- 4 days ago
Episode 480 of Prisoner Cell Block H. The end and pre-advert gate slams, incidental music and Network 10 logo have been restored as originally broadcast. The officer locking up has also been replaced with one wearing the correct uniform!
Angel causes chaos amongst the women and Shane's future is determined in the courts.
Angel causes chaos amongst the women and Shane's future is determined in the courts.
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TVTranscript
00:00I've still got something I have to do. I want to check on Rebecca King.
00:03Well, there's no need to. I just have.
00:04How is she? She's making a rapid recovery.
00:07Sister was going to stay the night with her, but it's not even necessary now.
00:09Good. She nearly jumped out of her skin when I went into the room.
00:14I think she was expecting Joan.
00:16Yes, I'm worried about that.
00:18Let go!
00:18Watch it, Adams. You haven't got your friends to look after you now.
00:23What the hell do you think you're doing?
00:25I'm trying to get away from you, Miss Ferguson.
00:27And you let me go. Do it or I'll scream right.
00:30Oh, get on the queue, Adams. That's been tried before, and I'm still here.
00:34Well, I don't try, Ferguson. I do.
00:37Yes, I do care for Pixie.
00:40I know that. You know that. Everybody knows that except Pixie.
00:45And would you like to know why I never told her?
00:48I care about her.
00:51I'm not a sex maniac. I'm a lesbian.
00:53There is a difference, you know that?
00:54Dude, I'm not saying...
00:55Anyway, she want you to come in here and tell me how to run my life.
00:58What makes you such an expert?
00:59Oh, you've murdered your husband.
01:01Your daughter's a drug addict.
01:03Shut up. Shut up!
01:06Yeah, I'll shut up.
01:08You're top dog. I'll do anything you say.
01:12That's it, isn't it?
01:14I'm top dog and you're not.
01:16You wouldn't have a clue, Myra.
01:18Get out!
01:19Get out!
01:19Get out!
01:19Get out!
01:49Oh, good day.
01:57Don't tell me our Miss Krantz has gone.
01:59She's now off to an opening the other side of town.
02:01How does she do it?
02:03I feel like I've done 20 laps just listening to her and she's still firing on all six.
02:07Well, how about a coffee to recharge the batteries?
02:10You're on.
02:11Hey, I'm not stopping you from working, am I?
02:13Well, yes, you are.
02:14But thanks.
02:15Doing the rosters takes second place any time.
02:18My feelings, exactly.
02:20Every time I sit down to do paperwork, I break out in spots.
02:22And you work for the government.
02:24You are in trouble.
02:25No, I just avoid the paperwork.
02:27You take milk?
02:28Please.
02:28Oh, thanks.
02:40I'd like to ask you a favor.
02:42Ask away.
02:43I thought I could pay you back for all the help you've been by shouting you a plate of spaghetti
02:48at my favorite wine bar.
02:48I can pick your brains about some of the women here without stopping you working and we
02:52can...
02:52Sounds very nice.
02:54Excuse me.
03:00Staff room, Meg Morris.
03:02Uh, Meg, I'm sorry to bother you.
03:04What's the matter?
03:05The police have suggested I stay somewhere else tonight and I was wondering if you'd mind
03:09very much if I came to your place.
03:10No, no, of course not.
03:11What's happened?
03:12Oh, I'll tell you later.
03:14It's all right then.
03:15I'm not putting you out.
03:16No, no, no.
03:16It's fine.
03:17Look, I won't be home for another hour.
03:18I think so, but there's a key on top of the meter box.
03:20Now let yourself in and I'll be there soon.
03:23Thanks, Meg.
03:24Okay.
03:34Don't worry.
03:34They serve spaghetti every night of the week.
03:37Oh, I'm sorry.
03:38We'll leave it till tomorrow and, hey, look, I'd better get out of your hair so you can
03:40finish up.
03:41Right.
03:42Thanks.
03:44Hey, she'll be right.
03:48Oh, I can't do it.
03:52It's just not fair.
03:53What's happened to freedom of speech?
03:54That's what I'd like to know.
03:55Rotten bastards.
03:57Oh, help.
03:58I take it you've heard about the suspension.
04:00You bet I heard.
04:01Ferguson just couldn't wait to tell me.
04:03Oh, it's not worth getting tied up in knots about.
04:04I can't say I didn't expect it.
04:06Oh, but that's the point, Den.
04:08You stood up for something you believed in.
04:11And some power-hungry pig who doesn't even know the situation pushed the department into
04:15getting you suspended.
04:16Oh, let's not forget it was me who broke the rules.
04:18Bugger the rules.
04:19You broke the picket line for good reasons.
04:21You've got to appeal.
04:22No, Heath, you were right.
04:24You can't have your members just going off and doing what they want in the middle of
04:26a strike.
04:28I was lucky to get away with a suspension.
04:31Yeah, yeah.
04:32But I still think it stinks.
04:34You're a good officer.
04:35More to the point, they need you there.
04:38What a rotten, bloody week.
04:40First Doris and now this.
04:44Oh, honey, that's great news.
04:47So, is Cleary going to organise for your sister and father to pay you a visit then?
04:50Yeah.
04:51Well, why the long face?
04:54Oh, your father, is that it?
04:56You said it.
04:57I left home because of him before.
04:58Who needs it again?
05:00I suppose if I want to see Cheryl, I have to put up with him.
05:03Yeah, but it might not be that bad.
05:05He's had a lot of time to think things through.
05:07He might be really happy to have both his daughters with him again.
05:10Anyway, you'll never know what it's like unless you try it, love.
05:13And think of it this way.
05:14When you get out of here, you've got a family to go to, huh?
05:18Never thought of it like that.
05:19Yeah.
05:19Okay, come on, everybody.
05:20Don't sit down there, Ainge, everybody.
05:22Up and exercising.
05:23Let's go.
