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00:00you've been very kind mr rokesmith i only wish i could have done more now that the poor little
00:13chap's dead i wish we'd never disturbed old betty egdon she was very unhappy at the thought of
00:18sending johnny to the hospital it was much better for him everything that could be done was done
00:22what made you go back to the hospital after we'd left him there i spoke to the doctor and it seemed
00:27to me he thought the little fellow hadn't much chance so i went back you love children don't
00:32you i hope everybody does it they ought to you speak rather sadly do i sound so to me were you
00:39one of many no no there was one other dead long ago your father and mother both dead and you have
00:45no other relations i've never heard of any mr rokesmith you won't mind an old woman's talk
00:51tell me have you ever had a disappointment in love why do you ask sometimes you have a kind of
00:58kept down manner which isn't like your age you can't be 30 no not yet oh my dear come in because
01:05we're coming to business and you belong to it as much now my dear bella as i do but i want nick as
01:09well will somebody find him for me oh i'll go he's been telling me about poor little johnny
01:14we must keep in touch with old betty egdon my dear she'll be a sad woman i'm thinking
01:18would you like me to go and see her go together love all here they come you sit there nick and
01:23mr rokesmith will you sit here who are you up to old lady now what i want to talk about is this
01:28mr milvey's written me the kindest note about little johnny and wonders if we'd like to set
01:34about finding another orphan well that has set me thinking she's a steam engineer once she begins
01:39and i thought two things first i don't want now to revive john armand's name it's an unlucky name
01:45look what's happened well it was certainly unlucky for me till it led to my coming here now give us
01:49your opinion nick your opinion is my opinion old lady well then we'd all agreed now the next thing
01:56it's true that we wanted to benefit some little boy with john's own money but ever since this little
02:02boy's death i've been asking myself if i wasn't too set on pleasing myself why did i have to look for
02:08a pretty child i could have done good just as well with a plain one so i thought of a boy who's
02:13honest and industrious and deserves a helping hand if you please mum the person answering to the name
02:18of sloppy is outside send him in so that's it old lady come in sloppy my servant ma'am now you just
02:24come sloppy yes ma'am how's betty egdon poor old soul thank you ma'am she do pretty nicely sends her
02:30duty and thanks for the tea in all favours and wishing to know the family's elves and how are the
02:34two little minders all coming round beautiful ma'am you haven't had your dinner yet have you sloppy
02:39no ma'am i came straight up but i don't forget your kind offer listen my dear boy how would you like
02:44to have dinner here every day meat vegetables pudding beer oh ma'am every day oh ma'am and how would you
02:55like to be taken care of here to live here sloppy oh ma'am but no there's mrs higton none can ever be
03:03better friends than me and mrs higton i'll turn the mangle for her where would she be if she wasn't
03:08turned for yeah as right as right can be sloppy but if betty egdon can be turned for all the same
03:13you shall come here and be taken care of for life you might be able to help her in other ways than
03:17turning my lad as to that sir i could be here by day and turning by night i don't need no sleep
03:22or anyways only a wink or two i could take him turning i've took him turn many a time before and
03:27enjoyed him wonderful you're a good lad sloppy go down and have your dinner now we talk about this
03:31another time thank you ma'am sir well done old lady good evening to you i should like to speak to
03:44hexam's sister well i hope it's mutual are you implying that my visit will be unacceptable to
03:50hexam's sister don't call her that i can't bear that for i can't bear hexam oh indeed no selfish
03:55thinks only of himself what have you come for to see hexam's sister to reason with her for her own
04:03sake he does say so he is a perfectly disinterested person lizzie dear come to talk to you for your
04:10own sake good evening good evening so if you remove the third party she will retire she can do no
04:15better than stay where she is have you come from charlie sir it's true that i just left him miss
04:20hexam but i've come of my own accord the truth is that charlie has confided the whole of this matter
04:27to me what matter sir my allusion was to this matter of your having put aside your brother's
