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00:00You've not fallen out with Inspector Blake. You've fallen in.
00:03When we're working together, it's best that you treat me as you would one of your men.
00:06You can be polite in our private time.
00:08For 30 years I have given to the city mortuary, and now I'm unemployed.
00:12I assume the elderly aunt you were supposedly visiting doesn't exist.
00:16Don't you trust me?
00:17Of course I do.
00:18Then why lie?
00:30I just don't trust me.
00:53I'd better get back to work, Mum.
01:14Like you always say,
01:16those streets won't stay safe
01:20without your Charlie keeping an eye out.
01:33I'll be back tomorrow.
01:50Uncle?
02:00Charlie.
02:12How is she?
02:14Still the same?
02:14I hate seeing her like this.
02:18Ruled the roost when we were kids.
02:21Terrified over I was.
02:24Yeah, it's a shadow of my sister in there.
02:28Heard about your promotion.
02:32Detective Inspector Phelps of the City of London Police.
02:35Bet your mum's proud of you.
02:37And I am.
02:39Yeah.
02:40I'll bet.
02:41No, I am.
02:43You've done well for yourself, boy.
02:46Good on you.
02:48To.
02:53Charlie.
03:01You ain't heard this from me, but, uh,
03:05the Galani's family.
03:06They're being difficult.
03:07Difficult.
03:08Difficult.
03:10I'll try and keep it off your patch,
03:12but there's a storm coming.
03:17You cause me any problems,
03:20I'll put you away.
03:22Family or not.
03:28Ooh.
03:30Is that a threat, son?
03:31Yeah.
03:32Yeah.
04:32I wish I could miss school every day.
04:35My father used to say too much fun's bad for your health.
04:39I once skipped school without telling him.
04:42I spent the day with the ancient Egyptians at the British Museum.
04:46Was your papa cross?
04:47Well, he would have been had he found out.
04:50I never told him.
04:52In fact, you're the only person that I've told.
04:57Now, I need to do a little bit of paperwork, and then we can head home.
05:01Why don't you read?
05:03Yes, this.
05:06I hear Mrs. Pambury's making soup for tea.
05:09It's always turnip.
05:10I hate turnip.
05:12So do I.
05:12Papa!
05:32Inspector Blake?
05:33Is everything all right?
05:35Yes?
05:36Why shouldn't it be?
05:39Oh.
05:40We're a little late.
05:41More than a little.
05:43You were supposed to take her home two hours ago.
05:44I'm sorry.
05:46We lost track of time.
05:47Mrs. Pambury was worried.
05:48She was expecting Sophia home for tea.
05:50Turnip soup, I believe?
05:51You should have sent a message.
05:55Oh, you're right.
05:56I'm sorry.
05:57We had a wonderful time at the zoo, didn't we, Sophia?
06:00We saw the giraffes and the elephants and...
06:02I'll get your things.
06:09I really am sorry.
06:10What did you say?
06:12Thank you, Miss Garlick.
06:13It's my pleasure.
06:14We'll do it again soon.
06:15We can go back to the zoo.
06:17Of course.
06:19I'll see you tomorrow.
06:21You will.
06:36So, uh, don't worry.
06:38Yeah, three weeks.
06:38Oh, that's a problem.
06:51No-one saw anything.
06:57Not even a landlady.
07:00No, sir.
07:01The girl who rents this room, what's her name?
07:23Natalia Lorenzo.
07:24Scotland Yard switchboard.
07:38How may I direct your call?
07:39Detective Simons.
07:40Detective.
07:41Detective through.
07:42Putting you through.
07:43I have a Detective Simons from Oldgate.
07:46Simons.
07:46You're all right.
07:47Put them through.
07:47Yes, sir.
07:53That's me done.
07:56See you in the morning.
07:57Night.
07:59Shh.
08:00Scotland Yard switchboard.
08:01How may I direct your call?
08:05Hello, Ivy.
08:07How's things?
08:07Oh, busy.
08:08Since we lost you, things have been more active than ever.
08:11But I've been promised a couple more secretaries,
08:13and I heard a rumour we're getting a manager, too.
08:15How are you getting on?
08:17It's all right, but I miss you and the other girls.
08:19Oh.
08:19It's so quiet sometimes.
08:21I managed to read Little Dorrit in three days,
08:24and I'm a slow reader.
08:25I haven't even managed to take a lunch break this week,
08:28let alone read.
08:30What about your husband's book?
08:32How is it, by the way?
