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00:00:00This young couple, Mr. and Mrs. Cox of Newcastle, are looking forward to the birth of their first child in a beautiful battle with all the modern conveniences.
00:00:08I don't want to talk about your act. I want to talk about this woman.
00:00:12There is no woman, man!
00:00:14Let me give you some advice, all right?
00:00:18Don't give up your day job.
00:00:21I'm gonna make this marriage work, Nick.
00:00:24I see.
00:00:25Well, I have to.
00:00:27I'm pregnant again.
00:00:30Well, Inspector.
00:00:32We've just heard a lot of very plausible excuses made on your behalf for the chaotic spread of crime in your area.
00:00:39I'll never forget what you've done.
00:00:42I want you as my personal assistant.
00:00:45Don't you think I've earned it?
00:00:47If I don't deserve something, nobody does.
00:00:50Yes, that's a very good way of putting it.
00:00:53The great moral issue facing modern British politics is corruption.
00:00:58It's just the great moral issue facing modern comedy industry.
00:01:01But it's just the responsibility of fourteen others for change.
00:01:02We've got to go.
00:01:03We've got to go.
00:01:05Bye.
00:01:06We've got to go.
00:01:07Bye.
00:01:09Bye.
00:01:10Bye.
00:01:11Bye.
00:01:12Bye.
00:01:13Bye.
00:01:15We've got to go.
00:01:16Bye.
00:01:17Bye.
00:01:19Bye.
00:01:20Bye.
00:01:21Bye.
00:01:22Bye.
00:01:23Bye.
00:01:24Bye.
00:01:26Bye.
00:01:27Bye.
00:01:28my goodness
00:01:4318 of these places so far I've been counting
00:01:51whatever turn you want
00:01:52blatant, absolutely blatant
00:01:54it's Danish
00:01:56seven or eight years since I was in Soho
00:01:59astonishing
00:02:01you should have a look at the place at night
00:02:03when it's lit up
00:02:04that's when most people come
00:02:07not six o'clock in the morning
00:02:08yes
00:02:08yes, perhaps I should
00:02:11thank you
00:02:26go, go, go, go
00:02:38go, go, go
00:02:44go, go, go
00:02:46go, go, go
00:03:11the implications of illegal shipment of oil into rhodesia are vast that's from geordie
00:03:20aye why not pay a visit to swing in london i've seen here is amazing
00:03:26this is getting worse again
00:03:28i'll pour another chicken
00:03:30advisor to the prime minister talked about
00:03:32i'll work in a half shift
00:03:39say about seven
00:03:41if the use of sanctions does not bring about an end to the crisis
00:03:46the british businessman would have lost a vast and profitable market
00:03:50suppose you want some breakfast can i say
00:03:52oui
00:03:54oui
00:03:56oui
00:03:57it's a bastard chance
00:04:27what's the hole up here
00:04:29it's this bastard thing man it's falling to bits
00:04:31all right marvin how's things going
00:04:39hey look at her
00:04:41hey sweetheart
00:04:42hey tosca
00:04:43hey you're some man with the women
00:04:45oh
00:04:46hey get away i'm a married man man
00:04:49hey
00:04:50hope you do it
00:04:51you think we look pretty good together
00:05:15you think my shoes are made of leather
00:05:22but i'm a substitute for another guy
00:05:28i love friends over my heels are high
00:05:31the simple things you see are all complicated
00:05:35look pretty young but i'm just back to date again
00:05:40well who wants to get arrested in their lunch hour
00:05:56yeah well
00:06:01is that it
00:06:04when's barrett gonna do something about it
00:06:07i'll pass on your comments michael
00:06:10mr peacock
00:06:15you couldn't make me 50 quid could you
00:06:18what
00:06:18i'm a bit desperate actually
00:06:21i'll pay you back
00:06:22you'd better
00:06:23there's 20
00:06:26put it back
00:06:34on your way
00:06:41hello brenda
00:06:55hello
00:06:56mr barrett not come in yet
00:06:59don't know
00:07:00hello
00:07:09sound
00:07:14benny
00:07:27Benny?
00:07:57Hey, what fettle, Bonnie, lad?
00:08:10Canny fettle, Benny.
00:08:12How's business?
00:08:13Bad.
00:08:14Oh, why's my life so full of problems?
00:08:17One of Winter's shops got done.
00:08:19Did it?
00:08:20What happened?
00:08:21No, they confiscated the Danish stuff.
00:08:23No arrests.
00:08:24You know, the filth want to leave Soho alone.
00:08:27If people had stopped putting nuns and dogs in the windows.
00:08:30I mean, it's provocative, innit?
00:08:33I mean, I've tried telling the Maltesers, but will they listen?
00:08:36Greedy, foreign bastards.
00:08:38I've got to go.
00:08:40I've got to take the wife to a dinner party.
00:08:43Look after yourself, you.
00:08:45I'll see you later.
00:08:47No, I'll have to stay the night.
00:08:48It'd be expected.
00:08:50I'll see you both tomorrow.
00:08:51Sayonara.
00:08:56Did he say?
00:08:57Your face.
00:09:12Let's do it again.
00:09:13I love you.
00:09:43I love you, Geordie.
00:09:45I love you.
00:09:46I love you.
00:10:13I love you.
00:10:16I love you.
00:10:16I love you.
00:10:47And look at the house.
00:10:56Anthony! Anthony!
00:10:59Oh, God.
00:11:09Look at it all.
00:11:12Honestly.
00:11:15It's absolutely blatant.
00:11:17Oh, my love.
00:11:22Doing as well as no control at all, is there?
00:11:24I mean, we've had no effect at all, I can see.
00:11:27Can you pull in here, please, by the way?
00:11:29Absolute disgrace.
00:11:32I see this one here.
00:11:35Oh, drive on, drive on.
00:11:37Bye, love.
00:11:37I can't stand still, because you've got me going.
00:11:52Oh, my God.
