatre

00:27:27after the war.

00:27:28He had a slight limp

00:27:29from a war wound

00:27:30and he was worried

00:27:31whether it might affect

00:27:32his chances as an actor.

00:27:33I soon talked about that.

00:27:35You would say, then,

00:27:36that you were one

00:27:37of his closest friends?

00:27:38Yes, I would.

00:27:39I doubt if anyone

00:27:39ever knew him

00:27:40better than I did.

00:27:41You would judge him

00:27:42to be a man of integrity?

00:27:43Oh, great integrity.

00:27:45Probably sounds

00:27:46a little old-fashioned,

00:27:47but I think Geoffrey

00:27:47is a man of honour.

00:27:49Sir Norford Brown,

00:27:49knowing Geoffrey Haynton

00:27:50as you do,

00:27:51can you imagine him

00:27:52inventing a serious charge

00:27:54like blackmail

00:27:55against an innocent person?

00:27:57Not possibly.

00:27:58It's utterly unthinkable.

00:27:59The idea of his victimising

00:28:00an innocent person

00:28:01is quite inconceivable.

00:28:02Has he ever,

00:28:04to your knowledge,

00:28:05indicated that he had

00:28:06any tendencies whatsoever

00:28:08that might have included

00:28:10sexual assaults

00:28:11against a young child?

00:28:12Absolutely not.

00:28:13He's one of the most

00:28:14normal and balanced people

00:28:15I've ever known.

00:28:16Thank you,

00:28:17Mr. Lawford Brown.

00:28:20Mr. Lawford Brown,

00:28:21I think I heard you mention

00:28:23that it was you

00:28:23who persuaded Mr. Haynton

00:28:26not to give up the theatre

00:28:27after the war.

00:28:28Yes, that's true.

00:28:29You said he was worried

00:28:30about his limp

00:28:31impeding his career

00:28:32as an actor.

00:28:32Yes.

00:28:33And he'd seriously considered

00:28:34taking some other form of work.

00:28:36Yes, well, he did talk of it,

00:28:37but as I say,

00:28:37he made more than a successful start

00:28:39in the theatre before the war.

00:28:41He was what in those days

00:28:42was called a matinee idol.

00:28:44In musical comedy?

00:28:45Yes.

00:28:46But I presume that a limp

00:28:47would have, in fact,

00:28:48barred him from musical comedy parts.

00:28:50Well, of course,

00:28:51that's what worried him.

00:28:52But as an agent,

00:28:53I knew that his pre-war reputation

00:28:54would secure him

00:28:55plenty of good offers,

00:28:56and it did.

00:28:56He had several

00:28:58very interesting leads

00:28:58in London

00:28:59immediately after the war.

00:29:00And in the last 15 years or so,

00:29:02his work has been

00:29:02mostly films and television?

00:29:04Yes, he's played

00:29:05many, many parts,

00:29:06very varied.

00:29:08Mr. Norford-Brown,

00:29:09how many clients

00:29:09do you have on your books?

00:29:11I think at the moment

00:29:12I have about 15 clients.

00:29:14That's a very small

00:29:15number of clients

00:29:15for a theatrical manager

00:29:17to represent, isn't it?

00:29:18But then I am instructed

00:29:20that you have a reputation

00:29:21for handling the careers

00:29:22of only a few people,

00:29:24for being rather

00:29:25uniquely exclusive.

00:29:27Yes, it has been

00:29:28my practice for many years

00:29:29to represent a few artists.

00:29:30That way I find

00:29:31I can give them

00:29:31the detailed and personal

00:29:32attention they need.

00:29:34And many of your clients

00:29:35are extremely well-known.

00:29:36That's true, isn't it?

00:29:37Yes, I look after the affairs

00:29:39of several very successful people.

00:29:40Oh, I think you're too modest,

00:29:41Mr. Norford-Brown.

00:29:42I think it's true to say

00:29:43that all your clients

00:29:44are top-line stars

00:29:46with international reputations.

00:29:48With one exception.

00:29:51Geoffrey Haynton.

00:29:53Mr. Norford-Brown,

00:29:54why are you in court today?

00:29:57I should have thought

00:29:58that was obvious.

00:29:59I'm here as a witness.

00:30:00Yes, but what would you say

00:30:01were your motives

00:30:02for appearing as a witness today?

00:30:04I really don't understand

00:30:06what you mean by motives.

00:30:07I must say,

00:30:08neither do I, Miss Dayton.

00:30:10I'll rephrase the question, my lord.

00:30:12Mr. Norford-Brown,

00:30:13what persuaded you

00:30:14to come to court today?

00:30:16Nothing persuaded me.

00:30:17I'm here because I want to be,

00:30:19because I feel I ought to be.

00:30:20I owe it to the cause of justice,

00:30:22if that doesn't sound too pompous.

00:30:24What other possible motives

00:30:25could I have?

00:30:27Guilt, perhaps.

00:30:29What did you say?

00:30:30I said guilt,

00:30:31Mr. Norford-Brown.

00:30:33You agreed to appear

00:30:34as a witness for Geoffrey Haynton

00:30:35out of your strong sense

00:30:36of personal guilt

00:30:37and responsibility towards him.

00:30:39Now that is true, isn't it?

00:30:40I have never heard

00:30:41such ridiculous rubbish in my life.

00:30:43Will I go a little further,

00:30:44Mr. Norford-Brown,

00:30:45and say that you were not qualified

00:30:47to give the evidence you did

00:30:48in answer to his lordship's question.

00:30:51You do not know Geoffrey Haynton well enough.

00:30:54He happens to be one of my closest friends.

00:30:56Was, Mr. Norford-Brown.

00:30:57I don't know if you realise

00:30:58just how many times

00:30:59during your testimony

00:31:00you've used the past tense.

00:31:02We were tremendous friends, you said.

00:31:05I probably knew him better than anyone else.

00:31:09Now, I've no doubt

00:31:10that in the first years of your relationship

00:31:12you were tremendous friends, as you say.

00:31:14But can you tell us now

00:31:16just how many times

00:31:17you've actually seen him

00:31:19in the last 15 years?

00:31:21I haven't the faintest idea

00:31:23many times.

00:31:25He's a frequent visitor to my house.

00:31:27I am instructed that he visits your house

00:31:29exactly once a year

00:31:30in the company of a hundred other people

00:31:33when you give your annual dinner.

00:31:35A very fashionable event

00:31:37that we can all read about in the papers.

00:31:38He's always invited to my party, of course.

00:31:42And is he invited to your house

00:31:44on other occasions?

00:31:45To dinner, perhaps?

00:31:47I don't give dinner parties.

00:31:49I find it more convenient

00:31:50to entertain in restaurants.

00:31:51Well, do you entertain Mr. Haynton

00:31:52in restaurants?

00:31:53Are these the occasions

00:31:54of your frequent meetings?

00:31:56Yes, we've often dined together

00:31:58or lunched.

00:31:58Well, could you give us a rough idea

00:32:00of how many times

00:32:01in the last 15 years?

00:32:02I could not.

00:32:04When was the most recent time?

00:32:06Last week, actually.

00:32:08To discuss this case?

00:32:09Among other things.

00:32:10And before that?

00:32:11What was the time before that

00:32:13that you had lunch

00:32:14or dined with Geoffrey Haynton?

00:32:16I cannot possibly remember.

00:32:19Are you a frequent visitor

00:32:20at his house

00:32:21here in Fulchester?

00:32:22I hadn't seen Geoffrey's new place

00:32:24before that Sunday.

00:32:26Mr. Haynton moved into his new place,

00:32:29as you call it,

00:32:30nine years ago.

00:32:32Madam, you cannot calculate friendship

00:32:34like statistics

00:32:35by the numbers of meetings,

00:32:36especially in old,

00:32:38enduring friendship.

00:32:40I put it to you,

00:32:41Mr. Lawford Brown,

00:32:41that this particular

00:32:42old, enduring friendship

00:32:44waned in direct relationship

00:32:45to the waning of Mr. Haynton's

00:32:47professional career.

00:32:49The several interesting leads

00:32:51that you say he played

00:32:52after the war

00:32:52were in fact three

00:32:53in three plays

00:32:55that failed in the West End.

00:32:56And since then,

00:32:57Geoffrey Haynton

00:32:58has never worked

00:32:58in a London theatre again.

00:33:00All actors have to weather

00:33:02flops in their lives.

00:33:03Geoffrey's made his way

00:33:04in films and television.

00:33:06An actor's career

00:33:07can always change course.

