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00:00Detective Ridders.
00:01Mrs Potts.
00:02I've been building a case against my uncle for a few years now.
00:05He's all yours.
00:06Dylan Cooper, we've got a warrant for your arrest.
00:09She got lost on the way home and was found by an officer wandering the streets.
00:13I am all Sophia has and it is down to me to keep her safe.
00:16Perhaps some time apart will do us both good.
00:30I am all Sophia.
00:46I am all Sophia.
00:58Elyse.
01:20Sorry, I didn't want to disturb you.
01:23Come in, please.
01:28How have you been?
01:45Very well, thank you.
01:47And you?
01:49Busy.
01:52Yes, I can see that.
01:58It's good to see you, Elyse.
02:12I'm here because I wanted to let you know that I'm going away on holiday.
02:17An actual holiday, or?
02:19What does that mean?
02:21You've said before you were going on holiday, but in fact we're on a case.
02:23I'm going to Paris to visit Moses and his family. His wife had a little boy.
02:32Well, that is welcome news.
02:34Please give him my best.
02:38Contrary to what you believe, Alexander, I don't lie to you.
02:44Do you have any idea how hard it was for me to come and see you today?
02:46I wanted to come and see you, but...
02:50Come.
02:52I need your sign off, sir.
03:05Door.
03:10Just...
03:10Blake.
03:25Blake.
03:27Thank you, Miss Summers. Put him through.
03:31Sergeant Clark, you got my message?
03:34Well, anything you can do.
03:38I appreciate that.
03:39I'll wait till here.
03:43Goodbye.
03:48It's the death sergeant of Bow Street.
03:52I've been trying to find some extra men for the night shift.
03:56Half have gone to the rookeries, riots are breaking out everywhere,
03:59the other half have gone down with stomach flu.
04:00You were saying you wanted to come and see me.
04:15But...
04:16I have thought of you many times over this last week.
04:37I'm in a meeting!
04:38Sorry, sir.
04:41The superintendent's way of view.
04:44I didn't realise the time.
04:47You're busy, and I should pack.
04:49I leave first thing in the morning.
04:50Sorry, Miss Scarlett.
04:51Detective Willows.
04:52Miss Scarlett.
04:54I'll be with you shortly, Willows.
04:55Miss Scarlett.
04:56Miss Scarlett.
04:57Miss Scarlett.
04:58Miss Scarlett.
04:59Miss Scarlett.
05:00Miss Scarlett.
05:01Miss Scarlett.
05:02Miss Scarlett.
05:03Miss Scarlett.
05:04Miss Scarlett.
05:05Miss Scarlett.
05:06Miss Scarlett.
05:07Miss Scarlett.
05:08Miss Scarlett.
05:09Miss Scarlett.
05:10Miss Scarlett.
05:11Miss Scarlett.
05:12Miss Scarlett.
05:13Miss Scarlett.
05:14Miss Scarlett.
05:15Miss Scarlett.
05:16Miss Scarlett.
05:17Miss Scarlett.
05:18Miss Scarlett.
05:19Miss Scarlett.
05:20Miss Scarlett.
05:21Miss Scarlett.
05:22Miss Scarlett.
05:23Miss Scarlett.
05:54I hope you feel better soon, Maggie.
06:19I think she's got that stomach bug. Poor thing.
06:23Oh, it's a nasty one, from all accounts.
06:26Half the men have gone home sick with it.
06:28Anyway, I just came to see if you wanted to go for a cuppa on your break.
06:32I'd love to, but Inspector Blake said I've got to ring round the other precincts,
06:35see if they can spare any men.
06:37Not having much luck, though. Most of them aren't even answering.
06:40It'll be the riots and the ruckeries.
06:42What with the sickness, we're badly undermanned.
06:45We might even have a problem transferring the big fella to Newgate later.
06:50Is Dylan Cooper really in our cells?
06:54Well, he's under lock and key.
06:57And I'm here to protect you.
06:59My hero.
07:00I may have to cover the night shift, so it might be best that we dine tomorrow night instead.
07:06I'm stuck here, too. Maggie was the fifth girl to go home early.
07:10Tomorrow night, then.
