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00:00Dear Smoke
00:29Oh, I hope you won't be angry, but this morning Mr. John Rokesmith and I were married.
00:35He loves me better than I can ever deserve.
00:38I didn't mention it beforehand in case it caused any difference at home.
00:42Please tell darling Pa, ever dearest Ma, your affectionate daughter, Bella.
00:49There, Pa, you're safe and Ma can't take you alive.
00:56Would you post this, please?
00:59Now you do realize, don't you, Pa, that I'm no longer your lovely woman?
01:03I am well aware of it and I resign you most willingly.
01:06Willingly? You ought to be brokenhearted.
01:07So I should be, my dear, if I thought I was losing you.
01:10But you know that you're not, don't you, Pa?
01:13Well, now we're a partnership of three, aren't we?
01:16Listen, we must let them know it's a wedding party.
01:19Oh, well, my dear, this is so much more successful than our previous anniversaries.
01:22We should hold our future ones here.
01:24Hmm?
01:24Many happy returns to this most happy day.
01:30Gentlemen, John and Bella,
01:33the present occasion is fraught with feelings that I cannot trust myself to express.
01:39For the part I have had in it,
01:41for the confidence you have placed in me,
01:43for the affectionate goodwill and kindness
01:46with which you have determined not to find me in the way I do most heartily, thank you.
01:50Well, my love to you,
01:52and may we meet on many more returns of this occasion.
02:00Poor dear.
02:02You won't feel solitary and neglected when you go home by yourself.
02:05No, no, my dear.
02:07It's love.
02:09Love that makes the world go round.
02:11I, John Harman,
02:17inasmuch as I never made friends
02:19and have a rebellious family,
02:20leave to Nicodemus Boffin,
02:22the little man,
02:23and the whole west and wizard you of my property
02:26to the crown.
02:27Signed by me this day,
02:29John Harman.
02:33Yes?
02:35That's the old man's mark, sure enough.
02:37Now then,
02:38when you've took off your hat,
02:40we get down to business.
02:46Now, first of all,
02:47I shall call you Boffin for short,
02:49and if you don't like it,
02:51you can lump it.
02:52Oh, I don't mind it, Weg.
02:54Yeah, it's lucky for you.
02:56Here, yes.
02:58Do you want to be read, too?
03:01Er, no thank you, Weg.
03:03Not just now.
03:04Yeah, because if you did,
03:05I wouldn't.
03:06I've been your slave long enough.
03:08I'm not going to be trapped underfoot
03:09by a dustman any longer.
03:11I renounce the old situation,
03:13except for my salary.
03:15Just as you say, Weg.
03:16Yeah.
03:17Next,
03:18you place me in this yard
03:19to clear the ground
03:20where you sneak in,
03:21sniffling,
03:22sniffing menial.
03:24Oh.
03:25That's not me calling it cold, Weg.
03:26No, joke him, Boffin.
03:29I won't have that menial here,
03:31and you, Boffin,
03:32will send him packing now.
03:33Now.
03:38Mr. Sloppy!
03:39I call upon, Boffin,
03:46to inform this menial
03:47that I am master here.
03:52Oh, Sloppy, my good fellow.
03:54Mr. Weg is master here.
03:56He don't want you.
03:57You'll have to go.
03:58For good.
03:59For good.
04:00Yeah.
04:01Now, Boffin,
04:02you are aware, aren't you,
04:03that you're in possession of property
04:04to which you have no right?
04:06Mr. Venus tells me so.
04:08I tell you so now, Boffin.
04:11I'm prepared to bargain with you,
04:12but if you trifle with me,
04:15I shall walk out of here
04:16and bargain with the rightful owners
04:19as specified in the will
04:20we've found that is the crown.
04:22That is Her Majesty.
04:23Quiet, quiet, Mr. Weg.
04:25I'm sure I have no intention
04:26of trifling, Weg.
04:28Then, Boffin,
04:28are you prepared to come to terms at once?
04:30I'm willing to come to terms.
04:32I won't take willing, Boffin.
04:34Do you ask to be allowed
04:36to come to terms?
04:37Oh, dear, yes.
04:39Yes.
04:40Yes, what?
04:41I'll have it out of you in full.
