- 6 hours ago
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00:00I'd better get back to work, Mum.
00:19Like you always say, those streets won't stay safe.
00:30Without your Charlie keeping an eye out.
00:37I'll be back tomorrow.
00:51Uncle?
01:06Charlie?
01:10How is she?
01:20Still the same?
01:22I hate seeing her like this.
01:25Ruled the roost when we were kids.
01:27Terrified of her I was.
01:29Yeah, there's a shadow of my sister in there.
01:34Heard about your promotion.
01:37Detective Inspector Phelps of the City of London Police.
01:40Bet your mum's proud of you.
01:42And I am.
01:44Yeah.
01:45I'll bet.
01:46No.
01:47I am.
01:48You've done well for yourself, boy.
01:51Good on you.
01:53Tom.
01:57Charlie?
02:01You ain't heard this from me, but the Galanis family, they're being difficult.
02:14I'll try and keep it off your patch, but there's a storm coming.
02:21If you cause me any problems, I'll put you away.
02:26Family or not.
02:32Ooh.
02:33Is that a threat, son?
02:35There's so many to choose from, but I think my favourite animals were the giraffes.
02:43Especially when they nibble the zookeeper's hair.
02:46I like the elephants, apart from when she went to the toilet.
02:50Yes, very unladylike.
02:53I wish I could miss school every day.
02:56My father used to say, too much fun's bad for your health.
02:59I once skipped school without telling him.
03:02I spent the day with the ancient Egyptians at the British Museum.
03:05Was your papa cross?
03:07Well, he would have been had he found out, but I never told him.
03:11In fact, you're the only person that I've told.
03:15Now, I needed a little bit of paperwork, and then we can head home.
03:20Why don't you read?
03:22Yes, this.
03:24I hear Mrs. Banbury's making soup for tea.
03:27It's always turnip.
03:29I hate turnip.
03:30So do I.
03:31So do I.
03:49Papa!
03:50Inspector Blake!
03:51Is everything alright?
03:52Yes.
03:53Why shouldn't it be?
03:55Oh.
03:56We're a little late.
03:58More than a little.
03:59You were supposed to take her home two hours ago.
04:02I'm sorry.
04:03We lost track of time.
04:04Mrs. Banbury was worried.
04:05She was expecting Sophia home for tea.
04:07Turnip soup, I believe?
04:10You should have sent a message.
04:12Oh, you're right.
04:13I'm sorry.
04:14We had a wonderful time at the zoo, didn't we, Sophia?
04:16It was very severe.
04:17We saw the giraffes and the elephants and...
04:18I'll get your things.
04:25I...
04:26I really am sorry.
04:27What did you say?
04:28Thank you, Miss Scarlet.
04:29It's my pleasure.
04:30We'll do it again soon.
04:31We can go back to the zoo.
04:32Of course.
04:33I'll see you tomorrow.
04:34You will.
04:35I'll see you tomorrow.
04:36You will.
04:51So, three weeks.
04:53No one saw anything. Not even a landlady.
05:12No sir.
05:23The girl who rates this room, what's her name?
05:36Natalia Lorenzo.
05:48Scotland Yard switchboard, how may I direct your call?
05:53Putting you through. I have a Detective Simons from Oldgate.
05:59Yes sir.
06:04That's me done. See you in the morning.
06:08Night.
06:16Hello Ivy, how's things?
06:18Oh busy, since we lost two things to be more active than ever.
06:21But I've been promised a couple more secretaries and I heard a rumour we're getting a manager too.
06:25How are you getting on?
06:27It's alright, but I miss you and the other girls.
06:29It's so quiet sometimes.
06:31I managed to read Little Dorrit in three days and I'm a slow reader.
06:35I haven't even managed to take a lunch break this week, let alone read.
06:39What about your husband's book?
06:41How is it by the way? Any better?
06:43Don't ask.
06:45Ready is he?
06:47It's Miss Summer's work, remember?
06:49Yes, of course.
06:51Detective Willows has taken me to Barron's.
06:53Oh, very nice.
06:55Would you like us to escort you out, Mrs Potts?
06:56Oh, that's kind, but Mr Potts will be here shortly to see me home.
07:00Almost an hour I waited for Barnabas, then I came home to find him on that damn typewriter.
07:27Apparently he'd lost track of time.
07:29Well, he wasn't the only one.