04:32plans for you and given preference to those of mr i believe the name is eugene rayburn
04:37when your brother first mentioned his plan to me i approved it and i must acknowledge that when
04:43your brother was disappointed i was disappointed i'm sorry mr headstone your brother has taken this
04:48matter so much to heart as to remonstrate with this rayburn is that be the name he did so in my
04:54presence quite ineffectually as anyone not blind to the real character of this man would readily suppose
04:58uh finally i resolved to come here myself to beg you to retract the course you've chosen
05:05and instead of instead of preferring a mere stranger to give preference to your brother and
05:11your brother's friend i have no doubt mr headstone that your visit is well meant
05:15but you must tell charlie that i accepted the help to which he so much objects before he had made any
05:20plans for me i should like to ask you if you would have objected to no rather i should like to say
05:27that i wish i had had the opportunity of coming here with your brother and uh devoting my poor
05:32abilities and experience to your service thank you mr headstone
05:35may we leave it that there shall be another interview on the subject with charlie well yes
05:42say with him too but there must be another interview under more favorable circumstances i don't understand
05:47your meaning mr headstone to present the case what case that will be revealed to you at the other
05:56interview i wish he was such a very strange man that he'd be a total stranger
06:10let us have a talk lizzie dear about mr eugene rayburn what about mr rayburn well i wonder whether he's rich
06:20no no no i don't think so not for a gentleman ah gentleman not of our sort is he no jenny dear
06:27not of our sort what would you think of him lizzie if you were a lady me a lady poor girl brought up in
06:35the river what nonsense you talk jenny yes but supposing you were a rich rich lady if you could see
06:41a rich lady in one of your pictures in the fire what would she think she would be glad to be rich for
06:47him jenny and she must be beautiful too lizzie as beautiful as you she'd love to be beautiful
06:54because then he could be proud of her what about her heart lizzie oh she would give it to him
07:04but i can never be that rich and beautiful lady jenny never poor lizzie my poor poor lizzie
07:14good day is your father at home i think so come in many you're calling are always welcome thank you
07:28might you be looking for a lodging all right don't rightly know my plans yet you don't want to pop
07:36anything do you you can do that to you yes i know i've been here before oh i don't remember you
07:40i don't suppose you would you don't think you were here i i just stood in the doorway while a
07:44shipmate of mine looked in to speak to your father i remember the place well might that have been
07:50long ago some little time when i came off my last ship then you haven't been to sea lately no i've
07:56been in a sick bay since then and then on a a shore job that would account for your hands then
08:00you're a good observer they don't look much like seamen's hands do they will your father belong
08:07i can't say i thought you said he was at home i said i thought he might be oh well no need to
08:12deceive you he's out in the river in his boat at the old work i don't know what you mean
08:17what do you want here speak to your father you can hear what i've got to say when he comes
08:22until then there's nothing to be got out of me are you a seafaring man yes and no i have been
08:28and i may be again how to seem unfair along shore these days when i was here before they could be
08:34robbed and murdered as like as not i was beset myself in that way and left for dead were you drunk
08:41i was muddled but not with drinking one mouthful did it oh did you get the parties punished
08:49a tremendous punishment followed but it was none of my doing those doing was it
08:54oh fair trade and no robbery i always say what's the point anyway sailors are ready enough to part
09:01with their money no need to what are you paul parroting at now you perverse jade
09:05but you're anything better than you stand here paul parroting all day let her alone she was only
09:09speaking to me who may you be what may you be doing here don't paul parrot me i can't tell you
09:14until you're silent i'm willing to be starting for the purpose of hearing but don't paul parrot me
09:20are you thirsty oh neverly but always thirsty but you're glassy over the shelf
09:27well i'll take me world without indian when i seen elfrid david that you know a move
09:33do i know you no i don't think i do no you don't know me well mister
09:43i know that i dare say you do
