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Sensation Hunters (1933) is a classic drama romance film that follows the intertwined lives of individuals searching for excitement, purpose, and emotional connection. Set in a world filled with temptation and personal struggle, the story explores themes of love, ambition, and redemption as its characters confront the consequences of their choices.
This vintage film captures the emotional tone and cinematic style of early 1930s Hollywood, offering a glimpse into a dramatic tale of passion, loyalty, and the pursuit of a better life.
Enjoy this timeless classic from the golden age of cinema.
This vintage film captures the emotional tone and cinematic style of early 1930s Hollywood, offering a glimpse into a dramatic tale of passion, loyalty, and the pursuit of a better life.
Enjoy this timeless classic from the golden age of cinema.
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Short filmTranscript
00:00:00THE END
00:00:30Oh, my God.
00:01:00Oh, my God.
00:01:30Oh, my God.
00:02:00Oh, my God.
00:02:04Enjoying yourself?
00:02:05You know, it's frankly embarrassing and all that sort of thing, but I've, uh, I've dropped a guinea.
00:02:10Did you drop it in my room?
00:02:13Oh.
00:02:13Oh, I say, I, I hope you didn't think that I...
00:02:19First, I thought that, uh...
00:02:21Well, you shouldn't, should you, eh?
00:02:22No, I guess I shouldn't.
00:02:24Bye-bye.
00:02:25Uh, uh, toodaloo.
00:02:41Could you tell me what time we get into Los Angeles?
00:02:43About four o'clock this afternoon, Miss Jordan.
00:02:46But you're not leaving us yet, are you?
00:02:47Oh, no.
00:02:47Now, you can't get rid of me before Panama.
00:02:49Okay.
00:02:50Okay.
00:02:51One more.
00:02:52Okay.
00:02:53Okay.
00:02:54Okay.
00:02:55Okay.
00:02:56Watch your heart there.
00:02:57Oh, Ray!
00:02:58Yeah!
00:02:59The
00:03:03The
00:03:07The
00:03:11The
00:03:15The
00:03:19The
00:03:23The
00:03:25The
00:03:27The
00:03:35Hey, that dive was a beauty.
00:03:37By the way, Miss Jordan,
00:03:39I've arranged to have you with us at the captain's table.
00:03:42It might brighten it up a bit.
00:03:44Oh, that starts to love you, Missy Jason.
00:03:46I'm sure I shall enjoy it.
00:03:48Were you hungry?
00:03:50Oh, so hungry.
00:03:52That was actually good to me.
00:03:54Hello, Mother.
00:03:59Hello, darling.
00:04:00I got down long before you.
00:04:01I say, I hear that we are to have a little game this afternoon.
00:04:05Yeah, we have to have quite a little time.
00:04:07Are you hungry?
00:04:09I believe you all know Miss Jordan.
00:04:12How do you do, Miss Jordan?
00:04:13Oh, yes, you are.
00:04:15Does Miss Jordan know Mr. Montmorency Epson?
00:04:17Oh, yes, we've met.
00:04:19It's a child.
00:04:24If I'm not too inquisitive, Miss Jordan,
00:04:26was it on the continent you met Mr. Epson?
00:04:29It was on a boat.
00:04:30You know how it is in life sometimes.
00:04:32You open a door and before you know it, you bump into somebody.
00:04:36I say, old thing, do we take on any passengers at Los Angeles?
00:04:41Why, yes.
00:04:42As I recall, there's a group of passengers going through to Panama.
00:04:46The Trixie Snell girls down to perform in the Bull Ring Cabaret.
00:04:50You mean cabaret girls?
00:04:52Well, dancers, entertainers, hostesses.
00:04:55You can call them almost anything you like.
00:04:57Hoochie-coochie dancers, eh, what?
00:05:00Will they be permitted to mix with the passengers?
00:05:03They are passengers, Mrs. Grayson.
00:05:05The company cannot discriminate.
00:05:06Well, the passengers can discriminate, I assure you.
00:05:10Yes, I quite agree with you, Mother.
00:05:12That type should be kept in its place.
00:05:14Don't you think so, Dale?
00:05:16That depends on the type and the place.
00:05:40What?
00:05:41Hey, red!
00:05:43Her hair's a different color every year, but they still call her red.
00:05:47Pam the chatter, save your pet for Panama.
00:05:53Say, you'd forget your rosy cheeks if they weren't slapped down with a paintbrush.
00:06:01I know I had him when I bumped into that traveling man last night.
00:06:04The brakes, I guess.
00:06:06Another farmer's daughter.
00:06:08Have you looked in the First National?
00:06:10Oh.
00:06:14Hurried.
00:06:15Well, try the second branch, you sims.
00:06:20Oh, hot dog!
00:06:21Hot dog!
00:06:29One side, sailor.
00:06:30You ain't seen nothing yet.
00:06:35In all the world, no trip like this.
00:06:38Hi, Skipper.
00:06:39Hi, Skipper.
00:06:40How's your old compass?
00:06:41Hello, Miss Mel.
00:06:42Glad to see you again.
00:06:43I'll be so proud of all of you.
00:06:45Hey, Admiral.
00:06:48Hey, Admiral.
00:06:49Are there any hot hoppers on this cog?
00:06:51Scram, Dumbbell.
00:06:52Cramp your sound till you get where you can use it.
00:06:54Take down!
00:06:56Hey, sailor!
00:06:57Look who's back!
00:06:59Come on, come with me.
00:07:01Caloons!
00:07:06If you'll excuse me, Mr. Grayson, I think I'll go down to my cabin.
00:07:09Well, I'll see you later, won't I?
00:07:12Why, yes.
00:07:14Unless you look the other way.
00:07:20That's it.
00:07:21I think it is.
00:07:24Who's the roommate?
00:07:25Last time, he bumped me with a contortionist.
00:07:27Every time I looked at her in bed, I thought I was having a nightmare.
00:07:30Oh, she's a kid I picked up in Frisco.
00:07:32Kind of green, but she can sing.
00:07:34Oh, amateur, huh?
00:07:36What are we supposed to do, wiener?
00:07:38Well, there's nothing like a little fresh meat.
00:07:40After all, customers get kind of tired of has-been.
00:07:43You should know.
00:07:45Why, you low-down, plug-face.
00:07:48Oh, as I was saying, dear, we're going to have a delightful trip.
00:07:51Why, here's Miss Jordan now.
00:07:54Jollywhats.