08:33Any better?
08:34Don't ask.
08:36Ready, Izzy.
08:38It's Miss Summers at work, remember?
08:40Yes, of course.
08:43Detective Willows has taken me to Barron's.
08:45Oh, very nice.
08:46Would you like us to escort you out, Mrs Potts?
08:48Oh, that's kind.
08:49Thank God, Mr Potts will be here shortly to see me home.
09:14Almost an hour I waited for Barnabas,
09:16and then I came home to find him on that damn typewriter.
09:20Apparently he'd lost track of time.
09:22Well, he wasn't the only one.
09:24I didn't get so fear home when I should have,
09:26which didn't go down very well with Inspector Blake.
09:28That doesn't surprise me.
09:30That little girl is everything to him.
09:32You don't make me feel even more guilty.
09:35It's not like Barnabas at all.
09:37He's normally so punctual.
09:39So am I.
09:42Yet another rejection of my memoirs.
09:45Whilst we very much enjoyed your book,
09:49we do not feel that our publishing house
09:51is the right home for your work.
09:54Well, I'm utterly befuddled.
09:55If they very much enjoyed my book,
09:57why don't they publish it?
10:01I should get to work.
10:02Perhaps it's just a kind of phrase they use in all such letters.
10:12What do you mean?
10:13Well, the others all said the same type of thing, didn't they?
10:16We enjoyed your book, but we're not looking for new authors.
10:19We enjoyed your book, but we have something similar.
10:21But that's exactly my point.
10:23They enjoyed my book.
10:24Every single one of them has.
10:26Don't know what the problem is.
10:27It's an utter mystery indeed.
10:30Perhaps you should take a break from the writing.
10:33Break?
10:33Why?
10:35So you don't get too stale?
10:38Give yourself time to clear your head.
10:39Then what would I do in the meantime?
10:47Absolutely not.
10:49I will not go back to that mortuary
10:50until Mr Wormsley has offered me
10:53a full and satisfactory apology.
10:57And all this, I shall not be moved.
10:58Message from Miss Carlet.
11:12Would that have been me?
11:21I can't stand another day of him mooning about the house.
11:24Someone needs to speak to him about his book.
11:26I don't suppose you would.
11:27And, er, who's that from?
11:32Someone rather surprising.
11:45I want to hire you.
11:49Go on.
11:51I've got a missing chorus girl
11:52with a lodging room that looks like
11:54Smithfield Slaughterhouse.
11:56Blood everywhere and no body.
11:59The girl's name was Natalia Lorenzo.
12:03The name rang a bell,
12:04so I asked around,
12:05and it turns out she had two regular gentleman callers.
12:09One was a high-ranking member
12:11of the Golanus crime family,
12:13and the other...
12:13was my uncle.
12:16was my uncle.
12:17Dylan Cooper?
12:18Word on the street is my uncle took exception to his girl,
12:22seeing his rival and put a bullet in her.
12:25Which makes him our prime suspect.
12:27Which puts you in a rather difficult position.
12:30Any other statements for the bleeding obvious you want to make?
12:33I see if emotion hasn't improved your manners, Charlie.
12:39There was a bloodied handprint left at the scene,
12:41the size of a man's hand.
12:42If my uncle was going to kill someone,
12:45which no doubt he has done in the past,
12:46there wouldn't be a shred of evidence left behind.
12:48So you don't think he's guilty?
12:51But you can't share that with your men?
12:53If the cop was in London,
12:54want to put Dylan Cooper away,
12:55regardless of the evidence.
12:56The other half are in his pocket.
13:02There's...
13:03There's something else.
13:09My mum.
13:10She's not well.
13:13So,
13:14if I'm gonna send her little brother to the gallows,
13:18I need to be sure.
13:20Which is why I want to hire you.
13:23Because for all your faults, Miss Scarlet,
13:25and God knows there are many,
13:28you're someone I can trust.
13:33I think.
13:38Duplicate copies of the investigation so far.
13:45One more thing.
13:48If word got out that I was trying to prove my uncle's innocence.
13:53No one's to know that you hired me.
13:57You do this job and you do it well.
14:00There'll be a lot more work coming your way.
14:02City police covers an area we've yet to tap into.
14:13Blackfriars, St. Paul's, Smithfield.
14:16Could mean a whole new revenue stream.
14:19So I assume this case is highly confidential
14:21and no one must know that Inspector Phelps has hired us.
14:24You assume correctly?