09:51bet they're nice your health mr right hood
09:55belonged to a seaman called redfoot it did
10:00what come to him death come to him in a very ugly shape he was killed killed who killed him
10:07i believe that their coat you're wearing with george redfoot's too
10:11you're quite right he was wearing it the last time you saw him
10:14how do you now what are you up to you telling me that you killed him
10:18you are thirsty aren't you speak plain god yet i will
10:22what a liar you are when you went to the lawyer with that
10:27that invented story about hexam you might have had strong suspicions of a friend of your own
10:31what friend tell me again whose knife this is
10:34him that i made mention of this coat the same things has come to a pretty pass
10:40when bullies as is wearing dead men's clothes and is armed with dead men's knives
10:45comes to the houses of honest men as is getting their livings by the sweats of their brows you know very well
10:50the character of the man to whom these things belong
10:53he came here on the night of the murder asking for lodges wasn't there a stranger with him
10:57well take me out for david you wasn't with him if you talk big you do things look pretty black for
11:02you how do you come to know about redfoot now you come by his things is that any concern of yours
11:06i want to know what you mean by connecting me with what you may call a murder the arm and murder will you
11:12shut up always called parroton do you mean to charge redford with that there murder listen to me
11:21i alone know the mysteries of that crime and i alone know that your trumped up story cannot
11:26possibly be true feather door but turn the key
11:34if you know done that murder why ain't you been to lawyer lightwood that's my business don't you know
11:40that what you've got to say is worth five to ten thousand parent i know it very well
11:45and when i get the money you shall share it
11:49i know a great deal about you riderhood i know that you conspired against an innocent man for blood
11:55money and i swear that i'll give you a
11:57oh don't defy him father you don't need any more trouble
12:02you ain't mentioned yet what do you want with me
12:06that accusation was done for blood money it must be undone yes but shipmate don't call me shipmate
12:12well captain then and gaffrex are dead now i'll ask you he is can words hurt a dead man no but they
12:18can hurt the memory of a dead man and they can hurt his living children how many children had he two a
12:25boy and a girl both very quiet and respectable where do they live they left the neighborhood
12:30well could you find out for me quietly where the girl lives now i dare say i could it'd take a day or
12:34so yeah well i'll come back for the answers yeah yeah captain captain gaffrex that was a precious
12:40rascal when his line was a thieving line but well i might have been mistaken you shall sign a statement
12:48that the whole story was utterly false and his daughter shall have it now bring it with me next time i
12:52come when might that be captain quite soon enough for you might you be not leave any any name
12:58captain no when you say a man shall sign this that and the other you order him about a pretty grand
13:05sort of way don't get any more trouble father hear me out captain oh i was meaning to make mention
13:10before your departure was your uh your handsome words relating to the reward when i claim the money
13:16you shall share it good night miss riderhood what a liar you are
13:46old scoundrel
13:50mr rokesmith has just returned yes please ask him to come in
14:01miss wolfer says will you please come in sir
14:05Good evening, Miss Wilford.
14:10Good evening.
14:12Why, you look pale. Are you not well?
14:14Oh, yes, thank you.
14:15I am a little tired.
14:17I've had a busy day.
14:19You wanted to see me?
14:20Please sit down.
14:23Mr. Oaksmith, I wanted to speak to you.
14:26I was rude the other day.
14:28I thought that...
14:29You thought that I was neglecting my family.
14:32I only took the liberty of reminding you of a little omission
14:35into which you'd insensibly fallen.
14:37And I beg to ask, Mr. Oaksmith, why you took that liberty?
14:41Because I am deeply, profoundly interested in you, Miss Wilford.
14:46Because I wish to see you always at your best.
14:49And because...
14:50Shall I go on?
14:52No, sir, you will not go on.
14:54I have been sitting here all evening wondering how I shall say to you what I have to say.
14:58You know how I am situated at home.
15:00No one can speak for me there.
15:02So I must tell you myself that it is neither honourable nor generous of you
15:05to conduct yourself towards me as you do.
15:08What, as if I'm generous or dishonourable of me to be devoted to you?
15:11That's preposterous.
