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01:30Dear God, send us a case. It doesn't matter how little.
01:34And I promise I'll stop hating Prue for a whole week.
01:37Well, I don't know if I can manage that.
01:41Eyes?
01:42What?
01:46House of Lambert?
01:49Pianos?
01:51No, I don't think we need a piano.
01:53Yes, we do. Yes, we do. We could chop it up and burn it.
01:56House of Lambert.
01:57Purvey as a piano portis since the instrument was invented.
01:59Hang on.
02:01Hello. Prudence, stand fast here.
02:02Sir? Yes?
02:06Yes?
02:08Lovely. Thank you very much. Bye-bye.
02:11They want us for a little matter.
02:13Oh, a little matter means they won't want to pay.
02:16Look, I've got some shopping to do. I'll lock in on them.
02:18No, I'll go, I'll go, I'll go.
02:20It was my prayer. I'm the youngest and I need the exercise.
02:23Neither of you. Pianos equal music.
02:25Well, my mum can play the piano, except for my auntie win.
02:28The music of the most refined sort.
02:31The Brachi.
02:36What are you doing?
02:39Right, in my diary.
02:42Day one.
02:46Steadily growing weaker.
02:55Come on, Billy.
02:59For heaven's sake, carry out.
03:01Coming, my dear.
03:03There.
03:04Look, got everything?
03:06Good.
03:06Excuse me.
03:08Porter?
03:09Does the Isle of Wight come to the board?
03:11No, madam.
03:12Oh, well then.
03:13David, have you got that stuff in the laundry?
03:15Yeah.
03:15Oh, my dear lass, I...
03:17I've been absolutely frozen around the noodles.
03:19We couldn't buy anything.
03:21She's absolutely right, you haven't.
03:25Don't wear that much up.
03:30Too much.
03:31Now, my dears.
03:36Which one?
03:37This one?
03:38No, no, no.
03:38Two bucks.
03:39No, no.
03:40There's a ruler.
03:42A ruler.
03:42And a white one.
03:43So it is.
03:44Yeah.
03:44I'm on.
03:46Well, she beg of tricks, Stead.
03:48Pity we couldn't keep that boat.
03:49You could have had fun with it.
03:50Oh, the owners and Callie would have had the best long suit.
03:54Do you know how excitable the French are?
03:56I'm thinking we had to pay to play up.
03:57I hate paying.
03:58Even we can hardly nick an earphone, my dear.
04:00Come along.
04:01Bags be, look out.
04:04Out.
04:04You're right.
04:05Right.
04:05Wire.
04:06Wire.
04:08I can't bear this table.
04:09It always sticks at the top.
04:11What are we doing next, Pa?
04:12Off to London, I mean.
04:13Oh, London will be quite enough to occupy us at the moment.
04:16I must do some marketing and make some arrangements.
04:21Is it a big one?
04:22Quite special.
04:23Flyers.
04:25Then where?
04:26Las Vegas?
04:27Too crass.
04:27Palm Beach.
04:29Too boring.
04:31Palm Springs?
04:31Oh, yes.
04:32Very nice.
04:33Where are we staying, my angel?
04:34The best, of course.
04:38We'll get out the car when we get to town and take a taxi.
04:40Oh, isn't it nice to be back in dear old Blighty?
04:43One does get so tired of the South of France.
04:47All that money.
04:48Mind you, in the last two days, we have altered the balance of payments somewhat.
04:53You've come about the crime.
05:09Yes, yes, I have.
05:11Will he belong?
05:12Oh, not Mr. Jenkins, no.
05:14Though he hasn't beat himself recently up.
05:17I'll go and ginger him up.
05:19Mr. Jenkins, you must have pounded.
05:22Exactly a week ago.
05:26We received it on the 15th.
05:27You can see our office down.
05:32I should be most honoured if I could call to play one of your deservedly celebrated pianos.
05:36I'm a train musician, et cetera, et cetera, et cetera.
05:40It seems genuinely not.
05:41Oh, the paper is.
05:42The police checked it.
05:43But he never stayed at the hotel and they don't know anything about him.
05:46That's enough, Miss Willis.
05:48The request didn't surprise you?
05:50We get them all the time.
05:51The house encourages it.
05:53It exercises the instruments and provides a free demonstration.
05:56And who can tell it won't lead to an order in the future?
05:59You remember him rather better than Mr. Jenkins does.
06:01Yes, well, I...
06:02He rang up before we had a chance to answer the letter.
06:05Mr. Rochester.
06:07It's not his real name, of course.
06:08Well, the police said so.
06:11You were here, Miss Willis?
06:13Yes, well, Mr. Jenkins left it to me.