00:07:55Oh, hello, Miss Jordan.
00:07:57Received my wire, eh?
00:07:58Yes, I did, Miss Nell.
00:08:00I didn't really expect to hear from you.
00:08:02This is Jerry Royal, your roommate.
00:08:04Been with me before, and she knows the rope.
00:08:06How do you do, Miss Royal?
00:08:07Shake, Jordan.
00:08:08Hey, Trixie.
00:08:09When do rehearsal start?
00:08:10Not till this gang of slobs get their sea legs.
00:08:13And listen, you.
00:08:14Keep their mitts off those sailors.
00:08:16They've got enough on their hands keeping this tub afloat.
00:08:18The last we'll see of Trixie till we get into port.
00:08:24She's a good egg, except when she gets scrambled.
00:08:27Got a nail file, honey?
00:08:29What's the matter?
00:08:30Did you lose the key?
00:08:31No, I locked it in my trunk so they'll know where it is.
00:08:34It's your first time in show business?
00:08:36Yes, it's my first to pin.
00:08:38Well, you sure picked a tough spot for a beginner.
00:08:41Well, you've got to begin someplace.
00:08:43Yeah?
00:08:44Well, you don't know the bull ring or Trixie Snell's technique.
00:08:47Have you been there before?
00:08:49Honey, I've been to Panama so often I feel like an isthmus.
00:08:52Well, if it's so bad, why do you and the other girls keep on going back again?
00:08:57Oh, different girls, different reasons.
00:08:59But mostly because it's just our speed.
00:09:02You know, you can't make a silk purse out of a horse's neck.
00:09:05And there's another reason.
00:09:07Good hunting for husbands.
00:09:09Say, there's 20 unmarried men to every woman.
00:09:12Why, it's a regular he harem.
00:09:14I shouldn't think a good looking girl like you'd have any trouble finding a husband.
00:09:18She wanted one.
00:09:20Thanks for them kind words, sister, but I am married.
00:09:23You are?
00:09:24Yeah, or am was and is going to be.
00:09:27Are you joking?
00:09:28No, sir.
00:09:29Three times loser.
00:09:30Trouble with me is I go gaga over tattoo marks.
00:09:33Three splices and three sailors.
00:09:36The kind of sailors I hitched up with ain't never seen an anchor.
00:09:39How do you lose them?
00:09:41They don't just run away, do they?
00:09:43No, some of them get lost in the fog.
00:09:45The rest of them I just throw out.
00:09:48Well, it was open all the time.
00:09:50I forgot to lock it.
00:09:52Well, that was number one.
00:10:04Olaf Anderson.
00:10:05He's a pretty good guy.
00:10:07Not much to look at.
00:10:09But oh, sister, what a man.
00:10:12What happened to him?
00:10:13Poor Olaf.
00:10:14He signed on one of those round the world cruises.
00:10:17Lost his boat in Shanghai.
00:10:18And I guess the dumb dodo can't learn enough Chinese to ask his way home.
00:10:22Want me to help you put your things away?
00:10:24Nope.
00:10:25I don't need any help.
00:10:32Well, I'm all settled.
00:10:34Haven't helped the poor sailors on a night like this.
00:10:37I thought you said you'd sworn off on sailors.
00:10:40Well, the gal's got to have some practice.
00:10:42Some of those sailors are pretty good at practice.
00:10:46Well, your girlfriend turned out to be one of Trixie Snell's hot numbers.
00:11:11Well, I've a frightful headache.
00:11:27Will you see me to my cabin?
00:11:36Coming, children.
00:11:41Miss Jordan, I've been waiting for days to find someone to introduce us.
00:11:58Looks as though I'll have to take fate by the forelock and present myself.
00:12:01How do you do, Mr. Bayless?
00:12:04You knew my name.
00:12:05You knew mine?
00:12:06Well, would you dance?
00:12:11Aren't you afraid you'll lose your social standing?
00:12:24I haven't any.
00:12:26I might acquire some dancing with you.
00:12:28Little bit.
00:12:38Phew!
00:12:39How many ports have you been in?
00:12:40A whole lot, baby, but I always go back to the same one.
00:12:42The same what?
00:12:45Back home, where there's Mama and Gretchen and Mabel and Katherine and Isaacs and Aloysius.
00:12:50And the baby I ain't even seen yet.
00:12:52And what am I supposed to be, the godmother?
00:12:54What am I supposed to be, the godmother?
00:13:04Do you realize that for the whole evening
00:13:06you've made me talk of nothing but myself?
00:13:09I certainly couldn't think of a better subject.
00:13:11Mr. Baylor, suppose you tell me the story of your life.
00:13:15Do you think you'd be interested?
00:13:17That depends on the story.
00:13:19It's a long one.
00:13:20Probably take all of tomorrow afternoon.
00:13:23Do you think you could stand it?
00:13:24I think so, Mr. Baylor.
00:13:26Tom.
00:13:27Tom.
00:13:34It must be very late.
00:13:36I think I'd better go.
00:13:43I've had a delightful evening, Tom.
00:13:46Good night, Dale.
00:13:47Good night, darling.
00:13:53Good night.
00:13:56Cup蓮.
00:13:57good night.
00:13:58Good night.
00:13:59Good night.
00:14:02Good night.
00:14:03Good night.
00:14:03Good night.
00:14:03Good night.
00:14:04Good night.
00:14:05Good night.
00:14:06Good night.
00:14:07Good night.
00:14:11Thank you, Toby.
00:14:12Good night.
00:14:13Yeah, I'm sorry.
00:14:13Good night.
00:14:14Stand up.
00:14:14I don't know.
00:14:15Good night.
00:14:16Have fun.
00:14:17Good night.
00:14:18I can't fly in with you now.
00:14:19Oh dear, my ten dollar gold piece.
00:14:33Allow me to help you, my dear.
00:14:35Docent and embarrassing, what?
00:14:37Yes, yes.
00:14:38I think the bally thing rolled under my chair.
00:14:41Yes.
00:14:49Well, still dropping things, I see.
00:14:53Ho!
00:15:13Who is it?
00:15:14Hello, kid.
00:15:16I guess you've been having quite a laugh at my expense, haven't you?
00:15:19Laugh, what do you mean by coming into my room?
00:15:21Oh, well, the joke's on me, all right.
00:15:23Here I was, being so very, very careful.
00:15:26And all the time, you were one of Trixie Snell's girls.
00:15:32I think you've made a mistake.