15:13Oh, I now feel that I must go on, if only in self-defence.
15:16I hope, Miss Wilford, that it is not unpardonable even in me
15:19to make an honest declaration of an honest devotion.
15:21An honest declaration?
15:22Well, isn't it?
15:23You must excuse me, Mr. Oaksmith.
15:26I decline to be cross-examined.
15:28Oh, come, Miss Wilford, that's hardly charitable.
15:30But what I have declared, I stand by.
15:34I must beg you to realise, Mr. Oaksmith,
15:36that there's an end of this between us now and forever.
15:39Now and forever?
15:41Yes.
15:42And I appeal to you not to take advantage of your position in this house
15:44to make my position in it distressing and disagreeable.
15:48You have already made your misplaced attentions as clear to Mrs. Buffin as to me.
15:51Have I done that?
15:52I should think you have.
15:53And if you have not done so, it's no fault of yours.
15:56I'm sorry you should think that.
15:59But please have no fear for the future.
16:01It is all over.
16:03I'm relieved to hear it.
16:05I have other views for my life.
16:07I'm reluctant to ask this, but you call me ungenerous and dishonourable.
16:12At least tell me why.
16:13Was it not dishonourable to take a position in this house knowing that you would find me here?
16:18You know all the story of my being here.
16:20Mr. Buffin has often said that you're master of all his affairs.
16:22You know every word and line of that will.
16:26As if it were not enough that I should be willed away like a horse or a dog.
16:29But you too must begin to speculate in me.
16:32Must I forever be the property of strangers?
16:34Believe me, Miss Wilfer, you are wonderfully mistaken.
16:37I should be glad to think so.
16:39I doubt if you ever will.
16:42Good evening, Miss Wilfer.
16:43Mr. Rokesmith.
16:45I'm glad I have spoken.
16:46It has been painful and difficult, but it is done.
16:49If I have hurt you, I hope you will forgive me.
16:51I am inexperienced and impetuous.
16:56And I have been a little spoiled.
16:59But I am not as bad as I dare say I appear.
17:02Or as you think me.
17:05Good evening, Miss Wilfer.
17:14Thank you, sir.
17:15Mr. Rokesmith.
17:16Oh, Mrs. Higdon, what on earth are you doing here?
17:18I should thank you kindly, sir, if I could make so bold as to have a word or two with you.
17:23Well, of course, of course.
17:24Come into the office, please.
17:30Sit down, Roger.
17:31Thank you, sir.
17:32I'll stand.
17:33Tis concerning Sloppy.
17:34That's why I came here by myself, not wishing him to know what I was going to say.
17:39I got him started on the mangling, and I walked up.
17:42You have wonderful energy, Mrs. Higdon.
17:44You're as young as I am.
17:45I'm strong for my time of life, but not young, thank the Lord.
17:49What, you're thankful for not being young?
17:50Yes, sir.
17:51If I were young, it'd all have to be gone through again.
17:54But never mind me.
17:55Tis concerning Sloppy.
17:57Well, what about him?
17:57It's just this, sir.
17:59It can't be reasoned out of his head that he can work for me, and yet do right by your
18:04kind lady and gentleman.
18:06To give himself up to being put in the way of earning a good living and getting on, he
18:10must give me up.
18:12Well, he won't.
18:13I respect him for it.
18:14Do you, sir?
18:15I'm not sure of what I do myself.
18:17Still, that don't make it right to let him have his way.
18:20So, as he won't give me up, I'm going to give him up.
18:25How, Betty?
18:25I'm going to run away from him.
18:28Run away from him?
18:29Yes, sir.
18:31Oh, now, come, Betty, come on.
18:32We must talk about this.
18:33We must take our time, aren't we?
18:34Oh, looking here, my dear, asking your excuse for being so familiar, but I could be your
18:39grandmother twice over.
18:41Tis a poor living and a hard one, as is what I'm doing now, but, and but for Sloppy, I
18:48don't know as I should be doing it now.
18:50Still, it did just keep us going.
