- 12 saat önce
Thats My Baby 1944 -Sd
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00:02:00Evet.
00:02:02Ne var ya?
00:02:03Başka bir sebeki
00:02:05sìe
00:02:06Pardon
00:02:06Remember
00:02:07Ya
00:02:08Ya
00:02:09Ne
00:02:09Sen
00:02:10He
00:02:10Ya
00:02:11Ben
00:02:12Y
00:02:17Sen
00:02:20C
00:02:20Ben
00:02:21Ç
00:02:21Bir
00:02:22Bir
00:02:23Bir
00:02:24Bir
00:02:25Bir
00:02:25Bir
00:02:26Bir
00:02:27Bir
00:02:28Bir
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00:02:29Bir
00:02:29Al
00:02:29Müzik
00:02:59Ah, the waft is about to give Captain Dwight the sting of his breath.
00:03:03Sting of death, sting of death.
00:03:05Why you?
00:03:06Oh!
00:03:16Tim, what do you say?
00:03:17Is that a great twist or not?
00:03:19Oh, it's great, fellas.
00:03:21I'll buy it.
00:03:22And you can have it.
00:03:24Am I crazy?
00:03:30Certainly.
00:03:31What?
00:03:31Well, wait a minute.
00:03:32You got to be crazy in this business to make any money.
00:03:35Then Mr. Moody's crazy.
00:03:36Well, certainly he's crazy.
00:03:38Everybody's crazy.
00:03:39We're all crazy.
00:03:44So what else have you got?
00:03:45Only your character for next month's magazine.
00:03:48I couldn't sleep a wink thinking about it.
00:03:50The next time you can't sleep, try counting sheep.
00:03:53I will.
00:03:58My suggestion is to throw this in the wastebasket.
00:04:00In that case, we'll take the basket up to Moody.
00:04:02He might fool you and like it.
00:04:04Just a minute, Jones.
00:04:05I'm still general manager of the plant, Hilton Payne, remember?
00:04:09Oh, brother, how could I ever forget it?
00:04:10And Mr. Moody can't approve something he doesn't see.
00:04:14No?
00:04:14And furthermore, I don't approve of anyone who steps on my toes.
00:04:18You wouldn't.
00:04:19It's like a spot for a pinch hitter.
00:04:20What's the score?
00:04:20Hello, Betty.
00:04:21It's tied.
00:04:22He says no, I say yes.
00:04:24What you boys need is a referee.
00:04:26Now, honey, don't you bother your pretty little head about details.
00:04:29Jones and I will settle this between us.
00:04:32Maybe I could decide.
00:04:33I think I know father's likes and dislikes as well as you do.
00:04:38And I've decided it's tops.
00:04:40Thanks.
00:04:41Well, Betty, I guess your decision just about covers everything.
00:04:45You know, it's funny what jealousy can do to a guy's judgment, isn't it?
00:04:52I can understand that.
00:04:55Father thinks I'm going to marry him.
00:04:58You know, you have the most beautiful eyes.
00:05:00Tim, father isn't a well man.
00:05:05And the most beautiful hair.
00:05:07He, well, he depends on me.
00:05:09And the most beautiful man.
00:05:11Tim, stop.
00:05:12I'm serious.
00:05:13Yes, I know.
00:05:14And, well, I think that we should do something about it.
00:05:18Yes, yes, we will.
00:05:19But you still have the most beautiful hair.
00:05:21And the most beautiful.
00:05:22And I've decided to.
00:05:23And the most beautiful.
00:05:24But I, I've decided that I'm going to get a doctor.
00:05:26Yes.
00:05:27Okay, okay.
00:05:41Miss Wilson, where's Mr. Austin?
00:05:43Good morning, Mr. Moody.
00:05:44Yes, yes, where's Mr. Watson?
00:05:46He should be here any moment, Mr. Moody.
00:05:48Stand him in the minute he comes.
00:05:50Yes, Mr. Moody.
00:05:51Good morning, Miss Wilson.
00:05:55Go right in, Mr. Austin.
00:05:56Mr. Moody's waiting for you.
00:05:57Good.
00:06:06Good morning, Annie.
00:06:07Good morning, R.P.
00:06:08Glad to see you.
00:06:10Hi, Tilly.
00:06:11Start toiling.
00:06:11Here's the morning news, right on the dot.
00:06:14What happened to Picklepuss?
00:06:15Did he go out of that jam he was in yesterday?
00:06:17Yeah, he made it all right.
00:06:18Just as the cops were closing.
00:06:19Hold it, don't tell me.
00:06:20I want to read it later.
00:06:21Say, how come his nibs is so scared of the comics?
00:06:25If I could make a million bucks with him like he did, I'd, I'd die laughing.
00:06:29Uh, why don't you send one in and see what happens?
00:06:31A very funny idea.
00:06:33The girl that worked before me forgot just once.
00:06:35The comics went inside and boom, she was outside.