00:11:53Nothing's waiting.
00:11:58Scorch, please.
00:12:00I can't stand still.
00:12:03Oh, my God.
00:12:05I think you, girl, as you're standing there.
00:12:09They're cold cuts, slacks, and your long-blast hair.
00:12:13I want you going around with no one else.
00:12:17Cause when I'm with you, I can't control my sins.
00:12:24Things are down and you got me shaking.
00:12:32You got me so that my nerves are breaking.
00:12:43Do you think I should write to Austin Donahue about it?
00:12:47About what?
00:12:49Is it damp?
00:12:51It's pointless, ma'am.
00:12:53What about Eddie?
00:12:54Look, we've told him, haven't we?
00:12:56They've been, they've filled in the cracks, they've treated the walls, that's it.
00:13:01That's all I can do.
00:13:02You mean we're just stuck here? Is that what you're saying?
00:13:05I'm not saying anything. I'm just trying to get some sleep.
00:13:17What are you doing?
00:13:18Nothing!
00:13:19Nothing!
00:13:20What are you doing?
00:13:21Do you love me?
00:13:22Hey!
00:13:23Do you love me?
00:13:24Of course I do!
00:13:25You never said, ever!
00:13:26Get in, will you?
00:13:27I can't.
00:13:28I can't.
00:13:29I can't.
00:13:30I can't.
00:13:31I can't.
00:13:32Hey! Do you love me?
00:13:34Yes, I do!
00:13:35You never say it, ever!
00:13:37It ain't, will ya?
00:13:39I can't.
00:13:41I hear that thing.
00:13:43Hey, hey, hey, hey, hey, hey, hey, hey, hey, come on.
00:13:49I've got my arms.
00:13:51Hey, shh, shh, shh.
00:13:54Hey, come on, come on.
00:13:57It's okay, don't cry.
00:14:00Don't cry.
00:14:02Shh.
00:14:05Come on.
00:14:07We nearly lost Anthony today.
00:14:10There's down behind the water hole,
00:14:13and I was trying to move it, and this fell off,
00:14:15and I thought he was a hundred.
00:14:17Shh, shh, shh.
00:14:23Shh.
00:14:25Shh, shh.
00:14:26Shh.
00:14:27Shh.
00:14:28Shh.
00:14:29Shh.
00:14:30Shh.
00:14:31Shh.
00:14:32Shh.
00:14:33Shh.
00:14:34Shh.
00:14:35Shh.
00:14:36Shh.
00:14:37Shh.
00:14:38Shh.
00:14:39Shh.
00:14:40I won't think of nothing at all.
00:14:42Shh.
00:14:46He's changed a bit.
00:14:48Why?
00:14:49What's he doing?
00:14:50Photographer.
00:14:51Working for the Chronicle.
00:14:52That's a bit of a comedown, isn't it?
00:14:53I thought he was gallant alum and worked for the Sunday Times.
00:14:55Shh.
00:14:56He's got a girlfriend.
00:14:57Uh-huh.
00:14:58About time?
00:14:59That's what I said.
00:15:00Shh.
00:15:01Shh.
00:15:02Shh.
00:15:03Shh.
00:15:04Shh.
00:15:05Shh.
00:15:06Shh.
00:15:07Shh.
00:15:08Shh.
00:15:09Shh.
00:15:10Shh.
00:15:11Shh.
00:15:12Shh.
00:15:13Shh.
00:15:14Shh.
00:15:15Shh.
00:15:16Shh.
00:15:17Shh.
00:15:18Shh.
00:15:21Shh.
00:15:22What's here?
00:15:25He wants to sort of have a night out together.
00:15:29Uh-huh.
00:15:31What you like?
00:15:32I don't know, do I?
00:15:43Shall I say yes?
00:15:48Shall we get some sleep?
00:15:49Hm?
00:15:50It's been one of those days.
00:15:51Yeah.
00:15:52It's been one of those days.
00:15:53Yeah.
00:15:54It's been one of those days.
00:15:55Yeah.
00:15:56It's been one of those days.
00:15:57Yeah.
00:15:58Do you know what shocked me more than anything about the other night, Harold?
00:16:03Almost more than what those poor pathetic girls were doing on that stage.
00:16:04The audience.
00:16:05They were smartly dressed.
00:16:06Some even had their wives with them.
00:16:07I find it totally incomprehensible, this whatever-turns-you-on attitude.
00:16:10We're becoming like this, but I'm not sure if you're not.
00:16:11Do you know what shocked me more than anything about the other night, Harold?
00:16:16Do you know what shocked me more than anything about the other night, Harold?
00:16:19Almost more than what those poor pathetic girls were doing on that stage?
00:16:23The audience.
00:16:24They were smartly dressed.
00:16:26Some even had their wives with them.
00:16:29I find it totally incomprehensible, this whatever-turns-you-on attitude.
00:16:36We're becoming like Egypt.
00:16:38No, Inspector.
00:16:40I'm not asking you to account for the moral decline of Great Britain.
00:16:43What I am asking...
00:16:45No.
00:16:46Not asking.
00:16:47Demanding.
00:16:48Is that you do something to stop the rot.
00:16:50I want action.
00:16:52Sir Colin's right, Harold.
00:16:55Well, Bonehead wants action.
00:17:08What are you gonna do?
00:17:09I'm gonna take action, Ron.
00:17:11Today.
00:17:25What fettle, Bonnie lad?
00:17:38Canny fettle.
00:17:43Where have you been?
00:17:45Copenhagen.
00:17:46Been talking to some suppliers.
00:17:49I think Jules was a bit worried.
00:17:53Oh.
00:17:56How's business?
00:17:57Bad.
00:17:58Five grand.
00:17:59And Michael Frisch got busted.
00:18:01Or so he says.
00:18:02He says they wanted a drink out the till.
00:18:05Dirty squad.
00:18:06Local nitty, he says.
00:18:08Pity.
00:18:12Pity.