04:44Oh, dear,
04:45I ask to be allowed
04:47to come to terms,
04:49provided that document is correct.
04:54Hey, don't you be afraid of that, sir.
04:57You want to know the terms now?
05:00Aye, mark them well,
05:02because they're the lowest
05:02and only terms.
05:04Now, you will throw your little mound
05:06into the general estate
05:07and then divide the whole lot
05:08into three parts.
05:09You keep one
05:10and hand over the others.
05:12Wait, wait, Boffin.
05:14You've bought the house, haven't you?
05:15You'll be charged for it.
05:17I shall be ruined.
05:19Wait, something more, Boffin,
05:20something more.
05:21You'll leave me in sole custody
05:23of the mounds
05:24until they're cleared.
05:25Any valuables found in them,
05:27I take charge of them.
05:28You'll produce the contract
05:30for the sale of the mounds
05:31so we know exactly
05:31what they're worth
05:32and you make out a list
05:33of all other property
05:34and then,
05:35when the mounds are cleared
05:36to the last shovel fall,
05:38the final division will come off.
05:40Dreadful.
05:42Dreadful,
05:43I shall die in the poor house.
05:45Oh, something more, Boffin.
05:48You've been seen
05:49unlawfully ferreting
05:50about the yard.
05:51These two pair of eyes
05:52are present looking at you.
05:53I've seen you
05:53dig out a Dutch bottle.
05:55That was mine, Weck.
05:56I've put it there myself.
05:58What was in it, Boffin?
06:00Nothing you could make money
06:02out of, Weck.
06:03I promise you.
06:05I was prepared
06:07for an evasive answer
06:08from our dusty friend.
06:09Not gold!
06:10Not silver!
06:12Not banknote,
06:13nor jewels!
06:15I promise you, Weck.
06:16Here.
06:17Well, I've got a little idea.
06:19I think we'll meet
06:20with your approval,
06:20Mr. Venus.
06:22We chose that bottle
06:23against our dusty friend
06:24of a thousand pounds.
06:25I think that's all
06:28for the moment.
06:29Here.
06:30Do you agree
06:30to our terms?
06:32Yes or no
06:32and no off measures?
06:35What's the good
06:35of my pretending
06:36to resist?
06:39Can't help myself.
06:42Yes.
06:43Yes.
06:44Yes.
06:47Good night,
06:48Boffin.
06:55Boffin?
07:01Yes, Boffin.
07:05Nothing.
07:06so you won't make me a doll Mr. Rayburn
07:24nope I won't Mr. Rayburn
07:27it's not just for a doll you came here
07:31I know your tricks and your manners
07:33and you'll get nothing out of me
07:36disgraceful creature
07:40you wicked child
07:42don't cry like that
07:47I'll throw a doll at you
08:03me pay your fine
08:05it's only five shillings
08:09paltry sum
08:10only five shillings
08:13me pay your fine
08:17I pay five shillings to the dustman to carry you off in his cart
08:22no
08:23don't
08:24please
08:26you'll have to break your heart this boy
08:29don't
08:30sharp as a serpent's tooth if he wasn't as dull as ditch water
08:33fit only to be preserved in the liquor that destroys him
08:37if he has no consideration for his liver is he no consideration for me
08:42yes
08:43yes
08:44yes
08:45yes
08:46don't
08:47don't
08:48don't
08:49don't
08:50don't
08:51don't
08:52don't
08:53don't
08:54do
08:55won't
08:56do
08:57so anymore
08:58won't
08:59indeed
09:00pray
09:01I can't bear to look at you
09:03no
09:13bring me my bonnet and my shawl
09:16make yourself youthful
09:18bad boy
09:20and let me have your room instead of your company for one half minute
09:28I have to go up to the opera
09:51see the grand ladies arrive
09:54I copy their dresses for my dolls
09:58I should like to see your back before I go Mr Rayburn
10:02but let me tell you once and for all
10:05it's no use you paying me visits
10:07you won't get what you want to know out of me
10:09not if you brought pincers with you to tear it out
10:13are you so obstinate about a dolls dress for my godchild
10:16dolls dresses or addresses
10:19you won't get them from me Mr Rayburn
10:22so get along with you now
10:25come on give it to me now
10:27and go back to your corner you naughty old thing
10:30no no I don't want your help
10:33go back to your corner immediately
10:35you prodigal old son
10:45you sit there till I come back
10:48you sit there till I come back
10:52you sit there till I come back
11:08my dear Mortimer what a picture of contented industry you look dear Eugéne
11:38what a picture of discontented idleness you look where have you been?