14:27No one at all,
14:28even if they're in the same line of business
14:31and we may feel compromised by our feelings towards them,
14:34even though...
14:34Lawrence, if you're attempting to give a coded message
14:36about myself and Inspector Blake,
14:37at least try to be subtle.
14:39No, no.
14:41I'm just saying...
14:42Well, don't.
14:43I'm perfectly capable of keeping client confidentiality,
14:46even with Inspector Blake.
14:48But then I shall say no more.
14:52But may I just say...
14:53No, you may not.
14:58Thank you, sir.
15:06A single shot to the chest.
15:08I can't see an exit wound.
15:12The bullet must still be in the body.
15:15No identification.
15:16I don't know who he is, sir.
15:20It's Philip Galanis.
15:25You sure?
15:26He was brought in when I was at Bow Street.
15:29Twelve charges.
15:30None of them stuck.
15:31Friends in high places.
15:32Indeed.
15:36I heard of trouble brewing between the Galanis family
15:38and the Cooper gang.
15:41Philip Galanis was the top brass in the family,
15:43if this is the Cooper gang.
15:44The order must have come from high up.
15:46We need to bring in Dylan Cooper.
15:51We need to bring in Dylan Cooper.
15:51Good afternoon.
15:56I wondered if you could help me.
16:14It's about a friend of mine.
16:16Natalia Lorenzo.
16:20Don't know her.
16:22Oh.
16:22I heard it on good authority that she used to dance here.
16:26I said I don't know her.
16:36This is for a whiskey.
16:39And this is for any information that you might have.
16:43What use is money if I'm dead?
16:45Are you aware of the Hospitality and Gaming Act of 1874?
16:53It states that any venue putting on music, dancing, theatrical production requires a performing rights license.
16:59Any failure to have said license may result in a hefty fine or indeed closure.
17:04I know this because my husband works for the licensing commission.
17:08You don't have an husband.
17:10And you don't have a license.
17:13No.
17:16I ain't seen her.
17:19But...
17:20You know someone who has.
17:32Please make yourself known!
17:40Anything?
17:41No, sir.
17:43Doesn't look like anyone's been here for a while, sir.
17:48Let's cross this place off our list.
17:51How many safe houses can one man have?
17:53Cooper's got deep pockets.
17:56Put your weapons down!
17:57Drop your weapons and get on the floor!
17:59This is your final warning!
18:00Put down your weapons!
18:01On the floor now!
18:02We are police officers!
18:03Power away, you bloody idiot!
18:16Philip Galanis was shot in a lodging house in Fenchurch Street. That's my patch!
18:20And his body was found in Farringdon, which is my jurisdiction!
18:23Not if the crime was committed on City of London Territory!
18:27You don't know that it was!
18:28Afraid I do! Ballistics report!
18:31The bullet that was pulled from Italia Lorenzo's wall came from the same gun that fired the bullet that killed Philip Galanis!
18:43You're stepping on my toes, Inspector Blake!
18:45And you carried out a raid on Scotland Yard Turf without giving me prior warning, Inspector Phelps!
18:49Like I said, I didn't have time!
18:54We need to work together on this, Charlie.
18:57I've told you everything I know.
18:59This Natalia was shacked up with Philip Galanis.
19:02He turned up dead in an alley, and her body's still missing.
19:06You've left out a vital bit of information. Your uncle was also seeing this young woman.
19:09Which is why me and my men came looking for him! Bloody hell!
19:12We're going round his circles here!
19:21We have checked all of Cooper's regular haunts, his house, his club.
19:27Do you have any idea where he might be?
19:29If I did, I wouldn't be raiding his safe house, would I?
19:32If you've got something to say, say it.
19:45Blake!
19:47Yes, he's here. Hold on.
19:49It's one of your men.
19:53What?
19:54Me, Blake!
19:59Yes, he's here.
20:00Hold on.
20:01It's one of your men.
20:09What?
20:16Right.
20:17I need to go.
20:29We haven't finished.
20:30Phelps.
20:32Charlie.
20:47Was that meant to be funny, ringing me at Scotland Yard?
21:04I didn't kill Galamis, and you know it.
21:06Do I?
21:08Else you wouldn't have hired that lady detective.
21:11You've been having me followed?
21:13I always have you followed, Charlie.
21:17I should be with your dad soon.
21:27That's the last place you'd want to be.
21:30Couldn't stand the old bugger.
21:38Why are you in hiding if you weren't the shooter?
21:41Well, I know what people are saying.