00:15:34Good night, Mr. Grayson.
00:15:38Oh, come on, kid, that act's over.
00:15:41Be yourself.
00:15:43Is your face red?
00:15:45Oh, I see.
00:15:47Just a couple of...
00:15:48Go outside, Bluebeard.
00:15:52Scram, Bug, before I step on you.
00:15:58Say, you're no babe in rompers.
00:16:00You can take care of yourself.
00:16:01Only your technique's old-fashioned.
00:16:03Old-fashioned?
00:16:04Yeah, that, that, uh, face-slapping gag.
00:16:08They're mature-ish.
00:16:09It's all right for them parlor books and all that.
00:16:12But say, when a goof makes a pass at me,
00:16:14I ups to him and gives him a right hook to the kisser.
00:16:17You know, you've got to be prepared for things like that
00:16:19when you get in a troop of Trixies.
00:16:21Maybe I should have studied boxing instead of singing.
00:16:24You think you're kidding?
00:16:25Maybe you'll wish you had.
00:16:27You're going to meet plenty of palookas.
00:16:29Jerry, you make it sound pretty terrible.
00:16:33Oh, gee, kid.
00:16:34I didn't mean to scare you.
00:16:37You just tie onto Jerry's apron strings
00:16:39and everything will be all right.
00:16:41You know, Jerry knows their onions.
00:16:43And their tamales, too.
00:16:44Why, Tom, what an odd curio.
00:16:58It's a sort of good luck charm.
00:17:00I got it from an Indian chap
00:17:01that I managed to pull out of the water
00:17:02down in the San Blas Islands.
00:17:04That's where your business is?
00:17:05I'm in the copper trade down there.
00:17:07It's pretty wild.
00:17:09Often I don't see a white man for months.
00:17:11I spend my days visiting native villages,
00:17:13sleeping outdoors.
00:17:14Sounds almost as exciting as the bullring.
00:17:19Deal.
00:17:20Tell me.
00:17:21How much do you actually know
00:17:22about Trixie Snell and the bullring?
00:17:24Not much.
00:17:25But I seem to be learning.
00:17:26But you must have known something
00:17:27about what you were getting yourself in for.
00:17:29Things are a little different
00:17:30from what I thought they'd be,
00:17:31but I think I'll be able to take care of myself all right.
00:17:35Why, though?
00:17:36You know,
00:17:37until I heard about your stage ambitions,
00:17:40I was a little puzzled
00:17:41at seeing a girl like you in Trixie's troop.
00:17:44Most of the girls in the bullring I've known
00:17:45signed up with Trixie
00:17:46either as a last resort
00:17:48or at most
00:17:48because they were hunting for sensations.
00:17:52I don't think I really belong to other class.
00:17:55How the old thing is a spippin' name.
00:17:58Haul.
00:17:59Say, what is this haul business
00:18:01you're always getting off of?
00:18:03Why, my dear,
00:18:05it's an expletive
00:18:06that is indigenous
00:18:07to my stratum.
00:18:08You don't mean it.
00:18:10Isn't there something
00:18:11a doctor could do about it?
00:18:13Haul.
00:18:14We're right back where we started.
00:18:17I say, you know,
00:18:18I was quite distressed
00:18:19over your losing your money last night.
00:18:22So after you'd retired,
00:18:24I went back to your chair
00:18:26and looked around for your gold piece.
00:18:28Quite sporting of you, old thing.
00:18:31Too bad you didn't find it.
00:18:33But I did, you know,
00:18:35right under your chair,
00:18:37you know,
00:18:38I have remarkable eyesight.
00:18:41Remarkable eyesight?
00:18:43Why, you're a walking microscope.
00:18:46I think you're a honey.
00:18:48I say, old thing,
00:18:49I think you're a little bit
00:18:50of all right yourself.
00:18:52Quite spiffing.
00:18:53What?
00:18:54Say, what is this old thing
00:18:56and spiffin' business?
00:18:58Are you trying to make fun of me?
00:19:00My word, old dear.
00:19:02So you're making fun of me, huh?
00:19:04Say, listen, Egg.
00:19:05If you think you can make fun of me
00:19:07for ten bucks, you're screwy.
00:19:12Paul.
00:19:20Well, Tom,
00:19:21tomorrow we'll be in Panama.
00:19:24That's right.
00:19:25This is our last night out.
00:19:29I'd better hurry and dress.
00:19:32All right.
00:19:37What's the matter, Tom?
00:20:03You look as glum as one of those Indians on that island of yours.
00:20:05Oh, I don't know, Dale.
00:20:07Thought of your leaving as bad enough.
00:20:09Leaving with Trixie Snell and all that.
00:20:11That's awfully sweet, Tom.
00:20:12I'm really flattered that you should be worried about me.
00:20:15Worried about you?
00:20:17Why, Dale, I...
00:20:32All right, kids, come up for air.
00:20:34Jerry!
00:20:37I didn't know you were hit.
00:20:39I'd like to know how you do it.
00:20:41Do what?
00:20:42Turn a sphinx into a caveman in six days.
00:20:45Wish you'd loaned me some of your technique.
00:20:48You seem to be doing all right with the men.
00:20:50How about your friend, Uppy?
00:20:52Oh, I dissed him two days ago.
00:20:55What?
00:20:56You know the ritzy way I talk when I try to impress someone?
00:20:59Yes.
00:21:00Well, Uppy tried the same thing on me.
00:21:02So I gave him the air.
00:21:05But, Jerry, that's the way Mr. Upson really talks.
00:21:10Oh, my gosh.
00:21:11Well, why didn't he say so?
00:21:12What a glorious night.
00:21:35Everlasting moonlight.
00:21:43One of the baits of the tropics.
00:21:47Face the truth, Dale.
00:21:49Half the girls who come down here never get home unless some man pays their way.
00:21:52You're exaggerating.
00:21:54I'm not exaggerating.
00:21:55I know what I'm talking about.
00:21:57I've seen how it goes.
00:22:00The girls start drinking, they'll forget how rotten and sordid the whole thing is.
00:22:04They show up some night too drunk to go on, there's a fight with Trixie, and she kicks them out.
00:22:08But, Tom, nothing like that's going to happen to me.
00:22:20It might, Dale.
00:22:21That's why I'm worrying.
00:22:26I'm crazy about you.
00:22:29I've even thought about selling my business interests.
00:22:32Well, Tom.
00:22:32It might sound foolish, but...
