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00:00:00I missed you.
00:00:05I missed you.
00:00:07You must be Mary.
00:00:08I'm Tosca.
00:00:10Hi.
00:00:11Unusual name.
00:00:12Crazy name, crazy guy.
00:00:14What's the point of all this election crap man?
00:00:16It's useless.
00:00:18You can't even vote to it at 21.
00:00:20Because I'm sick of waiting for things to happen.
00:00:22It's like Eddie said.
00:00:23It could be different this time.
00:00:25Our day is at hand.
00:00:26The call will come.
00:00:28This is my house.
00:00:30My house light.
00:00:31And you do what I tell you.
00:00:34Is that why you've been seeing Tosca?
00:00:36I've seen you as you now.
00:00:38How long has it been going on?
00:00:40Be careful.
00:00:44I'm sorry.
00:00:49Would you like a job?
00:00:51Yes.
00:00:52Meal for you.
00:00:54Apple and date slice for you.
00:00:56I'll have this place off you within a year.
00:00:58I'll see.
00:01:00Okay.
00:01:01I'm sorry.
00:01:02All right.
00:01:03How long have you been to cry?
00:01:04I won't be toión.
00:01:05It's okay.
00:01:07I'm sorry.
00:01:09Follow me now.
00:01:10If I came to pray with comments andkel today.
00:01:13Be back when I thank you.
00:01:15I will see you.
00:01:17I've been supportive.
00:01:18Do you?
00:01:19I love seeing you at thepleur.
00:01:20I'll be horrified.
00:01:21I like to?
00:01:22Do you?
00:01:23Oh, my God.
00:01:52Oh, Stella.
00:01:53Yes, sir.
00:01:55Mr. Johnson.
00:01:57Dr. Russell.
00:01:59What should I expect?
00:02:01Is he normal?
00:02:03Nobody's quite sure what normal is these days.
00:02:18Dear PC Clod,
00:02:20get well soon.
00:02:21Love from Benny and on the slags.
00:02:31Mr. Johnson.
00:02:33Berger.
00:02:36Is this official?
00:02:38Not at this stage.
00:02:40Strange sense of humour.
00:02:42I made a lot of strange friends in Soho.
00:02:49Who's Benny?
00:02:54I expected someone from the Met, not a local.
00:02:58Even if you are Assistant Chief Constable.
00:03:01Deputy Chief Constable.
00:03:02I'm sorry, Deputy Chief Constable.
00:03:05Sorry!
00:03:07I'm here as a personal favour to the Commissioner.
00:03:11You've made some serious allegations
00:03:13about your colleagues in the Met,
00:03:17particularly West End Central.
00:03:19I'm not well, apparently.
00:03:22Your state of mind is irrelevant to me.
00:03:24What matters is the truth.
00:03:25I'm not going to write anything down.
00:03:29This is just me and you having a chat.
00:03:33Anything you like.
00:03:34Start at the beginning.
00:03:38There's no beginning.
00:03:41And there's no sign of an end.
00:03:43Edward's system building
00:03:44is replacing the old slums of the North
00:03:47with these fine streets in the sky.
00:03:50We offer you and your council
00:03:51the chance to sweep away old mistakes
00:03:54and cheaply and quickly provide your people
00:03:56with clean and spacious places to live.
00:04:00I mustn't have a late night tonight.
00:04:03I'm flying to Belfast in the morning.
00:04:06Belfast, why?
00:04:07Nearly finished, Austin.
00:04:09Right.
00:04:12I'm talking to the city fathers about town planning.
00:04:16Why?
00:04:17Because they don't know anything about it, and I do.
00:04:19Yeah, but why? What's up?
00:04:20I think, er, a new city centre.
00:04:26Do you mind if I tag along?
00:04:28We'd have to go via Birmingham
00:04:29so I could pick up my passport.
00:04:31Your passport?
00:04:33To improve our living conditions.
00:04:35Changing the face of the law.
00:04:43Well, having enjoyed this masterpiece of the modern cinema,
00:04:47please feel free to ask any questions you like.
00:04:50Oh, yes, sir.
00:04:53Let me introduce the chairman of Edwards Housing,
00:04:55John Edwards.
00:04:57Austin, I won't claim to have understood
00:04:59all the technical horse shite,
00:05:01but will this system actually allow my committee
00:05:03to make cuts in our housing bill
00:05:06without cutting quality?
00:05:08Yes.
00:05:09Haven't there been second thoughts in Sweden
00:05:11about this system's suitability for I-Rise building?
00:05:14Can I suggest that we continue this over a meal?
00:05:17We'll have there, haven't there?
00:05:19You'd better sit beside me.
00:05:20LAUGHTER
00:05:21LAUGHTER
00:05:21Austen, give me ten minutes sometime tomorrow, will you?
00:05:34Why don't you join us?
00:05:36Will I find it interesting?
00:05:38You've heard my repertoire funny stories, haven't you?
00:05:40I've got proofs to read for the printer, sir.
00:05:42Look, no, not tomorrow.
00:05:43Make it Wednesday, 9.30.
00:05:45OK?
00:05:46OK.
00:05:47So...
00:05:48Hello Harold, Marcia, it's Austin.
00:06:16Ah, Nicky, that remains me. Did I ever tell you the one about George Brown's pork pie?
00:06:24So Barbara sat down. There was a deathly hush, nobody daring to speak.
00:06:29After a minute, he leans across the table to George, he says,
00:06:32If you're not going to eat that pork pie, I'll have it.