05:24Come on.
05:25Like hell you do.
05:26You've done enough of that rubbish.
05:28You can dance.
05:29Oh, we'll get enough of that tomorrow.
05:30What we need to do is get fit.
05:32Come on.
05:33Now, what's the good of being fit if you're going to fall over your partner and break your
05:36leg?
05:37Now, I'm coach of this team.
05:38You do what I say.
05:41Isn't that right, Jude?
05:41Oh, don't ask me.
05:43Don't involve me in anything.
05:44All I want to do is curl up in a corner somewhere after the workout you put me through this
05:49afternoon.
05:49See, that's just what I'm talking about.
05:51We've all got to be fit.
05:52Hell, it starts tomorrow.
05:53Where's Myra and Alice?
05:54I'm buggered if I'm going to bust a gut when only half the people are here.
05:57Well, those two are all right.
05:58You two can't force to save yourself.
06:00After yours, we do all right.
06:01Yeah, since when did you become the expert?
06:03Listen, will you guys just can it for a minute?
06:06Now, there's no way that I'm going to do any exercise or any dancing at all on a full
06:10stomach.
06:11Let's just wait till Myra and Alice get here, okay?
06:13Good one, Jude.
06:14Come on, Angel.
06:15Let's knock a few balls around.
06:17Watch which cue you use, though.
06:18The skinny one with glasses is called Dot.
06:25I think you hurt a feeling this rabbit.
06:27Talk about touchy.
06:28I give up.
06:33Thought you'd go.
06:34Now, I decided to look in on Cain first.
06:36Seems to have recovered pretty well.
06:38Actually, Mrs. Reynolds wants to speak to you about that.
06:40She wants you to stay away from King while she's in the hospital.
06:44I see.
06:45Can't be trusted, is that it?
06:47No, it's not.
06:49Look, it doesn't seem to be enough, does it, that I have the full backing of the union
06:52and the blessing of the department.
06:54You and Reynolds have to continue your vendetta.
06:56Did it ever occur to you that we might actually be trying to protect you from further accusations?
07:00No, it didn't.
07:01Because no one in this place would lift a finger to help me, Morris.
07:04So you can save your energy.
07:06But I'll leave when I'm good and ready.
07:09Maybe sooner than you expect.
07:11I don't care if you were the general manager before you were married, Cain.
07:23We've got enough trouble around here without letting you lot loose among the paperwork.
07:25If you want to work, you can scrub the toilet block or go to your cell.
07:29Excuse me, Miss Ferguson, but Mrs. Reynolds might welcome the help.
07:32Don't forget we're going to be short-staffed after tomorrow.
07:35I'll mention your offer, Cain.
07:36All right, you lot, move out.
07:38You've got three minutes to get to your work areas.
07:39Come on, don't take all day.
07:43All right, Adams, just a moment.
07:45Tapping here to your shirt.
07:46Oh, my God.
07:47Look, can I have a word with you, Mrs. Morris?
07:49You were told to move out, Adams.
07:50She'll be along in a moment.
07:51Miss Ferguson?
07:52Oh, be careful.
07:53I just thought that you could have broke something.
07:56What's the hold up here?
07:57I just tripped over.
07:58That's all for me.
07:58God.
07:59I'll tell you what it's all right.
08:00Well, you're Reb's mother, aren't you?
08:03I thought she didn't make any difference.
08:05I know what everyone's been saying, but I know she didn't bash Rebecca.
08:08No, it was someone called Winter.
08:11Mari or Mary, or someone like that.
08:13It is none of your business, Warren?
08:16It's got opinion to you.
08:17What did you say, Warren?
08:18I said I think I hurt my knee today.
08:21What a shame you might miss the marathon.
08:22No, it's not that bad.
08:24It will be if you don't get a move on.
08:25Oh, God, look at this shirt.
08:31I should have gone home and got a clean one.
08:33Hey, it is a notice.
08:34Hey, look, have you seen this?
08:35We've actually made the papers without starting a riot.
08:37Is that from yesterday?
08:38No.
08:39Show me.
08:40Oh, God, look at the women, will you?
08:41It's a wonder Cliff Young wasn't crushed in there.
08:44Oh, that's our mail.
08:46Hey, where's this?
08:47I'm going to stick it on the notice.
08:48You're over by the phone, I think.
08:52Well, I'd better get going.
08:53I don't want to get the sack as well, do I?
08:54Oh, Dan, how can you joke about it?
08:56What do you want me to do?
08:57Go around with a long face, eh?
08:59See you later, funny face.
09:01Oh, I just wanted the roster copies, actually.
09:04Oh, Joyce, thank heavens.
09:05You came when you did.
09:06You see, this woman, I think she was trying to make advances.
09:09Dennis.
09:10Oh, Dennis, we're really awfully sorry about what's happened.
09:13Oh, thanks, Joyce, but that's the way it goes.
09:16And none of us are going to burst out in boils, right?
09:20Oh, it was very kind of you.
09:21Oh, it's just awful what's happened to Dennis.
09:25He's such a good officer.
09:27Yeah.
09:28Ferguson batters a prisoner and keeps a job.
09:31Dennis comes in to help the women and gets punished for it.
09:34I think it stinks.
09:37Oh, before you go...
09:38Yes?
09:38I believe you're thinking of leaving us.
09:40Do you have a firm date in mind?
09:41No, Governor, I don't.
09:42But if and when I do, I'll advise the department.
09:45In the meantime, I would appreciate it if you would tell Mrs. Morris not to spread gossip,
09:48especially about me.
09:49Oh, she wasn't spreading gossip.
09:50Oh, sorry.
09:51Oh, it's all right, Meg.
09:52Come in.
09:53And must it go all right?
09:54Yes, fine.
09:55Oh, and I had a very interesting talk with Adams.
09:57Yes, I meant to speak to you about that one, Governor.
10:00Pardon?
