- 3 months ago
see more Series on :
https://www.mytvchannel.org
https://www.mytvchannel.org
Category
📺
TVTranscript
00:00Transcription by CastingWords
00:29Well, Miss Rose, I think we may say we've done a very good job with you.
00:35Haven't we, young Oliver?
00:36Yes, sir.
00:38Not too many visitors in London, mind, but plenty of fresh air when you get to the coast.
00:43I remember, Doctor.
00:45Oh, Harry, you're travelling back with me, I believe.
00:48Yes.
00:48Well, I'll just have a word with Mrs Mayley, and then I'll be free.
00:51Um, the plants by the fence at the bottom, they want watering as well, you know, Oliver.
01:01I watered them yesterday, sir.
01:03Yes, yes.
01:04Well, I think I should do them again today, you know, just to make sure.
01:09You know, Oliver, hmm?
01:17Rose, is it quite useless for me to ask you to reconsider what you said last night?
01:25I see.
01:25But I do ask one promise.
01:54That once, and only once, say within a year, I may speak to you again on this subject.
02:00I'll just find you again on this subject.
02:04I'm going to get you together.
02:07I'm going to get you together.
02:09Help! Help! Help! It's Fagan! Help me! Quick, someone help me!
02:32Oliver, what's the matter?
02:34It's Fagan and the man who was in the inn. They stood there watching me.
02:37Which way did they go?
02:37There, across the field.
02:39There's no sign of anyone. It must have been your imagination, Oliver.
02:46Oh, no, sir, indeed it wasn't. I saw them both as plain as I see you now.
02:50Also, now they know where I'm living. They'll try and get me back.
03:00Noah, Noah, I must sit down.
03:04Come on, can't you? What a lazy bone she are, Charlotte.
03:08It's an heavy load. I want you to tell you.
03:11Heavy? What are you talking about? What are you made for?
03:15God, there you are, resting again. If you ain't enough to tire anyone's patience, I don't know what is.
03:20Is it much further?
03:22Much further? We're as good as there. Look, those are the lights of London.
03:27Well, they're a good two miles off, at least. Oh, Noah, where do you mean to stop the night?
03:33It's... How should I know?
03:35Near, I hope.
03:36No, not near. Not near, so don't think it.
03:40Why not?
03:41I tell you that I don't mean to do a thing. I mean it, and that's enough, without any why or because, either.
03:48A pretty thing it'd be, wouldn't it, to go and stop at the witty first public house we come to outside the town,
03:53so that old Sowerberry, if he come after us, might poke in his old nose and have us taken back in a cart with the handcuffs on.
03:59Oh, no!
04:01Oh, I should go and lose myself among the witty narrowest streets I can find,
04:06and not stop till I come to the witty house of the wayest house I can set eyes on.
04:11And you can thank your stars you wasn't locked up a week ago, my lady, and serve your right for being a fool.
04:17Oh, you know, I'm not as cunning as you are, Noah, but don't put all the blame on me.
04:21If I'd been locked up, so would you have been, anyway.
04:23You took that money out the till, you know you did.
04:26I took it for you, Noah!
04:28Did I keep it?
04:30Nah, you trusted me and let me carry it like a dear, and so you are.
04:39Ah, come on, we can't sit here like this. It'll be dark in an hour.
04:43Well, pick up the bundle.
04:45Yes, Noah, dear. Yes.
04:47All right.
04:48siento.
04:57No.
05:01Oi.
05:02Bye.
05:03Bye.
05:05All right.
05:07Bye.
05:07Bye.
05:09Bye.
05:10Bye.
05:11Bye.
05:12Bye.
05:13Bye.
05:13Bye.
05:14Bye.
05:15Bye.
05:15Bye.
05:16Oh Nance, my dear. Where's Bill? Upstairs. He's been out all day with Toby, planning that job you know of. He came home tired, so I left him sleeping.
05:32Not out yourself on the lay tonight, Nance, my dear. I'm going faking. I'm going this minute. You can let a girl have a drink first, can't you?
05:46Here, my dear. About all of her. Thiel! Thiel! Thiel! Thiel! Thiel!
06:16Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Thiel! Th
06:47I'm not certain you can, sir.
06:50But I'll enquire.
06:52Well, show us the tap, and bring us a drop of beer...
06:55...and some cold meat while you're enquiring, will you?
06:57Through that door, sir.
