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00:00Ah, my dear Twemlow, I'm delighted to see you.
00:14Yes, you know my old friend, Fledgby, do you not?
00:16We are distant connections.
00:18Happy, I'm sure.
00:19Well, Fledgby, we won't detain you. I can see Georgiana's eyes are sparkling.
00:22She can wait.
00:23Oh, then, did you ever hear the like?
00:25Head over here is in love with a sweet, charming girl, and he says she can wait.
00:29Well, I don't think...
00:31Yes, dear Mrs. Veneering, pestering poor Lightwood, with stories of her ghastly infant punctuation.
00:36My dear Mrs. Veneering, how enchanting you look.
00:39I've just been telling Mortimer what Baby did last week. It was so entertaining.
00:42Oh, such an intelligent child, even over to be with such parents.
00:46Well, Fledgby, now it is Mr. Lightwood's turn to be entertaining.
00:49We never see you without expecting to hear the latest installment of your most famous client.
00:54Well, I've only got one.
00:55Oh, but such a fascinating one. What's he up to now?
00:57Nothing much, looking for somebody to spend his money on?
00:59Oh, I wish you'd look in my direction.
01:01Oh, you're much too well off. You've got to be a washerwoman, or a street vendor, or a half-witted boy before you can qualify.
01:06Oh, but the girl whose father was drowned, the one who was supposed to have murdered John Harmon, does she qualify?
01:12She qualifies, all right, but she can't be found.
01:15No, everybody seems to disappear. Harwood disappeared, Bradford disappeared, and Hexen disappeared. I expect I should disappear next.
01:22I shouldn't be at all surprised.
01:24But don't keep us in suspense any longer, Lightwood. Please, tell us what happened to the girl.
01:28Well, no one knows. It seems that she received a letter, delivered by a bearded stranger.
01:32It was a statement that her father had not been implicated in the murder, signed by his erstwhile partner, Ryderhold.
01:37Oh, fascinating. Go on, Mortimer.
01:39Well, she is sent to Earl Boffin, who sent his secretary to offer her help, but she'd left her lodgings and gone away.
01:44Leaving no address?
01:45None.
01:46Oh, come, my dear.
01:47Tell her that you take me to Georgiana before her daughter's mother...
01:49Mortimer!
01:51Mr. Tremlow.
01:52I beg your pardon.
01:53I want to speak to you.
01:55I am honoured.
01:56Do not seem to be so pleased, and do not be surprised if my behaviour is more careless than my words.
02:01May they be watched.
02:03Pretend to look at this photograph album with me.
02:05My dear lady.
02:05Mr. Tremlow, I need your help.
02:07You are the soul of honour, I know. I can trust you.
02:09What do you think of this picture of my husband?
02:11If I can serve you in any way, madam.
02:13There is a man here to whom you are disconfridated.
02:16Yes.
02:16You never saw him before today, I think.
02:18That is true.
02:19Now that you do see him, you see what he is. You are not proud of him.
02:21Well, to speak the truth, madam, no.
02:23You are aware that there is someone here whom he favours with his attention.
02:26Madam, I am at a complete loss to know.
02:28It is a wonderful likeness.
02:30I cannot tell you the struggle in my mind before I could bring myself to speak to you.
02:34Promise that you will never betray my confidence.
02:35You have the honour of a poor gentleman.
02:37Thank you, Mr. Tremlow.
02:39Do you see that poor child?
02:41Mr. Georgiana Podsnap.
02:42I implore you to save her.
02:44Save her?
02:44She is the victim of a plot.
02:46Now listen to me.
02:47Try not to look so serious.
02:48Pretend I have made a joke.
02:49He is very good at you.
02:51I do assure you.
02:53You will not respect me when I tell you that I am a party to the plot, but I have your words
02:56that you will help me.
02:57Oh, Alfred.
02:59Mr. Tremlow has been admiring your latest portrait.
03:02Oh, darling.
03:03Mr. Johnny.
03:04My husband.
03:06My husband is in debt.
03:07Deeply in debt to your cousin Fledgby.
03:09We shall be ruined if Fledgby brings in Alfred Spills.
03:11Pray go on, Mrs. Claremont.
03:13Really, Mr. Tremlow.