10:00Oh, you see, I happen to know that that sweet act of hers is all a cover.
10:04She's already causing trouble amongst the women.
10:06Funny.
10:06I hadn't noticed it.
10:08Perhaps you've been too busy with staff room gossip, Mrs. Morris,
10:10to give the women your usual attention.
10:12I beg your pardon?
10:13Precisely what I said.
10:14Miss Ferguson, if you have any personal grievances, you will talk to me about them in private.
10:19I will not have my staff brawling in this office.
10:22Now, about Adams, you had something to tell me.
10:23Yes, she gave me this to give to you.
10:28That's a handkerchief.
10:30Rather a beautiful one, I don't understand.
10:32It's a present for you.
10:33She embroidered it herself.
10:35Lovely.
10:36Don't you think so, Miss Ferguson?
10:39Excuse me, Governor.
10:40God, she's getting worse, if that's possible.
10:47She is.
10:48Well, I suppose we should have expected it after what she's been through.
10:51How are you feeling?
10:53Oh, I'd feel all right if I could forget about these damn letters.
10:57Police come up with anything?
10:59No.
11:00They can't even work out how the letter got into my flat.
11:03No one saw anything.
11:05No locks were broken.
11:06Oh, Meg, I'm worried.
11:11I'm worried sick.
11:16Oh, no.
11:18Oh, what's wrong, though?
11:19I've broken the needle, and I'm only halfway through this thing.
11:22No worries.
11:23There's some more needles in that little drawer on the left there.
11:25You know how to replace it?
11:26Uh-huh.
11:26Yeah, I used to do it for my nanny.
11:28Her eyes were bad.
11:29Yeah.
11:29Positive and negative.
11:36Yeah, sort of.
11:38Like a magnet.
11:39But the only thing that can hurt me here is if I get near the clothes dryers or a hairguard or something.
11:44I'd like to swap jobs, love.
11:46Hey, you.
11:47You still with us?
11:48Huh?
11:49It's all right, love.
11:50I just said, would you like to swap jobs?
11:52My arms are aching from all these heavy sheets.
11:54Oh, yeah, all right.
11:55Hang on, I'll just finish these.
11:57She's a lovely kid, not like some of the other young buggers in here.
12:01Found out which screw's leading.
12:03Oh, my arm.
12:04Look what you've done, you silly bugger.
12:06She would have to have happened when the bloody thing was forced.
12:09Okay, so tell me, who's leaving?
12:11Mr. Crookshank, they're letting him go because he broke the strike.
12:14They can't do that.
12:15He's a good screw.
12:16You dirty old woman.
12:19Oh, your mind's like a sewer.
12:20That's your problem.
12:20Come on, you junior.
12:21It was a compliment.
12:23Cut it out.
12:23When's he leaving?
12:24Tomorrow sometime.
12:25Oh, bloody Ferguson, eh?
12:27She's done it again.
12:29Hi, how was Bill, baby?
12:30Did you behave yourself?
12:31It's...
12:32Come on, ladies.
12:33Look busy.
12:34What is this terrible mess?
12:36Oh, I had a bit of an accident, Mrs. Barry.
12:37Well, pick it up.
12:39We'll never get finished in time for the marriage.
12:41Oh, yes, we will.
12:41I've been jogging everywhere for training.
12:44Come on, Adams.
12:45Your turn now.
12:45Oh, it's my turn to see Mr. Cleary.
12:47Yes, yes, come on.
12:48Oh, Mrs. Barry.
12:49Yeah.
12:50Is there any chance that Marie Winder will be sent back here?
12:53No.
12:53She's gone to Blackmore.
12:55I bet you're all very pleased to hear it, huh?
12:57Come on, dear.
12:58Yeah, and we're not the only ones that are pleased.
13:00I'll bet.
13:03There you go.
13:04Compliments of Mr. Cleary.
13:05Thanks.
13:07Here.
13:07Have you changed your mind about seeing your mum?
13:14I've got to be joking.
13:15That bitch is folding back in here.
13:16Now, come on.
13:17She thought you were dying.
13:18Any mother would have done the same.
13:20Listen.
13:21She's only ever thought of one person in her life,
13:22and that sure as hell wasn't me.
13:24Now, ring off, will you?
13:25Okay.
13:32I hear you're in suspension for trying to help the women.
13:36It's tough luck.
13:37For all of us.
13:39Screws go.
13:40You're not too bad.
13:41Well, thank you, Rob.
13:42That's very kind of you.
13:43Oh, don't thank me.
13:44If I hadn't dobbed Ferguson in,
13:46the strike wouldn't have happened.
13:47No, you had to report it.
13:48Just the same as I had to do what I did.
13:50Man's got to do, eh?
13:54Look, now that I'm going,
13:56would you take a bit of advice
13:57from a screw that's not all that bad?
14:01You know, you're not going to get anywhere
14:03always rebelling against everybody.
14:05Makes for a bloody rotten life,
14:07if you ask me,
14:08and I'm talking about your mother, too.
14:11You'll look at a better idea,
14:12Crookshank.
14:13You take care of your problems,
14:14and I'll look after mine.
14:15Especially me mother.
14:19And so,
14:20I only have my nana left.
14:22Well, you'd love her.
14:23She's the sweetest grandma
14:25anyone could wish for.
14:27But,
14:27I guess,
14:28that's one of the reasons
14:29why I got tricked
14:30into doing such terrible things.
14:33She always used to say,
14:34treat people nicely,
14:36and they'll do the same for you.
14:38Mm-hmm.
14:38Of course,
14:40I found out
14:41that isn't always true.
14:43You're a very brave girl, Angel.
14:44I don't know of many people
14:45who could go through
14:46what you've experienced
14:47and not bear the world a grudge.
14:49Well,
14:49I guess I don't look at it that way.
