- 4 days ago
Episode 479 of Prisoner Cell Block H. The end and pre-advert gate slams, incidental music and Network 10 logo have been restored as originally broadcast. The officer locking up has also been replaced with one wearing the correct uniform!
As the preparations for the Dance Marathon continue, Ann gets more unwanted attention.
As the preparations for the Dance Marathon continue, Ann gets more unwanted attention.
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TVTranscript
00:00Ah, he's quite a boy.
00:02You know, he wouldn't leave until you got home.
00:05Maybe I should have stayed home altogether.
00:07Oh, I thought you'd enjoy being back at work.
00:10So did I.
00:12Oh, there are problems, of course, there always are,
00:14but somehow it's not enough anymore.
00:17Maybe it never was.
00:18Then why not give it up?
00:22It'd really make a few people very happy, wouldn't it?
00:24No, I'm serious, Joan.
00:26You've put in years in the prison service.
00:28You don't have to prove anything to anyone.
00:31But what would I do?
00:33Well, for one thing, you could make a real home for Shane
00:37in Forbes with me.
00:39Where did this come from?
00:41Oh, I'm not sure. I think someone left it at the gate.
00:43Well, from the way it's addressed, it's hardly personal.
00:47Perhaps I'd better open it.
00:55Anything important?
00:58That's all right, love.
01:02I don't mind waiting.
01:05Don't believe it.
01:07Blanca, go and ask your wife in, then.
01:10Please, don't hurt her.
01:11Oh, bitch!
01:12Sold me out.
01:13I had to.
01:15I wanted you to live.
01:17I want you dead, mother.
01:18Well, I think the real estate pages would describe this as functionally compact.
01:36It's all I need.
01:36Doris, what do you want?
01:37I'll have a gin if that's all right.
01:39That's not what I meant.
01:40Well, this is all very cosy, Dennis, but why'd you leave the old place?
01:43It was far more spacious.
01:45Too many memories.
01:47Oh, dear, there's that look on your face.
01:50Look, love, I know I shouldn't have just blown in like this, but, well, I have memories, too.
01:55I just wanted to have a chat.
01:57You don't really mind, do you?
02:00How's Jerry?
02:02Who?
02:03Oh, come on, don't be coy.
02:05Jerry, my ex-boss, the one you ran off with.
02:07I've no idea.
02:08I left him ages ago.
02:09No, you left him?
02:10Yes, he turned out to be quite a bore.
02:12Well, will you look at this?
02:15Candles and everything.
02:16Must be someone special?
02:18Aye.
02:19Look, it was nice of you to drop in, but I think you'd better...
02:21Eve?
02:22Oh, come on, love.
02:23I won't embarrass you.
02:25In fact, I tell you what, why don't I throw on an apron and pretend to be the I'd help?
02:29Oh, Dory, don't be so...
02:30Doris!
02:31And you can introduce me.
02:32I don't play games, especially with my friends.
02:35And that's what she is, a very good friend.
02:37And I'm your wife.
02:40Yeah, well, it's a bit late to be remembering that, isn't it?
02:43Now, tell me what you want, and then you'd better go.
02:46All right.
02:47I want to come back, Dennis.
02:53Well, not to this place, of course.
02:55But I want you to take me back.
02:57I want to be Mrs. Dennis Crookshank again.
03:01Six claps.
03:03You can't have six.
03:04It has to be seven.
03:06How am I supposed to?
03:07I've only got two.
03:09Doris?
03:09Well, I can't.
03:10I haven't got one.
03:11Well, then pass.
03:13It's okay, Judy.
03:14I'll take my bid back if you like.
03:15Oh, thanks, love.
03:17Six claps.
03:19Got room for another one?
03:21We're playing partners.
03:22Oh, we can always play a dummy hand.
03:24Yeah, we're playing four dummy hands, aren't we?
03:25Have my place.
03:26I'm going to write a letter.
03:27I think she's upset about that Mari Winter being captured.
03:31Hey, you don't reckon they're going to send her back here, do you, Mara?
03:34No way.
03:35She'll go straight to Blackmore.
03:36Good.
03:37What about Reb?
03:38Oh, same thing, if she's lucky.
03:39Lucky?
03:40I thought Blackmore was worse than here.
03:42Not if the freak's after you, love.
03:44Yeah, if they send her back here, I reckon the freak would kill her.
03:46Is that what Judy was talking about?
03:48Yes.
03:48Now, are we playing cards or not?
03:50Sorry, darling.
03:50I'm going to see if she's okay.
03:52Mara!
03:56Don't say anything about your daughter, will you?
03:58Judy might think I told you.
04:01Kay, what about her?
04:02Well, I'm sure she didn't mean it.
04:04I think she's just mad about you coming back as top dog again.
04:08Well, that's what she said anyway.
04:11No, love, she wouldn't say that.
04:13Oh, no.
04:14She was very definite.
04:16She said that you had no right to escape and leave the women with all the trouble that they had.
04:21Especially for Kay.
04:23Something about her being a junkie.
04:26Yeah.
04:27No, love, Judy wouldn't say that.
04:29You must have misunderstood.
04:30We've been friends for too long.
04:32Oh, yeah.
04:32That's what I thought.
04:34But don't say anything, will you?
04:35No.
04:38Of course not.
04:41No postmark.
04:42Apparently it was hand-delivered.
04:44To reception?
04:45Well, we're not sure.
04:46No one can remember seeing anyone.
04:47Well, Greg was on the gate this afternoon, so he could have taken it.
04:50But I haven't been able to contact him.
04:51Well, there's not much we can do until we check with him, is there?
04:54Well, you are going to call the police.
04:55No.
04:56But, Anne, you have to.
04:57Nick, how many threatening letters have there been in the last month?
05:01Well, about five, I suppose.
05:03But this one's different.
05:04They've gone to so much trouble to cut all the letters out.
05:06They're always different.