00:18:13How thirsty were they?
00:18:15Fifty quid.
00:18:17I don't think he was busted.
00:18:19I think he put it in his pocket.
00:18:21He's an idiot.
00:18:22He sits there reading while the punters nick the goods.
00:18:25What should I do?
00:18:26Fire him off.
00:18:28Shall I smack him?
00:18:30Could do.
00:18:31Would you?
00:18:32If you was me and someone was being disloyal,
00:18:35would you smack him?
00:18:38I suppose so, yeah.
00:18:40Hard?
00:18:44Well, we can't be sure though, can we?
00:18:46Tell him to ask for a receipt next time.
00:18:49Wait upstairs, Geordie.
00:18:54Very nice.
00:18:55Yeah, not bad.
00:18:56Where's the big night?
00:18:57Fortnight.
00:18:58What about the other place?
00:18:59Oh yeah, well, I'll be keeping that going as well.
00:19:02Business must be good.
00:19:03Things could be a lot better.
00:19:04Well, it's time we made an arrangement.
00:19:07We think it would be better if we dealt with selected people.
00:19:10Then we can get rid of the villains, give the place a facelift.
00:19:11The public will be happy.
00:19:12You will be happy.
00:19:13You will be happy.
00:19:14You will be happy.
00:19:15What about the other place?
00:19:16What about the other place?
00:19:17What about the other place?
00:19:18Oh yeah, well, I'll be keeping that going as well.
00:19:19How happy was you thinking of?
00:19:20Seven hundred and fifty quid a week.
00:19:21Pfft.
00:19:22How happy was you thinking of?
00:19:23Seven hundred and fifty quid a week.
00:19:25Now that takes care of everybody.
00:19:26In return, you're toned down the way.
00:19:27It's time we made an arrangement.
00:19:29We think it would be better if we dealt with selected people.
00:19:34Then we can get rid of the villains, give the place a facelift.
00:19:38The public will be happy.
00:19:39You will be happy.
00:19:40And we will be happy.
00:19:45How happy was you thinking of?
00:19:47Seven hundred and fifty quid a week.
00:19:50Now that takes care of everybody.
00:19:53In return, you're toned down the window displays.
00:19:56No problem.
00:19:57The number of shops would be regulated.
00:19:59You'd have to keep them off the main thoroughfares
00:20:01and there'd be no more new shops except by prior arrangement.
00:20:05And they'll be extra.
00:20:12What about your governors?
00:20:13You don't need to worry about my governors.
00:20:15I do.
00:20:16I'm bound to, aren't I?
00:20:18I mean, we're all honorable men.
00:20:20I need to know who I'm dealing with.
00:20:22I'll see what I can do.
00:20:24I can't find the friggin' button. Hang on, hang on.
00:20:26I can't find the friggin' button. Hang on, hang on.
00:20:31Same old Benny.
00:20:33Oh, ha, ha, Jules. Yeah, I've got it. Got it.
00:20:35Right.
00:20:36One, two, three. Testing, testing, testing.
00:20:40One, two, three. Testing, testing, testing.
00:20:41One, two, three. Testing, testing, testing.
00:20:47Oh, my gosh!
00:20:48Don't see what I'm getting here.
00:20:49What?
00:20:50What?
00:20:51Oh, God.
00:20:52What a感謝, getting your dirty got it.
00:20:53Hang on, hang on.
00:20:54Yeah, I've got the button. Hang on, hang on.
00:20:56Same old Benny.
00:20:57Oh, ha, ha, Jules, yeah. I've got it. Got it.
00:21:02Typical, isn't it?
00:21:28There's never one around when you need one.
00:21:32A little job I want you to do for me, Geordie.
00:21:36You all right?
00:21:36Yeah.
00:21:38Your old friend, Walensky.
00:21:41The lease on his flat has been up since December.
00:21:44That's five months he's been sitting up there.
00:21:47Do you know how much rent he pays me?
00:21:48A two-bedroom flat in the middle of London,
00:21:50£5, 17 and 6 a week.
00:21:54I've tried being nice.
00:21:55I've offered him a lump sum, but I didn't have to do that.
00:21:59I've tried solicitor's letters.
00:22:00I want that flat.
00:22:04What do you want me to tell them?
00:22:07You'll think of something.
00:22:09Do it now while I'm gone.
00:22:18Here we go.
00:22:19Let's hope I don't get a flat battery.
00:22:30Hello, Mr. Solway.
00:22:31This is a diabolical liberty.
00:22:48I trusted you.
00:22:49What is this, John?
00:22:59You wanted to meet my governor.
00:23:02Commander Harold Chappell.
00:23:04Head of CID.
00:23:06Mr. Baron.
00:23:08We're holding a little sail.
00:23:10You thought you'd like first refusal.
00:23:12Have a great day.
00:23:14Whoa!
00:23:14Let's go.
00:23:15Let's go!
00:23:16Oh, man!
00:23:16Let's go!
00:23:17Let's go!
00:23:36Let's go!
