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00:00.
00:02.
00:04.
00:14.
00:16.
00:18.
00:20.
00:22.
00:28.
00:30Sorry, I didn't want to disturb you.
00:33Come in, please.
00:51How have you been?
00:54Very well, thank you.
00:56And you?
00:57Busy.
01:00Yes, I can see that.
01:08It's good to see you, Eliza.
01:19I'm here because I wanted to let you know that I'm going away on holiday.
01:23An actual holiday, or...?
01:25What does that mean?
01:26You've said before you were going on holiday, but in fact we're on a case.
01:30I'm going to Paris to visit Moses and his family. His wife had a little boy.
01:33Well, that is welcome news. Please give him my best.
01:42Contrary to what you believe, Alexander, I don't lie to you.
01:46Do you have any idea how hard it was for me to come and see you today?
01:51I wanted to come and see you today.
01:53I wanted to come and see you, but...
01:55Come.
01:57I need your sign off, sir.
02:10Door.
02:11I need your sign off, not one man.
02:14Just...
02:17...
02:41I appreciate that. I'll wait till here.
02:44Thank you. Goodbye.
02:51He's the death sergeant of Bow Street.
02:54I've been trying to find some extra men for the night shift.
02:58Half have gone to the rookeries, riots are breaking out everywhere,
03:01the other half have gone down with stomach flu.
03:11You were saying you wanted to come and see me.
03:16But...
03:34I have thought of you many times over this last week.
03:37I'm in a meeting!
03:39Sorry, sir. The superintendent's waiting for you.
03:43I didn't realise the time.
03:46You're busy, and I should pack. I leave first thing in the morning.
03:49Sorry, Miss Scarlett.
03:50Teddy Willows.
03:51Miss Scarlett.
03:52I'll be with you shortly, Willows.
04:09Miss Scarlett.
04:10Miss Scarlett.
04:11Miss Scarlett.
04:12Miss Scarlett.
04:13Miss Scarlett.
04:14Miss Scarlett.
04:15Miss Scarlett.
04:16Miss Scarlett.
04:17Miss Scarlett.
04:18Miss Scarlett.
04:19Hope you feel better soon, Maggie.
04:37I think she's got that stomach bug. Poor thing.
04:39It's a nasty one, from all accounts. Half the men have got home sick with it.
04:43Anyway, I just came to see if you wanted to go for a cuppa on your break.
04:46I'd love to, but Inspector Blake said I've got to ring round the other precincts, see if they can spare any men.
04:52Not having much luck, though. Most of them aren't even answering.
04:55It'll be the riots and the rockeries. What with the sickness, we're badly under man.
05:00We might even have a problem transferring the big fella to Newgate later.
05:05Is Dylan Cooper really in our cells?
05:08Well, he's under lock and key. And I'm here to protect you.
05:13My hero.
05:14I may have to cover the night shift, so it might be best that we dine tomorrow night instead.
05:20I'm stuck here, too. Maggie was the fifth girl to go home early.
05:23Tomorrow night, then. I'll take us somewhere nice to make up for it.
05:27Can we go back to Barron's? It was lovely there.
05:29I'll book it in the morning.
05:31You're too good to me, Georgie. I don't deserve you.
05:35No, you probably don't.
05:36Detective Willowse.
05:50I need your help transferring Cooper to Newgate.
05:53So it's still going ahead, sir?
05:54The prison governor will be sending an armed escort at eight o'clock this evening.
05:57Cooper won't be police.
05:59He's been telling everyone the governor of Newgate won't dare take him.
06:01Thinks he'll be too scared of the repercussions.
06:03In that case, I shall enjoy telling Mr. Cooper personally that he is very much mistaken.
06:20If you don't stop staring at me, Barron, I'm going to rip your eyeballs out of sockets.
06:23I want to move cells, Blake.
06:34This fella ain't right in the head.
06:38Inspector Blake.
06:42And you will indeed be moving cells to Newgate Prison.
06:47You what?
06:48The governor's looking forward to welcoming you to your new home.
06:54You leave at eight.
06:57Best saying goodbyes.
07:01No.
07:07I ain't going anywhere.
07:10I beg to differ.
07:12I've heard about those riots.
07:13Terrible business.