07:31I didn't get Sophia home when I should have, which didn't go down very well with Inspector Blake.
07:35That doesn't surprise me.
07:36That little girl is everything to him.
07:38Don't make me feel even more guilty.
07:41It's not like Barnabas at all.
07:43He's normally so punctual.
07:45So am I.
07:48Yet another rejection of my memoirs.
07:52Whilst we very much enjoyed your book, we do not feel that our publishing house is the right home for your work.
07:59Well, I'm utterly befuddled.
08:01If they very much enjoyed my book, why won't they publish it?
08:06I should get to work.
08:13Perhaps it's just a kind of phrase they use in all such letters.
08:16What do you mean?
08:17Well, the others all said the same type of thing, didn't they?
08:20We enjoyed your book, but we're not looking for new authors.
08:23We enjoyed your book, but we have something similar.
08:25But that's exactly my point.
08:27They enjoyed my book.
08:28Every single one of them has.
08:29Don't know what the problem is.
08:31It's an utter mystery indeed.
08:34Perhaps you should take a break from the writing.
08:36Break?
08:37Why?
08:39So you don't get too stale?
08:41Give yourself time to clear your head.
08:45Then what would I do in the meantime?
08:50Absolutely not.
08:52I will not go back to that mortuary until Mr Wormsley has offered me a full and satisfactory apology.
08:58And on this house you'll not be moved.
09:13Message from Miss Scarlet.
09:14Would that have been me, thank you.
09:22I can't stand another day of him mooning about the house.
09:25Someone needs to speak to him about his book.
09:27I don't suppose you would.
09:28No, no.
09:29And no.
09:31Who's that from?
09:33Someone rather surprising.
09:46I want to hire you.
09:50Go on.
09:51I've got a missing chorus girl.
09:52With a lodging room that looks like Smithfield slaughterhouse.
09:55Blood everywhere and no body.
09:58The girl's name was Natalia Lorenzo.
10:02The name rang a bell so I asked around and it turns out she had two regular gentleman callers.
10:07One was a high ranking member of the Galaness crime family and the other was my uncle.
10:16Dylan Cooper.
10:17Word on the street is my uncle took exception to his girl seeing his rival and put a bullet in her.
10:23Which makes him our prime suspect.
10:26Which puts you in a rather difficult position.
10:27Any other statements for the bleeding obvious you want to make?
10:30I see if emotion hasn't improved your manners Charlie.
10:35There was a bloodied handprint left at the scene the size of a man's hand.
10:39If my uncle was going to kill someone, which no doubt he has done in the past, there wouldn't be a shred of evidence left behind.
10:45So you don't think he's guilty?
10:47But you can't share that with your men?
10:49If the coppers in London want to put Dylan Cooper away regardless of the evidence.
10:53The other half are in his pocket.
10:54There's something else.
11:05My mum.
11:06She's not well.
11:09So if I'm gonna send her little brother to the gallows I need to be sure.
11:16Which is why I want to hire you.
11:19Because for all your faults Miss Scarlet and God knows there are many.
11:22You're someone I can trust.
11:28I think.
11:32Duplicate copies of the investigation so far.
11:40One more thing.
11:42If word got out that I was trying to prove my uncle's innocence.
11:47No one's to know that you hired me.
11:49You do this job and you do it well.
11:53There'll be a lot more work coming your way.
11:55City police covers an area we've yet to tap into.
12:06Blackfriars, St Paul's, Smithfield.
12:09Could mean a whole new revenue stream.
12:11So I assume this case is highly confidential and no one must know that Inspector Phelps has hired us.
12:17You assume correctly?
12:19No one at all.
12:20Even if they're in the same line of business and we may feel compromised by our feelings towards them.
12:25Even if you're attempting to give a coded message about myself and Inspector Blake.
12:29At least try to be subtle.
12:31No, no.
12:33I'm just saying.
12:34Well don't.
12:35I'm perfectly capable of keeping client confidentiality.
12:38Even with Inspector Blake.
12:39But then I shall say no more.
12:43May I just say.
12:44No you may not.
12:49Thank you sir.
12:56A single shot to the chest.
12:59I can't see an exit wound.
13:02The bullet must still be in the body.
13:05No identification.
13:07I know who he is sir.
13:10It's Philip Galanis.
13:15You sure?
13:16He was brought in when I was at Bow Street.