00:23:36so how is geordie oh very well i've been meaning to come and see you for ages
00:23:49come as often as you like i i can't get out so much anymore
00:23:57oh what are you doing now not washing dishes
00:24:02so it's a nice suit a nice watch things are looking up for geordie it's a good thing
00:24:15i'm working for mr barrett
00:24:19what does mr barrett want from me now
00:24:37my wife died in this room geordie
00:24:43he needs the rooms by the end of the month
00:24:49why what for
00:24:53pimp
00:24:57to put in one of his pox ridden whores
00:25:02filthy pimp
00:25:04he's not the sort of man you think
00:25:07he gave
00:25:18me this for you
00:25:20to help you settle in somewhere else
00:25:23end of the month
00:25:37what's going on no idea
00:25:44ok
00:25:48ok
00:25:50ok
00:25:56ok
00:26:02ok
00:26:04ok
00:26:05ok
00:26:20ok
00:26:22ok
00:26:24ok
00:26:26ok
00:26:28ok
00:26:30ok
00:26:31ok
00:26:32ok
00:26:33ok
00:26:34ok
00:26:37come on Ron
00:26:38put it in your pocket
00:26:40ok
00:26:41ok
00:26:42ok
00:26:43ok
00:26:44ok
00:26:45ok
00:26:46ok
00:26:47ok
00:26:48ok
00:26:49ok
00:26:51ok
00:26:52ok
00:26:53ok
00:26:54ok
00:26:55ok
00:26:56ok
00:26:57ok
00:26:58ok
00:26:59ok
00:27:00ok
00:27:01ok
00:27:02why I need a change of scene sir look I realize you lads have had a frustrating
00:27:13year but this is the wrong response Ron John Solway has told me personally he
00:27:19doesn't want you to leave the dirty squad and he also tells me he feels you're on
00:27:24the verge of a breakthrough so why
00:27:32all right you're gonna have to tell me what this is all about
00:27:40the reasons are purely personal sir
00:27:47all right but it'll go on your file
00:28:00thank you sir
00:28:02station
00:28:14Austin stop
00:28:15what
00:28:16your rail ticket
00:28:17yes
00:28:18for reservation
00:28:18right
00:28:20station please
00:28:21and Barry Morgan rang from the daily mirror
00:28:23no
00:28:23listen will you
00:28:24he asked if it was true that you'd already put a bid in for the Hammersmith television studios
00:28:29what did you say
00:28:30well what was I supposed to say
00:28:32what did he say
00:28:33he said were you anticipating that the bid for the television franchise would be successful in that case
00:28:37what did you say
00:28:38I denied everything I thought that was best I told him that all his questions would be answered this afternoon at the Dorchester hotel
00:28:45well done
00:28:46well I'll see you tomorrow
00:28:47well come on station
00:28:48ladies and gentlemen
00:28:53gentlemen mr. Austin Donovan
00:28:55chairman of the northern television franchise
00:28:57thank you
00:29:00and not a newspaper proprietor in sight
00:29:03what no merchant bankers
00:29:05heresy
00:29:07no this is a bid from the grassroots
00:29:10education
00:29:11trade unionism
00:29:13the arts
00:29:14local government
00:29:15bingo
00:29:16all right
00:29:19some of the 22 millions of capital comes from the profits of bingo halls
00:29:23but that's not to be despised I assume
00:29:26it's also true that as a body of people we're slightly further to the left than some other bids for this television station
00:29:33but let me ask you something
00:29:35why should the Geordie working man only watch programs dreamed up in New York or Los Angeles
00:29:41or London
00:29:42what makes you think that all he ever wants is that that dreadful mix of the hamstered agenda and American soap operas
00:29:49now maybe Geordie would like the big picture for a change
00:29:53damp
00:29:54they've only been up two year
00:29:58have you talked to bead comma
00:30:01well Eddie I've written them letters begging for help
00:30:04and it's not just in here
00:30:05it's practically the whole block
00:30:07right
00:30:10there's only one language Connor understands
00:30:14good afternoon
00:30:18yes a little more patience please
00:30:21I'll be with you any minute
00:30:23thank you
00:30:25now the following is for public consumption
00:30:28together with four other members of the northern television consortium
00:30:33I attended exhaustive interviews with the independent broadcasting commission in Knightsbridge this morning
00:30:40they gave us a good hearing
00:30:42they were obviously impressed with our outfit
00:30:45and we will know the outcome in due course
00:30:48we're in with a chance okay
00:30:52I can't say much else but this
00:30:55gentlemen
00:30:56a toast
00:30:57to the future
00:30:58ready
00:31:11Sandra can you get a beer from Mr. Wells
00:31:13no thanks Austin
00:31:15I've come to talk to you about the Willow Lane flats
00:31:17Eddie for God's sake
00:31:19not now man
00:31:20right now
00:31:21I don't mind saying what I've got to say in front of people
00:31:24it won't take long
00:31:25I'd like Conor to hear for a start
00:31:28Sandra give them another drink
00:31:30keep them happy
00:31:32ask Conor to join us
00:31:33Eddie
00:31:34what does he want
00:31:44I'm here to speak up for some of the people living in the Willow Lane flats
00:31:48particularly Mrs. Cox
00:31:50oh yes
00:31:51now this young woman and her husband and their bairns are living in a pigsty
00:31:54they were glad enough to get it as I remember
00:31:57have you been back since and had a look
00:31:58this is a disgrace and so are you
00:32:01now I'm giving you fair warning
00:32:03get off your backside and get this sorted out
00:32:05whatever the cost
00:32:06or else
00:32:07or else what
00:32:08or else I'll do a bit of public relations myself
00:32:12I'll go to the papers
00:32:13and we'll have a few pictures of the mould
00:32:15and a few interviews with the residents
00:32:17so we're not very impressed with you
00:32:19or you Austins
00:32:21and maybe we'll have a few questions
00:32:22about how them flats ever got built in the first place
00:32:24how do we shite you little bastard
00:32:26are you both clear about that
00:32:29yes I think so
00:32:32good
00:32:33he's even had the nerve to go to the city severe
00:32:44those flats are going to have to be put right
00:32:46I'm supposed to go to the corporation
00:32:49and say as chairman of the housing committee
00:32:51that I want an extra million pound to spend on a block of flats
00:32:54it's only been up two year
00:32:55what's the alternative?
00:32:57do not
00:32:58in six months time
00:33:00they'll have forgot about the flats again
00:33:02and I'll break Eddie's back for one dark night
00:33:05Bede
00:33:05I think you're missing the point here
00:33:07the flats must be put right
00:33:09now you're going to have to talk to Edwards
00:33:10me?