07:22My guess is I'll reach Newgate soon.
07:27Why'd you say that?
07:29Hmm.
07:30Just making conversation.
07:33Inspector Blake.
07:34I don't know.
07:43Detective Willows.
07:56Murray, isn't it?
07:57You here for the night shift?
07:58Yes, sir.
07:58Good.
07:59Where are the others?
08:00That's what I wanted to tell you, sir.
08:05Only two officers.
08:06Where's the rest of the night shift?
08:07The desk sergeant said they're off sick.
08:09That stomach by spreading like wildfire.
08:10Where's the desk sergeant?
08:11He's got it too.
08:12He's just got home.
08:21Blake.
08:24Thank you, Miss.
08:25I must put him through.
08:28Inspector Blake.
08:32Yes, sir.
08:36We're all set to bring Cooper over.
08:37Change of plans, sir.
08:46How many times, Oscar?
08:48The street is not a public toilet.
08:50What knows?
08:52Sorry, sir.
08:54Only three men have turned up.
08:56The rest of the night shift are off sick.
08:57Well, I've just had to add to our good fortune.
09:00I spoke to the governor in Newgate.
09:02A mob has gathered outside the prison,
09:04and he doesn't feel it's safe to transfer Cooper tonight.
09:06A mob?
09:08Newgate's nowhere near the rocker is.
09:09That doesn't make any sense.
09:11What's more worrying is Cooper seems to know about it in advance.
09:15Keep an eye out.
09:17Something isn't right.
09:17Yes, sir.
09:22Oscar, no!
09:34All right, what's going on?
09:37What can you tell me about the unrest at Newgate?
09:41Back already, Inspector.
09:42Answer the question.
09:43Unrest in Newgate, you say?
09:50What dark times we live in.
09:54Oh.
09:55I do hope it's safe for me to be transferred.
09:59You'll be leaving soon enough.
10:01Shh, shh, shh.
10:03Lower your voice, Inspector.
10:05You might wake poor old Ernest.
10:09And he's so enjoying his nap.
10:13Now, what is it that's both very new exactly?
10:24I mean, I could take a wild guess.
10:26I could guess that the riots in the rookeries have spread to Newgate.
10:30I could guess that you've been told I have to stay here for the night.
10:34And I could guess that you think I'm behind it all.
10:39Don't presume to know what I'm thinking, Mr. Cooper.
10:41And if I could do that, who knows what else I might be planning.
10:46Especially as I hear this sickness spreading through your men.
10:51How many officers have you got on duty tonight?
10:53How many officers have you got on duty tonight?
11:23What do you mean, sir?
11:24We are shutting down Scotland Yard.
11:26No one comes in, no one goes out.
11:33Come on, come on, get a boot right.
11:36Bloody hell, we've done it all day.
11:37Shift it!
11:38Keep your eyes peeled.
11:40Get a whiff of anything, raise the alarm.
11:42Immediately.
11:42Will do, sir.
11:43Watkins, Redmond.
12:02Don't leave your post.
12:04Not even for a minute.
12:06Yes, sir.
12:06Get a whiff of anything.
12:36I've locked up the back gate, sir.
12:52I've put Redmond and Watkins on guard.
12:54What did Cooper say?
12:55Do you think he knows something?
12:56I'm afraid I do.
12:58To what extent he's involved, I can't be sure.
13:00A man plays poker for a living.
13:03It's hard to know when he's bluffing.
13:08A few years back, when I was at Bristol, I arrested a gang leader.
13:12He was put on trial for murder and sentenced to be hanged.
13:16The morning his sentence was due to be carried out, a riot broke out in the prison.
13:20His gang had paid off a dozen or so prisoners to cause a distraction so they could spring him out.
13:25Luckily, one of my officers got wind of the plan and we were able to stop it.
13:30Someone snitched.
13:32In a way.
13:33It's a long story involving a lady of the night who talks in her sleep.
13:36My point is, this gang leader had half the money and implements that Cooper has.
13:44If Cooper puts his mind to it, God knows what he's capable of.
13:48You think we need more men?
13:50I'm afraid I do.
13:51Hello?
14:01Bow Street?
14:02Bow Street, can you hear me?
14:05Why are the doors all locked?
