- 2 gün önce
Thats My Baby 1944 Sd
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00:02:00Bakın bir şey yok.
00:02:02O neymiş?
00:02:03O neymiş?
00:02:03Ölümde de başkı da yüzetme.
00:02:05Evet.
00:02:06Ölümde de planlar.
00:02:07Evet.
00:02:08Bili müşteriler.
00:02:09İnternet şarkı şarkı.
00:02:10Ölümde.
00:02:11Evet.
00:02:11Ölümde de gelip sesini.
00:02:12Ölümde de.
00:02:13Ölümde de gelip sesini.
00:02:14Ölümde de.
00:02:18Ölümde de.
00:02:19Ölümde.
00:02:21Ölümde de.
00:02:21Oh
00:02:27But Captain Twilight was caught off guard
00:02:29Captain Twilight realized he is in the tightest part of his career
00:02:32Does that stop him?
00:02:33No!
00:02:34He wosomly gives him everything in his gut
00:02:37He throws himself out of his stuff
00:02:39Why you!
00:02:42He will almost come back Captain Twilight
00:02:45Stop Twilight he comes back again
00:02:47Why you!
00:02:51He almost comes back Captain Boyack comes and he comes and he comes.
00:02:56He almost comes back.
00:02:57No.
00:02:58Ah, the wasp is about to give Captain Dwight the sting of his breath.
00:03:03Sting of death.
00:03:04Sting of death.
00:03:05Why you.
00:03:06Tim, what do you say?
00:03:17Is that a great twist or not?
00:03:19Oh, it's great fellas, I'll buy it.
00:03:22And you can have it.
00:03:29Am I crazy?
00:03:30Certainly.
00:03:31What?
00:03:32Well, wait a minute.
00:03:33You gotta be crazy in this business to make any money.
00:03:35Then Mr. Moody's crazy.
00:03:36Well, certainly he's crazy.
00:03:37Everybody's crazy.
00:03:38We're all crazy.
00:03:39So what else have you got?
00:03:45Only your character for next month's magazine.
00:03:48I couldn't sleep a wink thinking about it.
00:03:50Next time you can't sleep, try counting sheep.
00:03:53I will.
00:03:58My suggestion is to throw this in the wastebasket.
00:04:00In that case, we'll take the basket up to Moody.
00:04:02He might fool you and like it.
00:04:04Just a minute, Jones.
00:04:05I'm still general manager of the plant.
00:04:07Hilton Payne, remember?
00:04:08Oh, brother, how could I ever forget it?
00:04:10And Mr. Moody can't approve something he doesn't see.
00:04:13No.
00:04:14And furthermore, I don't approve of anyone who steps on my toes.
00:04:17You wouldn't.
00:04:18Looks like a spot for a pinch hitter.
00:04:19What's the score?
00:04:20Hello, Betty.
00:04:21It's tied.
00:04:22He says no, I say yes.
00:04:23What you boys need is a referee.
00:04:25Now, honey, don't you bother your pretty little head about details.
00:04:28Jones and I will settle this between us.
00:04:31Maybe I could decide.
00:04:33I think I know father's likes and dislikes as well as you do.
00:04:38And I've decided it's tops.
00:04:40Thanks.
00:04:41Well, Betty, I guess your decision just about covers everything.
00:04:48You know, it's funny what jealousy can do to a guy's judgment, isn't it?
00:04:52I can understand that.
00:04:54Father thinks I'm going to marry him.
00:04:57You know, you have the most beautiful eyes.
00:05:00Tim.
00:05:01Father isn't a well man.
00:05:04And the most beautiful hair.
00:05:06He depends on me.
00:05:08And the most beautiful man.
00:05:10Tim, stop.
00:05:11I'm serious.
00:05:12Yes, I know.
00:05:13And, well, I think that we should do something about it.
00:05:17Yes, yes, we will.
00:05:18But you still have the most beautiful hair.
00:05:20And the most beautiful.
00:05:21And I've decided to.
00:05:22And the most beautiful.
00:05:23I've decided that I'm going to get a doctor.
00:05:26Yes.
00:05:27Okay.
00:05:28Okay.
00:05:41Miss Wilson.
00:05:42Where's Mr. Austin?
00:05:43Good morning, Mr. Moody.
00:05:44Yes, yes.
00:05:45Where's Mr. Watson?
00:05:46He should be here any moment, Mr. Moody.
00:05:48Stand him in the minute he comes.
00:05:49Yes, Mr. Moody.
00:05:50Good morning, Miss Wilson.
00:05:51Go right in, Mr. Austin.
00:05:52Mr. Moody's waiting for you.
00:05:53Good.
00:05:54Good morning, Miss Wilson.
00:05:55Go right in, Mr. Austin.
00:05:56Mr. Moody's waiting for you.
00:05:57Good.
00:06:06Good morning, Annie.
00:06:07Good morning, R.P.
00:06:08Glad to see you.
00:06:10Hi, Tilly.
00:06:11Start toiling.
00:06:12Here's the morning news.
00:06:13Right on the dot.
00:06:14What happened to Picklepuss?
00:06:15Did he go out of that jam he was in yesterday?
00:06:17Yeah, he made it all right.
00:06:18Just the cops were closed.
00:06:19Hold it, don't tell me.
00:06:20I'll read it later.
00:06:23Say, how come his nibs is so scared of the comics?
00:06:25If I could make a million bucks with him like he did,
00:06:27I'd, I'd die laughing.
00:06:29Uh, why don't you send one in and see what happens?
00:06:31A very funny idea.
00:06:33The girl that worked before me forgot just once.
00:06:35The comics went inside and boom, she was outside.
00:06:38Yeah, well that makes a difference.
00:06:43That's why I like you, Henry.
00:06:45You're honest.