07:11I'll take us somewhere nice to make up for it.
07:13Can we go back to Barron's? It was lovely there.
07:16I'll book it in the morning.
07:18You're too good to me, Georgie.
07:19I don't deserve you.
07:20No, you probably don't.
07:34Detective Willows?
07:38I need your help transferring Cooper to Newgate.
07:41So it's still going ahead, sir?
07:42The prison governor will be sending an armed escort at 8 o'clock this evening.
07:45Cooper won't be pleased.
07:47He's been telling everyone the governor of Newgate won't dare take him.
07:49I think he'll be too scared of the repercussions.
07:53In that case, I shall enjoy telling Mr. Cooper personally that he is very much mistaken.
08:09If you don't stop staring at me, boy, I'm going to rip your eyeballs out of sockets.
08:13I want to move cells, Blake.
08:24This fella ain't right in the head.
08:28Inspector Blake.
08:32And you will indeed be moving cells to Newgate Prison.
08:36You leave at 8.
08:48Best saying goodbyes.
08:52No.
08:59I ain't going anywhere.
09:00I beg to differ.
09:04I've heard about those riots.
09:10Terrible business.
09:14My guess is I'll reach Newgate soon.
09:19Why'd you say that?
09:21Hmm.
09:22Just making conversation.
09:26Inspector Blake.
09:48Detective Willows?
09:50Murray, isn't it?
09:50You here for the night shift?
09:52Yes, sir.
09:52Good.
09:53Where are the others?
09:54That's what I wanted to tell you, sir.
10:00Only two officers.
10:01Where's the rest of the night shift?
10:02The desk sergeant said they're off sick.
10:03That stomach by spreading like wildfire.
10:05Where's the desk, sergeant?
10:06He's got it too.
10:07He's just gone home.
10:07He's got it too.
10:09We understand what's going on.
10:10It will just...
10:11Blake.
10:16Blake.
10:19Thank you, Miss Summers.
10:20Put him through.
10:24Inspector Blake.
10:28Yes, sir.
10:32We're all set to bring Cooper over.
10:33Change of plans, sir.
10:43How many times, Oscar, the street is not a public toilet?
10:47My notes.
10:49Sorry, sir.
10:51Only three men have turned up.
10:53The rest of the night shift are off sick.
10:54Well, I'm just to add to our good fortune,
10:57I spoke to the governor at Newgate.
11:00A mob has gathered outside the prison
11:01and he doesn't feel it's safe to transfer Cooper tonight.
11:04A mob?
11:05Newgate's nowhere near the Ruckeries.
11:07It doesn't make any sense.
11:09What's more worrying is Cooper seemed to know about it in advance.
11:13Keep an eye out.
11:15Something isn't right.
11:16Yes, sir.
11:21Oscar, no!
11:24All right, what's going on?
11:36What can you tell me about the unrest at Newgate?
11:40Back already, Inspector.
11:42Answer the question.
11:45Hmm.
11:46Unrested Newgate, you say?
11:49What dark times we live in.
11:51Oh, I do hope it's safe for me to be transferred.
11:59You'll be leaving soon enough.
12:01Shh, shh, shh.
12:03Lower your voice, Inspector.
12:05You might wake poor old Ernest.
12:10And he's so enjoying his nap.
12:12Now, what was it that's bothering you exactly?
12:26I mean, I could take a wild guess.
12:28I could guess that the riots in Ruckeries have spread to Newgate.
12:32And I could guess that you've been told I have to stay here for the night.
12:36And I could guess that you think I'm behind it all.
12:41Don't presume to know what I'm thinking, Mr. Cooper.
12:44And if I could do that, who knows what else I might be playing in.
12:49Especially as I hear this sickness spreading through your men.
12:54How many officers have you got on duty tonight?
12:56Willows?
13:20Willows?
13:20Discharge them, all of them.
13:26I want the whole place cleared in five minutes.
13:28What do you mean, sir?
13:29We are shutting down Scotland Yard.
13:30No one comes in, no one goes out.
13:38Come on, come on, get a move, right?
13:41Bloody hell, we've done it all day.
13:42Shift it!
13:43Keep your eyes peeled.
13:45Get a whiff of anything.