00:06:35Of course, a film can't really do this system justice.
00:06:48Herbert, you should go and see a development personally.
00:06:53Maybe I could take a look at the one in the film.
00:06:56Yes, or somewhere else.
00:06:58There's one exactly the same in Bordeaux.
00:07:03Another one in Greece.
00:07:06Holland.
00:07:09Spain.
00:07:11Spain.
00:07:12You know, I've always wanted to go to Spain.
00:07:15Shall I tell you why?
00:07:17Yes, do.
00:07:19Bloody rubbish.
00:07:25Oh, go away, will you?
00:07:3010 Downing Street.
00:07:31Hello?
00:07:32Hello?
00:07:33Hello?
00:07:34Is Nicky Hutchinson there, please?
00:07:37Speaking.
00:07:38Nicky!
00:07:39Hey, Nicky!
00:07:40It's me, Geordie!
00:07:41Geordie!
00:07:42Where are you?
00:07:43In London, man.
00:07:44How are you doing?
00:07:45Alright, what about you?
00:07:47Ah, okay.
00:07:48How do you know where to get me?
00:07:49Tosca.
00:07:50I didn't know you were in touch.
00:07:52Yeah, he said they hadn't seen you much.
00:07:54Listen, what are you doing?
00:07:56Now, I lost my job a couple of weeks ago.
00:07:59At least I was working in close down.
00:08:01I'm thinking about coming home.
00:08:02Great.
00:08:03Nicky!
00:08:04I was wondering, like...
00:08:05Er...
00:08:06Tosca said you're working for this builder, like...
00:08:08And I was wondering...
00:08:09He said what?
00:08:10Any chance of a job?
00:08:11I don't work for a builder.
00:08:12Why'd he say...
00:08:13Well, that's what he said, like...
00:08:16Public relations.
00:08:18Whatever that is.
00:08:20Didn't know, like...
00:08:23Geordie, you okay?
00:08:25Nicky!
00:08:27I've no more change.
00:08:28I'll ring you back.
00:08:29What's the number, Geordie?
00:08:30What's the number, Geordie?
00:08:31What's the number, Geordie?
00:08:32What's the number, Geordie?
00:08:33What's the number, Geordie?
00:08:34I thought, come on.
00:08:35Back to me.
00:09:36Come on, everybody.
00:09:37Yeah, you, to me.
00:09:40So remember when you say those little white lies at the night.
00:09:46That's right, everyone.
00:09:48Yeah, remember when you say those little white lies at the night.
00:09:54That's a thousand eyes.
00:09:58Thank you, Dan.
00:10:01Thanks very much.
00:10:02Thanks very much.
00:10:06Take a newsletter, comrade.
00:10:09You've got a nerve-flogging these in here, haven't you?
00:10:12Harold Wilson's betraying the working classes, is he?
00:10:15It's all factual.
00:10:17What are you frightened of, comrade?
00:10:19I saw you once throwing eggs at Claude Siebel.
00:10:21That's what you mean by democracy, is it?
00:10:23Why don't you read the newsletter, find out what we mean?
00:10:26Or are you too far down the road?
00:10:31Tells you where we'll meet if you want to know more about the anarchist movement.
00:10:34I don't know more about the anarchist movement.
00:11:04Nicky.
00:11:05Hello.
00:11:09Patrick?
00:11:11Look.
00:11:12Nicky.
00:11:14Hi, Patrick.
00:11:18He's not been very well.
00:11:20Been in hospital with his chest again.
00:11:24They'll be picking him up shortly.
00:11:34How's Anthony?
00:11:36Driving as mad as usual.
00:11:38Every blessed thing he can get, gets shoved in his mouth.
00:11:41Tosca?
00:11:43He's fine.
00:11:46Flat okay still?
00:11:48Yeah, thanks.
00:11:51Saved me life, you know.
00:11:56Feels a bit chilly, a bit musty.
00:11:59They all are.
00:12:00That's a shame.
00:12:03All of them.
00:12:05Talk to your boss.
00:12:07Me boss?
00:12:09The builder, Edwards.
00:12:12I don't work for Edwards.
00:12:14Have you moved?
00:12:15No, I work for Donoghue.
00:12:17Isn't that the same thing?
00:12:19No.
00:12:20No.
00:12:20No.
00:12:20I don't work for a builder.
00:12:27Okay.
00:12:30How is your job?
00:12:32Not really what I thought.
00:12:33I mean, I don't mean that.
00:12:35I mean...
00:12:36I'm right, you know, in the thick of things.
00:12:39I'm really busy.
00:12:40And...
00:12:41Austin really is getting things done.
00:12:44He really is.
00:12:44It's just...
00:12:45I don't see all that much of him, really.
00:12:49That's the only problem, really.
00:13:04Did you get the birthday card?
00:13:06Yeah, I did.
00:13:07Thanks.
00:13:08And the letter.
00:13:09I meant a reply.
00:13:09I forgot your birthday.
00:13:10I'm sorry.
00:13:15I didn't forget.
00:13:17I was a bit busy, anyway.
00:13:20Anthony was born on me birthday.
00:13:22Did you know?
00:13:23You should make life simple for Tosca.
00:13:29Sorry.
00:13:33So how's life, then?
00:13:34Such a mistake, Nicky.
00:13:41What?
00:13:43My life...
00:13:46It's so...
00:13:49different.
00:13:52It's so difficult.
00:13:56Anthony's wonderful.
00:13:57He's worth everything.
00:13:58And...
00:13:58Anthony's wonderful.