00:06:46Don't try to impress me like everyone else.
00:06:48Hilton, for instance.
00:06:49He's just waiting for me to retire.
00:06:52Oh, I thought you approved of him that he was going to marry Betty.
00:06:55He's the man Betty thinks she wants to marry.
00:06:57I'm not going to interfere.
00:06:58I made a mistake of my own marriage.
00:07:01Who am I to tell her what to do?
00:07:03I like Betty.
00:07:05I hope she'll be happy and never want for anything.
00:07:07She won't.
00:07:08At least financially.
00:07:09Oh, then you're going to give Hilton the business.
00:07:12Yes, but not the way he expects.
00:07:15He's a lucky young man.
00:07:17I hope he appreciates it.
00:07:19Henry, the art of appreciation is lost in this world of dog eat dog.
00:07:23Everybody is out for something.
00:07:25I know.
00:07:26A bunch of cut throats.
00:07:34Good morning, Marjorie.
00:07:35Good morning.
00:07:36Good morning, Miss Moody.
00:07:37Good morning, Henry.
00:07:38How's Dad?
00:07:39Wonderful.
00:07:40He brightens up my whole day.
00:07:43Well, Dr. Calloway, it's good to see you.
00:07:45It's a pleasure, Miss Moody.
00:07:46This is Dr. Swatsky of Prague.
00:07:47Swatsky with the V, Calloway.
00:07:48Oh, sorry.
00:07:49With a we.
00:07:50How do you do?
00:07:51How do you do?
00:07:52How do you do?
00:07:53If you gentlemen will wait here a minute, I'll go in and prepare Dad.
00:07:57That glint in your eyes can mean only one thing.
00:07:59You've got an idea.
00:08:00I have, and it's a good one.
00:08:01I was afraid of that.
00:08:02Well, what is it?
00:08:03Did you take your medicine?
00:08:04No.
00:08:05Why not?
00:08:06Because my medicine does you more good than it does me.
00:08:08Well, what is it?
00:08:09Because my medicine does you more good than it does me.
00:08:10Well, what is it?
00:08:11Well, what is it?
00:08:12You take your medicine?
00:08:13No.
00:08:14Why not?
00:08:15Why not?
00:08:16Because my medicine does you more good than it does me.
00:08:18Now.
00:08:19Open.
00:08:20Now, how do you feel better?
00:08:21Very much better.
00:08:22Well, what is it?
00:08:23Well, what is it?
00:08:24Well, what is it?
00:08:25Did you take your medicine?
00:08:26No.
00:08:27Why not?
00:08:28Because my medicine does you more good than it does me.
00:08:32Now.
00:08:33Open.
00:08:42Now, do you feel better?
00:08:43Very much better.
00:08:44Hello, Dr. Calloway.
00:08:48I hope you have better luck this time.
00:08:49Well, I'm sure we will.
00:08:50I'm fortunate in having Dr. Swatsky with me on the case.
00:08:53Dr. Swatsky?
00:08:54Swatsky, yes.
00:08:55Swatsky.
00:08:56This is very, very interesting.
00:08:59Calloway, my dear colleague.
00:09:01I haven't seen one like this recently.
00:09:03Wait a minute.
00:09:04There's nothing wrong with me.
00:09:05Mr. Moody's the man you want.
00:09:07Moody, yes.
00:09:08Mr. Moody.
00:09:09This is a very intriguing example of the paranoid type.
00:09:13Yes.
00:09:14Consolidated up four points.
00:09:16Associated up five.
00:09:17Go ahead and order that mink coat.
00:09:22But Hilton told me to sell both of them yesterday.
00:09:24Hilton.
00:09:25Hilton.
00:09:26Hilton.
00:09:27Were you calling me, R.P.?
00:09:29No, I'm not calling you.
00:09:30I'd like to forget you.
00:09:37Now, Daddy, don't get upset.
00:09:39What would Dr. Calloway think if he saw you this way?
00:09:42Dr. Calloway?
00:09:43Yes, and we're very lucky.
00:09:44He's brought a famous specialist from Prague.
00:09:47Specialist medicines.
00:09:48What good do they do?
00:09:49Betty, I know you're trying to help me, but it just won't work.
00:09:51All your doctors, specialist medicines.
00:09:53None of them do any good.
00:09:55Please, Dad.
00:09:56Try it just once more.
00:09:58This time we'll win.
00:10:00I'll bet on it.
00:10:02All right, but if you lose, this will be the last time.
00:10:05It's a bet.
00:10:13Dr. Calloway, Father will see you now.
00:10:15Oh, Dr. Swatsky.
00:10:17Yeah?
00:10:18Uh, no.
00:10:19Oh, thank you very much.
00:10:20Thank you.
00:10:22Oh, thank you.
00:10:23Thank you very much, Doctor.
00:10:26Hello, Calloway.
00:10:29Dr. Swatsky, Mr. R.P. Moody.
00:10:31R.P. Moody.
00:10:32How do you do?
00:10:33How do you do, Mr. Moody?
00:10:35Melancholia maribundus, Dr. Calloway.
00:10:38The pleasure is all mine.
00:10:39You're welcome to it.
00:10:40Hmm.
00:10:42In going over your case with Dr. Calloway,
00:10:45we have found that sanity runs in your family.
00:10:49Right now, I doubt it.
00:10:51Now, I also found out that you're a successful businessman.
00:10:55Don't you feel sometimes that you're all alone?
00:11:00No, no, no, please, please, don't interrupt me.
00:11:01Uh, quiet, please.
00:11:03Now, at times you have the feeling
00:11:06as though you are in total darkness.
00:11:08Answer me, please.
00:11:09Yes, many times.
00:11:11Good, good, like going somewhere.
00:11:13Now, tell me, please.