13:46Raise the alarm immediately.
13:48Will do, sir.
13:48Watkins, Redmond.
14:08Don't leave your post.
14:10Not even for a minute.
14:12Yes, sir.
14:13Hello?
14:13Hello?
14:15Hello?
14:15Hello?
14:18What's up?
14:45Hello?
14:45I've locked up the back gate, sir. I've put Redmond and Watkins on guard.
15:03What did Cooper say? Do you think he knows something?
15:05I'm afraid I do. To what extent he's involved, I can't be sure.
15:11That man plays poker for a living, it's hard to know when he's bluffing.
15:15A few years back, when I was at Bristol, I arrested a gang leader.
15:22He was put on trial for murder and sentenced to be hanged.
15:26The morning his sentence was due to be carried out, a riot broke out in the prison.
15:30His gang had paid off a dozen or so prisoners to cause a distraction so they could spring him out.
15:35Luckily, one of my officers got wind of the plan and we were able to stop it.
15:40Someone snitched.
15:41In a way, it's a long story involving a lady of the night who talks in her sleep.
15:49My point is, this gang leader had half the money and influence that Cooper has.
15:55If Cooper puts his mind to it, God knows what he's capable of.
15:59You think we need more men?
16:01I'm afraid I do.
16:02Hello? Bow Street? Bow Street, can you hear me?
16:18Why are the doors all locked? What's going on, Georgette?
16:20It's just a precaution.
16:21What does that mean?
16:22The riots are getting worse.
16:24You don't think they'll come here?
16:25No, but it's better to be safe than sorry.
16:27Inspector Blake wants you to keep calling the other precincts to see if they can spare us for more men.
16:31I was just on my way to tell you, the phone lines are dead.
16:34I've connected the cable to Bow Street Station, but there's nothing.
16:37It's just a sort of hiss.
16:38It's the same with Oldgate, Suffolk, Deptford.
16:41Keep trying.
16:42I'll go speak to Inspector Blake.
16:46Stay here.
16:54What the hell was that?
16:55I think it's coming from the cells.
16:57Bring backup.
16:57Yes, sir.
17:01Stop this!
17:05Immediately!
17:09Now will somebody please tell me what the hell is going on?
17:12This lunatic's got a blade in his boots, threatening to cut my throat.
17:16I want to be moved.
17:17Now!
17:20Well, come on!
17:22Search him if you don't believe me!
17:24Don't take your eyes off them.
17:26And if anyone moves a muscle, shoot them!
17:27Look, you cannot leave me in here!
17:29And what about the twinning of the beast?
17:31Blake!
17:34Ah!
17:37Has Miss Summers had any luck getting through to the other precincts?
17:40Bones are dead, sir.
17:41She can't make or receive cause.
17:44My day just gets better and better.
17:46Nothing.
17:55Has this happened before?
17:57Not to me, but I remember one of the girls saying the line's cut out a few weeks back when we had that storm.
18:03Tonight's even worse.
18:04There's none in the clerical office.
18:10It's like I make the men a cup of tea.
18:12That is the best suggestion I've heard all day.
18:14Thank you, Miss Summers.
18:20Do you really think it is a storm?
18:23I don't know.
18:27If it isn't...
18:30We just need to get through the night.
18:34Walk-ins, take the back gate.
18:41Murray, you stay on the front.
18:44If anyone attempts to break in, you fire a warning shot above their head, sir.
18:49After ten years in the army, I can assure you few men run towards the sound of gunfire.
18:59Who are they?
18:59Found them playing cards in the kitchen, sir.
19:01Freddie's a rat catcher, and Arthur is a kitchen porter.
19:06He told me to gather everyone, sir.
19:08Have you fired a weapon before?
19:10No, sir.
19:12Well, take some blankets from the infirmary room and get yourself up on the roof.
19:14Keep a lookout, and if you see anyone, let me know immediately.
19:16All will be well, lads.
19:23The gates at the front and back are solid iron and built for this very purpose.
19:29Ah, Miss Summers, perfect timing.
19:34Right, get to it, lads.
19:41I don't mean to be rude, but I think, under the circumstances, I could do with something a little stronger.