14:52But she said that
14:53God has his reasons,
14:55and I can't very well
14:56get mad with him,
14:57can I?
14:58No, I guess not.
14:59Well, obviously,
15:00the best thing I could do for you
15:01would be to call your grandmother
15:02and see if you can't go to live with her
15:04when you get out.
15:05But you can't.
15:06You...
15:06What's the problem?
15:07Well,
15:08it's just that
15:09her health hasn't been too good lately,
15:12and if she finds out
15:13that I'm in prison,
15:14well,
15:14it could kill her.
15:16Sorry, Mr. Cleary.
15:17I have to take Adams back now.
15:19Yes, all right.
15:20Look, I'll see you again soon, Angela,
15:21and, hey, don't worry.
15:23We'll work something out.
15:24Thank you, Mr. Cleary.
15:32You must realise
15:33it wouldn't be a full-time job,
15:35and, of course,
15:35you'd make more money in the laundry.
15:36Oh, the money doesn't matter,
15:38Mrs. Reynolds.
15:38I...
15:39I'm just grateful
15:40to be doing some kind of work
15:41unfamiliar with.
15:42Good.
15:43Let's settle, then.
15:45There is just one more thing.
15:47Yes?
15:49I know what you said,
15:50but, um...
15:52could I possibly see Rebecca?
15:55She was so ill,
15:56and I just want to make...
15:57I'm sorry.
15:57I can understand how you feel,
16:00but she hasn't changed her mind.
16:01she still won't see you.
16:04I'm sorry.
16:06I just wanted to explain to her
16:09why I did it.
16:10I didn't mean to hurt her.
16:12God knows I didn't.
16:14Of course, uh,
16:16I suppose I could arrange
16:17an accidental meeting.
16:18Meg Morris, please.
16:29What's this?
16:30Get out.
16:31Oh, it's us from yesterday.
16:33What didn't you show us before?
16:34But I had it.
16:35Not bad, eh?
16:36My man chucks a good photo.
16:37Where'd you call this off?
16:39Phil gave it to me.
16:40Phil, baby, eh?
16:41Oh, that's why she wanted to come to do herself.
16:43It's nice, isn't it, Bobby?
16:45He's all right.
16:45I reckon you two will be fighting over him soon.
16:47Don't blame me, though.
16:48He's a spunk.
16:49I'm not interested in Bobby.
16:50Really?
16:51Well, why would I be?
16:52I mean, we're crims.
16:52No one from the outside
16:53would want to mix with us.
16:54Yeah.
16:55It's not fair, though, is it?
16:56I bet I could get him
16:57if I wanted to.
16:58You're wasting your time.
16:59He's probably got some unicart,
17:00you know, big brains,
17:01small boobs,
17:02some cloutsy.
17:03Oh, I strike out, then.
17:04Still recognize the headings?
17:07Oh, aren't you two eating?
17:08Yep.
17:12Oh, yuck.
17:13Whoa, yuck.
17:16That's a little.
17:24Told you I didn't want her anywhere near me.
17:26Quiet.
17:26She's just bringing your tray.
17:28Have a little good.
17:31Okay?
17:33Now go somewhere.
17:34Just listen to me for one minute,
17:36and then I'll leave you alone.
17:38I said, get out!
17:46That's why I had to do it.
17:48Don't you see?
17:50I thought you were going to die.
17:53I've just lost your father, Rebecca.
17:55I couldn't bear to lose you, too.
18:00You lost me a long time ago.
18:04G'day, Bucky.
18:09Oh, Marlene, I've told you before.
18:10Don't call me that in here.
18:12Oh, yeah, sorry.
18:14Did you see the photo of us with Cliff?
18:16Not bad, eh?
18:17You reckon he'll come along to the marathon
18:18and cheer us on?
18:19No, I doubt it.
18:21You can't eat that stuff, either.
18:23It's been really off since Ray left.
18:25Yeah, he wasn't bad.
18:26Hey, you better get going.
18:27Yeah.
18:28Um, everyone's really upset about Mr. C leaving.
18:34We reckon it's really off doing it to a nice guy like that.
18:38I suppose you'll miss him most of all, eh?
18:40We reckon you and him have got a thing going.
18:43Mine?
18:44Oh.
18:44Yeah, yeah.
18:46You'll miss him.
18:47Well, cheer up.
18:48I mean, you can always see him after work, can't you?
18:51Not only for you to be down in the dumps.
18:53Yeah, I know.
18:54And we need you to egg us on at the marathon, eh?
18:57You're not going to let me down now, are you?
18:59It's a cosy little scene.
19:00She was just leaving, Miss Ferguson.
19:03Yes, I was just getting some tips about the marathon, the Sabah.
19:06You're going to move on, Warren, or the team will be one short.
19:12Oh, yeah.
19:13Cynthia, somebody called.
19:15She said she's done what you wanted,
19:16and it'll be finalised tomorrow, whatever that means.
19:20Good.
19:22I, um, hope you're adaptable, Rogers,
19:25because there's going to be some big changes coming up around here.
19:30So I think any sort of class would help build morale.
19:34Of course, I'd rather teach them something useful,
19:35but that's up to you.
19:36Yes, well, of course, I'll speak to the department about it.
19:39Uh, sorry, Philip.
19:41I've got some urgent business to attend to.
19:43Yes, all right.
19:45Well, I'll see you both tomorrow,
19:46and, uh, let's just hope that Bobby's father
19:48doesn't have a change of heart, eh?
19:49Yes, well, from what you told me,
19:51I think everything should be okay.
19:56Nice to have someone genuinely interested in the women again.
19:59Yes, it is.
20:00Now, what did you want to see me about?
20:02Oh, oh, oh.
20:03Damn.
20:04Here, here, here, here, let me do it.
20:06It's all right, it's all right.
20:07Why, why don't you take the rest of the day off?
20:09Oh, no, no, no.
20:10I can look after things here.