00:11:14When, when those things do occur?
00:11:17When I turn out the light and go to bed.
00:11:19When you turn out the lights and go...
00:11:20No, no, no, no, no, no, no, no.
00:11:24When you laugh, when you laugh,
00:11:26is it a high-pitched laughter like...
00:11:29Or is it, is it perhaps a hysterical one like...
00:11:33It has a slow start and then builds up.
00:11:35Or is it a full, full, wholehearted laughter deep like...
00:11:40I never laugh.
00:11:42You never laugh? No, no, no.
00:11:44That, that you don't mean.
00:11:45That I do mean.
00:11:46I haven't smiled, let alone laughed in 20 years.
00:11:49Dr. Calaway, that I cannot believe.
00:11:53An acute case of melancholia.
00:11:55Hmm, no, no, no.
00:11:56The diagnosis we have left behind, my dear colleague.
00:11:59The reasons for it.
00:12:01The etiology, the prognosis of it.
00:12:03That's what, what I cannot understand.
00:12:06The facial muscles?
00:12:08The facial, the facial muscles.
00:12:10That is correct.
00:12:11That is correct.
00:12:12Will you please lean back?
00:12:14Like this.
00:12:16The facial muscles.
00:12:18That's strange.
00:12:19Strange, very strange.
00:12:20Very, very strange.
00:12:23No, no, that's correct.
00:12:25Now, let's see the facial muscles and the reactions.
00:12:29Let's see another...
00:12:31Observe, Dr. Calaway.
00:12:33Absolutely normal reaction.
00:12:35Now, let's see this.
00:12:37Sit back, please.
00:12:38Sit back.
00:12:40Hmm.
00:12:41Hmm.
00:12:42Now, everything's absolute, you know.
00:12:44Better no better, he's going too far.
00:12:46No, no, no, no, Mr.
00:12:48Moody.
00:12:49Mr. Moody.
00:12:50Now, please, please.
00:12:51Try to think, if you can.
00:12:5420 years ago.
00:12:5620 years ago.
00:12:58Remember?
00:12:59Your daughter was just a little baby.
00:13:03What happens to you then?
00:13:05What happened 20 years ago is no concern of yours.
00:13:07I've had about all I can stand for today.
00:13:09Uh, Dr. Calaway.
00:13:11Unless I have a full corporation,
00:13:13we're getting no place fast.
00:13:14This is only an idea, a clue, perhaps a parallel to jump from.
00:13:21What is it, Dr. Svadsky?
00:13:23My dear young lady.
00:13:26In 1783, Philip of Spain was suffering from melancholia so moribund that it threatened his life.
00:13:33After a search, a singer was found, whose voice had a therapeutic effect.
00:13:40Now, the singer provided tectonic.
00:13:44And the king imagined, the king was healed.
00:13:47Oh, brilliant. A massively analysis.
00:13:49Well, thank you, thank you very much.
00:13:50Now, the cure, it is simple.
00:13:52All we have to do is make Mr. Moody laugh.
00:13:55I could have told you that without a fee.
00:13:58The whole world needs laughter.
00:13:59Laughter is a medicine.
00:14:00And you can't take an overdose of it.
00:14:02It's good for what ails you.
00:14:03Falling hair, falling arches, bunions.
00:14:04Why, the whole world's crying for it.
00:14:07Say, why don't we bottle it and go into business?
00:14:10It is a very refreshing point of view.
00:14:12Well, there must be somebody who can make him laugh.
00:14:14I doubt it.
00:14:16Tim, I've got the beginning of an idea.
00:14:20And I've got the end of it.
00:14:25If the king of Spain was cured by one singer,
00:14:30then we'll hire the best talent that money can buy.
00:14:33They should be able to do something for Dad.
00:14:41Freddie Fisher in his band.
00:14:44George McKay.
00:14:46Bill.
00:14:47Dottie.
00:14:49Duffy.
00:14:50Peanut.
00:14:52Darby and Darnell.
00:14:53Isabellita.
00:14:54Nuala Lajor poet.
00:14:56Chewie Reyes and his trucker Derband.
00:14:59Mike Riley and his musical maniac.
00:15:01And Bob Roberts.
00:15:02And Mervyn.
00:15:04Alphonse Vergier and Doris Duane.
00:15:07Al Mardo and his pal.
00:15:23Alphonse Vergier.
00:15:27Where's Hoskins?
00:15:29Hoskins took the day off to get married, sir.
00:15:30I'm his brother.
00:15:32Who brought that beast in here?
00:15:33I did, sir.
00:15:34He's not a beast.
00:15:36He's my dog.
00:15:37Well, I'm allergic to dogs,
00:15:38and I think I'm going to be allergic to you.
00:15:39Get him out of here.
00:15:41Say, listen, if you want any help,
00:15:42you better take what's available.
00:15:44And with me, it's love me, love my dog.
00:15:47Besides, he's a fine dog.
00:15:48I'm crazy about him.
00:15:51The greatest trick dog that ever lived.
00:15:53But he won't do easy tricks.
00:15:55Only big tricks.
00:15:57And the bigger the tricks,
00:15:58the better he'll do them.
00:16:00Did you get that buildup I gave you?
00:16:02I told him you won't do easy tricks,
00:16:04only big tricks.
00:16:05Come on, let's show him some class.
00:16:06Ready?
00:16:07Stand up, boy.
00:16:08Up.
00:16:09Come on, boy.
00:16:10Stand up.
00:16:11Up.
00:16:12Come on, boy.
00:16:13Stand up.
00:16:14Up.
00:16:15Too easy.
00:16:16Lay down.
00:16:17Dead dog.
00:16:18When I say dead dog, you lay down.
00:16:22Well, he don't have to lay down.
00:16:23He's dead standing up.