00:33:08And in his case,

00:33:09it was a downward course.

00:33:10The matinee idol

00:33:11of Before the War

00:33:12has now become

00:33:12the bit-part actor of today.

00:33:14I suggest,

00:33:15Mr. Lawford Brown,

00:33:16that you kept him on

00:33:17as a client

00:33:17because you felt

00:33:18sorry for him.

00:33:20My charitable work,

00:33:21madam,

00:33:21does not overlap

00:33:22into my professional life.

00:33:24I run a business.

00:33:25I keep Geoffrey on

00:33:26as a client

00:33:26because he is

00:33:27a valuable actor.

00:33:29He's sold him

00:33:30out of work,

00:33:30I can assure you.

00:33:31But not through

00:33:32your efforts,

00:33:32Mr. Lawford Brown.

00:33:34The detailed

00:33:34and personal attention

00:33:36that you accord

00:33:36upon your star clients

00:33:38is not accorded

00:33:39upon Mr. Geoffrey Haynton.

00:33:40Am I not correct

00:33:41in saying that he

00:33:42is the only one

00:33:43of your artists

00:33:43whose entire engagements,

00:33:46salaries,

00:33:46and all working conditions

00:33:47are handled

00:33:48entirely by your secretary?

00:33:50Geoffrey is aware

00:33:51that my secretary

00:33:52keeps me informed

00:33:53of all the details

00:33:53of his work.

00:33:55Mr. Lawford Brown,

00:33:57were you in the vicinity

00:33:59of Mr. Haynton's house

00:34:01on that Sunday?

00:34:03Of course I was.

00:34:04Because you see,

00:34:06my client did not rage

00:34:08and become hysterical

00:34:10and demand a hundred pounds.

00:34:14Let's just assume

00:34:15that you were outside,

00:34:18but that the voice

00:34:19you heard demanding

00:34:20a hundred pounds

00:34:21was not that of my client,

00:34:22but of Geoffrey Haynton.

00:34:25You have invented

00:34:26this reversal

00:34:27in order to assist

00:34:28the one-time friend

00:34:29you felt you'd let down

00:34:30in the past.

00:34:32I have invented nothing.

00:34:33Thank you,

00:34:34Mr. Lawford Brown.

00:34:34No further questions.

00:34:36Mr. Lawford Brown,

00:34:37when did you first hear

00:34:38about Geoffrey Haynton's

00:34:39involvement in this case?

00:34:41Geoffrey rang me

00:34:41on the evening

00:34:42that the woman

00:34:43came to call.

00:34:44So you were the first person

00:34:45he contacted

00:34:46over this trouble?

00:34:47Yes.

00:34:48Did he confide to you

00:34:49all the details

00:34:49when he spoke to you?

00:34:50Yes, he told me

00:34:51all that happened.

00:34:52His relationship with you

00:34:53was such that he volunteered

00:34:54to you the whole

00:34:55of this unhappy business?

00:34:56Yes, as I said,

00:34:57he was a trusted friend.

00:34:58So it's nonsense

00:34:59that suggests

00:35:00that you are unqualified

00:35:02to say whether or not

00:35:03he is a man of integrity?

00:35:05Absolute nonsense.

00:35:06No one's ever known him better.

00:35:07Thank you,

00:35:08Mr. Lawford Brown.

00:35:08No further questions?

00:35:09Besides,

00:35:10I wouldn't commit perjury

00:35:11for any friend,

00:35:12however old.

00:35:13You may go,

00:35:14Mr. Lawford Brown.

00:35:21That's the case

00:35:22for the prosecution,

00:35:23my lord.

00:35:26My lord,

00:35:27I had naturally

00:35:28intended calling

00:35:28the defendant,

00:35:29Mrs. Grace Moresby,

00:35:30as my first witness.

00:35:32However,

00:35:32since the trial began,

00:35:33a new witness

00:35:34has come forward

00:35:35and I feel that the court

00:35:36should hear his evidence.

00:35:37Who is this witness

00:35:38and what is his

00:35:39connection with the case?

00:35:40His name is

00:35:41John Bray,

00:35:42my lord,

00:35:43and he

00:35:43was a working colleague

00:35:45of Geoffrey Haynton.

00:35:49John Bray,

00:35:50please do the math.

00:35:51You come to it.

00:36:01What is your religion?

00:36:03Church of England.

00:36:04Take the book

00:36:04in your right hand

00:36:05and read aloud

00:36:05the words on the card.

00:36:06I swear by almighty God

00:36:08that the evidence

00:36:08I shall give

00:36:09shall be the truth,

00:36:10the whole truth,

00:36:10and nothing but the truth.

00:36:12You are John Reginald Bray

00:36:13of 16 Sylvan Road,

00:36:15Upper Norwood, London.

00:36:16I am.

00:36:16Mr. Lotterby,

00:36:17I assume that you

00:36:19have no objection

00:36:19to this witness being called.

00:36:21No, my lord,

00:36:21I have no objection.

00:36:22My learned friend

00:36:23has discussed

00:36:23this witness's evidence

00:36:24with me.

00:36:26And you hold

00:36:26the position

00:36:27of Chief Buyer

00:36:28in the Furniture Department

00:36:29in Brewsters of Piccadilly.

00:36:31Yes, I do.

00:36:32Now, you are acquainted

00:36:33with Geoffrey Hinton,

00:36:34are you not?

00:36:35Yes, we worked together

00:36:36before the war in Wales.

00:36:38It was in a small theatre company.

00:36:40I was an actor myself

00:36:41in those days,

00:36:41but I gave it up years ago.

00:36:43I didn't like the life,

00:36:44no real security.

00:36:45Mr. Bray,

00:36:46why did you come down

00:36:47to Fulchester

00:36:47to the trial?

00:36:48I read about it

00:36:49in the papers in London.

00:36:50I was quite shocked, really.

00:36:52I mean,

00:36:52you don't expect people

00:36:53you know

00:36:54to get mixed up

00:36:54in sordid court cases.

00:36:56But, Mr. Bray,

00:36:57what was your reason

00:36:58for coming today?

00:37:00Was it curiosity?

00:37:01Certainly not.

00:37:03I felt I had to come.

00:37:04Well, I told your clerk,

00:37:05you know that.

00:37:06Yes, but the court

00:37:07does not, Mr. Bray.

00:37:09I knew

00:37:10that there was something

00:37:11that must come up

00:37:11in this trial.

00:37:13It happened a long time ago

00:37:14and I was afraid

00:37:15that therefore

00:37:15it might be suppressed.

00:37:17And as I sat

00:37:18in this court yesterday,

00:37:19I realised

00:37:20that that is exactly

00:37:21what was happening.

00:37:22It wasn't going

00:37:23to be mentioned at all.

00:37:24In 1937,

00:37:26Geoffrey Haynton

00:37:27was involved

00:37:27in an incident

00:37:28with a nine-year-old girl.

00:37:30The police were called in.

00:37:46Will you please

00:37:46describe the incident

00:37:48to us, Mr. Bray?

00:37:50We were rehearsing

00:37:51a Christmas production.

00:37:52Half a dozen local children

00:37:53were brought in

00:37:54to play small parts.

00:37:55The child I referred to

00:37:56had a short scene

00:37:57with Geoffrey Wiggett.

00:37:59Did you say

00:37:59Wiggett, Mr. Bray?

00:38:01Geoffrey Wiggett?

00:38:01Yes, that is the name

00:38:02I knew him by

00:38:03in those days.

00:38:04He changed his name

00:38:05when he left Wales

00:38:06and went to London.

00:38:07I see.

00:38:07And how soon

00:38:08after this Christmas production

00:38:09did he go to London?

00:38:10Immediately after it.

00:38:12Please continue.

00:38:13Well, Geoffrey used

00:38:14to rehearse this scene

00:38:15alone with the little girl,

00:38:17just the two of them

00:38:18in the green room together.

00:38:19And one morning,

00:38:20when the rest of us

00:38:21were rehearsing on stage,

00:38:22this child suddenly

00:38:24came bursting out

00:38:25of the green room.

00:38:26She was crying.

00:38:27I went to the green room

00:38:28to find Geoffrey,

00:38:28but he was gone.

00:38:30We didn't see him again

00:38:31till the afternoon

00:38:32when the little girl's mother

00:38:33came to the theatre

00:38:34with a policeman.

00:38:36Geoffrey went with them

00:38:37to the director's office.

00:38:38Was there any kind

00:38:38of charge made?

00:38:39Yes.