00:22:35Well, maybe if you'd promise not to drink.
00:22:38After all, that's how the whole thing starts.
00:22:43You cheapen me by even asking such a thing.
00:22:46Cheapen you?
00:22:47You've cheapened yourself already by associating with Trixie's crowd.
00:22:50Tom.
00:22:51Why act like a child?
00:22:53Why put yourself in the way of temptations that thousands of women haven't been able to resist?
00:22:57Just a minute.
00:22:58I've had just about enough of this.
00:23:00It's going to take more than climate or a crowd to make me a wanton.
00:23:03I know, Dale, but...
00:23:03After Trixie's crowd, I only really know one of them.
00:23:06If she's an example of the rest, I'll throw my lot in with them.
00:23:09I won't have to make me a lot more.
00:23:10I won't have to make me a chance.
00:23:10I'll throw my lot in with them.
00:23:11As you can see, I won't be in love with them.
00:23:13I'll throw it away.
00:23:14I'll throw it away.
00:23:44We've got a full house, girls.
00:24:03Buckle up your preserves and get ready for Jerry's number.
00:24:05You ain't heard nothing from him yet, huh?
00:24:16No, not a word.
00:24:17Maybe he's out in front.
00:24:19Yeah, sipping a lemonade.
00:24:23Hey, handsome.
00:24:26Who's the stew at the end table?
00:24:29Uh, wait.
00:24:30All right, girls, let's go.
00:24:38Get in the lead.
00:24:42See you later, kid.
00:24:43Good luck.
00:24:44Get out of the way and let me in.
00:24:47Smile.
00:24:48Now, customers, I'm going to introduce 110 pounds of American squab
00:25:02with a chili dressing and a tamale tone that'll knock you on your tortilla.
00:25:06Miss Jerry Royal.
00:25:07There's a gal they say to wish you
00:25:21Just a pal who knows what to do
00:25:26Has a saying that I'm telling you
00:25:31If it ain't one last
00:25:37It's another
00:25:40I'm just shady, splendor and brown
00:25:47Just a lady who's been around
00:25:51She ain't got an enemy in the town
00:25:56If it ain't one man
00:26:02It's another
00:26:05Undertaker's face long and sad
00:26:12Tried to shake her
00:26:14That made her mad
00:26:16That made her mad
00:26:16Ain't bet got what she's gonna be had
00:26:22If it ain't one man
00:26:28It's another
00:26:31Round the world
00:26:36That gal made a swing
00:26:38She got famous
00:26:40Doin' that thing
00:26:42Well, if I am the queen
00:26:45Was hiding the king
00:26:48If it ain't one man
00:26:54It's another
00:26:56Travel every land
00:27:02Every time
00:27:04She told Gandy
00:27:06When it hit the rhyme
00:27:08Darkest heads
00:27:10Come and see some time
00:27:13Come and see some time
00:27:15If it ain't one man
00:27:19If it ain't one man
00:27:20It's another
00:27:23On her tomb
00:27:27Don't think to elude
00:27:29Walked dead ripped
00:27:31When she wasn't sweet
00:27:33Gone to Hades
00:27:35To get the devil
00:27:37To get the devil
00:27:37His deer
00:27:38If it ain't one man
00:27:45It's another
00:27:47I'm sorry.
00:28:10Hey, you showed about as much pep as a nervous oyster.
00:28:12What's the matter? Too much navy on the boat?
00:28:14Oh, I don't know. I guess it's the heat.
00:28:16Well, you'll be in a hotter place some day.
00:28:20Jerry, not so bad, but next time, give them all you got.
00:28:24No rainy days down here to save anything for.
00:28:27Jordan, you're on next. Come on.
00:28:34On the up and up, kid. You never played a cabaret before, did you?
00:28:37No. Only college shows.
00:28:39I knew you were lying. They all do.
00:28:43Well, you're on the spot now.
00:28:44Honey, boy, there's the one I mean.
00:28:53Oh, you mean the one with the glasses.
00:28:58Well, that might be the case.
00:29:00All right, sucker. Now there's two of you.
00:29:02And now, hikers, I'm going to introduce the answer to a traveling salesman's prayer.
00:29:15She can go up and down the scale faster than a Wall Street bond.
00:29:18She's been a hit in New York and Chicago and other foreign countries.
00:29:22So get a firm grip on your blood pressure and meet Miss Dale Jordan.
00:29:27Love you, en route to my Geoffrey.
00:29:30You are a EN餥 О, в северной Music碎ner.
00:29:30You are the only one with the t-shirts of waited around.
00:29:32и в северном виде .
00:29:38Something's vexing me, so perfecting to me.
00:29:45How I sigh, at times I want to cry.
00:29:52Something makes me do, things I ought to do.
00:29:58How I try, to find the reason why.
00:30:03Say, listen to that kid's thing.
00:30:08There's something in the air, that's bringing a new desire.
00:30:15My senses are all on fire.
00:30:18Oh, tell me what can it be.
00:30:22That air of I don't care, has something to me so thrilling.
00:30:29I feel oh so weak and willing.
00:30:33Oh, tell me what can it be.
00:30:37Something that makes an old man get busy with his feet.
00:30:44Something that makes a calm man get busy with the heat.
00:30:51Oh, tell me what can it be.
00:30:52There's something in the air, that's holding me close and closer.
00:30:58I know that I can't say no.
00:31:01Oh, tell me what can it be.
00:31:05There's something in the air, that's making me see things double.
00:31:12Oh, making my feelings bubble.
00:31:15Oh, tell me what can it be.
00:31:20That air of I don't care, has something beyond revealing.
00:31:27It's lifting me to the ceiling.
00:31:30Oh, tell me what can it be.
00:31:34Something that makes a teacher, start acting like a clown.
00:31:41Something that makes a preacher, just lay his Bible down.
00:31:48There's something in the air, that takes everything it touches.
00:31:55It hides me within it, but it's all.
00:32:00Tell me what can it be.
00:32:02Good work, kids.
00:32:03You sure put it over.
00:32:04Oh, thank you, dearie.
00:32:05Good work, kids.
00:32:06You sure put it over.
00:32:07Oh, thank you, dearie.
00:32:37Oh, thank you, dearie.
00:32:57Check your hat, sir.
00:33:07All right, scallions, get out and make the customers thirsty.
00:33:36Well, Goofus, what do you want?
00:33:45I got a...
00:33:47Here, Jordan, you've collected a dividend already.