05:07I still don't think that this is any reason to panic.
05:10Well, I'm not panicking.
05:12It's just that I'm concerned.
05:12Meg, I don't mean that.
05:13All I'm saying is that if the others didn't come to anything, this one might fizzle out
05:17the same way.
05:18If it doesn't, we'll call the police.
05:21All right.
05:22All right.
05:23I just wish I knew how you could take it so calmly.
05:25Well, believe me, I'm not.
05:27I was going to have a brandy as soon as you left.
05:29It'd be nice if you joined me, though.
05:30Oh, I'd love one.
05:32And remind me never to accept the governorship, will you?
05:34I just don't think I've got the nervous system for it.
05:36Talk you into a coffee.
05:43Not much sugar, but I think it should be okay.
05:45No, thank you.
05:46I'd like to finish this letter before light's out.
05:49I need Laurie to give him my love, will you?
05:50Look, I came in here for some privacy.
05:52I didn't come in here for a chat.
05:54Yeah, well, I'm sorry, Jude, but that's exactly what we're going to have.
05:57Oh, like hell we are.
05:58Oh, for God's sake, Jude, what is the matter with you?
06:01Oh, come on, love.
06:02I'm your friend.
06:03Maybe I can help.
06:03Friend, is it?
06:05Oh.
06:05Well, you better do something about that,
06:07because people find out you're playing around with a lesbian,
06:10you can get in big trouble.
06:11So that's it, is it?
06:12You're upset about what Lou said in the...
06:13Well, it's nothing to do with what Lou said.
06:15Well, what is it?
06:17Oh, Jude.
06:20I didn't want to say this, but it's Angel, isn't it?
06:24Come on, Jude, I've got eyes.
06:26I look at her, and I see Pixie.
06:30What?
06:30I know how you felt about her.
06:35Listen, Jude.
06:36No, Myra, you listen.
06:39Yes, I do care for Pixie.
06:41I know that.
06:42You know that.
06:43Everybody knows that except Pixie.
06:46And would you like to know why I never told her?
06:50I care about her.
06:52I'm not a sex maniac.
06:54I'm a lesbian.
06:55There is a difference, you know that.
06:56Oh, come on, Jude, I'm not saying.
06:57Anyway, who are you to come in here and tell me how to run my life?
06:59What makes you such an expert?
07:01Come on, Jude.
07:01You've married your husband.
07:03Your daughter is a drug addict.
07:04That makes you...
07:04Shut up!
07:08Yeah, I'll shut up.
07:09You're top dog.
07:10I'll do anything you say.
07:13That's it, isn't it?
07:15I'm top dog and you're not.
07:17You wouldn't have a clue, Myra.
07:19Get out!
07:20Please, love, just listen to me.
07:38I like the way you listened to me when you walked out.
07:40You don't have to tell me what a bitch I've been, I know.
07:42And I'm sorry.
07:43It sounds inadequate, but there's no other way of saying it.
07:46If you want me to suffer all right, I...
07:48Give over!
07:49Do you think I'm the type who wants revenge?
07:52No.
07:53But I think you're the type who'd like to be a father.
07:56I know I wouldn't have a baby before, love, but...
07:58Well, I think I've grown up now.
08:00I've played my selfish little game.
08:03And I want a child.
08:05Your child.
08:06My God, you're amazing.
08:08I have to give you points for trying.
08:11I have to, Dennis.
08:12I've made a stupid fool of myself and now I want to make up for it.
08:15I love you.
08:17Just as I did when I took my vows.
08:21I can't deny my chapel upbringings.
08:23I tried, but I didn't succeed.
08:25We both know divorce is wrong, don't we?
08:30That, look, that'll be Heather.
08:32You have to go.
08:33All right, love, I'll go.
08:34But please, think about it.
08:37I guess I'm late, aren't I?
08:38I suppose everything's better to a crisp.
08:39No, no, not...
08:40Oh, I'm sorry, I didn't see...
08:42Uh, Heather, this is Doris.
08:45Hello, Heather.
08:46Hi.
08:47She's very pretty, Dennis.
08:49Bye, Doris.
08:50Bye, love.
08:59That'll teach me to be late, won't it?
09:01How do you mean?
09:02Oh, I'm late for a few seconds and there's your ex-wife trying to get you back.
09:07She's very pretty, Dennis.
09:09Real hearts and flowers stuff, eh?
09:11Yeah, well, uh...
09:13It is an ex-wife, it's wife.
09:16We're still married.
09:18You told me you were...
09:20I know, I know I told you I was divorced.
09:23But she said she was going to start proceedings quite soon and...
09:26Well, I suppose I'd gotten used to the idea.
09:29I wasn't lying to your head.
09:31Believe me.
09:32Oh, I'm sorry.
09:45Extra dry, dry, semi-sweet.
09:47Honestly, I've never seen so many sherrys.
09:50I thought old Charlie Caslake had a good selection up in Forbes,
09:53but this local chap's got them from all over the world.
09:57Anyway, let's see what this one's like.
10:00Joan.
10:00Oh, thank you.
10:02Guess I must have been talking to myself.
10:04I'm sorry, Father.
10:05I was thinking.
10:07A brown study, eh?
10:09I find myself doing that a lot these days.
10:13Father, tell me about Forbes.
10:15Is it a good place to bring up a young boy?
10:18I couldn't think of a better place.
10:20It's got everything.
10:20Good schools, sports clubs, fishing, town life, country life.
10:25It's perfect.
10:26Good.
10:26That's all I wanted to know.
10:27Of course, the lifestyle's a little slower, but that's what's so attractive about it.
10:33You don't have to sell me any more.
10:34I've made up my mind.
10:35We're coming with you.
10:36We?
10:38Shane and me.
10:40What about Wentworth?
10:42It can do without me.
10:43I don't like their methods, and they don't like mine.
10:48It's been me against them since the beginning, and that gets very lonely.
