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Thats My Baby 1944 - Sd
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00:02:00da
00:02:05ya
00:02:07ya
00:02:08He asked you for the plans of Twilight's new rocket ship and she turns him down.
00:02:10That's right.
00:02:13He's about to give her the sting of his breath.
00:02:14Sting of death.
00:02:15Sting of death.
00:02:19Ah, Captain Twilight comes to the rescue.
00:02:27Ah, but Captain Twilight was caught off guard.
00:02:30Captain Twilight realizes he's in the tightest spot of his career.
00:02:33Does that stop him?
00:02:34No.
00:02:35He versomely gives him everything in his gut.
00:02:37He throws himself out of his stuff.
00:02:39Why are you?
00:02:43Ah, he'll almost come back, Captain Twilight.
00:02:45Stop him, Twilight.
00:02:46He comes back again.
00:02:49Why are you?
00:02:53He almost comes back, Captain Twilight.
00:02:55Comes and he comes and he comes.
00:02:56The wasp is coming back.
00:03:00Ah, the wasp is about to give Captain Twilight the sting of his breath.
00:03:03Sting of death.
00:03:04Sting of death.
00:03:05Why are you?
00:03:06Oh.
00:03:07Tim, what do you say?
00:03:17Is that a great twist or not?
00:03:20Oh, it's great, fellas.
00:03:21I'll buy it.
00:03:22And you can have it.
00:03:23Am I crazy?
00:03:30Certainly.
00:03:31What?
00:03:31Well, wait a minute.
00:03:32You've got to be crazy in this business to make any money.
00:03:35Then Mr. Moody's crazy.
00:03:37Well, certainly he's crazy.
00:03:38Everybody's crazy.
00:03:39We're all crazy.
00:03:39So what else have you got?
00:03:45Only your character for next month's magazine.
00:03:48I couldn't sleep a wink thinking about it.
00:03:50Next time you can't sleep, try counting sheep.
00:03:53I will.
00:03:53I will.
00:03:58My suggestion is to throw this in the wastebasket.
00:04:00In that case, we'll take the basket up to Moody.
00:04:02He might fool you and like it.
00:04:04Just a minute, Jones.
00:04:05I'm still general manager of the plant.
00:04:07Hilton Payne, remember?
00:04:09Oh, brother, how could I ever forget it?
00:04:10And Mr. Moody can't approve something he doesn't see.
00:04:14No.
00:04:14And furthermore, I don't approve of anyone who steps on my toes.
00:04:18You wouldn't.
00:04:19It's like a spot for a pinch hitter.
00:04:20What's the score?
00:04:20Hello, Betty.
00:04:21It's tied.
00:04:22He says no, I say yes.
00:04:24What you boys need is a referee.
00:04:26Now, honey, don't you bother your pretty little head about details.
00:04:29Jones and I will settle this between us.
00:04:31Maybe I could decide.
00:04:33I think I know Father's likes and dislikes as well as you do.
00:04:38And I've decided it's tops.
00:04:40Thanks.
00:04:41Well, Betty, I guess your decision just about covers everything.
00:04:49You know, it's funny what jealousy can do to a guy's judgment, isn't it?
00:04:52I can understand that.
00:04:55Father thinks I'm going to marry him.
00:04:58You know, you have the most beautiful eyes.
00:05:01Tim.
00:05:03Father isn't a well man.
00:05:05And the most beautiful hair.
00:05:07He, well, he depends on me.
00:05:09And the most beautiful, my.
00:05:11Tim, stop.
00:05:12I'm serious.
00:05:13Yes, I know.
00:05:14And, well, I think that we should do something about it.
00:05:18Yes, yes, we will.
00:05:19But you still have the most beautiful hair.
00:05:21And the most beautiful.
00:05:22And I've decided to.
00:05:23And the most beautiful.
00:05:24I've decided that I'm going to get a doctor.
00:05:26Yes.
00:05:27Okay, okay.
00:05:31Miss Wilson, where's Mr. Austin?
00:05:43Good morning, Mr. Moody.
00:05:44Yes, yes.
00:05:45Where's Mr. Austin?
00:05:47He should be here any moment, Mr. Moody.
00:05:48Stand him in the minute he comes.
00:05:50Yes, Mr. Moody.
00:05:54Good morning, Miss Wilson.
00:05:55Go right in, Mr. Austin.
00:05:56Mr. Moody's waiting for you.
00:05:57Good.
00:06:06Good morning, Annie.
00:06:07Good morning, R.P.
00:06:08Glad to see you.
00:06:10Hi, Tilly.
00:06:11Start toiling.
00:06:12Here's the morning news.
00:06:12Right on the dot.
00:06:14What happened to Picklepuss?
00:06:15Did he go out of that jam he was in yesterday?
00:06:17Yeah, he made it all right.
00:06:18Just the cops were closed.
00:06:19Hold it.
00:06:19Don't tell me.
00:06:20I want to read it later.
00:06:20Say, how come his nibs is so scared of the comics?
00:06:25If I could make a million bucks with him like he did,
00:06:27I'd die laughing.
00:06:29Why don't you send one in and see what happens?
00:06:31A very funny idea.
00:06:33The girl that worked before me forgot just once.
00:06:35The comics went inside and boom, she was outside.
00:06:38Yeah, well, that makes a difference.
00:06:43That's why I like you, Henry.
00:06:45You're honest.