00:06:38Yeah, well, that makes a difference.
00:06:43That's why I like you, Henry.
00:06:45You're honest.
00:06:46Don't try to impress me like everyone else.
00:06:48Hilton, for instance.
00:06:49He's just waiting for me to retire.
00:06:52Oh, I thought you approved of him that he was going to marry Betty.
00:06:55He's the man Betty thinks she wants to marry.
00:06:57I'm not going to interfere.
00:06:58I made a mistake of my own marriage.
00:07:01Who am I to tell her what to do?
00:07:03I like Betty.
00:07:04I hope she'll be happy and never want for anything.
00:07:06She won't, at least financially.
00:07:08Oh, then you're going to give Hilton the business.
00:07:11Yes, but not the way he expects.
00:07:14He's a lucky young man.
00:07:16I hope he appreciates it.
00:07:18Henry, the art of appreciation is lost in this world of dog eat dog.
00:07:22Everybody is out for something.
00:07:25I know.
00:07:26A bunch of cutthroats.
00:07:34Good morning, Marjorie.
00:07:35Good morning.
00:07:36I'll take this in.
00:07:40Good morning, Miss Moody.
00:07:41Good morning, Henry.
00:07:42How's Dad?
00:07:42Wonderful.
00:07:43He brightens up my whole day.
00:07:47Well, Dr. Calloway, it's good to see you.
00:07:49It's a pleasure, Miss Moody.
00:07:50This is Dr. Swatsky of Prague.
00:07:52The Swatsky with the V, Calloway.
00:07:54Oh, sorry.
00:07:54With a we.
00:07:55How do you do?
00:07:56How do you do?
00:07:57If you gentlemen will wait here a minute, I'll go in and prepare Dad.
00:08:13That glint in your eyes can mean only one thing.
00:08:16You've got an idea.
00:08:17I have and it's a good one.
00:08:19I was afraid of that.
00:08:20Well, what is it?
00:08:21Do you take your medicine?
00:08:22No.
00:08:22Why not?
00:08:23Because my medicine does you more good than it does me.
00:08:32Now.
00:08:34Open.
00:08:42Now, do you feel better?
00:08:43Very much better.
00:08:44Good morning.
00:08:45Hello, Dr. Calloway.
00:08:47I hope you have better luck this time.
00:08:50Well, I'm sure we will.
00:08:51I'm fortunate in having Dr. Swatsky with me on the case.
00:08:53Dr. Swatsky?
00:08:54Swatsky, yes.
00:08:56Swatsky.
00:08:57This is very, very interesting.
00:09:00Calloway, my dear colleague.
00:09:01I haven't seen one like this recently.
00:09:03Wait a minute.
00:09:04There's nothing wrong with me.
00:09:05Mr. Moody's the man you want.
00:09:07Moody, yes.
00:09:08Mr. Moody.
00:09:09This is a very intriguing example of the paranoid type.
00:09:13Yes.
00:09:14Consolidated up four points.
00:09:16Associated up five.
00:09:18Go ahead and order that mink coat.
00:09:22But Hilton told me to sell both of them yesterday.
00:09:24Hilton!
00:09:25Hilton!
00:09:26Hilton!
00:09:27Were you calling me, R.P.?
00:09:28No, I'm not calling you.
00:09:30I'd like to forget you.
00:09:37Now, Daddy, don't get upset.
00:09:39What would Dr. Calloway think if he saw you this way?
00:09:41Dr. Calloway?
00:09:42Yes, and we're very lucky.
00:09:44He's brought a famous specialist from Prague.
00:09:46Specialist medicines.
00:09:47What good do they do?
00:09:49Betty, I know you're trying to help me, but it just won't work.
00:09:51All your doctors, specialist medicines, none of them do any good.
00:09:55Please, Dad.
00:09:56Try it just once more.
00:09:58This time, we'll win.
00:10:00I'll bet on it.
00:10:02All right, but if you lose, this will be the last time.
00:10:05It's a bet.
00:10:13Dr. Calloway, Father will see you now.
00:10:16Dr. Spotsky?
00:10:17Yeah?
00:10:18No.
00:10:19Oh, thank you very much.
00:10:20Thank you.
00:10:22Oh, thank you.
00:10:23Thank you very much.
00:10:26Hello, Calloway.
00:10:29Dr. Spotsky, Mr. R. P. Moody.
00:10:31R. P. Moody.
00:10:32How do you do?
00:10:33How do you do, Mr. Moody?
00:10:35Melancholia maribundus, Dr. Calloway.
00:10:38The pleasure is all mine.
00:10:39You're welcome to it.
00:10:41Hmm.
00:10:43In going over your case with Dr. Calloway, we have found that sanity runs in your family.
00:10:49Right now, I doubt it.
00:10:51Now, I also found out that you're a successful businessman.
00:10:55Don't you feel sometimes that you're all alone?
00:11:00No, no, no, please, please, don't interrupt me.