13:18Twelve charges.
13:19None of them stuck.
13:21Friends in high places.
13:22Indeed.
13:25I heard of trouble brewing between the Galanis family and the Cooper gang.
13:29Philip Galanis was the top brass in the family if this is the Cooper gang.
13:33The order must have come from Hayab.
13:38We need to bring in Dylan Cooper.
13:58Good afternoon.
14:00I wondered if you could help me.
14:01It's about a friend of mine.
14:03Natalia Lorenzo.
14:07Don't know her.
14:09Oh.
14:10I had it on good authority that she used to dance here.
14:13I said I don't know her.
14:23This is for a whiskey.
14:24And this is for any information that you might have.
14:29What use is money if I'm dead?
14:34Are you aware of the Hospitality and Gaming Act of 1874?
14:39It states that any venue putting on music, dancing, theatrical production requires a performing rights license.
14:44Any failure to have said license may result in a hefty fine or indeed closure.
14:49I know this because my husband works for the licensing commission.
14:53You don't have an husband.
14:54And you don't have a license.
14:58Look.
15:00I ain't seen her.
15:03But.
15:05You know someone who has.
15:06It's a wonderful place.
15:07But I'm not.
15:08It's a wonderful place.
15:09Make yourself known.
15:12Anything?
15:13Yes sir.
15:15Doesn't look like anyone's been here for a while sir.
15:16Make yourself known!
15:23Anything?
15:24No, sir.
15:27Doesn't look like anyone's been here for a while, sir.
15:31Let's cross this place off our list.
15:33How many safe houses can one man have?
15:35Cooper's got deep pockets.
15:38Put your weapons down!
15:39Drop your weapons and get on the floor!
15:41This is your final warning! Put down your weapons!
15:43On the floor now!
15:44We are police officers!
15:46Throw away, you bloody idiot!
15:58Philip Galanis was shot in a lodging house in Fenchurch Street.
16:01That's my patch!
16:02And his body was found in Farringdon, which is my jurisdiction.
16:05Not if the crime was committed on City of London Territory!
16:08You don't know that it was?
16:09I'm afraid I do! Ballistics report!
16:14The bullet that was pulled from Natalia Lorenzo's wall came from the same gun that fired the bullet that killed Philip Galanis!
16:23You're stepping on my toes, Inspector Blake!
16:25Then you carried out a raid on Scotland Yard Turf without giving me prior warning, Inspector Phelps!
16:29Like I said, I didn't have time!
16:31We need to work together on this, Charlie.
16:35I've told you everything I know.
16:37This Natalia was shacked up with Philip Galanis.
16:41He turned up dead in an alley, and her body's still missing!
16:44You've left out a vital bit of information. Your uncle was also seeing this young woman!
16:48Which is why me and my men came looking for him bloody hell!
16:51We're going round his circles here!
16:59We have checked all of Cooper's regular haunts. His house. His club.
17:04Do you have any idea where he might be?
17:07If I did, I wouldn't be raiding his safe house, would I?
17:19If you've got something to say, say it.
17:22Say it.
17:33Blake!
17:36Yes, he's here. Hold on.
17:38It's one of your men.
17:45What?
17:52Right.
18:02I need to go.
18:04We haven't finished.
18:06Phelps!
18:08Charlie!
18:22Was that meant to be funny, ringing me at Scotland Yard?
18:38I didn't kill Galanis, and you know it.
18:40Do I?
18:42Else you wouldn't have hired that lady detective.
18:44You've been having me followed?
18:47I always have you followed, Charlie.
18:52I should be with your dad soon.
18:58That's the last place she'd want to be.
19:02Couldn't stand the old bugger.
19:10Why are you in hiding if you weren't the shooter?
19:13Well, I know what people are saying.
19:16The Galanis were seeing my girl, so I killed them both.
19:18I mean, don't get me wrong.
19:20If I'd have known that degenerate had gone anywhere nearer,
19:22I'd have gladly put a bullet in him, but I didn't know.
19:25So I didn't kill either of them.
19:27So who did?
19:28Not a clue.
19:30But I need time.
19:32To talk to the Galanis family.
19:34Things haven't been good lately.
19:35I need to sort it out.
19:36It's about the business.
19:37If you're asking me to stall the investigation...
19:38I'm being set up.
19:41And you know that.
19:44I'll find out who did it.
19:45I just need time.