00:38:40I was asked,

00:38:41just because I happened

00:38:42to be there,

00:38:42you understand,

00:38:43to go to the director's office

00:38:44as a witness,

00:38:45which I did.

00:38:46And what happened?

00:38:47The girl's mother

00:38:48accused Geoffrey

00:38:49of interfering sexually

00:38:50with the girl.

00:38:51Did he say anything?

00:38:52Yes, he said

00:38:53it was nonsense.

00:38:54She was only upset

00:38:55because he'd slapped her,

00:38:57because she was rude.

00:38:58Now, do you know

00:38:58if there were any

00:38:59subsequent legal proceedings?

00:39:01No, the whole thing

00:39:01was hushed up completely.

00:39:03Of course,

00:39:03there was a lot of

00:39:04unpleasant gossip

00:39:05in the company about it,

00:39:07but I prefer to think

00:39:09there'd just been

00:39:09some sort of

00:39:10misunderstanding.

00:39:12I've no more questions,

00:39:13Mr Gray.

00:39:13Well, Arterby,

00:39:18I take it that you

00:39:19will want to recall

00:39:20Mr Haynton

00:39:21to the witness box.

00:39:22Yes, my lord.

00:39:23Mr Bray,

00:39:23is it not a fact

00:39:24that this policeman

00:39:25who came to the theatre

00:39:27on that dramatic day

00:39:28was the father

00:39:29of the little girl?

00:39:30Well, I didn't know that.

00:39:31I see,

00:39:32but I presume

00:39:33you were aware

00:39:33that this same police officer

00:39:35was a member

00:39:35of the theatre's

00:39:36board of directors?

00:39:37No, I don't think

00:39:38I was aware of that.

00:39:39You don't think

00:39:40you were aware of that,

00:39:41I see.

00:39:41When I say

00:39:42that I didn't know

00:39:43these particular things,

00:39:44it might be more correct

00:39:45to say that I didn't

00:39:45remember them,

00:39:46after all this was

00:39:47over 30 years ago.

00:39:4936 years,

00:39:50to be precise.

00:39:51Yet the story

00:39:52you told us

00:39:53might have happened

00:39:53last week.

00:39:54You related it so vividly.

00:39:56Well, it all came back

00:39:57to me very vividly

00:39:58when I read about this trial.

00:39:59Well, let's say

00:40:00some of it came back

00:40:01to you, Mr Bray.

00:40:02Did it stick in your memory

00:40:03that Mr Haynton's decision

00:40:04to change his name

00:40:05occurred some two months

00:40:06before this incident,

00:40:08as soon as he knew

00:40:08he was to take a leading part

00:40:09in a West End production?

00:40:11I only said

00:40:12that he changed his name

00:40:13before he went to London.

00:40:14Thank you, Mr Bray.

00:40:15I have no further questions.

00:40:17Mr Bray,

00:40:18no doubt you are aware

00:40:19that your appearance

00:40:20here in court

00:40:20could well result

00:40:21in the name of yourself

00:40:22and a Brewster's

00:40:23appearing in the newspapers.

00:40:24Now,

00:40:25do you think

00:40:26your employers

00:40:26will be happy

00:40:27about your involvement

00:40:28with such a case?

00:40:29I mean,

00:40:30are you taking something

00:40:31of a personal

00:40:31and professional risk

00:40:34in giving evidence?

00:40:35Oh, no,

00:40:35I don't think so.

00:40:36I mean,

00:40:36if I should get my name

00:40:37or my picture

00:40:38in the paper,

00:40:40people would only remember

00:40:41that a top-ranking employee

00:40:43of Brewster's

00:40:43spoke up for justice.

00:40:44Well,

00:40:45you may be right.

00:40:46Now,

00:40:47as to the question

00:40:47of a 30-year-old grudge

00:40:49or resentment

00:40:49that you had...

00:40:49I didn't feel any resentment.

00:40:51None whatsoever.

00:40:53I was absolutely delighted

00:40:54for Geoffrey.

00:40:55He was always

00:40:56a first-rate character actor

00:40:58and still is,

00:40:59I believe.

00:41:00I confess,

00:41:01I was just a little doubtful

00:41:03about him being star material

00:41:04and my doubts

00:41:05were proved true.

00:41:06Thank you,

00:41:06Mr Bray.

00:41:07No more questions.

00:41:08Mr Lottabee,

00:41:09I think that Mr Haynton

00:41:11should be recalled now

00:41:12before any further

00:41:13defence witnesses are...

00:41:14Very well, Mollard.

00:41:15You may go.

00:41:17I recall Geoffrey Haynton.

00:41:25You understand,

00:41:26of course,

00:41:27Mr Haynton,

00:41:27that you are still on oath.

00:41:29Oh.

00:41:30Mr Haynton,

00:41:31do you recall

00:41:32the incident

00:41:32that Mr Bray

00:41:33so generously

00:41:34put himself out

00:41:35to come and tell us about?

00:41:36Yes, I do.

00:41:37But frankly,

00:41:37I'd forgotten all about it

00:41:38until he brought it up.

00:41:40Do you remember

00:41:40what actually took place?

00:41:42Oh, it was very simple, really.

00:41:44I was given the wretched job

00:41:45of coaching this child

00:41:47who was totally

00:41:47without talent

00:41:48and, um,

00:41:51she went on and on.

00:41:52I kept complaining.

00:41:53I kept saying to her,

00:41:54you know,

00:41:54you must learn your lines

00:41:55and you must concentrate.

00:41:57Otherwise,

00:41:57I shall get you the sack,

00:41:58which I did that day.

00:42:00Then her parents came up

00:42:01and complained.

00:42:02I'm glad to say

00:42:03the director of production

00:42:04stood by me.

00:42:05Mr Bray has suggested

00:42:06that you had

00:42:07indecently assaulted the child.

00:42:08Is that true?

00:42:09No, no.

00:42:09I don't know where

00:42:10he dreamt that one up from.

00:42:12He, um,

00:42:13Bray was the leading actor

00:42:14of the company

00:42:15just before I joined it.

00:42:17He gave me a very bad time.

00:42:19In truth,

00:42:20I must say,

00:42:21we don't like each other.

00:42:24I see.

00:42:26Thank you, Mr Haynton.

00:42:28No questions, my lord.

00:42:30Well, you may go,

00:42:31Mr Haynton.

00:42:35Miss Tate,

00:42:36your next witness.

00:42:38I call Mrs Grace Mooresby, my lord.

00:42:40What is your religion?

00:42:59Church of England.

00:43:00Take the book in your right hand

00:43:01and read aloud

00:43:02the words on the card.

00:43:05I swear by almighty God

00:43:06that the evidence I shall give

00:43:07shall be the truth,

00:43:08the whole truth,

00:43:08and nothing but the truth.

00:43:11You're Mrs Grace Marjorie Mooresby

00:43:13of Nine Quaker House,

00:43:15Kingsley Road,

00:43:15New Cross, London.

00:43:17Yes.

00:43:17And you're a housewife

00:43:18with part-time employment

00:43:19at the Majestic Cinema.

00:43:22Yes.

00:43:23Now, will you tell us

00:43:24what happened in the cinema

00:43:25on the afternoon

00:43:26of April the 7th last?

00:43:28Now, Mrs Mooresby,

00:43:29you really must try

00:43:31to speak up

00:43:32and answer the questions

00:43:33so that the jury

00:43:34may hear your side

00:43:36of the story.

00:43:37And remember,

00:43:38we are here to help you.

00:43:40Yes, my lord.

00:43:42Now, Mrs Mooresby,

00:43:43just tell us all you know

00:43:44about what happened

00:43:45that afternoon in the cinema.

00:43:48Well,

00:43:49the first thing I knew,

00:43:51my Tracy came running out

00:43:52into the foyer.

00:43:53She was crying

00:43:54and she said

00:43:55a horrible man had hit her.

00:43:57I asked her to show me

00:43:58where he was.

00:44:00So she took me back inside

00:44:01and he was standing

00:44:02in the aisle.

00:44:04She pointed at him

00:44:04and she said,

00:44:05there he is, mum.

00:44:06That's him.

00:44:08And I thought,

00:44:09it can't be.

00:44:11It just can't be.

00:44:13Now, why did you think that,

00:44:14Mrs Mooresby?

00:44:16Well, he's in my scrapbook.

00:44:18I collect pictures and stories

00:44:19about people I like on television.

00:44:21You mean, you recognise Mr Haynton?

00:44:24Oh, yes.

00:44:25But he was in the film, you see.

