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00:00Oh
00:30Attend to the girl.
00:43Be gentle with her.
00:45I fear she may have set her heart upon the dead.
01:00She may have set her heart upon the dead, but she may have set her heart upon the dead.
01:30Thought I'd lost you, Governor.
01:32Thought you'd give me the slip.
01:34I shall be moving on tonight.
01:36Have some breakfast, eh?
01:38Set your innards.
02:00Will you bind it for me?
02:17Well, Governor, the news came upstream before you did.
02:20News?
02:20Yes, and guess who picked up the body?
02:22I'm not going to guess it.
02:23She did.
02:26And he's still breathing, to say.
02:30Here we go.
04:32Where is she?
04:36Come in, Mr. Rhea, and I'll make a cup of tea.
04:47Oh, Mr. Rhea, look what my naughty child does not know.
04:54Oh, you, oh, you wicked...
04:58And he don't know me.
05:00Well, what shall I do when my own child don't know me?
05:04My poor boy.
05:21I had nothing to do but work.
05:24I couldn't play.
05:26My back being so bad and my legs clear, I couldn't play.
05:29But my poor, unfortunate boy could play.
05:36And look what it brought him to.
05:40He was very ill sometimes, and I called him many names.
05:45I felt my responsibility as a mother so much.
05:51What am I...
06:05Dear fellow, give me something to keep me...
06:11prevent me wandering away.
06:23Don't tell me not to speak.
06:25I must.
06:26I must.
06:27Don't be afraid.
06:29I'm not gone yet.
06:32What was it?
06:34You wanted to tell me something.
06:37To say something to your old friend.
06:41Who has loved you.
06:43Admired you.
06:45Imitated you.
06:47Founded himself upon you.
06:50Been nothing without you.
06:53Who, God knows, would be here in your place if he could.
06:56I'm not worth it.
06:58This attack.
07:00You and I both respect someone.
07:05Dear fellow,
07:07he must never be brought to justice.
07:09Her innocent reputation would be ruined.
07:12She would be punished.
07:14Not he.
07:16I've wronged her enough.
07:17You've been comforted to you.
07:18Not until you've promised me.
07:21Think only of protecting her.
07:25Listen.
07:26It was not the schoolmaster of Bradley Headstone.
07:33Do you hear me?
07:35Twice.
07:37It was...
07:39Bradley...
07:41Do you hear me?
07:44Three times.
07:45It was not this...
07:47Bradley Headstone.
07:48I'm wandering away.
07:54Keep me for another moment.
07:57Promise me.
07:59Eugéne, I do.
08:02I promise you.
08:08Is he very real?
08:09Yes, real indeed.
08:11He came to me as I was weeping over my poor dead boy's grave
08:14that something might be done with a dull clergy.
08:20The funeral.
08:22The joining together of two of my friends in matrimony.
08:31Pardon me.
08:33Sir.
08:35The dull's dressmaker.
08:37Is he Hexham's friend?
08:38That's right, sir.
08:40Here's a note for you.
08:41It's from Miss Hexham.
08:43Very short.
08:44There was no time to make it any longer.
08:46My dear friend, Mr. Eugéne Rayburn is dying.
08:49He has asked that you may be brought to him.
08:53Will you come?
08:57If you delay, he may die with his last wish unfulfilled.
08:59It is entrusted to me.
09:13Where is she?
09:15Have you sent her?
09:18What a matter.
09:19Keep me for a few more moments.
09:29Tell her what I message you.
09:36I'm going.
09:38He can't hold me.
09:39Tell me in a word you say.
09:42Lizzie.
09:44Why?
09:47You say that word to him.
09:59The word you want.
10:02Is it wife?
10:03I can't bless you.
10:04I can't.
10:05Stay calm.
10:06Don't speak.
10:07Just listen.
10:09You wish to ask Lizzie to be your wife?
10:11Yes, God bless you, yes.
10:13It shall be done.
10:15I solemnly believe
10:17that if you recover
10:19you shall be blessed with a noble wife whom you will dearly love.
10:22I will not recover more than her.
10:26But if my dear
10:29brave girl will take me
10:31I shall live long enough to be married.
10:49He is conscious.
10:50He is conscious, Jenny.
10:53He knows his wife.
10:55And do us not into temptation
10:58but deliver us from evil.
11:00For mine is the kingdom
11:02the power and the glory
11:04for ever and ever.
11:05Amen.
11:09Excuse me, sir.
11:10May we go now, please?
11:20Eugene Rayburn's killed.
11:32I heard of the outrage.
11:35Not that he was killed.
11:37Have you had any part in this?
11:38And you've done me an injury
11:40that's never to be forgiven.