21:44The Galamis were seeing my girl, so I killed them both.
21:47I mean, don't get me wrong.
21:49If I'd have known that degenerate had gone anywhere nearer, I'd have gladly put a bullet in him, but I didn't know.
21:54So I didn't kill either of them.
21:55So who did?
21:57Not a clue.
21:57But I need time to talk to the Galamis family.
22:03Things haven't been good lately.
22:04I need to sort it out.
22:05It's about the business.
22:06Have you asked me to stall the investigation?
22:08I'm being set up, and you know that.
22:14I'll find out who did it.
22:15I just need time.
22:16You owe me this boy.
22:18When he was a nipper, and your dad passed away, and your mum couldn't put food on the table, who was it kept you out of the workhouse?
22:32You're best I can do is keep this meeting to meself, but anything else that comes up, you're on your own, even if...
22:48Get your heralds here!
23:01Come on, get your heralds!
23:07Good afternoon.
23:08I'm looking for a friend of mine, Natalia Lorenzo.
23:12I have it on good authority that she dances here.
23:18I'm busy.
23:20You're aware of the Hospitality and Gaming Act of 1874?
23:24What?
23:25It states that any venue with outside drinking facility requires a public liability license.
23:32I've already told him what I know.
23:34Told who?
23:36Him.
23:45What are you doing here?
23:46I'm looking for a missing showgirl.
23:50And what about you?
23:52As of you, it seems.
23:55I thought this case was in the City of London jurisdiction.
23:58It's more complex than that.
24:00I take it you're working for Phelps?
24:03I'm sorry, Alexander, but I think it's better that we stop this conversation.
24:06You need to tell me what you know.
24:09I can't.
24:13I'm running a business.
24:15We've been through this before.
24:16This isn't a missing horse, Eliza, this is a murder.
24:19And if we're to be together, you can't keep hiding things from me.
24:22Things?
24:24I need to get back to work.
24:26What things?
24:28Telling me you went to the seaside to visit your aunt when in fact you were meeting Patrick Nash.
24:31I knew you'd been stewing on that.
24:33I have to be able to trust you.
24:35And I have to be able to respect the wishes of my clients.
24:38This isn't about me working the case.
24:41This is about me working for Phelps, isn't it?
24:43Oh, that'd be ridiculous.
24:44Your competitiveness is clouding your judgement and might I have making you rather childish.
24:48Says the adult who forgot to bring my daughter home one time.
24:53I need to get back to work.
24:57As do I.
24:58As do I.
25:17The landlord of the indigo sun confirmed that Natalia Lorenzo is very much alive.
25:21She collected the wages that she was owed.
25:23She was in a bad way.
25:26Sweating feverish, a bandage across her shoulder.
25:29He asked her what had happened but she didn't want to say.
25:32He thinks that she got on the wrong side of Cooper and somehow managed to escape.
25:37The crime scene report states that a bullet was found in the wall of the room.
25:43So perhaps it passed through her shoulder and into the wall.
25:46Well if she was shot, she'd need medical attention.
25:49And wanting to lie low, she wouldn't go to a doctor.
25:53It's their duty to inform the police when treating a gunshot wound.
25:57That depends on the doctor.
26:04A list of qualified doctors and surgeons who work on the wrong side of the law.
26:09This is Patrick's handwriting.
26:10Yes, that list was compiled by Mr. Nash himself after an unfortunate incident with a shotgun.
26:16Damn a jealous husband.
26:19Let's hope that one of these doctors treated our Natalia Lorenzo.
26:25Let's start looking in the morning.
26:26I want a list of every quack doctor with a criminal conviction.
26:36Anyone who might tend to a bullet wound and not report it.
26:38Yes, sir.
26:40Then get yourself over to City Police.
26:42See if Inspector Phelps is willing to share any new information on Dylan Cooper.
26:46What?
26:49Evening, gents.
26:51This is my lawyer, Mr. Torrey.
26:55We'd like to discuss the unfounded accusation that I'm somehow connected to your murder investigation.
27:09I'm a businessman.
27:11I own two casinos and a number of companies linked to the hospitality trade.
27:16I know exactly what you are, Mr. Cooper.
27:18In great detail.
27:21So these false allegations are costing me money, so my lawyer recommended that I come in here and answer any questions you may have so that we can put this man out of bed.
27:31How thoughtful of you.
27:34Talked me through your movements yesterday.
27:36Well, I spent a morning at my club to Silver Lane.
27:40After that, I went to visit my poor sister at St. Agatha's Hospital.