06:14I mean, there's not much commission to be made out of just being nice to people, is it?
06:18Miss Willis.
06:20What was your first impression?
06:22Well, he was good-looking and polite and the police did a lovely drawing of him.
06:28I explained what he looked like.
06:30Oh, get on, Miss Willis.
06:31I showed him in here and he chose the black ground.
06:38The BBC is safe enough to buy one.
06:40And started to play Le Jeune Fille Cheveux de L'Anne, uh, Debussy.
06:44He was really very good and seemed quite wrapped up, so I left him to it.
06:49And went about your duties?
06:52Yes.
06:52And then I heard him play it a second time, and then he came out and thanked me very much
07:00and said it was a nice piano and left.
07:03It was some time later.
07:04It was an hour or two later.
07:06I came back in to see if the piano lid was shut.
07:09And it was gone.
07:10The autograph of Debussy.
07:13The pride of our collection.
07:14Nothing else?
07:16He completely ignored a letter from Beethoven, asking about our 1783 instrument.
07:21The one with the extra half octave.
07:23It didn't catch on.
07:25An autographed title page from Brahms.
07:28Details of a concert tour in his own hand.
07:30From Chopin.
07:31Anton Rubenstein.
07:33Paderewski.
07:33Ravel.
07:34André Prévin.
07:35Just Debussy.
07:37We must have it back.
07:38Pat.
07:41Hello, Maggie.
07:42Long time no see.
07:43Seems like you've fallen on your feet, eh?
07:45Nice.
07:45Very nice.
07:46Into a bit of private.
07:47How's Maisie?
07:48Oh.
07:50Oh.
07:51Right, that is it.
07:52You've met my associate Fred.
07:54Fred Smith.
07:54Detective Inspector Flynn.
07:57He just said that.
07:58So, what can I do for you, Pat?
07:59Oh, I'm just, uh, playing the postman.
08:05Artist's impression.
08:06I put ten, hair brown, eyes brown.
08:09Oh, sounds just fine tight.
08:11Anybody I should know?
08:12No, not really.
08:13Still, if we nick him, you can do the collaring, okay?
08:16Okay.
08:16Maybe I can return the favor.
08:19Go on, then.
08:20Middle-aged man, early 50s.
08:21Middle-aged woman, late 40s.
08:22Younger lad, late 20s.
08:24Impeccably dressed, cut-class accents.
08:27Came ashore yesterday in a stolen speedboat,
08:29and then nicked a roller.
08:31Any ideas?
08:32The Truscott's.
08:37Oh.
08:37So they're back.
08:39I should have thought Billy would have given England a miss for a year or two.
08:43Billy Truscott.
08:45I nicked him a few months before I left the force.
08:48I didn't bang to rights, but he got off over a technicality.
08:50Lawyer like a bloody gorg screw.
08:52Well, come on, Maggie.
08:54I've got a lot of legwork.
08:55Hang on.
08:56Where was the roll of them?
08:58Outside Max Millions.
08:59Yeah, of course, the Swankies restaurant in town.
09:01I bet they're staying at a five-star hotel as well.
09:04Nothing but the best for the Truscott, especially as they're not paying.
09:07Oh, I know.
09:08We, um, we've circulated their description.
09:10Oh, that won't do you much good.
09:12They're as slippery as eels.
09:13Still, we'll keep trying.
09:15See you, Maggie.
09:16Yeah, right.
09:17Thanks, Pat.
09:18Cheers.
09:18Do you want me to roll a few of these off?
09:24Yeah.
09:25Leave some for Prue, and then get started on the music shops, music libraries, places like
09:30that.
09:30You've got to get a name.
09:31Me?
09:32I thought we were associates.
09:34I'm curious.
09:36Why are the Truscott's here?
09:38Oh, well, I suppose there's always trouble for someone.
09:41How long did you say you'd work for Mr. Jenkins?
09:44Quite a long time, but I'd rather not talk about that, if you don't mind.
09:48I hope this isn't going to be too expensive.
09:51It's my treat.
09:53Why aren't you out busy looking for clues?
09:57I am.
09:59Mmm, good bunnies.
10:00I don't know how people can eat mustard.
10:04I thought of something else about him.
10:06He's a young man.
10:07A thief.
10:08I mentioned it to Mr. Jenkins, but...
10:10He didn't care, or the police.
10:13It was the Debussy.
10:15A girl with the flaxen hair?
10:17Well, it wasn't exactly the same one as you usually hear.
10:20What do you mean?
10:20He couldn't remember it?
10:21No, he had the score.
10:22He took it out of his music case.
10:24Have you seen anything else in the case?