00:16:24All right.
00:16:25Look, over here.
00:16:26I'll show you.
00:16:27Look, right here.
00:16:28Right here.
00:16:29Look.
00:16:30Over here.
00:16:31Come on, boy.
00:16:32Come on.
00:16:33Head up, boy.
00:16:34Right here.
00:16:35Look, did you see that trick?
00:16:36He moved.
00:16:37I hope he didn't strain his shoulder,
00:16:38that's all.
00:16:39Take it easy.
00:16:40You're working a little too fast.
00:16:41Slow up a little.
00:16:42Take your time.
00:16:43Go ahead.
00:16:44Lay down.
00:16:45I think the suit is too big for you.
00:16:46Come on, boy.
00:16:47Look at that.
00:16:48Look.
00:16:49Maybe he's expecting mumps.
00:16:50Why don't you stop suffering and lay down?
00:16:52Collapse.
00:16:53Hold up.
00:16:54Lay down.
00:16:55You won't believe it.
00:16:56When I first got that dog, he couldn't do nothing, you know.
00:16:59Look.
00:17:00Go on and bark.
00:17:01Come on, bark.
00:17:03Whoa, whoa.
00:17:05That was me.
00:17:08Would you like to see him do one more trick?
00:17:10This is the last trick, of course.
00:17:12Come here, Flash.
00:17:13Flash.
00:17:14Come here, Flash.
00:17:15Come here, Flash.
00:17:17Come on, boy.
00:17:18Look at that speed he's burning up today.
00:17:23He couldn't go any further.
00:17:24It's a little uphill over here.
00:17:26Now the dog is going to jump.
00:17:28He's raring to go.
00:17:29Look.
00:17:30Can you make it?
00:17:31One, two, three.
00:17:33Go.
00:17:34There he goes.
00:17:35There he goes.
00:17:36Look at flunk.
00:17:37Boom.
00:17:38And besides the dog is a great music lover.
00:17:40Oh, he loves hiking.
00:17:41He's a little out of wind now.
00:17:42He's a little out of wind now.
00:17:43Take your time.
00:17:44Why don't I give him a little up down so he can do it again?
00:17:46Try it again.
00:17:47This time sneak up on it and fall on the other side.
00:17:48Go ahead.
00:17:49Go.
00:17:50There he goes.
00:17:51There he goes.
00:17:52Boom.
00:17:53Well, anyway, this is the way he looks after he jumps.
00:17:54Like that.
00:17:55There it is.
00:17:56Oh, he's a great pet.
00:17:57I'm telling you.
00:17:58There's no limit to his tricks.
00:17:59Look at him running around here.
00:18:00Look at that.
00:18:01There he goes.
00:18:02Ka-flunk.
00:18:03Boom.
00:18:04And besides the dog is a great music lover.
00:18:06Oh, he loves high class music.
00:18:08But let me tell you, of all the music he's ever heard, he likes my music the best.
00:18:13He'd rather hear me play one song on this harmonica than eat 40 or 50 stakes.
00:18:17And this is his favorite song, played by his master.
00:18:21And this is the moment when we should observe our patient at the closer range.
00:18:36Yes, at the closer range.
00:18:38Mm-hmm.
00:18:39Much closer.
00:18:40Doctor, doctor.
00:18:41What happened?
00:18:42Contradictory symptoms, Carl.
00:18:43The most contradictory.
00:18:44Tell me, please.
00:18:45What is his next move?
00:18:46Oh.
00:18:47Breakfast.
00:18:48Breakfast.
00:18:49That is very good.
00:18:50Very good.
00:18:51Very good.
00:18:52Where's Hilda?
00:18:53She took the day off to Mary Hutton, sir.
00:18:54Oh.
00:18:55What are you doing here?
00:18:56Well, I'm waiting for Vaudeville to come back.
00:18:58Oh.
00:18:59What are you doing here?
00:19:00Well, I'm waiting for Vaudeville to come back.
00:19:02Here are your three-minute aches, sir.
00:19:03Now, do you like him that young, or, uh, or would you prefer that?
00:19:04Very good.
00:19:05Very good.
00:19:06Very good.
00:19:11Very good.
00:19:12Where's Hilda?
00:19:13She took the day off to Mary Hutton, sir.
00:19:14Oh.
00:19:15What are you doing here?
00:19:16Well, I'm waiting for Vaudeville to come back.
00:19:24Here are your three-minute aches, sir.
00:19:27Now, uh, do you like him that young, or, uh,
00:19:31or would you prefer him on the older side?
00:19:33Betty!
00:19:34Betty!
00:19:35Betty!
00:19:36Betty!
00:19:37Betty!
00:19:38Betty!
00:19:41That gag always been good in Kansas City.
00:19:43Betty?
00:19:44Who, who's this man trying to take my job?
00:19:46Oh, it's just for today, Pygney.
00:19:48Oh, he's only here for the day.
00:19:50All right.
00:19:51For the day?
00:19:52What is he gonna do here today?
00:19:53He's here to entertain father.
00:19:54Oh, entertain your father.
00:19:56Well, I think if you give me a chance to drop my hair,
00:19:58I could entertain your father.
00:20:00And I'm dropping my hair right now.
00:20:36I think it might be a very good idea.
00:20:39You think so?
00:20:53What's the meaning of this?
00:20:54Oh, now everything's going to be all right.
00:20:56How can it be all right with a house full of hoodlums?
00:20:58They're not hoodlums, they're a surprise.
00:21:00I don't like surprises.
00:21:01What are you doing here why I am I Mr. Jones is just helping helping out well help me out tell me who you're helping well.