19:49You owe me this, boy.
19:52When he was a nipper.
19:55And your dad passed away and your mum couldn't put food on the table.
19:59Who was it kept you out of workhouse?
20:11The best I can do is keep this meeting to meself.
20:14For anything else that comes up, you're on your own.
20:16Even if...
20:35Good afternoon.
20:37I'm looking for a friend of mine.
20:39Natalia Lorenzo.
20:41I have it on good authority that she dances here.
20:44I'm busy.
20:47You're aware of the Hospitality and Gaming Act of 1874?
20:50What?
20:52It states that any venue with outside drinking facility requires a public liability license.
20:58I've already told him what I know.
21:00Told who?
21:02Him.
21:10What are you doing here?
21:11What are you doing here?
21:13What are you doing here?
21:15I'm looking for a missing showgirl.
21:19As of you, it seems.
21:22I thought this case was in the City of London jurisdiction.
21:25It's more complex than that.
21:27I take it you're working for Phelps?
21:29I'm sorry, Alexander, but I think it's better that we stop this conversation.
21:32You need to tell me what you know.
21:34I can't.
21:36I'm running a business.
21:39We've been through this before.
21:41This isn't a missing horse, Eliza.
21:42This is a murder.
21:44And if we're to be together, you can't keep hiding things from me.
21:47Things?
21:49I need to get back to work.
21:51What things?
21:52Telling me you went to the city site to visit your aunt when in fact you were meeting Patrick Nash.
21:55I knew you'd been stewing on that.
21:57I have to be able to trust you.
21:58And I have to be able to respect the wishes of my clients.
22:03This isn't about me working the case.
22:04This is about me working for Phelps, isn't it?
22:06Oh, that'd be ridiculous.
22:07Your competitiveness is clouding your judgement, and might I add, making you rather childish.
22:11Says the adult who forgot to bring my daughter home on time.
22:16I need to get back to work.
22:20As do I.
22:21The landlord of the Indigo Sun confirmed that Natalia Lorenzo is very much alive.
22:42She collected the wages that she was owed.
22:45She was in a bad way.
22:47Sweating feverish a bandage across her shoulder.
22:49He asked her what had happened, but she didn't want to say.
22:53He thinks that she got on the wrong side of Cooper and somehow managed to escape.
22:58The crime scene report states that a bullet was found in the wall of the room.
23:03So perhaps it passed through her shoulder and into the wall.
23:06Well, if she was shot, she'd need medical attention.
23:10And wanting to lie low, she wouldn't go to a doctor.
23:14It's their duty to inform the police when treating a gunshot wound.
23:17That depends on the doctor.
23:19A list of qualified doctors and surgeons who work on the wrong side of the law.
23:28This is Patrick's handwriting.
23:30Yes, that list was compiled by Mr. Nash himself after an unfortunate incident with a shotgun.
23:35Danny Jealous husband.
23:38Let's hope that one of these doctors treated our Natalia Lorenzo.
23:41Let's start looking in the morning.
23:49I want a list of every quack doctor with a criminal conviction.
23:53Anyone who might tend to a bullet wound and not reported.
23:56Yes, sir.
23:57Get yourself over to city police.
23:58See if inspector Phelps is willing to share any new information on Dylan Cooper.
24:02What?
24:03What?
24:06Evening, gents.
24:10This is my lawyer, Mr. Torrey.
24:11We'd like to discuss the unfounded accusation that I'm somehow connected to your murder investigation.
24:16I'm a businessman.
24:17I own two casinos and a number of companies linked to the hospitality trade.
24:19I know exactly what you own, Mr. Cooper.
24:20In great detail.
24:22So these false allegations are costing me money
24:35So my lawyer recommended I come in here and answer any questions you may have
24:40so that we can put this man out of bed.
24:46How thoughtful of you.
24:47full of you. Talked me through your movements yesterday. Well, I spent a morning at my club
24:54to Silver Lane. After that, I went to visit my poor sister at St. Agatha's Hospital. Then
24:59I did a stock check at my new pub in Hackney, all of which can be confirmed. By your men?
25:05No, by my work colleagues.
25:13Tell me about Natalia Lorenzo.
25:17She's a young lady that I've known for a few years.
25:21And the nature of your relationship?
25:33My lawyer says that I'm not obliged to answer that question.
25:39Well, then I shall answer it for you.