10:26No.
10:26I mean, you didn't notice a tape recorder, for instance.
10:29Tape?
10:30You said he played it twice.
10:33He could have recorded the first one and played it back while he pinched the autograph.
10:36Oh, that's evil.
10:39Stuffed the goody in his music case.
10:41Thank you so much, Bob's your uncle.
10:43It was an extra buzz.
10:45A little passage I'd never heard before.
10:47Might as well kill this.
10:48It was after the middle.
10:50You know, um...
10:52It became quite a surprise.
11:00He made it up.
11:01Well, I suppose it sounded like Debussy.
11:04I mean, on the piano.
11:06Not when I played it just now.
11:08You say he had the score?
11:10Yes.
11:12He took it out of his music case and he put it on the piano.
11:15I only remember because it was such a grotty old thing.
11:18I mean, I know those scores get mangy, but this looked as if the cat had been hanged.
11:27Why does that bother me?
11:31How are you getting on?
11:33Silt.
11:34I've asked around.
11:35No one's ever heard of him.
11:36I've asked all the colleges and you'd think they'd know, wouldn't you?
11:38Hmm.
11:40Hmm.
11:41Try to find out something fascinating.
11:42Debussy himself gave the first performance of Girl with the Flaxen Hair on September the 17th, 1910 at the Salle de Plielles in Paris.
11:48Good geek.
11:49Afterwards, before publication, he shortened it by eight bars. He just cut them out.
11:52Well, maybe he changed his mind.
11:54Um, the gentleman we're looking for played them at the House of Lambert, you see?
11:57Well, maybe he's doing his own thing.
11:59Fred, you have heard of Debussy.
12:01Yeah, nice tune. Shame about the video.
12:03Where's Maggie?
12:04She's doing her own thing as well.
12:07Bye.
12:07Bye.
12:12They've still got these sweet, green, plastic bags.
12:19Hmm?
12:21Ah!
12:22I do so love going shopping.
12:24We must be careful, my dear.
12:25Nothing too ostentatious.
12:27We don't bar to attract attention to ourselves at this particular...
12:32Let's look at some costume jewelry, my angel.
12:35Absolutely.
12:36What's her?
12:36Inspector Holmes.
12:38What on earth is she doing here?
12:39She's the car who nearly sent me down.
12:41Have you got away with it?
12:42I'm not anxious to trust her like a second time.
12:47She's not having much joy, is she?
12:49She knows us as Trascott.
12:51What do we hear? I've forgotten.
12:52Larrington Smythe.
12:53Didn't...
12:53Didn't I hear she'd left the force?
12:55Gone private?
12:56Yes.
12:57Perhaps she's not after us.
12:59Too much of a coincidence.
13:01I don't like it.
13:02It's all right, Pa.
13:03Your chap's done his thing.
13:05No, it's not all right, Deb.
13:07We can't possibly go ahead with that woman nosing around.
13:09She wouldn't remember you, would she?
13:13I shouldn't think so.
13:14Last time you met her, I was a redhead.
13:17Good.
13:18Follow her.
13:20Find out what she's up to.
13:21We have to be sure, my dear.
13:27Or we might as well forget this job and move on to some marriage.
13:30Right.
13:33And you better pay that good-looking young man for putting off the scent.
13:36Good-looking?
13:38Your taste, dear man, my precious, is becoming really rather bizarre.
13:41Ten thousand pounds for that junk.
13:47How outrageous.
13:50Debussy, you say?
13:51I understand you have a collection of his papers.
13:53Yes.
13:54Surprising.
13:55I'd have thought they'd have been in Paris.
13:57Oh, no.
13:57Claude spent quite a lot of time here in England.
13:59In fact, he wrote Le Maire at Eastbourne, of all places.
14:03Is that one of his scores?
14:05No, but I'm hoping you might recognize it.
14:08Oh.
14:09Good heavens, it's Mr. Rochester.
14:12Mr. Rochester?
14:13Yes.
14:14He was here not long ago.
14:17Also asking about Debussy.
14:20He said he was writing a book about it.
14:22Though I would have thought there were quite enough biographies already.
14:25Do you have the original manuscript score of Girl with the Flaxen Hair?
14:29No.
14:30But we have three of the first book of Prelliance.
14:33The rest are in the Musico in Paris.
14:36I come to think of it.
14:38That's what he wanted to look at.
14:40Could I have a look too?
14:41Well, I don't see why not.
14:43Yes, I think I can remember the file number.
14:45Could you wait here a moment?
14:46Of course.
14:57Something the matter?
14:59It's not here.
15:00What do you mean?
15:02It's gone.
15:03What, out on loan?