00:11:01Quiet, please.
00:11:03Now, at times you have the feeling as though you are in total darkness.
00:11:08Answer me, please.
00:11:09Yes, many times.
00:11:10Good, good, like going somewhere.
00:11:13Now, tell me, please, when, when those things do occur?
00:11:17When I turn out the light and go to bed.
00:11:19When you turn out the lights and go, no, no, no, no, no, no, no, no.
00:11:24When you laugh, when you laugh, is it a high-pitched laughter like, ha, ha, ha, ha, ha?
00:11:29Or is it, is it perhaps a hysterical one like, ha, ha, ha, ha, ha, ha?
00:11:33It has a slow start and then builds up.
00:11:35Or is it a full, full, wholehearted laughter deep like, ha, ha, ha, ha?
00:11:40I never laugh.
00:11:42You never laugh? No, no, no, no.
00:11:44That, that you don't mean.
00:11:45That I do mean.
00:11:46I haven't smiled, let alone laughed in 20 years.
00:11:49Dr. Calloway, that I cannot believe.
00:11:53An acute case of melancholia.
00:11:55Hmm, no, no, no, the diagnosis we have left behind, my dear colleague.
00:11:59The reasons for it.
00:12:00The etiology, the prognosis of it.
00:12:02That's what, what I cannot understand.
00:12:06The facial muscles?
00:12:08The facial, the facial muscles, that is correct.
00:12:10That is correct.
00:12:11Will you please lean back?
00:12:12Mm-hmm.
00:12:13Like this.
00:12:14The facial muscles.
00:12:16Hmm.
00:12:17That's strange.
00:12:18Strange.
00:12:19Very strange.
00:12:20Very, very strange.
00:12:22No, no, that's correct.
00:12:24Now, let's see the facial muscles and the reactions.
00:12:28Let's see another, ah.
00:12:30Ah, observe, Dr. Calloway.
00:12:32Absolute and normal reaction.
00:12:34Now, let's see this.
00:12:36Ah, sit back, please.
00:12:37Sit back.
00:12:38Hmm.
00:12:39Hmm.
00:12:40Hmm.
00:12:41Now, everything's absolute, you know.
00:12:43Better no better.
00:12:44He's going too far.
00:12:45No, no, no.
00:12:46Now, Mr. uh, uh, uh, uh, Moody.
00:12:48Mr. Moody.
00:12:49Mr. Moody.
00:12:50Now, please, please, try to think, if you can.
00:12:53Yeah.
00:12:54Twenty years ago.
00:12:56Twenty years ago.
00:12:58Remember?
00:12:59Your daughter was just a little baby.
00:13:02What happens to you then?
00:13:04What happened twenty years ago is no concern of yours.
00:13:07I've had about all I can stand for today.
00:13:09Uh, Dr. Calloway.
00:13:10Unless I have a full cooperation, we're getting not very fast.
00:13:14This is only an idea, a clue, perhaps a parallel to jump from.
00:13:20What is it, Dr. Svadsky?
00:13:22My dear young lady, in 1783, Philip of Spain was suffering from melancholia so moribund that it threatened his life.
00:13:33After a search, a singer was found, whose voice had a therapeutic effect.
00:13:40Now, the singer provided tectonic, and the king imagined, the king was healed.
00:13:46Oh, brilliant.
00:13:47A massively analysis.
00:13:48Well, thank you.
00:13:49Thank you very much.
00:13:50Now, the cure, it is simple.
00:13:52All we have to do is make Mr. Moody laugh.
00:13:55I could have told you that without a fee.
00:13:57The whole world needs laughter.
00:13:59Laughter is a medicine.
00:14:00And you can't take an overdose of it.
00:14:02It's good for what ails you.
00:14:03Falling hair, falling arches, bunions.
00:14:05Why, the whole world's crying for it.
00:14:07Say, why don't we bottle it and go into business?
00:14:10It is a very refreshing point of view.
00:14:12Well, there must be somebody who can make him laugh.
00:14:14I doubt it.
00:14:16Tim, I've got the beginning of an idea.
00:14:19And I've got the end of it.
00:14:25If the king of Spain was cured by one singer,
00:14:30then we'll hire the best talent that money can buy.
00:14:33They should be able to do something for Dad.
00:14:41Freddie Fisher in his band.
00:14:43George McKay.
00:14:45Bill.
00:14:47Daddy.
00:14:48Duffy.
00:14:49And Peanut.
00:14:51Darby and Darnell.
00:14:53Isabelita.
00:14:54And the one of the horror boys.
00:14:56Chewie Reyes and his trucker Derband.
00:14:58Mike Riley and his musical maniac.
00:15:00And Bob Roberts.
00:15:01And Mervyn.
00:15:02Alphonse Vergey and Doris Dewey.
00:15:06Al Mardo and his pal.
00:15:08Where's Hoskins?
00:15:27Hoskins took the day off to get married, sir.