11:42I allowed myself to be mixed up in this business with you
11:45by encouraging your wish to marry my sister.
11:49And now by pursuing the ends of your violent, selfish temper
11:53you probably laid me open to suspicion.
11:56Is that gratitude, Mr. Edstone?
11:58Is it?
12:00You fell in love with my sister.
12:02She could not be persuaded to like you.
12:05And how it seems she was right.
12:06In all your selfish passions
12:08you've not bestowed one proper thought on me.
12:10Every effort I make towards being respectable
12:13is impeded by someone through no fault of mine.
12:16First, my father,
12:18and my father,
12:20and my father,
12:22and my father,
12:24and my father,
12:26and my father,
12:28and my father,
12:30and my father,
12:32and my father,
12:34and my father,
12:36and my sister,
12:40and now you.
12:43But I won't be dragged down by others.
12:45I've done with my sister as well as you.
12:48Since she cares so little for my position in society
12:51then she can go her way and I'll go mine.
12:53My prospects are good and I'll follow them alone.
12:57Mr. Edstone,
12:59whatever lies upon your conscience
13:01I hope you'll see the justice of keeping clear of me.
13:06Mrs. Roguesmith.
13:07Yes?
13:08My name is Mortimer Lightwood.
13:09I'm a friend of Eugène Rayburn and Lizzie Hexham.
13:11Would you step inside Mr. Lightwood? I have heard of you.
13:12My news is glad.
13:13I'm not glad.
13:14I am to ask you if you will see Miss Hexham married to my dear friend Eugène.
13:15Oh!
13:17I think he is dying Mrs. Roguesmith.
13:20I thought when you said...
13:21I thought perhaps he'd taken the term for the better.
13:24When's the wedding to be?
13:25When's the wedding to be?
13:26Whenever he regains proper consciousness.
13:27Is it possible if you don't know if you don't know?
13:28I don't know.
13:29I don't know.
13:30I don't know.
13:31I don't know.
13:32I'm glad.
13:33I'm glad.
13:34I'm not glad.
13:35I am to ask you if you will see Miss Hexham married to my dear friend Eugène.
13:39Oh!
13:40I think he is dying Mrs. Roguesmith.
13:44Oh!
13:45I thought when you said...
13:46I thought perhaps he'd taken the term for the better.
13:51When's the wedding to be?
13:53Whenever he regains proper consciousness.
13:55Is it possible if you'd come immediately?
13:58Would you step inside the parlour Mr. Lightwood?
14:01Perhaps you would like some tea or...
14:03No no no.
14:04That'll be my husband John.
14:05Please sit down.
14:14No.
14:15Please John.
14:16Mr. Mortimer Lightwood is here.
14:17What?
14:18Where is he?
14:19He's in the parlour.
14:20Shh.
14:21Tell me.
14:22What does he want?
14:23We're invited to the wedding of Lizzie Hexham and Eugene Rayburn.
14:28But it's not wonderful for the worst is feared for poor Mr. Rayburn.
14:33You go alone with Mr. Lightwood my darling.
14:36But he knows you're here.
14:37Please make my excuses for me.
14:39You're not afraid of Mr. Lightwood.
14:42I cannot meet him my darling.
14:44What has he done to you?
14:45He's done nothing.
14:46He's done nothing.
14:47Now please you have faith in me.
14:51The time will come I think when you will undergo a trial in which you will fail unless you have perfect faith in me.
14:58I have perfect faith in you John dear.
15:01And I always always will believe me.
15:07I will go.
15:08Yeah.
15:12We both thank you all heartily.
15:28Lizzie tell them how welcome they all have been.
15:31That I would be eloquent if I could.
15:42The dawn is coming.
15:50Undraw the curtains my dear girl.
15:52Let us see our wedding day.
16:00I bless the day.
16:01I bless the day.
16:03I bless the day.
16:12You've made a poor marriage of it my sweet wife.
16:18I've made the marriage out of giving the whole world to her.
16:21Lizzie.
16:23Lizzie when you see me wandering away.
16:26Speak to me my name.
16:28I think I shall come back.
16:29Oh yes dear.
16:30Oh there.
16:31Yeah.
16:32I think I'd have gone then but for that.
16:37Oh Eugéne!
16:39Yeah.
16:41See how you can recall me.
16:43Oh.
16:44How shall I ever repay all I owe you if I recover?
16:49Oh don't be ashamed of me and you'll have more than paid all.
16:52Require a lifetime to repay all.
16:53Oh live for that then.
16:55Live for me Eugéne.
16:57Live to see how hard I'll try to improve myself and be a credit for you.
17:01On the contrary I've been thinking that the best thing I can do is die.
17:06Out of your compassion for me in this maimed and broken state.
17:12You make so much of me.