20:11I'd rather keep busy.
20:12Well, there's no worry about that.
20:14Barbara Crane's just rang.
20:15She'll be here in 20 minutes.
20:17No, I don't think I could...
20:19Come on, Anne, pull yourself together.
20:21Come on, don't worry.
20:23Police said this is the one place you can feel safe in.
20:26Not anymore.
20:27What?
20:28I just had a phone call.
20:30They didn't say anything,
20:31but I know it was the person who's been sending those letters.
20:33Don't ask me how I know, I just know.
20:36Did you call the police?
20:37Yes, not that I could tell them much.
20:39Pat Slattery took the call.
20:40She couldn't even tell whether it was male or female.
20:42And whoever it was decided that if they didn't say anything, they'd frighten me more.
20:48They succeeded.
20:50What did the police suggest?
20:52They wanted to cancel the marathon for a start.
20:55Why?
20:55They worried about all the unofficial people wandering in and out.
20:58They feel that he or she could slip through security.
21:01Of course, the department wouldn't be in it.
21:04I feel that all this publicity they've drummed up could make up for all the other problems we've been having.
21:09God, that's typical, isn't it?
21:11Oh, too bad if you're in danger because of it.
21:13Yes, well, what worries me is that if this person tries something, the women could be in danger as well.
21:21God, Meg, I just don't know what to do.
21:34Screwdriver.
21:34Everything all right, ladies?
21:36Fine.
21:36Good.
21:37No, no, no, no, don't put that there.
21:39Move that over there in the corner.
21:40And any of those spare chairs, any others, you can find.
21:42Stack them in the corner over there.
21:43And we'll need those chairs straightened out over there for the officials.
21:45And I want that one there.
21:48Oh, very nice.
21:52Dad did a good job, didn't he?
21:54Excellent, Marlene.
21:55Are they all up now?
21:56Yeah, I think so.
21:57Just have to put their hands on the clock.
21:59If enthusiasm counts, they're worse for a week.
22:03Mrs Reynolds, Mrs Irene said the tea's ready.
22:06Oh, good.
22:06Well, you'd better get them out, Meg, if you want to start on time.
22:09Mrs Reynolds, can I talk to you about something?
22:12Can it wait till morning, Heather?
22:13Well, it's about Dennis leaving.
22:15I'm sorry.
22:15I know what you're going to say, but there's nothing I can do.
22:18Okay.
22:19All right, everybody.
22:20Off to the dining room.
22:21Yay.
22:21Move out.
22:23I asked myself to do.
22:24Have you with me?
22:25I get my eyes.
22:27I need a whistle, Mrs Morris.
22:29What do you need a whistle for?
22:30Every coach has a whistle.
22:31Can you get me a whistle, Mrs Morris?
22:34It's looking good, isn't it?
22:36Wonderful.
22:36Yeah, it's wonderful.
22:43Salad?
22:43How's that going to keep us to breakfast?
22:45Yeah, well, it's not going to weigh us down.
22:48Hey, that's a thought.
22:49Maybe we should just give it a miss all together, eh?
22:51Yeah.
22:52You're thinking lucky stars you haven't got an answer.
22:54How would you like a coached fish all the time?
22:57Are you going to eat that?
22:58Well, give us your meat, then.
23:00Have it all.
23:01What's up?
23:02Mrs O forget the caviar.
23:05Bloody hell, she did.
23:07That's terrible.
23:08Fancy treating a lady like that.
23:10Yeah, it must be bloody hard for you.
23:12You're even too good for us, aren't you?
23:16Where are you going?
23:17You say you could go?
23:19Yeah.
23:19You say she could go, Alice?
23:21No.
23:23You let her go.
23:24You let her go.
23:28I think you'd better come and eat with me, Deidre.
23:30Watch her, Deidre.
23:31She's into forks.
23:32Hey, Jude, over here.
23:33No, thank you.
23:35She's got to go at me to her.
23:36She acts weird sometimes.
23:38Yeah.
23:41I wouldn't let those two worry her.
23:43Oh, it's not them.
23:46Is it Reb, is it?
23:48She really hates me, Judy.
23:51I mean, I know she didn't think much of me,
23:53but I didn't think she hated me that much.
23:55She'll get over it.
23:56It just takes time, that's all.
23:59It's the trouble.
24:01Time is what I should have given her years ago.
24:04Anyway, it's not just that.
24:06It's this place.
24:08I think I'll go crazy if they give me a full sentence.
24:13Listen, Deidre, why don't you...
24:15Well, try and mix in a bit more.
24:16Make a few friends.
24:18You know, try and fit in.
24:20Fit in?
24:21Oh, my God, things are bad, but not that bad.
24:25I'll save your breakfast, Judy.
24:27I'll put my hand up by myself.
24:31Well, you've got about ten minutes to get set up.
24:33Now, keep the focus on Judy Bryant as much as possible.
24:36I will introduce you and...
24:37Oh, Miss Ferguson,
24:38has Mrs Radcliffe got those speakers set up yet?
24:40I wouldn't know.
24:41Why don't you go and check?
24:42You've obviously got more time to waste than I have.
24:44Well, you're not leaving.
24:45Surely the marathon's about to start.
24:46Lady, I gave up going to the circus when I reached puberty.
24:52Wish we had that on tape, darling.
24:54That's the first time I've seen you stuck for words.
24:56Good God.
24:57Attila, the hun.
24:58Come on, let's get back.
24:59Okay.
25:05Come on, Bobby.
25:06You're making it worse than it usually is.
25:08Oh, get stuffed.
25:08Your bloody hairstyle's nothing to write home about.
25:10Why don't you do something with it?
25:12I want my friends to recognise me.
25:13That's why I'm going to send you Cheerio on the telly.
25:15Oh, jeez, there's no hope for you, rabbit.
25:18There's your whistle.
25:19Dot, Nate, you can't stop complaining.