10:53And frankly, Father, I'm tired of being lonely.
10:57Good.
10:58You know how I feel about it.
11:00I couldn't be happier.
11:01We might not be able to afford the best cherry, though.
11:06Oh, you won't have to support me.
11:07I've thought of that, too.
11:09You see, I've always wanted to open a bookshop, and that is something we can both do.
11:15Ferguson's for fine books.
11:17I like it.
11:19Like it.
11:20I love it.
11:20Let's do it as soon as you get custody.
11:23Well, I have to sell up here first, and there are a few things I have to clean up at Wentworth first.
11:28Yes.
11:32I couldn't leave without doing that.
11:39Hey, don't put those there.
11:40I just cleaned that.
11:41Well, the cops are clean.
11:42Yes, I know, but you put rings all over the table, and...
11:45Oh, my God.
11:47Sounds like we're an old married couple already.
11:49I wish we were.
11:51Dinner is really lovely, Dennis.
11:53But I'd better get going soon.
11:54No, don't go.
11:55Please.
11:56I need to talk.
11:57Come on, let's sit down.
11:58But we've been talking since Doris left.
12:00To be honest, you haven't made any sense at all.
12:02I think you're mixed up.
12:04I don't think you know what you want.
12:05I want you.
12:07That's good, because I want you too.
12:09But we've got a problem.
12:10The problem is Doris.
12:12Don't you think you'd better do something about that first?
12:13No, that's what I want to talk about.
12:15No, I think you want me to make up your mind for you.
12:18You can't do that.
12:19I don't.
12:20It's just from my neck of the woods, divorce is about the worst thing that can happen to
12:25a couple.
12:25And having kids is the best?
12:27Oh, no joke, Ed.
12:29Just the way I was brought up.
12:30Yeah, I was brought up the same way.
12:32I'm just not ready for the Nappy Brigade yet.
12:34I don't think I ever will be.
12:35Oh, come on.
12:36No, I'm not prepared to commit myself to that sort of responsibility, even though our Dory
12:42is very clever at knowing what you want.
12:46I'm sorry, Dan.
12:47It's your decision.
12:48You've got to make it.
12:51Looks like Doris has left you holding the baby.
13:01Of course, I'd rather keep our remand prisoners separate, but unfortunately, we don't have
13:05the staff or facilities.
13:06I understand that, Mrs. Reynolds, but what could I possibly share with Rebecca when
13:10she comes out of hospital?
13:11She's already here in our prison hospital.
13:13Fortunately, the bleeding wasn't too serious.
13:16But it was.
13:17It was all over her pillow.
13:19According to the doctor, that came from some small scar tissue on the lung.
13:23All she needs is rest.
13:24Oh, my God.
13:28Then none of this need have happened.
13:30Mrs. Morris, would you take Keene back now?
13:32Could I see her, please?
13:33No, I'm afraid not.
13:33But I must.
13:34I have to explain why I called the police.
13:35Mrs. Keene.
13:36It's got nothing to do with me.
13:38Rebecca's made it very clear that she doesn't want to see you.
13:40I have to respect that wish.
13:42Oh, damn.
13:56Made a right old mess of that.
13:57What?
13:58I just transferred Judy Bryan to the kitchen, but according to this, Young and Murray are
14:02there, and there's no way I can juggle it around.
14:05So she's got to go back to the laundry, so what's the big deal?
14:07No, it's no big deal.
14:08It's just she was a bit upset, and I didn't want to...
14:10Look, what's the matter?
14:13I've just been talking to Joyce Barry.
14:15Oh.
14:16Why the hell didn't you tell me you had to front the union today?
14:19I didn't want to worry you.
14:21I'm not worried.
14:21I'm angry.
14:22Oh, well, you knew it had to happen.
14:24No, I didn't.
14:25I thought maybe they'd use their...
14:26Oh, don't be stupid, Heather.
14:27I crossed the picket line.
14:29No union in the world is going to let you get away with that.
14:31Fine.
14:33Oh, look, I'm sorry, Ed.
14:37I didn't mean to yell at you.
14:39What with Doris last night, no, this thing today, I just...
14:43I didn't get much sleep.
14:44Yeah, me too.
14:46I was going to say I should have stayed, but I didn't know about this morning, did I?
14:50A little Yorkshire pudding didn't tell me.
14:52No.
14:53No, you did the right thing.
14:55I had to make a decision, and I had to make it on my own.
14:59Did you?
14:59Make the decision on me.
15:09Staff room.
15:11Yes, she is.
15:15Yeah?
15:16Joan Ferguson?
15:18Oh, yes, just a minute.
15:20Do you mind?
15:20This is rather personal.
15:22No, I understood.
15:22I was going to reception anyway.
15:29Cynthia.
15:30Very good of you to return my call.
15:32No, I didn't want to ring you at Blackmore.
15:35This is rather personal.
15:38I want you to have a talk with a new arrival there.
15:42Winter.
15:44Mari Winter.
16:00Okay.
16:03Whoa.
16:03Good day.
16:03Okay.
16:03All right.
16:04I'll be right.
16:05You can come.
16:06Every night.
16:06Good day.
16:06You can come.
16:07Joyce said you wanted to see me.
16:22Yes, Meg.
16:24Inspector Rouse will be out here this afternoon to talk to you and Greg.
16:27I thought I'd better warn you.
16:29You've changed your mind about the night.
16:30Yes, your first reaction was right.
16:33It has been carefully planned.
16:35It was delivered at the front gate by a boy of 12.
16:38Oh, well, if it's only a child, I think we've had to...
16:40Children don't go to that much trouble.
16:42They use the phone.
16:43They want the immediate reaction.
16:44See what you mean?
16:45Well, I'm glad you've called the police.
16:48Now, is there anything else you want to see me about?
16:50Oh, yes, you'd better tell reception Barbara Krantz will be here this afternoon.
16:53Krantz?