00:15:30I'm his brother.
00:15:31Who brought that beast in here?
00:15:33I did, sir.
00:15:34He's not a beast.
00:15:35He's my dog.
00:15:36Well, I'm allergic to dogs,
00:15:37and I think I'm going to be allergic to you.
00:15:39Get him out of here.
00:15:40Say, listen, if you want any help,
00:15:41you better take what's available.
00:15:43And with me, it's love me, love my dog.
00:15:46Besides, he's a fine dog.
00:15:48I'm crazy about him.
00:15:50The greatest strict dog that ever lived.
00:15:53But he won't do easy tricks.
00:15:55Only big tricks.
00:15:56And the bigger the tricks, the better he'll do them.
00:15:59Did you get that buildup I gave you?
00:16:02I told him you won't do easy tricks, only big tricks.
00:16:05Come on, let's show him some class.
00:16:06Ready?
00:16:07Stand up, boy.
00:16:08Up.
00:16:09Come on, boy.
00:16:10Stand up.
00:16:11Up.
00:16:12Come on, boy.
00:16:13Stand up.
00:16:14Up.
00:16:15Too easy.
00:16:16Lay down.
00:16:17Dead dog.
00:16:19When I say dead dog, you lay down.
00:16:21Well, he don't have to lay down.
00:16:23He's dead standing up.
00:16:24It's all right.
00:16:25Look over here.
00:16:26I'll show you.
00:16:27Right here, look.
00:16:28Over here.
00:16:29Come on, boy.
00:16:30Come on.
00:16:31Head up, boy.
00:16:32Right here.
00:16:33Look.
00:16:34Did you see that trick?
00:16:35He moved.
00:16:36I hope he didn't strain his shoulder, that's all.
00:16:37Take it easy.
00:16:38You're working a little too fast.
00:16:39Slow up a little.
00:16:40Take your time.
00:16:41Go ahead.
00:16:42Lay down.
00:16:43Lay down.
00:16:44I think the suit is too big for you.
00:16:46Look at that.
00:16:47Look.
00:16:48Maybe he's expecting mumps.
00:16:49Why don't you stop suffering and lay down?
00:16:52Collapse.
00:16:53Hold up.
00:16:54Lay down.
00:16:55You won't believe it.
00:16:56When I first got that dog, he couldn't do nothing, you know.
00:16:59Look.
00:17:00Go on and bark.
00:17:01Come on, bark.
00:17:02Whoa, whoa.
00:17:04That was me.
00:17:08Would you like to see him do one more trick?
00:17:10This is the last trick, of course.
00:17:12Come here, Flash.
00:17:13Flash.
00:17:14Come here, Flash.
00:17:15Come here, Flash.
00:17:16Come on, boy.
00:17:18Look at that speed he's burning up today.
00:17:20He couldn't go any further.
00:17:21It's a little uphill over here.
00:17:22Now the dog is going to jump.
00:17:23He's raring to go.
00:17:24Look.
00:17:25Can you make it?
00:17:26One.
00:17:27Two.
00:17:28Three.
00:17:29Go.
00:17:30There he goes.
00:17:31There he goes.
00:17:32Ka-flunk.
00:17:33He's a little out of wind now.
00:17:34Take your time.
00:17:35Why don't I give him a little rub down so he can do it again?
00:17:36Try it again.
00:17:37This time sneak up on it and fall on the other side.
00:17:38Go ahead.
00:17:39Go.
00:17:40There he goes.
00:17:41There he goes.
00:17:42Boom.
00:17:43Well, anyway, this is the way he looks after he jumps.
00:17:44Like that.
00:17:45There it is.
00:17:46Oh, he's a great pet.
00:17:47I'm telling you.
00:17:48There's no limit to his tricks.
00:17:49Look at him running around here.
00:17:50Look at that.
00:17:51There he goes.
00:17:52Ka-flunk.
00:17:53Boom.
00:17:54And besides, the dog is a great music lover.
00:17:55Oh, he loves high-class music.
00:17:56But let me tell you, of all the music he's ever heard, he likes my music the best.
00:18:01And besides, the dog is a great music lover.
00:18:06Oh, he loves high-class music.
00:18:08But let me tell you, of all the music he's ever heard, he likes my music the best.
00:18:12He'd rather hear me play one song on this harmonica than 40 or 50 stakes.
00:18:17And this is his favorite song, played by his master.
00:18:31Callaway, my dear.
00:18:32This is the moment when we should observe our patient at the closer range.
00:18:36Yes, at the closer range.
00:18:39Mm-hmm.
00:18:40Much closer.
00:18:50Doctor, doctor, what happened?
00:18:51Contradictory symptoms, Callaway.
00:18:53Most contradictory.
00:18:54Uh, tell me, please.
00:18:56What is his next move?
00:18:57Oh.
00:18:58Breakfast.
00:18:59Breakfast.
00:19:00That is very good.
00:19:01Very good.