11:43oh about town
11:55meaning about Lizzie Hexham you're a man of infinite discernment and yet
12:01Eugéne you know you don't really care for her I don't know that
12:07I must ask you not to say it as if you took it for granted if you really cared for her you
12:11should leave her alone I don't know that either tell me have you ever known me take as much
12:19trouble about anything as I have about Lizzie's disappearance I wish I had you confirm my own
12:23impression does that look as though I care for her I ask for information look I asked you for
12:29information I know but I can't give it I need information if my taking so much trouble to
12:32find Lizzie does not mean I care for her what does it mean you must look to the end ah how acute you
12:41are Mortimer it's just what I'm incapable of doing at school remember I always did my lessons at the
12:47last moment now we're out in life together it's the same I mean to find Lizzie I can't go further
12:53than that I shall use any means to do so fair or foul it's all alike to me I ask you for information
13:04what does it mean and when you have found her how can I tell what I'll feel then my mind can't move so
13:14far into the future I'm on duty tonight
13:27this interesting gentleman Mortimer is the son of a lady of my acquaintance Mr. Dolls
13:33manner of importance
13:36yes he has something to say to me I think
13:38I think we'll have to wind him up Mortimer help his powers of communication brandy Mr. Dolls or rum
13:44three pills of rum
13:54oh nerves of Mr. Dolls appear considerably unstrung yes oh I can't fumigate him
14:08what a mad fellow you are Eugene why does this creature come to see you we shall soon hear now
14:30then speak out don't be afraid state your business Mr. Dolls this is Mr. Rayburn is it
14:39yes of course it is look at me what do you want
14:44tell me the favor my dear marshal of winding up Mr. Dolls again I'm occupied with the fumigation
14:48Mr. Rayburn I tried to nudge you but you look you want
14:56that direction you want to know where she lives don't you Mr. Rayburn yes I do
15:04well I'm allowed to do it what you're the manager give that direction have you got it
15:09no what do you mean then
15:13wind him up again Mortimer
15:15Euchene can you stoop to the use of such an instrument as this I said that I would find them by any means
15:20fair or foul these are foul and I'll take them if I don't first break the head of Mr. Dolls with a fumigator
15:24Mr. Dolls can you get the direction speak speak how much do you want to speak
15:3250 shillings free panneter rum you shall have it how will you get the direction I'm the man to get it
15:38sir I'm an elused individual blown up morning till night call names she makes a mid the money
15:49he said nervous turns free panneter rum get on what comes next
15:56let us pass between the postman let us
16:02it's either for a man of talent to get that direction or to get his own direction
16:07get it then you brute
16:09get it and bring it here to me
16:24and earn the money for 63 pannets of rum drink them all
16:28one after the other and drink yourself dead with all possible expedition
16:39I should wash my hands of Mr. Dolls physically and with you again directly Mortimer
16:55I would prefer you washing your hands of Mr. Dolls morally Euchene
16:57yes so would I but you see dear boy I can't do without him
17:03you can't make me laugh about it you can make almost anything amusing but not this
17:07yes well I'm a little ashamed of it myself
17:10and therefore let us change the subject it's so deplorably underhanded
17:15so unworthy of you this is setting on of such a shameful
17:21we've changed the subject take a cigar
17:24I light it draw one puff breathe the smoke out there it goes it's dolls it's gone
17:38and being gone I'll tell you something which will amuse you
17:41isn't it extraordinary that I can never go out after dark without finding myself followed
17:46always by one person sometimes by tibble on my honor it's true
17:50are you sure sure my dear boy they're always the same
17:54the schoolmaster's abroad the schoolmaster yes
17:58you mean those two fellows who came here one day they do me the honor of attending me after dark
18:06how long has this been going on I think ever since a certain person disappeared
18:12lizzie hexam yes they think you're responsible for her disappearance I really haven't had time to