00:06:46Don't try to impress me like everyone else.
00:06:48Hilton, for instance.
00:06:49He's just waiting for me to retire.
00:06:53Oh, I thought you approved of him that he was going to marry Betty.
00:06:56He's the man Betty thinks she wants to marry.
00:06:58I'm not going to interfere.
00:07:00I made a mistake of my own marriage.
00:07:02Who am I to tell her what to do?
00:07:04I like Betty.
00:07:05I hope she'll be happy and never want for anything.
00:07:08She won't, at least financially.
00:07:10Oh, then you're going to give Hilton the business.
00:07:13Yes, but not the way he expects.
00:07:16He's a lucky young man.
00:07:18I hope he appreciates it.
00:07:19Henry, the art of appreciation is lost in this world of dog-eat-dog.
00:07:24Everybody is out for something.
00:07:26I know.
00:07:27A bunch of cutthroats.
00:07:34Good morning, Marjorie.
00:07:35Good morning.
00:07:36I'll take this in.
00:07:37Good morning, Miss Moody.
00:07:41Good morning, Henry.
00:07:42How's Dad?
00:07:43Wonderful.
00:07:43He brightens up my whole day.
00:07:47Dr. Calloway, it's good to see you.
00:07:49It's a pleasure, Miss Moody.
00:07:50This is Dr. Swatsky of Prague.
00:07:52Swatsky with the V, Calloway.
00:07:54Oh, sorry.
00:07:55With a we.
00:07:55How do you do?
00:07:56How do you do?
00:07:57If you gentlemen will wait here a minute, I'll go in and prepare Dad.
00:08:00That glint in your eyes can mean only one thing.
00:08:16You've got an idea.
00:08:17I have, and it's a good one.
00:08:19I was afraid of that.
00:08:20Well, what is it?
00:08:21Did you take your medicine?
00:08:22No.
00:08:22Why not?
00:08:23Because my medicine does you more good than it does me.
00:08:32Now.
00:08:34Open.
00:08:42Now, do you feel better?
00:08:43Very much better.
00:08:46Hello, Dr. Calloway.
00:08:48I hope you have better luck this time.
00:08:50Well, I'm sure we will.
00:08:51I'm fortunate in having Dr. Swatsky with me on the case.
00:08:53Dr. Swatsky?
00:08:55Swatsky, yes.
00:08:56Swatsky.
00:08:57This is very, very interesting.
00:09:00Calloway, my dear colleague.
00:09:01I haven't seen one like this recently.
00:09:03Wait a minute.
00:09:04There's nothing wrong with me.
00:09:06Mr. Moody's a man you want.
00:09:07Moody, yes.
00:09:08Mr. Moody.
00:09:09This is a very intriguing example of the paranoid type.
00:09:14Yes.
00:09:15Consolidated up four points.
00:09:17Associated up five.
00:09:18Go ahead and order that mink coat.
00:09:21But Hilton told me to sell both of them yesterday.
00:09:25Hilton, Hilton, Hilton.
00:09:28Were you calling me, R.P.?
00:09:29No, I'm not calling you.
00:09:31I'd like to forget you.
00:09:32Now, Daddy, don't get upset.
00:09:40What would Dr. Calloway think if he saw you this way?
00:09:42Dr. Calloway?
00:09:43Yes, and we're very lucky.
00:09:45He's brought a famous specialist from Prague.
00:09:47Specialist medicines.
00:09:48What good do they do?
00:09:50Betty, I know you're trying to help me, but it just won't work.
00:09:52All your doctors, specialists, medicines, none of them do any good.
00:09:56Please, Dad.
00:09:57Try it just once more.
00:09:59This time we'll win.
00:10:00I'll bet on it.
00:10:02All right, but if you lose, this will be the last time.
00:10:06It's a bet.
00:10:06Dr. Calloway, Father will see you now.
00:10:17Dr. Swatsky.
00:10:18Yeah, no.
00:10:19Oh, thank you very much.
00:10:20Thank you.
00:10:22Oh, thank you.
00:10:23Thank you very much.
00:10:26Hello, Calloway.
00:10:29Dr. Swatsky, Mr. R.P. Moody.
00:10:31R.P. Moody.
00:10:32How do you do?
00:10:33How do you do, Mr. Moody?
00:10:34Melancholia maribundus, Dr. Calloway.
00:10:38The pleasure is all mine.
00:10:39You're welcome to it.
00:10:42In going over your case with Dr. Calloway,
00:10:45we have found that sanity runs in your family.
00:10:49Right now, I doubt it.
00:10:51Now, I also found out that you're a successful businessman.
00:10:56Don't you feel sometimes that you're all alone?
00:11:00No, no, no, please, please, don't interrupt me.
00:11:02Quiet, please.
00:11:02Shh, now, at times you have the feeling
00:11:05as though you are in total darkness.
00:11:08Answer me, please.
00:11:09Yes, many times.
00:11:11Good, good, by going somewhere.
00:11:13Now, tell me, please, when, when those things do occur?
00:11:17When I turn out the light and go to bed.
00:11:19When you turn out the lights and go, no, no, no, no, no, no, no, no.
00:11:22When you laugh, when you laugh, is it a high-pitched laughter like,
00:11:28ha, ha, ha, ha, ha, ha?
00:11:29Or is it, is it perhaps a hysterical one like, ha, ha, ha, ha, ha?