00:44:27That was what was such a shock,

00:44:29to see him standing there in the aisle

00:44:30when I'd been nipping in

00:44:32to see his bit in the picture

00:44:33every day that week.

00:44:35There was my Tracy,

00:44:37pointing at him,

00:44:39saying that he'd hit her.

00:44:41I just couldn't take it in.

00:44:43Did he admit to having hit Tracy?

00:44:46Well, he said,

00:44:47is this your little girl?

00:44:49Well, she's been behaving very rudely.

00:44:52Then my Tracy started to cry again

00:44:54and then he said,

00:44:57your little girl's not normal.

00:45:00You ought to take better care of her.

00:45:02Now, did this make you angry,

00:45:04as Mr Haynton has said?

00:45:05No.

00:45:06No, not angry.

00:45:08I said, wait, wait.

00:45:09I said, I'll get the manager.

00:45:11You see, I thought if I got him,

00:45:13he could tell him

00:45:13that what he just said about Tracy

00:45:14it wasn't true.

00:45:16But when I came back with Mr Blake,

00:45:18he'd gone.

00:45:20He'd just gone.

00:45:21How much time would have elapsed

00:45:23between you going to get the manager

00:45:24and then you're coming back

00:45:25into the cinema?

00:45:26Oh, not more than two minutes.

00:45:28And did you think it's suspicious

00:45:29that he'd left so quickly?

00:45:31No.

00:45:32No, I was disappointed.

00:45:34I think I was thinking more

00:45:37about his feelings

00:45:38than I was about Tracy's.

00:45:40About how he would be thinking

00:45:42that I was a bad mother.

00:45:44What did Tracy say?

00:45:46Oh, she didn't say anything.

00:45:47I asked her and asked her

00:45:48all the way home.

00:45:49What did you do?

00:45:51Anyway, when I got her home,

00:45:52I sat her down and said

00:45:53she'd got to tell me.

00:45:55And when she told me

00:45:56that she'd spat in his face,

00:45:58well, I've just grabbed her

00:46:00and I said, I'm going to give you

00:46:01a hiding that you remember

00:46:02the rest of your life.

00:46:03And she screamed,

00:46:04don't, Mum, don't.

00:46:05He interfered with me.

00:46:06That's why I did it.

00:46:08She said she stepped on his foot

00:46:09when she was trying

00:46:11to get past him

00:46:12and that he slapped her

00:46:13and that's when she spat at him.

00:46:18Then he took her by the legs

00:46:19and he lifted her clothing

00:46:20and he started to pat her

00:46:23and touch her.

00:46:25And you still thought

00:46:27she was making it all up?

00:46:28You didn't believe her at all?

00:46:30I wasn't even thinking about that.

00:46:32I was far too busy

00:46:34thinking about my own troubles.

00:46:36What troubles, Mrs. Moresby?

00:46:38Tracy's father left us.

00:46:40Did he leave you for someone else?

00:46:43Oh, yes.

00:46:44Just like all the rest, my lord.

00:46:47Always thinking about the one thing.

00:46:50She's scarcely 20 years old.

00:46:52She's not even half his age.

00:46:54Of course, I didn't tell Tracy that.

00:46:57No, I told her

00:46:58that he'd been sent away

00:46:59on a job up north.

00:47:00I mean, I didn't let on, you understand.

00:47:02I pretended so she wouldn't guess.

00:47:05And there he was

00:47:06telling me that I was a bad mother.

00:47:08Who, Mrs. Moresby?

00:47:11Him, I mean.

00:47:13See, I was thinking

00:47:14that if he just stayed and listened

00:47:17I could have told him.

00:47:20I couldn't sleep all night

00:47:21for thinking about it.

00:47:23And in the middle of the night

00:47:24I thought to myself

00:47:26I'll get up

00:47:27and I'll go and see him.

00:47:29Mrs. Moresby

00:47:30do I understand you

00:47:31to be saying

00:47:32that your sole reason

00:47:33for coming all the way here

00:47:34to Fulchester

00:47:35to see Mr. Haynton

00:47:36was to convince him

00:47:38that you were a good mother?

00:47:40Yes.

00:47:41I must say

00:47:42I find that rather hard to believe.

00:47:44Well, you see, my lord

00:47:45it was

00:47:46it was the first time

00:47:48in all these months

00:47:49that I'd let my feelings out.

00:47:52I

00:47:52I'd been bottling them up, I suppose.

00:47:56First my husband

00:47:57then Tracy

00:47:58always laughing

00:48:01not crying

00:48:01I

00:48:02I knew the neighbours were talking.

00:48:05I just thought

00:48:06if I could have told him

00:48:08how hard things had been

00:48:09he would have listened.

00:48:11he would have understood me

00:48:12you see

00:48:13sympathised

00:48:14like he was a vicar

00:48:17or something

00:48:17not the filthy beast

00:48:20he is

00:48:21just like all the rest of them.

00:48:41the case of the Queen

00:48:43against Moresby

00:48:44will be resumed tomorrow

00:48:45in the Crown Court.

00:48:46The trial of Mrs. Grace Moresby

00:49:10enters its final day

00:49:11in the Crown Court.

00:49:12Mrs. Moresby is charged

00:49:13with attempted blackmail.

00:49:15Geoffrey Hainton

00:49:16an actor in his 50s

00:49:17says that Mrs. Moresby

00:49:18came to his house

00:49:19in Fulchester

00:49:20accused him

00:49:21of an indecent sexual attack

00:49:22on her daughter

00:49:23in a cinema

00:49:23the day before

00:49:24and demanded

00:49:25£100 from him.

00:49:27He claims

00:49:27her accusation

00:49:28is a fabrication.

00:49:30He says

00:49:30he only slapped

00:49:31ten-year-old Tracy

00:49:32for being rude and noisy.

00:49:34Mrs. Moresby's counsel

00:49:36has strongly suggested

00:49:37that Hainton's

00:49:38hasty exit

00:49:38from the cinema

00:49:39indicates that there was

00:49:41a sexual assault

00:49:41and that he was trying

00:49:43to avoid the consequences.

00:49:45Now Mrs. Moresby

00:49:46you say the reason

00:49:47you went to visit

00:49:48Mr. Hainton

00:49:49was because you didn't

00:49:50believe Tracy's story

00:49:51of a sexual assault

00:49:52and you wanted a chance

00:49:54to explain to him

00:49:55how difficult life

00:49:57had been for you

00:49:57in the past months.

00:49:58Yes.

00:49:59How did you come

00:50:00to be able to find

00:50:01his house?

00:50:03Well he's in my scrapbook.

00:50:05It's all about him

00:50:06and his garden

00:50:07and his garden

00:50:07so I just took

00:50:08the first train down

00:50:09here Sunday morning

00:50:10I looked him up

00:50:11in the phone book

00:50:11and got a taxi

00:50:12straight to his house.

00:50:14Now Mr. Hainton

00:50:14has said that

00:50:15the first words you said

00:50:16when he saw you

00:50:17on the doorstep

00:50:18were

00:50:18are you Geoffrey Hainton

00:50:20I'm Tracy's mother

00:50:22it's about yesterday afternoon.

00:50:24Yes that's what I said.

00:50:25And he says

00:50:26you then push past him

00:50:27into the house.

00:50:28Well I didn't.

00:50:30I wouldn't.

00:50:32No he just stared

00:50:33at me for a moment

00:50:33but I thought

00:50:34he'd forgotten

00:50:34all about it.

00:50:35Then he took my arm

00:50:36and he said

00:50:37come inside.

00:50:38Now did you say

00:50:39I've decided

00:50:40not to put the police

00:50:42on to you

00:50:42but you've got

00:50:43to make it up to me.

00:50:44No.

00:50:46There was no thoughts

00:50:47of the police

00:50:47in my mind

00:50:48at that time.

00:50:49Anyway I didn't

00:50:50have a chance

00:50:50to say anything

00:50:51because as soon

00:50:52as we got into the hall

00:50:53he said to me

00:50:54I didn't hurt

00:50:55your little girl

00:50:55you know.

00:50:56I didn't harm her.

00:50:58Huh.

00:50:58Fool that I was.

00:51:00I thought he was

00:51:01so kind

00:51:01that he'd been

00:51:02worrying about Tracy.

00:51:03So I plucked up

00:51:05my courage

00:51:05and I looked

00:51:06straight at him

00:51:07and I asked him

00:51:09will you help me?

00:51:13Then the next thing

00:51:14oh well

00:51:16just like that

00:51:17I knew.

00:51:19I knew everything.