00:33:52All right, nosey, take a run-out powder.
00:33:55There's a guy at the table that says 16, calling for Miss Royal.
00:33:59Maybe I'll get a break, too.
00:34:02Hey, wait a minute.
00:34:04Say that he buys plenty, and don't let that whiskey tin of yours catch up on you.
00:34:09What's your name?
00:34:10Come on.
00:34:13Well, let me feel.
00:34:14Yeah, we'll get it.
00:34:15Let me feel it.
00:34:16This is a place.
00:34:17Of course.
00:34:18Yes, we'll get the one.
00:34:19You're in the water.
00:34:20Let me feel.
00:34:21You're in the water, you're in the juice.
00:34:22I'm gonna feel it.
00:34:23Oh, I would feel it.
00:34:24How do you feel?
00:34:25What do you feel?
00:34:26What's your думle?
00:34:27What do you feel?
00:34:28How do you feel?
00:34:29Have you, by you?
00:35:00Jerry Royal, you've hung that picture in a different spot every week for three months.
00:35:08Every time you hang it crooked.
00:35:10That's the right stance for number one.
00:35:12Every time he came home, he gave a list to the starboard.
00:35:15Well, we're going to feed the flesh this morning or rehearse on an aspirin tablet.
00:35:20I don't feel fit for anything.
00:35:21Oh, snap out of it.
00:35:25I don't know whether it's the heat or what it is it's getting me.
00:35:28I'm so tired of the same old faces and the same old songs.
00:35:35Oh, it affects different people different ways.
00:35:38Now, take me, for instance.
00:35:39I like to get drunk and go on a toot and kick Trixie's cash register.
00:35:44Sometimes I wonder whether Tom Baylor wasn't partly right.
00:35:48Of course he was right, but don't give him a break and admit it.
00:35:50Well, it won't be long now, baby.
00:35:53Keep a stiff upper lip.
00:35:55That's all we've got to do is keep our head in the clinches.
00:36:00Well, how'd you like your hen fruit?
00:36:02Let's have them sunny side up.
00:36:04Atta girl, we'll have them.
00:36:05There's something in the air that's making me see things double, making my feelings bubble.
00:36:20Oh, tell me what can it do?
00:36:24That air of I don't care has something beyond revealing.
00:36:30It's lifting me to the ceiling.
00:36:34Oh, tell me what can it do?
00:36:38Something that makes a teacher start acting like a clown.
00:36:45Something that makes a preacher just lay his Bible down.
00:36:51There's something in the air that takes everything it touches.
00:36:59It hides me within it, but it all will tell me what can it do?
00:37:13Say, Bill, that one's different.
00:37:17I'd like to meet her.
00:37:19It should be easy.
00:37:20Say, uh, Trixie.
00:37:25I'm off you for life, Bill Burr.
00:37:27Me with a brand new show, and it's taken you two, three months to get around here.
00:37:32Don't blame me, Trix.
00:37:33The boss has kept me jumping ever since he got in from Havana.
00:37:36Oh, Trix, uh, meet Jim Crosby.
00:37:39How do you do?
00:37:41General Manager, Standard Airlines.
00:37:44And General Nusance, round a Panama officer.
00:37:47Not Jimmy Crosby, the flyer.
00:37:49Right.
00:37:50Gosh, Jimmy, I saw you at the races last year, and you gave me heart save.
00:37:55You've been doing that to girls for years.
00:37:58Say, Trix, how about the little girl that did the last number?
00:38:02Lay off, kid.
00:38:03She'd give a cold potato chills.
00:38:05Oh, come on.
00:38:08I've baked some potatoes before.
00:38:10Any of the others, Jimmy.
00:38:11But not this one.
00:38:12You'd only be wasting your time.
00:38:15Well, it'd be the first time I ever have.
00:38:18I've got a hundred bucks that says I won't be wasting my time.
00:38:21And I've got a hundred that says you will.
00:38:25It's a bet.
00:38:26Go buy yourself some lollipops.
00:38:27I like all-day suckers, too.
00:38:36Good night, Mr. Crosby.
00:38:39Say, um...
00:38:40How about a little supper with me somewhere?
00:38:44After you're through here.
00:38:46No, thank you, Mr. Crosby.
00:38:48Not tonight.
00:38:48Well, Miss Jordan, how about breakfast at my hotel in the morning?
00:38:56Yes.
00:39:01You're very sweet, Dale.
00:39:03You've been very sweet, too, Jimmy.
00:39:06You know, if I'd had my way,
00:39:08we'd be drinking champagne up in my room.
00:39:12I'd show up a rehearsal full of champagne and Trixie'd kick me out.
00:39:16Now, come on, Dale.
00:39:17Well, couldn't you chuck a rehearsal just for today?
00:39:21No, I'm afraid not, Jimmy.
00:39:23Well, how about tomorrow?
00:39:27I thought...
00:39:28I thought we might take a little spin in my car.
00:39:47Have a nice day.
00:39:50Oh, lovely.
00:39:52It's been like a dream.
00:39:54Feel like going back to the bull ring?
00:39:55Of course I don't, Jimmy.
00:39:57But I have to.
00:39:58You don't have to go back there, Dale.
00:40:01I could make life very happy for you.
00:40:04Make this day last forever.
00:40:05You don't believe that, Jimmy, any more than I do.
00:40:09There'd have to be a rude awakening sometimes.
00:40:12I love you, Dale.
00:40:14I mean it.
00:40:17Oh, I admit I've said that many times before.
00:40:20I haven't been exactly a plaster saint.
00:40:22But you've made me realize for the first time
00:40:26what it means to say
00:40:27I love you.
00:40:29Jimmy, no wonder you swept them off their feet.
00:40:33Do you know what I'd like to do?
00:40:35Hop into my plane with you
00:40:37and fly back to the States.
00:40:39It would only take a few hours.
00:40:41Mr. Cridby,
00:40:42am I to consider this a proposal?
00:40:44You can take this any way you want to.
00:40:47You name the terms.
00:40:48But I...
00:40:55I don't love you.
00:40:57I couldn't make you love me.
00:41:07Well, Jimmy,
00:41:08if you can make me love you,
00:41:10I'll marry you, of course.
00:41:13But if you don't take me right back to town,
00:41:15I'll be late for my numbers,
00:41:17the bull ring.
00:41:20You mean he actually asked you to marry him?
00:41:23Well, that was the general idea, darling.