27:44Then I did a stock check at my new pub in Hackney.
27:48All of which can be confirmed.
27:50By your men?
27:52No, by my work colleagues.
27:59Tell me about Natalia Lorenzo.
28:01She's a young lady that I've known for a few years.
28:07And the nature of your relationship?
28:20My lawyer says that I'm not obliged to answer that question.
28:26Well, then I shall answer it for you.
28:29I think you were romantically involved with Miss Lorenzo.
28:36And when you found out she was betraying you with a member of a rival gang, you went to her lodging rooms and shot her and her lover, Philip Galanes.
28:46You dumped his body in the street and left Natalia to die.
28:50But unfortunately for you, she survived.
28:57Hmm.
28:59That's quite an imagination you've got here, Inspector Blake.
29:03It's pure fantasy, of course.
29:05Has she got any evidence to back it up?
29:08No.
29:13No, I thought not.
29:15So, you've got my alibi, which can be easily checked unless there's anything else.
29:20I think I'm free to go.
29:22Looks like I'll only be paying you for half a day, Mr. Torrey.
29:26Would you mind stepping outside for a minute?
29:33Inspector?
29:34Well, I do hope this is an end to the matter.
29:44No, Mr. Cooper, it very much is not.
29:48It would be a mistake to make an enemy of me, Inspector Blake.
29:52But a friend, I would welcome that with open arms.
29:57You might have enough friends.
30:00Hmm.
30:04Eight, Kempton Lane, isn't it?
30:08Lovely place you've got here.
30:10Must be very nice for you and your little girl to live so near the path.
30:16Get out!
30:21With pleasure.
30:27If I wanted to apologize, would it be better in writing or in person?
30:55Um, in person?
31:00Well, that's a relief. I have terrible handwriting.
31:06I was angry and frustrated. I say things that don't mean when I feel that way.
31:12I can't imagine what that's like.
31:14What you said, there was some truth in it.
31:24I don't always tell you everything just like you don't always tell me.
31:29It's the nature of our jobs.
31:32Which is even more difficult to navigate now that there's an ass.
31:35Us?
31:37Well, I like that.
31:41I've booked that little place south of the river for dinner.
31:45Oh, sounds perfect.
31:47I'll get my things.
31:49How was your day?
31:51Rough.
31:53Which is why I wanted to see you.
31:55Do you need my help?
31:56No.
31:57I wanted to see you because I wanted to be with you, Eliza.
32:02To take the sting out of my day by finishing it with you.
32:05Does that help?
32:16Always.
32:26Well, that was a waste of time.
32:29Are you sure that man was even a doctor?
32:31I think he might have been a veterinarian.
32:32Well, either way, he hasn't seen our missing showgirl.
32:35He can cross them off the list.
32:37So that is three down, six left to try.
32:39Who's next?
32:41Dr Hudson on Church Street.
32:45So, how was last night?
32:47Last night?
32:49You said you had dinner with Inspector Blake?
32:51Er, yes. Very nice, thank you.
32:53Oh, it was very nice, yes. Good food, good wine.
32:56Good conversation.
32:58Yes.
33:00Conversation about what, exactly?
33:03I didn't tell Inspector Blake that we're working for Phelps.
33:06Good.
33:07Because he already knows.
33:08What?
33:10He saw me questioning that landlord that I was telling you about.
33:13Eliza, it's supposed to be a confidential investigation.
33:15Yes, I am aware of that.
33:17What's done is done.
33:19There's no point ruminating on it.
33:21Like you're doing now.
33:23Still, I'd be a lot happier if you told me everything you were doing.
33:25Oh, would you?
33:27No, on second thoughts, let's see if things are safe.
33:36It was a lovely evening. The food was delicious. I've never been anywhere so fancy.
33:40Me neither.
33:41I felt quite out of place next to all those fine ladies.
33:45Surprised your head wasn't turned.
33:47I couldn't take my eyes off you.
33:50Is that true?
33:52Or are you just trying to butter me up?
33:54Both.
33:56Give us a kiss.
33:58What an eve?
33:59Yes, here.
34:08Detective Brilloes.
34:09Mrs Potts.
34:11The advert for the new office manager.
34:12I've got copies going up over the yard,
34:14but I want you to call the evening papers with the wording for the classifieds.
34:18Wanted. Manager for the clerical office Scotland Yard.
34:20You should apply, Ivy.
34:22Keep reading.
34:24The gentleman in question.