18:52Now, with little Johnny gone, I feel lost, and I want to be on the road again, walking
19:00from place to place, not just sitting by the fire and moping, same as those old folk do
19:07as they brick up in the union.
19:09Yes, but, Betty.
19:10I can still walk 20 miles a day if I'm put to it, and I'm a fair good knitter, and can
19:15make many, many little things to sell.
19:17Sir, do you think your lady would loan me 20 shillings to fit out a basket?
19:23It'd be a fortune to me.
19:25Well, is this your plan for running away?
19:28Well, show me a better one, sir.
19:29Yes, but I'm sure that Mrs. Boffin would help you.
19:32Oh, oh, oh, I know very well that she, good, kind soul, would set me up like a queen for
19:36the rest of my life.
19:38But I never took charity yet, and I never will.
19:42It ain't that I mean to give offence by being in any ways proud, but I want to be of a peace-like
19:48and helpful of myself, right through to my death.
19:53Now, sir, will you be so kind as to speak for me to your lady and gentleman, and tell
20:00them what I'm going to do, and why I ask them for a loan?
20:03Well, when would you start?
20:05Now, tomorrow.
20:06Oh, bless you, sir.
20:07I'm used to it.
20:09Well, Mrs. Boffin wouldn't want to lose sight of you.
20:10We must know where you are.
20:11Oh, don't think I'd ever miss a chance of seeing your good lady's face whenever I come
20:17to and fro.
20:18Well, besides, I'll have my debt to pay off by littles, and that'd bring me back if
20:23nothing else would.
20:24Um, tell me, tell me about Sloppy.
20:26What, what kind of work could he do?
20:28Oh, he'd have made a wonderful cabinetmaker, sir, beautiful toys he made for the minders,
20:33and as for mending chairs and tables...
20:36Oh, well, it won't be difficult to find a tray for him then.
20:39Well, all right, Mrs. Higdon.
20:40I'm sure you can rely on Mrs. Boffin's help.
20:42You come round and see her tomorrow before you go.
20:44That I will, sir, and thank you for being so kind.
20:48Oh.
20:48You're a brave old woman, Mrs. Higdon, and I wish you well with all my heart.
20:53I wish my sister would give up the idea of living with this doll's dressmaker.
21:08Why does she?
21:08Oh, I don't know.
21:09Some ridiculous notion that she must give herself up to another.
21:12So, why this one?
21:14One of her romantic ideas, I suppose.
21:16I've tried to convince her, but it doesn't succeed.
21:18We must succeed this evening, then the rest follows.
21:20You sound sanguine, Higdon?
21:22I am, sir.
21:23And now that you've honored me with your confidence and spoken to me first, we have everything on
21:26our side.
21:27Here she comes.
21:28Hello, Charlie.
21:29Good evening.
21:30What are you both doing here?
21:34We wanted to take a walk, and we thought we'd take it with you.
21:37Aren't you pleased to see us now?
21:38Well, of course I am, Charlie, but...
21:41What is it, Charlie?
21:46Have you got something to say to me?
21:48Well, Mr. Hedston has.
21:50Listeners, I don't want to be in the way, so I'll just walk on a little way and leave you
21:53alone.
21:53I know in a general way what it is that Mr. Hedston intends to say to you, and I very
21:58highly approve of it, and I don't doubt that you will.
22:00I think you'd better stay, Charlie, and I think Mr. Hedston had better not say what
22:04he thinks of saying.
22:05Why, you don't know what it is.
22:05Perhaps I don't, but...
22:06You'd give me a very different answer if you did know, Liz.
22:08Now, let go of my hand and be sensitive.
22:11Mr. Hedston's looking at us.
22:17I said, Miss Hedston, when I saw you last, that there was something unexplained, and I've
22:20come this evening to explain it.
22:23You see me at a great disadvantage.
22:26Whatever I say sounds different from what I want to say.
22:28Even I'm my own ears.
22:29I can't help it.