19:47There's a bottle of scotch in my office.
19:51Georgie?
19:52Hey, who's that copper?
19:54PC Murray.
19:55He's new, he's not been here very long.
19:57I've seen him somewhere before, I just can't remember where.
19:59He probably just reminds you of someone from your past.
20:02A gentleman caller, perhaps?
20:04Keep that up, you'll be wearing that tea, not drinking it.
20:07It's a little bit milky for my taste.
20:09Cheeky son.
20:12I'd better get back.
20:13If only luck, the lines will be up and running again.
20:16Izzy?
20:16Izzy?
20:20He's doing a grand job.
20:21He's doing a grand job.
20:51PC Murray. Anything to report?
20:59Nothing. Apart from a mangy cat. His coat was so wet he could barely walk.
21:04Know how he feels, poor sod.
21:09How long you been here now?
21:12Mind if I?
21:14Certainly.
21:15Been here five weeks, give or take.
21:21And where were you before that?
21:23I already passed my interview.
21:25Just talking. It keeps my mind off the cold.
21:29I did a year at the city police pool coming here. What about you?
21:33Bow Street.
21:35How was that?
21:37Decent. But there's nowhere like the yard.
21:45That girl from the switchboard. What's her name?
21:48Why?
21:49Like you said, we're just talking.
21:52Miss Summers.
21:55Pretty little thing, isn't she?
21:57Bet she could keep me warm.
21:59Shut your mouth.
22:00Easy, mate. I was just saying.
22:01I'm not your mate.
22:03I'm your senior officer.
22:05Lucy Murray.
22:08Go and join Watkins at the back gate.
22:11Yes, sir.
22:14Everything all right?
22:20Yes, sir.
22:25Thank you, sir.
22:33My daughter loves the rain.
22:38Her bedroom's up in the eaves of the house, and when it rains, she just looks like being in a tent.
22:44Not that she's ever been in one.
22:47I suppose she's heard enough stories from my time in the army to know what it's like.
22:53My little niece will sleep for anything.
22:56Thunder, lightning.
22:59Couple next door throwing plates at each other.
23:01Did she live with you?
23:02Her and my sister.
23:06Father's not around. It's a long story.
23:11She didn't want her raising the little girl on her own.
23:14Sorry, sir. I didn't... no offence.
23:16None taken.
23:17I can't deny.
23:18It would be easier not to be alone.
23:19This job isn't easy for anyone to put up with.
23:20Long hours, stress.
23:21I wouldn't want to be married to me.
23:22Nor die.
23:23Nor die.
23:24I'll keep watching.
23:25Go and see if the telephone lines are working.
23:26Yes, sir.
23:27Go and see if the telephone lines are working.
23:28Yes, sir.
23:29Go and see if the telephone lines are working.
23:30Yes, sir.
23:32How are you looking?
23:33How are you looking at me?
23:34I'm looking at you, my brother.
23:35I'm looking at you.
23:36How are you looking at me?
23:37How are you looking at me?
23:38How are you looking at me?
23:39Good morning.
23:40Good morning.
23:41Come and see if the telephone lines are working.
23:44Yes, sir.
24:02Georgie, what are you doing?
24:30Where have you been? You meant to be manning the telephones.
24:33They're still dead. There's something I need to show you.
24:36Is everything all right?
24:37You'd better come with me.
24:57Inspector Blake, I presume.
24:59And you are?
25:01My name's Miss Eliza Scarlet.
25:07You work for a detective agency?
25:09I own a detective agency.
25:14And I think this might be a good opportunity to outline the history of my work in relationship with your predecessors.
25:20In here are numerous case reports, letters of reference, and, as you see, newspaper clippings showing the investigations that I've helped to solve.
25:30I'm afraid you're wasting your time. I do not engage the services of private detectives.
25:33Well, may I at least present-
25:34However, if you have a contract, you will be paid for your work so far. But that is all.
25:38Good day.
25:39It's not my intention to be rude.
25:42You're doing a wonderful job of it.
25:44When I first worked here, one of my duties was to keep the mugshot files up to date. One of the photos stuck in my mind.
25:56I think it's him, Georgie. PC Murray. I knew I'd seen him before.