00:19:02Where's Hilda?
00:19:11She took the day off to Mary Hopkins, sir.
00:19:13Oh.
00:19:14What are you doing here?
00:19:16Well, I'm waiting for Vaudeville to come back.
00:19:18Here are your three-minute eggs, sir.
00:19:26Now, uh, do you like them that young, or, uh, or would you prefer them on the older side?
00:19:33Betty!
00:19:34Betty!
00:19:35Betty!
00:19:36Betty!
00:19:37Betty!
00:19:38Betty!
00:19:39That gag always went good in Kansas City.
00:19:43Betty?
00:19:44Who, who's this man around trying to take my job?
00:19:47Oh, it's just for today, Pygney.
00:19:48Oh, he's only here for the day, all right?
00:19:50For the day?
00:19:51What is he gonna do here today?
00:19:53He's here to entertain father.
00:19:54Oh, entertain your father.
00:19:56Well, I think if you give me a chance to drop my hair, I can entertain your father.
00:20:00And I'm dropping my hair right now.
00:20:02All right.
00:20:03The kids I canćiな
00:20:04Thin Katyn the St Hearts
00:20:05auding Diamond
00:20:06Sound of horse
00:20:07вм�iquer
00:20:09My heart?
00:20:10I hear this.
00:20:11He's so sick.
00:20:12Oh, to be Canyon.
00:20:13Oh, he's like crazy.
00:20:14Thank you.
00:20:15Probably I know exactly.
00:20:16Oh, I have fun.
00:20:17Her dad, my husband.
00:20:18Lets see the dog.
00:20:19Let's hear it.
00:20:20And you know exactly what he's saying.
00:20:21They've got, Prince.
00:20:22Why do you have all grown BM?
00:20:23What a play in Kansas City.
00:20:24Your brother, galluais?
00:20:25All.
00:20:26What's he going to start?
00:20:27And be careful.
00:20:2805249
00:20:29How am I being able to grow backs?
00:20:30İşte
00:20:37İngilizce
00:20:43İngilizce
00:20:50Orta
00:20:53Ne?
00:20:54Ne?
00:20:55Güzel.
00:20:56Güzel.
00:20:57Hüflü mülüm.
00:20:58Hüflü mülüm.
00:20:59I don't like surprises.
00:21:00What are you doing here?
00:21:01I am.
00:21:02I am.
00:21:03Mr. Jones'a just helping.
00:21:04Helping out.
00:21:05Help me out.
00:21:06Tell me who you are helping.
00:21:07Well uh.
00:21:08You aren't we Tim?
00:21:10Yes.
00:21:11Like the entertainment.
00:21:12What entertainment?
00:21:13The employees anniversary party.
00:21:15When did you get that idea?
00:21:17Recently that.
00:21:19Yeah that's fine.
00:21:20Well it's not a bad idea.
00:21:21Güzel bir şey.
00:21:22Bir şey yapmak istiyorlar.
00:21:23Ya da.
00:21:24Ve o.
00:21:25Bir şey yapamadır mı?
00:21:26Bir şey yapamadır mı?
00:21:27Bir şey yapamadır mı?
00:21:28Bir şey yapamadır mı?
00:21:35Kralda.
00:21:38Kralda.
00:21:39Kralda.
00:21:41İlk yiyat.
00:21:44Altyazı.
00:26:19İzlediğiniz için teşekkür ederim.
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00:27:19İzlediğiniz için teşekkür ederim.
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00:30:21İzlediğiniz için teşekkür ederim.
00:31:21ederim.
00:31:23İzlediğiniz için teşekkür ederim.
00:31:25İzlediğiniz için teşekkür ederim.
00:31:27İzlediğiniz için teşekkür ederim.
00:31:41İngiltere bir şey.
00:31:42İngiltere.
00:31:43İngiltere.
00:31:44Teşekkürler.
00:31:46İngiltere.
00:31:48İngiltere.
00:31:49İngiltere.
00:31:50İngiltere.
00:32:11İngiltere.
00:32:41İngiltere.
00:33:11İngiltere.
00:33:12İngiltere.
00:33:13İngiltere.
00:33:14İngiltere.
00:33:15İngiltere.
00:33:16İngiltere.
00:33:17İngiltere.
00:33:18İngiltere.
00:33:19İngiltere.
00:33:20İngiltere.
00:33:21İngiltere.
00:33:22İngiltere.
00:33:23İngiltere.
00:33:24İngiltere.
00:33:25İngiltere.
00:33:26İngiltere.
00:33:27İngiltere.
00:33:28İngiltere.
00:33:29İngiltere.
00:33:30İngiltere.
00:33:31İngiltere.
00:33:32İngiltere.
00:33:33İngiltere.
00:33:34İngiltere.
00:33:35İngiltere.
00:33:36İngiltere.
00:33:37İngiltere.
00:33:38İngiltere.
00:33:39İngiltere.