03:14It was agreed that if we could secure an heiress for Fledgby, he would be willing.
03:18In short, we were going to share her money.
03:20I understand.
03:21I am to blame for this as much as my husband.
03:23But now at the last I find I cannot see this poor, foolish, affectionate little girl,
03:27sold into wretchedness for life.
03:29But what am I to do about it?
03:30Mr. Tremlow, your word will have weight with a pompous old father.
03:33Warn him.
03:34Warn Podsnap?
03:35Against whom?
03:36Against me?
03:37Tell him I am an artful, designing woman.
03:39Tell him you are sure his daughter would be best out of my house.
03:41Tell him the people she meets here are not fit.
03:43Are after him, I am.
03:44Oh, dear, Mrs. Claremont.
03:45I know.
03:45I feel my sudden degradation in your eyes.
03:47But I trust to your good faith.
03:48I don't know what to say.
03:50Say nothing.
03:51If, after hearing my confession, you will do as I ask, close the album and hand it to me.
03:56I will know what you mean, and in my heart I will thank you most deeply.
04:00Alfred, Mr. Tremlow agrees with me that the latest portrait of you is the best.
04:03It is indeed splendid.
04:04Oh, I am so glad you think so, Tremlow.
04:06But come, my dear Sir Ferroni, your little friend Georgiana is asking for you.
04:10And I am sure you are bored, poor Tremlow, long enough with your family portrait.
04:14Where are you bored, Mr. Tremlow?
04:15I have listened to every word with the very greatest interest.
04:19Come, my dear.
04:27Here I am, Ma.
04:28How are you?
04:31Time as well as can be expected.
04:33Oh, really, Ma, you talk as though one had just been born.
04:36She's been talking like that ever since we got up this morning.
04:39She does, every time we celebrate her wedding day.
04:42It's all very well she ought to laugh, but it's too exasperating.
04:46Well, Ma, I know you think me fit for nothing, but today I mean to be cooked.
04:50You cook?
04:51In that dress?
04:52I forbid it.
04:53Well, there's such a thing as an apron, isn't there?
04:55And as for permission, I'll do without.
04:57Now, what do you want me to do first?
04:59I've brought some wine and a cup and a fowl.
05:01If you persist in this unseemly behaviour,
05:04I would recommend examination of the potatoes by the application of a paw.
05:09Lavinia, you may lay the table.
05:15It's enough to make one want to poke her with something wooden sitting there bolt upright.
05:20Why we have these dreadful celebrations, I can't think.
05:23Oh, Pa enjoys them.
05:25So does Ma, in a way.
05:27Ma will begin to complain of toothache soon, you'll see.
05:33What's the matter, Ma?
05:34Aren't you well?
05:36You don't seem very brisk.
05:37Brisk?
05:38When's the low expression, Lavinia?
05:40If I should suffer from an aching tooth, I know better than to complain.
05:44We are all most obliged to you for having your annual wedding day toothache.
05:50Incarnation of sauciness!
05:51Do you speak so to me on this day of all days?
05:54Do you know what would have become of you if I had not bestowed my hand on your father on this day?
05:59No, Ma, I do not.
06:00And with the greatest respect for your abilities, I very much doubt if you do either.
06:04Hello, George.
06:05I congratulate you, Mrs. Wilford, on the day.
06:08Oh.
06:09Are you not well, ma'am?
06:10Pardon me.
06:12My face may be a martyrdom, but who should know it if I smile?
06:18Look at Bella.
06:22I'm surprised Miss Bella condescends to cook.
06:25It's no business of yours if she does.
06:27Bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum.
06:32Hello, George, my dear.
06:34Oh.
06:35You seem a little out of sorts.
06:37I am as well as can be expected, R.W., on this day of all days.
06:41Is Bella here?
06:42Your daughter Bella R.W. is in the kitchen.
06:45And I think I'll go and find her.
06:48Hello, my pocket.
06:49Oh, darling, little sir.
06:51And how are you getting on in your new home?
06:55I'm not at all improved, sir.
06:56No.
06:57I make so many calculations how much a year I must have when I'm married
07:00that I've got wrinkles on my nose.
07:03Do you see the wrinkles on my nose?
07:05I see flour on your nose.
07:07You seem very busy.
07:08Can I help?