00:11:33It has a slow start and then builds up.
00:11:35Or is it a full, full, wholehearted laughter, deep like, ha, ha, ha?
00:11:40I never laugh.
00:11:42You never laugh?
00:11:43No, no, no, no.
00:11:44That, that you don't mean.
00:11:45That I do mean.
00:11:46I haven't smiled, let alone laughed, in 20 years.
00:11:50Dr. Calaway, that I cannot believe.
00:11:53An acute case of melancholia.
00:11:55Hmm, no, no, no, the diagnosis we have left behind, my dear Calaway.
00:11:59The reasons for it, the etiology, the prognosis of it.
00:12:03That's what, what I cannot understand.
00:12:06The facial muscles?
00:12:08The facial, the facial muscles, that is correct.
00:12:11That is correct.
00:12:11Will you please lean back?
00:12:13Mm-hmm.
00:12:14Like this.
00:12:15The facial muscles.
00:12:17Hmm.
00:12:18That's strange.
00:12:19Strange, very strange.
00:12:21Very, very strange.
00:12:23No, no, that's correct.
00:12:25Now let's see the facial muscles and the reactions.
00:12:28Let's see another, uh, observe, Dr. Calaway.
00:12:32Absolutely normal reaction.
00:12:35Now, let's see this.
00:12:37Uh, sit back, please.
00:12:37Sit back.
00:12:38Hmm.
00:12:39Hmm.
00:12:40Hmm.
00:12:41Now, everything's absolute, you know.
00:12:43Better no bet.
00:12:44He's going too far.
00:12:45No, no, no, no, Mr., uh, uh, uh, uh, uh, Moody.
00:12:48Mr. Moody, Mr. Moody.
00:12:49Now, please, please, try to think, if you can.
00:12:5420 years ago, 20 years ago,
00:12:58remember, your daughter was just a little baby.
00:13:03What happens to you then?
00:13:05What happened 20 years ago is no concern of yours.
00:13:07I've had about all I can stand for today.
00:13:09Uh, Dr. Calaway,
00:13:11unless I have a full cooperation,
00:13:13while getting not very fast.
00:13:14This is only an idea, a clue,
00:13:19uh, perhaps a parallel to jump from.
00:13:21What is it, Dr. Svadsky?
00:13:23My dear young lady,
00:13:24in 1783,
00:13:28Philip of Spain was suffering from melancholia,
00:13:31so moribund that it threatened his life.
00:13:34After a search,
00:13:36a singer was found
00:13:36whose voice had a therapeutic effect.
00:13:40Now,
00:13:42the singer provided
00:13:43Titanic,
00:13:44and the king imagined,
00:13:46the king was healed.
00:13:47Oh, brilliant,
00:13:48a masterly analysis.
00:13:49Well, thank you,
00:13:50thank you very much.
00:13:50Now,
00:13:51the cure,
00:13:51it is simple.
00:13:52All we have to do
00:13:54is make Mr. Moody laugh.
00:13:56I could have told you that without a fee.
00:13:58The whole world needs laughter.
00:13:59Laughter is a medicine,
00:14:00and you can't take an overdose of it.
00:14:02It's good for what ails you.
00:14:03Falling hair,
00:14:04falling arches, bunions,
00:14:05why the whole world's crying for it.
00:14:06Say,
00:14:08why don't we bottle it
00:14:09and go into business?
00:14:10It is a very refreshing point of view.
00:14:12Well,
00:14:13there must be somebody
00:14:13who can make him laugh.
00:14:14I doubt it.
00:14:16Tim,
00:14:17I've got the beginning of an idea.
00:14:20And I've got the end of it.
00:14:28If the king of Spain
00:14:29was cured by one singer,
00:14:30then we'll hire
00:14:31the best talent that money can buy.
00:14:33They should be able
00:14:34to do something for Dad.
00:14:35Freddie Fisher and his band.
00:14:44George McKay.
00:14:46Bill.
00:14:47Daddy.
00:14:49Duffy.
00:14:50Peanut.
00:14:51Darby and Darnell.
00:14:53Isabellita
00:14:54and the Wadalajara boys.
00:14:56Chewy Reyes
00:14:57and his trucker
00:14:57and their band.
00:14:59Mike Riley
00:14:59and his musical maniacs.
00:15:00And Bob Roberts.
00:15:02And Mervyn.
00:15:02Alphonse Berger
00:15:05and Doris Duane.
00:15:07Al Mardo and his pal.
00:15:08where's Hoskins?
00:15:13Hoskins took the day off
00:15:13to get married, sir.
00:15:15I'm his brother.
00:15:17who brought that beast in here.
00:15:18I did, sir.
00:15:18He's not a beast.
00:15:19He's my dog.
00:15:19Well, I'm allergic to dogs,
00:15:20and I think I'm going to be allergic to you.
00:15:21Get him out of here.
00:15:22say, listen, if you want any help,
00:15:22you better take what's available.
00:15:23And with me, it's love me, love my dog.
00:15:25Besides, he's a fine dog.
00:15:26I'm crazy about him.
00:15:27The greatest strict dog that ever lived,
00:15:29but he won't do easy tricks.
00:15:31Only he doesn't seem to be selfish on each other.
00:15:33He's fantastic and he's going to introduce himself.
00:15:35Thank you.
00:15:36I'm seeing you are going to be in a light,
00:15:37with I'm missing someone in a new way.