18:17think about it have you asked them what they wanted have you objected why should I ask them what
18:20they want why should I object when I'm indifferent look you're in your most reckless mood I wish you would
18:24speak a little more soberly and plainly and soberly and plainly Mortimer I goad the schoolmaster to madness
18:32I make him so ridiculous so aware of being made ridiculous I see him sweat from every pore when we pass one another
18:45this amiable occupation has been the solace of my life since I was balked in the manner so
18:51unnecessary to recall I've derived an expressible comfort from it I do it thus
18:57I stroll out after dark and go a little way looking at a window and watch furtively for the schoolmaster
19:07sooner or later I perceive him on the watch sometimes with a pupil sometimes not
19:12then I tempt him on all over London one night west one night east sometimes I walk fast on a short street turn the corner
19:26being out of his view turn quickly back I pass him coming on as if unaware of his existence
19:33and he undergoes grinding torments
19:35night after night his disappointment is acute but hope springs eternal in the scholastic breast
19:46and he follows me again tomorrow
19:51thus I enjoy the pleasures of the chase and derive great benefit from the healthful exercise
19:57if I do not I dare say he waits outside all night
20:09this isn't
20:11extraordinary story
20:15I don't like it
20:16you're getting too sedentary Mortimer
20:19come and enjoy the pleasures of the chase with me
20:21come
20:22is he watching now I mean have you seen him tonight
20:25I forgot to look for him when I was last out I'm sure he's there
20:28come be a british sportsman it'll do you good come come
20:33oh look to your feet we shall try your boots
20:42well when you are ready I am need I show him with a hey-ho Jimmy
20:48and likewise with the hard forward hard forward turn to me
20:51will be nothing make you serious I'm always serious just now I'm excited
20:56by the glorious fact that a southerly wind and a cloudy sky
20:59will aim a hunting evening ready so I turn up the light and we take the field
21:18and so you see as I was saying Mortimer undergoing grinding torment
21:43hello I thought I heard a noise anything wrong Mortimer
22:06I can't sleep
22:12I can't forget that fellow's face
22:14that's odd I can
22:36so
22:44I
22:45can
22:46you
22:46I
22:48I
22:49I
22:50I
22:50I
22:52You call it the temple late?
23:18Wish I may die.
23:19But wasn't I going to say to say it to you?
23:21It was just by chance.
23:23Here, stay with me.
23:29Now, I don't mind telling you.
23:31Come in, why should I mind telling you?
23:34I'm with Deputy Lockkeeper upstream.
23:37Yesterday was my day off.
23:39So I come down to London to get the law on a steamer that drowned me.
23:43And I ain't going to be drowned and not be paid for it.
23:46It's no business at these chambers so late at night.
23:50Well, to ask Loyal Lightwood to act on behalf of me on a match of the steamer.
23:56I don't mind telling you.
23:58Why should I mind telling you?
24:00You see, Loyal Lightwood and that friend of his, they owe me a good turn.
24:04They gave me a lot of trouble, let me down badly.
24:07If they'd have taken me down good and proper in a matter of a certain Gaffer Exum's death,
24:12I'd have been a rich man by now, instead of being called bad names.
24:17Where is your lock?
24:23Passport Ramir. 25 miles up, Steve.
24:26You...
24:28You know...
24:30Eugene Rayburn.
24:32Yes, I do.
24:35And you don't like him?
24:37No, I don't.
24:39And you don't either, do you?
24:41He's heaped on me provocation and venomous insults.
24:44He and his friend will treat your letter with contempt and light their cigars with it.
24:48Why, George and the Dragon, I shouldn't wonder if they did.
24:50They will.
24:52Let me ask you a question.
24:55I know a little about Gaffer Exum.
24:58When did you last set eyes on his daughter, Lizzie?
25:00I ain't never seen her once, not since the day that Gaffer died.
25:04Do you know her well by sight?
25:06No one better.
25:08And you know him as well?
25:09Who's him?
25:10Cursing him!
25:12Oh, Eugene Rayburn!
25:17Did you ever see them together?
25:18Yes, I did.
25:19The day that Gaffer died.
25:23Was he insolent to her too or did he make a show of being kind to her?
25:26Oh, very kind, I thought.