34:26Why can't it be a lady?
34:27You could do that job standing on your head.
34:29I've got enough to worry about as it is.
34:32One day a woman will run this whole place.
34:36What's funny about that?
34:41I'd better get on.
34:54Can I help you madam?
34:56I need to speak to Inspector Blake.
34:59Sir.
35:01Mrs Burnbury.
35:04What's happened?
35:07It's Sophia.
35:08It's Sophia.
35:12So, last and hopefully not least, a Dr Marsh.
35:17What do we do if he hasn't seen Natalia?
35:19We move to Plan B.
35:20Which is?
35:21No idea.
35:22Well, that's the address.
35:27He doesn't look like a doctor.
35:29No, but he does.
35:37That's her. That's Natalia Lorenzo.
35:40Should we help?
35:42He doesn't appear to be forcing her.
35:43The inspector's daughter's gone missing.
35:58Knock on every door of every street within a three-mile radius of Inspector Blake's house and his daughter's school on Eastbury Way.
36:05Scale of the area.
36:06Every inch.
36:08Understood?
36:09Yes, sir.
36:10Off you go.
36:18We heard about the inspector's little girl.
36:19We've come to help.
36:20How many of you?
36:21One of us girls in the office.
36:22About a dozen.
36:24Go to Gladstone Park.
36:25It runs adjacent to Inspector Blake's house.
36:27Perhaps this little girl went there and got lost.
36:29Inspector Blake must be out of his mind, won't worry.
36:31If anything's happened to that little girl.
36:33Just the person.
36:34Go and tell the girls.
36:35I'll join you in a moment.
36:36Barnabas, this is not a good time.
36:39It should be very quick, my child.
36:40I just wanted to share the most wonderful news.
36:43I've decided to write a novel.
36:46Never mind that now.
36:47I need your help.
36:55Sophia has long dark hair, blue eyes about this tall she was when I last saw her.
37:00She's probably grown by now.
37:01Never fear, my dear.
37:02They do not call me eagle-eyed pots for nothing.
37:04They don't call you that at all, Barnabas.
37:06Excuse me.
37:07Have you seen a little girl on her own dark hair, blue eyes about this big?
37:11Sorry.
37:13So, what do you think about my idea to write a novel?
37:17Barnabas, as I've said many times, what I think is that you need to get your old job back.
37:23Huh?
37:24Oh, excuse me.
37:25Have you seen a little girl, dark hair, blue eyes about this big?
37:29No.
37:30What makes you think I need my job back?
37:32My novel will be published, I'm sure of it.
37:34Barnabas, I only say this because I love you.
37:38You have many skills, but writing is not one of them.
37:42You said you enjoyed my memoirs.
37:47You said I was a wonderful writer.
37:49I was being nice.
37:51There's a reason no one wants to publish it.
37:55I'm sorry.
37:57That's the truth.
38:00Excuse me.
38:02Have you seen a little girl, dark hair, blue eyes about this tall?
38:06No.
38:12Miss Scarlet.
38:17Oh, good.
38:18You got my message.
38:19You want to update me on the case here, at Scotland Yard?
38:22Something's happened, and in Inspector Blake's jurisdiction.
38:25Don't tell me Blake knows I've hired you.
38:28It's my duty to inform him as well as you.
38:31And it's your duty to keep to client confidentiality.
38:36Miss Scarlet, we had an agreement.
38:39Detective Willows, have you seen Inspector Blake?
38:41Have you not heard?
38:43Heard what?
38:56Is it true?
38:57Miss Scarlet gone missing?
38:58She didn't come home from school.
39:00Michael Simmons, you're with me.
39:01Sir, whatever you need, just ask.
39:03You want to help, then tell me where your uncle is.
39:06What's he got to do with him?
39:07Well, this has got Cooper written all over it.
39:09Could it be him?
39:15Could it be him?
39:16Could it be him?
39:37Have you taken her?
39:38The inspector's kid!
39:39What you're talking about, boy?
39:40Where's Cooper?
39:41We ain't over it yet.
39:42Right, take them outside and question them.
39:43Yes, sir.
39:44Has he got my daughter?
39:45How should I know?
39:46Right, I will ask you one more time.
39:47Has Cooper got my daughter?
39:49You deaf?
39:50How should I know?
39:51How should I know?
39:52You deaf?
39:53How should I know?
39:54How should I know?
39:55I will ask you one more time.
39:56Has Cooper got my daughter?
39:57You deaf?
39:58How should I know?