14:07What's going on, Georgette?
14:07It's just a precaution.
14:08What does that mean?
14:10The riots are getting worse.
14:11You don't think they'll come here?
14:12No, but it's better to be safe than sorry.
14:14Inspector Blake Cornish to keep calling the other precincts to see if they can spare us for more men.
14:18I was just on the way to tell you, the phone lines are dead.
14:21I've connected the cable to Bow Street Station, but there's nothing.
14:24Just a sort of hiss.
14:25It's the same with Olgate, Southwark, Deptford.
14:27Keep trying.
14:28I'll go speak to Inspector Blake.
14:32Stay here.
14:40What the hell was that?
14:41I think it's coming from the cells.
14:42Bring backup.
14:43Yes, sir.
14:49Stop this!
14:51Immediately!
14:54Now, will somebody please tell me what the hell is going on?
14:57This lunatic's got a blade in his boot.
14:59He's threatening to cut my throat.
15:01I want to be moved.
15:01Now!
15:05Well, come on!
15:07Search him if you don't believe me!
15:08Don't take your eyes off them.
15:10And if anyone moves a muscle, shoot them!
15:12Look, you cannot leave me in here!
15:13What about the winningest piece of the...
15:15Bleak!
15:16There's Miss Summers had any luck getting through to the other precincts.
15:24Bones are dead, sir.
15:24She can't make or receive calls.
15:26My day just gets better and better.
15:35Nothing.
15:38Has this happened before?
15:40Not to me, but I remember one of the girls saying the lines cut out a few weeks back when we had that storm.
15:46Tonight's even worse.
15:50There's none in the clerical office.
15:52Looks like I make the men a cup of tea.
15:53That is the best suggestion I've heard all day.
15:56Thank you, Miss Summers.
16:02Do you really think it is a storm?
16:05I don't know.
16:08If it isn't...
16:10We just need to get through the night.
16:19Walk-ins.
16:20Take the back gate.
16:21Murray.
16:22You stay on the front.
16:24If anyone attempts to break in, you fire a warning shot above their head, sir.
16:29After ten years in the army, I can assure you few men run towards the sound of gunfire.
16:38Who are they?
16:39Found them playing cards in the kitchen, sir.
16:41Freddie's a rat catcher, and Arthur's a kitchen porter.
16:45He's told me to gather everyone, sir.
16:48Have you fired a weapon before?
16:50No, sir.
16:50I'll take some blankets from the infirmary room and get yourself up on the roof.
16:53Keep a lookout, and if you see anyone, let me know immediately.
16:55All will be well, lads.
17:02The gates at the front and back are solid iron and built for this very purpose.
17:08Ah, Miss Summers, perfect timing.
17:14Thanks, Miss.
17:17Right, get to it, lads.
17:19I don't mean to be rude, but I think under the circumstances, I could do with something a little stronger.
17:25There's a bottle of scotch in my office.
17:26Georgie, who's that copper?
17:31PC Murray.
17:33He's new, he's not been here very long.
17:34I've seen him somewhere before, I just can't remember where.
17:36He probably just reminds you of someone from your past.
17:39A gentleman caller, perhaps.
17:41Keep that up, you'll be wearing that tea, not drinking it.
17:44It's a little bit milky for my taste.
17:46Gee, he's so...
17:47I'd better get back.
17:49If any luck, the lines will be up and running again.
17:52Is he?
17:56He's doing a grand job.
18:17PC Murray.
18:32Anything to report?
18:33Nothing.
18:35Apart from a mangy cat.
18:36His coat was so wet, he could barely walk.
18:38Know how he feels, poor sod.
18:43How long you been in now?
18:46Mind if I?
18:47Certainly.
18:52Been here five weeks, give or take.
18:54And where were you before that?
18:55I've already passed my interview.
18:58Just talking.
18:59Keeps my mind off the cold.
19:02I did a year at the city police pool coming here.
19:04What about you?
19:06Bow Street.
19:07How was that?
19:09Decent.
19:10But there's nowhere like the yard.
19:12That girl from the switchboard.
19:18What's her name?
19:19Why?
19:21Like you said, we're just talking.
19:24Miss Summers.
19:25Pretty little thing, isn't she?