25:42I think you were romantically involved with Miss Lorenzo. And when you found out she
25:50was betraying you with a member of a rival gang, you went to her lodging rooms and shot
25:56another Philip Galanis. You dumped his body in the street and left Natalia to die. But
26:03unfortunately for you, she survived.
26:06Hmm. That's quite an imagination you've got here, Inspector Blake. It's pure fantasy,
26:14of course. Has she got any evidence to back it up?
26:18No, I thought not. So, you've got my alibi which can be easily checked unless there's anything
26:29else. I think I'm free to go. Looks like I'll only be paying you for half a day, Mr. Torrey.
26:35Mr. Torrey, would you mind stepping outside for a minute? Thank you.
26:43Inspector?
26:46Well, I do hope this is an end to the matter. No, Mr. Cooper, it very much is not.
26:57It would be a mistake to make an enemy of me, Inspector Blake. But a friend, I would welcome
27:04that with open arms. I have enough friends.
27:07Mr. Torrey, would you like to get back here?
27:08You're lying.
27:09You're lying.
27:10You're lying.
27:11No?
27:12No.
27:13No.
27:14No, no, no.
27:15No.
27:16No.
27:17No.
27:18No.
27:19No.
27:20No.
27:21No.
27:22No.
27:24No.
27:25No.
27:26No.
27:27No.
27:28No.
27:29No.
27:30No.
27:31No.
27:32No.
27:33No.
27:34No.
27:35No.
27:36If I wanted to apologize, would it be better in writing or in person?
28:01Well that's a relief, I have terrible handwriting.
28:14I was angry and frustrated, I say things that don't mean when I feel that way.
28:17I can't imagine what that's like.
28:23Well you said there was some truth in it.
28:29I don't always tell you everything just like you don't always tell me.
28:33It's the nature of our jobs, which is even more difficult to navigate now that there's
28:38an ass.
28:40Ass?
28:41I like that.
28:46I've booked that little place out at the river for dinner.
28:48Oh, sounds perfect.
28:50I'll get my things.
28:52How was your day?
28:54Rough, which is why I wanted to see you.
28:57Do you need my help?
28:59I wanted to see you because I wanted to be with you, Eliza.
29:04To take the sting out of my day by finishing it with you.
29:12Does that help?
29:13Always.
29:14Well that was a waste of time.
29:15Are you sure that man was even a doctor?
29:17I think he may have been a veterinarian.
29:19Well either way, he hasn't seen our missing showgirl, he can cross them off the list.
29:23So that is three down, six left to try.
29:24Who's next?
29:25Dr. Hudson on Church Street.
29:26So how was last night?
29:27Last night?
29:28Last night?
29:29You said you had dinner with Inspector Blake?
29:30Ah, yes.
29:31Very nice, thank you.
29:32Oh, it was very nice.
29:33Good food, good wine, good conversation.
29:34Yes.
29:37Conversation about what exactly?
29:38I didn't tell Inspector Blake that we're working for Phelps.
29:39Good.
29:40Good.
29:41Because he already knows.
29:42What?
29:43He saw me questioning that landlord that I was having here.
29:44Oh.
29:45No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
29:47Why is that?
29:48It's supposed to be a confidential investigation.
29:49Yes.
29:50I am aware of that.
29:51What's done is done.
29:52There's no point in it.
29:53Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
29:54Good wine.
29:55Good conversation?
29:56Yes.
29:59Conversation about what, exactly?
30:01I didn't tell Inspector Blake that we're working for Phelps.
30:03Good.
30:04Because he already knows.
30:05What?
30:06He saw me questioning that landlord that I was telling you about.
30:10Why is that?
30:11It's supposed to be a confidential investigation.
30:13Yes, I am aware of that.
30:15What's done is done.
30:16There's no point ruminating on it.
30:18Like you're doing now.
30:19Still, I'd be a lot happier if you told me everything you were doing.
30:22Oh, would you?
30:24No, on second thoughts, let's see if things are safe.
30:33It was a lovely evening.
30:34The food was delicious.
30:35I've never been anywhere so fancy.
30:37Me neither.
30:38I felt quite out of place next to all those fine ladies.
30:41Surprised your head wasn't turned.
30:43I couldn't take my eyes off you.
30:46Is that true?
30:47Or are you just trying to butter me up?
30:50Both.
30:52Give us a kiss.