17:14You think so much of me.
17:15Love me so dearly.
17:17That I'm afraid if I live
17:20I should disappoint your good opinion on my own and that I ought to die.
17:30Oh I'm so glad to be home.
17:32Mrs. Wilkesmith you left your gloves in the carriage.
17:36We've met before I think.
17:38Yes.
17:40Well Mr. Lightwood you said you'd never seen my husband.
17:43I didn't think then that I had.
17:45When Mr. Lightwood and I last met my name was Julius Hanford.
17:49The name in all the papers when John Harmon was killed.
17:51Yes.
17:52Yes Mrs. Wilkesmith.
17:54I first saw him as Julius Hanford
17:56and I afterwards took great pains to trace him.
17:58I did not wish to be traced then
18:00but I can assure you that I do not intend to disappear from here.
18:02My position is a very painful one.
18:03You must know that your extraordinary behaviour with regard to the death of Harmon has laid you under suspicion.
18:08Yes I know that.
18:09Don't be alarmed my darling.
18:11You can't deny that this morning when I came here you deliberately avoided seeing me.
18:15And I'd hope to continue to avoid seeing you for a short time longer.
18:18Thank you for bringing my wife home.
18:21I hope we may hereafter be better acquainted.
18:24You will find me always here.
18:26No questions my love.
18:27You don't even ask me why I bore the name of Julius Hanford.
18:29I will wait until you're ready to tell me of your own free will.
18:32But you cannot have been prepared for such a discovery.
18:33That I and the mysterious Julius Hanford were one and the same person.
18:35No John dear.
18:36But you told me to prepare to be tried.
18:37I have done no wrong and injured no man.
18:39Shall I swear it?
18:40Never to me.
18:41But circumstances have surrounded me with one of the strangest suspicions ever known.
18:42I have done no wrong and injured no man.
18:43Shall I swear it?
18:44Never to me.
18:45But circumstances have surrounded me with one of the strangest suspicions ever known.
18:46The murder of John Harmon.
18:47Your allotted husband.
18:48You can't.
18:49I have done no wrong.
18:50I have done no wrong.
18:51I have done no wrong and injured no man.
18:52Shall I swear it?
18:53Never to me.
18:54But circumstances have surrounded me with one of the strangest suspicions ever known.
19:08The murder of John Harmon.
19:11Your allotted husband.
19:13You cannot be suspected of that.
19:16Well I am.
19:18I trust you John dear with all my soul.
19:23If all the world were against you I should be for you.
19:26If no one believed you I would believe you.
19:29If you were accused and found guilty in the eyes of the world of the most terrible crime.
19:35John dear I would have faith in you.
19:43Don't let the lady be alarmed by my striking a light.
19:58Won't the lady object to my light in the candles to throw further light upon the subject?
20:09No?
20:10Won't you ma'am?
20:11Well.
20:12We look cheerful.
20:13Mr. Hanford.
20:14When we met first you favoured me by writing down your name and your address.
20:28Comparing the same with the writing on the fly leaf of this book.
20:35Mrs. John Rokesmith from her husband on her birthday.
20:40I find it to correspond exactly.
20:43Can I have a word with you?
20:46Certainly.
20:47Here if you please.
20:49Oh now ladies are apt to take alarm at matters of business.
20:53Mrs. Rokesmith.
20:54Oh happy I'm sure to have the honour.
20:55Has no reason for alarm whatever your business is.
20:58Oh really is that so?
21:00Yes.
21:01But it's a sex to live and learn from.
21:04Then there's nothing a lady can't accomplish when she once fully gives her mind to it.
21:08Well madam this gentleman of yours has given rise to rather a large amount of trouble which
21:13might have been avoided if he come forward and explained himself.
21:16But he didn't do so you know.
21:17Therefore I must ask him to explain himself now.
21:20Bella.
21:21Will you wait for me upstairs?
21:31Please come in here inspector.
21:50I'm sorry sir just a small matter of identification.
21:53Yes.
21:54Yes of course.
21:55If you'll step down to the station with me.
21:57Bella my love.
21:58I shall come back as easily as I go.
22:01I go of my own accord.
22:04Oh Noddy.
22:05It's them.
22:06It's them.
22:07What?
22:08Getting out of the carriage.
22:10Now easy old lady.
22:11Easy easy.
22:12Now we must try to keep calm.
22:17Will it be too much for our lovely girl?
22:19No.
22:20She'll take it in her stride.
22:21She'll take it down like a cup of sweet tea.
22:23Now.
22:24Take your stand.
22:25Take your stand.
22:26Be ready to welcome them to their right and proper home.
22:39John.
22:40Oh lovely.
22:41Darling man.
22:42John.
22:43Oh.