00:51:21What was the next thing

00:51:22Mrs Moresby?

00:51:23He looked at me

00:51:24like I was dirt

00:51:25and he said

00:51:26I'll give you

00:51:27a hundred pounds.

00:51:28How much do you want?

00:51:29And what did you do?

00:51:31I didn't know what to do.

00:51:33I mean I just

00:51:33stared at him

00:51:34for a moment

00:51:35and I moved away

00:51:37from him

00:51:37and I found myself

00:51:39somewhere to sit down.

00:51:40What did Mr Haynton do then?

00:51:41Oh he followed me.

00:51:42He followed me.

00:51:43He was talking and talking

00:51:43all the time.

00:51:44I mean I

00:51:45I couldn't hear

00:51:45what he was saying

00:51:46because I was trying

00:51:46to get things sorted out

00:51:47in my own mind

00:51:48but then I

00:51:49I realised

00:51:50that what he was saying

00:51:51was a hundred pounds.

00:51:52Yes that's what he was saying.

00:51:54A hundred pounds.

00:51:54I'll give you a hundred pounds.

00:51:56Now Mr Haynton

00:51:57has said that you

00:51:57became hysterical.

00:51:58Is that true?

00:51:59No.

00:52:01I heard him say that

00:52:02but it's a lie.

00:52:04It wasn't me.

00:52:05It was him.

00:52:07When I said

00:52:08I wouldn't take

00:52:08a thousand pounds

00:52:09if he offered it to me

00:52:10he went off like a rocket.

00:52:12He was like

00:52:12somebody having a fit.

00:52:14He just screamed

00:52:15and screamed at me

00:52:15and he kept pointing

00:52:16his finger at me

00:52:17and saying horrible things

00:52:17about Tracy.

00:52:18I was frightened.

00:52:20I ran to the phone

00:52:21and I said

00:52:21I'm going to phone the police

00:52:22but he took it away from me

00:52:24and he said

00:52:24if anyone is going

00:52:25to phone the police

00:52:25it's going to be me

00:52:26he said

00:52:27and I shall put you

00:52:27in prison

00:52:28and he telephoned them.

00:52:30At no time

00:52:31did you ask

00:52:32Mr Haynton for money?

00:52:34Never.

00:52:34I swear I never did.

00:52:37Now Mrs Moresby

00:52:38I have to ask you

00:52:39a few questions

00:52:40about your financial affairs.

00:52:42I gather that

00:52:43your husband

00:52:44pays yourself

00:52:44and Tracy

00:52:45maintenance.

00:52:47Yes.

00:52:48Yes.

00:52:48Twenty pounds

00:52:49every week.

00:52:50Isn't that

00:52:50a generous amount?

00:52:51It's the wages of sin

00:52:52at the very least

00:52:53he could do.

00:52:55And you're able

00:52:56to rely on it?

00:52:57He pays you regularly?

00:52:58Yes.

00:52:59Yes we have a money order

00:53:00every Friday.

00:53:01And the part-time job

00:53:02at the Majestic Cinema

00:53:03how much do you earn there?

00:53:04Twelve pounds a week.

00:53:05So in fact

00:53:06you have a comfortable

00:53:07weekly income?

00:53:09Yes.

00:53:09We've plenty to live on.

00:53:10And your renters

00:53:11how much?

00:53:11Four pounds.

00:53:13Do you have any

00:53:13higher purchase commitments?

00:53:15No.

00:53:15Only the television.

00:53:16I don't hold

00:53:17with higher purchase.

00:53:18So we can safely say

00:53:19that money is not

00:53:20one of the problems

00:53:20in your life?

00:53:21Like I said

00:53:22Tracy and I

00:53:24have plenty to live on.

00:53:26Thank you Mrs. Moresby.

00:53:27Wait there please.

00:53:30Nobody heard

00:53:31Tracy's story

00:53:32but you

00:53:32Mrs. Moresby.

00:53:34She didn't come out

00:53:34with a word about it

00:53:35in the cinema.

00:53:36Nobody saw it.

00:53:37There are no witnesses

00:53:38to this alleged assault.

00:53:41It wasn't Tracy

00:53:42who invented

00:53:43this molesting story

00:53:44was it?

00:53:45It was you

00:53:45Mrs. Moresby.

00:53:47It would take

00:53:48a very bad mother

00:53:49indeed

00:53:49to care more

00:53:50what a television actor

00:53:51thought of her

00:53:52than of her own

00:53:52her own child's feelings

00:53:54but it would take

00:53:55an even worse mother

00:53:56to involve that child

00:53:57in a conspiracy

00:53:58to make some quick cash

00:53:59which is in fact

00:54:00what you did.

00:54:01No I did not.

00:54:01I did not.

00:54:02Here was an ideal victim

00:54:03someone with money

00:54:04and a reputation

00:54:05to protect.

00:54:06But that's not true.

00:54:07You say that

00:54:08during the hard

00:54:09and lonely months

00:54:10after your husband

00:54:11left you

00:54:11for a younger woman

00:54:12you behaved in the manner

00:54:13of a courageous

00:54:14and very loving mother.

00:54:17Yes I did.

00:54:18Such a woman as that

00:54:19couldn't behave

00:54:20in the manner

00:54:20you were telling

00:54:21the court

00:54:21that you behaved

00:54:22during those two days.

00:54:24I mean you do

00:54:25see the discrepancy.

00:54:26You're twisting everything.

00:54:28I mean I've said

00:54:29time and again

00:54:30that I'm deeply ashamed

00:54:31of the way I treated Tracy.

00:54:33I did say that.

00:54:35It would look very bad

00:54:36for you if you didn't

00:54:36say that Mrs. Moresby

00:54:37but I'm not interested

00:54:38in what you say now

00:54:39about your feelings.

00:54:41I'm interested in your feelings

00:54:42or rather lack

00:54:43of feelings

00:54:43at that time.

00:54:46Mrs. Moresby

00:54:46how many hours a week

00:54:47do you work

00:54:48in the suite kiosk

00:54:49in the cinema?

00:54:50What?

00:54:52Uh

00:54:52well

00:54:54eleven hours.

00:54:55Eleven hours.

00:54:56Twelve pounds.

00:54:58That's very good pay

00:54:59isn't it

00:54:59for attending

00:54:59a suite kiosk

00:55:00over a pound an hour?

00:55:02I do some extra work.

00:55:04What sort of work?

00:55:05I do some cleaning.

00:55:07It's only to oblige.

00:55:08The manager

00:55:09couldn't find anybody else

00:55:10to do it.

00:55:10Yes.

00:55:11Yes you do this cleaning

00:55:12for three hours

00:55:13every morning

00:55:14between nine and twelve

00:55:15and on Saturdays

00:55:16from seven to nine

00:55:17and again from eleven to twelve

00:55:19after the children's picture show

00:55:20and on Sundays again

00:55:22from seven to nine.

00:55:24Have I got that right?

00:55:25Yes.

00:55:26Yes well by my reckoning

00:55:27that uh

00:55:28means that you're working

00:55:29for thirty pence an hour.

00:55:31Not very good pay at all in fact.

00:55:33Well he pays me less

00:55:34for the cleaning.

00:55:35Well he

00:55:36it is only temporary

00:55:37I'm just doing it to oblige.

00:55:39He's always given me

00:55:39eight pounds a week

00:55:41for the kiosk.

00:55:41Eight pounds a week

00:55:42for the kiosk

00:55:43so as you do

00:55:44twenty hours worth

00:55:45cleaning a week

00:55:46that pays you at even less.

00:55:47That's only twenty pence an hour.

00:55:48My lord

00:55:49I feel obliged to ask

00:55:51whether my learned friend's

00:55:52bookkeeping is of any relevance.

00:55:53Yes Miss Date

00:55:54I confess I'm finding

00:55:55these mathematical calculations

00:55:57a little puzzling.

00:55:58What are you intending

00:55:59to suggest

00:56:00by this line of inquiry?

00:56:02My lord

00:56:02my learned friend

00:56:03has tried to establish

00:56:04that Mrs Moresby

00:56:05is not in need of money.

00:56:06I'm trying to establish

00:56:07that she is in fact

00:56:08in great need of money

00:56:09and that she's taken on

00:56:10a highly unsatisfactory

00:56:11extra job

00:56:12in order to get it.

00:56:13A job which must separate her

00:56:15from her daughter

00:56:15for long periods of time.

00:56:17Very well.