00:15:37Oh, that's right.
00:15:39Oh, that's a damn.
00:15:40I can't see him.
00:15:40No, that's the most
00:15:41of you guys are going to be in a haste.
00:15:41Well, that's like that.
00:15:42I can't see anyone.
00:15:43Where's Hoskins?
00:15:44Huskins took the day off to get married, sir.
00:15:45I'm his brother.
00:15:46Who brought that beast in here?
00:15:47I did, sir.
00:15:48He's not a beast.
00:15:49He's my dog.
00:15:50Well, I'm allergic to dogs,
00:15:51Devamlar böyle
00:15:57İstediyorum
00:16:00Sö 350
00:16:02Davamlar
00:16:06Söylesine
00:16:06Ölce
00:16:08Ölce
00:16:09Ölce
00:16:10Ölce
00:16:10Ölce
00:16:12Ölce
00:16:14Ölce
00:16:15Ölce
00:16:16Ölce
00:16:18Ölce
00:16:19Ölce
00:16:20Ölce
00:16:21He don't have to lay down.
00:16:23He's dead standing up.
00:16:25Look over here.
00:16:26I'll show you.
00:16:27Right here.
00:16:28Over here.
00:16:29Come on boy.
00:16:30Come on.
00:16:31Right here.
00:16:32Look did you see that trick.
00:16:34He moved.
00:16:35I hope he didn't strain his shoulder.
00:16:37That's all.
00:16:38Take it easy.
00:16:39You're working a little too fast.
00:16:40Slow up a little.
00:16:41Take your time.
00:16:42Go ahead.
00:16:43Lay down with it.
00:16:44I think the suit is too big for you.
00:16:47Look at that.
00:16:48Maybe he's expecting mumps.
00:16:50Better just stop suffering and lay down.
00:16:52Collapse.
00:16:53Hold up.
00:16:54Lay down.
00:16:55You won't believe it.
00:16:57When I first got that dog he couldn't do nothing.
00:16:59Look.
00:17:00Go on and bark.
00:17:02Come on bark.
00:17:03Whoa.
00:17:05That was me.
00:17:08Would you like to see him do one more trick.
00:17:11This is the last trick of course.
00:17:13Come here Flash.
00:17:14Flash.
00:17:15Come here Flash.
00:17:17Come on boy.
00:17:19Look at that speed he's burning up today.
00:17:24He couldn't go any further.
00:17:25It's a little uphill over here.
00:17:27Now the dog is going to jump.
00:17:29He's raring to go.
00:17:30Look.
00:17:31Can you make it.
00:17:32One.
00:17:33Two.
00:17:34Three.
00:17:35Go.
00:17:36There he goes.
00:17:37There he goes.
00:17:38Ka-flunk.
00:17:39He's a little out of wind now.
00:17:40Take your time.
00:17:41Why don't I give him a little rub down so he can do it again.
00:17:42Try it again.
00:17:43He can sneak up on it and fall on the other side.
00:17:45Go ahead.
00:17:46Go.
00:17:47There he goes.
00:17:48There he goes.
00:17:49Boom.
00:17:50Well anyway.
00:17:51This is the way he looks after he jumps.
00:17:53Like that.
00:17:54There it is.
00:17:55Oh he's a great pet.
00:17:56I'm telling you.
00:17:57There's no limit to his tricks.
00:17:59Look at him running around here.
00:18:00Look at that.
00:18:01There he goes.
00:18:02Ka-flunk.
00:18:03Boom.
00:18:04The dog is a great music lover.
00:18:06Oh he loves high class music.
00:18:08But let me tell you.
00:18:09Of all the music he's ever heard.
00:18:11He likes my music the best.
00:18:13He'd rather hear me play one song on this harmonica than eat forty or fifty stakes.
00:18:17And this is his favorite song.
00:18:19Played by his master.
00:18:21Calloway my dear.
00:18:32This is the moment when we should observe our patient at the closer range.
00:18:36Yes.
00:18:37At the closer range.
00:18:39Much closer.
00:18:42Doctor.
00:18:43Doctor.
00:18:44What happened?
00:18:45Contradictory symptoms.
00:18:46Calloway.
00:18:47Most contradictory.
00:18:48Tell me please.
00:18:49What is his next move?
00:18:50Oh.
00:18:51Breakfast.
00:18:52Breakfast.
00:18:53Breakfast.
00:18:54That is very good.
00:18:55Very good.
00:18:56Where's Hilda?
00:18:57She took the day off to Mary Hutton sir.
00:18:58Oh.
00:18:59What are you doing here?
00:19:00Well I'm waiting for Vaudeville to come back.
00:19:04Here are your three minute eggs sir.
00:19:09No.
00:19:10No.
00:19:11No.
00:19:12No.
00:19:13No.
00:19:14No.
00:19:15No.
00:19:16No.
00:19:17No.
00:19:18No.
00:19:19No.
00:19:20No.
00:19:21No.
00:19:22No.
00:19:23No.
00:19:24No.
00:19:25No.
00:19:26No.
00:19:27Now.
00:19:28You like him that young or.
00:19:31Or would you prefer him on the older side.
00:19:33Betty.
00:19:34Betty.
00:19:35Betty.
00:19:37Betty.
00:19:38Betty.
00:19:39That gag always one good in Kansas City.
00:19:44Betty.