00:13:59He's worth everything.
00:14:00It's all such incredible hard work.
00:14:13Tosca was stupid to give up his apprenticeship.
00:14:17He said he couldn't keep a wife and baby on apprentices' wages.
00:14:20And...
00:14:21Now he's got a dead-end job he hates.
00:14:25And he's even more obsessed with becoming a singer.
00:14:29And...
00:14:31Sometimes I think I hardly know him.
00:14:39And now it's...
00:14:41It's been horrible...
00:14:45not seeing you and...
00:14:48being able to talk to you.
00:14:50Nicky.
00:14:50It's been horrible.
00:14:51Not seeing you and...
00:14:52being able to talk to you.
00:14:54Nicky.
00:14:54It's been horrible.
00:14:55Not seeing you and...
00:14:56being able to talk to you.
00:14:59Nicky.
00:15:00Nicky.
00:15:01Nicky.
00:15:02Nicky.
00:15:03Nicky.
00:15:04I miss you so much.
00:15:06Do you?
00:15:07What are we going to do, Mary?
00:15:10I'm...
00:15:12I'm...
00:15:16I'm...
00:15:17I'm...
00:15:19I'm...
00:15:20I'm...
00:15:23and try harder.
00:15:33Everybody says it's just a question of hard work.
00:15:39And for you as well, Nicky.
00:15:42If Donahue's not what you thought,
00:15:44maybe you should try and get back to university and do your finals.
00:15:50I mean it, Nicky.
00:15:53I'll bully you.
00:15:56You're my best friend, remember?
00:15:59I don't really understand her.
00:16:03I don't really understand. You said you'd made a mistake.
00:16:07A mess.
00:16:10A mistake.
00:16:12A mess.
00:16:14A mess?
00:16:16Well, no marriage should start like that.
00:16:20But, uh, I'm gonna make it work.
00:16:27I'm gonna make this marriage work, Nicky.
00:16:32I see.
00:16:35Well, I have to.
00:16:38I'm pregnant again.
00:16:40I see.
00:16:55Well, congratulations.
00:16:56It's Oscar happy?
00:16:58He's thrilled.
00:16:59Yeah.
00:17:03Nicky.
00:17:03Nicky.
00:17:05Could you try to like him?
00:17:07It would help me eat such a lot
00:17:12if you didn't have to stay away all the time.
00:17:18Yeah.
00:17:20Okay.
00:17:20Let it go.
00:17:39Yeah.
00:17:40Oscar's having a one-man show at the Walsington this Friday.
00:17:44He's got an agent coming.
00:17:45You could come.
00:17:49Have a night out.
00:17:51Keep me company a bit, yeah?
00:17:54Well, I'll see you, shall I?
00:17:58Good night.
00:18:00Good night, Patrick.
00:18:02Good night, Nicky.
00:18:03Good night, Nicky.
00:18:04Good night, Nicky.
00:18:05Good night, Nicky.
00:18:05Good night, Nicky.
00:18:06Good night, Nicky.
00:18:06Good night, Nicky.
00:18:07Good night, Nicky.
00:18:07Good night, Nicky.
00:18:08Good night, Nicky.
00:18:08Good night, Nicky.
00:18:09Good night, Nicky.
00:18:09Good night, Nicky.
00:18:10Good night, Nicky.
00:18:10Good night, Nicky.
00:18:11Good night, Nicky.
00:18:12Good night, Nicky.
00:18:12Good night, Nicky.
00:18:13Good night, Nicky.
00:18:13Good night, Nicky.
00:18:14Good night, Nicky.
00:18:14Good night, Nicky.
00:18:15Good night, Nicky.
00:18:16Good night, Nicky.
00:18:17Good night, Nicky.
00:18:18Good night, Nicky.
00:18:19Good night, Nicky.
00:18:20Good night, Nicky.
00:18:21not working today dominic i'm waiting for austin actually
00:18:37he didn't say anything about seeing you i talked to him this morning
00:18:42why should he tell you it's just that he said he was going to have lunch with mr edwards in
00:18:47birmingham so i'll see him when he comes back then won't i i think he intended you to handle this
00:18:55wants to cost a what a three-day trip to spain for three couples trips must include a genuine
00:19:08bullfight what the hell's he talking about well i think it's quite clear enough that's not my job
00:19:13it's an open secret what's been going on in parts of london ted for years
00:19:31you should use burgess allegations as a way to start a proper investigation
00:19:35quietly sensibly but thoroughly
00:19:38the met is different roy it's not like newcastle you can say that again
00:19:52i'm told he's insane i mean they've actually certified him now i believe it doesn't matter
00:20:01ted what matters is whether it's true and what if it is roy what do we say to the people we police
00:20:08please behave yourselves please obey the laws even though we don't
00:20:14it's a straightforward piece of police work if your own men haven't got the time or the inclination
00:20:20to tackle it themselves then bring in an outsider that's not acceptable we'll handle this ourselves
00:20:26thank you roy i appreciate your efforts
00:20:32will he do anything in your opinion
00:20:39no
00:20:42you wasted your time mr johnson
00:20:49anyway i'm officially crackers now so it doesn't matter how many names i write down does it
00:20:56what difference does it make anyway nobody will ever clean up the met nothing will ever change
00:21:04i'm sorry
00:21:09i don't know why i thought you'd be any different
00:21:14i relied on you what a joke
00:21:18what a joke
00:21:24cheers
00:21:32cheers
00:21:46cheers
00:21:50cheers
00:21:52With you
00:21:55Like a river flows
00:22:01Surely to the sea
00:22:05Darling, so it knows
00:22:09Some things are better
00:22:12Men, they're all the same when it comes to that.