00:56:19Now surely Mrs Moresby

00:56:20if you'd wanted to take up

00:56:21a cleaning job

00:56:22in addition to your work

00:56:23at the kiosk

00:56:24you could have found

00:56:24a better paid one than that.

00:56:26The going rate for cleaners

00:56:27I'm reliably informed

00:56:29is more like

00:56:30fifty pence an hour

00:56:30is it not?

00:56:31I've already said

00:56:33that I'm just doing it

00:56:35to oblige.

00:56:36Mrs Moresby

00:56:37the true position

00:56:37is that the manager

00:56:38threatened to dispense

00:56:39with your services

00:56:40altogether

00:56:40if you didn't take

00:56:41this extra job.

00:56:42Now isn't that right?

00:56:43I asked you a question

00:56:47Mrs Moresby

00:56:47I would be grateful

00:56:50if you'd answer it.

00:56:54Well he

00:56:55he just said

00:56:56he may have to find

00:56:57somebody else.

00:56:58My lord

00:56:58I still cannot see

00:56:59where all this is leading

00:57:00these irrelevant

00:57:01and exhaustive questions

00:57:03have proved

00:57:03only one thing

00:57:04that Mrs Moresby

00:57:05has preference

00:57:06about the kind of work

00:57:07she does.

00:57:08Yes Mr Lotterby

00:57:09you said

00:57:10that you intended

00:57:11to establish

00:57:12that Mrs Moresby

00:57:13needed money

00:57:14well so far

00:57:14those intentions

00:57:15have not been realised.

00:57:17I'm coming to that point

00:57:18now my lord.

00:57:20Mrs Moresby

00:57:21how long

00:57:21have you been doing

00:57:22this extra job

00:57:23at the cinema?

00:57:24I can't remember

00:57:25a few weeks

00:57:26about the middle of March

00:57:28I think.

00:57:29From the second week

00:57:30in March I believe.

00:57:31Yes I think that's right.

00:57:32And was it not

00:57:32in the second week

00:57:33of March

00:57:34that the five star boutique

00:57:35was sold

00:57:36to a new management

00:57:37the boutique

00:57:37where your sister

00:57:38used to work.

00:57:39Who's been talking

00:57:40about my sister?

00:57:41Questions in my department

00:57:42Mrs Moresby

00:57:43aren't yours.

00:57:44When did your sister

00:57:45go off to America?

00:57:47February.

00:57:48It's all rather sudden

00:57:48wasn't it?

00:57:49A bit.

00:57:50Things like that

00:57:51do happen you know.

00:57:52She met this American fellow

00:57:54and he was going back there

00:57:55so they got engaged

00:57:56and she went with him.

00:57:57She married him?

00:57:58No I said they were engaged.

00:58:00You didn't say

00:58:00if they were married.

00:58:02Well I don't know

00:58:02I haven't heard for a bit.

00:58:03You're very fond of your sister

00:58:04aren't you?

00:58:05Of course I am.

00:58:06Before she went to America

00:58:07your sister bought herself

00:58:08a trousseau

00:58:09at the five star boutique

00:58:10didn't she?

00:58:11Yes she did

00:58:12but I don't see that's anybody's...

00:58:13Oh to be more accurate

00:58:14she obtained it

00:58:15from the boutique

00:58:16but she didn't pay

00:58:16for a single thing

00:58:17did she Mrs Moresby?

00:58:18She had credit?

00:58:19They gave her credit

00:58:19but she didn't pay did she?

00:58:21and even the little dress

00:58:23for Tracy

00:58:24the coat for you

00:58:25was a goodbye present.

00:58:26None of these things

00:58:26were paid for

00:58:27were they Mrs Moresby?

00:58:29They're right to tell you

00:58:30things like that.

00:58:31It's private

00:58:31and confidential.

00:58:33She left the country

00:58:34owing the five star boutique

00:58:35just under 300 pounds

00:58:37isn't that correct?

00:58:38Yes.

00:58:39She left no forwarding address

00:58:40and you haven't heard

00:58:41from her since

00:58:42is that correct too?

00:58:43Yes.

00:58:44And now

00:58:45you are paying off the debt.

00:58:47She'll pay me back.

00:58:48The former manageress

00:58:50is a friend of yours

00:58:51and you were paying her back

00:58:52at the rate of

00:58:52two pounds a week

00:58:53weren't you?

00:58:54Yes.

00:58:54And when the shop

00:58:54changed hands

00:58:55the new management

00:58:56wanted the debt

00:58:57to be dispatched

00:58:57more promptly

00:58:58they wanted

00:58:58ten pounds a week.

00:59:00And they're getting it?

00:59:00Oh they're getting it

00:59:01from you yes

00:59:02and you didn't want

00:59:02anyone to know

00:59:03about the debt

00:59:04which is why

00:59:04you didn't want

00:59:05to leave your old job

00:59:06give rise to any talk

00:59:07in the neighbourhood

00:59:07any curiosity

00:59:08from Tracy.

00:59:09Mrs Moresby

00:59:10when you came back

00:59:11into the cinema

00:59:12that afternoon

00:59:12and realised

00:59:13that Mr Haynton had left

00:59:14you suddenly saw

00:59:15a quick way

00:59:16of paying that money back.

00:59:18Now that's the truth

00:59:19isn't it?

00:59:32Mrs Moresby

00:59:33one hundred pounds

00:59:34could immediately

00:59:34take off you

00:59:35one third

00:59:36of the pressure

00:59:36of this debt

00:59:37and who knew

00:59:38how much more

00:59:39Geoffrey Haynton

00:59:39would be good for.

00:59:40Blackmailers

00:59:41very seldom stop

00:59:42at one demand

00:59:42do they?

00:59:43I'm not a blackmailer.

00:59:44We can hardly expect you

00:59:45to say that you were

00:59:45Mrs Moresby

00:59:46after all you have

00:59:47pleaded not guilty

00:59:47to the charge

00:59:48and I'm not

00:59:49aren't you Mrs Moresby

00:59:51from what we've heard

00:59:52in this court

00:59:53it's clear that you

00:59:54had the motive

00:59:54the imagination

00:59:56and that you took

00:59:57the opportunity

00:59:58to become exactly that.

01:00:00I have no further questions.

01:00:03Mrs Moresby

01:00:04you have been paying off

01:00:06this debt of your sisters

01:00:07regularly have you?

01:00:09Yes

01:00:09regularly

01:00:10every week.

01:00:11so although it's not

01:00:12an easy thing

01:00:12for you to do

01:00:13you have been doing it.

01:00:15Has it been very hard

01:00:16on you this cleaning job?

01:00:18Well

01:00:18could have been worse.

01:00:19In fact you're surviving it

01:00:21and you're making the payments?

01:00:22Yes.

01:00:23You did need money

01:00:24and you got it

01:00:25by hard work

01:00:26in order to protect

01:00:27your sister's reputation?

01:00:29Yes.

01:00:30And after all the weeks

01:00:31of struggling

01:00:32and trying to keep it

01:00:33a secret

01:00:33you say that

01:00:34you suddenly felt

01:00:36that you'd reached

01:00:37breaking point?

01:00:38first my husband

01:00:40then my sister

01:00:41then my own daughter

01:00:42just seemed like

01:00:44there wasn't anybody

01:00:45to look after me.

01:00:47Now Mrs Moresby

01:00:48you told us that

01:00:49these people in your scrapbook

01:00:50have a very special

01:00:52thing for you.

01:00:54Yes.

01:00:56Well I always thought

01:00:56they must be different

01:00:57not like other people.

01:01:00Ideal in fact.

01:01:02Yes.

01:01:04I was so sure

01:01:05that one of them

01:01:07couldn't have done

01:01:08what Tracy said

01:01:08he did.

01:01:10I couldn't listen to her.

01:01:13I couldn't let it be true.

01:01:15I'll never forgive myself

01:01:17for it.

01:01:18I don't know how

01:01:19my mind could have

01:01:20worked like that

01:01:21but it did.

01:01:22perhaps Mrs Moresby

01:01:28because for once

01:01:30you were not reacting

01:01:31as a wife

01:01:31or a mother

01:01:32or a sister

01:01:33but as a person

01:01:34in your own right.

01:01:38Now just one more question

01:01:39Mrs Moresby

01:01:40does Tracy know

01:01:42why you're in court today?

01:01:43No.

01:01:46No.

01:01:47No I just told her

01:01:48the man had to

01:01:49come in front of the judge

01:01:51and that

01:01:51we would have to answer

01:01:53some questions in court.

01:01:55Thank you Mrs Moresby

01:01:56I won't have to ask you

01:01:57anything else.