00:19:45Who is this man trying to take my job.
00:19:47It's just for today.
00:19:48Pig nice.
00:19:49Oh.
00:19:50He's only here for the day.
00:19:51For the day.
00:19:52What is he going to do here today.
00:19:54He's here to entertain your father.
00:19:55Oh.
00:19:56İzlediğiniz için teşekkür ederim.
00:20:26İzlediğiniz için teşekkür ederim.
00:20:56İzlediğiniz için teşekkür ederim.
00:21:26İzlediğiniz için teşekkür ederim.
00:21:28İzlediğiniz için teşekkür ederim.
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00:25:40Dr. Oblatsky, please, I'm occupied.
00:25:43Mr. Moody, my name is Dr. Vzwatsky, with the heat.
00:26:01Well.
00:26:03I'll attend to that, sir.
00:26:05Doris.
00:26:07You can't wear a bathing suit.
00:26:09I'll have to put some more clothes on you.
00:26:11I'll have to put some water.
00:26:12You can't wear a bathing suit.
00:26:13You can't wear a bathing suit.
00:26:15Here you will see.
00:26:17Müzik
00:26:46Müzik
00:27:07Müzik
00:34:08This is going to be very easy.
00:34:15I broke my knife.
00:34:17Maybe I should have brought a tool kit.
00:34:19You should find what you want in here.
00:34:25Miter, bile, powder.
00:34:27Let's blast.
00:34:28Blast this time of the night?
00:34:30Might wake up the watchman.
00:34:31Don't worry about that.
00:34:33This building would have to fall down before we can wake up Ansel.
00:34:36Ansel?
00:34:37The watchman, dear old Ansel.
00:34:41There's only one trouble with this thing.
00:34:43It won't open.
00:34:44Oh, why didn't you say so in the first place?
00:34:48Marvelous, darling, marvelous.
00:34:52What's that?
00:34:53Just Ansel, remember?
00:34:55Oh, yeah, Ansel.
00:34:56When may we expect it?
00:34:57Just three more doors.
00:35:02Two more.
00:35:05Perhaps you better go through this.
00:35:07After all, it's your past.
00:35:08Not afraid of old skeletons, are you?
00:35:10Skeletons, don't worry me.
00:35:16It was mother and daddy when they were first married.
00:35:18Mother's kind of pretty, isn't she?
00:35:20You know, put a modern dress on her and it could be you.
00:35:23Yeah.
00:35:24Am I crazy?
00:35:26Why, your father's laughing?
00:35:29Yeah.
00:35:30It's too bad he can't laugh like that now.
00:35:33It's awfully happy.
00:35:38Uh-oh.
00:35:39Good evening, Ansel.
00:35:57Who are you?
00:35:58Oh, I was expecting Ansel.
00:36:00I wasn't expecting anybody.
00:36:02What's your name?
00:36:03Uh, Betty Moody.
00:36:04Betty Moody.
00:36:06Betty Moody.
00:36:07Let's see.
00:36:09Betty Moody.
00:36:11Oh, yes, sir.
00:36:13Your name is on my list, Miss Moody.
00:36:15Yes, well, I'm glad my name's on your list.
00:36:19Well, good night.
00:36:22Good night, Miss Moody.
00:36:23All the time I thought you knew, Ansel.
00:36:40Tim, isn't it terrible the way people have violent tempers when they're young?
00:36:43Oh, that's all right, darling, I'll forgive you.
00:36:46Mother refers to it as artistic temperament.
00:36:49Father calls it blank, blank, blank stubbornness.
00:36:54And three years later, they're of the same opinion.
00:36:57Apparently, they haven't changed a bit.
00:37:02Tim, that could never happen to us, could it?
00:37:05Not in a million years, darling.
00:37:11I think we're gonna have colors again.
00:37:13Back in your cave.
00:37:20Why Betty?
00:37:23I saw a light in the office as I was driving by, and I thought I'd come up and investigate.
00:37:29And now that you've investigated?
00:37:31I am perfectly satisfied with what I've found.
00:37:34What have you found?
00:37:35You.
00:37:37Just when I was getting the silly idea that I'd lost you.
00:37:40You have.
00:37:42Betty be sensible.
00:37:43You're not going to let a ridiculous infatuation for a fellow like Jones upset your whole future.
00:37:48Just a minute, Bob.
00:37:49You're going too far.
00:37:50Where did you come from?
00:37:51In there.
00:37:52What are you doing here?
00:37:54Looking after Miss Moody's future, starting now.
00:37:56And I'd say you've got a great start going through Mr. Moody's private papers.
00:38:00I think you'd better leave.
00:38:01I'm going to.
00:38:02When I go, I'll walk out, not sneak out.
00:38:04Sneak out.
00:38:05Isn't that clear?
00:38:06Perfectly clear.
00:38:08I'm not forgetting this, Jones.
00:38:09We'll settle this later.
00:38:17Good morning, R.P.
00:38:18Where'd you get that, Hilton?
00:38:20Well, it was this way.
00:38:21I know, you ran into a door.
00:38:23Yes.
00:38:25No, I was driving by the office last night and I saw a light through the window.
00:38:29I came up to investigate and I found one of your employees going through your private papers.
00:38:33Going through my papers?
00:38:34Yes.
00:38:36Naturally, I took exception and that's how I got the black eye.
00:38:39Who was it?