16:53The super-duper PR lady that the department's hired to promote the marathon.
16:58I'm really not in the mood for her.
16:59I say, I don't blame you.
17:00The department's really taking this marathon seriously, aren't they?
17:03I mean, have you seen the tape recorder they've sent in for the women?
17:05I mean, it must have cost them a fortune.
17:08What is it?
17:12Night for night, you for a loved one.
17:17At least this one has a postmark.
17:19A typewritten envelope addressed to me.
17:22Let's get out of here!
17:41Let's go back from this case!
17:43Let's go back from this case!
17:46Let's shut up and listen!
17:47They're quiet!
17:48Mrs. Reynolds, there's no need.
17:53What do you mean?
17:53I've checked, there's no fire.
17:55And I've just contacted the other blocks.
17:56Looks like a false alarm.
17:58Miss Rogers, will you get that thing turned off?
18:00And call the fire brigade and say,
18:01we're sorry, but the alarm system's playing up again.
18:03There's nothing wrong with the system.
18:05It's been got out.
18:06Are you sure?
18:07The alarm unit in the sharp look corridor.
18:09You heard, Mr. Crookshack.
18:12Now, who set that alarm off?
18:15Well?
18:17Right, you've lost buy-out privilege until further notice.
18:20If there's any more trouble, you'll lose the marathon as well.
18:24Mr. Crookshack, get them back to the rec room, would you?
18:26Mr. Crookshack, get them back to the rec room, would you be stupid enough to pull a stunt like that?
18:45Yeah, I know.
18:46Still, I suppose it was harmless enough there.
18:47Harmless? Be buggered.
18:55I'm a sick woman.
18:56Heaven knows what a shock like that might have done to me.
18:58There's going to be trouble when I find out.
19:00Do you hear me, Marlene?
19:01It wasn't me.
19:02I know I like a gag now and then, but it wasn't me.
19:05Hi.
19:06When did you get in?
19:07A while ago.
19:09I've just been sitting here.
19:10What are you in for?
19:11Rabbit.
19:12Can I be friendly?
19:13Well, hello, just tell us your name.
19:15Anything else is up to you.
19:16I see.
19:18My name's Deidre.
19:19Hi, I'm Myra Diasman.
19:21Yeah, she's the top dog, so you better be nice to her.
19:24Oh, yeah, and I'm Marlene.
19:26How come you're just sitting here with the fire alarm making all that racket?
19:29I didn't know it was the fire alarm.
19:31I bet it was a hoot down maternity.
19:33I bet Red probably broke the four-minute mile getting out of the hospital, eh?
19:37Rebecca Keenah, is she all right?
19:38What's happened?
19:39I'll tell you something.
19:40I bet you forgot about a broken rib.
19:42Shut up and tell me what's happened.
19:43Come on, Deidre.
19:44What's up?
19:44Don't go yelling at me, stupid, because...
19:47You know who this is, don't you?
19:52This is the bitch that Dobb Reb in.
19:54This is her old lady.
19:55She was dying.
19:56I had to.
19:57Okay, cut it out.
19:58Oh, hell, she's worse than a lager.
20:00I usually only say it once, Frances.
20:03The rest of you can drop the tough act, too.
20:06Since when did Reb have so many loyal supporters?
20:11Well, bugger off.
20:12Come on, it's grab time.
20:15Give her a step in that.
20:16Come on.
20:21Doc.
20:23What the hell are you on about?
20:24I want me meal.
20:25Well, I'm sorry, Doc.
20:27I just didn't want you to think I was saying nasty things about you, too.
20:31I know you saw Marlene talking to me.
20:32Marlene, what nasty things?
20:34What are you talking about?
20:36It doesn't matter.
20:37Come on, let's join the others.
20:38No.
20:39What do you say?
20:41Well, the more I think about it, the sillier I feel.
20:45There's something about you being a liar and crawling to the screws.
20:49Oh, that was a joke.
20:52Oh, I wish I hadn't said anything now.
20:54I'm sorry, Doc.
20:56No.
20:58I'm glad you did.
21:04There she is.
21:05Who said she was waiting in her cell for meals on wheels?
21:08That went over like a lead balloon.
21:11This part of the pun?
21:12As a matter of fact, it is lucky, Marlene.
21:14Fair enough.
21:16On you, Ronnie.
21:17It's your lucky day and first prize is lunch with the scintillating Miss Marlene Warren.
21:23At least she keeps our mind off the food.
21:26And she's invaluable.
21:28This is terrible, isn't it?
21:30You get used to it.
21:32Do you really think Reb's going to forgive and forget?
21:36No.
21:37Not straight away.
21:39She still thinks I only helped her for the money.
21:42Yeah.
21:43So do a lot of other people.
21:44From what you've told me, you wouldn't win Mother of the Year.
21:47I know.
21:48If only I could make it up to her.
21:51If only I could let her know how I really feel.
21:53I think you've already done that.
21:55I mean, you must have realised you'd end up here when you called the police.
21:59Yes.
22:00How do I convince you, Becca?
22:01Funny thing is that special diet of hers hasn't sweetened her up any.
22:05Don't you speak about me like that, you cheeky little bugger.
22:10Look, joke, Joyce.
22:11All right?
22:13Well, you can just stick it.
22:15I'm sick to death of you and your smart aleck jokes.
22:17All you do is hurt people.
22:19And do you know what I think?
22:20I think you enjoy it.
22:21Well, come off it, Josh.
22:24If your parents only knew what a cheaply backstabber little bitch they brought up.
22:28Hey, hey.
22:28Hey, what's all this?
22:29Come on and settle down, Dot.
22:30I think we're just having a joke, Mr. Cookshank.
22:33Like hell I am.
22:35Don't you come near me, you little...
22:38Oh!
22:39Josh!
22:39Josh!
22:39Addams?
22:44On a diet, are we?
22:45Missing lunch today?
22:47Couldn't be bothered rushing, that's all.