00:22:15His dad was the same at his age, like a dog with two dicks.
00:22:20Fathers and sons, eh?
00:22:22Take my whole life to you
00:22:30For I'm going all the way, Tosca Sun, all the way.
00:22:37Falling in love with you
00:22:44Oh, clap your one-eyed bastard!
00:22:54Hello, sir.
00:23:02Hello.
00:23:03How's it going?
00:23:04Brilliant.
00:23:06Hey!
00:23:09You ought to join yourselves.
00:23:11Hey!
00:23:11Champion.
00:23:12Okay, three old women, what and done the road.
00:23:18What are you looking at?
00:23:19Three old women, what and done the road, a bloke jumps out of her head, opens his raincoat and flashes on.
00:23:27Oh, thank God for that.
00:23:31It's not funny, two of them had a stroke.
00:23:35The other one couldn't reach!
00:23:37Excellent, Tosca Sun.
00:23:39Excellent.
00:23:40Thanks for coming, mate.
00:23:41Thanks a lot.
00:23:42Very good.
00:23:43All right, thanks a lot.
00:23:44Thanks a lot.
00:23:45Oh, cheers, Brian.
00:23:55Cheers, mate.
00:23:57Well, that was some performance.
00:24:01Take my hat off to you.
00:24:03Real, er, energy.
00:24:07Well, when's his first gig then?
00:24:09Come on, Brian, you know as well as I do from your days on my books.
00:24:17There's a world of difference between a friendly little audience like this and Saturday night in a club.
00:24:23Well, I realise, obviously, I have to come up with some different material, like.
00:24:27He's a worker, Les.
00:24:28He's prepared to work.
00:24:30Raw talent's what we're looking at here, man.
00:24:34Let me give you some advice, all right?
00:24:36Now, you won't like it now, but, er, you'll be glad of it in five years' time.
00:24:43And it's meant sincerely, from the heart.
00:24:48Don't give up your day job.
00:24:53Thank you very much, and, er, I wish you the best of luck, truly.
00:24:59Good night, Brian.
00:25:00Good night.
00:25:00Take care, everybody.
00:25:06A scubby Jewish bastard.
00:25:10Well, sit down, man, drink a pint.
00:25:15I'm not bothered.
00:25:16It's only one man's opinion.
00:25:17Exactly.
00:25:19He's not even a man, anyway.
00:25:20He's just a scubby little rat.
00:25:23Meet that man.
00:25:24Aye, why not?
00:25:38You've got what you came for, haven't you?
00:25:40Good laugh.
00:25:43I'm not laughing.
00:25:44That isn't what I came for.
00:25:45Well, why did you come, eh?
00:25:48As if I bloody needed to ask.
00:25:51Oscar.
00:25:51Oscar.
00:25:54See you.
00:25:54Not if I see you first.
00:25:56Stay away from her.
00:25:58Don't talk about me as if I was your property.
00:26:01Yeah, me wife!
00:26:04Got that brains?
00:26:07Mr. Donna Hughes' office, boy.
00:26:13Do you know what you are, Tuscan?
00:26:14Go, will you?
00:26:15Do you?
00:26:15Know what?
00:26:17You're a first-class, A-1, premier, brainless shite.
00:26:20Oi!
00:26:24You might have it up there, Nicky.
00:26:27But I've got it down here.
00:26:29Uh-uh.
00:26:45I don't know.
00:27:15I don't know.
00:27:45Looking for something special?
00:27:52There's a film show in the back.
00:27:56I used to work here.
00:27:58Before?
00:28:00When it was Walensky's.
00:28:03The back used to be a bakery in it.
00:28:05Yeah?
00:28:06Well, this isn't a waiting room, pal.
00:28:10Come to the body, stand still.
00:28:23Police, outside.
00:28:25I'm Detective Inspector Salway, Obscene Publications Squad.
00:28:28This is a search warrant.
00:28:30Don't be pathetic.
00:28:31Come on, outside.
00:28:34Stand over here, please.
00:28:36Get the names and address.
00:28:37Projectionist, sir.
00:28:39You're in a spot of trouble, pal.
00:28:41Over there.
00:28:42This won't be a court case.
00:28:44It's the name of the dress.
00:28:45You.
00:28:46Name.
00:28:48George Peacock.
00:28:49Address, George.
00:28:49Well, I haven't got one at the minute, Lake.
00:28:52Your identification, George?
00:28:54No.
00:28:57All right.
00:29:03Off you go.
00:29:06All of you gents.
00:29:07Not you.
00:29:17Honourable member.
00:29:20Right.
00:29:22My friend.
00:29:24Michael Frisch.
00:29:26Are you the owner, Michael?
00:29:28No, definitely not.
00:29:29I'm just looking after it for a bloke I met in a pub.
00:29:32He didn't tell me his name.
00:29:34Shall I hit him, don't I?
00:29:36Leave it out.
00:29:38Is this Barrett?
00:29:40Could be, actually.
00:29:41That's right, yeah.
00:29:43Afternoon.
00:29:44Are you the owner of this material, Mr. Barrett?
00:29:47Me?
00:29:49Better leave, then.
00:29:51Mr. Barrett.
00:29:52Shut up!
00:29:54Mouth shut.
00:29:59No phone call this time, Barrett.
00:30:01I didn't get your name.
00:30:03John Solway.
00:30:09Remember it?