25:22Here, love.
25:23I want you to have these.
25:26I wore them to the first ball over 40 years ago.
25:29I only wore them on very special occasions
25:31and I'd like you to wear them to the marathon.
25:34Thanks, Dot.
25:35Trance, you're coming.
25:45It's nearly five.
25:46Yeah, hang on a minute.
25:47I'll catch you up.
25:48You better hurry.
25:49Oh, it's fancy.
25:50And I think you'd better have a word.
25:57She's quite a character, Dot Farrah.
25:59Miss Farrah?
26:01Gotcha.
26:01Come along, Miss Crance.
26:03You've only got three minutes now.
26:04Let's stop it.
26:05What's he putting around it?
26:06Get this thing going.
26:08Hey.
26:08Cut that out, you lot.
26:10I'm being upstaged.
26:13You ready, Bob?
26:14Yeah, okay.
26:15Let's get this.
26:15All right, everybody.
26:17The Wentworth Marathon is about to get underway.
26:20Could I have a hand for your team members, please?
26:23Judy Bryant and Angela Adams.
26:27Bobby Mitchell and Myra Desmond.
26:32Marlene Warren and Alice Jenkins.
26:37Now then, for the basic rules,
26:39there must be no less than two couples on the floor at any given time.
26:42Where's your glove, Miss Bobby?
26:43Oh, I don't want to wreck him, Dot.
26:45They're antiques, they're real antiques.
26:47I hadn't thought of that.
26:48Good.
26:49Refreshments can be taken on the floor,
26:51and regular breaks are rostered for each couple.
26:53Dancers must always stay in motion or forfeit the attempt.
26:56Now, we all wish you luck,
26:58and hope you achieve your goal not only for yourselves,
27:01but for the children of the Deaf Institute.
27:05Ready, girls?
27:06Yep, yep.
27:07Ten.
27:09Nine.
27:10Eight.
27:12Seven.
27:13Six.
27:14Five.
27:15Five.
27:16Four.
27:17Three.
27:18Two.
27:20One.
27:21Go!
27:24Not so fast, you silly bludgers.
27:26We don't want you being bunged before you've got the lunch on the clock.
27:29Oh, shut up, you stupid old tar.
27:31You'll be cheeky and I'll disqualify you.
27:34Excuse me, Miss Barrow.
27:35I understand you trained these ladies for this event.
27:38I certainly did, young fella.
27:39They weren't worth a ticker's cuss when I started,
27:42but I still ripped them into shape.
27:45And so, the Wentworth marathon is underway.
27:48This is Bob Miller for Eyewitness News.
27:53Pretty sure.
27:54Oh, we're going to go.
27:55Oh, we're going to go.
27:58Are you okay, dear?
28:00Thank you, darling.
28:14Keep going Jude, it's your turn for a break next
28:21She's right, she just got the hots for Angela
28:23Have in your brunch
28:24Come on love, I think we'd better give Jude a break
28:33She looks terrible
28:34Can't you wait another ten minutes for free to kill him?
28:37Come on grizzle guts
28:38Judy, hold on, I think you'd better take a break
28:40No, no, no, I'm fine
28:42Oh shut up Lou
28:44Come on Jude, we're ready to go on
28:45Can you go on Jude, you look like you're about to cark it
28:48Yeah, I think maybe I'd better stop for a while, I'm sorry Angela
28:51Quick, quick, we've got two on the floor for my help
28:54I don't know what's wrong with me
28:57I hope I'm not going to learn it for everyone, Mrs Morris
28:59I think you'd better see the sister
29:00I think so
29:01Will you be okay Judy?
29:05No, we'll be fine
29:07Now you go and have a drink and a pee, it's only a short break
29:14Tamara, what are we going to do if Jude's too sick to go back on?
29:17We'll have to let Dot in, won't we?
29:18Oh, good
29:19Oh, watch your feet, will you have me out next?
29:22Sorry
29:22Feel like a bit of a walk in the night air?
29:45Nervous about the hearing?
29:47Yeah, silly isn't it?
29:49No, just keep telling yourself you'll be a mother this time tomorrow
29:53Oh, never quite thought of it that way
29:57Shane's mother
29:59You know, I can give him everything he needs
30:05A good secure home
30:07A feeling of being wanted, loved
30:10I know, I only hope you won't regret leaving the prison service
30:14Oh, no, I can assure you on that score
30:17I've given 15 years of service and what have I got?
30:21A lot of backbiting and petty politics
30:23No, Father, after that hearing tomorrow
30:27I'll have everything I need
30:29I'll have you, Shane
30:32We'll all be together
30:34Well, I really wish you'd take sister's advice
30:38And give the rest of the marathon a missed duty
30:39Oh, no, I couldn't let everybody down like that
30:42Anyway, I feel as fit as a fiddle now
30:43Well, make sure you see the doctor when he comes at the 12-hour mark
30:46Yeah, sure
30:47Look, I think it was nothing
30:48I mean, my pacemaker just, you know, did a little thing there
30:50I wonder what caused that?
30:51I don't know, I spied before I started dancing
30:53Well, promise me, if it happens again, you'll drop straight out
30:56Oh, well, okay
30:58Well, I'll check you all out when I finish my round
31:01Sure, and don't you worry about me
31:02I've got about 70 hours worth of dancing in this old body
31:05What are you doing in here, Holmes?