07:09Yes, you can make bread sauce.
07:12Pa.
07:12Mm.
07:13Shall I tell you a secret?
07:15Who do you think has made an offer for me?
07:17I've no idea.
07:18Mr. Oaksmith.
07:19What do you say to that?
07:20What did you say to that, my love?
07:22I said no, of course.
07:23And I told him why I thought it a betrayal of trust on his part
07:26and an affront to me.
07:28Ah, I'm sorry to hear that.
07:29Have you any more news for me?
07:32Mrs. Boffin told me in secret that they wished to see me well married
07:35and that when I was married, to their satisfaction,
07:39they would portion me most handsomely.
07:41I congratulate you, my dear.
07:43There is something else, Pa.
07:45It's Mr. Boffin.
07:46Mr. Boffin?
07:47Well, I've tried very hard not to believe it.
07:49Believe what? Is he ill?
07:51Well, it's that he was such a dear kind, sir.
07:54Oh, don't cry, ma'am. I mustn't cry.
07:56But he's spoiled, Pa.
07:59He's changing all the time.
08:00He's hard and tyrannical and unjust.
08:04Mr. Boffin is...
08:05Oh, not to me.
08:06He's always sweet and kind to me, but to the others.
08:09He's suspicious and capricious.
08:12I go with him to bookshops sometimes
08:14and he always chooses the books about misers
08:17or people who've been murdered for their money.
08:19And then he takes them to that horrid Silas Wegg
08:22and weaves them to it.
08:23I'm sure you're quite mistaken.
08:25I wish I were, Pa.
08:26I wish I were...
08:27Because power is something else, you see.
08:31I can see the awful fascination of money.
08:34I can feel it.
08:36And I know that what's happening to Mr. Boffin
08:39would happen to me.
08:40And I'm frightened, Pa.
08:42Oh, my darling, you mustn't be frightened.
08:44I have more faith in you than you have in yourself.
08:48Now, dry your eyes.
08:49Your mother will be wondering what's become of us.
08:51Let's dish up, shall we?
08:56Oh, Pa.
08:58What makes them pink?
09:00Is it the breed?
09:02I'd rather think it's because they're not done.
09:05Oh, darling little Pa.
09:14All right, all right, I'm coming.
09:31What time of night is this to disturb a man?
09:33It's half past ten in the morning, sir.
09:35Must be darn foggy then.
09:37Very foggy.
09:39Chew and bitter.
09:40Bought the books?
09:41Yes, sir.
09:42All right, then fork out the balance
09:44and prove by figures how you make it out it ain't more.
09:47You haven't been lightening any of these, I suppose.
09:50The trade you people are rather good at.
09:52You understand what swishing a pound means, I'll be bound.
09:55Much as you do, sir.
09:57May I take the liberty of saying something, sir?
09:59If you're quick.
10:00Do you not, some clients, without intending it,
10:02confuse the character I fairly earn in your employ
10:05with the character which it is your policy that I should bear?
10:09I don't propose to go into the matter.
10:10Not in justice.
10:11Father, justice.
10:13Or in generosity.
10:16Jews and generosity, that's a good one.
10:19Bring out your vouchers and don't talk Jerusalem for lava.
10:22I think they're all in order, sir.
10:29Seems to be all right.
10:31Now, how about the bill-broking business?
10:34What queer bills are to be bought and at what price?
10:37Got a list?
10:37A long list, sir.
10:42Queer street is full of lodgers.
10:45How can these be bought?
10:47In parcels or by the lump?
10:49Half the lump will be waste paper.
10:52Can they be bought at waste paper prices?
10:54That's the question.
10:55What the devil's that?
10:56Are you anywhere else, please?
10:57Are you anywhere else, please, please?
10:58Come in.
11:01Oh.
11:02Oh, come in.
11:03This gentleman represents Pubsy and Coe of Simmery Axe.
11:08Yes.
11:08I was trying to make terms with him for some unfortunate friends in the matter of some dishonored bills.
11:13But Pubsy's are so strict with their debtors that so far, well, I've just been wasting me time.
11:18Can't I make any terms with you for my friends, Mr. Ryer?
11:23I am but the representative of another, sir.
11:26It is not my capital that is invested in the business.
11:29You old fox.