22:32You are the ruin of me, Miss Hedston, the ruin.
22:34Please, Mr. Hedston.
22:35Ever since I first saw you, I've had no confidence myself.
22:38My thoughts are not my own when you're in them, and you're always in them.
22:40I never quit of you.
22:40I'm grieved to have done you any harm, Mr. Hedston.
22:42I'm sure I never meant it.
22:45There, you see, instead of revealing to you the true state of my mind, all I succeed in
22:50doing is to reproach you.
22:51But I ask you to believe that there are many people who think quite well of me.
22:56I do believe it.
22:56I've often known it from Charlie.
22:58And I ask you to believe that if I were to offer my home, my station, and my affections
23:03such as they are to any one of a number of distinguished young women engaged in my calling,
23:09I would probably be accepted.
23:10I don't doubt it.
23:11I've often thought to settle down into school with a wife, both of us interested in the
23:17same work.
23:18Why have you not done so?
23:20Because.
23:22Because you draw me to you.
23:23If I were in prison, I would break down the bars to get to you.
23:26If I were on my sick bed, you would draw me.
23:28Oh, please, Mr. Hedston, I've heard enough.
23:29No, please, Mr. Hedston, please.
23:30Not yet, please, please.
23:32I can restrain myself, I will, I promise.
23:35You know what I'm going to say?
23:38I love you.
23:39I'm under the influence of some tremendous attraction which I cannot resist.
23:44If you, if you could return a favourable answer to my offer of marriage, you could draw
23:50me to any good with all the force that now destroys me.
23:52If you could see me at my work, able to do it well and respected for it, you might even
23:56come to take a sort of pride in me.
23:57Mr. Hedston.
23:58Is it yes or no?
24:00I thank you most sincerely.
24:03But it is no.
24:06It's so short a time necessary for such an answer.
24:09Are you quite decided?
24:10Quite decided, Mr. Hedston.
24:13And I hope I may never kill him.
24:16God, I must call for help.
24:17No, no, please, please.
24:17Please let me go, Mr. Hedston.
24:19Please, please, please, please, Mr. Hedston, please.
24:25Good night, sir.
24:26Yeah.
24:28I'm quite recovered.
24:30But you must hear me out.
24:32This time I'll leave nothing unsaid.
24:33I won't go away again, tormented by thoughts of Eugene Rayburn.
24:36Was it Mr. Rayburn whom you threatened?
24:37Eugene Rayburn.
24:38Eugene Rayburn.
24:39He accepts favours from you.
24:40You accept favours from him.
24:42I know you do.
24:42Mr. Rayburn has been good to me.
24:43He's a rival to me.
24:44Mr. Hedston.
24:46It is cowardly of you to speak to me like this.
24:48But it makes me able to say that I do not like you.
24:50I have never liked you.
24:51And no other living creature has got anything to do with that dislike.
24:53It has been in my mind.
24:55It was in my mind just now when I spoke to you.
24:57I had to wrestle with my self-respect to come here at all.
25:01You may imagine how low my self-respect lies now.
25:06And it lies under that fellow's feet and he treads upon it.
25:09He does not.
25:09He does.
25:10I stood before him face to face and he crushed me down in the dirt of his contempt and walked
25:13over me.
25:13You'll be brave when you talk wildly.
25:14Oh, no, you're mistaken.
25:16I know what I say too well.
25:18Oh, Charlie.
25:20I...
25:21I...
25:21must go home now, Hexham, and be alone.
25:26You will leave me alone until tomorrow.
25:28Well, I shall be at my work tomorrow, as usual.
25:32I...
25:32Oh.
25:35What have you done to Mr. Headstone?
25:38Please, Charlie, speak a little more considerately.
25:40I'm not in the mood to be considerate.
25:41Why has Mr. Headstone left us in this way?
25:43You know why.
25:44He asked me to be his wife.
25:45Well?
25:46Well, I was obliged to tell him that I couldn't marry him.
25:48You mean that you know that you're not good enough for him?