22:49Anyway, the food will still be there, unfortunately.
22:52Just a minute.
22:53Don't you walk away from me.
22:54Let go!
22:55Watch it, Addams.
22:56You haven't got your friends to look after you now.
23:00What the hell do you think you're doing?
23:02Trying to get away from you, Miss Ferguson.
23:04And you let me go.
23:06Do it or I'll scream rape.
23:07Oh, get on the queue, Addams.
23:09That's been tried before and I'm still here.
23:11Well, I don't try, Ferguson.
23:13I do.
23:14I'm different.
23:16And do you want to know why?
23:18It's because people believe me.
23:21I mean, it's awfully nice of them.
23:24And I suppose I could take advantage of them.
23:27Of course I wouldn't.
23:30You believe me, don't you, Miss Ferguson?
23:33Well, I guess I'd better go amend this.
23:36You are me, Ferguson.
23:38I'm a stand on lunch.
23:50The personal touch.
23:51That's what I'm after.
23:52I want photos of her.
23:54Lots of them.
23:54Where she eats, sleeps, plays.
23:56Oh, especially where she sleeps.
23:57I believe the cells are rather cramped.
23:59No, actually, they're quite spacious.
24:00And we call them dormitories.
24:02You may call them dormitories, Mrs Reynolds.
24:03I call them cells.
24:04I have to keep the public happy.
24:06All right, but I don't think the department will like her very much.
24:08Well, the truth is, if they see an expatriate American living in the lap of luxury, they're
24:12going to wonder where their tax money is going to.
24:15But if they see a grandmother standing by the bars of a cell with tears in her eyes...
24:21Come in!
24:22In.
24:23Oh, Mrs Reynolds Bryant's outside.
24:25Oh, well, if she wants to see me, I don't...
24:26No, no, I sent for her.
24:27Come in.
24:28Mrs Bryant.
24:30Oh, no, Miss...
24:31Krantz.
24:32Huh?
24:33Oh, no, I'm not Mrs Bryant.
24:34I'm Miss Bryant.
24:35Oh.
24:36Well, that's a bit of a no-no.
24:37Huh?
24:38Oh, well, never mind.
24:39We'll jump that hurdle when we get to it.
24:40Now, you come over here and sit down, because you are going to be a very busy granny.
24:44Oh, well, I'd better oil my rocking chair in that case, hadn't I?
24:47Oh, good.
24:48We could use that for the television interview.
24:49That's in half an hour, Miss, by the way, Mrs Reynolds.
24:51Half an hour?
24:51I can't get the rest of the women ready in that time.
24:53What women?
24:53I only need Mrs...
24:55Miss.
24:55Miss, right.
24:57Yeah, what the...
24:58I don't mean to step on any toes here, but there are a lot of women involved in this project.
25:01It really is a team effort, Miss Krantz.
25:03The personal touch, Mrs Reynolds.
25:04You don't get sympathy for a team.
25:06You get sympathy for an individual.
25:08Yeah, but it was Marlene and Myra's idea in the first place.
25:11Well, we might get to them later.
25:12Perhaps when the children from the deaf school visit.
25:15Oh, well, maybe not.
25:16Look, the important thing now is you and that poor little deaf granddaughter of yours.
25:21Grandson.
25:22Whatever.
25:22Now, you're Miss...
25:24Barry, Mrs.
25:25Oh, good.
25:25Super.
25:26Now, I want you to take this grandmother here and I want you to tizzy her up.
25:29Make her a really sprawnsy grandmother.
25:31Off you go, new looking and brown.
25:31Mrs Reynolds.
25:32Leave it with me, Judy.
25:33Go on.
25:37It's not exactly what I imagined, but I think it'll work.
25:45Craig and the chain have been out here.
25:46Dot, do you want some help?
25:47No, I don't.
25:48And if you think you can do better here...
25:51Dot.
25:51What the hell is the matter with you?
25:57You've been like a bear with a sawhead since lunchtime.
25:59So you're having a go too, are you?
26:01May as well.
26:02Everybody else does.
26:03At least you're saying to me face.
26:05Ah, we're getting somewhere.
26:06Who's been saying what behind your back?
26:09Never mind.
26:09I can fight me own battles.
26:11Marlene, is that what it was about in the dining room?
26:13Look, stab a little bitch.
26:14As far as I'm concerned, she's finished.
26:16Now, come on.
26:17Now, Myra, I've been like a mother to that kid.
26:20Now, look what she goes and does to me.
26:21Now, come on, Marv.
26:22Look, I think someone's got the ball by the tail here.
26:25Now, you know Marlene's a bit of a joker.
26:27Maybe somebody's been misunderstood.
26:29Like hell.
26:30I've got a good authority for my friend.
26:32A real friend.
26:34All right, now you listen to me.
26:35We have to break that dance record and we are not going to do it if we're at each other's
26:39strokes.
26:39Hi.
26:40Excuse me.
26:41I've got a sudden urge to go to the toot.
26:43Will you please tell me what all that is about?
26:45Fuck it if I know.
26:46It's been happening since lunchtime and it's probably something to do with the diet she's
26:49on.
26:50Let's face it, the food's been really awful since raven.
26:52I know that, but I don't think it's good.
26:53Look, Myra, I think she's going to be okay.
26:56Guess what?
26:57What?
26:58Dad brought the signs for the marathon and they look terrific.
27:00Surprise.
27:01Yeah.
27:02What have you got behind your back?
27:03A surprise.
27:05You know how we need a mascot for the marathon?
27:07Yeah, so?
27:08Ta-da!
27:09Um, it's Willie!
27:10He's good enough for the Olympics.
27:12He's good enough for us.
27:15Correct spelling, neatly constructed, precise.
27:18At least these are literate.
27:20That hardly narrows the field down, Inspector.
27:22All parts of a jigsaw.
27:25Now, are you quite sure none of the recent releases have threatened you?