22:44Welcome to your house and home my dearest.
22:48Sit down.
22:49Sit down.
22:50It's nothing my love.
22:51Nothing.
22:59Now Bella.
23:01Who is this?
23:02My husband.
23:03Yes but what's his name dearie?
23:05Rogesmith.
23:06Oh no it ain't.
23:07Oh no it ain't.
23:08Oh no it ain't.
23:09Hon.
23:10No.
23:11No.
23:12No.
23:13Well at least his name is John.
23:14Oh it's John all right.
23:15But what's his other name?
23:17Oh give a guess my pretty.
23:19I can't guess.
23:20I could and I did.
23:22All in a flash one night.
23:23Didn't I Noddy?
23:24That you did old lady.
23:26Oh kid you me dearie.
23:28It was on a particular night.
23:30I knocked as I went by his door but he didn't hear me.
23:34So I looked in and I see him sitting by his fire brooding.
23:41In a single instant every grain of gunpowder took fire.
23:47Too many a time had I seen him sitting lonely as a poor boy to be pitied.
23:53Too many a time to be mistaken.
23:55You're our John.
23:57Oh Christ.
23:58He catches me as I drops.
24:04So now what do you think is your husband's name my pretty?
24:09Not Harmon.
24:12It's not possible.
24:13He was killed.
24:15John Harmon's arm is round your waist.
24:21Bella my love.
24:22It was a man who looked like me who was murdered in my place.
24:27But I'll explain everything to you later.
24:29But first you must forgive me for deceiving you for so long.
24:32For deceiving you at all.
24:34I was so afraid.
24:35I love you John.
24:37Whoever you are.
24:38We was all of us in it dearie.
24:41So well you see.
24:43So Noddy he catch...
24:45Well John catches me as I drops
24:47and Noddy hears the noise and comes in
24:50and I'll tell him
24:52this is our long lost John.
24:54Yes!
24:55And down I goes
24:57with me head under the table.
25:03And then
25:04we all has a good cry together.
25:07All three of us.
25:09They cry for joy my darling.
25:11These two whom I come to life to disappoint and dispossess.
25:15They cry for joy.
25:16That's right dearie.
25:18But don't mind him.
25:20Stick with me.
25:21So this brings us to a confabulation
25:23about the fair young person.
25:26And Noddy says
25:28she may be a little bit spoilt by circumstances
25:32but it's only on the surface
25:34she's golden gold at heart.
25:38And John says
25:40oh if I could prove it so.
25:42And wee ups and says
25:44what will content you?
25:46If she stood up for you
25:47when you were slighted
25:48if she was truest to you
25:50when you was poorest and friendless
25:52and all this against her own interest
25:55would that do?
25:56Deuces!
25:57Deuces!
25:58Oh!
25:59It would raise me to the skies!
26:01I pretended to be cruel
26:04so that I should know
26:05how I truly felt for him.
26:12Oh I'm so glad it was just pretending!
26:14Ha ha ha!
26:18You sort of
26:20a greedy little wretch I was
26:23and determined to show me
26:24how much misused riches
26:25could spoil people
26:26didn't you?
26:28You said to yourself
26:30this shallow creature
26:31with a weak soul
26:32will never get at the truth
26:33of these things of her own accord.
26:36But if I behave like
26:37a nasty old miser before her
26:40even her eyes will open
26:41and she'll begin to think.
26:43And that was what you said
26:44what you said to yourself wasn't it?
26:45I said nothing of the sort!
26:47Confess instantly!
26:50You did it to correct me.
26:54Well I certainly didn't do it to harm you.
26:58Besides now it must be mentioned
27:00I was trying to kill two birds with a one stone.
27:03John here had pointed out
27:04the treacherous and nasty game
27:06Silas Wegg was playing.
27:08So partly as a punishment for him
27:10and to lead him on
27:11I bought those books on misery
27:13for him to read.
27:15But something still isn't clear to me.
27:17Huh?
27:18Mrs Buffin never thought the change
27:19in Mr Buffin to be real did she?
27:20No!
27:21No I did not!
27:22Yet you took it very much to heart.
27:24No!
27:25Yeah!
27:26She's got a sharp eye her girl
27:27You're quite right my dear!
27:28Time and time again
27:29the old lady didn't leave us away.
27:31No it's a weakness in her you see.
27:34But to tell you the truth I'm proud of it.
27:37She thinks so high of me
27:38she can't stand to see me
27:40even pretending to be a bad old brown bear.
27:43And now my life am I forgiven for deceiving you?
27:50I love you.
27:52And I understand what
27:54drove you into the pretense.
27:57But how you could love me
27:58when I so little deserved it
28:00I don't understand.