15:04Oh, it's not allowed out of this room.
15:06Perhaps you've misfiled it.
15:07I never misfiled Miss Steinway.
15:10Then it's been stolen by our friend, Mr. Rochester.
15:13Tell me something.
15:14Apart from Lambert's, which is the most upmarket piano emporium in the area?
15:19Gottlieb's, I suppose.
15:22Oh, thank you, Mr. Pope.
16:08Looking for something?
16:38The door was open.
16:41No, no, no.
16:42It's never open.
16:43It's never open.
17:13Excuse me?
17:24Yes, sir.
17:25I've come about the girl with the flaxen hair.
17:29If you mean Phyllis, I'm afraid she's on holiday.
17:32She won't be back until next week.
17:34will I do
17:39you will indeed
17:43but first things first
17:46I'd like to see the manuscript
17:47the manuscript
17:49don't you read your end of advertisements
17:50Mrs. Godlip of the piano makers
17:55have acquired a hitherto unknown Debussy manuscript
17:57of his prelude The Girl with the Flaxen Hair
18:00this far earlier version of the work
18:02contains new material of interest to all music
18:04lovers it will be on display in their showrooms
18:06for a week before being presented
18:08to the Debussy museum in Saint-Cherbert
18:10yes it's over here
18:12oh yes
18:18that is interesting
18:21could
18:24could I take a closer look
18:27do you think
18:27I'm sorry Mr. Godlip
18:30has the only key and he's out this morning
18:32oh pity
18:33I'll uh
18:36I'll probably come back this afternoon
18:38oh um sir
18:39are you a pianist
18:43it's one of my favourite pieces
18:45I wonder
18:56so
18:57lunch
18:59I'd love to
19:15half an hour
19:16no
19:17sure
19:18good slap
19:20inspector Forbes
19:38what a pleasant surprise
19:41hello Harry
19:42how's the fencing going
19:45oh I didn't hear that
19:47oh what's this
19:49not bad
19:51not good either
19:52it's paste
19:53really
19:55just a little present for the wife
19:57not at all valuable
19:58I met her once didn't I
20:00nice woman
20:00have you seen anything
20:02of Billy Truscott
20:03Truscott
20:04no
20:05should I have
20:06is it right for Wendy
20:08my information
20:10gleaned a great expense
20:11in imported lager
20:12is that you've seen a lady
20:13called Wendy
20:14in there
20:15Camden town
20:16now wait a minute
20:17yes I did see him
20:19quite by chance
20:20of course
20:20of course
20:20what's he up to next
20:22how would I know
20:23because if the Truscott's
20:24are here doing a job
20:25they'll want to be out
20:26of the country
20:26before the wind drops
20:27which means someone
20:28will have to have
20:28the money ready
20:29someone like you
20:30I'm a respectable
20:31businessman
20:31you know I am
20:32your wife Beryl
20:34still got all those
20:34brothers
20:35wrestlers aren't they
20:36arms like steel girders
20:37you know Maggie
20:39going private
20:41has made you
20:41very greedy
20:42I mean would he tell me
20:44yes Harry
20:45he would
20:45so you tell me
20:46is it a big job
20:47well my guess
20:48only a guess mind you
20:50is that it is
20:52pretty big
20:53go on
20:54I believe there's a rendezvous
20:56that's all I know
20:57what the job is
20:59it's none of my business
21:00is it
21:01oh don't stop there Harry
21:02no time's sake
21:03all he said was
21:05it was something to do
21:07with Marie Antoinette
21:09Marie Antoinette
21:11I didn't realize
21:17lunch was to be
21:18in your flat
21:18it's a bit of a mess
21:19I'm afraid
21:20you don't notice it
21:21when you're on your own
21:21is it
21:24is it too soon
21:26to kiss you
21:27I'm renowned
21:29as a shameless
21:30hussie
21:30but yes it is a bit
21:31I'll see what's for lunch
21:33what do you do for a living
21:39for my sins
21:40I'm writing a book
21:41about Dipsy
21:42how fascinating
21:43Claire de Lune
21:45afternoon of the form
21:47girl with the flaxen hair
21:48someone else writing
21:50a book about him too
21:51a chap called Rochester
21:53unless that's you
21:54no
21:57you do have a name
22:00Sam
22:01it's like drawing blood
22:03Smith
22:04original
22:07I didn't see any book
22:11the score was a joke
22:15no
22:16beer's the ordinary version
22:18it's not even into Boosie's own hand
22:19now why should anyone want to do that
22:23I mean who
22:24poor Mr. Gottlieb
22:26how much you paid for it
22:27it's as if somebody
22:29was trying to trap someone
22:30it can't be you
22:32police
22:34has there been a crime
22:36in another piano shop
22:37apart from writing a book
22:41on Debussy
22:41what else do you do
22:42I travel the world
22:45in search of the girl
22:46of my dreams