00:33:12you're the one that brought them up here
00:33:13you talk to them
00:33:15well son
00:33:23the Edwards fast please
00:33:26all right
00:33:27you've got it in a minute
00:33:28all of it
00:33:41I want all of it
00:33:41this is all of it
00:33:43you've got the rest at home
00:33:45well I haven't
00:33:47well it isn't here Austin
00:33:49I haven't seen it for months
00:33:50well when exactly?
00:33:52well we started a new file
00:33:54the date will tell you
00:33:55July 66
00:33:59wasn't that when Nicky Hutchinson left?
00:34:10hi
00:34:10Nicky! hey!
00:34:14didn't recognise you were your tush
00:34:15Mary?
00:34:18Helen Windsor
00:34:18hello
00:34:19hi
00:34:20it's Oscar
00:34:21hi
00:34:23hiya
00:34:23Windsor
00:34:25no relation
00:34:27no
00:34:30how do you like Newcastle, Helen?
00:34:34well it has its compensations
00:34:36have you had the gamberoni?
00:34:39no
00:34:40uh gamberoni
00:34:41gamberoni
00:34:42oh yeah that prose
00:34:47yes I wondered what they were like
00:34:48well the little pink things would boggle eyes
00:34:52what?
00:34:56what?
00:34:56what?
00:35:01may what you expected?
00:35:04to be honest no
00:35:05I'm a bit surprised
00:35:07are you why?
00:35:09well only cause Nicky said he met you through the anarchists
00:35:12frock
00:35:13suffering hell
00:35:15I don't think any of them is anarchists in the real sense
00:35:17I don't know I think
00:35:19well I suppose I was expecting a cliché anyway
00:35:23aye but we knew she worked in a bank though didn't we
00:35:25are you on the tills?
00:35:27I'm sorry I was talking to Mary
00:35:29well I realise you don't work as a cashier
00:35:35no I'm an analyst for a merchant bank
00:35:38oh aye what's one of them?
00:35:40and she's on secondment from London
00:35:46helping us set up a programme
00:35:47none the wiser
00:35:49it's a canny screw is it?
00:35:54six grand a year
00:35:55it's not bad
00:35:57and no kids
00:36:00well you was?
00:36:04no reason women usually get married and have bairns so
00:36:06I was married you left
00:36:08couldn't cope with me having lovers
00:36:11what do you do?
00:36:19me?
00:36:23that stencil address is on the crates
00:36:25we send pump gear to Rhodesia
00:36:27I thought it was South Africa
00:36:29nah it's supposed to be but it's some sort of a fiddle to Rhodesia really
00:36:32sweets
00:36:35how much are there?
00:36:36you're having to break the sanctions then?
00:36:41who me?
00:36:43I'm just sensing the address is on the crates
00:36:44no you can't say that Tosca
00:36:46can I not?
00:36:51do you want a pudding?
00:36:53no
00:36:53what's the name of chocolate things?
00:36:56oh erm
00:36:57chocolate
00:36:58hey get away back the gates of you
00:37:02go on
00:37:02the tradition blacks are an oppressed race
00:37:06anything you do that helps the white regime only makes it hard for the blacks to take their freedom
00:37:10yeah yeah yeah yeah yeah I'm not interested in politics so
00:37:13er that's why he votes Tory
00:37:15how do you know what I vote or don't vote?
00:37:19you're having anything else?
00:37:27well Tosca what I'm trying to explain
00:37:29hey look get off me back will you sweetheart
00:37:31okay I'll get off your back and you don't call me sweetheart
00:37:35Jesus what what's the matter with that?
00:37:38it's patronising I don't allow it
00:37:40no harm's meant by it Helen it's just a common thing
00:37:42hey hey don't apologise for me okay there's no wrong with calling somebody sweetheart
00:37:46what? you were calling people blacks a minute ago
00:37:49that's completely different
00:37:51how come?
00:37:52how come?
00:37:53because blacks are black
00:37:55yeah we all know that but there's no need to say so
00:37:59right
00:38:08I was coming to £3.02
00:38:10I'm peeing
00:38:11no no no you're not
00:38:12ready?
00:38:18yeah here Helen
00:38:20blow your nose
00:38:21I'll help you to talk down it
00:38:23hey look Tosca's a bit of an idiot but you know Mary's okay
00:38:36you're moving on
00:38:37you're changing
00:38:38they're staying behind
00:38:39that's all
00:38:40embrace it
00:38:43embrace the change
00:38:45embrace the future
00:38:48what do you really want Nicky?
00:38:57I want to work as a photographer
00:38:59I want to work as a journalist
00:39:00I want to be part of something that gets things changed
00:39:04I can't do that in Newcastle
00:39:06no
00:39:07no
00:39:08no
00:39:09no
00:39:10no
00:39:11to the future
00:39:16to the future
00:39:17the future
00:39:21thanks very much
00:39:24thanks very much
00:39:25thanks very much
00:39:26thanks very much
00:39:28thanks
00:39:29thanks
00:39:30hey what's it all about Vinnie?
00:39:31what is it man?
00:39:32there man
00:39:33what?
00:39:34what?
00:39:35what?
00:39:36what?
00:39:38what the hell's this?
00:39:45sorry son
00:39:59won't have to lose three or four years
00:40:01last one in first one out
00:40:04what four leg?
00:40:05I've lost that pump gear contract
00:40:07it's finished
00:40:08it's in hell
00:40:08it's got a year to run
00:40:10telling you son
00:40:11nobody knew
00:40:12but they were supplying someone else
00:40:14we all know that man
00:40:15aye
00:40:15well they've been found out
00:40:17it's the Rhodesia question son
00:40:19what the hell's that got to do with me?
00:40:21get away
00:40:23bloody Rhodesia
00:40:24it's a fiddle
00:40:26to Oscar
00:40:27I wouldn't rub a man of his job now
00:40:29get away and shite
00:40:32I've had some bloody excuses
00:40:34Rhodesia
00:40:35I don't even know where the bastard place is
00:40:38good evening sir
00:40:41you ready to order?