19:29Better show you can keep me warm.
19:30Shut your mouth.
19:31Easy, mate.
19:31I was just saying.
19:32I'm not your mate.
19:34I'm your senior officer.
19:37PC Murray.
19:39Go and join Watkins at the back gate.
19:40Yes, sir.
19:49Everything all right?
19:50Yes, sir.
19:55Thank you, sir.
19:56My daughter loves the rain.
20:07Her bedroom's up in the eaves of the house, and when it rains, she says it's like being in a tent.
20:14Well, she's never been in one.
20:16I suppose she's heard enough stories from my time in the army to know what it's like.
20:22My little niece will sleep for anything.
20:23Thunder, lightning.
20:28A couple next door throwing plates at each other.
20:33Did she live with you?
20:35Her and my sister.
20:38Father's not around.
20:39It's a long story.
20:41She didn't want her raising the little girl on her own.
20:45Sorry, sir.
20:46I didn't...
20:47No offence.
20:48None taken.
20:48I can't deny it would be easier not to be alone.
20:55This job isn't easy for anyone to part with.
20:58Long hours, stress.
21:00I wouldn't want to be married to me.
21:02You'll die.
21:06I'll keep watching.
21:08Let's see if the telephone lines are working.
21:11Yes, sir.
21:11Let's go.
21:28Georgie, what are you doing?
21:55Where have you been?
21:55You're meant to be manning the telephones.
21:57They're still dead.
21:58There's something I need to show you.
22:00Is nothing right?
22:01You better come with me.
22:20Inspector Blake, I presume.
22:22And you are?
22:24My name's Miss Eliza Scarlet.
22:25You work for a detective agency?
22:32I own a detective agency.
22:36And I think this might be a good opportunity to outline the history of my working relationship
22:41with your predecessors.
22:43In here are numerous case reports, letters of reference, and, as you see, newspaper clippings
22:48showing the investigations that I've helped to solve.
22:51I'm afraid you're wasting your time.
22:52I do not engage the services of private detectives.
22:54Well, may I at least present...
22:56However, if you have a contract, you will be paid for your work so far.
22:58But that is all.
23:00Good day.
23:02It's not my intention to be rude.
23:04You're doing a wonderful job of it.
23:06When I first worked here, one of my duties was to keep the mugshot files up to date.
23:26One of the photos stuck in my mind.
23:30I think it's him, Georgie.
23:33PC Murray.
23:36I knew I'd seen him before.
23:38You think he's a convict?
23:45One of the boys at my school used to pick on my little brother.
23:48He had a scar, just like Murray's, but for the life of me, I can't remember his name.
23:53Definitely wasn't Murray.
23:58Griffiths.
23:59Samuel Griffiths, that's it.
24:01Where's his photograph?
24:03Someone's ripped it out.
24:08You're sure?
24:10As sure as I can be, sir.
24:11Miss Summers, why don't you go back to the switchboard room and see if you can get those phone lines working again?
24:25I found an arrest sheet on Miss Samuel Griffiths.
24:29I didn't want Izzy to...
24:30Sorry, Miss Summers to see.
24:32The poor girl's terrified enough as it is.
24:35Convictions for winding with intent and natural bodily harm.
24:37I think it's not an associate.
24:38Is Murray still at his place at the back gate?
24:47As far as I'm aware, sir.
24:57What case?
25:01Is he breathing?
25:02He is.
25:04He's out cold.
25:05The keys to the back gate, they're attached to his belt.
25:08Well, they're not there now.
25:11Where the hell is PC Murray?
25:15I don't know.
25:31Take this.
25:31Guard the front gate.
25:32There's no sign of Murray downstairs, sir.
25:34Did you check on Cooper?
25:36He's locked up safe and sound.
25:37Put Watkins in the infirmary.
25:39He's coming round but has no idea what happened.
25:43Put the rifle down!
25:45Sir?
25:45Now!
25:47Do what he says, Barry.
25:52Up against the wall.
25:54What's going on, sir?
25:54Just do it!
25:55Sir, Jim.
25:56Sir, I don't understand what's going on.
25:58Against the wall.
26:05Keys to the back gate, sir.
26:08Cuff him.
26:11Start talking.