00:21:09Well you aren't we Tim yeah select the entertainment for entertainment for the employees anniversary party way when did you get that idea well that we have recently that quite recently yeah that's fine well it's not a bad idea well let's start selecting I've got a place of business to go to yeah Mr. Moody Mr. Moody one more question you ask me later please I have something to look at.
00:21:31Crying every night I'm alone I keep crying for I seem to be lost in a crazy dream and I'm hopelessly drifting along
00:21:55Crying every night by the fall I keep crying I'm just groping around in a hazy dream
00:22:14For there's no use in dreaming alone
00:22:21The harder I try to forget all our moments the more the tears come to my eyes
00:22:36Foolish I know but I can't help but feeling that the whole silly thing wasn't why I'm lonely
00:22:52Every morning I wake and I'm lonely
00:22:59As the days pass me by I go drifting along just like a ship that drifts along at sea
00:23:12Hey Robert hey Robert Robert I was standing out there and I heard you sing the song
00:23:19I was singing crying
00:23:20You said you were crying
00:23:21That's right
00:23:22Well Robert I was I got fooled last night
00:23:24Ha ha ha
00:23:25I was crying last night too Robert
00:23:27I was going to cry
00:23:28Ha ha ha ha ha ha ha ha ha
00:23:30Robert listen to me cry
00:23:31I cried because you
00:23:33I was just
00:23:34I cried
00:23:35Ha ha ha ha ha ha ha ha ha
00:23:37Robert Robert you said you said you said you should
00:23:40Oh my god
00:23:42Hehehehehehe
00:23:50Take a fan course
00:23:59ason
00:24:02K stages
00:24:03最近
00:24:04The moon on fire
00:24:06Don't worry you won't with that babe
00:24:08I don't want to hit the wheel
00:24:10Ha ha ha ha ha ha.
00:24:20Ahh ha ha ha.
00:24:24Boy. Am I put out.
00:24:27Ahh.
00:29:46Yo no quiero que te aleges y te vayas sin saber que eres tú mi prenda amada y que tú eres mi querer.
00:31:42M.K.
00:33:25Benny!
00:33:26He was bound to find out sooner or later.
00:33:28Don't worry about it.
00:33:29I'm not.
00:33:30I was thinking about something a doctor said.
00:33:32What?
00:33:33He was digging in the past.
00:33:35And the old man didn't like it, huh?
00:33:37There must be souvenirs or keepsakes or something around the house.
00:33:42Not in the house.
00:33:44Wait a minute.
00:33:45There's a confidential file in the office.
00:33:47No one ever touches it.
00:33:49I've got it.
00:33:51We'll rob the joint.
00:33:53In broad daylight?
00:33:55No, tonight.
00:34:04There you are raffling.
00:34:06Start raffling.
00:34:07Hardly worthy of my talents.
00:34:09This is going to be very easy.
00:34:15I broke my knife.
00:34:17Maybe I should have brought a tool kit.
00:34:19You should find what you want in here.
00:34:21Why?
00:34:23Lighter.
00:34:25File.
00:34:26Powder.
00:34:27Let's blast.
00:34:28Blast this time of the night?
00:34:29Might wake up the watchman.
00:34:31Don't worry about that.
00:34:32This building would have to fall down before we can wake up Ansel.
00:34:35Ansel?
00:34:38The watchman.
00:34:39Dear old Ansel.
00:34:40There's only one trouble with this thing.
00:34:42It won't open.
00:34:43Oh, why didn't you say so in the first place?
00:34:45Marvelous darling.
00:34:48What's that?
00:34:52Just Ansel, remember?
00:34:54Oh yeah, Ansel.
00:34:55When may we expect it?
00:34:56Just three more doors.
00:35:01Two more.
00:35:04Perhaps you better go through this.
00:35:06After all, it's your past.
00:35:07Not afraid of old skeletons, are you?
00:35:09Skeletons don't worry me.
00:35:15It's mother and daddy when they were first married.
00:35:17Mother's kind of pretty, isn't she?
00:35:19You know, put a modern dress on her and it could be you.
00:35:23Yeah.
00:35:24Am I crazy?
00:35:25Why your father's laughing?
00:35:28Yeah.
00:35:30It's too bad he can't laugh like that now.
00:35:32I'll be happy.
00:35:37Oh.
00:35:52Good evening, Ansel.
00:35:55Who are you?
00:35:57Oh, I was expecting Ansel.
00:35:59I wasn't expecting anybody.
00:36:01What's your name?
00:36:02Uh, Betty Moody.
00:36:04Betty Moody.
00:36:06Betty Moody.
00:36:08Betty Moody.
00:36:10Oh, yes, sir.
00:36:12Your name is on my list, Miss Moody.
00:36:15Yes, well, I'm glad my name's on your list.
00:36:18Well, good night.
00:36:20Good night, Miss Moody.
00:36:23All the time I thought you knew, Ansel.
00:36:39Tim, isn't it terrible the way people have violent tempers when they're young?
00:36:42Oh, that's all right, darling. I'll forgive you.
00:36:44Mother refers to it as artistic temperament.
00:36:48Father calls it blank, blank, blank stubborn.
00:36:52And three years later, they're of the same opinion.
00:36:56Apparently they haven't changed a bit.
00:37:01Tim, that could never happen to us, could it?
00:37:03Not in a million years, darling.
00:37:10I'm afraid we're going to have Conners again.
00:37:12Back in your cave.
00:37:20Why Betty?
00:37:21I saw a light in the office as I was driving by, and I thought I'd come up and investigate.
00:37:28And now that you've investigated?
00:37:30I am perfectly satisfied with what I've found.
00:37:33What have you found?
00:37:34You.
00:37:36Just when I was getting the silly idea that I'd lost you.
00:37:39You have.
00:37:40Betty be sensible.
00:37:42You're not going to let a ridiculous infatuation for a fellow like Jones upset your whole future.