00:41:25But I don't love him.
00:41:26Oh, baloney.
00:41:27I married three clucks
00:41:28who couldn't give me anything but love.
00:41:30It's a high-class name for hooey.
00:41:33Say, are you still stuck on that bimbo
00:41:35from the Indian country?
00:41:38What'd he ever give you?
00:41:39A worm-eating piece of coral
00:41:40and that to his wigwam?
00:41:42Say, the big salami did you a favor.
00:41:44If you let that Crosby off the hook,
00:41:47you ought to be.
00:41:48Say, passion flower,
00:41:49what's the idea of keeping that Dutch skipper waiting?
00:41:52Oh, nerd.
00:41:53He's so dumb,
00:41:54we have to talk in the sign language.
00:41:55He can't even recognize a stop signal.
00:41:58Your boyfriend's outside, innocent.
00:42:00And listen,
00:42:01if you bail out of Panama with Crosby,
00:42:03I want a month's notice
00:42:04to get another singer.
00:42:04You savvy?
00:42:05I don't think you need to worry about it, Trixie.
00:42:08Well, I don't care,
00:42:09but I never allow love to interfere with business.
00:42:11I thought that in your case,
00:42:13they were the same thing.
00:42:14Say, listen, high-hat,
00:42:16did you ever get a sock on the beezer?
00:42:19No.
00:42:20How does it feel?
00:42:35You better lay off that, kid.
00:42:40You're on next, you know.
00:42:51Say, where is this Germany?
00:42:54In Switzerland?
00:42:55Switzerland, nothing.
00:42:56It's just on the other side of Hoboken.
00:42:58Oh, ducky wucky.
00:43:05Oh, what's the matter, Dale?
00:43:09You look worried.
00:43:12Trixie's been hitting the bottle lately,
00:43:13and the girls are all on edge.
00:43:17You know what I told you.
00:43:19Over and over again.
00:43:23Yes, I know, Jimmy.
00:43:27Oh, don't you're all mad.
00:43:32Why, you old pretzel.
00:43:33What?
00:43:34You want a pretzel?
00:43:35Veda, Veda, what is lost here?
00:43:37Veda.
00:43:37No, stupid, I got one.
00:43:40He wants a bottle of champagne.
00:43:42Yeah, he has champagne.
00:43:50And now, folks, I'm going to introduce
00:43:52the sweetest little girl, Miss Delory.
00:43:55Jim Hammond.
00:44:06Jim Hammond.
00:44:10Sit tight, honey.
00:44:11I'll be right back.
00:44:13Oh, V-Vedman.
00:44:14Come on.
00:44:18You little pig.
00:44:19What do you mean by hooking up my show?
00:44:20I'm, I can't go on.
00:44:22I'm home, sir.
00:44:23You think this poison's going to cure you?
00:44:25I won't have you drinking before your numbers.
00:44:28I'm fed up with you and your rotten old show.
00:44:30Why, you dirty little unwed.
00:44:32Oh!
00:44:33Oh!
00:44:33Seven years, bad luck.
00:44:44Fourteen years, bad luck.
00:44:46Excuse me, Jimmy.
00:44:46I might have to go on.
00:44:51Stay here, you fool.
00:44:52I'll beat some brains into you, you cheap little.
00:45:03Keep out of my business or I'll give you a dose of this yourself.
00:45:07I've never known a woman as low as you.
00:45:11Get out, Dale.
00:45:14You raise that bottle one inch and I'll knock those false teeth
00:45:17of yours down your gizzard.
00:45:22Jimmy, get me out of this.
00:45:29Take me away anywhere.
00:45:31Well, what's happened?
00:45:46Joan.
00:45:47Joan.
00:45:50You don't have to go back there.
00:45:52Jimmy, do you still mean what you said about marrying me?
00:46:02Why, yes.
00:46:04Yes, of course.
00:46:06All right.
00:46:08I'll fly to New York with you tomorrow.
00:46:11And I'll spend my whole life being grateful to you
00:46:14for taking me out of all this.
00:46:18Jimmy.
00:46:22Oh, Jerry, you've got my nose.
00:46:35Oh, yes.
00:46:36Jerry, dear, won't you come and visit me in my suite
00:46:41at the Hotel Washington?
00:46:53Boy, what a dump this is.
00:47:00Never saw so much plush since Astor's pet horse died.
00:47:03Boy, if I ever climbed into this, I'd never get out.
00:47:15Putting you up in style, huh?
00:47:16Oh, no, Jerry.
00:47:18I'm paying for this.
00:47:19That's the way it's going to be until after we're married.
00:47:21Well, you better get hitched in a hurry.
00:47:23Your bankroll won't stand this over a couple of days.
00:47:26When the festivity's coming off?
00:47:28We'll probably start to fly to New York late today or early tomorrow.
00:47:33When's the splicing going to be, before or after?
00:47:36I mean, before or after New York.
00:47:38Oh, I'm willing to leave that to Jimmy.
00:47:41The only thing I'm sorry about is leaving you, Jerry.
00:47:45But I miss you too, kid.
00:47:47And I'm glad for your sake.
00:47:48You never were cut out for this kind of a racket.
00:47:51It's only for slobs like me.
00:47:53Oh, no, it isn't, honey.
00:47:56You've got to get out of it too.
00:47:59Sure.
00:48:00When one of my ships comes in.
00:48:05Come in.
00:48:08Oh, good morning, Jimmy.
00:48:10Hello, darling.
00:48:10You remember Jerry, don't you?
00:48:12Well, yes, of course.
00:48:13How are you, Jerry?
00:48:14Oh, topping.
00:48:14Well, I guess I'd better be going.
00:48:23I'll see you before you go, won't I?
00:48:25Well, of course.
00:48:26Jerry, I'm going out and buy some clothes.
00:48:28Why don't you drop in this afternoon and look them over?
00:48:30Okay, I'll do that.
00:48:32So long, Crosby.
00:48:33You're a lucky egg.
00:48:37How are you, darling?
00:48:39I'm fine, thanks, Jimmy.
00:48:41When do you think we'll be getting away?
00:48:43Well, I don't know just yet.
00:48:45I have some business affairs to attend to.
00:48:47And then I've got to test out that plane.
00:48:50I'll tell you what I'll do.
00:48:52I'll fly over the hotel.
00:48:54It'll be about four o'clock.
00:48:55I'll be watching for you.
00:48:57Why don't you sit down?
00:48:59Well, if you don't mind, dear.