07:00Here, Fagin! Strangers in the next room!
07:18Rummins, too!
07:20From the country.
07:22But something in your way, although I'm mistaken.
07:30Fine, you can see me.
07:33I want right now.
07:36I can't wait, I can't wait.
07:39I'll be right back in front of you.
07:41I need to dwell on that door.
07:44That's why I can't wait.
07:45That's why I can't wait.
07:48You can't wait to end your brain without me.
07:50Well, no matter how long you have to go,
07:54you know what you want.
07:55Well, no matter how long you have to work.
07:57I like the looks of that,
08:00that young fellow. He could be of use to us. He knows how to train the girl, too.
08:07So I mean to be a gentleman. No more jolly old cocking Charlotte, but a gentleman's life for me.
08:13And if you like, you should be a lady. Oh, well, not that well enough, dear.
08:17The people can't rob tills every day and get clear away with it.
08:20Tills be blown. There's more things to decide tills to be emptied.
08:23There's pockets, women's reticules, houses, mail coaches, banks.
08:29But you can't do all that, dear.
08:31Then I shall look out and get into company with them as can.
08:33They'll be able to make us useful in some way or other.
08:36Why, you yourself are worth fifty women.
08:38I never see such a precious sly, deceitful creature as you can be when I let you.
08:44Oh, Lord, now, how nice it is to hear you say so.
08:49I should like to be the captain of some band and have the whopping of them
08:53and following them about unbeknown to themselves.
08:57That'd suit me if there was good profit.
08:59Now, if we can only come in with some gentleman of that sort,
09:02it'll be cheaper, that twenty-pound note you've got.
09:04Especially if we don't really well know how to get rid of it ourselves.
09:07Ah, a pleasant evening, sir, but cool for the time of year.
09:23I took the liberty of ordering some drink in which I trust you will join me.
09:28From the country, I see.
09:30How do you see that?
09:31Oh, we don't have as much dust as that in London, my dear, sir.
09:35You're a sharp fella. How do you hear that, surely?
09:37Oh, one has to be sharp in this town, my dear, and that's the truth.
09:42Now, a little of the spirits for you both, I think.
09:47Here.
09:48Here.
09:49Oh, oh.
09:50Oh, it's a good drop of stuff, that.
09:52Yes, but dear, though, a man need always be picking a pocket or a till
09:59or a lady's reticule or a house or a mail coach or a bank if he drinks it regularly.
10:08Oh, don't mind me, my dear.
10:12It was lucky it was only me that heard you by chance.
10:16It was very lucky for you.
10:18I didn't take it.
10:19It was all her doing.
10:20You've got it now, Charlotte.
10:21You know you have.
10:22It doesn't matter who took it and who's got it.
10:25I came in that way myself and I like you for it.
10:30In what way?
10:31In that way of business and so are the people of this house.
10:34There isn't a safer place in all this town than is the three cripples.
10:38That is when I like to make it so.
10:41As a matter of fact, I have a friend who can gratify your darling wish
10:47and put you in the right way so that you can take whatever department of the business
10:51you think will please you at first and be taught all the others as well.
10:58Here, Charlotte.
10:59Go and see if they've got a room for us.
11:01And see to them bundles at the same time.
11:10She's kept pretty well under, isn't she?
11:12Oh, quite perfect.
11:13You're a genius, my dear.
11:15Now, what do you think?
11:17If you like my friend, could you do better than join him?
11:20Well, should I have to hand over?
11:23Oh, couldn't be done without.
11:25But what's twenty pounds to you when it's in a note you can't get rid of?
11:34Oh, what's the wages?
11:36Live like a gentleman.
11:37Bored and lodging, free pipes and spirits.
11:40Half of all you and the young woman earned.
11:42Obviously, she'd be able to do a good deal.
11:44Now, what I should like to take is something really light and not too trying to the strength and not dangerous, you know.
11:50Oh, for you, my dear, I think we'd start on the Kinchin Lay.
11:56What's that?
11:57Oh, the Kinchins, my dear, is the young children who are sent out by their mothers with sixpence and shillings and elms.
12:05And the lay is to take the money, knock them into the gutter, then walk on very slow, as if nothing else was the matter but a child had fallen down and hurt itself.
12:16Lord, that's the very thing.
12:19To be sure it is, you can have such as many Kinchins any day, any time you wish.
12:27Well.