31:17Oh, Mrs Morris, you startled me
31:19You know you're not supposed to be in this area after five
31:22Well, my brass strap broke
31:23I was looking for a safety pin
31:25Well, I can give you one
31:26Now, come on, your break is nearly over
31:28Thanks, Mrs Morris, you're so excited
31:29Honestly, I feel fine
31:37I don't know what was wrong with me
31:38I think it was just something I ate, you know
31:39Oh, great
31:40Well, keep up the good work
31:41We're depending on you
31:42And thank you for the lovely dinner, Mrs Reynolds
31:44But I'm afraid it's eat and run
31:46I've got another promo due for the marathon
31:47And I've only got 20 minutes to get there
31:49Oh, well, thank you for all your help, Mrs Reynolds
31:51Oh, my goodness
31:52I'll be here for the victory celebrations
31:53You haven't seen the last of me yet
31:54Keep up the good work, girls
31:56Thank you, Mrs Reynolds
31:57Oh, Angel, just in time
31:59Well, let's get to it, huh
32:00Sure you're okay, Jude?
32:04I'm fine
32:05Okay, you two
32:06Off the floor
32:07We're raring to go, huh?
32:08About bloody time
32:09Oh, yeah, you can see
32:13I won't stick them up
32:14And I'll rub them for you
32:15I can't get you any good shots
32:17Careful
32:20Oh, bloody awful music
32:29Wish I'd change the tapes
32:30I reckon it's good stuff
32:32Oh, God, thank you
32:33Stop your bickering
32:35Save your energy for the walls, huh?
32:37Oh, God
32:43Oh, God
32:51Oh, God, how the hell did I ever get talking to this?
33:08How long have we been doing it now?
33:12Only 10 hours
33:14We'll make it
33:16We've got to make it
33:20Are you okay, Jude?
33:22Yeah
33:23Coulda
33:24Only 62 and a half hours to go
33:26Oh, God
33:35Oh, hello
33:49I was worried there for a minute
33:51I thought we had a burglar
33:52I'm sorry
33:53Did I wake you?
33:54Haven't you been to bed?
33:56No, I couldn't sleep
33:57Would you like me to get you some coffee or cocoa?
34:00No, thanks, dear
34:01You need some sleep
34:02Everything's going to be all right tomorrow
34:05Today
34:07Worry isn't going to help anything
34:10Look
34:12I'll be all right
34:13Go to bed
34:15I'll be all right
34:17I'll be all right
34:47God, it's starting to reek in here
34:50Hey, Granny
34:52I think she snuffed it, girls
34:54Not rigor mortis yet, anyway
34:57Why don't you leave her alone, Lou?
35:00Hmm?
35:01Oh
35:01Oh, keep going, girls
35:03Not too fast, Bobby
35:05Oh, shut up, you stupid bitch
35:07Can't you see I'm having a rest?
35:08Oh, oh, my arthritis has got me
35:10Give us a hand, will you?
35:13Don't look at us
35:14Will you give her a hand, Lou?
35:15Come on, you bag of bones
35:18Oh
35:19Jeez, me legs are still giving me hell
35:21We'll be right after we have some break here
35:23Oh, you look terrible, Jude
35:27Keep it up, love
35:28We've got a long way to go yet
35:30Shut up, Dot
35:32You'll make her feel bloody worse
35:34Right-o, ladies
35:35All those not in the marathon
35:37Off to muster
35:38But who's going to egg them on?
35:39You could come back in your lunch break
35:41Now move it out
35:42Will you?
35:42Come on
35:42Hurry up
35:43Keep it up, Alice
35:44You're doing better than that
35:45Cup of larger, Carrie
35:45Kelly, move it
35:47Mrs. Em, when's breaking?
35:49Where's the start?
35:50It is on its way
35:51Oh, beauty
35:52When's Judy get a break?
35:54As soon as we have a shower
35:56Right
35:56We'll go and have it straight away, will you?
35:59Oh
35:59Thanks, Mrs. Em
36:03Thank you
36:04Ah, hello, Joan
36:20Honey, Joan
36:21Get back here
36:22I don't want you going anywhere near her
36:23She's bloody dangerous
36:25She's not
36:26She's a nice lady
36:27Oh, yeah, real nice
36:28Does a nice job of bashing prisoners, too
36:31Now shut up and do what you're told
36:32Charming character
36:34It's not true, Geoffrey
36:36I didn't bash anyone
36:37Oh, yes, I know, Joan
36:38But cross your fingers
36:39Let's hope the opposition don't use it anyway
36:41Well, I hardly see how it's relevant here
36:43Yes, I know
36:43But it doesn't help our case
36:45Especially as we're claiming Monroe's violent
36:46All the publicity you've had recently
36:48Places you under the same suspicion, too, I'm afraid
36:50So you see, Your Worship
37:03We're getting on real good now
37:05One little talk about how everybody's got our rules
37:07And he was a good kid
37:08You know
37:09Tip and I asked
37:10He's a bright little fella
37:13Nah, we're getting on like a house on fire
37:16And don't let nobody tell you anything
37:18Thank you, Mr. Munro
37:19That will do
37:20Thank you, Your Worship
37:23It's been an honour
37:24Just one moment, Mr. Munro
37:26We're not quite finished yet
37:27Sorry, sir
37:29One question, Mr. Munro
37:32If you're getting on like a house on fire
37:34Why did you offer to let Miss Ferguson have your son for a thousand dollars deposit?
37:38Who told you that pack of lies?
37:39Huh?
37:40You don't want to believe a word that bitch says
37:42Mr. Munro, I will not tolerate abusive language
37:44Just answer Mr. Johnson's questions
37:47No
37:48Of course I wouldn't do a thing like that
37:50I couldn't, could I?
37:52I mean, he's my own kid
37:53Does that entitle you to maltreat and abuse him so badly he's forced onto the streets?
37:57That's a load of bloody lies
37:58Your Worship, I have here a sworn statement from a doctor
38:01Which will prove that the witness was charged on at least one occasion
38:04With a physical abuse of his son
38:05All right
38:05Maybe once or twice just to bring him into line
38:08But at least I didn't bash him that bad until he died
38:11And that's what your lily white Miss Ferguson done, isn't it?