26:02You think he's a convict?
26:03One of the boys at my school used to pick on my little brother. He had a scar, just like Murray's, but...
26:06But...
26:07..I don't know.
26:08I think it's him, Georgie.
26:09When I first worked here, one of my duties was to keep the mugshot files up to date.
26:10One of the photos stuck in my mind.
26:11I think it's him, Georgie.
26:12PC Murray.
26:13I knew I'd seen him before.
26:14You think he's a convict?
26:15One of the boys at my school used to pick on my little brother. He had a scar, just like Murray's, but...
26:17I knew I'd seen him before.
26:19You think he's a convict?
26:27One of the boys at my school used to pick on my little brother.
26:30He had a scar just like Murray's, but for the life of me, I can't remember his name.
26:35Definitely wasn't Murray.
26:40Griffiths.
26:41Samuel Griffiths, that's it.
26:44Where's his photograph?
26:46Someone's ripped it out.
26:47You're sure?
26:53As sure as I can be, sir.
26:59Miss Summers, why don't you go back to the switchboard room and see if we can get those phone lines working again?
27:09I found an arrest sheet on Miss Samuel Griffiths.
27:12I didn't want Izzy to...
27:14Sorry, Miss Summers to see.
27:15The poor girl's terrified enough as it is.
27:19Convictions for wounding with intent and natural bodily harm.
27:21I'm looking at his known associates.
27:26Delink, Cooper.
27:29Is Murray sitting at his post at the back gate?
27:31As far as I'm aware, sir.
27:32What case?
27:46Is he breathing?
27:48He is.
27:49He's out cold.
27:50The keys to the back gate, they're attached to his belt.
27:52Well, they're not there now.
27:56Well, they're not there now.
27:57Where the hell is PC Murray?
27:59Take this.
28:18There's no sign of Murray downstairs, sir.
28:21Did you check on Cooper?
28:23He's looked up safe and sound.
28:25I've put Watkins in the infirmary.
28:27He's coming round but has no idea what happened.
28:30Put the rifle down!
28:32Sir?
28:33Now!
28:34Do what he says, Murray.
28:35Up against the wall.
28:41What's going on, sir?
28:42Just do it!
28:43Sir, Jim.
28:44But, sir, I don't understand what's going on.
28:46Shut your mouth!
28:46Against the wall!
28:53Keys to the back gate, sir.
28:57Cuff him.
29:00Start talking.
29:02Watkins gave me the keys when he needed to use the gents.
29:04I don't understand what I've done wrong.
29:07Watkins was found unconscious.
29:08Are you responsible for that?
29:09No.
29:10Of course not.
29:11What's going on?
29:12You said you were at the City of London Police.
29:14Who was the desk sergeant there?
29:16What's that got to do with anything?
29:17Answer him.
29:20The desk sergeant was old Gideon Bates?
29:24And your commanding officer?
29:28Sergeant Simpson.
29:29You mean Samson.
29:29That's what I meant.
29:30I'm nervous, it's all.
29:32What's going on?
29:33Why did you transfer to Scotland Yard?
29:37Well, you could ask him the same thing.
29:39He doesn't want to come here.
29:42Constable Murray, do you have a criminal conviction you failed to declare?
29:44No!
29:45I swear it!
29:46It's a scar on your face.
29:47How'd you get it?
29:51Growing up, I wasn't the best behaved.
29:53Used to get into scrapes.
29:54But I was just a kid.
30:01A word, please, Detective Willows.
30:10What do you think?
30:13What is it, sir?
30:14I don't know.
30:15Neither do I.
30:15But Cooper is more than capable of having a man on the inside.
30:20Go check on what kid is.
30:21If he's able to walk, bring him down here, see what he has to say.
30:23What shall I do with Murray, sir?
30:27What now?
30:28It's coming from the cells again, sir.
30:30Put him in the interview room.
30:32Question him, then report to me what you find.
30:33Shut up, the lot of you.
30:42Please!
30:42What's going on?
30:45He wants to kill me.
30:47Let him go.
30:48Now!
30:49Or I will not hesitate to put a bullet in your head.
30:53You, tell me what the hell is going on.
30:56I told you to move me.