28:02You know how you Mrs Buffin
28:04and Mr Buffin
28:05could take such pains
28:06to help him to so unworthy a wife.
28:09But I am
28:13very, very grateful.
28:18And now
28:19it's time Mr John Armand
28:21showed Mrs John Armand
28:23her new home!
28:34Oh!
28:35You smell very comfortable in here?
28:37Yes, yes I am rather comfortable.
28:40You don't use lemon in your business do you?
28:42No Mr Weng
28:43no if I use it at all
28:45it is in Cobbler's Punch.
28:48Oh? What do you call Cobbler's Punch?
28:51It's difficult to impart the recipe
28:53because however particular you are
28:54in allotting the materials
28:56so much depends on the individual gifts.
29:00But the groundwork is gin.
29:03No.
29:05Will you partake?
29:06Will I partake?
29:07Of course I will!
29:09Will a man partake?
29:11He's been tormented out of his life
29:13these past weeks
29:14by a wretched dustman
29:15what's been carting away his mounds.
29:17Will he partake?
29:20He'll be glad of any particle
29:21or refreshment he could find.
29:23You don't seem in your usual eye spirits Mr Wig.
29:25Is it any wonder?
29:35Night and day these past weeks
29:36that dustman's been at it
29:37clearing away them mounds
29:39just as I laid me head on me pillar
29:41he's there.
29:42At it!
29:43Well I had to keep an eye on him didn't I?
29:45Didn't want him making off it any valuables
29:46as he had no right to.
29:48No.
29:49Night in the rain I was
29:50drenched through
29:51he had me on me feet from morning till night.
29:54So the dustman's are gone now then?
29:56Yeah.
29:59All gone.
30:02Your spirits seem all right Mr Venus?
30:04Oh yes.
30:05Yes.
30:06You seem to be very lively.
30:09You've been having your hair cut.
30:14And I'm blessed if you ain't getting fat.
30:17Of course all you've had to do
30:18is keep a weather eye open for that full boffin.
30:21If you haven't had your rest broke I'll be bound.
30:24I've never been more westful in all my life.
30:27Oh.
30:28You've had the place cleared up.
30:30Yes Mr Wig.
30:32By the hand of adorable woman.
30:34Oh.
30:35So what you'll be doing next I suppose you'll get married.
30:39That is it Mr Wig.
30:41Yes.
30:42What to the old party.
30:44Mr Wig the lady in question is not the old party.
30:49I meant that the party is formally objective.
30:52Mr Wig in a case of such delicacy I must ask you to say what you mean.
30:56There are strings that must not be played on.
31:00No sir.
31:01Not sounded unless in the most respectful and tuneful manner.
31:06For of such melodious strings is Miss Pleasant Widehood formed.
31:13It is the lady as formally objective.
31:16I accept the amended ways it is for lady what formally objective is.
31:21Oh.
31:22Well when's it to come off?
31:25Sir amend that question.
31:28Well when is the lady gonna give her hand where she's already given her art?
31:33I accept the amended ways again.
31:36With pleasure.
31:37She is gonna give her hand next Monday.
31:41Oh.
31:42Well then the lady's objections to your art has been met.
31:46Yes.
31:47Yes.
31:48Yes it has Mr Wig.
31:49With the kind help of two good friends of mine.
31:52They suggested to her that I should confine myself to the articulation of men, children and the lower animals.
32:00Keeping clear of all females.
32:02Thereby we're leaving her anxiety as though she might be viewed in the bony light of my heart.
32:09An happy thought.
32:11Yes.
32:12And it took woot.
32:13Well I wish you joy.
32:16You're gonna try matrimony and I'm gonna try travel.
32:21Oh yes yes.
32:22Yeah.
32:23Change of air, sea scenery and me natural rest will bring me round I hope.
32:28Well the hour has come for boffing the stump up.
32:33Would tomorrow morning suit you for finally bringing his nose to the grindstone?
32:37Excellent.
32:38Excellent.
32:39You've had him well under observation.
32:40Oh very well.
32:41As a matter of form and if it's agreeable to your own feelings let's have a look at the stocking trade.
32:47The old will.
32:48Mr. Buffin!
32:49That's not what I call him.
32:50Buffin I calls him.
32:51Buffin!
32:52Right off you.
32:53I want none of you menials here.
32:55Yeah.
32:56Hey.
32:57Hey.
32:58Hey.
32:59Hey.
33:00Hey.
33:01Hey.
33:02Hey.
33:03Hey.
33:04Hey.
33:05Hey.
33:06Hey.
33:07Hey.
33:08Hey.
33:09Hey.
33:10Hey.
33:11Hey.
33:12Hey.
33:13Hey.
33:14Hey.
33:15Hey.
33:16Hey.