00:38:40Timothy Jones.
00:38:41Jones?
00:38:42Why, that good for nothing?
00:38:44How do you do, Mr. Moody?
00:38:45Not now, Swatsky.
00:38:46Good morning, Dr. Swatsky.
00:38:47Oh, the paranoid type.
00:38:48Now, look, Dr. Swatsky.
00:38:50I know, but the last time I saw you, I told you that Mr. Moody was a gentleman that you should have talked to.
00:38:56I know, but I'm awfully busy.
00:38:57You should be getting excited.
00:38:58You see, in criminal types, it's a monster.
00:38:59Dr. Swatsky.
00:39:00I know, but I'm not the one you know.
00:39:02I'm not the one you know.
00:39:05Strange character, isn't he?
00:39:07Monk will run through it a couple times before he tried on Tim.
00:39:10Ah, the story begins the way out west.
00:39:14What am I going to be?
00:39:15You're going to be Monk the killer.
00:39:17I'm not afraid of you.
00:39:21Besides, you've got Little Rallo and Bill Felix, the two boy rangers trapped in the cabin.
00:39:25Monk, you move out.
00:39:26Be ready to make her run the door.
00:39:29I'll get the chalk.
00:39:30I'll get the mail, sir.
00:39:34This is the cabin.
00:39:35Uh-huh.
00:39:36What's that?
00:39:37Little cabin.
00:39:38Oh, remember now, we are the two boy rangers.
00:39:41And youth pre-sodified.
00:39:51The most powerful youth in all the land.
00:39:53Yeah.
00:39:59Ah, it's a matter of minutes before the killer bashes down the door.
00:40:01Yes.
00:40:02Send to the scenes of the mill, sir.
00:40:03Aha.
00:40:10Okay, Monk.
00:40:13Right to me.
00:40:14Roll.
00:40:15Now on the floor.
00:40:16On the floor.
00:40:17Roll.
00:40:18We've got the killer.
00:40:19Quick, the soap.
00:40:20You mean the rope.
00:40:21The rope.
00:40:22The rope.
00:40:23The rope.
00:40:24The rope.
00:40:25The rope.
00:40:26I got him.
00:40:27That's the rope.
00:40:28Nope.
00:40:29There we are.
00:40:30Swag.
00:40:31I got him.
00:40:32I'm tearing fast, Felix.
00:40:33But we'll win, Bruce.
00:40:34Sure, we'll win.
00:40:35Hey.
00:40:36What's more?
00:40:37The boy rangers come through with victory.
00:40:38Right?
00:40:39They'll keep coming.
00:40:40They'll come through the end of time.
00:40:41They'll always come.
00:40:42The boy rangers will always come.
00:40:44What are you?
00:40:46Hey.
00:40:47How can you be standing there and in the sack, too?
00:40:49Well, it ain't me.
00:40:50Well, who's in the sack?
00:40:51Yeah.
00:40:52Who's in the sack?
00:40:53I don't know.
00:40:56You scoundrel.
00:40:57Oh, Mr. Moody.
00:40:58You scoundrel.
00:40:59You're through.
00:41:00You're finished.
00:41:01Yeah.
00:41:02Get out and stay out.
00:41:03Yeah, I know.
00:41:04I'm throwing them out.
00:41:05Send my mail to the club, will you boys?
00:41:06Bye.
00:41:07Bye.
00:41:08Get out of here, both of you.
00:41:11A boy ranger ever fails.
00:41:13He always goes through.
00:41:19Dad.
00:41:22Dad, what happened?
00:41:23Everything, everything bad.
00:41:24Mainly Jones.
00:41:25Now, wait a minute, Dad.
00:41:26Nobody's going to sneak behind my back and pry through my private office.
00:41:29I kicked him out.
00:41:30Tim was with me last night.
00:41:31We both poked through your office.
00:41:33Daddy.
00:41:34Dad, we were only trying to help you.
00:41:36That's another thing I will not stand for.
00:41:37I will not allow anybody to pry into my private life.
00:41:39Well, this time you're going to stand for it.
00:41:41It's my life, too.
00:41:42And up until now, you've run it.
00:41:43Run it?
00:41:44I've been an indulgent father.
00:41:45Right.
00:41:46You've indulged yourself for 20 years.
00:41:48Made me miserable and sorry for you.
00:41:50Now I know why mother...
00:41:51Your mother has nothing to do with this.
00:41:53Leave her out of it.
00:41:54I'm not going to leave her out of it.
00:41:55She's my mother, and I'm glad I found out she's a person instead of a rumor.
00:41:59And...
00:42:00And another thing.
00:42:02Whether you like Tim or not, I love him.
00:42:14PUNSER
00:42:18A VERGA
00:42:19You're in love, how the hell should be.
00:42:24You're somewhere in the world.
00:42:25You're in a bit.
00:42:26I'm not going to die.
00:42:27You're on the ground.
00:42:28You're between your shell and a plane.
00:42:29You're in the lines of the hablar.
00:42:30You're in the air.
00:42:31I'm on the air.
00:42:32You're in the brave.
00:42:33You're in the air.
00:42:34You're in the air.
00:42:36You're in the air.
00:42:37You're in the air.
00:42:38You're in the air.
00:42:39You're in the air.
00:42:40You're in the air.
00:42:41How are you in the air?
00:42:42İzlediğiniz için teşekkür ederim.