30:57If you don't get me out of here, I'll be carried out in a box.
31:01I'll tell you anything you want to know, please.
31:03Please.
31:12Any chance I could have a glass?
31:14Tell me something of interest and I'll consider it.
31:19Those riots.
31:21It was my men what started them.
31:25Wanted to keep you busy.
31:28Are my men off sick?
31:29You've got a mate who's got a mate who supplies your canteen.
31:35Rancid meat ain't hard to come by in this city.
31:38You've got, what, a handful of coppers on duty.
31:45I've got 25 men with guns who'll be here any minute.
31:49They cast iron gates front and back.
31:50No one's getting in.
31:51They won't just be coming with guns, son.
31:54Bit of dynamite.
31:56Blow those gates open like a bleeding doll's house.
31:58You're bluffing.
32:00No, I ain't.
32:06When my men get here and they see me in handcuffs,
32:11they're liable to get very emotional.
32:17Dread to think what they might do to you.
32:19So, what you've got to ask yourself is this.
32:30Am I really worth dying for?
32:36You're not seriously suggesting I set you free.
32:39You need to think about that little girl of yours.
32:46You mentioned my daughter one more time
32:48and I won't knock you through that wall.
32:50Well, I don't have to excite yourself.
33:01Do you have someone on the inside?
33:04What?
33:05You heard me.
33:06You can't expect me to tell you everything, Inspector Blake.
33:14Well, just so you know,
33:16we're onto them.
33:17Yeah, of course you are.
33:19PC Murray.
33:20He's currently in handcuffs, being interrogated.
33:26Bloody idiot.
33:34Bent coppers are a disgrace.
33:36Yes, they are.
33:39And I'm not one of them.
33:41Really?
33:42Why would I lie?
33:45But I thought that'd be obvious.
33:50I don't feel well.
34:00Tell me who you're working for.
34:01Get a bucket or something.
34:01I think I'm going to be sick.
34:02Tell me the truth.
34:03I'm no bent copper.
34:05That's the truth.
34:09I need some water.
34:10I don't feel right.
34:11Are you going to talk?
34:12Or do I have to report to Inspector Blake
34:14that you're being uncooperative?
34:15I need some water.
34:16Please!
34:17I need some water.
34:26Please!
34:33Lizzie, what are you doing?
34:34Looking for you.
34:36The lines are still dead.
34:37My nerves are in tatters, Georgie.
34:38All will be well, I promise.
34:41I've never seen the place so empty.
34:44It's strange.
34:46It's a chill down me.
34:50Well, just think.
34:53Tomorrow, we'll be sat in Barron's,
34:56all dressed up in our finest.
34:58You'll be the prettiest girl in there.
34:59You're a lovely man, George Willows.
35:04As was said, mostly by my mum.
35:09You miss her, don't you?
35:14What about your dad?
35:16You don't talk about him much.
35:20He was a man of few words.
35:22What words he used are never very nice,
35:25especially about my mum or my sister.
35:27Does he know she had a baby?
35:29No idea.
35:31I've not seen him since mum's funeral.
35:34I don't even know if he's alive.
35:37Well, your sister's lucky she's got you.
35:39To look after her in the lit, then.
35:43Sir.
35:45We have a problem.
35:52He just pulled up, sir.
35:57You there!
35:58Make yourself known.
36:05I said, make yourself known.
36:14Come here!
36:15Stop!
36:15Stop!
36:16Stop!
36:16I'm still dead, is it, son?
36:33I'm real, son.
36:35Suit yourself, it's just a turn of phrase.
36:40I do have a son, as he goes.
36:42A bit younger than you.
36:44Logan.
36:46Only he's in the nick.
36:50Funnily enough, it was your Miss Scarlet would put him there.
36:54My Miss Scarlet?
36:55It's not much I don't know about you, Inspector Blake.
36:57Oh, just stop talking.
36:59I wonder what she'd think about you risking your life for no good reason.
37:03Oh, there's a reason.
37:05I want to see your face when you hear a guilty verdict.
37:07What, you think a jury will convict me?
37:1112 good men and true?
37:14There's ways of playing that game.
37:15So why plan an escape, then?