11:31Representative of another.
11:32That's a good one, eh, Lammel?
11:33Oh, devilish good.
11:35Mr. Ryer, will you have the goodness to step for a few minutes into the other room while I speak to Mr. Lammel?
11:40I should like to try once more to make terms with you before you go.
11:46What's wrong?
11:47Come on, out with it.
11:50I knew something.
11:50It's not the moment I saw you.
11:51What is it?
11:52Everything.
11:52The game's up.
11:53What game?
11:53The game.
11:54Our game.
11:54Read that.
11:56What's this?
11:58Oh, Podsnap.
12:00Polite attention to our daughter, Georgiana.
12:03Wholly reject.
12:05Final desire is that our two families become entire strangers.
12:10Who's doing is this?
12:11I can't imagine.
12:12Perhaps someone's been giving you a bad reputation.
12:14Or you.
12:14If I ever found out who did it, I'd mark that person.
12:19However, there's nothing more to be said.
12:21Except that you undertook to do something that circumstances prevented you doing.
12:25And you undertook to do something that could have been done by now if you had taken greater advantages of the circumstances.
12:30That is a matter of opinion.
12:32Do I understand that you blame me in this matter?
12:34Providing you hand over my promissory note, no.
12:37All right.
12:37Well, there it is.
12:39Now, do I understand that you have any dissatisfaction with me in this affair?
12:43No.
12:44Finally and unreservedly, no?
12:46Yes.
12:47My hand, Fledgby.
12:48One thing more.
12:51Hmm?
12:52I don't know what your circumstances are, and I don't ask.
12:55You have sustained a loss.
12:57And men are apt to look anywhere for help at such time.
13:00But whatever you do, don't fall into the hands of the old Jew in the next room.
13:05His firm, Pubsy and Co., will skin you inch by inch from the nape of your neck to the sole of your foot.
13:11Why should I fall into his hands?
13:13I never saw him before.
13:14I didn't like the look in his eyes when he heard your name.
13:18Of course, if you're quite sure you have no personal security out, which you may not be quite equal to meet in,
13:24and which might have got into his hands, well, must have been imagination.
13:30But I mustn't keep him waiting, or he'll take it out of my friends.
13:33How's your clever and agreeable wife?
13:35Does she know that we've broken down?
13:37No, I showed her the letter.
13:38She was very much surprised, I suppose.
13:40She'd have been more surprised, had there been more go in you.
13:42Oh, so she lays the blame on me, then?
13:44I didn't say that.
13:46All right.
13:47So she doesn't lay the blame on me.
13:50My compliments to her.
13:53Goodbye.
13:53Goodbye.
14:00Raya.
14:06I don't care for Mr. Lam or Raya.
14:08He has let me in for a failure, and his wife said it's my fault.
14:13I shouldn't be surprised if his name wasn't in one of the lots that you're going to buy.
14:17Those I've put a tick against.
14:19You'll want some money, I suppose.
14:21You always do.
14:22Yes, sir.
14:28Well, now.
14:29So much for business.
14:32Let's turn to something else.
14:33Where's that handsome girl?
14:36Lizzie something.
14:38I don't know what you mean, sir.
14:40Oh, yes, you do.
14:41Where have you been hiding her?
14:43Is she in that house in Simmery Axe that I pay the rent for?
14:46No, sir.
14:47Where is she, then?
14:48All right, I won't press it.
14:51I'll find out in my own good time.
14:54But what's your interest?
14:55You can't be in love with a girl, a shaky old car like you.
14:59Sir, if I tell you anything about this girl, it will be in confidence.
15:03A matter of honor.
15:04All right.
15:05This girl is beset by misfortune.
15:08She has a selfish and ungrateful brother.
15:11An unacceptable man pursues her.
15:14And she is also beset by a powerful lover and the wiles of her own heart.
15:20She likes one of them, then.
15:21He has many advantages, but she is not of his station.
15:25And to marry her was not in his mind.
15:28It was prudent for her to leave.
15:30Where did you put her?
15:31I placed her at a distance.
15:35Among certain of our people where she can work and live in peace.
15:39This chap who's after us, the powerful one.
15:42He's in the law business, ain't he?
15:44That is so.
15:46I thought so.
15:48Name anything like Lightwood.