33:17Hey.
33:18Hey.
33:19Hey.
33:20Hey.
33:21Hey.
33:22Hey.
33:23What?
33:24Yes.
33:25Yeah.
33:26Huh?
33:27You are here.
33:28Huh?
33:29What are you...
33:30Huh?
33:31What are you...
33:32Now then wag.
33:33You behave yourself in front of Mr. Buffin or I'll throw you out after your hat.
33:37You!
33:39Yes me.
33:41He mocked clear the dust mounds day and night and lured you a proper laugh while I was doing it.
33:45Hey.
33:46You never thought as I could sleep standing up, and often did when I was turning a mangle for Mrs. Higdon.
33:52You never thought as I could read the police news in different voices.
33:56I led him alive. I really led you alive.
33:59Buffin, I thought I gave orders for this here me and you to be dismissed.
34:03Who employed this fella?
34:05Oi, no fellas who'll throw you out the window.
34:08Yes, I employed him, Wig.
34:10Oh, you employed him very good, Mr. Venus.
34:14We raise our terms.
34:16Now, we can't be better than to proceed to business.
34:19Buffin, I want the room cleared of these two scum.
34:23That ain't going to be done, Wig.
34:25Ain't it going to be done?
34:28Not even at your peril?
34:30Not at my peril, or on any other terms.
34:35Mr. Venus, would you be so good as to hand me the document?
34:40Certainly, sir.
34:41Right, sir.
34:42And having partnered with me, I'd like to make a small observation.
34:47Yeah.
34:47As a comfort to my mind, Wig, I'd like to say that you are a precious old wascal.
34:54Silas Wig, I took the liberty of taking Mr. Buffin here into our concern as a sleeping partner.
34:59At the beginning of this dirty business, my hands were not as clean as I would have liked.
35:05But I feel now I've made some amends.
35:08Certainly, Mr. Venus, certainly.
35:11I found him an honest man, Wig.
35:13Thank you, sir.
35:14Much obliged for your good opinion, and also for the influence brought to bear on a certain young lady by yourself, and Mr. John Armand.
35:22John Armand?
35:24Oh, yes, sir.
35:26I heard something, read something in the papers.
35:29You're a precious old wascal.
35:30You're a fool.
35:33When I got rid of you long ago, if I could have thought a way of doing it, go and welcome.
35:39All the more for me, I won't be put off.
35:41I'm a man, not an anatomical pump.
35:45I'm here to be bought off.
35:46Now, buy me or leave me.
35:48Well, now, as far as I'm concerned, Wig, I'll leave you here.
35:55Buffin, I see through you.
35:57You can afford to be independent, knowing you've nothing at stake.
36:00I ask this Mr. Armand here, who's raised his head from the dead, I ask him, is he aware of the contents of this paper?
36:08First of all, Wig, you take notice.
36:10If you address Mr. Buffin as you have been doing, I'll knock you down.
36:15Secondly, yes, I know that document.
36:17It leaves the whole of my father's property to the crown.
36:20It's a more recent date than that one proved by Mr. Buffin, isn't it?
36:23Right you are.
36:24Well, then I put it to you.
36:27What's this paper worth?
36:29Nothing.
36:30Nothing, you fool!
36:31Listen, you scoundrel!
36:34That Dutch bottle contains the last will of my late father
36:38and gives everything to Mr. Buffin, excluding and reviling me by name.
36:44Just the minute you're knocking my head on the wall!
36:46It distressed him beyond measure because it cast a slur on my memory, and so he buried it.
36:52Oh, here!
36:54Oh, thank you!
36:55Fort!
36:56When he discovered who I was, we dug it up to legally establish it.
37:00Consequently, that document in your hand is worthless.
37:03You understand?
37:04You suppose me to be the possessor of my father's fortune.
37:09Well, so I am, thanks to the goodness of Mr. Buffin.
37:13And when I see such a mudworm as you presume to rise against this noble soul,
37:19the wonder is that I don't twist your head off and fling that out of the window.
37:23Oh, well...
37:24I'm sorry me and the old lady can't have a better opinion of you, Wick.
37:31Oh, well...
37:32But I should hate to leave you with less than I've found you.
37:36What would it cost to set you up a new stall?
37:39Well, Mr. Buffin, I have suffered a great loss in ballads, gingerbread, me trussel table, umbrella stall, me clothes horse.
37:46But I'll leave it to you, Mr. Buffin, to fix the price.
37:49Well, it's difficult to know what's right.
37:51Then again, you can put a price on a man's mind.
37:54Thinking, of course, all that reading I dumped you about misers.
37:57I mean, who could say how far the tone of my mind was lowered by the exposure?
38:00Two pounds.
38:01In just his name, sir, I couldn't take that.