39:59Where is she?
40:00Where is she?
40:01Where is she?
40:02Where is she?
40:03Sir?
40:04The founder.
40:05The founder.
40:06No.
40:07Have.
40:08How are you?
40:09How is the founder?
40:13How should I know?
40:22Where is she?
40:24Where is she?
40:25Sir!
40:27The founder.
40:42There.
40:44Very good.
40:48We're looking for an office manager.
40:49I think you should apply, young lady.
40:52Sophia.
40:54Papa!
41:03She went to the British Museum.
41:09She got lost on the way home.
41:11I was found by an officer wandering the streets.
41:14Thank you, Mrs. Potts.
41:16I told him who my father is.
41:18He says you're a very important man, Papa.
41:23Let's get you home.
41:24Good day, Miss Potts.
41:28Good day, Sophia.
41:29Good day, Sophia.
41:30Good day, Sophia.
41:31Where have you been?
41:55Looking for Sophia.
41:56I went to the zoo to see if she'd gone back there.
41:58No, no, they found her.
41:59She's safe and well.
42:00Ivy sent you a message to let you know.
42:03Ivy, not Inspector Blake.
42:05What difference does it make?
42:08Where was she?
42:09Well, I'll get to that in a minute.
42:10Keep that on.
42:11I've sent a message to Inspector Phelps.
42:12You ought to join him.
42:13Why?
42:15I found something on the Cooper case.
42:17I told you I don't know nothing about a kid.
42:38We're not here about that.
42:42Lady Detective, I assume.
42:45So the word is that you've been hired to prove my innocence.
42:49So I do hope your presence here means that you've done just that.
42:52Well, the innocence of killing Philip Galanis, but of obstruction of justice, your hands are dirty, Mr. Cooper.
43:02It was Natalia Lorenzo that killed Philip Galanis, and you've been protecting her.
43:06We found a financial trail between you and Dr. Marsh.
43:11Your own personal doctor.
43:14You paid him to patch up your girl, didn't you?
43:16She's not my girl.
43:22Never has been.
43:24She's the daughter of an old mate.
43:27The fella did a long stretch inside, but he kept his mouth shut.
43:32Ten years hard labour.
43:34Pretty well killed him.
43:35He died a month after he'd come out.
43:39So yeah, she's been like a daughter to me.
43:41So it didn't go down well when you discovered her affair with Galanis.
43:48Tried to warn her against it, but she's that strong young girl.
43:53I think they thought they were some kind of Romeo and Juliet.
43:57But he didn't treat her right.
43:59He was a drunk and a bad one.
44:01If she hadn't got his gun, he'd have killed her.
44:04Well, if she shot him in self-defense and there's no reason for her to go on the run.
44:09Try telling that to the Galanis family.
44:11You two can do what you want.
44:21I'll just deny it all.
44:22And any link to Dr. Marsh can be explained away.
44:25He'll never stand up in court.
44:27Especially as you have half the judges in London in your pocket.
44:33Where's Natalia now?
44:35She got on a boat from St. Catherine's docks.
44:38And I don't know where.
44:39I told her it was safer that I didn't in the event that something like this happened.
44:45So, you want to waste your time chasing after a young woman who shot her drunk to stop him beating her to death?
44:53Be my guest.
44:54Boss.
44:55She's your mother.
45:17She passed.
45:17I'm sorry, son.
45:22Sorry.
45:33Come along, ladies.
45:34There's work to be done.
45:36Oh, Barnabas, I am rather busy.
45:42I'll give you just a few moments, my jaw.
45:44I only wish to say how profusely sorry I am for my recent behavior.
45:48I just want you to be happy, Barnabas.
45:51And I don't think writing makes you happy.
45:53Well, I'll give it up forthwith.
45:55Find myself a proper job.
45:56But not back at the mortuary.
45:59I believe it's time for a fresh start.
46:02And I know exactly where.
46:03Oh, that's wonderful.
46:04Where did you have mine?
46:06Here, of course.
46:09Scotland Yard.
46:09It was pinned on the notice board in the corridor.
46:15As I happened upon it, I thought, Barnabas Potts, this job is tailor-made for you.
46:22Manager of the clerical office.
46:24Hmm?
46:24Here, where I work.
46:27Call it fate.
46:29Call it kismet.
46:30Either way, it was meant to be.
46:32And we all worked together every single day.
46:36Won't that be marvellous, sir?
46:37Oh, marvellous.
47:07Inspector Phelps.