00:40:43waiting for Mr Seabrook
00:40:44Claude Seabrook
00:40:47opposition spokesman for commonwealth affairs
00:40:50and overseas development
00:40:51yes sir
00:40:54yes I am impressed
00:40:58John
00:40:58I am
00:40:59Claude Seabrook
00:41:01we had any more news
00:41:05from our friend Mr Wells
00:41:06that photo in the paper
00:41:09was in very bad taste
00:41:10weren't those people
00:41:12the ones in the promotional film
00:41:14yes there were
00:41:15shall I tell you
00:41:19I think put them up to all this
00:41:20Nicky Hutchinson
00:41:22you're paranoid John
00:41:25ha!
00:41:26paranoid
00:41:27well
00:41:28despite suffering from a mental disorder
00:41:32I've never seen the point
00:41:33in employing somebody
00:41:34who was totally against
00:41:35everything I was for
00:41:37this way please
00:41:38you didn't employ him
00:41:39he was never interested
00:41:40in helping Edward's system building
00:41:42he was only interested
00:41:44in being better than everybody else
00:41:45in the morals department
00:41:46well
00:41:49let's put an end to this
00:41:51put Wells on the payroll
00:41:53I asked him three years ago
00:41:55I put his wife on the payroll
00:41:57as an interior design consultant
00:41:59had his wife been dead for ten years
00:42:01give him all a day then
00:42:03it would be pointless
00:42:05don't talk him rubbish
00:42:06it's never pointless
00:42:08get Connor to get the troublemakers
00:42:11re-housed
00:42:11that'll shut Demmel
00:42:12and offer Wells
00:42:13a use of a car
00:42:14he rides a bike
00:42:17well money then
00:42:19give him some money
00:42:20just make sure
00:42:21he gets something
00:42:22yes
00:42:22look
00:42:23it's not just as simple
00:42:25as re-housing
00:42:26a few people
00:42:27the whole block's
00:42:28going to have to be
00:42:29emptied
00:42:29taken apart
00:42:30and strengthened
00:42:31otherwise it might fall down
00:42:34fine
00:42:34get on with it
00:42:35well you're going to have to pay
00:42:36for at least part of the cost
00:42:37you'll get nothing out of me
00:42:41what are the rates for?
00:42:45look John
00:42:46I'm telling you this
00:42:48for the last time
00:42:49something will have to be negotiated
00:42:51good idea
00:42:53you're my PR man
00:42:56you negotiate on my behalf
00:42:58and Connor can negotiate
00:43:00for the council
00:43:01only make sure he understands
00:43:03that I pay nothing
00:43:04maybe you were right
00:43:16John
00:43:16maybe my time
00:43:18is going to be taken up
00:43:19with Northern Television
00:43:20perhaps it's time
00:43:23you started looking elsewhere
00:43:24for representation
00:43:25you're taking a chance
00:43:29aren't you?
00:43:31your business
00:43:31doesn't exist without me
00:43:33are you that sure
00:43:34of this franchise?
00:43:39give my apologies to Claude
00:43:40all you have to do
00:43:50is back me up
00:43:51Connor's on Edward's payroll
00:43:53isn't he?
00:43:55well isn't he?
00:43:56you've seen the evidence
00:43:59haven't you?
00:44:05I can't help
00:44:06you won't
00:44:08Nicky
00:44:09they'll get away with it
00:44:11if you don't speak up now
00:44:12I can't
00:44:15honestly
00:44:15bye Nicky
00:44:23Mary
00:44:25so what do we do now
00:44:36is that it?
00:44:38could try the papers again
00:44:39yeah
00:44:40yeah
00:44:42could have another go at that
00:44:43six months time maybe
00:44:45sorry
00:44:51sorry
00:44:51what are you doing?
00:45:02to make the best do it
00:45:03obviously
00:45:03why?
00:45:09Jesus Christ
00:45:10what a sheep
00:45:11what?
00:45:11hey
00:45:17hey
00:45:20stop doing that
00:45:22look stop it will you?
00:45:26it's got to be done
00:45:27Patrick will you shut up?
00:45:35you shouted him
00:45:36don't you ever
00:45:37shout at him
00:45:39we'll be picking them up soon
00:45:41for Christ's sake
00:45:43woman
00:45:43as fast as you've put it on
00:45:45it falls off
00:45:46you're not making any difference
00:45:49it's a waste of time
00:45:50get rid of your thick head
00:45:52will you?
00:46:09so this is not connected
00:46:11with ESP
00:46:11no
00:46:12well it's a natural growth
00:46:14from ESP
00:46:15but a new company
00:46:16Edwards oversees
00:46:18construction services
00:46:19and you wish me
00:46:21to be its chairman?
00:46:22with a roving commission
00:46:23to tour the world
00:46:24bringing in work
00:46:25you've got friends
00:46:27everywhere from your days
00:46:28in the foreign office
00:46:29you'll be a cross
00:46:31between a super salesman
00:46:33and
00:46:33the company's ambassador
00:46:35to the world
00:46:36the sort of company
00:46:38you describe
00:46:39would have to be
00:46:39very amply funded
00:46:41there's no shortage
00:46:42of cash
00:46:43are you interested?
00:46:47yes
00:46:48I do need to know
00:46:53one thing Claude
00:46:54about your political ambitions
00:46:56if you mean
00:46:57do I intend to challenge
00:46:58again for the leadership
00:46:59of my party
00:47:00then the answer is no
00:47:01I assume
00:47:03you are not suggesting
00:47:03that I should retire
00:47:04from the comments
00:47:05no
00:47:06I think it's essential
00:47:08you should stay there
00:47:09it's a big advantage
00:47:11especially when you're
00:47:13dealing with
00:47:13foreigners
00:47:34what fettle?
00:47:54hi
00:47:57well
00:47:58has your friend turned up?
00:48:00Tosca
00:48:01no
00:48:02he's getting the overnight bus
00:48:04we're picking him up
00:48:04about twelve
00:48:05we?