00:37:47Just a minute, Bob. You're going too far.
00:37:49Where did you come from?
00:37:50In there.
00:37:52What are you doing here?
00:37:53Looking after Miss Moody's future, starting now.
00:37:56And I'd say you've got a great start going through Mr. Moody's private papers.
00:37:59I think you'd better leave.
00:38:00I'm going to.
00:38:02When I go, I'll walk out, not sneak out.
00:38:04Sneak out.
00:38:05Isn't that clear?
00:38:06Perfectly clear.
00:38:08I'm not forgetting this, Jones.
00:38:09We'll settle this later.
00:38:10Good morning, R.P.
00:38:17Where'd you get that, Hilton?
00:38:19Well, it was this way.
00:38:21I know, you ran into a door.
00:38:23Yes.
00:38:24No, I was driving by the office last night.
00:38:26I saw a light through the window.
00:38:28I came up to investigate and I found one of your employees going through your private papers.
00:38:33Going through my papers?
00:38:34Yes.
00:38:35Naturally, I took exception and that's how I got the black eye.
00:38:38Who was it?
00:38:39Timothy Jones.
00:38:40Jones?
00:38:41Why, that good for nothing.
00:38:43How do you do, Mr. Moody?
00:38:44Not now, Swatsky.
00:38:45Good morning, Dr. Swatsky.
00:38:46Oh, the paranoid type.
00:38:48Now, look, Dr. Swatsky.
00:38:49I know, but the last time I saw you, I told you that Mr. Moody was a gentleman that you should have talked to.
00:38:55I know, but I'm awfully busy.
00:38:57You should be getting excited.
00:38:58You see, a criminal type.
00:38:59Dr. Swatsky.
00:39:00I know, but I'm not the one you know.
00:39:02I'm not the one you know.
00:39:04Strange character, isn't he?
00:39:06Well, Monk, we'll run through it a couple times before we try it on Tim.
00:39:09Ah, the story begins the way out west.
00:39:14Well, what am I going to be?
00:39:15You're going to be Monk the killer.
00:39:19I'm not afraid of you.
00:39:21Besides, you've got Little Rallo and Bill Philips, the two boy rangers, trapped in the cabin.
00:39:24Monk, you move out.
00:39:25You're ready to make it around the door.
00:39:27I'll get the chalk.
00:39:28I'll get the mail, sir.
00:39:29This is the cabin.
00:39:30Uh-huh.
00:39:31What's that?
00:39:32Little cabin.
00:39:33Oh, remember now, we are the two boy rangers.
00:39:36And youth pre-sodified.
00:39:40The most powerful youth in all the land.
00:39:52Ah, it's a matter of minutes before the killer bashes down the door.
00:39:58Yes.
00:39:59Send to the scenes of the mail, sir.
00:40:00Aha!
00:40:01Okay, Monk.
00:40:02On the floor, on the floor.
00:40:03Ro!
00:40:04We've got the killer.
00:40:05Quick, the soap.
00:40:06You mean the rope.
00:40:07The rope.
00:40:08The rope.
00:40:09The rope.
00:40:10The rope.
00:40:11The rope.
00:40:12The rope.
00:40:13I got him.
00:40:14That's the rope.
00:40:15Nope.
00:40:16There we are.
00:40:17Swag.
00:40:18I got him.
00:40:19I got him.
00:40:20I got him.
00:40:21I got him.
00:40:22I got him.
00:40:23That's the rope.
00:40:24Nope.
00:40:25There we are.
00:40:26Swag.
00:40:27I got him.
00:40:28I'm tearing fast, Steelers.
00:40:29But we'll win, sir.
00:40:30We'll win, sir.
00:40:31We'll win, sir.
00:40:32We'll win, sir.
00:40:33Hey!
00:40:34What's more?
00:40:35The boy rangers come through with victory.
00:40:36Right?
00:40:37Ha!
00:40:38They'll keep coming.
00:40:39They'll come through the end of time.
00:40:40They'll always come.
00:40:41The boy rangers will always come.
00:40:43What are you?
00:40:44Ha ha!
00:40:45Hey.
00:40:46How can you be standing there and in the sack, too?
00:40:48Well, it ain't me.
00:40:49Well, who's in the sack?
00:40:50Yeah, who's in the sack?
00:40:51Yeah, who's in the sack?
00:40:52I don't know.
00:40:56You scoundrel.
00:40:57Oh, Mr. Moody.
00:40:58You scoundrel.
00:40:59You're through.
00:41:00You're finished.
00:41:01Yeah, yeah.
00:41:02Get out and scale.
00:41:03Yeah, I know.
00:41:04I'm throwing them out.
00:41:05Send my mail to the club, will you boys?
00:41:06Bye.
00:41:07Bye.
00:41:08Get out of here, both of you.
00:41:11A boy ranger ever fails.
00:41:12He always goes through.
00:41:20Dad.
00:41:21Dad, what happened?
00:41:22Everything, everything bad.
00:41:23Mainly Jones.
00:41:24Now, wait a minute, Dad.
00:41:25Nobody's going to sneak behind my back and pry through my private office.
00:41:28I kicked him out.
00:41:29Tim was with me last night.
00:41:30We both poked through your office.
00:41:32Daddy.
00:41:33Dad, we were only trying to help you.
00:41:35That's another thing I will not stand for.
00:41:36I will not allow anybody to pry into my private life.
00:41:38Well, this time you're going to stand for it.
00:41:40It's my life, too.
00:41:41And up until now, you've run it.
00:41:42Run it?
00:41:43I've been an indulgent father.
00:41:44Right.
00:41:45You've indulged yourself for 20 years.
00:41:47Made me miserable and sorry for you.
00:41:49Now I know why mother...