30:53What an Eve?
30:54Yes, here.
31:03Detective Brilloes.
31:04Mrs Potts.
31:05The advert for the new office manager.
31:07I've got copies going up all over the yard, but I want you to call the evening papers with the wording for the classifieds.
31:12Wanted.
31:13Manager for the clerical office Scotland Yard.
31:15You should apply, Ivy.
31:16Keep reading.
31:17The gentleman in question.
31:19Why can't it be a lady?
31:21You could do that job standing on your head.
31:23I've got enough to worry about as it is.
31:26One day a woman will run this whole place.
31:30What's funny about that?
31:31I'd better get on.
31:32Can I help you, madam?
31:33I need to speak to Inspector Blake.
31:34Sir?
31:35Mrs Banbury.
31:36Mrs Banbury.
31:37What's happened?
31:38It's Sophia.
31:39So, last and hopefully not least, a Dr Marsh.
31:40What do we do if he hasn't seen as it is?
31:41I can't see it.
31:42I can't see it.
31:43That's all.
31:44I can't see it.
31:45I can't see it.
31:46The dark side.
31:47I can't see it.
31:48Can I help you, madam?
31:49I need to speak to Inspector Blake.
31:50Sir.
31:52Mrs Banbury.
31:53What's happened?
31:54It's Sophia.
31:57So, last and hopefully not least, a Dr Marsh.
32:07What do we do if he hasn't seen as it is?
32:09What should we do if he doesn't see Natalia?
32:11We move to plan B.
32:12Which is?
32:13No idea.
32:14Well, that's the address.
32:18He doesn't look like a doctor.
32:20No, but he does.
32:28That's her. That's Natalia Llorente.
32:30Should we help?
32:32He doesn't look good to be forcing her.
32:39The inspector's daughter's gone missing.
32:48Knock on every door of every street,
32:50within a three-mile radius of Inspector Blake's house
32:52and his daughter's school on Eastbury Way.
32:54Scale of the area, every inch.
32:57Understood?
32:58Yes, sir.
32:59Off you go.
33:06We heard about the inspector's little girl.
33:08We've come to help.
33:09How many of you?
33:10Well, there's girls in the office, about a dozen.
33:12Go to Gladstone Park.
33:14It runs adjacent to Inspector Blake's house.
33:15Perhaps the little girl went there and got lost.
33:17Inspector Blake must be out of his mind, won't worry.
33:19If anything's happened to that little girl.
33:21Oh, just the person.
33:22Go and tell the girls.
33:23I'll join you in a moment.
33:24Barnabas, this is not a good time.
33:26It should be very quick, my child.
33:28I just wanted to share the most wonderful news.
33:30I've decided to write a novel.
33:33Never mind that now.
33:35I need your help.
33:42Sophia has long dark hair, blue eyes, about this tall
33:45what she was when I last saw her.
33:47She's probably grown by now.
33:48Never fear, my dear.
33:49They do not call me eagle-eyed pots for nothing.
33:51They don't call you this at all, Barnabas.
33:53Excuse me, have you seen a little girl on her own dark hair,
33:56blue eyes, about this big...
33:57Sorry.
33:58So, um, what do you think about my idea to write a novel?
34:03Barnabas, as I've said many times,
34:06what I think is that you need to get your old job back.
34:09Huh?
34:10Oh, excuse me, have you seen a little girl,
34:13dark hair, blue eyes, about this big?
34:15No.
34:16What makes you think I need my job back?
34:18My novel will be published, I'm sure of it.
34:20Barnabas, I only say this because I love you.
34:23You have many skills, but writing is not one of them.
34:28You said you enjoyed my memoirs?
34:32You said I was a wonderful writer.
34:34I was being nice.
34:35There's a reason no one wants to publish it.
34:38I'm sorry.
34:41That's the truth.
34:43Excuse me.
34:45Have you seen a little girl, dark hair, blue eyes, about this tall?
34:50No.
34:51Miss Scarlet.
35:00Oh, good.
35:02You got my message.
35:03You want to update me on the case here, at Scotland Yard?
35:06Something's happened, and in Inspector Blake's jurisdiction.
35:09Don't tell me Blake knows I've hired you.
35:11It's my duty to inform him as well as you.
35:14And it's your duty to keep to client confidentiality.
35:17Miss Scarlet, we had an agreement.