15:51No, sir, not at all like.
15:53Is it Rayburn?
15:55I believe so.
15:57Well, well.
15:59I never dreamed of that one.
16:00But I don't mind balking either of those two.
16:05Well done, Oldham.
16:06You can go now and carry out the business I gave you.
16:14Oh, Bella, my dear.
16:16Enjoy your party?
16:17Yes, thank you, sir.
16:18I'm glad you're back.
16:19Is it foggy out?
16:20It is, rather.
16:21Sit down, dear, by me.
16:22No, Rokesmith.
16:23Where were we?
16:25You were saying, sir, that the time has come to fix my salary.
16:28Don't be above calling it wages, man.
16:30My wages.
16:31You're not proud, Rokesmith, I hope.
16:33I hope not, sir.
16:34I never was when I was poor.
16:36Poverty and pride don't go well together.
16:38Sit down.
16:39Thank you, sir.
16:40Why don't you sit down before?
16:41Too proud?
16:43No, sir.
16:44About these wages.
16:45Two hundred a year.
16:47That is fair.
16:48If I buy a sheep, I buy it out and out.
16:50If I buy a secretary, I buy him out and out.
16:52What do you say?
16:53In other words, you'll buy my whole time?
16:55Certainly I do.
16:56When I was in service, I didn't go cutting about at me own pleasure, as you've got in the
16:59habit of doing lately.
17:00You'd better come and live on the premises.
17:02You can give notice at your lodgings.
17:04Got any furniture?
17:05Furniture in my rooms is my own, sir.
17:07Good.
17:08And we shan't had to buy any.
17:10And if it'd ease your mind to make your furniture over to me, in lieu of rent, why, I shan't stand
17:14in your way, if you consider it due to yourself.
17:16Mr. Barthey.
17:17Yes, my dear?
17:20Don't mind him, dear.
17:21Mr. Rokesmith's still working, Nick, and it's getting rather late.
17:24All right, nearly finished.
17:26You can choose any of the empty rooms on the top floor, Rokesmith.
17:29That'll be worth eight attention as a week to you.
17:31I won't deduct it, but I'll look to you to make it up by keeping expenses down.
17:34I'm spending too much money, Rokesmith.
17:36Or leastways, you're spending too much for me.
17:39I thought you were very rich, sir.
17:41Well, I ain't.
17:42And if I were, that's my business.
17:43I ain't going to go spending money at the rate I'm doing to please you or anybody else.
17:47You are not pleasing me, Mr. Barthey.
17:49Hold your tongue!
17:52There.
17:53I didn't mean to say that.
17:54And you put me out.
17:56Don't hold your tongue.
17:58And you don't contradict.
18:00Did you ever come across a man called Elvis?
18:03Elvis the miser?
18:04Oh, people called him a miser.
18:06He never owned to being rich and he could have bought me twice over.
18:09Did you ever hear a Daniel Dancer?
18:11Another miser.
18:12Both these characters lived and died in the foulest and filthiest degradation.
18:17They please themselves, Rokesmith.
18:19And that's what I intend to do.
18:21You may go now.
18:23Thank you, sir.
18:25Good night, Mrs. Rothen.
18:26Good night, John.
18:27Good night, Miss Bella.
18:28I'll let that young man get above himself.
18:39He must be brought down a pig.
18:41Haven't you been a bit strict with him tonight?
18:43Not quite your old self?
18:44I hope so.
18:45Hope so, Nick?
18:46Our old selves wouldn't do your old lady.
18:48Haven't you found that out yet?
18:49Our old selves weren't people of fortune.
18:51Our new selves are.
18:52There's a difference.
18:53A great difference.
18:54And we must be equal to it.
18:55We're against everybody now.
18:57For everybody's hand seems to be dipping into our pockets.
19:00If John Armand had come into his own, we'd have been more than satisfied.
19:03As for Rokesmith, it's the same with him as with the footman.
19:05You either scrunched him or they scrunched you.
19:08If you don't show them who's master, they won't believe you're any better than they are.
19:11However, this isn't very entertaining for Miss Bella, is it, Miss Bella?
19:18I'm sorry, Mr. Bobblin, I wasn't listening.
19:20Oh, better employ, that's right.