00:33:40Dixi'nin something around the house not in the house wait a minute there's a confidential
00:33:47file in the office no one ever touch it I've got it the rapid joint broad daylight oh
00:33:56tonight you are a start raffle hardly worthy of my talents this is going to be very
00:34:10easy I broke my knife maybe I should have brought a tool kit you should find what you want
00:34:21in here I don't know how to let's blast blast this time of the night might wake up the watch
00:34:31man don't worry about that this building would have to fall down before we can wake up and
00:34:35so cancel the watchman you're only one trouble with this thing it won't open all right into
00:34:45space on the first place marvelous darling mark what's that just dance so remember oh yeah
00:34:55answer when may we expect just three more doors two more perhaps you better go through this
00:35:06after all it's your past not afraid of all skeletons are you skeletons don't worry me
00:35:11mother and daddy when they were first married mother's got pretty you know put a modern dress
00:35:22on it it could be you am I crazy or your father's laughing yeah it's too bad he can't laugh like
00:35:32that now I'll be happy oh good evening answer who are you I was expecting answer I wasn't expecting
00:36:00anybody what's your name Betty Moody oh yes sir your name is on my list Miss Moody I'm glad my name's on your list well good night good night Miss Moody
00:36:23what all the time I thought you knew Ansel Tim isn't it terrible the way people have violent tempers when they're young oh that's all right darling I'll forgive you mother refers to it as artistic temperament father calls it blank blank blank blank stubbornness
00:36:52and three years later they're the same opinion apparently they haven't changed a bit
00:36:59Tim that could never happen to us could it not a million years down
00:37:07they were going to have colors again
00:37:13why Betty I saw a light in the office as I was driving by I thought I'd come up and investigate and now that you've investigated I am perfectly satisfied with what I found what have you found you just when I was getting the silly idea that I lost you you have Betty be sensible
00:37:42you're not going to let a ridiculous infatuation for a fellow like Jones upset your whole future just a minute but you're going too far did you come from in there what are you doing here looking after Miss Moody's future starting now and I'd say you've got a great start going through Mr. Moody's private papers and I think you'd better leave I'm going to when I go I'll walk out not sneak out sneak out isn't that clear perfectly clear
00:38:09You might not forget Miss Jones we'll settle this later
00:38:16Good morning R.P. Where'd you get that Hilton well it was this way I know you ran into a door yes no I was driving by the office last night I saw a light through the window I came up to investigate and I found one of your employees going through your private papers going through my papers yes naturally I took exception and that's how I got the black
00:38:39Who was it Timothy Jones Jones like that good for nothing how do you do not know what else what's going on
00:38:46Good morning all the paranoid type but I look Dr. I know but the last time I saw you I told you that Mr. Moody was a gentleman that you should have talked to I know but I'm awfully busy
00:38:58I know but I'm not the one you know I'm not the one who
00:39:05Strange character isn't he
00:39:07Monk will run through a couple times before he tried on Tim
00:39:10Ah the story begins the way out west
00:39:14What am I going to be you're going to be Monk the killer
00:39:17I'm not afraid of you besides you've got a little rattle on bill fields the two boy ranges trapped in the cabin
00:39:25Monk you move out be ready to make her run the door
00:39:29I'll get the chalk
00:39:31I'll get the mail sack
00:39:34This is the cabin
00:39:35Uh huh
00:39:36What's that little cabin
00:39:38Oh remember now we are the two boy ranges
00:39:41And youth pre-solified
00:39:51Ha ha ha
00:39:52The most powerful you can all the land
00:39:53Hahahaha
00:39:59Ah it's a matter of minutes before the killer beats it down the doors
00:40:01Yes send fielась Sh conta
00:40:05İzlediğiniz için teşekkür ederim.
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00:41:45İzlediğiniz için teşekkür ederim.
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00:41:49Teşekkürler.
00:41:51İzlediğiniz için teşekkür ederim.
00:41:53İzlediğiniz için teşekkür ederim.
00:41:55İzlediğiniz için teşekkür ederim.
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00:43:58Teşekkürler.
00:44:02Güzelmiş.
00:44:03Ben, sen de geliştirdim.
00:44:06Ne oldu, Tim.
00:44:08Ben geliştirdim.
00:44:09Ben.
00:44:11Ben.
00:44:12Ben.
00:44:13Ben.
00:44:15Ben.
00:44:17Ben.
00:44:21Ben.
00:44:22Ben.
00:44:23Ben.
00:44:24Ben.
00:44:25Ben.
00:44:26Ben.
00:44:27Ben, as far as your dad's concerned, he is through with me.
00:44:29But I'm not through with him.
00:44:31Even am I.
00:44:33And we got unfinished business.
00:44:38We could only find Mother.
00:44:40You know when, he might be able to help.
00:44:43Henry.
00:44:45Yeah.
00:44:46He's been shedding date for the last 30 years.
00:44:48You know somebody.
00:44:50Hey Mark.