22:47it's a long job
22:49I'm very fussy
22:52but you must have a hobby
22:54do you collect anything
22:56musical scores
22:59autographs
23:01plain glass spectacles
23:04god you're beautiful
23:12that felt faintly for real
23:27what did you expect
23:29something's burning
23:35ox tail soup
23:38marie angela nips
23:46marie angela nips
23:47marie angela nips
23:50marie angela nips
23:53i got beaten up last night
24:09it's the clothes you wear
24:11which attracts the wrong sort
24:12who didn't come back
24:13i was left here to die on my own
24:15nobody cared
24:15marie angela nips
24:17and then i had to wait for mr palumba
24:19to come in the lock on the door
24:21who
24:23oh that's that french bird
24:25lost her head
24:26well he's not up our street
24:28final outing for famous necklace
24:30this year's exhibition
24:31of the fateful necklace
24:32which once belonged to
24:33marie angela nips
24:34of france
24:34is to be the last
24:35for reasons of security
24:36its owner lady trenchant
24:37of baddingly hall
24:38has decided
24:39that it is too dangerous
24:40to continue
24:41its annual show
24:42hmm
24:43well not the old
24:44truscott family
24:45they wouldn't dare
24:46oh they dared
24:47worse than that
24:48baddingly hall
24:49where you go
24:50home to the library
24:51here did prune manage
24:52to get that debussy bit
24:53in the paper
24:54yeah
24:54how
24:56some lustful editor
24:57i expect
24:58she's a terrible
24:59exploiter of men
25:00why the library
25:02research of course
25:03i'm sorry to hear
25:12about your eye fred
25:13hello
25:14anybody home
25:26yes
25:28such an imprecision
25:30but i am so glad
25:32in this part of the country
25:33dorothy de veer
25:36of course you don't have it
25:38from out
25:38lady de veer
25:40although he must call me
25:41dorothy dee lady trenchant
25:42of willow grange
25:44and i need your advice
25:46oh
25:47oh well then you better
25:48come through
25:48we're just getting the place
25:50ready for tomorrow
25:50tomorrow
25:53once a year
25:55we open up
25:57for the local charities
25:57which is exactly
25:58what i came to see you about
25:59we're doing the same
26:00at willow grange
26:01and i thought
26:02who will give me
26:04the best advice
26:05lady trenchant
26:06of baddingly hall
26:08how is your sister victoria
26:11she died
26:13oh yeah
26:14the times must have been
26:16on strike
26:17i don't know
26:17something gone
26:20oh no that's where
26:22we put the necklace
26:23i think more people
26:25come to see that
26:25than the house
26:26the necklace
26:27i don't follow
26:28marie antoinette's necklace
26:30it's been in my husband's
26:32family for
26:32forever
26:33you don't mean
26:34the one
26:34the one
26:35caused the girl
26:37all that trouble
26:38one tyrian power
26:41gave to
26:41oh
26:41uh
26:42norma shearer
26:43in the film
26:44yes that's it
26:45it spends all its life
26:47in a vault
26:48underneath the bank
26:49and i can tell you
26:50that is not cheap
26:51that you will find
26:52is the most horrendous
26:54expense
26:55of opening up your house
26:56for security
26:57so do be careful
26:58how do you mean
26:58well
26:59that thing alone
27:00cost a fortune
27:02to convert
27:02rings dreadful bells
27:04i suppose
27:05oh no
27:06and it's quite
27:06immovable
27:07and they tell me
27:14you can't shoot
27:15holes at it
27:15even with a machine gun
27:16yes we've been
27:18showing the
27:19the necklace
27:19every year
27:20but i'm giving it
27:22up after tomorrow
27:23oh dear
27:24yes well
27:25the cost of the
27:26guards
27:27is astronomical
27:28of course they do
27:30keep an eye
27:31on the snuff boxes
27:32and the fabergé
27:33and the books
27:34and the papers
27:35and so forth
27:35but an armored truck
27:38from london
27:39and back again
27:40well
27:41i mean
27:42it costs far more
27:44than we make
27:45for the charities
27:45you're giving me
27:46second thoughts
27:47yes
27:48and if i don't have
27:50a sherry
27:50i shall fall down
27:52forage
27:53these days
27:55it's all self-service
27:56that's the trouble
28:08with servants
28:09these days
28:10one dare not grumble
28:12what did you say
28:14your place was
28:15called
28:15willow grange
28:17not terribly
28:19far from badminton
28:20sounds much
28:22cozier than this
28:22oh my dear
28:24how i long
28:26to have a nice
28:27little flat
28:28somewhere
28:28well of course
28:29that's where
28:29we're lucky
28:30your eyes
28:32going down
28:32nicely
28:32well i added
28:34a bit of extra
28:34colour for sympathy
28:36a waste of time