01:01:58You may leave

01:01:59the witness box

01:01:59Mrs Moresby

01:02:00I call Tracy Moresby

01:02:05my lord.

01:02:06Excuse me

01:02:07your honour

01:02:07could I ask you

01:02:09a favour?

01:02:10What is that

01:02:11Mrs Moresby?

01:02:12Well

01:02:13when Tracy

01:02:14comes into court

01:02:15could I sit

01:02:16somewhere else please?

01:02:18Not in the dock.

01:02:19Yes I think

01:02:20that will be alright.

01:02:21You'd better sit over there

01:02:22next to your solicitor.

01:02:25Thank you honour.

01:02:30Now members of the jury

01:02:33before Miss Moresby

01:02:35comes into court

01:02:35I have to tell you

01:02:36that I have to decide

01:02:38whether or not

01:02:39a child or a young person

01:02:41should take the oath.

01:02:43Now I will ask

01:02:44Miss Moresby

01:02:44one or two questions

01:02:46and then I will decide.

01:02:48If I decide

01:02:49that she can be sworn in

01:02:50then of course

01:02:51she will give her

01:02:52evidence on oath.

01:02:53If I decide

01:02:54that she cannot

01:02:55be sworn in

01:02:56because I don't think

01:02:57she understands

01:02:57the meaning of the word

01:02:59oath

01:02:59then of course

01:03:00she will give her

01:03:01evidence anyway.

01:03:03Now

01:03:03what weight

01:03:04you attach

01:03:05to her evidence

01:03:06whether given

01:03:06on oath

01:03:07or not

01:03:08is of course

01:03:09a matter for you.

01:03:12You'll have

01:03:12Miss Moresby

01:03:12brought in please.

01:03:15Tracy Moresby

01:03:16please.

01:03:29Miss Moresby

01:03:31do you understand

01:03:33what is meant

01:03:34by being sworn in

01:03:35in a court of law?

01:03:37Yes sir.

01:03:38When you say

01:03:38I promise to tell

01:03:39the truth

01:03:40the whole truth

01:03:40and nothing but the truth

01:03:41so help me God.

01:03:43And you realise

01:03:44that it is considered

01:03:45a crime

01:03:45when a person

01:03:46takes the oath

01:03:47and then does not

01:03:48tell the truth?

01:03:49Yes sir.

01:03:50My mum says

01:03:51you can go to prison

01:03:52for telling lies

01:03:53to judges.

01:03:53So that if you swear

01:03:55on the Bible

01:03:55to speak the truth

01:03:57you must be very careful

01:03:58that every word

01:03:59you say in this court

01:04:01is absolutely true.

01:04:03You must keep

01:04:04nothing back

01:04:04but answer truthfully

01:04:06all the questions

01:04:07that are put to you.

01:04:09Yes sir.

01:04:10Very well.

01:04:12Have Miss Moresby

01:04:12sworn in please.

01:04:18Hold the Bible

01:04:19in your right hand

01:04:20and read aloud

01:04:21the words on this card.

01:04:22I promise before

01:04:23Almighty God

01:04:24that the evidence

01:04:25I shall give

01:04:26shall be the truth

01:04:27the whole truth

01:04:28and nothing but the truth.

01:04:30You are Tracy

01:04:31Frances Moresby

01:04:33of Nine Quaker House

01:04:34Kingsley Road

01:04:35New Cross London.

01:04:36Yes.

01:04:37And you're ten years old.

01:04:38Ten and a half.

01:04:41Now Tracy

01:04:42I want to ask you

01:04:43just a few questions

01:04:44about something

01:04:45that happened

01:04:45in the Majestic Cinema

01:04:46on Saturday afternoon

01:04:48April the 7th.

01:04:49Can you remember

01:04:50what happened?

01:04:51Yes.

01:04:51A man interfered with me.

01:04:53Can you see that man

01:04:54in court today?

01:04:55He's there.

01:04:56That's him.

01:04:57Now will you tell us

01:04:58in your own words

01:04:59exactly what happened

01:05:01from the beginning?

01:05:02Well

01:05:02when I stepped on his foot

01:05:04No Tracy

01:05:04from when

01:05:05you first saw him

01:05:07is what I meant

01:05:08tell us all that took place

01:05:09between you

01:05:10in the cinema.

01:05:11Well

01:05:12he got mad with me

01:05:13when I tried to get out

01:05:14past him.

01:05:15He was sitting

01:05:16on the end of my row

01:05:17I was in the middle

01:05:18I just wanted to get out.

01:05:20Now did you get past him

01:05:21more than once?

01:05:22Yes.

01:05:23Can you remember

01:05:24how many times?

01:05:25Four times

01:05:25or maybe five

01:05:27I'm not sure.

01:05:27At any rate

01:05:28it was several times.

01:05:30Now did he speak

01:05:31to you about it?

01:05:32Not until the last time

01:05:34before that

01:05:34he was just sort of

01:05:35making like I wasn't there.

01:05:36How do you mean?

01:05:37Well he wouldn't move

01:05:38his legs for me

01:05:39to get past.

01:05:40And you're absolutely sure

01:05:41that he only spoke

01:05:42to you once?

01:05:43Yes.

01:05:43And when he did speak

01:05:45to you

01:05:45what did he say?

01:05:46He said

01:05:47sit down and shut up.

01:05:49What did you say?

01:05:50I was rude to him.

01:05:52How?

01:05:53I said

01:05:53shut up

01:05:54you dumb old freak.

01:05:56Did you say it

01:05:56very loudly?

01:05:58Well

01:05:58yes

01:05:59I thought to make

01:05:59the other kids laugh.

01:06:01And then what happened?

01:06:02He slapped me

01:06:03right on the leg.

01:06:04And what did you do?

01:06:05I spat in his face.

01:06:08And what did he do

01:06:09then Tracy?

01:06:10He pulled me up

01:06:11against him

01:06:12grabbed me by my legs here

01:06:13and he put his hands

01:06:15up under my skirt

01:06:16and he patted them

01:06:17all over my bottom.

01:06:18And what did you do?

01:06:19I cried

01:06:20then he let me go.

01:06:22And when I got up

01:06:23to run for my mum

01:06:24when he got up

01:06:25I thought he was

01:06:26coming after me.

01:06:27Where was your mother?

01:06:28She sells sweets

01:06:29in the kiosk.

01:06:30Now what did you say

01:06:31to her?

01:06:32I said

01:06:32a horrid old man

01:06:33hit me.

01:06:34You didn't tell her

01:06:35what else he'd done?

01:06:36No.

01:06:37Why not Tracy?

01:06:39Well I knew

01:06:39she'd go mad

01:06:40if I did.

01:06:41Besides I didn't

01:06:42want her to talk

01:06:43about that.

01:06:44Not in front of everybody.

01:06:46And so your mother

01:06:47came back with you

01:06:48into the cinema?

01:06:49Yes and he was there

01:06:50walking right up the middle.

01:06:51And I pointed to him

01:06:52and I told her

01:06:53that was him.

01:06:54What did your mother do?

01:06:56She just stopped.

01:06:57I kept saying

01:06:58that's him.

01:06:59And I was sort of

01:07:00pushing her towards him

01:07:01but she wouldn't move.

01:07:03Now did the man

01:07:04speak to your mother?

01:07:05Yes.

01:07:06He said

01:07:06your little girl's

01:07:07been very rude to me

01:07:08and I started crying again.

01:07:10It wasn't fair.

01:07:11I was rude I know

01:07:12but not like he was.

01:07:14But then he said

01:07:14to my mum

01:07:15that I wasn't normal

01:07:16and that she should

01:07:17take care of me better.

01:07:19And then my mum said

01:07:20I'll fetch the manager.

01:07:21Now is that

01:07:22how she said it?

01:07:23What do you mean?

01:07:24Well I mean

01:07:25did she sound angry?

01:07:27Well sometimes

01:07:28you can't tell

01:07:29whether my mum's angry

01:07:30or if she's just upset.

01:07:32She gets sort of

01:07:33puffy in her voice

01:07:34and that's how

01:07:35it was then.

01:07:36And you went with her

01:07:37to fetch the manager?

01:07:38Yes but when we all

01:07:39came back

01:07:39he was gone

01:07:40and then me

01:07:41and my mum

01:07:41went home.

01:07:42Now when you were

01:07:44alone with your mother

01:07:45did you tell her

01:07:46what had happened then?

01:07:48No.

01:07:49Why not?