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00:44:40Sizin için teşekkür ederim.
00:44:42Türkiye'de tıklılma.
00:44:44Evet.
00:44:46He's been shaving Dad for the last 30 years.
00:44:48He knows him better than anyone.
00:44:50Hey Mert, give me a phone will you?
00:44:56Got the number?
00:44:58Yeah.
00:45:01Um.
00:45:03Rescue.
00:45:09Hello Henry.
00:45:11Hello Henry.
00:45:12Say they didn't have saloons like this when I was your age.
00:45:15Club Henry.
00:45:16Oh, so that's what they call them now.
00:45:18What do they have?
00:45:19Lemonade.
00:45:20Lemonade?
00:45:21I get what you mean, but what's in it?
00:45:24Lemons, sugar and water.
00:45:26Lemons, sugar, water.
00:45:29Henry, I thought you might be able to tell us something about Mother.
00:45:33Where can we find her?
00:45:34Well, she spends her winters in California.
00:45:37The summer season in Connecticut.
00:45:39And the play season here.
00:45:41Then she should be here now.
00:45:43Well, if she is, she's at the Tower Hotel.
00:45:46Tower Hotel?
00:45:47She's a writer, you know.
00:45:48Under the name of Lacey Thornton.
00:45:56Get excited, darling.
00:45:58Oh, I'm not excited.
00:45:59I just realized what this means.
00:46:02You see, I've never seen my mother.
00:46:05Now that you're going to see her, you wonder what she's like.
00:46:08Yeah.
00:46:09Whether she's like you and me and...
00:46:13Well, there's only one way to find out.
00:46:16Do come right in.
00:46:26Oh, it's such a relief to be with young people.
00:46:32You know, usually I'm interviewed by these horribly businesslike people who insist upon pinning you down to places and dates and...
00:46:38Oh, I'm sorry, Mr. Jones.
00:46:41He's going to be your son.
00:46:44That is, I'm going to marry him and I'm your daughter.
00:46:47Why, how delightful.
00:46:49Oh, I love romance.
00:46:50In fact...
00:46:51A daughter?
00:46:53Betty?
00:46:54Oh, it just doesn't seem possible.
00:46:59Little Betty, grown into such a beautiful young lady.
00:47:04And about to marry such a beautiful young man.
00:47:07Oh, it's...
00:47:08Beautiful, period.
00:47:10Oh, oh, oh, do sit down.
00:47:18I wrote your story once.
00:47:20Let me see.
00:47:21It was the book before the last.
00:47:23No, the one next to that.
00:47:25Mother, Dad has been...
00:47:28Well, he hasn't been well and I thought maybe that we could help him.
00:47:33Oh, poor Phineas.
00:47:34He was always hard to understand.
00:47:37But he has done well in business, hasn't he?
00:47:40Haven't you heard?
00:47:41Oh, I've been away for months and months.
00:47:44Oh, ever so long.
00:47:46I used to do all my work in Europe and oh, it's so stimulating.
00:47:51Mother, Dad... Dad is quite ill.
00:47:55No, is he?
00:47:57What are you doing here?
00:48:02You're just the guy I'm looking for.
00:48:05I'm here to do you a favor.
00:48:07Here, grab a chair and hang on.
00:48:10You know what I'm gonna do?
00:48:11I'm gonna double your production and triple your income.
00:48:14You know, you know the way things are now.
00:48:16The American working man's got to have something besides an automobile and a house and a lot.
00:48:20He's got to be made happy and he's got to be kept happy.
00:48:24Give him music to make him happy.
00:48:26The American working man loves music.
00:48:28You can tell that by the way he jumps when the whistle blows.
00:48:31Sure, just give him that music and just make his day a big, long, beautiful song.
00:48:37The sky's the limit.
00:48:39Give him that old razzmatazz.
00:48:40Okay, boys.
00:48:41Let him have it.
00:48:42Oh, give me that razzmatazz.
00:48:52Oh, give me that razzmatazz.
00:49:09I'm getting tired of jazz.
00:49:12I'm plenty slick feller from North to California.
00:49:15I've even seen a little bit of Minnesota.
00:49:18Give me that tea-yuck-a-too.
00:49:21And let me holler wah-hoo.
00:49:23Now, people think I'm in a rut from West because they're off their motto.
00:49:26Give me that razzmatazz.
00:49:29I'm gonna use the Old School of the accumulation.
00:49:34Follow me if you like, please.
00:49:35Better a little minCD.
00:49:39iliation play at art.
00:49:40I've been Deswegen in that region.
00:49:41I could find that.
00:49:42What will this event?
00:49:43I can't wait in the country.
00:49:44Otherwise, you will have a new joke.
00:49:46Herrtasse.
00:49:49I'll be interviewed Pierre Chase.
00:49:50I can't wait for you.
00:49:51He's happy that he's a good one.
00:49:53I'll besama.
00:49:54He'll be enthusiast.
00:49:55Join me if he wants to see you.
00:49:56There's great stories.
00:51:40Fayan bir çalışma, hemen şarkı bir şeydir.
00:51:43Kırının birçin bir şarkıcı olduğunu da.
00:51:46Fiyonlarca şarkıcı sizin bir mek 생각을 yapmak için.
00:51:48Saz tam da bir şarkıcı bir şarkıcı bir şarkıcı bir şarkıcı olur, değil mi?