25:50I mean I do not like him, and I will never marry him.
25:52Oh, you are my sort of sister.
25:54Oh, my endeavours to cancel the past and to raise you with me
25:56is to be beaten down by you, are they?
25:57I will not reproach you, Charlie.
25:59You won't reproach me.
26:00You do your best to destroy my future and destroy your own,
26:03but you won't reproach me.
26:09Oh, dear.
26:10Listen.
26:12Let's talk this over calmly.
26:16Mr. Headstone could marry anybody.
26:19So he's got nothing to gain by asking you, has he?
26:21Nothing.
26:21Heaven knows whether that's one point in his favour.
26:24And when he said to me,
26:26Hexen, I hope my marrying your sister will prove agreeable
26:28and useful to you,
26:30and asked me to put in a good word for him,
26:32naturally I said I had some influence with you.
26:34I have, haven't I, Liz?
26:36Yes, Charlie.
26:39Well, as Mr. Headstone's wife,
26:41you'd have a far better place in society than you have now.
26:44You'd be able to leave the riverside
26:46and get rid of that doll's dressmaker
26:48and a drunken father.
26:50Well, nothing could be more deserving.
26:51desirable for you or him
26:53or for me, Liz.
26:58I suppose I should have had a chat with you
26:59before he came along,
27:01but all you need to say now is that
27:02I can tell, Mr. Headstone,
27:04that what took place this evening
27:05is not final.
27:06Well, can't you speak?
27:11I'm very reluctant to do so, Charlie.
27:14Charlie, I can't authorise any such thing.
27:16And you call yourself a sister.
27:18I know what this means.
27:19You're precious, Mr. Rayburn.
27:19Oh, Charlie.
27:20Oh, you shan't disgrace me.
27:21I'll have nothing to do with you.
27:22You shan't drag me down.
27:23You're a fool, sister.
27:24You're a bad girl.
27:25I've done with you forever.
27:26Oh, Charlie.
27:28Oh, Charlie.
27:30That this should be the end of all our pictures in the fire.
27:33My dear.
27:34My dear.
27:36There, there.
27:37Who has done this?
27:40My brother's quarrelled with me.
27:42Then he's a thankless young dog.
27:44Let him go.
27:46Come with me.
27:47My home is nearby.
27:49And there you can rest a little and recover yourself.
27:53Come.
27:54You're very calm, Mr. Rayburn.
28:02There.
28:08Lizzie.
28:09My dear girl, what's the matter?
28:12May I be excused for asking?
28:13Who is this gentleman?
28:14He's a trust-movey friend.
28:16Then I will relieve him of his trust.
28:19What's the matter?
28:20Her brother is the matter, sir.
28:22Her brother is not worth a thought, far less a tear.
28:24What has he done?
28:25I cannot tell you.
28:27If Mr. Aron will be good enough to relinquish his charge,
28:29he will be quite free to keep any engagement he may have in the synagogue.
28:32We need not detain you, sir.
28:34Perhaps Mr. Aron is a little deaf?
28:36My hearing is very good, Christian gentlemen.
28:39If the damsel desires it, I will go.
28:42She has but to ask.
28:43I do not ask, Mr. Aron.
28:44Please take me home.
28:46Mr. Rayburn,
28:48will you remember something I told you once before?
28:50Take care.
28:52Take care of what?
28:53Of someone that you've seen lately and made angry.
28:56Oh, schoolmaster.
28:58Come, Mr. Aron.
28:59Let us share this treat together.
29:00Thank you, Mr. Aron.
29:24Good night.
29:30Mr. Aron,
29:31with many thanks for your company,
29:32it remains for me unwillingly to say farewell.
29:34Sir,
29:35I give you good night.
29:37And I wish you were not so thoughtless.
29:41Mr. Aron,
29:42I give you good night.
29:44And I wish you were not so thoughtful.
29:46Oh, Mortimer,
29:51what am I doing?
29:54God knows.
29:55Good night.
30:06Good night.
30:14Good night.
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