00:30:11Get the van round.
00:30:12I've got time for a drink, John.
00:30:20Take the lot.
00:30:21You two, you're nicked.
00:30:22Read them the rights.
00:30:27Found the brief.
00:30:28We can get all this straightened out over a nice cup of tea, can't we?
00:30:35Like you did with Berger.
00:30:37But he's dead now.
00:30:40The party's over, Barrett.
00:30:42This goes on.
00:30:45It's going to be very expensive.
00:30:48You can't beat Scotland Yard in a straight fight.
00:30:51Will you shut up?
00:30:54Get down to the warehouse with Cyril.
00:30:57Load the van.
00:30:59Leave this place empty.
00:31:01Open up the new shop in Brewer Street tomorrow.
00:31:03I'll find somebody to front in.
00:31:07They'll get sick before I do.
00:31:11Non-stop show, sir.
00:31:13Lovely girls.
00:31:14Come on, have a look.
00:31:14Step inside, sir.
00:31:17Is it early closing day or what?
00:31:21Hello, West End Central?
00:31:23Duty sergeant, please.
00:31:27Hello, Norman?
00:31:28Benny.
00:31:30Never mind, can't talk.
00:31:32Listen, I just got my boys out.
00:31:34That cost me bail.
00:31:35Then there'll be fines.
00:31:36As if they're not sent to jail.
00:31:38Oh, God.
00:31:39And plus, I lost all the stock.
00:31:43Well, sorry's not really good enough, is it?
00:31:47Out of your hands?
00:31:49That's what I'm paying you for, isn't it?
00:31:51Yeah.
00:31:51No.
00:31:55Nice cup of tea, Ben.
00:32:02Oh, every guy would think of his, if he just could, if she just would.
00:32:13Some sweet day, I'll make her mine, pray for me.
00:32:19Here's the bar.
00:32:19Oh, my God.
00:32:20Oh, my God.
00:32:20Oh, my God.
00:32:21And every guy will envy me.
00:32:25Because paradise is all...
00:32:28Are you Jerry?
00:32:35Geordie.
00:32:36Yeah.
00:32:41Any chance of a job here, do you think?
00:32:44Doing what?
00:32:48Maybe he wants you for the new club.
00:32:51Where's that?
00:32:54Macclesfield Street.
00:32:55When it opens.
00:32:56Yes. Somebody set fire to it.
00:33:01Who?
00:33:03East End businessman.
00:33:08This isn't ready for you, I expect.
00:33:10Yep.
00:33:20Well, you've got some diamonds
00:33:23And you've got your pretty
00:33:26And a chauffeur drives your car
00:33:31You let everybody know
00:33:35So don't play with me
00:33:39I should play with mine
00:33:42Your mother, she's an ace
00:33:43On the dark in St. John's wood
00:33:52And your father be there
00:33:55Get off!
00:33:56Get off!
00:33:57Get off!
00:33:59Get off!
00:34:00Get off!
00:34:01So long as you will be
00:34:04And you're really
00:34:16Get off!
00:34:16Get off!
00:34:17Get off!
00:34:18Get off!
00:34:19Get off!
00:34:20Get off!
00:34:20Get off!
00:34:21Oh, there I am.
00:34:45Well, well.
00:34:47Get this lock straightened up, sir,
00:34:49and I want to be back in business in an hour.
00:34:50Now, back on the door, you...
00:34:56Well, thanks a lot, mate.
00:34:59Admire your courage.
00:35:03Think you're gonna have to pay them, Danny?
00:35:06Leave the thinking to me, Charlie.
00:35:08I don't know who they are.
00:35:10Then I can't pay them then, can I?
00:35:12If you've got nothing intelligent to say, shut up.
00:35:16They'll be back.
00:35:17And when they come, we'll be ready for them this time, won't we?
00:35:19I'm not standing around here making cups of tea.
00:35:24I need someone to run this far.
00:35:30Can you look after yourself?
00:35:32Yeah.
00:35:34Jerry, come here.
00:35:37Everyone, come here a minute.
00:35:38There's a long campaign ahead against the police,
00:35:48against the criminal elements.
00:35:50I've got nothing to offer you but hubble-bubble, toil and trouble.
00:35:53And at the end of the day, ultimate victory.
00:35:56So, pull your fingers out.
00:35:59What do you say, Jerry?
00:36:00I love it.
00:36:01I love it.
00:36:02I love it.
00:36:03I love that accent.
00:36:05What's the point of Donoghue PRS?
00:36:06Funny you should ask that.
00:36:07Well?
00:36:08Well?
00:36:09I don't know.
00:36:10I don't know.
00:36:11I don't know.
00:36:12I don't know.
00:36:13Well?
00:36:14Well, you know.
00:36:15What's the point of Donoghue PRS?
00:36:17Funny you should ask that.