35:20Detective Willows, have you seen Inspector Blake?
35:24Have you not heard?
35:25Heard what?
35:29Is it true?
35:30Has the figure gone missing?
35:31She didn't come home from school.
35:32Michael Simmons here with me.
35:33Whatever you need, just ask.
35:34You want to help?
35:35Then tell me where your uncle is.
35:36What's he got to do with him?
35:37Well, this has got Cooper written all over it.
35:38Could it be him?
35:39Could it be him?
35:40Could it be him?
35:41Could it be him?
35:42Could it be him?
35:43Could it be him?
35:44Could it be him?
35:45Could it be him?
35:46Could it be him?
35:47Oh!
35:48Oh!
35:49Could it be him?
35:50Have you taken her?
35:51The inspector's kit?
35:52What are you talking about, boy?
35:53What are you talking about, boy?
35:54Could it be him?
35:55Could it be him?
35:56Could it be him?
36:17Have you taken her?
36:18The inspector's kit!
36:19What you talking about, boy?
36:26Where's Cooper?
36:27We ain't over yet.
36:28Right, take them outside and question them.
36:29Yes, sir.
36:30What?
36:31Has he got my daughter?
36:32How should I know?
36:33Right, I will ask you one more time.
36:34Has Cooper got my daughter?
36:35You deaf?
36:36How should I know?
36:37God!
36:38Where is she?
36:39Where is she?
36:40Where is she?
36:41Where is she?
36:42Where is she?
36:43Sir!
36:44The founder!
36:45The founder!
36:46I'll ask you one more time. That's Cooper got my daughter.
36:50You get.
36:52How should I know?
36:59Where is she?
37:01Where is she?
37:02Sir!
37:04We found her.
37:16There.
37:22Very good.
37:24We're looking for an office manager. I think you should apply, young lady.
37:28Sophia.
37:30Papa!
37:39She went to the British Museum.
37:44She got lost on the way home.
37:46Was found by an officer wandering the streets.
37:49Thank you, Mrs. Potts.
37:51I told him who my father is. He says you're a very important man, Papa.
37:58Let's get you home.
38:00Good day, Miss Potts.
38:03Good day, Sophia.
38:16Where have you been?
38:17Looking for Sophia. I went to the zoo to see if she'd gone back there.
38:31No, no, they found her. She's safe and well.
38:34Ivy sent you a message to let you know.
38:36Ivy? Not Inspector Blake?
38:38What difference does it make?
38:40Where was she?
38:42I'll get to that in a minute. Keep that on. I've sent a message to Inspector Phelps. You ought to join him.
38:46Why?
38:47I found something on the Cooper case.
38:50I told you I don't know nothing about a kid.
38:53We're not here about that.
38:54Lady Detective, I assume.
38:55So the word is that you've been hired to prove my innocence.
38:56So I do hope your presence here means that you've done just that.
38:57Well, the innocence of killing Philip Galanes, but-
39:05I told you I don't know nothing about a kid.
39:07We're not here about that.
39:10Lady Detective, I assume.
39:14So the word is that you've been hired to prove my innocence.
39:18So I do hope your presence here means that you've done just that.
39:22You've done just that.
39:24Well, innocent of killing Philip Galanis, but...
39:28of obstruction of justice, your hands are dirty, Mr. Cooper.
39:32It was Natalia Lorenzo that killed Philip Galanis, and you've been protecting her.
39:37We found a financial trail between you and Dr. Marsh.
39:41Your own personal doctor.
39:43You paid him to patch up your girl, didn't you?
39:49She's not my girl.
39:51Never has been.
39:53She's the daughter of an old mate.
39:55The fella did a long stretch inside, but he kept his mouth shut.
40:00Ten years' hard labour. Pretty well killed him.
40:03He died a month after he'd come out.
40:07So, yeah, she's been like a daughter to me.
40:11So it didn't go down well when you discovered her affair with Galanis?
40:15Tried to warn her against it, but she's that strong young girl.
40:20I think they thought they were some kind of Romeo and Juliet.
40:24But he didn't treat her right. He was a drunk and a bad one.
40:28If she hadn't have got his car, I'd need to have killed her.
40:31Well, if she shot him in self-defence and there's no reason for her to go on the run.
40:35Try selling that to the Galanis family.
40:40So.
40:44You two can do what you want.
40:47I'll just deny it all.