27:28Quite sure.
27:29Well, what about husbands, boyfriends?
27:31His first note says something about a loved one.
27:33A loved one lost.
27:34I still think it's got something to do with a death of some cut.
27:36So you think it's got something to do with Robert Summerton or Beverly Baker?
27:41I don't think anyone would be too upset over her death, do you?
27:44No, but we can't think of anyone who'd send that note either.
27:48Hmm.
27:49Yeah.
27:50Oh, well, fair enough.
27:51Okay, well, I will check these out.
27:53In the meantime, I'm putting a 24-hour watch on your residence.
27:56Now, if anything else crops up, you let me know, okay?
27:58Thank you, Inspector.
28:03What did you think I'd do?
28:05Keep it a secret?
28:07Turn right, turn left, touch your knees, touch your toes, and again.
28:12Turn right, turn left, touch your knees.
28:15Myra's bending her knees, then.
28:16The oldies are allowed to, otherwise they can't reach the toes.
28:20She wasn't that fast.
28:21She's only just got to bend on her knees.
28:22Legger.
28:24Taiki, what's going on?
28:26I thought we'd use the smoker for a bit of training.
28:28Turn right, turn left.
28:29Who's coaching this team, me or hers?
28:31Oh, you are, but a few exercises aren't going to.
28:33Come on, join in.
28:34Well, here she is, ladies, the new TV star of winter.
28:38No autographs, please.
28:40What do you mean?
28:40You've been on the telly, Julie.
28:42Well, I think I've been on the telly.
28:44I'm not sure.
28:45It all happened so fast.
28:47I think I might have been on it, too.
28:48I'm not sure, of course, but I took my glasses off just in case.
28:52So we'll have to watch the TV news tonight, won't we?
28:54So don't make your break too long, okay?
28:57All right.
28:57Good.
28:57Hey, I thought we were all going to be in that, all the TV and everything.
29:01Here, so did I, but I mean, there was this amazing PR lady there.
29:04She works very fast.
29:05TV, reporters, she's even bringing kids in from the deaf school.
29:08What for?
29:09Oh, photos, stuff like that.
29:11Photos, girls, eh?
29:12We better start tightening ourselves up.
29:14When are we going to meet them?
29:16That's the point, see?
29:17They only want me.
29:19Oh, what?
29:19Well, I know it's not your fortune, but that doesn't seem very fair.
29:24I mean, everyone's worked so hard.
29:25Yeah, they can get stuffed if they're going to start pulling that sort of caper.
29:28I thought this was a team effort.
29:29Now, come on.
29:30We're doing this for the kids, not to get our photos in the paper.
29:32No, no, no.
29:33Bobby is right.
29:35I'm going to tell them, too.
29:36Either we all see the kids, or they can do the bloody marathon themselves, huh?
29:39Good on you, Julie.
29:40Oh, yeah.
29:49Philip!
29:50I thought Helen said Mr. Philip.
29:52Sorry, only me.
29:53Oh, it's good to see you.
29:55What are you doing here?
29:56Well, apart from being the bearer of good news, I'd like to see Bobby, if it's all right.
30:00Sure.
30:00But first of all, you'll have to tell me the news.
30:02Okay.
30:03I asked the department if I could come back on a regular basis and counsel the women,
30:06and they agreed.
30:07That's wonderful.
30:08New staff member, eh?
30:10Well, not quite.
30:11It's all voluntary.
30:12You're joking.
30:13You mean they're not paying you?
30:15Look, I don't mind, really.
30:15It's sort of a memorial service to Rob Somerton.
30:19Oh, well, that's nice.
30:20What's nice?
30:21Hey, here you're on the telly.
30:23Oh, Meg, I felt awful.
30:24I didn't know what to do with my hand.
30:25He hasn't arrived yet.
30:26Who?
30:27Oh, well, obviously he hasn't.
30:28Miss Crapes, if you've invited people here to this prison, then we have to be informed.
30:31I know, I know, I've already had a slap on the wrist from the governor about that disrupting
30:34prison routine, but I can't have a surprise mystery guest if everybody knows who it is.
30:38I mean, I want surprised face.
30:41Oh.
30:42Oh, tell me you work here.
30:43Oh, yes and a...
30:44Good, stick around for the photo session, will you?
30:47Super.
30:47I may not be able to...
30:48You may as well stay.
30:49She never gives up.
30:51I have to take Judy Bryant back to the courtroom.
30:53Oh, well, Joyce, after you've done that, will you take Bobby to the visitor's room for me?
30:56Right.
30:57This way, social worker.
31:01Come on, we're not playing for money or nothing.
31:03What's the matter with you?
31:04What about you, Dot?
31:05Want to join us in a game of doubles?
31:06God, yeah, one of them noodles would be big enough for a queue.
31:10What do you say?
31:11No, thank you, Myra.
31:13I've got nothing against you and Bobby, but I refuse to...
31:15God, you're not still on about that, are you?
31:18What the hell am I supposed to have done?
31:20Don't come back with me, you little liar.
31:22That is enough.
31:24Apologise, Marlene.
31:26All right.
31:27I'm sorry.
31:28I'll be bagging if I know what for.
31:30It doesn't matter what for.
31:32I'm sick and tired of this stupid carry-on.
31:34So am I.
31:35Right.
31:36Well, I won't bother you anymore.
31:38Okay, girls, get your track seats on.
31:41Mrs Reynolds said that the team can have their photograph taken with some of the kids, huh?
31:45Oh, there.
31:47That'll look so sour.
31:48Oh, just a minute, Bobby.
31:49You've got a visitor, but must get changed first, all right?
31:51Yes, Mrs Reynolds.
31:52Thanks, Jude.
31:55They really needed that.
32:01Mrs Barry told me about your work in here.
32:03I reckon it's safe.
32:04Thanks.
32:04I hope everyone else feels the same way.
32:06Oh, they will have them.