12:29What shall I say tomorrow?
12:32What name shall I tell my good friend?
12:34Boulter.
12:35Mr. Morris Boulter.
12:37And this is Mrs. Boulter.
12:38Oh, Mrs. Boulter, very humble servant.
12:40I hope I shall know her better very shortly.
12:42You hear the gentleman, Charlotte?
12:44Yes, now, dear.
12:46She calls me now as a performed way of talking, you understand?
12:51I understand.
12:53Perfectly.
12:56Good night.
12:57Good night.
12:58Good night.
13:15Excuse me, Miss Rose.
13:17There's a young woman demanding to see you.
13:20A young woman?
13:21But I know no one in London.
13:23What name did she give?
13:24Well, she didn't give none, Miss.
13:25No name, Giles.
13:26Are you sure?
13:27Well, she said it would be useless to give one, Mrs.
13:29You wouldn't know her.
13:30But she was so insistent and does seem in deep distress, Miss Rose.
13:34I said I'd ask if you would see her.
13:36Very well.
13:37But say nothing to my aunt, Giles.
13:39No, Miss.
13:51It's been a hard matter to see you, lady.
13:53If I'd taken offence and gone away as many would have done, you'd have been sorry for it one day.
13:57And not without reason, either.
13:58I'm sorry if anyone has behaved harshly to you.
14:01Please sit down and tell me why you wish to see me.
14:06Can anyone hear us?
14:07No. Why?
14:09Because I'm about to put my life and the lives of others into your hands.
14:13My name is Nancy.
14:15Perhaps you've heard that name from Oliver.
14:17You're the girl who dragged him back to that den of thieves the night she left the house in Pentonville.
14:20Oh, don't waste your time being horror-struck.
14:23I've much to tell you worse than that.
14:25Do you know a man named Monks?
14:27Monks, no.
14:28He knows you.
14:29It was tonight, by hearing your name mentioned, I found out where you were.
14:32But I'd never heard the name before.
14:34What of him?
14:35Some time ago, I overheard a conversation between him and Fagin.
14:40I found out that Monks had seen Oliver accidentally with two of our boys on the day we very first lost him.
14:45And knew him directly for the child he was watching for.
14:48Watching for?
14:49Yes.
14:50Though I didn't know why at the time.
14:51A bargain was struck with Fagin.
14:53That if Oliver was got back, he was to have a certain sum of money for making him a thief.
14:59Which this Monks wanted for some purpose of his own.
15:01For what purpose?
15:02I must have made a sound before he started up and I had to hurry away to avoid discovery.
15:07I saw no more of him until a few weeks ago.
15:10What happened then?
15:11He and Fagin went upstairs.
15:14And I followed.
15:16And these were the first words I heard Monks say.
15:20So the only proof of the boy's identity lies at the bottom of the river.
15:26And the old hag who stole them from the mother is rotting in her coffin.
15:31Then they laughed.
15:32And he went on to speak of the boy.
15:34Saying that though he'd got his money safely enough now.
15:37How he'd rather have had it the other way.
15:39For what a boast it would have been to have brought down the boast of his father's will.
15:43And driven the boy through every jail in town.
15:45Will?
15:46Jail?
15:47But what is the connection between Oliver and this man?
15:49Did you learn that?
15:50Yes lady, I did.
15:51It was tonight when I first heard your name mentioned.
15:54I heard him say that by taking advantage of his birth and history he might harm him yet.
16:01Even though you and Mrs Mayley had taken him up.
16:04In short favor he says.
16:06Villain as you are.
16:08You never laid such snares as I'll contrive for my young brother Oliver.
16:13His brother?
16:14Is Monks this man's real name?
16:16Only the name he goes by with us.
16:18Then he went on to speak of you.
16:20And said how many thousands of pounds you'd give if you had them.
16:23To know who your two-legged spaniel was.
16:25Why?
16:26He said this in earnest.
16:28He spoke in deadly earnest if ever a man did.
16:32Now.
16:34I can do no more.
16:36I leave you to confide in someone you can trust.
16:40Who may perhaps advise you what to do.
16:42Is there nothing I can do for you?
16:44Must you go back amongst these people?
16:47I wish to go back.
16:50I must go back.
16:52For there's one amongst the men I've told you of.
16:55The most desperate and the most cruel.
16:58That I can't leave.
17:00Through every suffering and ill usage I'm drawn back to him.