28:37hmm
28:38actually there's
28:40something to be
28:41said for expensive
28:42makeup
28:42she'll have
28:44something to say
28:44if she catches
28:45you at it
28:46well
28:47she's got her
28:48faults
28:48but she's not
28:48mean
28:49how do i look
28:51ravishing
28:52well
28:54that's it
28:55well you can't
28:56be sure
28:56oh i know
28:57how they work
28:58if it's not
28:58outrageous
28:58they're not
28:59interested
28:59hmm
29:00it runs in
29:01billy truscott's
29:02family
29:02his grandfather
29:03stole the
29:04mona lisa
29:04well
29:05got it back
29:06did they
29:07there are people
29:08today who still
29:09think otherwise
29:10now his wife
29:12is usually
29:12jessica but
29:13they change
29:13their names
29:13all the time
29:14and there's
29:14a son
29:15i can't
29:16know what
29:16he's called
29:17well you
29:18don't think
29:18what
29:19well the man
29:21who came
29:21here
29:22no no no
29:24it couldn't
29:24be
29:24unless they
29:27know that
29:27you're onto
29:28them
29:28they can't
29:31know
29:31i'm not
29:33usually that
29:34careless
29:34yes can i
29:40speak to the
29:40superintendent
29:40please
29:41maggie
29:42forbes
29:43forbes
29:45yes of course
29:47it's important
29:48police
29:49maggie
29:50forbes
29:50can't
29:51go it
29:51alone
29:51can't
29:52i need
29:52the resources
29:53hello
29:54yes that's
29:56right
29:56you watch
29:58it
29:58look can i
30:00come around
30:00and see you
30:01now
30:01yes it is
30:04important
30:04right
30:07thanks
30:07we'll come
30:10round
30:10what about
30:12who's it
30:12with autograph
30:12aren't you
30:13supposed to be
30:13helping prue
30:14well i think
30:15at this moment
30:15in time
30:16prue can look
30:17after herself
30:18well when do
30:24i see you
30:24i am going
30:28to see you
30:28funny
30:32new debussy
30:34well
30:36i have a few
30:37things at the
30:38other place
30:39my other place
30:40where i work
30:41see you there
30:42then
30:43i'll uh
30:51i'll pick you up
30:52after work
30:52no
30:53tomorrow
30:54i'll meet you
30:55here
30:56wonders will
31:14never cease
31:15i'm only here
31:15as a messenger
31:16no
31:17what else
31:18nice scent
31:20very feminine
31:21people are
31:23looking for
31:24you
31:24why
31:25you're a neurotic
31:27and it's none of
31:27your business
31:28it's ma and pa's
31:29business brother dear
31:30it's they who want
31:31to know
31:31i don't give a monkeys
31:32i stole something
31:34from a piano shop
31:35all on your own
31:36you try to make a piano
31:37it was something
31:39that i wanted
31:40i haven't lived
31:41all my life
31:42with this family
31:42without picking up
31:43a few tricks
31:44but you're no good
31:45at it
31:45that's why we keep
31:47you in such style
31:48you're stupid
31:49your head's always
31:50full of music
31:51i don't know
31:52how they ever
31:52even had you
31:53are you leaving
31:54if the people
31:55looking connect you
31:56to us
31:57we're all in
31:57shtuc
31:58ma and pa
32:01want you to be
32:02ready to leave
32:02tomorrow
32:02we're doing a job
32:04in the morning
32:04we meet up at the
32:05airport
32:05and that includes
32:06you
32:06you're only safe
32:07where we can
32:08keep an eye on
32:08you
32:08and travel
32:10light
32:10understood
32:11brother
32:12not that
32:13i want you
32:14alone
32:14ma and pa
32:16feel protective
32:17i wouldn't
32:18protect you
32:18from a cold
32:19are you jealous
32:21of me
32:22jealous
32:22you think
32:23i want to be
32:24sick and untalented
32:25and a pain in the
32:25arse
32:25a rope around
32:26everybody's neck
32:27oh go away dev
32:28i'll go away
32:29when i feel like it
32:31i'm not some
32:36weak little woman
32:37why don't you just
32:38stick to your
32:39speciality
32:40that new bird
32:40you're chasing
32:41you want to know
32:42something about her
32:43i know enough
32:44and i intend
32:45to know more
32:45you moron
32:47she's a detective
32:48she's got pictures
32:49of you
32:49police pictures
32:50she's the one
32:51who's after you
32:52oh i know
32:53that
32:54it's a bit of a
32:56problem
32:56come on
32:58we're coming
33:01i'd have enjoyed
33:05that if you'd
33:05let me stay
33:06a little longer
33:06when do i get
33:08to see this
33:08famous debussy
33:09collection
33:10well
33:12i'll be driving
33:13what's the
33:16what's the
33:16with you
33:16well
33:31they're what
33:33i don't know
33:35they're different
33:35no
33:37what's the
33:45what's the
33:47what's the
33:47big
34:02what's the
34:02what's the
34:04what's the
35:05The one's cries.