00:36:30I'm not the only one who'd like to know is it just some kind of advertising
00:36:51public relations agency or unofficial offshoot of local government a tool
00:36:58for dynamic social change as I was once told or a private joke by Austin Donahue or what
00:37:03I don't see how it all fits together that's how Austin operates everybody in separate boxes
00:37:12nobody but him gets the whole picture what not even you no I better get back to work
00:37:20why didn't you buy Felix a drink when you had the chance I mean he can't even speak to me
00:37:28he doesn't like the thought of you work at Donahue glorified office boy all that
00:37:35oh well Felix would know of course Felix knows everything Felix was on the Jarrah March so
00:37:41obviously
00:37:48right that's great there thanks very much
00:38:01ah good
00:38:06Harold's called an election I've been with Connor all morning the party's broke as usual
00:38:14what do you think do you like it what is this Austin I want you to be my right hand man in here
00:38:21in the middle of everything I promised you political education it's time for phase two
00:38:26what was phase one we're going to be very busy you and me the party's asked me to take on its
00:38:32PR work for the election that's brilliant would you still lead the campaign I'll be doing what I've always
00:38:40done only this time I'll be paid and so will you any objections to getting paid for your work
00:38:47um look I sort of promised Eddie I'd foot slug for him well you'll have to tell him you can't
00:38:52okay but Austin I don't want you patronizing me I want to be in on everything really everything
00:39:00on nothing regard yourself as a junior partner I'll have a contract drawn up yes yes
00:39:08I'll have a contract drawn up yes
00:39:10I'll have a contract drawn up yes
00:39:11I'll have a contract drawn up yes
00:39:13we're going to be in on everything really nice
00:39:15yes
00:39:15yes
00:39:16yes
00:39:17yes
00:39:18yes
00:39:21yes
00:39:22yes
00:39:23yes
00:39:24yes
00:39:26yes
00:39:29yes
00:39:34yes
00:39:36yes
00:39:38yes
00:39:38does she dress up all the time who the one who you were singing to the other
00:39:46night return about turn about what I'm not blind either come on Tosca you know
00:40:06fine well Nicky and me I don't you do I don't well you are blind well I'm blind in all am I
00:40:15as well as being a tone-deaf brain of shite nobody said you were tone-deaf as far as I remember well
00:40:22you might as well have done me I said nothing exactly you said nothing I worked me guts out
00:40:30for an hour and a quarter and you you say nothing Tosca I can't be like your mother telling you
00:40:34lies all the time I don't want you to be me mother I want you to be me wife a proper wife
00:40:40this phrase this proper wife what do you mean lies how come we got onto this what do you mean lies
00:40:52oh Tosca man all right all right will you tell us the truth well
00:41:00go on I don't want to talk about your act I want to talk about this woman there is no woman man
00:41:10you're lying I'm not lying I'll tell you the truth if you tell me the truth okay are you sure
00:41:24all right you go first
00:41:30you can't sing at least you can't sing any better than half a million other people in the country
00:41:39you're worse than your time the agent was right
00:41:44sorry
00:41:51well
00:41:59Tosca
00:42:02it's nobody but you
00:42:14oh come on Terry you're kidding aren't you not a story it's a great story
00:42:34this is a 22 year old taking on a Tory heavyweight and a constituency he can never hope to win
00:42:41shall I right brothers or ladies and gentlemen or whatever you know
00:42:49in the 17 years it has been my privilege to serve as your member of parliament
00:42:55it has been my proud boast that I have always striven my utmost
00:43:01to uphold the time-honored tradition of the Labour movement
00:43:04Biggie four o'clock the photographer for Arthur
00:43:07yes will do Peter
00:43:09that's good what I'm interested in most though Arthur is some idea of what issues you want to concentrate on
00:43:16issues
00:43:18houses that's the top one
00:43:19good houses
00:43:20I'm a firm believer in building new houses
00:43:23good
00:43:24I usually say that
00:43:26I spoke about this in the house very recently good speech
00:43:31not that it was reported here mind
00:43:34have you got a copy of that
00:43:35hang on a minute Terry before you go I think Nicky Hutchinson wants a word with you
00:43:37what's this?
00:43:38while he's in a good mood get something in on Sunday for Arthur
00:43:41what?
00:43:42well I don't know that's your job isn't it?
00:43:44Terry
00:43:47hello Terry
00:43:49I was wanting to talk to you about Arthur Watson
00:43:53well did you know Arthur made a major speech in the house the other day about the housing shortage and nobody here picked it up
00:44:01not a dicky bird about it
00:44:0315th of May 1965
00:44:07Terry we can't quite pin the date but it was very recent because this is the thing about Arthur Terry
00:44:15he really believes passionately in doing something about the housing situation
00:44:19I'll let you have it the moratorium
00:44:21passionately? hey I like that
00:44:27can we use that?
00:44:29we can have as much passion as we like Arthur
00:44:31hey that's not legal yet you know
00:44:35sir Barrett it's me Geordie
00:44:55what's going on?
00:44:56Charlie said uh Charlie said you needed me
00:45:00does it look like it?
00:45:02you bastard Charlie
00:45:09alright how's it going?
00:45:12alright Jules wants a word with you later
00:45:14I'm going for a cup of tea
00:45:16oh look at this
00:45:18this is disgusting isn't it?
00:45:20in a clean neighborhood like this
00:45:22disgusting
00:45:24I mean what is Solo coming to?
00:45:26alright sweetie how you doing mate?
00:45:28I'm going for a cup of tea
00:45:30look at him
00:45:40what's he supposed to do eh? walk into a dirty bookshop
00:45:42wait for us to catch up with him and then shout out in front of witnesses mine or mine
00:45:45all mine
00:45:49we're making bloody fools of ourselves
00:45:51we're making bloody fools of ourselves
00:45:55what?
00:45:59ah Jules
00:46:01thank you sir
00:46:09thank you gents
00:46:11thank you
00:46:14thank you
00:46:15thank you
00:46:16open it up again I see
00:46:19you the new owner sir?