00:41:50Your mother has nothing to do with this.
00:41:52Leave her out of it.
00:41:53I'm not going to leave her out of it.
00:41:54She's my mother, and I'm glad I found out she's a person instead of a rumor.
00:41:58And...
00:41:59And another thing.
00:42:01Whether you like Tim or not, I love him.
00:42:13Oh my god.
00:42:16You're my chimics wish,
00:42:26She's a task
00:42:42İzlediğiniz için teşekkür ederim.
00:43:12İzlediğiniz için teşekkür ederim.
00:43:42İzlediğiniz için teşekkür ederim.
00:44:12İzlediğiniz için teşekkür ederim.
00:44:14İzlediğiniz için teşekkür ederim.
00:44:16İzlediğiniz için teşekkür ederim.
00:44:20İzlediğiniz için teşekkür ederim.
00:44:22Altyazı mı?
00:44:24İzlediğiniz için teşekkür ederim.
00:44:26İzlediğiniz için teşekkür ederim.
00:44:28İzlediğiniz için teşekkür ederim.
00:44:30İzlediğiniz için teşekkür ederim.
00:44:32İzlediğiniz için teşekkür ederim.
00:44:34İzlediğiniz için teşekkür ederim.
00:44:36İzlediğiniz için teşekkür ederim.
00:44:38İzlediğiniz için teşekkür ederim.
00:44:40İzlediğiniz için teşekkür ederim.
00:44:42İzlediğiniz için teşekkür ederim.
00:44:44Ya.
00:44:45Ya.
00:44:46İzlediğiniz için teşekkür ederim.
00:44:48İzlediğiniz için teşekkür ederim.
00:44:50İzlediğiniz için teşekkür ederim.
00:44:52İzlediğiniz için teşekkür ederim.
00:44:53İzlediğiniz için teşekkür ederim.
00:44:54İzlediğiniz için teşekkür ederim.
00:44:56İzlediğiniz için teşekkür ederim.
00:44:58İzlediğiniz için teşekkür ederim.
00:45:02Bilmiyorum.
00:45:03Pèreki.
00:45:04İZLEDİĞİ
00:45:06İZLEDİĞİ
00:45:09Unutun
00:45:10Enri
00:45:11Oh, Hello
00:45:12Enri
00:45:13Say bir insanın bir sardım ne yazın
00:45:14Bu, Enri
00:45:16Oh,omina bu, se membriyle
00:45:19Bu, buianlar
00:45:20Lemonade
00:45:21Lemonade
00:45:22I anlamlar
00:45:23presentation
00:45:24Ne
00:45:25Ne
00:45:26Ahmet
00:45:26Bu,
00:45:32I thought you might be able to tell us something about mother where can we find
00:45:36Well she spends her winters in California the summer season in Connecticut and the place isn't here
00:45:43Then she should be here now
00:45:44Well if she is she's at the Tower Hotel Tower Hotel
00:45:47She's a writer you know under the name of Lacey Thornton
00:45:57Excited darling
00:45:58Well I'm not excited I just realized what this means
00:46:03You see I've never seen my mother
00:46:06Now that you're going to see her you wonder what she's like
00:46:09Yeah
00:46:10Whether she's like you and me
00:46:15Well there's only one way to find out
00:46:26Do come right in
00:46:28Oh it's such a relief to be with young people
00:46:33You know usually I'm interviewed by these horribly businesslike people who insist upon pinning you down to places and dates and uh
00:46:40Oh I'm sorry uh Mr. Jones
00:46:42He's he's going to be your son
00:46:45That is I'm going to marry him and I'm your daughter
00:46:48Why how delightful oh I love romance in fact
00:46:53A daughter
00:46:55A Betty
00:46:56Oh
00:46:58Oh it just doesn't seem possible a little Betty grown into such a beautiful young lady
00:47:05And about to marry such a beautiful young man
00:47:08Oh it's
00:47:09Beautiful period
00:47:11Oh oh oh do sit down
00:47:19I wrote your story once and let me see it was the book before the last no uh the one next to that
00:47:26Mother
00:47:28Dad has been
00:47:29But he hasn't been well and I thought maybe that we could help him
00:47:34Oh poor Phineas he was always hard to understand
00:47:39But he has done well in business hasn't he
00:47:41Haven't you heard
00:47:42Oh I've been away for months and months oh ever so long
00:47:47I used to do all my work in Europe and oh it's so stimulating
00:47:52Mother
00:47:54Dad
00:47:55Dad is quite ill
00:47:57No is he
00:48:02What are you doing here
00:48:04You're just the guy I'm looking for
00:48:06I'm here to do you a favor here grab a chair and hang
00:48:10And hang on you know what I'm going to do I'm going to double your production and triple your income
00:48:15You know you know the way things are now the American working man's got to have something besides an automobile
00:48:20And a house and a lot he's got to be made happy and he's got to be kept happy
00:48:25Give music to make him happy the American working man loves music you can tell that by the way he jumps when the whistle blows
00:48:32Do I sure he just give him give him that music and just make his day a big long beautiful song
00:48:38The sky's the limit give him that old razzmatazz
00:48:41Okay boys let him have it
00:48:45Oh
00:48:50Give me that razzmatazz
00:48:53I'm getting tired of jazz
00:48:58I'm plenty slick feller from North Dakota
00:49:14I've even seen a little bit of Minnesota
00:49:18Oh, give me that tea-yucka too
00:49:21And let me holler wahoo
00:49:24Now people think I'm in a rut for bless because they're off they're not
00:49:27Oh, give me that razzmatazz
00:49:28So
00:49:44I love you
00:51:50Ve bu güzel bir artist var.
00:51:52Ve hiçbir şey daha kötü bir artist var.
00:51:55No, hiçbir şey daha kötü.