01:07:50Well I was going to

01:07:51but as soon as we

01:07:51get outside

01:07:52she starts going on

01:07:54at me like

01:07:54everything's my fault.

01:07:56She kept asking me

01:07:57what I did.

01:07:58Well I was mad

01:07:59with her then

01:08:00so I wouldn't

01:08:00talk to her.

01:08:01But when you got home

01:08:02did you tell her?

01:08:03I wasn't going to

01:08:05but she got that cross

01:08:07and she said

01:08:07I had to tell her.

01:08:09So I said

01:08:10I spat in his face

01:08:11and she went wild

01:08:12and went for me

01:08:12and then I started

01:08:14crying again

01:08:15and I did tell her.

01:08:16What did she say?

01:08:18She said I was

01:08:19making it up.

01:08:20She kept saying

01:08:20it wasn't true.

01:08:21She just wouldn't

01:08:22believe me.

01:08:23Then she sent me to bed.

01:08:24But it was alright

01:08:25the next day

01:08:26before I even got up

01:08:27she went off to his house

01:08:28to tell him off

01:08:29and get him put in prison.

01:08:31Now Tracy

01:08:31she didn't tell you

01:08:33before she went

01:08:34what she was going to do

01:08:35did she?

01:08:35No.

01:08:36But when she got back

01:08:37she said she was

01:08:38ever so sorry

01:08:38she didn't believe me

01:08:39at first.

01:08:41Thank you Tracy.

01:08:42I have no more questions.

01:08:44Tracy

01:08:44could you tell me again

01:08:46what the man did

01:08:47to you

01:08:48after you spat in his face?

01:08:49He grabbed me

01:08:50by both of my legs here

01:08:51and he pulled me up

01:08:52against him.

01:08:53He put his hands up

01:08:54under my skirt

01:08:55and he patted them

01:08:56all over my bottom.

01:08:58Now Tracy

01:08:58I wrote down

01:08:59what you said

01:09:00when my friend

01:09:00asked you that same question.

01:09:02You used the very same words.

01:09:04She asked me

01:09:05the same question.

01:09:06And did you talk

01:09:07about what you would say

01:09:08when you were asked

01:09:08what the man had done?

01:09:10No.

01:09:10She just said

01:09:11I should be very careful

01:09:12to tell the truth

01:09:13so I practiced saying it

01:09:14and I learnt it

01:09:15off by heart.

01:09:16Why did you do that?

01:09:18Was it really

01:09:18your own idea?

01:09:19Yes.

01:09:21She didn't believe it

01:09:22first off

01:09:22see

01:09:23because he's

01:09:23on the telly.

01:09:24That was the trouble.

01:09:25She kept getting

01:09:26mixed up

01:09:27thinking a famous person

01:09:28wouldn't do

01:09:28like what he'd done

01:09:29to me.

01:09:30Lots of people

01:09:31won't believe

01:09:31what children say

01:09:32so I thought

01:09:33I'd better be sure

01:09:34I said it right.

01:09:35So you learned it

01:09:36by heart

01:09:36and practiced it

01:09:38on your own?

01:09:39You're quite sure

01:09:39of that?

01:09:40Yes.

01:09:41Besides

01:09:42if you have to say

01:09:42something that's

01:09:43embarrassing

01:09:44it's easier

01:09:45if you just say it

01:09:46over and over again

01:09:47until you get used to it

01:09:48and that way

01:09:49you don't mind

01:09:49so much.

01:09:51Tracy

01:09:51when you spat

01:09:52in that man's face

01:09:53wasn't he just

01:09:54trying to push you away?

01:09:56No!

01:09:57He's telling a lie

01:09:58I knew he'd say that

01:09:59he pulled me up

01:10:00against him

01:10:00he pulled me up

01:10:01against him

01:10:02Thank you Tracy

01:10:05no further questions?

01:10:07Tracy

01:10:07on the day

01:10:09that you were

01:10:09trying to tell

01:10:10your mother

01:10:10about what the man

01:10:11had done

01:10:12did she have out

01:10:13this scrapbook

01:10:14of hers?

01:10:15Oh yes

01:10:16she showed me

01:10:17his picture

01:10:17she went on

01:10:18and on about him

01:10:19she thought

01:10:20he pushed me

01:10:21away like that

01:10:21too

01:10:22with his arm

01:10:22Now why do you

01:10:23say with his arm?

01:10:25Because that's

01:10:26what she thought

01:10:26he must have done

01:10:27but it's a lie

01:10:28him saying that

01:10:29and she knew

01:10:30it was next day

01:10:31when she got home

01:10:32or else she wouldn't

01:10:32have asked me

01:10:33all those questions

01:10:34where his hands

01:10:35wasn't

01:10:36like what he'd

01:10:37done to me

01:10:37and all that

01:10:38But the day before

01:10:39she wouldn't

01:10:40listen to you

01:10:40she just wouldn't

01:10:41believe you at all?

01:10:42No

01:10:43she kept shutting me up

01:10:44but when she knew

01:10:45it wasn't me lying

01:10:46but him

01:10:46she didn't shut me

01:10:48up then

01:10:48Thank you Tracy

01:10:50that's all

01:10:50Now this has not

01:11:05been an easy case

01:11:07for a jury

01:11:08to hear

01:11:09and assess

01:11:10Now the first thing

01:11:11I want to say to you

01:11:12is this

01:11:12that no matter

01:11:13whatever your

01:11:14opinions may be

01:11:15about a sexual

01:11:16assault

01:11:17on Tracy Moresby

01:11:18that is not

01:11:19what we are

01:11:20met here today

01:11:21to examine

01:11:21Now your

01:11:23clear task

01:11:24is to determine

01:11:25whether Geoffrey

01:11:26Haynton was

01:11:27threatened by a

01:11:28scheming woman

01:11:28or whether this

01:11:30woman genuinely

01:11:31turned to him

01:11:32for reassurance

01:11:33and support

01:11:34and was faced

01:11:35with an offer

01:11:36of money

01:11:36either

01:11:38as she has

01:11:39maintained

01:11:40she was in

01:11:40a kind of

01:11:41obsessive need

01:11:43for this reassurance

01:11:44brought on

01:11:44by the strains

01:11:45of the previous week

01:11:46or

01:11:46as Mr Haynton

01:11:48has told us

01:11:49she was prepared

01:11:50to victimise him

01:11:51for her own end

01:11:53Now the relevance

01:11:55of what actually

01:11:56happened in the cinema

01:11:57is this

01:11:57If a man

01:11:58had actually

01:11:59committed

01:12:00an indecent

01:12:01assault

01:12:01he might be

01:12:03more likely

01:12:04to volunteer

01:12:05payment for

01:12:06immunity

01:12:06against prosecution

01:12:07than if he

01:12:09had done

01:12:09nothing wrong

01:12:10But

01:12:13the vital

01:12:13question is this

01:12:14Did the accused

01:12:16demand

01:12:17and threaten

01:12:18a prosecution

01:12:19if she did

01:12:20not get

01:12:21money

01:12:21Now members

01:12:23of the jury

01:12:23before you

01:12:24can convict

01:12:25Mrs Moresby

01:12:25you must be

01:12:26absolutely certain

01:12:27that the prosecution

01:12:28has proved

01:12:29beyond all

01:12:30reasonable doubt

01:12:31that that

01:12:32is what she

01:12:33did

01:12:34Now

01:12:35would you

01:12:36kindly retire

01:12:37and consider

01:12:38your verdict

01:12:39All stand

01:12:41Members of the jury

01:12:48will your foreman

01:12:49please stand

01:12:50Answer this

01:12:51question

01:12:52yes or no

01:12:52Have you

01:12:53reached the

01:12:53verdict on

01:12:54which you're

01:12:54all agreed

01:12:55Yes

01:12:55Do you find

01:12:56the prisoner

01:12:57Mrs Grace

01:12:57Moresby

01:12:58guilty or

01:12:59not guilty

01:12:59of attempted

01:13:00blackmail

01:13:00Not guilty

01:13:02Following the

01:13:11acquittal of

01:13:12Mrs Moresby

01:13:12the police

01:13:13reopened

01:13:14their investigations

01:13:15and charged

01:13:16Mr Haynton

01:13:16within decent

01:13:17assault

01:13:17Next week

01:13:23our cameras

01:13:24return

01:13:24to join

01:13:25another jury

01:13:26in the

01:13:26Crown Court

01:13:27next week

01:13:36to join

01:13:38another jury

Crown Court - Mrs Moresby's Scrapbook (1973)

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