26:13Watkins gave me the keys when he needed to use the gents.
26:16I don't understand what I've done wrong.
26:18Watkins was found unconscious.
26:19Are you responsible for that?
26:20No!
26:21Of course not.
26:21What's going on?
26:22You said you were at the City of London Police.
26:24Who was the desk sergeant there?
26:27What's that got to do with anything?
26:28Answer him.
26:31The desk sergeant was old Gideon Bates?
26:34And your commanding officer?
26:38Sergeant Simpson.
26:39You mean Samson.
26:39That's what I meant.
26:40I'm nervous is all.
26:42What's going on?
26:44Why did you transfer to Scotland Yard?
26:47Well, you could ask him the same thing.
26:48He doesn't want to come here.
26:51Constable Murray, do you have a criminal conviction you failed to declare?
26:54No!
26:54I swear it!
26:55It's a scar on your face.
26:56How did you get it?
26:59Growing up, I wasn't the best behaved.
27:02Used to get into scrapes.
27:04But I was just a kid.
27:09A word, please, Detective Willows.
27:18What do you think?
27:21What is it, sir?
27:21I don't know.
27:22Neither do I.
27:24But Cooper is not the capable of having a man on the inside.
27:28Check on what kids, if he's able to walk, bring him down here and see what he has to say.
27:31What should I do with Murray, sir?
27:34What now?
27:35What's coming from the cells again, sir?
27:37Put him in the interview room.
27:38Question him, then report to me what you find.
27:40What the hell is going on?
27:53He wants to kill me.
27:53Let him go.
27:54Now!
27:54Oh, I will not hesitate to put a bullet in your head.
27:59You.
28:00Tell me what the hell is going on.
28:02I told you to move me.
28:03If you don't get me out of here, I'll be carried out in a box.
28:07I'll tell you anything you want to know, please.
28:09Please.
28:09Any chance I could have a glass?
28:19Tell me something of interest and I'll consider it.
28:21Those riots.
28:26My men will start them.
28:29I want to keep you busy.
28:32Are my men off sick?
28:35Got a mate who's got a mate who supplies your canteen.
28:39Rancid meat ain't hard to come by in this city.
28:41You've got, what, a handful of coppers on duty.
28:49I've got 25 men with guns who'll be here any minute.
28:52Cast iron gates front and back.
28:54No one's getting in.
28:54They won't just be coming with guns, son.
28:57Bit of dynamite.
28:59Blow those gates open like a bleeding doll's house.
29:01You're bluffing.
29:03No, I ain't.
29:04When my men get here and they see me in the handcuffs,
29:13they're liable to get very emotional.
29:19Dread to think what they might do to you.
29:25So, what you've got to ask yourself is this.
29:29Am I really worth dying for?
29:37You're not seriously suggesting I set you free.
29:43You need to think about that little girl of yours.
29:46You mention my daughter one more time
29:48and I won't knock you through that wall.
29:51Well, I don't have to excite yourself.
29:59Do you have someone on the inside?
30:03What?
30:05You heard me.
30:06You can't expect me to tell you everything, Inspector Blake.
30:13Well, just so you know, we're onto them.
30:16Yeah, of course you are.
30:18PC Murray is currently in handcuffs, being interrogated.
30:24Bloody idiot.
30:29Bent coppers are a disgrace.
30:35Yes, they are.
30:36And I'm not one of them.
30:39Really?
30:40Why would I lie?
30:43I thought that'd be obvious.
30:48I don't feel well.
30:57Tell me who you're working for.
30:58Get a bucket or something.
30:58I think I'm going to be sick.
30:59Tell me the truth.
31:00I'm no bent copper.
31:01That's the truth.
31:05I need some water.
31:07I don't feel right.
31:08Are you going to talk?
31:09Or do I have to report to Inspector Blake
31:10that you're being uncooperative?
31:11I need some water.
31:22Please!
31:22Please!
31:22Please!
31:22Please!
31:28Izzy, what are you doing?
31:29Looking for you.
31:30The lines are still dead.
31:32My nerves are in tatters, Georgie.
31:33All will be well, I promise.
31:36I've never seen the place so empty.
31:39It's strange.
31:40It sends a chill down me.
31:44Well, just think.