00:44:52Give me a phone will you
00:44:53Home, will ya?
00:44:57Got the number?
00:44:58Ya.
00:45:02Um...
00:45:04Preski.
00:45:10Hello, Henry.
00:45:11Hello.
00:45:12Hello, Henry.
00:45:13Say, they didn't have saloons like this when I was your age.
00:45:16Love, Henry.
00:45:17Oh, so that's what they call them now.
00:45:19What do they have?
00:45:20Lemonade.
00:45:21Lemonade?
00:45:22I get what you mean, but, uh, what's in it?
00:45:25Lemons, sugar, and water.
00:45:27Lemons, sugar, water.
00:45:30Henry, I thought you might be able to tell us something about Mother.
00:45:34Where can we find her?
00:45:35Well, she spends her winters in California,
00:45:38the summer season in Connecticut,
00:45:40and the play season here.
00:45:42Then she should be here now.
00:45:44Well, if she is, she's at the Tower Hotel.
00:45:46Tower Hotel?
00:45:47She's a writer, you know,
00:45:49under the name of Lacey Thornton.
00:45:51Get excited, darling.
00:45:58Oh, I'm not excited.
00:46:00I just realized what this means.
00:46:02You see, I've never seen my mother.
00:46:05Now that you're going to see her, you wonder what she's like.
00:46:08Yeah, whether she like you, and me, and...
00:46:13Well, there's only one way to find out.
00:46:16Do come right in.
00:46:27Oh, it's such a relief to be with young people.
00:46:33You know, usually I'm interviewed by these horribly business-like people
00:46:36who insist upon pinning you down to places and dates and, uh...
00:46:39Oh, I'm sorry, uh, Mr. Jones, Mr. Jones, he's...
00:46:43He's going to be your son.
00:46:45That is, I'm going to marry him, and I'm your daughter.
00:46:48Why, how delightful.
00:46:50Oh, I love romance.
00:46:51In fact...
00:46:53A daughter?
00:46:55A Betty?
00:46:56Oh.
00:46:58Oh, it just doesn't seem possible.
00:47:01Little Betty, grown into such a beautiful young lady,
00:47:05and about to marry such a beautiful young man.
00:47:08Oh, it's...
00:47:10Beautiful, period.
00:47:11Oh, oh, oh, do sit down.
00:47:19I wrote your story once.
00:47:21Let me see.
00:47:22It was the book before the last.
00:47:24No, uh, the one next to that.
00:47:26Mother, Dad has been...
00:47:30Well, he hasn't been well, and I thought maybe that we could help him.
00:47:33Oh, poor Phineas.
00:47:35He was always hard to understand.
00:47:39But he has done well in business, hasn't he?
00:47:41Haven't you heard?
00:47:42Oh, I've been away for months and months.
00:47:45Oh, ever so long.
00:47:47I used to do all my work in Europe, and...
00:47:50Oh, it's so stimulating.
00:47:52Mother...
00:47:54Dad...
00:47:55Dad is quite ill.
00:47:57No, is he?
00:48:02What are you doing here?
00:48:04You're just the guy I'm looking for.
00:48:06I'm here to do you a favor.
00:48:07Here, grab a chair and hang on.
00:48:11You know what I'm going to do?
00:48:12I'm going to double your production and triple your income.
00:48:15You know, you know the way things are now.
00:48:17The American working man's got to have something besides an automobile
00:48:20and a house and a lot.
00:48:21He's got to be made happy, and he's got to be kept happy.
00:48:25Give him music to make him happy.
00:48:27The American working man loves music.
00:48:29You can tell that by the way he jumps when the whistle blows.
00:48:32You're sure, just give him that music and just make his day a big, long, beautiful song.
00:48:38The sky's the limit.
00:48:39Give him that old razzmatazz.
00:48:41Okay, boys, let him have it.
00:48:43Oh, give me that razzmatazz.
00:48:56Oh, give me that razzmatazz.
00:49:09I'm getting tired of jazz.
00:49:12I'm plenty slick feller from North Dakota.
00:49:15I've even seen a little bit of Minnesota.
00:49:18Oh, give me that teakatu.
00:49:20Ha, ha, ha, ha, ha, ha.
00:49:21And let me holler, wah-hoo.
00:49:23Now, people think I'm in a rut, but that's because they're off, they're not.
00:49:27Oh, give me that razzmatazz.
00:49:29All right, boys, let me do it.
00:51:41Kiyotuk şifin yür подар망esini
00:51:45Birinci kiyotuk anıcı
00:51:47Şip olduk şiitli
00:51:48Bir şap kızın
00:51:50Şip yorku
00:51:52Şip işim
00:51:54Kişim
00:51:56Şip
00:51:57Şip
00:51:59Şip
00:52:00Şip
00:52:01Kişeyi
00:52:02Şip
00:52:03Şip
00:52:05Şip
00:52:06Şip
00:52:08Şip
00:52:08Şip
00:52:09Şip
00:52:10Şip
00:52:10Hayatç vlogging.