38:04Here, here, just a minute.
38:06Here, don't...
38:07Wait, here, wait.
38:14Wait, just get him.
38:16Wait, just get him.
38:16Go, wait.
38:17I'll hide it, you.
38:18Here, Buffy.
38:20There's a muck cart coming.
38:21Go, go, go, go.
38:24Hey, hey.
38:26Get him.
38:27Wait, just get him.
38:32That's a hard fate.
38:35But well deserved.
38:36Sir, sir, sir, sir.
38:52Sir! Sir! Sir! Sir! Sir!
39:03Oh dear, oh dear, oh dear.
39:05Here, does he often have fits like this?
39:08Yes.
39:09I ask your pardon, Lieutenant Governor,
39:11and I hope I'm not interrupting you,
39:13but would you happen to have an acquaintance with a person
39:17similar to your sort of build and way tonight
39:19and who answers to a name similar to that your?
39:22I think I know the man you mean.
39:23Yes, I thought you might.
39:24Well, I want to see that certain person at my lock house up the river.
39:28I'll tell him so.
39:29Do you think he'll come?
39:30I'm sure he will.
39:31Good.
39:32Well, having got your word on that, I shall expect you.
39:35You can.
39:38You know, though I'm not a learned man myself,
39:40I do admire learning matters.
39:42So, with your permission, Leonard Governor,
39:44I'd like to ask these little lambs of yours a question.
39:47If it's in the way of school, you may.
39:49Out in the way of school, I promise, yeah.
39:51Tell me, my dears, what sorts of water is there on land?
39:55Seas.
39:56Rivers.
39:57Rivers.
39:58Rivers.
39:59Rivers.
40:00What do they catch in them places?
40:02Fish.
40:03Fish.
40:04Very good, very good.
40:05Tell me, my little ones,
40:06what else do they sometimes catch in rivers?
40:08Do not, sir.
40:09Do not, sir.
40:10You'll never guess.
40:11You'll never guess, sir.
40:12I'm going to tell you myself.
40:13They sometimes catch these suits of clothes.
40:16They do.
40:17They do.
40:18I sometimes catch these suits of clothes in rivers, yeah.
40:20In fact, strike me blind, my dears.
40:21If I didn't catch these very bundles under me arm now.
40:24Yeah.
40:25I do ask your pardon, Leonard Governor.
40:28It's not fair on your little lambs, I know.
40:30But it's just my way of a joke.
40:32Just a bit of fun.
40:34But upon my soul, I did draw from the river this very bundle.
40:39It's a bargeman set of clothes.
40:42And it was sank there by the very man who wore it.
40:45How do you know it was sank there by the man that wore it?
40:49Because, Leonard Governor, I seed him do it.
40:53Oh, I nearly forgot.
40:56Did you know that a certain young gent is alive and nearly kicking, eh?
41:03And has married a certain young lady?
41:06Yeah!
41:07I was a wild!
41:21Ahhhhhhhhhh!
41:27Ahhhhhhhhhhhhhhh!
41:33What do you want of me?
41:53Ah!
41:56Now listen to me, Edstone.
41:57You may have split Eugene Raybone into chips and wedges without me caring,
42:01but when you copied my clothes and my neckerchief and splattered blood all over me,
42:05you did something that you're going to pay heavy for.
42:07Yeah, yeah, yeah.
42:09You were going to put the whole thing on me if you got caught, weren't you?
42:12Well, no man does that to me and get away with it.
42:15Now when two can play at your game, Edstone,
42:17I got your partner's set of clothes, yeah, all torn with a scuffle,
42:21stained green with the grass and splattered with the blood from them blows.
42:24I got them, he, he, he, and I got you.
42:26Yeah, you put your sly trick on me, didn't you?
42:30Yeah, yeah, so I'll get paid for it.
42:33I'll get paid for it till it drains you dry.
42:36You can't get blood out of a stone riderhood.
42:39Oh, but I'll get money out of a schoolteacher, though.
42:42Mine is a poor calling.
42:43Yours is a respectable calling.
42:45And to keep your inspectability, it'll be worth your while
42:48to pawn every article of clothing you've got, sell every stick of furniture you've got
42:51and beg and borrow every penny that you can get trusted with.
42:54And when you've done that and handed it over,
42:56then I'll leave you, not before.
42:59How do you mean, leave me?
43:01I mean that I'm going to keep you company wherever you go.
43:05Let the lot look after itself because I'm going to look after you.
43:09I'm going to stick by you wherever you go.
43:13I'm going nowhere.
43:27Yeah.
43:29How about a spot of breakfast before you go, eh?
43:59Come over here, Governor.
44:22This is a dry sort of game, isn't it?