31:47Tomorrow, we'll be sat in Barron's,
31:50all dressed up in our finest.
31:52You'll be the prettiest girl in there.
31:56You're a lovely man, Georgie Bilos.
31:58As per said, mostly by my mum.
32:02You miss her, don't you?
32:07What about your dad?
32:09You don't talk about him much.
32:13He was a man of few words.
32:15What words he used are never very nice,
32:17especially about my mum and my sister.
32:19Does he know she had a baby?
32:22No idea.
32:24I've not seen him since mum's funeral.
32:26I'll go for a nerve if he's alive.
32:29Well, your sister's lucky she's got you.
32:31To look after her in the lit, then.
32:36Sir.
32:37We have a problem.
32:43He just pulled up, sir.
32:44You there.
32:50Make yourself known.
32:56I said, make yourself known.
33:05Come here.
33:06Stop.
33:06Stop.
33:06Stop.
33:06Stop.
33:06Stop.
33:06Stop.
33:14Stop.
33:15Stop.
33:15Stop.
33:15Stop.
33:16Stop.
33:16Stop.
33:17Stop.
33:17Stop.
33:18Stop.
33:18Stop.
33:19Stop.
33:19Stop.
33:20Stop.
33:20Stop.
33:21Stop.
33:21Still dead, is it, son?
33:23Unreal, son.
33:26Suit yourself.
33:26It's just a turn of phrase.
33:29I do have a son, as it goes.
33:32A bit younger than you.
33:34Logan.
33:35Only he's in the neck.
33:36Funnily enough, it was your Miss Scarlet would put him there.
33:43My Miss Scarlet?
33:43There's not much I don't know about you, Inspector Blake.
33:46Oh, just stop talking.
33:47I wonder what she'd think about you risking your life for no good reason.
33:51Oh, there's a reason.
33:53I want to see your face when you hear a guilty verdict.
33:55What, you think a jury will convict me?
33:58Twelve good men and true.
34:01There's ways of playing that game.
34:03So why plan an escape, then?
34:04We'll call it an insurance policy.
34:08But you still didn't answer my question about your lady detective.
34:15Yeah, maybe I'll ask her myself when I get out.
34:20That's when you threaten to hurt her, is it?
34:22Like you did my daughter.
34:23I never touched your daughter.
34:25But you still owe my man at the club an apology.
34:29Poor sod.
34:30It's black and blue.
34:31Don't hold your breath.
34:33Sir, a horse and carriage has pulled up outside.
34:35The driver's abandoned it.
34:40I'll put my fingers in your ears if I were you, boys.
34:47Bang, bang, bang.
34:50You think there's explosives inside?
34:51We could be bluffing.
34:54But we can't take the risk.
35:12See, I want you to go to the armory.
35:14Wait for me to come and find you.
35:15Why the armory?
35:16Doors are thick, there's no windows.
35:17What?
35:17Izzy, please.
35:18Just trust me.
35:19Well, what about PC Watkins?
35:20I don't think he's well enough to move.
35:21I'll deal with him.
35:22Go on, go.
35:32Murray, get up.
35:33I need to move you.
35:34Please.
35:35I feel so sick.
35:37What, on your feet?
35:38Come on, on your feet.
35:39I can't.
35:45There was someone in that tea.
35:49What are you talking about?
35:49I was fine until I drunk it.
35:52I think she laced it with something.
35:55Who?
35:57A girl from the switchboard.
36:02What?
36:02Passed out, and when I woke up, she was searching through your jacket.
36:13You're lying.
36:14I swear I'm not.
36:15She was in here.
36:16You're lying!
36:17I'm not!
36:28Watkins!
36:31Watkins!
36:32When did you start feeling ill?
36:34Sir, I feel terrible.
36:35Was it before or after you drank the tea?
36:39After.
36:42Did you see Miss Summers go into the interview room?
36:44Sir, I still feel-
36:45Just answer the question!
36:48Please.
36:52Yes, I did.
36:59They won't just be coming with guns, son.
37:02A bit of dynamite.
37:03Blow those gates open like bleeding dolls house.
37:06I'd put my fingers in your ears if I were you boys.
37:09I'd put my fingers in your ears if I were you boys.
37:24I'd put my fingers in my ears if I were you boys.