00:48:07Benny wants to have
00:48:08a little joke
00:48:09have some fun
00:48:10so we'll have some fun
00:48:13and how is Benny?
00:48:15he's fine
00:48:16asked me to have a word
00:48:19how?
00:48:20what about?
00:48:23geordie you haven't told him
00:48:24have you?
00:48:25no no I haven't told him
00:48:26I think he knows actually
00:48:28he hasn't been near me
00:48:29in weeks
00:48:30he doesn't know about us
00:48:31why'd he say it like that?
00:48:33because if he knew about us
00:48:34he wouldn't send me
00:48:34to talk to you
00:48:35about what?
00:48:39your wages
00:48:40what about them?
00:48:42jules man
00:48:43I see the books
00:48:43I've always known
00:48:45what he pays the other girls
00:48:46and I've always known
00:48:47what he pays you
00:48:48so he pays me more?
00:48:50yeah it's like you said
00:48:51he can be very generous
00:48:52but he expects a lot
00:48:54in return
00:48:54doesn't he?
00:48:56doesn't he Jules?
00:48:58he's such a bastard
00:49:00what the fuck
00:49:01you've seen him
00:49:01I've never known
00:49:02I owe him everything
00:49:03you owe him nothing
00:49:05and neither do I
00:49:06okay?
00:49:07he pays me to screw him
00:49:08and he pays you
00:49:09to admire him
00:49:10that's not all
00:49:13he pays you for
00:49:14though is it?
00:49:16he's such a bastard
00:49:17I assume the extra
00:49:21payments were
00:49:22for servicing him
00:49:23I didn't know
00:49:26I didn't know
00:49:26if you fuck for money
00:49:30what difference does it
00:49:32make who you fuck?
00:49:36I shouldn't love you
00:49:37I shouldn't love you
00:49:40but if you come away
00:49:46with me today
00:49:46I'll get everything
00:49:48I've got out of the bank
00:49:49we'll take off
00:49:50please
00:49:51no
00:49:51why not?
00:49:54because I don't want
00:49:54your money Geordie
00:49:55or anybody else's
00:49:57I want my money
00:49:58and I'm going to earn it
00:50:00quickly while I can
00:50:01can you understand?
00:50:04oh don't let him
00:50:04spoil everything
00:50:06let's go on the way
00:50:07we were
00:50:08oh isn't it good
00:50:10isn't it good
00:50:11Geordie?
00:50:18Mr. Barrett has a job
00:50:19for you to do tonight
00:50:20to celebrate the opening
00:50:24who?
00:50:30John Solway
00:50:31go out and find a girl
00:50:59come on, come on
00:51:01dance all right
00:51:02Oscar
00:51:02go out
00:51:03don't you know
00:51:05it's a pity for days
00:51:07can't be like
00:51:08the night of the summer
00:51:09in the city
00:51:10summer in the city
00:51:12get in
00:51:13shall I drive on, sir?
00:51:22this is Benny
00:51:23you've just come
00:51:25at the right time
00:51:26isn't that right
00:51:27Mr. Peacock, sir?
00:51:28new club opens tonight
00:51:29yeah
00:51:30Mr. Barrett wants that
00:51:38and that
00:51:41and that dear
00:51:45and that
00:51:47and I work for him
00:51:50and guess what, Mr. Cox
00:51:54I'm Benny Barrett
00:51:56what felt, Oscar?
00:52:00any friend of Geordie's
00:52:01is a friend of mine
00:52:02ain't that right, Geordie?
00:52:03yep, that's right
00:52:04Northern Television's
00:52:09failure to capture
00:52:10the franchise
00:52:10has been attributed
00:52:11to the overtly political
00:52:13stance of its chairman
00:52:14Austin Donahue
00:52:15oh, it's so unfair on you, Austin
00:52:17it's so unfair
00:52:19oh, that's a hell of a
00:52:20look at them all
00:52:22but it's so unfair
00:52:24Sandra
00:52:29come here
00:52:30pick up the phone
00:52:33right, put it down again
00:52:38now leave it off the hook
00:52:41and the other one
00:52:45now come on
00:52:48pull yourself together
00:52:50yes?
00:52:52yes
00:52:52onwards
00:52:54arrange a private meeting
00:52:57for me with Alderman Connor
00:52:59tell him I'll be representing
00:53:00Edwards System Building
00:53:01and the subject for discussion
00:53:03is the Willow Lane Flats
00:53:04now when you know
00:53:05the exact date
00:53:06I advise John Edwards' office
00:53:08is Mr. Edwards to attend?
00:53:11no
00:53:12just Alderman Connor
00:53:13and meself
00:53:14just make sure
00:53:15Mr. Edwards knows
00:53:16I'm representing him
00:53:17do this by phone
00:53:20no letters
00:53:21nothing on file, Sandra
00:53:29it's the best bloody
00:53:52suit I've ever had
00:53:53you're welcome, mate
00:53:54hey, I've no idea
00:54:03come on, everybody
00:54:18put your hands together
00:54:19and let's thank the lovely Jolene
00:54:20for helping us celebrate
00:54:21Whiskas Open Night
00:54:22in style
00:54:23ladies and gentlemen
00:54:26enjoy yourself
00:54:30give these lads another drink
00:54:31all right
00:54:32all right
00:54:36all right
00:54:40all right
00:54:52thanks a lot
00:54:54thanks a lot
00:54:54it's a pity Nicky's not here
00:54:57eh?
00:54:58what?
00:54:59it's a pity Nicky's not here
00:55:00be like old times, man
00:55:02I heard about the franchise
00:55:24pity
00:55:25because now you're still in bed with Edwards, aren't you?
00:55:28I think you've got something that belongs to me
00:55:32why did you take it?
00:55:37because I wanted to know before I left exactly what I've been doing for two years
00:55:41I thought I thought I was working for a future, you see, I thought I was joining a crusade
00:55:46after a while I discovered I was working for a builder, so I resigned
00:55:51but it wasn't even that, was it?