17:04And should be I believe if I knew I was to die by his hand at last.
17:09Where can I find you again when it is necessary?
17:14Will you promise never to have me watched or followed?
17:17I promise.
17:18Then every Sunday night from 11 till 12 I'll walk on London Bridge.
17:24If I'm alone.
17:25If I'm alone.
17:26If I'm alone.
17:27If I'm alone.
17:31If I'm alone.
17:32If I'm alone.
17:34If I'm alone.
17:35If I'm alone.
17:36It's alright.
17:37I'm alone.
18:08Miss Rose, Miss Rose, where are you?
18:24In here, Oliver.
18:26Oh, Miss Rose, Miss Rose, I've seen him.
18:28He must have come back to London from abroad.
18:30Oh, Miss Rose, now you know that everything I told you was the truth.
18:33Oliver, what is all this?
18:34Master Holliver, tell Miss Rose it properly from the beginning.
18:36Oh, proper flustered he's been missed about it ever since he saw him.
18:39But who have you seen?
18:40The gentleman who was good to me, Mr. Brownlow.
18:42He was getting out of a coach and going into a house.
18:45I couldn't speak to him because he didn't see me.
18:47But Giles asked where he lived there and he said he did.
18:49Look, here it is.
18:50Here's where he lives.
18:51On Miss Rose's house soon before we can go and see him.
18:53I'll take you there directly, Oliver.
18:55Giles, get a hat and a coat at once and be ready to go with us.
18:58I'll just tell my aunt we're going out for an hour.
19:00What shall I do when I see him?
19:16What shall I say?
19:20Oliver Twist.
19:22God bless my soul.
19:24Now, my dear young lady, if you can produce any evidence which will alter the opinion
19:31I was once induced to entertain of that poor child, in heaven's name, tell me what it is.
19:38He's a bad one.
19:39I'll eat my head if he's not a bad one.
19:41Don't take any notice of my friend, Miss Bailey.
19:43He doesn't mean what he says.
19:44Of course he does.
19:45He does not.
19:45He'll eat his head if he does not.
19:47He deserves to have it knocked off if he does.
19:48And he would uncommonly like to meet any man who would offer to do it.
19:51Come, come, Grimwick.
19:53Come, come, come.
19:54Come.
19:57Come, come.
20:06My apologies, Miss Bailey.
20:07Just chuff him.
20:08Chuff him.
20:09I can offer you proof positive, Mr. Brownlow, that on the night he left your house with the
20:13books and the money, he was taken away by force.
20:16But I think he would rather tell you himself if you'd be good enough to see him.
20:21Oliver, oh, my dear, dear boy.
20:28Oh.
20:30Ring the bell, Grimwick.
20:31There's someone else who mustn't be forgotten.
20:33How are you, boy?
20:35So, you come back, have you, boy?
20:38Where are the books and the money, eh?
20:39Oh, hush, Grimwick.
20:40Hush, you've already heard Miss Bailey say that he can explain it all.
20:43I'll eat my head, hat and all, if he can.
20:45Yes, sir.
20:55Did you ring, sir?
20:57Why, Bedwin, you get blind every day, I do declare.
21:02Well, that I do, sir.
21:04People's eyes at my time of life don't improve with age, sir.
21:08Well, you put on your glasses and see if you can't find out what you were sent for.
21:11Look.
21:12Look.
21:13Mrs. Bedwin.
21:14Oh.
21:15Oh, God be good to me.
21:17It's Oliver.
21:18He's come back.
21:19I knew he would come back.
21:22How well he looks.
21:23Where have you been this long, long time, my dear?
21:27Mr. Brownlow, if I may speak to you alone,
21:30I need someone to confide in.
21:32It concerns Oliver, his birth and parentage.
21:34Oh, I'm at your service, Miss Bailey.
21:37Oliver, run along with Mrs. Bedwin now.
21:40And Grimwig, you must excuse me for a moment.
21:42Have I to go downstairs with that boy?
21:45I don't like boys.
21:47Well, this will give you an opportunity to know one better.
21:51Now, sit down, Miss Bailey.
21:54I take it that something's come to light.
21:57Oh, yes, indeed.
22:04An hour before midnight.
22:14Dark and heavy it is, too.
22:17Good night for business, this.
22:21And Sunday as well.
22:23It always eats and sleeps heavy on a Sunday.