25:30Well, here's hoping your health is better than your looks, Governor.
25:35It won't be long then before we see each other again.
25:38I don't know where to find you.
25:40I know where to find you.
25:42And I'll come to your look.
25:44I'm not sure if I say.
25:45I could ask you.
25:46It's a good thing to hear.
25:48Well, here's the last part of the king's question.
25:49I think I've never seen him before we see him before we see him before we see him now.
25:51Now, dolls, wake up.
26:15Very well, direction, 50 shows, 15 shows, and dolls, dolls, dolls, dolls, dolls, dolls,
26:45dolls, dolls, dolls, dolls, dolls, dolls, dolls dolls, dolls, dolls, dolls dolls, dolls dolls, dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls dolls
27:15What? You got the place then? Yes I did. No thanks to you. We kept our
27:35recommendation to the man who'll take over when you're transported. Don't be too
27:39long about it will you?
27:45I wish I may die but you look just like
28:15me. I hadn't realized it was your luck. No? No. Still you're not really interested in
28:23looking at locks are you? You've got better things to think about, haven't you?
28:31Don't you worry about our friend Governor. He's taking it easy. You think I've been
28:39following him? I know you have. Well I have I have but he may land. Even if he does land he won't get lost will he?
28:51He'll just leave his boat behind.
28:57Going after her is he?
29:01I have hardly any doubt that at last he is going to.
29:05Yeah but you've had doubts before haven't you? Eh? And they've shown on you. Haven't they Governor?
29:13These are my holidays.
29:15Are they by George?
29:17You must have a pretty stiff working week if these are your holidays.
29:25And I've never left him since they began and I'll never leave him now till I've seen him with her.
29:30And then?
29:34I'll come back to you.
29:36I have a pound for you.
29:42You've got two.
29:49Now I must follow him.
29:57It takes this river road the fool to confuse observation or divert attention.
30:02If not solely to baffle me.
30:05But he must have the power to make himself invisible before he can shake me off.
30:11Governor! Governor!
30:14If you don't get disappointed again
30:17would you like to stay in the lock house when you come back?
30:20I will!
30:32I thought it was you standing here.
30:47This would be a bad pit for a man to be flung into with his hands tied behind his back.
30:53Those slippery smooth walls will give him no chance.
30:57And I suppose these gates would suck him down.
31:00Your face is like a ghost.
31:04Look quite wore out.
31:07Why don't you come in and lie down?
31:18Did you see him with him?
31:19I did.
31:21I saw them walking side by side.
31:23What did you do?
31:26Nothing.
31:27What are you going to do?
31:30How did that happen?
31:33I don't know.
31:34I can't keep it back.
31:36It's happened I don't know how many times since I saw them together.
31:37How did that happen?
31:44I don't know. I can't keep it back.
31:48It's happened I don't know how many times since I saw them together.
31:56See it? Smell it? Taste it?
32:00You're a junk fit. It comes out like this.
32:12I've had no rest since I left London.
32:15I don't know that I've so much as sat down since I left here.
32:23Can you give me a drink?
32:25I asked you what you were going to do.
32:27How can I plan anything in this state?
32:30I'm so exhausted.
32:32Why don't you lie down?
32:48I shall require no calling.
32:57I'm peaceful. I'm very peaceful.
33:06You're stupid I suppose.
33:08If you manage a tolerably satisfactory life you've got the better of me.
33:11Man as I am, mutton as you are.
33:15No pleasures of the chase in this part of the country?
33:18No.
33:20You're stupid I suppose.
33:22You manage a tolerably satisfactory life you've got the better of me.
33:25man as I am, mutton as you are.
33:41No pleasures of the chase in this part of the country?
33:50Poor schoolmaster.
33:55Come on.
34:14Lizzie!
34:17Lizzie, I was just saying to myself, Lizzie, you were bound to come.
34:20Though you were late.
34:22I had to take my time through the village and speak to several people as if I had nowhere special to go.
34:27Are the village lads such scandal longer?
34:29Oh, will you walk beside me, Mr. Rayburn, and not touch me?
34:42Lizzie, well, don't be unhappy. Don't be reproachful.
34:45I cannot help being unhappy. I don't mean to be reproachful.