00:51:57O kadar, ben de binhissini diken.
00:51:59Fırcağı.
00:52:01Fırcağı.
00:52:03Fırcağı.
00:52:05Bu ne benim rücumdan.
00:52:08Bir şey.
00:52:09Bu ne?
00:52:10Bu ne?
00:52:12Bu ne?
00:52:12Oh, ben.
00:52:13Bu ne?
00:52:14Bir de kalıncağın.
00:52:16Maybe it might revive something, give him a new life.
00:52:19Tim.
00:52:21Wouldn't it be wonderful if it would?
00:52:23Oh, but that was 20 years ago.
00:52:25Surely wouldn't be there now.
00:52:27Could you remember where the cafe was?
00:52:29Well, I don't know.
00:52:31But it would be fun to try, wouldn't it?
00:52:33That's the chance we'll have to take.
00:52:35I love to go places.
00:52:37I remember once in London,
00:52:39with the Earl of Catherstown.
00:52:41Mother, is this your idea of a nice cozy little place?
00:52:45I'm positive this is where it was.
00:52:48Or is it?
00:52:50Good evening, sir.
00:52:52A table for three, please.
00:52:54Just a moment, sir.
00:53:15I don't know the case tonight.
00:53:16I'm always happy about it.
00:53:18My name is Neil, she's a Fortunately.
00:53:20I'm Black.
00:53:21I'm your son.
00:53:22I'm my son.
00:53:24And we're leaving.
00:53:25I'm your son.
00:53:26I know my son.
00:53:27I'm your son.
00:53:28I'mIM.
00:53:29I'm your son.
00:53:30I've got kids.
00:53:31I'm your son.
00:53:32I'm your son.
00:53:33I'm your son.
00:53:34I'm your son.
00:53:35I'm your son.
00:53:36I'm your son.
00:53:37I'm your son.
00:53:38I'm your son.
00:53:39İzlediğiniz için teşekkür ederim.
00:54:09İzlediğiniz için teşekkür ederim.
00:54:39İzlediğiniz için teşekkür ederim.
00:55:09İzlediğiniz için teşekkür ederim.
00:55:39İzlediğiniz için teşekkür ederim.
00:56:09İzlediğiniz için teşekkür ederim.
00:56:11İzlediğiniz için teşekkür ederim.
00:56:15İzlediğiniz için teşekkür ederim.
00:56:17İzlediğiniz için teşekkür ederim.
00:56:19İzlediğiniz için teşekkür ederim.
00:56:51İzlediğiniz için teşekkür ederim.
00:56:53İzlediğiniz için teşekkür ederim.
00:56:55İzlediğiniz için teşekkür ederim.
00:56:57İzlediğiniz için teşekkür ederim.
00:56:59İzlediğiniz için teşekkür ederim.
00:57:01İzlediğiniz için teşekkür ederim.
00:57:03İzlediğiniz için teşekkür ederim.
00:57:05İzlediğiniz için teşekkür ederim.
00:57:07İzlediğiniz için teşekkür ederim.
00:57:09İzlediğiniz için teşekkür ederim.
00:57:11İzlediğiniz için teşekkür ederim.
00:57:13İzlediğiniz için teşekkür ederim.
00:57:15İzlediğiniz için teşekkür ederim.
00:57:19İzlediğiniz için teşekkür ederim.
00:57:21İzlediğiniz için teşekkür ederim.
00:57:23İzlediğiniz için teşekkür ederim.
00:57:25İzlediğiniz için teşekkür ederim.
00:57:29İzlediğiniz için teşekkür ederim.
00:57:32İzlediğiniz için teşekkür ederim.
00:57:34İzlediğiniz için teşekkür ederim.
00:57:35Başka bugunaиту.
00:57:40習
00:57:55Bakın!
00:58:25How do you like that no picture no picture no picture sorry Gus yeah
00:58:34Eddie you're all wrong I looked the little man wasn't there but I don't know what I'm
00:58:39but why an egg I ordered roast beef medium madame F is an egg that is beef you're that
00:58:45F and not there why did you say that in the first place mother oh he doesn't understand
00:58:52French they're probably born in Brooklyn well I know it here someplace and it's very simple
00:59:00all we have to do is take all the paper off the wall oh not all the paper and just just
00:59:05the part of the picture see we couldn't do that now supposing the picture here isn't there
00:59:17all you have to do is put the piece back the baby there it is right where I said it would
00:59:23be
00:59:32would you mind bringing our check mine it will be a pleasure
00:59:47I don't think finis would recognize his own work but you've got to draw to the real
01:00:02I never pay bills I just signed my name I was afraid of something like this I left to see the manager
01:00:16that's a good idea I hate to complain but I think he ought to know how you annoyed
01:00:21gentlemen observe that the original cartoon has its lines up up and up that means that the creator of
01:00:32it was in the up mood in other words to say happy that's good logic thank you very much
01:00:37how's that Harry I really can't say Timothy but uh it does look a little like quack quack
01:00:45don't you think could be keep it up Tim you're doing swell
01:00:51oh that isn't it Tim take a look at mine will you yeah
01:00:56gentlemen of course I'm not an artist but from the medical point of view if Mr. Timothy will trade
01:01:02his nose with this gentleman's ears oh no no he couldn't do that but why because I like his nose
01:01:08much better thank you Harry thank you uh Mr. Timothy yes uh remember that laughter that you wanted to
01:01:16put in bottles do you think that has commercial possibility oh definitely definitely
01:01:24how's that Harry Timothy I just know that is not quack quack no that's baby
01:01:32all right let's go home let's put baby to bed let's say congratulations to you Mr. Timothy
01:02:02oh
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01:06:27Ha ha ha ha ha ha ha ha ha ha.
01:06:33Bye now.
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