44:26You can't get rid of me.
44:27Except for coming to a settlement, I'm going to follow you wherever you go.
44:32Yeah.
44:33Even less sense in this little move, isn't it?
44:36The weir's here.
44:37You've got to go back.
44:39Better by far to come to a settlement.
44:42Or else I'll drain you all the dryer when we do settle.
44:50Let go!
44:52Let go of me!
44:54I'll take my knife out and I'll stab and cut you wherever I can stab and cut you!
44:59What are you doing?
45:00You can't drown me!
45:01And I told you that a man who's been through drowning can't be drowned!
45:06I can't drown!
45:08I can't!
45:09I'm resolved to be!
45:11I'll hold you living and I'll hold you dead!
45:15I'll hold you dead!
45:16I'll hold you dead!
45:17I'll hold you dead!
45:18Come down!
45:22I'll hold you dead!
45:25I'll hold you dead!
45:26Come in.
45:44And who might you be, young man?
45:47Sloppy, miss.
45:50The chap Mr Buffon rescued and helped.
45:52Oh, indeed. I've been looking forward to meeting you.
45:55I heard how you distinguished yourself.
45:58Well, I'm sure I'm glad to hear it, but I don't know how.
46:01Throwing someone into a mop cart.
46:04Who'd hear that?
46:07Mrs, don't open your mouth so wide, young man,
46:09or it'll stay so and not close again one day.
46:17Hey, this is a pretty place, miss.
46:22What do you think of me?
46:25Don't you think me a queer little comicality?
46:31Oh, what a lot.
46:34Oh, and what a colour.
46:37You don't live here alone, do you, miss?
46:41No.
46:42Mr Ria now.
46:43My father.
46:44My second father, that is.
46:46You know my child that I had here before.
46:49Well, you'd understand me.
46:51Oh, you must have been taught a long time before you could come to work so neatly and with such pretty taste.
46:58If I was taught a stitch, young man, just cobbled and cobbled till I learned how to do it.
47:03Badly enough at first, but better now.
47:05Hey, and here have I been a-learning and a-learning.
47:09I missed a buff and a-pain and a-pain forever so long.
47:12Cabinet making, isn't it?
47:13I could make you a handy set of nests to lay your dolls in, or a set of drawers for your friends, or...
47:21Oh, I could turn you a rare hand on this bar with crack stick, if it's your wish.
47:26It's mine.
47:28I'm lame.
47:28Well, I'm glad it's yours, because I'd rather own a minute for you than anyone else.
47:35You'd better see me use it first.
47:39See?
47:41Hoppity, hoppity, pig, pig, pig.
47:45Not very pretty, is it?
47:46Oh, you hardly seem to need it, miss.
47:48As concerning the chests and the drawers, it'd be a real pleasure for me to make them for you.
47:59And I've heard you sing most beautiful, and a song from you.
48:03Oh, I'd be better paid with a song from you than with any money.
48:08You won't tell me where you've come.
48:10Oh, yeah, um, to deliver you this little note from Mr and Mrs Armand, uh, to ask you to tea to show your latest dolls.
48:22Oh, of course I'll come.
48:24Oh, and I'll bring you there, miss, because I'll be glad to be of service any time I can.
48:31Use my hand.
48:33And thank you, Sloppy.
48:35And there's both my hands, miss.
48:37You shall see how my wife has changed me.
48:44I'm so glad he's better.
48:46I'm getting better and better every day.
48:48Dear old fellow,
48:50I've had an idea.
48:52I've taken myself and my wife to one of the colonies and working there.
48:55I shall be lost without you.
48:58You might be right.
48:58No, not right.
48:59It's very wrong.
49:01You think this thumped head of mine is excited?
49:03It's not so, believe me.
49:04Shall I turn coward to Lizzie?
49:06Sneak away from her as if I was ashamed of her.
49:09And where would I be, Mortimer, if she turned coward to me?
49:13But might you not feel a coldness towards her on the part of society?
49:16Some slight ostracist...
49:17I will fight it out to the last gasp, with her and for her, here.
49:24In the open field.
49:25When I hide her in a hole or a corner.
49:34Her whom I love best in the whole world.
49:38Then tell me what I most righteously deserve to be told.
49:41She'd have done better to have turned me over with her foot that night I lay bleeding to death.
49:46To have spat in my face.
49:47Bradley Headstone is drowned.
50:03By his own hand.
50:04A year ago I said good riddance.
50:10A well-deserved end.
50:13Now...
50:14I think...
50:18Poor fool.
50:19Poor fool.
50:35Poor fool.
50:44Poor fool.
50:45That's all.
50:46Wool-deserved end.
50:47ORGAN PLAYS
51:17ORGAN PLAYS
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