00:55:53I introduced John Edwards to men who work on factory floors by day and are expected to become businessmen by night
00:56:00ordinary working class men with millions of pounds to spend and not the faintest idea how to spend them wisely
00:56:05they were blundering about in the dark before I organized them
00:56:10men like Connor
00:56:11I introduced Connor to Edwards, yes
00:56:13something wrong with that
00:56:15Connor works for you
00:56:17you work for Edwards
00:56:18Connor works for Edwards
00:56:19no
00:56:20what then?
00:56:21he's a consultant
00:56:22a consultant?
00:56:23are you really telling me that these are all consultants?
00:56:26they're all powerful
00:56:27they're all crooked
00:56:28and so's Edwards and so are you
00:56:30because you took Edwards' money
00:56:32and bribed away in every town hall in the north
00:56:34not consultancy fees
00:56:36not hospitality money
00:56:37bribes
00:56:38a holiday
00:56:39a new suit
00:56:41a bottle of scotch
00:56:42a turkey at Christmas
00:56:44come on
00:56:45a new house
00:56:45a thousand pounds a year
00:56:47Bede Connor
00:56:48and there are hundreds of them in here
00:56:50dozens of MPs and retainers and hospitality lists
00:56:54why?
00:56:55why should members of parliament be on Edwards' payroll?
00:56:59ordinary working class people put their trust in this lot
00:57:02right or wrong they vote for them so this rotten society might get changed
00:57:06if Bolton could change anything it would be against the law Nicky
00:57:10and then we come to you
00:57:12Austin Donoghue
00:57:13one percent of the contracts
00:57:16how much did you get for letting Edwards build those shacks Tosca and Mary living?
00:57:23ten thousand pounds
00:57:24what happened to you Austin?
00:57:30the whole operation works entirely in the public interest
00:57:33the good I've done far outweighs the bad
00:57:36are you going to give us that?
00:57:39are you going to stand there all night?
00:57:41there's a price
00:57:42no there isn't
00:57:43you're coming with me to Willow Lane
00:57:46you're going to explain to them personally
00:57:47I'm not
00:57:48I'm not
00:57:48had any decency you'd have been by now
00:57:53thanks Nicky
00:58:10those people were friends of mine
00:58:12I'm so ashamed of what we did to them
00:58:14why don't you go and give them the good news
00:58:16I'm going to organise it
00:58:19the flats will be emptied
00:58:21they'll all be repaired
00:58:22who'll be paying?
00:58:28the rates
00:58:28no I can't go there
00:58:34they'd spit in me face
00:58:35you keep that well locked up Austin
00:58:44if it ever gets out they'll crucify you
00:58:47they'll have to crucify all of us then
00:58:49that's a lot of crosses
00:58:51some of them will have to be very big
00:58:54they can't touch us otherwise
00:58:56they'd sing like a canary
00:58:58what do you think of the show Tosca?
00:59:27it's fabulous
00:59:28Tosca this is Norm
00:59:30Tosca's a big friend of mine
00:59:32you'll be especially nice to him
00:59:35enjoy the rest of the weekend son
00:59:40this is business
00:59:45now Michael
01:00:07just tell me the truth
01:00:09and I won't touch you
01:00:10you've had your hand in my pocket for months now
01:00:13you've also borrowed money from everyone that works for me
01:00:16why?
01:00:17honestly Mr Barrett
01:00:18I would never say
01:00:19I asked you to tell me the truth
01:00:23look
01:00:26I'm not going to damage you
01:00:28I just want to know the truth
01:00:31that's all
01:00:32that's all I ask of people
01:00:33well let me tell you then
01:00:40you got caught robbing warehouses didn't you
01:00:44and some friendly policeman hid the evidence
01:00:47for a price of course naturally
01:00:49he kept coming back for more didn't he
01:00:52and you kept paying him
01:00:54but it was my money wasn't it Michael
01:00:58what shall I do with him Geordie?
01:01:05I don't know
01:01:06don't you?
01:01:08don't you know what I should do?
01:01:10no
01:01:11go
01:01:18go, go
01:01:22well was that fair or was that fair?
01:01:30am I not a big hearted man?
01:01:34you look as if you want to tell me something
01:01:36no
01:01:38come upstairs
01:01:42I've got something to show you
01:01:44no, I'd better look after Tosca
01:01:45I think Tosca's alright tonight, old son
01:01:48you've been good for me
01:02:05having somebody I could trust completely
01:02:08because I knew you'd never cheat me
01:02:11and you haven't
01:02:14except you've been screwing Julia
01:02:20thank god you didn't lie
01:02:27come here
01:02:44the face of a gallible man
01:02:52the wife made me get that done
01:02:55I always thought I looked a bit stupid
01:02:58get rid of it for me
01:03:03I don't want to look at it anymore
01:03:05come on
01:03:05I don't want to look at it anymore
01:03:30She's doing that for 250 quid.
01:03:47Women are rubbish, Geordie.
01:03:50Most people are rubbish, but all women are.
01:03:55Look.
01:03:57She's just a piece of rubbish.
01:04:01What you and her do or don't do from now on is your business.
01:04:05I'm finished with her.
01:04:07But you and me, we stay the same.
01:04:13No woman is worth any amount of approvation.
01:04:30See my friends, see my friends.
01:04:44Laying across the river.
01:04:49See my friends.
01:04:53See my friends.
01:04:56Laying across the river.
01:04:59She is gone.
01:05:04She is gone.
01:05:06And now there's no one left.
01:05:11Except my friends.
01:05:16Laying across the river.
01:05:19She just went.
01:05:24She just went.
01:05:27Laying across the river.
01:05:32Now she's gone.
01:05:36Now she's gone.
01:05:39She isn't.
01:05:40She's gone.
01:05:41Now she's gone.
01:05:44Now she's gone.
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