34:48Mr. Rayburn, I implore you to go away from here today.
34:53Lizzie, Lizzie, Lizzie, now you're being unreasonable. I can't go away.
34:56Why not?
34:57Faith, because you won't let me. Mind, I don't mean to be reproachful.
35:00I don't complain that you deliberately keep me here, but you do it.
35:03You do it.
35:04Please, please don't touch me, Mr. Rayburn.
35:08Well, I speak to you very seriously.
35:10Well, I will do anything you ask, Lizzie, within the limits of possibility.
35:14Now, when you met me as I came from work the night before last,
35:17you said that you were surprised to see me and that you were on a fishing excursion.
35:21Was it true?
35:22Not in the least true. I came here because I had information that I'd find you here.
35:27Can you imagine why I left London, Mr. Rayburn?
35:31I'm afraid you left London to get rid of me.
35:33Not very flattering to my self-esteem, but you did.
35:36I did.
35:38How could you be so cruel?
35:46Oh, Mr. Rayburn.
35:49Is there no cruelty in your being here tonight?
36:02Lizzie, in the name of all that's good, don't be distressed.
36:05What else can I be when I know the distance and difference between us?
36:12What else can I be when you put me to shame by coming here?
36:24Oh, no, no, no, no.
36:41Lizzie.
36:42Thanks.
36:49I never thought before
36:52that there was a woman in the world who could affect me so much by saying so little.
37:00Don't be hard in your opinion of me.
37:05You don't know what my state of mind is towards you.
37:10You don't know how you haunt and bewilder me.
37:17You don't know how the cursed carelessness
37:21that's helped me at every other turning of my life
37:23it won't help me here.
37:25You've struck it dead I think.
37:30I almost wish you'd struck me dead with it.
37:34Oh, it grieves you to see me distressed.
37:42It grieves me to see you distressed.
37:47Oh, I don't reproach you, indeed I don't reproach you.
37:50But you have not felt this as I feel it.
37:56Being so different and starting from another point of view.
38:01You have not thought.
38:04I entreat you.
38:06Think now!
38:08What am I to think of?
38:11Well, think of me!
38:13Tell me how not to think of you, Lizzie.
38:15You'll change me altogether.
38:17I don't mean in that way.
38:24Think of me as belonging to another station and quite cut off from you in honour.
38:29Remember that I have no protection near me unless I have one in your noble heart.
38:35Well, respect my good name.
38:40And if you feel towards me in one particular as you might if I was a lady,
38:46then give me the full claims of a lady upon your generous behaviour.
38:49I am removed from you and your family by being a working girl.
39:01Now how true a gentleman to be as considerate of me as if I was removed by being a queen!
39:20Have I injured you so much?
39:23No, no.
39:24You may put me right.
39:27I don't speak of the past but of the present and future.
39:31I consented to this appointment as an escape because for two days you've followed me so closely where there's so many eyes to see me.
39:38It's again not very flattering to my self-esteem.
39:40Yes.
39:42Then I beseech you, Mr. Rayburn.
39:45I beg and pray you.
39:46Leave this neighbourhood.
39:49If you do not, then consider to what you will drive me.
39:57Drive you?
39:59What should I drive you, Lizzie?
40:01You'll drive me away.
40:03I live here peacefully and respected and I'm well employed here.
40:08You'll force me to leave this place as I left London.
40:11And if you follow me again, you'll force me to leave the next place in which I may find reference.
40:16In the future as I left this.
40:18Are you so determined, Lizzie?
40:20Forgive the word I'm going to use for its literal truth.
40:23To fly from a lover.
40:25Oh, I am so determined to fly from such a lover.
40:26I do not believe, Mr. Rayburn, that you could be so cruel as to drive me from place to place, not to wear me out.
40:40But you could drive me to death and I would not give in.
40:45I would not give in.
40:59Lizzie.
41:01Lizzie.
41:02You answer what I ask you.
41:05If I'd not been what you call removed from you, cut off from you, would you still have made this appeal to me to leave you?
41:12No, don't ask me, Mr. Rayburn.
41:14Let me go back to where I feel.
41:15Lizzie, you should go directly.
41:16I swear I'll not follow you.
41:17I'll not accompany you.