37:17We'll call it an insurance policy.
37:20But you still didn't answer my question about your lady detective.
37:27Yeah, maybe I'll ask of myself when I get out.
37:33That's when you threaten to hurt her, is it?
37:35Like you did my daughter.
37:36Never touched your daughter.
37:38But you still owe my man at the club an apology.
37:42Poor sod.
37:43It's black and blue.
37:45Don't hold your breath.
37:47Sir, a horse and carriage is pouring up outside.
37:49The driver's abandoned it.
37:55I'll put my fingers in your ears if I were you boys.
38:01Bang, bang, bang.
38:05You think there's explosives inside?
38:06It could be bluffing.
38:09But we can't take the risk.
38:14You see, I'm waiting to go to the armory.
38:30Wait for me to come and find you.
38:31Why the armory?
38:32Doors are thick, there's no windows.
38:33What?
38:34Izzy, please.
38:34Just trust me.
38:35But what about PC Watkins?
38:37I don't think he's well enough to move.
38:38I'll deal with him.
38:39Go on, go.
38:49Murray, get up.
38:50I need to move you.
38:51Please.
38:53I feel so sick.
38:55More on your feet.
38:56I can't.
39:02There was someone in that tea.
39:06What are you talking about?
39:07I was fine until I drunk it.
39:10I think she laced it with something.
39:13Who?
39:15A girl from the switchboard.
39:20What?
39:23Passed out and when I woke up she was searching through your jacket.
39:32You're lying.
39:33I swear I'm not.
39:34She was in here.
39:35You're lying.
39:35I'm not!
39:48Watkins.
39:50Watkins.
39:52When did you start feeling ill?
39:54Sir, I feel terrible.
39:55Was it before or after you drank the tea?
39:59After.
40:00Did you see Miss Summers go into the interview room?
40:05Sir, I still feel...
40:06Just answer the question!
40:09Please.
40:13Yes, I did.
40:20They won't just be coming with guns, son.
40:23Bit of dynamite.
40:25Blow those gates open like a bleeding doll's house.
40:30I'll put my fingers in your ears if I were you, boys.
41:00What?
41:01Huh?
41:06I know.
41:13The best!
41:16Is that the same thing?
41:17Let's do it.
41:17I'm not done too.
41:18He's kind of like a bloody gun.
41:18Well, you're a quick guy in the engineering system.
41:20I'm out of a big ass.
41:21Oh, man.
41:22I don't know what I'm doing.
41:23I'm out of a lot.
41:24I did not know what I got.
41:26I've just got to be out of a house.
41:27I didn't know what I got.
41:58I was just on my way to tell you the phone lines are dead.
42:13I've connected the cable to Bow Street Station, but there's nothing.
42:16It's just a sort of hiss.
42:17It's the same with Oldgate, Southwark, Deptford.
42:22I have to hand it to you, Mr. Cooper.
42:28Hurry up.
42:34I'm going as fast as I can.
42:36Come on, come on, come on.
42:38Let's fuck you up.
42:41Georgie.
42:43It worked for him.
42:45Please let me explain.
42:46You stole the keys from my jacket pocket.
42:54Be down on the ground now.
42:55Take it easy, son.
42:57Don't be waving her gun around.
42:58Look, she's still sweet.
43:00Shut your mouth!
43:01I killed the ground now!
43:02I'm arresting you for aiding an escape from lawful custody.
43:10Please, Tony.
43:11Detective Sergeant Willows!
43:16Hands behind your back.
43:17I was planted here a few months ago by Mr. Cooper.
43:41It wasn't for anything specific.
43:44It was just to get whatever information I could.
43:49Anything he could use.
43:52What about the plan to break him out?
43:57I'm so sorry.
43:59I should never...
44:02I really did like you.
44:04Spencer Blake asked you a question, Miss Summers.
44:05There were never any men coming here.
44:21Mr. Cooper used up all his money organising the riots.
44:25It was a distraction, so I could help him escape.
44:30Were you aware that he was responsible for having the food in the kitchen contaminated?
44:35No.
44:36No, I knew nothing of it.
44:38But it was you who drugged the tea.
44:41That's what caused PC Watkins and Murray to collapse.