22:25What a pity it is, Bill, dear.
22:27There's no business quite ready to be done.
22:29You're quite right for once.
22:30It is a pity, for I'm in the humour for it, too.
22:33I have to make up for lost time when we get things in good train.
22:36That's all I know.
22:37You're like yourself tonight, Bill, my dear.
22:39Quite like yourself.
22:41I don't feel like myself when you lay that withered old claw on me shoulder.
22:44So take it away.
22:45Reminds you of being nabbed, Bill, dear.
22:47Reminds me of being nabbed by the devil.
22:50There never was another with a face like yours.
22:53Unless it was your father.
22:56And I suppose he's singeing his grizzle red beard by this time.
23:01Unless he's with the devil, eh?
23:03Unless he's with the olden.
23:05And you never had anybody between you, eh?
23:07No father between you at all, which I wouldn't wonder at one little bit.
23:12Hello?
23:14Where do you think you're going this time of night?
23:17Not far, Bill.
23:18And what sort of an answer is that where you're going?
23:20I said not far.
23:21And I said where, do you hear me?
23:24I don't know where.
23:25Then I do.
23:27Nowhere.
23:28Sit down.
23:30I'm not well, Bill.
23:31I've told you that before.
23:32I want a breath of air.
23:33Put your head out of the window.
23:35There's not enough there.
23:35I want it in the street.
23:36You'll want to have it, then.
23:42There.
23:45There.
23:46Stop quietly where you are, will you?
23:49What do you mean, Bill?
23:50Do you know what you're doing?
23:52Do I know what I'm doing?
23:53I hope she's out of her senses, you know.
23:55She wouldn't dare talk to me in that way.
23:57You'll drive me onto something desperate.
24:00Let me out this minute.
24:01This instant.
24:02Please, tell him to let me go.
24:05He'd better.
24:05It'll be better for him if he does.
24:07Do you hear me?
24:08Hear you?
24:09Aye, and if I hear you for another minute,
24:11that dog will take such a grip as your throat
24:12as it will tear that screaming voice out.
24:15Stay bullseye.
24:16I don't want you yet.
24:17What's come over you, you jade?
24:20What is it?
24:21Oh, let me go, Bill.
24:23You don't know what you're doing.
24:25You don't indeed.
24:27For only one hour.
24:29Oh, do, Bill, do.
24:31Cut me limbs off one bit once.
24:34You start raving mad.
24:36Get up.
24:37Not till you let me go.
24:38Not till you let me go.
24:40Well, what a precious, strange girl that is.
24:51You may say that, Bill, dear.
24:53You may say that.
24:55What's she going into her head to go out the night for, eh?
24:58Well, come on.
24:59You should know better than me.
25:00What's it mean?
25:01Obstinacy, Bill, my dear.
25:03Woman's obstinacy, I suppose.
25:06I think she has a little touch of fever in her blood and it won't come out.
25:11Well, I'll let a little of her blood without troubling her doctor if she's took again this way.
25:15That's it, Bill, my dear.
25:17That's it.
25:19Don't you know he's got, yeah.
25:22The old devil ain't doing you any harm.
25:23He's only a-going.
25:24Well, unlock the door for me, Bill, and lock it fast after me.
25:29Don't you worry yourself.
25:32She ain't going anywhere tonight, whatever she may think.
25:34Well, don't sleep too heavy then, Bill, my dear.
25:38I'll never sleep so heavy.
25:41On occasions you have, Bill, my dear.
25:46On occasions.
25:47On occasions you have, Bill, my dear.
25:48Please.
25:49Sure.
25:49Sure.
25:50Sure.
25:50Sure.
25:51Sure.
25:52Sure.
25:52Sure.
25:53Sure.
25:53Sure.
25:54Sure.
25:54Sure.
25:55Sure.
25:56Sure.
25:56Sure.
25:57Sure.
25:57Sure.
25:58Sure.
25:58Sure.
25:59Sure.
25:59Sure.
26:00Sure.
26:00Sure.
26:01Sure.
26:01Sure.
26:02Sure.
26:02Sure.
26:03Sure.
26:04Sure.
26:04Sure.
26:05Sure.
26:06Sure.
26:07Sure.
26:08Sure.
26:09Sure.
26:10Sure.
26:11Sure.
26:12Sure.
26:13Sure.
26:14Sure.
26:15Sure.
26:16Sure.
Comments