19:23Especially as you've no call to be told how to value yourself, my dear.
19:26I hope you don't think me vain, sir.
19:28Not a bit, my dear.
19:29I think you're very sensible to know what to go in for.
19:32Money's the article, eh, Bella?
19:34Take no notice of him, Bella, love.
19:35Whatever he says, your own father couldn't be more fond of you.
19:38It's true enough.
19:39Come, Bella, give us a kiss and say goodnight.
19:44I'm entirely of your opinion, my dear.
19:46You and I'll take care that you'll be rich.
19:48Those good looks of yours are worth money.
19:51And you'll make money by them, all right.
19:54Good night.
19:55Oh, my dear husband, this is very hard to see.
19:58Dear Mrs. Bobblin.
19:59But Bella, in spite of the change in him, he's still the best of men.
20:03Yes, yes, I'm sure he is.
20:05You must believe that, my dear.
20:06Don't believe anything but what's good and generous.
20:08What are you saying about me?
20:10She was praising your goodness, sir.
20:12Praising me?
20:13You sure?
20:14Not blaming me for trying to get a little horde together?
20:17There, there, there.
20:18Don't take on, old lady.
20:19I can't bear to see you so, my dear.
20:22Nonsense.
20:22Remember who we are.
20:24Scrunch or be scrunched.
20:27Come along there.
20:28Bedtime.
20:28Don't be uneasy, Bella, my child.
20:35The more I save, the more you shall have.
20:38Ah, the fairy godmother.
20:50Good evening.
20:52Cinderella.
20:54Come in and warm yourself, godmother.
20:55Thank you, Cinderella.
20:57What a clever old boy you are to take one up so quickly.
21:01If you'd only borrow my stick and tap the floor, it would start up a coach and six.
21:06I say, let's believe so.
21:08With all my heart.
21:09And there's another thing you can do with your wand, godmother.
21:14I must ask you to be so kind as to give my father a tap and change him altogether.
21:20He's been such a bad, bad child of late.
21:23It worries me nearly out of my wits.
21:25Oh.
21:25He's not done a stroke of work these ten days.
21:30He's had the horrors, too.
21:32And fancied that four copper-coloured men in red wanted to throw him into a fiery furnace.
21:36Jenny, dear, that is dangerous.
21:40My bad, child's always dangerous, more or less.
21:43I don't know who would have a child for my part.
21:46Oh, well, what shall we change after him?
21:50Well, I'm afraid I must be selfish next.
21:52And ask you to set me right in the back and legs.
21:56It's a little thing to do with your power, godmother.
21:59But it's a great deal to poor weak, aching me.
22:03You're as wise as wise can be, having been brought up by the fairies.
22:08Tell me, is it better to have had a good thing and lost it, or never to have had it?
22:15I feel so much more solitary and helpless without Lizzie now than I felt before I knew her.
22:21My dear, some beloved companionship fades out of most lives.
22:27That of a wife, a fair daughter, and a son of promise faded out of my own life.
22:34But the happiness was.
22:38We'd better go.
22:42Oh, it's a terribly foggy night.
22:44Shall we wait until tomorrow?
22:46Lizzie said we must go as soon as possible.
22:49And that is now, godmother.
22:50Very well.
22:52Dear Cinderella.
22:55It's a cold foggy night, Miss Abbey.
22:58Please do you have brought something terrible.
22:59Now then, what's for you?
23:11Can we speak to Miss Potterson?
23:13You not only can, you do.
23:15May we speak with you, ma'am?
23:17You might.
23:21Come in and sit by the fire.
23:23Sit you down.
23:25My name is Raya.
23:27My young companion is Miss Wren.
23:30We take the liberty of coming here on behalf of Lizzie Hexham.
23:34Lizzie Hexham is a very proud young woman.
23:36She has left town for the moment.
23:39Before she went, she asked us to show you a paper which she left with us.
23:44Where did she go in the name of the Cape of Good Hope?
23:46Into the country.
23:47She was a good friend of my young companion.
23:50A much needed friend.
23:53I can believe that.
23:55And if it's proud to have a heart that never hardens,
23:57and a temper that never tires, and a touch that never hurts,
24:00then she is proud.
24:02You do right, child, to speak well of those who deserve well of you.