00:51:55Hayır, bir şarkıcı olur.
00:51:56Fiyonlarca sorduklar.
00:51:59второй şarkıcı bir şarkıcı.
00:52:02Kırıcı bir şarkıcı bir şarkıcı bir şarkıcı olur.
00:52:04Fiyonlarca en şarkıcı harkıcı.
00:52:08Ben bir şarkıcı şarkıcılar.
00:52:08Maybe that cartoon was an idea when you shattered it you took everything where I know I didn't it was on the wall of the cafe
00:52:16Maybe it might revive something give them a new life
00:52:19Tim
00:52:21Wouldn't it be wonderful if it would
00:52:23Oh but that was 20 years ago
00:52:26Surely wouldn't be there now
00:52:28Could you remember where the cafe was
00:52:30Well I don't know
00:52:32But it would be fun to try wouldn't it
00:52:34That's the chance we'll have to take
00:52:36I love to go places
00:52:38I remember once in London with the Earl of Catherstown
00:52:41Mother is this your idea of a nice cozy little place
00:52:46I'm positive this is where it was
00:52:48Or is it
00:52:50Good evening sir
00:52:52A table for three please
00:52:54Just a moment sir
00:52:56A table for three particularly
00:53:03To be more on the next day
00:53:04A table for four to five minutes
00:53:05Of course
00:53:06A table for two minutes
00:53:07I'm good it's too much
00:53:07It's too much
00:53:08Anyway
00:53:09I'm not so happy
00:53:09I'll taste it
00:56:51I remember, I remember it was, that wall.
00:56:54Fine.
00:56:55Was it near the corner?
00:56:56Yes, it was.
00:56:57Yes, it was in that corner.
00:56:59Now we're getting somewhere.
00:57:00Gaston.
00:57:01Oui, madame.
00:57:02Qu'est-ce que vous voulez?
00:57:03Je veux un peu.
00:57:04Un peu.
00:57:05Un peu.
00:57:06Un peu.
00:57:07Un peu.
00:57:08Un peu.
00:57:09Un peu.
00:57:21Get out of the bag.
00:57:32What do you need young man?
00:57:34Oh, excuse me, Curly.
00:57:36Are you sorry?
00:57:38If you insist in annoying our guests,
00:57:40I'm having to ask you to leave.
00:57:41Pardon me, junior.
00:57:42Junior huh?
00:57:43Don't I get now teaching not to flirt with strange ladies?
00:57:47Oh, but you really can meet some lovely people that way.
00:57:49Mother,
00:57:50İzlediğiniz için teşekkür ederim.
00:58:20İzlediğiniz için teşekkür ederim.
00:58:50Oh, he doesn't understand French.
00:58:53Probably born in Brooklyn.
00:58:56Well, I know it here someplace.
00:58:59Then it's very simple.
00:59:00All we have to do is take all the paper off the wall.
00:59:02Oh, not all the paper.
00:59:04Just the part of the picture.
00:59:06See, we couldn't do that.
00:59:09Now, supposing the picture here.
00:59:16Oh, the picture isn't there.
00:59:17All you have to do is put the piece back.
00:59:19The baby.
00:59:20There it is.
00:59:22Right where I said it would be.
00:59:32Would you mind bringing our check?
00:59:34Mind?
00:59:35It will be a pleasure.
00:59:50I don't think Phineas would recognize his own work, but you've got to draw it so that he will.
01:00:02I never pay bills.
01:00:11I just signed my name.
01:00:13I was afraid of something like this.
01:00:15I'll have to see the manager.
01:00:16That's a good idea.
01:00:17I hate to complain, but I think he ought to know how you would annoy him.
01:00:25Gentlemen, observe that the original cartoon has its lines up, up, and up.
01:00:30That means that the creator of it was in the up mood.
01:00:34In other words to say, happy.
01:00:36That's good logic.
01:00:37Thank you very much.
01:00:40How's that, Harry?
01:00:41I really can't say, Timothy, but it does look a little like quack quack.
01:00:45Don't you think?
01:00:46Could be.
01:00:46Keep it up, Tim.
01:00:47You're doing swell.
01:00:51Oh, that isn't it.
01:00:52Tim, take a look at mine, will you?
01:00:54Yeah.
01:00:56Gentlemen, of course, I'm not an artist.
01:00:58But from the medical point of view, if Mr. Timothy will trade his nose with this gentleman's ears.
01:01:04Oh, no, no.
01:01:04He couldn't do that.
01:01:05But why?
01:01:06Because I like his nose much better.
01:01:09Thank you, Harry.
01:01:10Thank you.
01:01:12Mr. Timothy.
01:01:13Yes.
01:01:14Remember that laughter that you wanted to put in bottles.
01:01:17Do you think that has commercial possibility?
01:01:20Oh, definitely.
01:01:21Definitely.
01:01:24How's that, Harry?
01:01:26Timothy.
01:01:27I just know that is not quack quack.
01:01:29No?
01:01:30That's baby.
01:01:32All right.
01:01:33Let's go home.
01:01:33Let's put baby to bed.
01:01:34That's it.
01:01:35Oh, congratulations.
01:01:36That's it.
01:01:37You must stop.
01:01:37Thank you.
01:01:39You must stop.
01:01:39Thank you.
01:02:00Oh, merci.
01:02:01Thank you.
01:02:03Thank you.
01:02:05Thank you.
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