35:13Quaint.
35:14Cold.
35:16Do you ever sleep here?
35:18In the summer sometimes.
35:20But it's mostly for work.
35:22And your treasures?
35:23Away from prying eyes?
35:25We can't stay long. I have to go on a trip.
35:32Then give me the signature before you go.
35:51And the score from the College of Music?
35:53What have you been after?
36:10It's my job.
36:12That's not to say it's not been more than a job this time.
36:18If you told me where everything came from, I could send it back.
36:21Then you'd sort of be in the clear.
36:23Do a list.
36:25Criminals are usually greedy.
36:28Some are only a little greedy.
36:30You sound like you're trying to excuse someone.
36:35Maybe I want to.
36:38The House of Lambert will be pleased.
36:41If you're a detective, and I know that you are,
36:45can you just let me go?
36:46I don't want to let you go.
37:16I don't want to let you go.
37:46I don't want to let you go.
38:16No one fainted after all.
38:42Not yet.
38:44Time to move.
38:46Nice and quiet.
38:48Help us.
38:54They're going. Where have you been?
38:58They've got it.
39:00Well, you let them?
39:02Why should I spoil their fun?
39:04Oh, hang on. No sweat.
39:12Don't go mad.
39:14You'll get too close.
39:18I'm not going to get mad.
39:22The funny bit is I don't need all this now.
39:24I should have thought of that before.
39:26Not now. He's here.
39:28Who?
39:30Debussy. He's here all the time.
39:32Whenever I want him.
39:34You're a nut. Claude Debussy.
39:361862 to 1918 is here all the time.
39:40In 1911, a man called Engeldorf asked his friend Claude Debussy
39:45to help him make a very special musical box cylinder
39:48as a present for his niece.
39:50They made it together.
39:52Side by side.
39:54And I find it in a junk shop in Pimlico.
39:58And all the rhythms, the cadences, they're actually his.
40:04It's beautiful.
40:06I have to go.
40:10Are you seeing a woman?
40:12Firmly.
40:14I have to go.
40:16Are you seeing a woman?
40:18Firmly.
40:20Firmly.
40:21They...
40:22They...
40:23They sort of need me, you see.
40:24I admire you for that.
40:25Yes.
40:26Well...
40:27Keep on admiring me.
40:29Firmly.
40:30What's that?
40:31Someone just walked over my grave.
40:32What's that?
40:33Someone just walked over my grave.
40:35What at your age?
40:36Why are they driving so scared?
40:38Why are they driving so scared?
40:39I'm not.
40:40Firmly.
40:41You're not.
40:42I'm not.
40:43I'm not.
40:44My family.
40:45I'm not.
40:46My family.
40:47They, uh...
40:48They, uh...
40:49They, uh...
40:50They sort of need me, you see.
40:52me. What's up? Someone just walked over my grave. Is that at your age? Why are they driving so slowly?
41:05They don't want to draw attention. They're as good as gold. I've made you that list and I really
41:15must go. Are you a sex maniac? Certainly not. Do you enjoy tying your women up before you have
41:21your way with them? I mean it must be very awkward. I dare not trust you. I love you but I mustn't trust you.
41:29Don't go. It can't all be for an autograph. I mean jolly fun but the joke's over. It's all I take. A book. They travel light.
41:42Now be a good girl.
41:52I just don't get it.
41:57Ah yes but your colleague does. That's just the trouble. She's put two and two together and come up with first prize.
42:04My colleague. So we must make sure she doesn't collect it. An ex-police woman they tell me.
42:11I wish we'd had more time.
42:19That's my girl.
42:34Oh this is hell. They can't have a go but we can. Not too fast. No. I wouldn't let you be found dead in that hat.
43:04Hello? Yes? I see. Well under the circumstances I don't seem to have much choice do I? And just where would this be?
43:23I don't know.
43:44Well, this is exciting.