00:46:22nah
00:46:23who is sir i'm just looking after it for a bloke i met in the pub oh what's his name
00:46:29do you know what's his name sir he never said
00:46:53come in there he is the hero of the hour geordie how are you i'm all here thanks mr barrett
00:47:14some grapes geordie and some balls
00:47:16i love him are you all right for money yeah well don't worry take a few nights off don't come back
00:47:26till you feel yourself again all right we'll get him one day geordie how much are you charging him
00:47:31for this place benny you know you're right cyril you fix him up with something better what i like
00:47:39it he likes it unbelievable well i gotta go i've got work to do i'll see you in a few days
00:47:59funny bloke aren't you why is he so pleased i've got two broken ribs because the cops are getting desperate
00:48:06the arsehole and deputy arsehole require my presence well it seems to me whatever gloss
00:48:22you might care to put on it that these villains in soho are allowed to ply their filthy trade with
00:48:27impunity yes yes commander i read your memoranda about manpower shortages and the need for new laws
00:48:35well we can't make new laws for you the courts may have decided in their wisdom that lady chatterley's
00:48:42lover is acceptable reading but dh lawrence is one thing out and out filth another the law no longer
00:48:49defines obscenity it's a crime and you were in charge of cid
00:48:55what mr blamire is asking here sir is that obscene publication squad should go on flogging their guts
00:49:06out so that insignificant front men can be charged with trivial offenses the next day the real villains
00:49:13i've got two more shops open with two more front men new stock laughing all over their faces
00:49:25sir well inspector we've just heard a lot of very plausible excuses made on your behalf
00:49:34for the chaotic spread of crime in your area now the commissioner and i would like to hear from your lips
00:49:42exactly what measures you have in hand that will do something about it
00:49:47i'm sorry about that okay what do you want us to do if blamire asks or the press office
00:50:03we're still going in with all guns blazing all right
00:50:09but for a moment call a halt
00:50:10passion seems to be an important word to you yes i'm not ashamed to admit i do feel passionate
00:50:18about the things that matter a good came of football at st james's park on saturday afternoon
00:50:25decent houses for decent working people that's what i'm in this game for at the end of the day
00:50:31thank you very much arthur watson that concludes our series of profiles of timeside mps
00:50:38tomorrow of course is the day that matters
00:50:43did i detect some of your purple prose you'd hardly expect arthur to come up with anything
00:50:48intelligent well we can't all be geniuses i don't want him to be a genius i just do you know what
00:50:55arthur is a tory a progressive tory it's claude seabrook in a flat cap
00:51:01very good did he tell you he was once decorated by franco franco for services to the spanish people
00:51:11he puts a word in for spain whenever gibraltar raises its ugly head in the house
00:51:16you think that's funny don't you no i don't i'm helping to get this bloke elected and what's he
00:51:22going to do when he gets there apart from plug franco now and then and edwards of course oh i
00:51:28wondered how long it would take you to go and i saw that speech i couldn't believe it i'd written
00:51:32most of it was practically a free plug for edwards system building is this a coincidence austin was
00:51:37esb mentioned by name no he gets sent this stuff as a matter of course he reads it he agrees with it
00:51:48next time he makes a speech in the house on the housing crisis it sticks in his mind
00:51:52you said yourself he's no intellectual hello yes yes he is
00:52:15hello arthur
00:52:18no there's no need to thank me honestly
00:52:25no really arthur if um if you win it'll have nothing to do with me
00:52:33yeah in a day or two
00:52:36say hello to franco arthur
00:52:38nothing just austin bye arthur
00:52:41wild thing i think i love you
00:52:49come on
00:52:55i love you
00:53:00want to wait for that bus thank you very much scotland yard and good night and thank you
00:53:11everybody for all your good advice you'll never beat scotland yard in a spirit right then
00:53:17victory victory
00:53:30victory
00:53:31victory
00:53:35victory
00:53:36What do you think, Cyril?
00:53:55Charlie, what shall I do?
00:54:00You don't have to, Geordie.
00:54:02Are you sure, old son?
00:54:04Yeah.
00:54:06Good lad.
00:54:08Charlie, tell our friends the bar's closed.
00:54:13Me?
00:54:14Trust me.
00:54:16Bloody hell, Penny.
00:54:19Cyril.
00:54:26Penny?
00:54:27Mr. Elliot.
00:54:32Sorry.
00:54:33I didn't want to believe it.
00:54:38You've had money off the top for over a year now and I never said anything about it.
00:54:43Why didn't you just leave it like it was?
00:54:45I'd never complained.
00:54:48You keep the clubs.
00:54:49I'll take the shops.
00:54:52Or else what?
00:54:56What?
00:54:56I lifted you out of the gutter.
00:55:08Paid off your debt, straightened you out.
00:55:10It's a hard world, Benny.
00:55:11Yeah.
00:55:12Yeah.
00:55:14Yeah, it is.
00:55:15Shake on it.
00:55:21One word of advice.
00:55:24When you pay someone like Ernie,
00:55:26make sure you pay him enough.
00:55:30I don't think you'll be disappointed.
00:55:35You can expect the same amount every week.
00:55:46Here!
00:55:47One more thing.
00:56:06Take that piece of rubbish away with you.
00:56:08And dump it somewhere.
00:56:09Here.
00:56:10Benny?
00:56:21Shut up!
00:56:27Well done.
00:56:29Sorry, mate.
00:56:36I'll never forget what you've done.
00:56:38I want you as my personal assistant.
00:56:41I need people I can trust.
00:56:44Yeah?
00:56:45Yeah.
00:56:58Well.
00:57:01That's all my problems solved, innit?
00:57:04All I've got to worry about now
00:57:05is another five years of Errol Wilson.