47:17How's your little one?
47:20Happy to be home.
47:23Just got her off to sleep.
47:27I'm sorry I lost my temper earlier.
47:30I'd have done the same.
47:31Full report on Aguilani's case.
47:38It was Natalia who shot him.
47:40Cooper was just protecting her.
47:42You could pursue Cooper on obstruction of justice, or...
47:47You could take a look through this little lot.
47:52I've been building a case against my uncle for a few years now.
48:00My hands were tied before, but now...
48:03My old mum died.
48:08Today.
48:12He's all yours.
48:15I'm sorry for your loss.
48:17Wish I'd like to come in.
48:20Well, you're not good company at the minute.
48:26But maybe a pint and a ghost snake sweet.
48:29You're buying, of course.
48:31Don't know her always.
48:34Charlie.
48:38See, the problem that you gentlemen have got is I've got a lucky face.
48:58You, unlucky face.
49:00You, not so lucky face.
49:02You, very unlucky face.
49:03Look, have a look.
49:05Look at that.
49:05Right.
49:23Dylan Cooper.
49:27What now?
49:31We've got a warrant for your arrest.
49:33On what charge?
49:37You may want to get yourself comfortable, Mr Cooper.
49:40It's quite a long list.
49:42Yes.
49:42Yes.
49:42Yes.
49:43Yes.
49:43Yes.
49:44Yes.
49:44Yes.
49:44Yes.
49:45Yes.
49:46Yes.
49:47Yes.
49:48Yes.
49:49Yes.
49:50Yes.
49:51Yes.
49:52Yes.
49:53Yes.
49:54Yes.
49:55Yes.
49:56Yes.
49:57Yes.
49:58Yes.
49:59Yes.
50:00Yes.
50:01Yes.
50:02Yes.
50:03Yes.
50:03Yes.
50:04Yes.
50:10Yes.
50:10Yes.
50:11Yes.
50:11Yes.
50:12Well, it's on to early I haven't had a chance to change it.
50:16Would you mind if we cancelled dinner?
50:21Of course. I could come to you or...
50:25She went to the British Museum.
50:28She said you miss school once to go there.
50:30Well, yes, but I didn't mean for her to do the same.
50:35She's a child, Eliza.
50:38She has no mother to guide her.
50:40You must realise how much she looks up to you.
50:42I'm sorry. I didn't think.
50:48Are you blaming me for what happened?
50:51I lost control today.
50:57I could have lost my job.
50:59I can't afford to do that.
51:02I am all Sophia has, and it is down to me to keep her safe.
51:08To make sure there is food on the table and a roof over her head.
51:16What are you trying to say?
51:21I need time to think.
51:28Perhaps some time apart will do us both good.
51:33Sorry.
51:33I need time to talk to you.
51:34I need time to talk to you.
51:35I need time to talk to you.
51:35I need time to talk to you.
51:35I need time to talk to you.
51:36I need time to talk to you.
51:37I need time to talk to you.
51:38I need time to talk to you.
51:39I need time to talk to you.
51:40I need time to talk to you.
51:41I need time to talk to you.
51:42I need time to talk to you.
51:43I need time to talk to you.
51:44I need time to talk to you.
51:45I need time to talk to you.
51:46I need time to talk to you.
51:47I need time to talk to you.
51:48I need time to talk to you.
51:49I need time to talk to you.
51:50I need time to talk to you.
51:51I need time to talk to you.
51:52I need time to talk to you.
51:53What is typical foresight?
52:13Brace yourself.
52:14You're about to discover.
52:18Something rather exciting.
52:20What more does one need?
52:22How splendid.
52:23And it will be all that you've dreamed of.
52:34And more.
52:42I don't lie to you, Alexandra.
52:43Do you have any idea how hard it was for me to come and see you today?
52:47A mob has gathered outside the prison.
52:48Phone lines are dead.
52:49We are shutting down Scotland Yard.
52:51No one comes in, no one goes out.
52:53You cannot leave me in here.
52:55Blake!
52:55Blake!
52:55Visit our website for videos, newsletters, podcasts, and more.
53:09And join us on social media.
53:12The DVD version of this program is available online and in stores.
53:16This program is also available with PBS Passport and on Amazon Prime Video.
53:21Again, please.
53:22I'll take it.
53:22But we're making a plan.
53:24We're making two together.
53:25We're making a plan.
53:28We're making a plan.
53:30We're making a plan.
53:30I'll be right back.
53:31my6 macabasz
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