00:52:12Devamatta.
00:52:12Secundum.
00:52:13Tam sizi.
00:52:14Beklemeyin.
00:52:16Değişimli.
00:52:17Hatta.
00:52:18Yağmenizi.
00:52:20Ben.
00:52:22Ne kadar.
00:52:24Ama ben.
00:52:27BuMost sen.
00:52:28Buraya geldi.
00:52:30Bilmem var mı?
00:52:31Bilmem.
00:52:32Bilmem.
00:52:33Buraya gelin.
00:52:34Bilmem.
00:52:35Mesela teklifte.
00:52:36Altyazı.
00:52:38Selamın.
00:52:39Bunu bir.
00:52:39...
00:52:46...
00:52:48...
00:52:52...
00:52:52...
00:52:53...
00:52:57...
00:52:58İzlediğiniz için teşekkür ederim.
00:53:28İzlediğiniz için teşekkür ederim.
00:53:58İzlediğiniz için teşekkür ederim.
00:54:28İzlediğiniz için teşekkür ederim.
00:54:58İzlediğiniz için teşekkür ederim.
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00:56:28Oh, but we don't want to be over there.
00:56:32We want to be over here.
00:56:33Perhaps we could sit over there.
00:56:35The air, don't go yet.
00:56:48If you could remember approximately where it was.
00:56:51Yes, I remember.
00:56:52I remember it was, that wall.
00:56:54Fine.
00:56:55Was it near the corner?
00:56:56Yes, it did.
00:56:57Yes, it was in that corner.
00:56:59Now we're getting somewhere.
00:57:00Yes, madame.
00:57:02What do you want?
00:57:03What do you want?
00:57:04Oh, excuse me, Curly.
00:57:13If you insist on annoying our guests, I'll have to ask you to leave.
00:57:30Pardon me, Junior.
00:57:31Junior, huh?
00:57:32Junior, huh?
00:57:33Junior, huh?
00:57:35Junior, didn't I teach you not to flirt with strange ladies?
00:57:45Oh, but you can meet some lovely people that way.
00:57:47Mother, would you say the picture would be about here?
00:57:51Yes, it would be right there.
00:57:53Only over there.
00:57:54What?
00:57:55What?
00:57:56What?
00:57:57What?
00:57:58What?
00:57:59What?
00:58:00What?
00:58:01What?
00:58:02What?
00:58:03What?
00:58:04What?
00:58:05What?
00:58:06What?
00:58:07What?
00:58:08What?
00:58:09What?
00:58:10What?
00:58:11What?
00:58:12What?
00:58:13How do you like that?
00:58:25No picture.
00:58:26No picture.
00:58:27No picture.
00:58:28Sorry, Gus.
00:58:29Pierre.
00:58:33Eddie, you're all wrong.
00:58:34I looked the little man wasn't there.
00:58:36But.
00:58:37Madame, Madame.
00:58:38But why an egg?
00:58:39I ordered roast beef medium.
00:58:41Madame, F is an egg.
00:58:42Beth is beef.
00:58:43You ordered F and not beef.
00:58:44Why didn't you say that in the first place?
00:58:45Madame.
00:58:46Oh, he doesn't understand French.
00:58:47Probably born in Brooklyn.
00:58:48Well, I know it here some place.
00:58:49Then it's very simple.
00:58:50All we have to do is take all the paper off the wall.
00:58:51Oh, not all the paper.
00:58:52Just, just the part of the picture.
00:58:53See, we couldn't do that.
00:58:54Now, supposing the picture here.
00:58:56Oh, the picture isn't there.
00:58:57All you have to do is put the piece back.
00:58:58The baby.
00:58:59There it is.
00:59:00Right where I said it would be.
00:59:01Right where I said it would be.
00:59:02Uh, um.
00:59:03Uh, uh, would you mind bringing our check?
00:59:04Uh, um.
00:59:05Uh, would you mind bringing our check?
00:59:06Uh, um.
00:59:07Uh.
00:59:08My mind?
00:59:09It will be a pleasure.
00:59:10şehle.
00:59:11Who should be turned into this tower?
00:59:13Uh, I just want to pamper some uh check, it wouldn't suitably.
00:59:16Look, that's all.
00:59:17Would you mind bringing our check?
00:59:18Uh huh.
00:59:19Oh, no?
00:59:20Uh, it's not scattered out of here.
00:59:23Uh huh.
00:59:24Uh huh.
00:59:25Uh huh.
00:59:26Awesome!
00:59:27Oh, no, Ooo.
00:59:28This 추가Ea is for old's book.
00:59:29And the documents, look.
00:59:31Mexico.
00:59:32Oh!
00:59:33No?
00:59:34It will be a nice job.
00:59:35Oh, hello!
00:59:36I thought it was a good page.
00:59:37İzlediğiniz için teşekkür ederim.
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