00:57:08Thanks.
00:57:12Mr. Edward.
00:57:21Three things.
00:57:23First, my London office will open with a reception
00:57:26on September the 4th.
00:57:28You and you alone are invited.
00:57:30Second, the press reception for the unveiling of the city centre model.
00:57:35As a member of the building consortium,
00:57:36I will be asked to speak.
00:57:39Uh-huh.
00:57:40Anything in particular you'd like to say?
00:57:42Yes, I made a few notes.
00:57:43Right, leave these with me.
00:57:52What was the third thing?
00:57:56Well, it's a rather delicate matter.
00:57:59I had hoped you might not need to be asked.
00:58:03Asked what?
00:58:05Well, you're the man with the friends in high places.
00:58:08You're the mastermind who delivered the vote again.
00:58:11I would have thought your voice was listened to
00:58:14at certain times of the year.
00:58:18Birthday honours.
00:58:23Don't you think I've earned it?
00:58:26If I don't deserve something, nobody does.
00:58:28Yes, that's a very good way of putting it.
00:58:33I'll see what can be done.
00:58:36I'd appreciate it, Austin.
00:58:45Bye.
00:58:46Bye, Austin.
00:58:49You're not going to, are you?
00:58:51Does it matter?
00:58:58I'm off then, Mr. Donoghue.
00:59:14Is this my job?
00:59:22It's what he pays us for.
00:59:24He doesn't pay me anything.
00:59:25He pays me and I'm asking you to write him a speech.
00:59:27Saying what?
00:59:29He's a Tory builder who's carved himself
00:59:31a piece of huge development in this city
00:59:33for which he'll be paid handsomely by the taxpayer.
00:59:35What am I supposed to do?
00:59:36Help him pat himself on the back?
00:59:38You haven't seen this shit.
00:59:43This isn't working, is it?
00:59:45No.
00:59:46No.
00:59:52You never enjoyed the campaign?
00:59:54Maybe you should have been out there
00:59:56foot-slogging with Eddie.
00:59:57Maybe.
00:59:57At least I might have met some real people
00:59:59face-to-face, hear them out
01:00:00instead of pulling the wool over their eyes
01:00:02via that thing.
01:00:03Oh, then it didn't escape your attention
01:00:05where this election was fought and won.
01:00:06Rubbish.
01:00:08Nicky, you're looking at the future here, man.
01:00:10I only spoke twice during this whole campaign.
01:00:13In 64, I spoke every night.
01:00:15Every night.
01:00:17In 59 and 55, three times a night.
01:00:19In different halls.
01:00:20In the 30s, it wasn't even halls.
01:00:24In the 30s, it wasn't even halls.
01:00:24Street corners still.
01:00:26You got up on a box in the big mark and you started talking.
01:00:29In two minutes, you had a crowd, if you were any good.
01:00:32We all did it.
01:00:34Eddie.
01:00:35Connor.
01:00:36Like your fish wife.
01:00:37You know what I'm saying.
01:00:37Felix was one of the best.
01:00:42Oh, one of the very best, your dad.
01:00:44By God, he had some fire in his belly.
01:00:46Did he?
01:00:47He got up on his hind legs and he shouted.
01:00:50What about?
01:00:54About everything you know is important when you're 20 years old
01:00:57and the country's run by crooks and cowards.
01:00:59Well, why don't you get up on your hind legs
01:01:01and shout about it now, Austin?
01:01:02Because nobody's interested.
01:01:04People can't see how the big issues connect with our lives anymore.
01:01:08Make them see.
01:01:17Don't make any rash decisions, eh?
01:01:21It isn't rash.
01:01:24I resigned.
01:01:26I'm getting people somewhere decent to live.
01:01:29What more is it you want from me?
01:01:30I never promised any more than that, Nicky.
01:01:35It's my fault, Austin.
01:01:37I made a mistake.
01:01:39I was looking for something that used to happen
01:01:41before I was born in the big market.
01:01:45Maybe it just doesn't exist anymore.
01:01:47People can't connect with the big issues anymore.
01:02:11That right, Austin?
01:02:12What are the big issues?
01:02:15Streets in the sky?
01:02:16Houses?
01:02:20Trips to Spain?
01:02:22Bullfights?
01:02:31No.
01:02:34The great moral issue facing modern British politics
01:02:37is corruption.
01:02:39Corruption.
01:02:46I thought you'd listen to my reasoning, but now I see you don't hear a thing.
01:03:06Try to make you see how it's got to be.
01:03:14Yes, it's all right.
01:03:17All or nothing.
01:03:20Yeah, yeah.
01:03:21All or nothing.
01:03:23Come on.
01:03:24All or nothing.
01:03:27For me.
01:03:29Things could work out just like I want them to.
01:03:43Yeah, yeah.
01:03:44If I could have the other half of you.
01:03:51Things could work out just like I want them to.
01:03:52I want them to.
01:03:53I want them to.
01:03:53I want them to.
01:03:54I want them to.
01:03:54I want them to.
01:03:55I want them to.
01:03:55I want them to.
01:03:56I want them to.
01:03:56I want them to.
01:03:57I want them to.
01:03:57I want them to.
01:03:58I want them to.
01:03:58I want them to.
01:03:59I want them to.
01:04:00I want them to.
01:04:00I want them to.
01:04:01I want them to.
01:04:02I want them to.
01:04:03I want them to.
01:04:04I want them to.
01:04:05I want them to.
01:04:06I want them to.
01:04:07I want them to.
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