44:01Are we waiting for something?
44:03Never know your luck.
44:04You get back behind the wheel, and when I honk...
44:34Ah, there he is.
45:01Nice, quiet place.
45:13Hello, Billy.
45:14Have you missed me?
45:18Come along.
45:22I've got to say this, Billy.
45:24It's a fair call.
45:26Which is more, madam, that I can say for you.
45:28Under you, sunshine.
45:31Come on.
45:32Out you get.
45:46Oh, shit.
45:48Good girl.
45:49Two of us this time, Billy.
45:50Things are looking up.
45:51But there's Jessica.
45:52Who?
45:54It's never been lucky, has it?
45:57First, some old French queen lost her head over it.
45:59Now it's your turn.
46:01I wouldn't bet on it.
46:03Do you ever think, Billy, that sometimes you're a bit too ambitious?
46:10I've got an earring that will go with that.
46:12You're late.
46:29Not very.
46:31What's happened to you, Lou?
46:33Minor accident.
46:34Which means a woman.
46:36I never thought you were a woman, Anna, sir.
46:40Billy and Deb aren't here.
46:41It's gone wrong.
46:42Patients.
46:43Not Goldfar, I know.
46:46What will you do?
46:47Carry on with clown.
46:48That's our rule.
46:49The plane is sued.
46:51Here's your ticket and your new passport.
46:55You're called John Nicklaus.
46:57Do try and remember.
47:00They'll be here.
47:02I think not.
47:03Probably that Forbes woman.
47:06I cannot for the life of me imagine what drives a woman to be a detective.
47:09Yes, we can make life difficult.
47:10They won't keep them, of course.
47:12They'll turn up in Farms Springs before we've finished unpacking.
47:16Yes.
47:17You've always been like that, the three of you.
47:19They could put you into three individual lead-lined coffins
47:21and you could still find a way of reading each other's minds.
47:24That's our strength.
47:25Yes.
47:26Well, I could never do that.
47:27That's why I'm useless.
47:28Oh, we still love you, darling.
47:29Every family must have its white cheek.
47:31Let's go.
47:32Look, I would make a phone call.
47:33No, Sam.
47:34Yes, I must.
47:34It's about that woman.
47:37She's caught all this trouble.
47:38She and you.
47:40You should never do all these things.
47:41We have told you and told you.
47:43You are no good at it.
47:45Now, one thing leads to another, and here we are.
47:47Don't tell her, please, sir.
47:50Sam!
47:53Sam!
47:53Come on, Sam.
47:55It's a funny place, isn't it?
47:59Oh, oh, oh, oh, oh, oh, oh, oh, oh.
48:01Oh, oh, oh, oh, oh, oh.
48:02Oh, oh, oh, oh, oh, oh, oh, oh.
48:04Oh, oh, oh, oh, oh, oh, oh.
48:04Well, I like that for too long.
48:05Love, you get cramp.
48:07Oh, oh, oh, oh, oh, oh, oh, oh, oh.
48:09Oh.
48:09I think she's trying to say something.
48:13Where have you been?
48:14I've been here for hours.
48:14I could have been dead.
48:15We didn't know you were here, did we, love?
48:17Sam found the piano shop and the piano shop found us.
48:19You took your time.
48:20Untie me.
48:21Oh, is that the signature we were looking for?
48:24Oh, well, you've got yours, we've got ours.
48:26Untie me.
48:28It's always the same with men, isn't it?
48:29You shouldn't have fallen for him.
48:30I did not.
48:31Undo me.
48:32I hate him.
48:32Well, it was kind of him to ring, though, wasn't it?
48:34Otherwise, you'd have died here.
48:35Will you please?
48:37Please get over it.
48:38Broken hearts don't last as long as people think.
48:41About a week with me.
48:42Here, look.
48:43He's quite dishy, isn't he, WC?
48:45Who does he remind you of?
48:46Oh, yeah.
48:47You don't untie me yet once.
48:48You'll live to regret this as you've never regressed anything in your life before.
48:52I've broken...
48:52He reminds me of him.
48:54Look at that bloke that he did in that place.
48:57Ah!
48:57Ah!
49:08I don't rule a little.
49:11Will you stay?
49:12I mean, yeah.
49:14See you next time.
49:14Bye.
49:15Bye.
49:15Bye.
49:16Bye.
49:16Bye.
49:18Bye.
49:18Bye.
49:19Bye.
49:20Bye.
49:20Bye.
49:20Bye.
49:21Bye.
49:21Bye.
49:23Bye.
49:24Bye.
49:28Bye.
49:33Bye.
49:35Bye.
49:37Bye.
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