41:18You should go alone if you reply.
41:20How can I tell you what I should have done if you'd not been what you are?
41:23If I'd not been what you make me out to be, Lizzie, would you still have hated me?
41:27Mr. Rayburn, you know me better than to think that I do.
41:29If I'd not been what you make me out to be, Lizzie, would you still have been indifferent?
41:32Oh, you know me better than that, too.
41:34But you must tell me, Lizzie, how you'd have treated me if you considered me on equal terms.
41:38How can I think of you on equal terms?
41:40How can I?
41:41You wouldn't be yourself.
41:42How can I remember the night that I first saw you?
41:49I had to leave the room because you watched me so attentively.
41:55Or remember the night that passed in today when you broke to me that my father was dead.
42:02Or those nights you came to see me at Jenny Wren's.
42:06And how you helped me to be taught better.
42:08And how I've looked up to you and thought you at first so good to be mindful of me.
42:14Only at first?
42:15What should you think me after at first so bad?
42:17Oh, I don't say that.
42:18I don't mean that.
42:21But after the first wonder and pleasure of being noticed by one so different from anyone that had ever spoken to me before,
42:31I began to feel it might have been better if I'd never seen you.
42:35Why?
42:36Why?
42:37Why?
42:38Because you were so different.
42:41Because it was so endless.
42:45So hopeless.
42:51Spare me.
43:06Did you think for me at all, Lizzie?
43:09Not much.
43:11Not much until now.
43:20Well, will you tell me why not?
43:23Because I never supposed you might need it until now.
43:29But if you do need it, if you truly feel that you love me, and that therefore there is nothing in life but separation for us,
43:44then heaven help you, and heaven bless you.
43:50I promised I'd not accompany you or follow you.
43:51Shall I keep you in view?
43:52You're upset.
43:53It's getting dark.
43:54No, no.
43:55I'm used to being out alone at this hour.
43:56Please do not.
43:57I promise.
43:58I can promise nothing more tonight, Lizzie.
43:59There is only one way of sparing yourself and me, Mr. Rayburn.
44:05Leave this neighborhood tomorrow.
44:06I will try.
44:07I will try.
44:08Oh!
44:09What would this, too?
44:10Oh!
44:11What'd this!
44:12What's that, too?
44:13Is this what?
44:14Is this what's going on?
44:15You're trying to keep you in view?
44:16You're upset.
44:17It's getting dark.
44:18No, no.
44:19I'm used to being out alone at this hour.
44:20Please do not.
44:21I promise.
44:22I can promise nothing more tonight, Lizzie.
44:25There's only one way of sparing yourself and me, Mr. Rayburn.
44:28Leave this neighborhood tomorrow.
44:30I will try.
44:35I...
44:39Immortem will believe this.
44:44Can I believe it myself?
44:46A most ridiculous position.
44:54But I have power over her.
44:58She loves me.
45:00Can't deny it even to herself.
45:05She is honest and passionate.
45:07Must go through with her nature as I with mine.
45:13But mine exacts its pains and penalties so must hers, I suppose.
45:35If I married,
45:39how could I be sure I'd not be bored in no time at all?
45:44And yet if a man said to me now at this moment that I do not in spite of myself love her for her beauty and for her worth that I would not be true to her,
45:51I would break that man.
45:53I would break that man.
45:59Eugéne, Eugéne.
46:01This is a bad business.
46:03So said Mortimer.
46:06So rang the Mortimer bells.
46:10They sound melancholy tonight.
46:12But I have power over her.
46:18Eugéne, this is a bad business.
46:22I wish I could stop the Mortimer peal for it sounds like a knell.
46:29Hello, friend.
46:30Are you blind?
46:31Blind!
46:48Out of the question to marry her.
46:52And out of the question to leave her.
47:01The crisis?
47:06The crisis?
47:11Yes.
47:12No!
47:15Ah!
47:19Ah!
47:25Ah!
47:29Ah!
47:31Ah!
47:34Ah!
47:38Ah!
47:40Ah!
47:41I don't know.
48:11Let's go.
48:41Let's go.
49:11Let's go.
49:41Let's go.
50:11Let's go.
50:41Let's go.
51:11Let's go.
51:41Let's go.
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