00:49:00I've got to get back to the office.
00:49:02I'm expecting an important message.
00:49:06Nothing else you need, is there?
00:49:08No.
00:49:08Money?
00:49:09No, thanks, Jimmy.
00:49:10I don't want to take it.
00:49:12Not yet, anyway.
00:49:16Bye-bye.
00:49:26Hello, Trixie.
00:49:28Hello, Baylor.
00:49:29How's San Blast and the Red Men?
00:49:31I've sold out.
00:49:32Going back to San Francisco.
00:49:34Well, I guess this place will struggle along without you.
00:49:36You never gave me much of a play, anyway.
00:49:39Listen, Trixie.
00:49:40Can you give me Miss Jordan's address?
00:49:42Sure.
00:49:43That's easy to remember.
00:49:44Washington Hotel.
00:49:46Just asked for Jimmy Crosby's suite.
00:49:50What?
00:49:51Sure.
00:49:52She's been playing around with him for a week.
00:49:54She's a smart girl.
00:49:56She'll do all right for Dale Jordan.
00:49:59But she ran out on me and left me in the lurch.
00:50:01And if I never see that snob again, it'll be years too soon.
00:50:16Hello, Miss Baylor.
00:50:17Want your key?
00:50:18Do you have a Miss Dale Jordan registered here?
00:50:22Yes.
00:50:23She's out now.
00:50:24Want to leave a message?
00:50:26I don't think so.
00:50:28She's checking out tonight or tomorrow morning.
00:50:31Flying to New York with Jimmy Crosby.
00:50:35When my luggage arrives, check it through to San Francisco.
00:50:37You have my forwarding address.
00:50:38Yes, sir.
00:50:41Why, Tom.
00:50:44Hello, Dale.
00:50:44Well, I've been buying some new clothes.
00:50:49So I see.
00:50:50Doing all right, aren't you?
00:50:53I guess I was wrong about you.
00:50:55You're really doing better than I expected.
00:50:58What do you mean?
00:50:59Well, you moved up from the Bullring to the Washington Hotel.
00:51:03I understand the next hop is New York.
00:51:06And I suppose a Park Avenue apartment.
00:51:09Yes, Mr. Baylor.
00:51:11I'm afraid that if I stayed in this part of the world any longer,
00:51:14I might be contaminated by some of its filth.
00:51:20My key, please.
00:51:38Guess what?
00:51:39I saw Tom Baylor going out of the lobby.
00:51:41I know.
00:51:41I saw him, too.
00:51:42You did?
00:51:43And?
00:51:45I don't know, Jerry.
00:51:46Maybe it'll do me good to get away.
00:51:49I guess Tom Baylor's just one of those things that's in the air down here.
00:51:52Well, he won't be here much longer.
00:51:54He's checking out bag and baggage.
00:51:55What is this, the new truce, sir?
00:52:04Boy, it must have cost plenty of sugar.
00:52:06Everything I had but a couple of dollars.
00:52:10Hey, what is this, a marriage or a Dutch treat?
00:52:13I have not been sad.
00:52:15I haven't been here.
00:52:35Yeah.
00:53:06Oh. I've been looking all over for you. What's up? Bill. I got myself into a tough spot. You know about me and Dale.
00:53:36You never told me we're married, Jim.
00:53:49It was years ago, Bill. Before I ever even knew you.
00:53:54It's just one of those things.
00:53:57A woman's impossible.
00:53:58Every son I've ever given has been just like blackmail.
00:54:02What are you going to do about, uh, about Dale?
00:54:09I don't know.
00:54:11That's what I've got to think of.
00:54:16Am I playing ready?
00:54:17It's ready now.
00:54:18You're in no condition to fly, old man.
00:54:23Don't you worry about me, Bill.
00:54:26That's where I've always thought things out.
00:54:30Solved all of my problems.
00:54:35Up in the clouds.
00:54:39Boy, I could get myself an admiral in this.
00:54:41Oh?
00:54:42There must be Jimmy now.
00:54:56Isn't it thrilling?
00:54:58You can have it.
00:55:12Well, I've got to go get packed now.
00:55:17Oh, pick them up and tie them in a bundle and throw them in like I do.
00:55:40Come.
00:55:40Come.
00:55:40The last two dollars and seventy-five cents.
00:55:45What should we blow it in on?
00:55:47How about a bottle of scotch?
00:55:49Now, I'm liable to get sentimental and turn on the waterworks all over your new dress.
00:55:55I have an idea.
00:55:57Let's get some flowers to brighten up the room for Jimmy when he comes back.
00:56:00Okay, kid.
00:56:01Anything but heliotripe.
00:56:03Gives me hay fever.
00:56:09Hello?
00:56:10Yes.
00:56:10Mr. Barrett?
00:56:11Yes.
00:56:11Mr. Barrett?
00:56:12Certainly.
00:56:13Send him right up.
00:56:14Oh, wait a minute.
00:56:15Will you please ask the florist to send me up some flowers?
00:56:17Oh, what?
00:56:18About two dollars and seventy-five cents worth.
00:56:20Bill Barrett's on his way up.
00:56:21I wonder what he wants.
00:56:22Probably trailing me to find out why I didn't buy those lollipops.
00:56:28Come in.
00:56:29Hello, Mr. Barrett.
00:56:30How are you?
00:56:31How'd you do, old thing?
00:56:32It's a topping day.
00:56:33What?
00:56:34Why, Mr. Barrett.
00:56:35Is there anything wrong?
00:56:36Jimmy.
00:56:37It crashed.
00:56:38Jimmy.
00:56:39It crashed.
00:56:40Why, Mr. Barrett.
00:56:41Why, Mr. Barrett.
00:56:42Is there anything wrong?
00:56:43Jimmy.
00:56:44It crashed.
00:56:45Why, Mr. Barrett.
00:56:46Why, Mr. Barrett.
00:56:47Why, Mr. Barrett.
00:56:48Why, Mr. Barrett.
00:56:49Why, Mr. Barrett.
00:56:50Why, Mr. Barrett.
00:56:51Is there anything wrong?
00:56:52Jimmy.
00:56:53It crashed.
00:56:54Jimmy.
00:56:55Jimmy.
00:56:56It crashed.
00:57:18Oh, gee, kid.
00:57:19He was a regular guy.
00:57:21You'll never know quite how regular he was.
00:57:29Here are your flowers, Miss Jordan.