24:05Right or wrong, I mean to do it.
24:07So you can make up your mind to that, old lady.
24:08Here is the paper, madam.
24:11Would you like a little shrug, my dear?
24:13Shrug if it's good.
24:15Put your feet in the fender.
24:17I'll bet you some.
24:23Child or woman?
24:24Child in years.
24:26Woman in self-reliance and trial.
24:28Wonderful.
24:31Poor little thing.
24:33You're talking about me, good people.
24:35I can't hear what you say, but I know your tricks and your manners.
24:39Here you are, my dear.
24:40Now, where's this paper?
24:47Here it is, madam.
24:49It's genuine, I suppose.
24:51I think so.
24:52Well, I never had much doubt that Ryderwood was the villain, but I always thought Exxon was in it, too.
25:01This seems to prove he wasn't.
25:04Seems I've done Lizzie's father wrong, but never Lizzie herself.
25:08Be good enough to tell her what I say.
25:09Thank you, madam.
25:11And if ever she's in need of her home or a friend, she'll find one here.
25:15Tell her that, too.
25:17I will indeed, madam.
25:18Perhaps you'd be kind enough to make me a copy of this paper.
25:22Might be useful sometimes.
25:23With pleasure.
25:24Here, now then, now then.
25:27What's all this?
25:28What's going on here?
25:30Someone's run aground in the fog, missus.
25:31They say there's ever so many people in the river.
25:33Tell them to put the kettles on.
25:34Get the bar down.
25:35Hang the blanket by the bar.
25:37Get the hot water bottle ready.
25:38Oh, and forth.
25:39Tell those girls downstairs to use their wits.
25:41Oh, you men, get out of the wits.
25:43Mr. Abbees.
25:44What's happening?
25:44It's the steamer, Mr. Abbees.
25:46It always is a steamer.
25:47It's one something down.
25:48Only a small bit.
25:49Well, how many men were there in here?
25:50Only one.
25:51One, have they found him?
25:52Yes, I'm bringing them in here.
25:53Here they are now.
25:54Careful, we can bring him in.
25:55Hide his legs.
25:56Put him down, Mr. Abbees.
25:59Come on, tell him, man.
26:04Good grief.
26:06It's the man whose document we've just had in our hands.
26:08It's riderhood.
26:09I think so sure he's alive, ma'am.
26:11We'd better do our best.
26:12Even if it is riderhood.
26:14He's the blanket, ma'am.
26:16Whether he's alive or whether he's dead,
26:18keep working at him, ma'am.
26:19A life's the life.
26:21Come in, my dear.
26:22I didn't know it was your father until he was brought in here.
26:26But I hope I should have behaved much the same, whoever he was.
26:29Poor father.
26:30Poor father.
26:31Is he dead?
26:31Don't think so.
26:32Keep that in, lads.
26:33He moved.
26:34His gills look rough for me.
26:36He's breathing.
26:36He'll do.
26:38He'll do.
26:39Father.
26:40Father, it's me.
26:41Well, he's the better man in, hasn't his luck.
26:44Let's hope he'll make better use of his life than I expect he will.
26:46More than he's done afore.
26:47Not he.
26:48He'd be surprised to find himself here when he wakes up.
26:51Miss Abbe forbade him this place,
26:52and what you might call a fake, sorted him in again.
26:54He wouldn't have come of his own accord.
26:55No, nor wouldn't have been let in if he had.
26:57Well, you've done your work like good men and true.
27:00Come and take something at the expense of the earth.
27:04Well, right, Hood.
27:05How do you feel?
27:07Nothing's a ghost on.
27:11What are you doing here?
27:13He was run down by Stephen's father.
27:16Oh, the Lord, bless me.
27:20I made up paper.
27:22Well, where's me fur cap?
27:26In the river.
27:27Well, wasn't there no honest man to pick it up.
27:33You were a rare look.
27:35Hold on, yeah.
27:37Well, that'll be up, Coach.
27:40Lean on me, Father.
27:42I'll help you.
27:42Well, hold still then.
27:45I'll have a law and I'll see you, my love.
27:48I ain't got to be drowned and not paid for it.
27:51Ha, ha, ha, ha.
27:57Forgive me.
28:19That's all.
28:20I haven't heard of you.
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