32:07I've got the hearts for you anyway.
32:09What do you want to see me about?
32:10I've got some news.
32:12Sounds heavy.
32:13What's wrong?
32:14Nothing.
32:14Just the opposite.
32:15Hey, have a Vicky.
32:17Take two.
32:19I went to see your father.
32:21You're joking.
32:22No, Bobby.
32:23He's had to stop and take a good look at himself after your mother died.
32:26Oh, yeah.
32:26That'd be real hard to take, wouldn't it?
32:28Yeah, it was.
32:29Look, he's not very proud of himself.
32:31Well, to cut a long story short, I think he'd like to see you.
32:34I think he's sorry for what happened.
32:35Oh, sorry.
32:36He hasn't got someone to cook for him while he's out boozing.
32:38No, I don't think so.
32:39In fact, I'd say he's given the booze away altogether.
32:42Look, death can change people, Bobby.
32:43He's not at all like you said he was.
32:45He's taking really good care of Cheryl.
32:46Oh, yeah?
32:47Who's Cheryl?
32:47His new bit.
32:48No, it's your sister.
32:50I haven't got a sister.
32:52Yes, you have.
32:53She's four years old and she's beautiful.
32:56You made me mum at it.
32:58Had a baby a year after you left home.
33:01Well, what do you say?
33:01Will you see them?
33:04Hmm?
33:05What made you think of this idea in the first place?
33:07Well, it wasn't my idea, really.
33:10See that blonde girl up there?
33:11It was her idea.
33:12She thought of the whole thing.
33:13Oh, maybe I'll catch up with her later.
33:15Now, what about your grandson?
33:16Is there any chance of him showing up today?
33:19No, unfortunately, I only wish there was.
33:22Hey, Mylene, come down and talk to this bloke.
33:24Are you kidding?
33:25Look how busy I am up here.
33:27There you go.
33:28If I can stick this stuff away, we're going to need some more.
33:30Yeah, it's green and icky and full of sugar.
33:33What do you expect?
33:33Come on, I need one over here.
33:35Oh, Jude.
33:36Hi.
33:37Need a hand?
33:37Yes, please.
33:38Hand up biscuits.
33:39Will you do it?
33:40There you go.
33:41Has everybody got a drink now?
33:43Hmm.
33:44There.
33:44Hey, Judy, I'll tell you what.
33:46That little girl over there, she hasn't joined anything all morning.
33:49Well, why?
33:50Well, I don't know.
33:51Mrs. Taylor, this little girl.
33:53Her name's Debbie.
33:53We're having trouble with her, too.
33:55Hey, Debbie, don't...
33:56Would you listen to me?
33:57I'm there, she can't hear me.
33:58Don't worry, I'll make the same mistake.
34:00Everybody right now?
34:01Hey, look who's here.
34:05I don't believe it.
34:07God, what?
34:08I don't believe it.
34:09Come on, come on.
34:10Come on, come on.
34:11Careful.
34:12Come on.
34:13Here we are.
34:14Come on.
34:15One in.
34:16One in.
34:17One at a time.
34:18Come on, come on.
34:18Come on, all in.
34:21Only one at a time.
34:23I wouldn't mind, but I don't think my wife would be too impressed when we run with all these
34:32girls.
34:32Can I help us with our chatting, Clippy?
34:34I'd like to, but there's nothing but the only thing to do is do a lot of running jumping.
34:38Jumping?
34:39Jumping.
34:39What sort of jumping?
34:40Well, you've got a lot of pensions out here.
34:43Any advice for the girls, Clippy?
34:45I never come to give them advice.
34:46I just think they're doing a terrific job and I'm very pleased with them.
34:49Thanks, Clippy.
34:50All right, ladies.
34:51Mr Young has decided he'd have a photograph taken with you and the children.
34:54Great.
34:54Okay, ladies.
34:55Let's gather around.
34:56Come on.
34:57Quick.
34:58Come on, Dot.
34:58One left.
35:00One left.
35:01They're almost gone.
35:02Here.
35:02Oh, it's all fine.
35:03We're going to have your photo.
35:04Koto?
35:04Dude.
35:05Come over here and bring Debbie for a photo.
35:08Oh, not just Jeff.
35:11She doesn't want to.
35:12Look.
35:13Nathan.
35:14Nathan.
35:15Nathan.
35:15Nathan.
35:15Come on, love.
35:16Come and get your photo taken.
35:18Come on.
35:19Come on, Richard.
35:20Nice, big girl.
35:21Good on you, Cliff.
35:22Yay!
35:24Come on, sweetie.
35:25Come on, your photo.
35:26Good on you, Cliff.
35:27Come on.
35:29Fantastic.
35:30Quick.
35:30I don't know how she managed it, but she did.
35:33He's still out there.
35:34Why don't you go and meet her?
35:35Oh, I'd love to, but I can't.
35:38Um, are you going home to your friendly policeman?
35:40What?
35:41Oh, no.
35:42I've still got something I have to do.
35:43I want to check on Rebecca King.
35:44Well, there's no need to.
35:45I just have.
35:46How is she?
35:47She's making a rapid recovery.
35:48Sister was going to stay the night with her, but it's not even necessary now.
35:51Good.
35:52Uh, she nearly jumped out of her skin when I went into the room.
35:56I think she was expecting Joan.
35:58Yes, I'm worried about that.
35:59When does Joan's shift finish?
36:01In about half an hour.
36:02She should be off once the women are brought in for much time.
36:03Well, that's all right, then.
36:04I'll see her in the morning and tell her to keep away from King, at least while she's
36:07in the hospital.
36:09Go to look more now.
36:10Why don't you go home?
36:11Oh, no, Meg.
36:12I've still got something I have to do.
36:14Well, can't I do it?
36:15I wish she could.
36:16I'm not looking forward to this.
36:17What is it?
36:18The staff union has dug its heels in over the Dennis Crookshank business.