44:45And framed PC Murray with some cockleball story about him being a convict.
44:50I really am sorry, Georgie.
44:52My big excuse, sir.
44:53Mr. Cooper.
45:07I have some good news.
45:23I've just had word you'll be transported to Newgate within the hour.
45:30Oh, and when your case comes to court, I've requested that the jury are from out of town.
45:36And kept under constant supervision.
45:42Call it an insurance policy.
45:44Call it an insurance policy.
45:45Call it an insurance policy.
45:46Call it an insurance policy.
45:47Call it an insurance policy.
45:47Call it an insurance policy.
45:48Call it an insurance policy.
45:49Call it an insurance policy.
45:50Call it an insurance policy.
45:51Call it an insurance policy.
45:52Call it an insurance policy.
45:53Call it an insurance policy.
45:54Call it an insurance policy.
45:55Call it an insurance policy.
45:56Call it an insurance policy.
45:57Call it an insurance policy.
45:58Call it an insurance policy.
45:59Call it an insurance policy.
46:00Call it an insurance policy.
46:01Call it an insurance policy.
46:02Call it an insurance policy.
46:03Call it an insurance policy.
46:04Call it an insurance policy.
46:05Call it an insurance policy.
46:06Call it an insurance policy.
46:07Call it an insurance policy.
46:08Call it an insurance policy.
46:09Call it an insurance policy.
46:10Call it an insurance policy.
46:11Willows, Detective Willows.
46:13George Willows.
46:15Nice to meet you, Detective George Willows.
46:27Willows.
46:29My letter of resignation, sir.
46:33No, I can't accept that.
46:36I've let the force down, I've let you down,
46:38not to mention making a complete fool of myself.
46:40Resigning is not the answer.
46:42Please.
46:51There will be an investigation
46:52into what happened here last night.
46:55And I can't promise it turns out well for you.
46:57You may yet be dismissed.
47:01But I will speak on your behalf.
47:03Sir.
47:04You are a good detective and I don't want to lose you.
47:08And it wasn't just you taken in by Miss Summers, it was everyone, myself included.
47:14Detective Willows, you wouldn't be the first man to have made a mistake when it comes to matters of the heart.
47:35Mr. Joseph?
47:39Yes, sir.
47:41Thank you, sir.
48:35How was your day?
48:56Rough.
48:58Which is why I wanted to see you.
49:00Do you need my help?
49:01I wanted to see you because I wanted to be with you, Eliza.
49:09To take the sting out of my day by finishing it with you.
49:21Does that help?
49:21Always.
49:49Eliza.
49:50I thought you might have left.
49:53Actually, I was just coming to see you before I left the train.
49:58So I saved you a trip?
50:00You did.
50:03May I come in?
50:04I didn't sleep last night.
50:16Well, I've had one of the worst nights of my life.
50:19It's not a competition, Alexander.
50:21And believe me, if it was, I would win.
50:23What happened?
50:29Let's just say I've had time to reflect on the things that are most important to me.
50:36In fact, I've come to several realizations.
50:38For all your faults, I love you, Eliza.
50:55And I only hope you love me, too.
50:58Faults and all.
51:01Of course I do.
51:05Of course I do.
51:05Can I just ask what you meant by...
51:19I will tell you everything that happened last night when you returned from Paris.
51:22No, I meant my faults.
51:25What faults, exactly?
51:26May I accompany you to the station?
51:31Do you insist?
51:32I do.
51:38Oh.
51:40You left this in my office yesterday.
51:43Yes, I wonder where that I got to.
51:46You deliberately left it, didn't you?
51:49So I'd have to return it.
51:52Of course I did.
51:56What is typical foresight?
52:13Brace yourself.
52:14You're about to discover.
52:18Something rather exciting.
52:20What more does one need?
52:22How splendid.
52:26And it will be all that you've dreamed of.
52:34And more.
52:42Given the two of you are now romantically involved,
52:45this will be the last time you work together.
52:47We'll be fine.
52:48I guess what my business may not.
52:50How do we investigate the death of a government minister discreetly?
52:53Oh, you think perhaps he was murdered?
52:54That's what we intend to find out.
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