00:57:43You got your nerve coming back asking for a job?
00:57:46Threw me down for a mug that was on the make for you.
00:57:49Please don't talk like that about Jimmy Crosby.
00:57:52Sure.
00:57:53He was going to marry Dale.
00:57:54Why, you poor sap.
00:57:56He bet me $100 on you.
00:57:58Looks like if he hadn't cashed in, I'd have to pay the bet.
00:58:02Now, listen, Trixie.
00:58:04You lay off of Dale.
00:58:05She's been through enough.
00:58:06Say, you get fresh with me and you'll go out on your ear, too.
00:58:09Oh, yeah?
00:58:10Yeah, you, you sailor's delight.
00:58:18I know how you feel about this cobra joint, Dale.
00:58:22Gosh, we've got to eat, let alone earn enough dough to get out of this godforsaken old woman's land.
00:58:27I know, Jerry, but that man Burger that runs the place for boating.
00:58:33Aren't there any more cabarets we haven't tried?
00:58:36Listen, I've tramped the streets until my pet bunion's gone on strike.
00:58:40Trixie and the bullring have all the high-class trade in town all sewed up.
00:58:45All the rest of the joints are just like the cobra.
00:59:10Well, thank you.
00:59:38What's the matter, he's a good customer, you think you're too good for him, huh?
01:00:02Why no, Mr. Berger, I thought it was time for my song.
01:00:08There's something in the air that's pulled all the world around me
01:00:24With crackers of pain and bound me all to tell me what can it be
01:00:32That air of, I don't care, has slowly and surely trips me
01:00:40Right down to the ground it trips me, oh, tell me what can it be
01:00:48Something that drags and shatters, everything's good inside
01:00:56Leaving just dragged and shattered, nothing at all to hide
01:01:04There's something in the air that's taken below this dream
01:01:12It's taken my very dream, oh, tell me what can it be
01:01:20A hundred and thirty-nine, hundred and forty
01:01:26A hundred and forty-one dollars
01:01:28Uh-uh
01:01:30Oh, and, um, eighty-five cents
01:01:34Only sixty-five dollars to go and we're on our way to San Francisco
01:01:38Only ten more days in that Berger joint
01:01:40Oh, stomach, be good to me now
01:01:42Oh, Jerry, why don't you keep your own money, I don't like the responsibility for all of us
01:01:46Oh, you don't know me like I do
01:01:48A dreadnought's liable to come into port
01:01:50I'll wake up to find I've been out in a binge and bought the grog for the whole fleet
01:02:04Come on, baby, give us the sweet little kids, huh?
01:02:06Give us the kids, huh?
01:02:08Give us the kids, huh?
01:02:10You blame at my customers and cleanser, get out
01:02:18I'm here to sting, not to be mauled by a lot of drunken sots
01:02:21Is that so, Belle?
01:02:23I don't want no lilies around here
01:02:25You're through
01:02:26Get out
01:02:30Hello, Berger
01:02:31Hello
01:02:32Indian Joe around?
01:02:33Well, why are you one joke?
01:02:35Plenty, another knifing about the dock
01:02:40Come on, Joe, the captain wants to talk to you
01:02:55Come on, Joe, the captain wants to talk to you
01:03:10Kevin
01:03:22ić
01:03:23Oh, Jerry!
01:03:24Oh, Jerry!
01:03:25No
01:03:31Oh
01:03:32Oh
01:03:40You can come in for a minute, Miss Jordan, but please don't excite the patient.
01:03:47She's a little weak.
01:04:01Gary, honey?
01:04:03How are you, Dale?
01:04:06Number one can only see me now.
01:04:09You're feeling better, aren't you?
01:04:12Sure, I'll be okay.
01:04:15It's a knife more or less than your gizzard.
01:04:23Listen, kid, I want you to promise me something.
01:04:26Of course, Jerry. Anything.
01:04:29Don't you give old sore bones or this joint any of the dough we saved up.
01:04:33I want you to buy yourself a ticket and scram for Frisco.
01:04:36Oh, no, dearie. I couldn't do that.
01:04:39Do what I tell you. You'd be a sap.
01:04:42This joint can't throw me out.
01:04:45Let them stand the gaff.
01:04:53I'll come to see you every day, honey.
01:04:55All you have to worry about is getting well.
01:05:01Don't forget what I told you.
01:05:03She's still pretty weak, isn't she?
01:05:17Yes. I am afraid it's going to be a long convalescence.
01:05:21She lost a great deal of blood, you know.
01:05:23What do you think we ought to do for her?
01:05:25What she needs most is sunlight, proper nourishment, and treatment.
01:05:30The place for her is a sanitarium.
01:05:34How much will that cost?
01:05:35We have one near here, where the rates are rather reasonable.
01:05:38Somewhere around $50 a week.
01:05:42All right, doctor.
01:05:44You make the arrangements.
01:05:52The hospital bills are payable in advance.
01:05:54The total is $174.
01:05:57Here's $150.
01:06:14I'll get the rest.
01:06:17Somehow.
01:06:27How much will...
01:06:28How much will that cost?
01:06:29...
01:06:42...
01:06:49...
01:06:51...
01:08:29Come in.
01:08:31Tom.
01:08:33Why, Dale.
01:08:35I thought you were ill.
01:08:47Ill?
01:08:48What do you mean?
01:08:54Well, little Ming.
01:09:06She's up in the hospital now.
01:09:08You came all the way down here because of this?
01:09:20Yes.
01:09:22Tom, I...
01:09:24I want to explain to you about Mr. Crosby.
01:09:27You don't have to explain anything to me, Dale.
01:09:30Excuse me.
01:09:32I reckon that's how you dropped your bracelet.
01:09:44Very much.
01:09:58Hello?
01:10:00Hello, Jerry.
01:10:02Dale.
01:10:03He's back.
01:10:04He's back.
01:10:05Who?
01:10:06Who's back?
01:10:07Number one.
01:10:08My ship's come in.
01:10:14And guess what?
01:10:16Olaf's an admiral.
01:10:18In the Chinese Navy.
01:10:22Oh, Olaf.
01:10:24Tell me something in Chinese.
01:10:28I love you.
01:10:29Oh, Olaf.
01:10:30Oh, Olaf.
01:10:31Oh.
01:10:32Oh.
01:10:33Oh.
01:10:34Oh.
01:10:35Oh.
01:10:36Oh.
01:10:37Oh.
01:10:38Oh.
01:10:39Oh.
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