37:35Bang, bang, bang.
38:05Bang, bang.
38:35Bang, bang.
39:05Hurry up.
39:06I'm going as fast as I can.
39:08Come on, come on, come on.
39:10There's my girl.
39:14Georgie.
39:15You work for him.
39:17Please let me explain.
39:19You stole the keys from my jacket pocket.
39:26Be down on the ground now.
39:27Take it easy, son.
39:28Don't be waving her gun around.
39:29Look, she's still sweet.
39:31Shut your mouth!
39:32I killed the ground now!
39:38I'm arresting you for aiding an escape from lawful custody.
39:41Please don't...
39:42Detective Sergeant Willows.
39:47Hands about your back.
39:48I was planted here a few months ago by Mr Cooper.
40:10It wasn't for anything specific.
40:13It was just to get whatever information I could.
40:17Anything he could use.
40:21What about the plan to break him out?
40:23I'm so sorry.
40:28I should...
40:29No.
40:30I really did like you.
40:32Spencer Blake asked you a question, Miss Summers.
40:33There were never any men coming here.
40:48Mr Cooper used up all his money organising the riots.
40:52It was a distraction, so I could help him escape.
40:57Were you aware that he was responsible for having the food in the kitchen contaminated?
41:01No.
41:02And you're nothing of it.
41:05But it was you who drugged the tea.
41:08That's what caused P.C. Watkins and Murray to collapse.
41:11And framed P.C. Murray with some cock-a-ball story about him being a convict.
41:16I really am sorry, Georgie.
41:18My big scusa.
41:19No.
41:19No.
41:32Mr Cooper, I have some good news.
41:48I've just had word you'll be transported to Newgate within the hour.
41:52Oh, and when your case comes to court, I've requested that the jury are from out of town and kept under constant supervision.
42:05Call it an insurance policy.
42:07I didn't get your name.
42:32Willows, Detective Willows, George Willows.
42:36Nice to meet you, Detective George Willows.
42:49Willows.
42:49My letter of resignation, sir.
42:54No, I can't accept that.
42:57I've let the force down.
42:58I've let you down.
42:59Not to mention making a complete fool of myself.
43:01Resigning is not the answer.
43:03Please.
43:11There will be an investigation into what happened here last night.
43:15And I can't promise it turns out well for you.
43:17You may yet be dismissed.
43:20But I will speak on your behalf.
43:23Sir.
43:24You are a good detective and I don't want to lose you.
43:27And it wasn't just you taken in by Miss Summers.
43:31It was everyone.
43:32Myself included.
43:45Detective Willows.
43:50You wouldn't be the first man to have made a mistake when it comes to matters of the heart.
43:53Yes.
43:57Yes, sir.
43:59Thank you, sir.
43:59Thank you, sir.
44:27Thank you, sir.
44:57How was your day?
45:10Rough.
45:12Which is why I wanted to see you.
45:14Do you need my help?
45:17I wanted to see you because I wanted to be with you, Eliza.
45:22To take the sting out of my day by finishing it with you.
45:24Do you need my help?
45:34Does that help?
45:36Always.
45:37Always.
45:37Elijah, I thought you might have left.
46:04Actually, I was just coming to see you before I left the train.
46:07So I saved you a trip?
46:11You did.
46:14May I come in?
46:23I didn't sleep last night.
46:26Well, I've had one of the worst nights of my life.
46:28It's not a competition, Alexander.
46:31Believe me, if it was, I would win.
46:35What happened?
46:39Let's just say I've had time to reflect on the things that are most important to me.
46:43In fact, I've come to several realizations.
46:50The most important of them is this.
46:59For all your faults, I love you, Eliza.
47:03And I only hope you love me too.
47:08Faults and all.
47:12Of course I do.
47:13Can I just ask what you meant by-
47:26I will tell you everything that happened last night when you return from Paris.
47:29No, I meant my faults.
47:31What faults exactly?
47:36May I accompany you to the station?
47:38Do you insist?
47:39I do.
47:40Oh.
47:45You left this in my office yesterday.
47:50Yes, I wonder where that I got to.
47:52You deliberately left it, didn't you?
47:55So I'd have to return it.
47:57Of course I did.
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