38:13Burst some poor bloody prisoner half to death
38:15That incident has not been proven
38:17There's no relevance to this case at all
38:19Yes, Mr. Johnson
38:20Mr. Munro
38:21You will contain your language
38:23That's my last warning
38:25Oh, not more paperwork
38:31It's all right, it's all right
38:32It's a doctor's report on Keane
38:33She'll be rejoining the women in 24 hours
38:35Good
38:35Well, is it?
38:36I mean, what about Joan?
38:37You can do that filing later
38:39Just take your break now, would you?
38:42Rebecca's in danger for Miss Ferguson, isn't she?
38:44Of course not
38:45Now, would you please do as I ask you?
38:47But Mrs.
38:47No, please
38:48Yes, Mrs. Reynolds
38:51Sorry
38:54You weren't to know
38:56And don't worry about Joan
38:58We'll arrange something before Keane comes out of hospital
39:00Did you get any sleep at all last night?
39:04Oh, a couple of hours
39:05Stayed in isolation
39:07Oh, why?
39:09I mean, you know you're welcome at my place any time you like
39:11Yes, Meg, I know, and thanks
39:13But until the marathon's over
39:15I thought I ought to stay around and keep an eye on things
39:18Oh, and I've arranged for someone to collect some clothes for me
39:20Would you tell me when they arrive?
39:21Right
39:22Look, if you're worried about the women
39:24Wouldn't it be more logical to stay right away from the prison?
39:30I don't know what's logical anymore
39:32Oh, sorry
39:33Didn't mean to upset you
39:34Is there any news from the police?
39:36You realise, of course, that it is most unusual
39:43For a single working woman to be granted permanent custody of a child
39:46Yes, I do
39:48The question is
39:49Can you adequately cope with a full-time job
39:52Plus the time necessary to provide for the child's psychological as well as physical needs?
39:56Well, Shane would be my first priority, of course
40:01But I'm quite certain that I would have no trouble in handling a job and providing a good home
40:07Now, Miss Ferguson, would you mind telling us what, to your mind, is the best way of disciplining a child?
40:14Well, I believe children should be given strong guidelines to follow
40:18And if they break those rules, then they should be punished
40:21But not by beating
40:23I have never beaten a child in my life and I could never contemplate doing so
40:28Since Mr. Munro had a court order restraining you from seeing Shane
40:32The boy has returned to visit you on several occasions, is this so?
40:36Yes
40:37We... we became very close when he was staying with me
40:42And he found it difficult to understand why he couldn't see me
40:45Your Worship
40:47I know how the court feels about children staying with their natural parents
40:52But I...
40:54I couldn't love Shane more if I were his real mother
41:06Would you?
41:20Come on, ladies, file out
41:22And not you, Dot
41:23The team members will be getting theirs in here
41:25Be buggered, that'll mean cold-boiled fish
41:28I'm going to the dining room
41:29Oh, I'm going to
41:31Give us a hand up, Lou
41:33I don't care what Mrs. O'Regan's serving
41:35I need a change of scenery
41:36Okay, but hurry up
41:38Adams?
41:40I'll go out and sleep
41:41All right
41:42You're not giving up
41:44We're just going for a break
41:45Oh, good for you
41:46They're doing well, aren't they?
41:48Nineteen and a half hours and we're still getting enormous coverage
41:51Do you hear that, ladies?
41:52The public are behind you every step of the way
41:55You see, by law, you're not old enough yet to
42:03Choose where you'd like to live
42:04But that doesn't mean we don't consider your feelings on the matter
42:07Do you understand that, Shane?
42:09Yes, sir
42:10Good
42:11Now, would you like to remain with your father?
42:16No way
42:16I just want to live with Aunty Joan
42:18You're certain of that?
42:21Yeah
42:21I don't want to go back with him
42:23When he gets drunk, he starts bashing me
42:26You my little bastard
42:27Mr. Munro!
42:29Mr. Munro!
42:30Mr. Abbott, speak to your client, please
42:32Hi
42:40Mrs. Munro said you wanted to see me about something
42:42Yes, Heather, sit down
42:44Is there something wrong?
42:47Yes, there is
42:47If it's about the way I've been sounding off at Miss Ferguson, I think...
42:52It's got nothing to do with Miss Ferguson
42:53Now, please
42:54Sorry
42:55I've been speaking to the Governor of Blackmore
43:00She sent me a statement from Mari Winter
43:04Which claims that you were in league with her in a drug smuggling racket while she was here
43:08And also that you helped her escape
43:11Now, what do you have to say?
43:13Our custody cases are never easy for the parties involved
43:22And I would like to point out that any decision made by the court
43:26Has been arrived at with due consideration as to what is best for the child
43:31Now, from the evidence brought before the court this day
43:36It's my decision that Shane Munro should not be returned to his father
43:42However, Miss Ferguson
43:46Although I commend you highly for the care you've given Shane
43:50I must tell you that I feel it's in the boy's best interest that he be made a ward of the state
43:56Until suitable foster parents can be found
43:59He used to give me roses
44:11I wish he could again
44:16But that was on the outside
44:22And things were different then
44:27On the inside the sun still shines
44:32And the rain falls down
44:37But the sun and rain are prisoners too
44:41When morning comes around
44:46Last night I dreamed we worked together
44:51Sharing all the love with more
44:57Till I had to face the nightmare
45:02Of waking up alone
45:06On the inside the roses grow
45:11They don't land the stony ground
45:16But the roses here are prisoners too
45:21When morning comes around
45:26As I walk live with more
45:27July 1st
45:32The sailed the wilderness
45:34It's all road to the house
45:35That was in the village
45:36I love animals
45:39And the boatswade
45:40Tub at the river
45:41入って
45:41I love animals
45:42I love animals
45:44I love animals
45:44I love animals
45:45I love animals
45:47I love animals
45:47At the river
45:48Con lect front
45:49Of waking it
45:49So
45:51I love animals
45:52As people
45:53I love animals
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