40:48And any link to Dr Marsh can be explained away.
40:51It'll never stand up in court.
40:52Especially as you have half the judges in London in your pocket.
40:55Where's Natalia now?
41:00She got on a boat from St. Catherine's docks.
41:03And I don't know where I told her it was safer that I didn't in the event that something like this happened.
41:08So.
41:10You want to waste your time chasing after a young woman who shot her drunk to stop him beating her to death?
41:17Be my guest.
41:18Boss.
41:19Boss.
41:38Is she mother?
41:40She passed.
41:44I'm sorry son.
41:46Sorry.
41:49Come along ladies.
41:57There's work to be done.
42:00Hey.
42:02Oh, Barnabas.
42:03I am rather busy.
42:04I'll give you just a few moments my jaw.
42:06I only wish to say how profusely sorry I am for my recent behaviour.
42:10I just want you to be happy Barnabas.
42:12And I don't think writing makes you happy.
42:14Well I'll give it up forthwith.
42:16Find myself a proper job.
42:17But not back at the mortuary.
42:20I believe it's time for a fresh start.
42:23And I know exactly where.
42:24Oh that's wonderful.
42:25Where did you have mine?
42:27Here of course.
42:29Scotland Yard.
42:30It was pinned on the notice board in the corridor.
42:35As I happened upon it I thought Barnabas Pops.
42:39This job is tailor made for you.
42:42Manager of the clerical office.
42:45Here.
42:46Where I work.
42:47Call it fate.
42:48Call it kismet.
42:49Either way.
42:50It was meant to be.
42:52And we all work together every single day.
42:56Wouldn't that be marvellous, huh?
42:58Marvellous.
42:59Me too.
43:01Says please?
43:02If you guys have fun with the clerical office.
43:06Let's go.
43:08Ece.
43:09I have access to the clerical office.
43:12And I've gone.
43:13A place in the office.
43:14Who has the einfacher?
43:16Doesn't matter?
43:17I've gone.
43:18I've gone to the centre of the clerical office.
43:19And I've gone.
43:20And...
43:21Who am I?
43:22Inspector Phelps.
43:36How's your little one?
43:38Happy to be home.
43:41Just got her off to sleep.
43:45I'm sorry I lost my temper earlier.
43:48I'd have done the same.
43:53Full report on Aguilani's case.
43:56It was Natalia who shot him.
43:57Cooper was just protecting her.
43:59You could pursue Cooper on obstruction of justice or...
44:06You could take a look through this little lot.
44:12I've been building a case against my uncle for a few years now.
44:16My hands were tied before but now...
44:20My old mum died.
44:24Today.
44:27He's all yours.
44:31I'm sorry for your loss.
44:34Wish I'd like to come in.
44:35You're not good company at the minute.
44:41But maybe a pint and a ghost next week.
44:44You're buying of course.
44:46Don't know her always.
44:46Charlie.
44:52See the problem that you gentlemen have got is I've got a lucky face.
45:12You, unlucky face.
45:14You, not so lucky face.
45:15You, very unlucky face for this.
45:17Right.
45:25Inspector Blake.
45:26Inspector Blake.
45:26Yeah.
45:26Inspector Blake.
45:26Inspector Blake.
45:27Inspector Blake.
45:31Dylan Cooper.
45:34What now?
45:36Oh, yeah.
45:36what now
45:40we've got a warrant for your arrest
45:45on what charge
45:49you may want to get yourself comfortable Mr Cooper
45:51it's quite a long list
46:06Alexander, early
46:23I haven't had a chance to change it
46:25would you mind if we
46:27cancelled dinner?
46:30I should be with Sophia
46:31of course
46:33I could come to you
46:34she went to the British Museum
46:36she said you missed school once to go there
46:39well
46:40yes but I didn't mean for her to do the same
46:43she's a child
46:45Eliza
46:46she has no mother to guide her
46:48you must realise how much she looks up to you
46:50I'm sorry
46:53I didn't think
46:54are you blaming me for what happened?
47:03I lost control today
47:04I could have lost my job
47:06but I can't afford to do that
47:09I am all Sophia has
47:11and it is down to me to keep her safe
47:13to make sure there is food on the table
47:17and a roof over her head
47:18what are you trying to say?
47:24I need time to think
47:32perhaps some time apart
47:35will do us both good
47:36sorry
47:39up
47:52up
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