36:22They won't let their members work with him.
36:24Well, can't the department do something?
36:26It already has.
36:28They've told me to put him on suspension.
36:29Okay, fellas, that's all the shots I need.
36:43Oh, Steve, I want you to punch up the young social worker angle.
36:47You know, dedicated young man advises women on a world-breaking run, that sort of thing.
36:51No, no, I won't agree to that.
36:53Well, this whole idea was...
36:54Yes, I'm sure, Phil, but it sounds better.
36:56The public are paying your wages.
36:57They expect to see results.
36:59Oh, and Steve, keep sex out of it.
37:01Sex is a definite no-no.
37:02Gotcha.
37:03I bet it is for her, too.
37:05Let me hold him.
37:06Pretty place.
37:08Give him to me, little bitch.
37:09Oh, you know.
37:13Oh!
37:14Oh!
37:15Hey, Mara, how about a hand over here?
37:17Okay.
37:19Ah, saved by the bell.
37:21Oh, jeez, that doesn't mean everyone has to go in, does it?
37:23Nah, let's wait around till they tell us otherwise.
37:25Get a look at this.
37:25I bet you're jealous, eh?
37:26Oh, Rana, who is that?
37:27Have a better look at it, dummy.
37:29I've got Cliffy to sign it.
37:30Cliff, you bugger.
37:31I wish I'd have thought of that.
37:32Hey, shut up.
37:33You'll not hear the bell.
37:34Get inside.
37:35Oh, Miss Ferguson.
37:37Proud of yourself, Miss Ferguson?
37:39You're scared a half to death.
37:40I suppose children are more fun, are they?
37:42Shut your mouth, Desmond, and get inside.
37:43You too, Warren.
37:44Mitchell.
37:46Rond, get inside.
37:48Judy.
37:48Thanks.
37:49You don't have to thank me.
37:50We really enjoyed it.
37:51I think those children are just wonderful.
38:03They seem to understand every word I said.
38:05Yeah, pity Debbie didn't understand the freak.
38:08Scared her to death.
38:09It wouldn't make any difference if she could.
38:10The freak could scare anybody.
38:12Hey, has anybody seen Willie?
38:14Oh, no, I left him out there.
38:17Oh, thanks, Ange.
38:18Jeez, I thought I'd lost him there.
38:20Is this in me lock, or I'm going to the loo?
38:31Oh, jeez, you scared me, Ange.
38:33Do you want a cup of tea?
38:34No, thanks.
38:35Rabbit, can I ask a big favour?
38:39Sure can.
38:40Go ahead.
38:41Do you mind if I have Willie?
38:43No, there he is.
38:44Oh, thank you.
38:45I promise I'll look after him.
38:47I'll even bring him to visit.
38:49Hey, just a minute.
38:50You know I'm mean for keeps.
38:52Yeah, didn't you?
38:54No, I thought you just meant for a cuddle.
38:56Can't you get someone to bring you one in?
38:58No, I haven't got anyone since my nana died.
39:02Oh, that's right.
39:05It must be rotten being all by yourself.
39:07Yeah, but it wouldn't be if I had Willie.
39:10Don't you see?
39:11He'd be my friend.
39:13Yes.
39:14Well, I'd really love to, Ange, but I can't, you see?
39:17My dad gave him to me, and that makes him very special.
39:21So, I don't mind if you just want him for a cuddle or something, for a lend.
39:26But I can't give him to you.
39:28Hey, I've got a great idea.
39:29Why don't I get my dad to bring you one in next time he comes for a visit, hey?
39:35That'd be very nice.
39:53Kane, wake up.
39:55You've got a visitor.
39:57Oh, I knew you'd be pleased to see me.
40:00Sorry I couldn't get here earlier, but I've been busy.
40:03Touch me and I'll scream.
40:05It's a screw outside.
40:07They have to make it loud.
40:08She's gone for coffee.
40:10Then she knows you're here.
40:12Anything happens to me, she'll know it was you.
40:15Oh, I'm not going to touch you, Kane.
40:18Not now.
40:19But it'll happen all right, because you've caused me a lot of trouble.
40:24Now, I'm going to cause you a lot of trouble.
40:26A hell of a lot.
40:29In fact, I doubt you'll even live through it.
40:35Sweet dreams.
40:36Have a good thing.
40:49parlar.
40:50I hate you.
40:52Mrs Reynolds?
41:17Yes.
41:18I'm sorry about all this.
41:19It must be dreadfully boring waiting outside her house all night.
41:22It'd be worse if something happened to you.
41:24Anyway, I'll be relieved at ten o'clock.
41:26I've checked back in front and everything seems okay.
41:29If you'd like to give me the key to the flat, I'll check inside before you go on.
41:32No, thank you.
41:33I'm sure you would have noticed if anyone had gone in.
41:36Would you like a cup of coffee or something?
41:37Sorry, I don't know your name.
41:38Oh, Cargill.
41:39Steve Cargill.
41:41No, thanks.
41:41I'll be right.
41:42Well, I'll leave you to it then.
41:43Don't worry, I'll scream if there's anything wrong.
41:52I'll be right back.
42:22He used to give me roses
42:24I wish he could again
42:29But that was on the outside
42:35And things were different then
42:40On the inside the sun still shines
42:45And the rain falls down
42:50But the sun and rain are prisoners too
42:54When morning comes around
42:59Last night
43:01Last night I dreamed we were together
43:04Sharing all the love we'd know
43:09Till I had to face the nightmare
43:15Of waking up alone
43:20On the inside the sun and rain
43:21On the inside the roses glow
43:24They don't mind the stony ground
43:30But the roses here are prisoners too
43:34When morning comes around
43:39When morning comes around
43:45Oh, I'll be right back over
43:46On the outside the sun and rain
43:48On the outside the sky
43:50And I'll be right back over
43:50On the outside the sun and rain
43:51This is the time we were together
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