- 2 days ago
A skilled sharpshooter becomes hopelessly captivated by a beautiful woman, unaware that he is being drawn into a dangerous web of deception, betrayal, and murder. As love blinds his judgment, he finds himself trapped in a tragic chain of events that will change his life forever. A gripping classic film noir filled with suspense, drama, and unforgettable performances.
🎬 Classic Film Noir | Crime | Drama | Mystery
📅 Released: 1945
⚠️ Restored and shared for classic cinema enthusiasts.
🎬 Classic Film Noir | Crime | Drama | Mystery
📅 Released: 1945
⚠️ Restored and shared for classic cinema enthusiasts.
Category
🎥
Short filmTranscript
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00:04:06Ladies and gentlemen
00:04:07please, quiet!
00:04:09Quiet!
00:04:10I regret to announce
00:04:11that we are forced to terminate tonight's performance.
00:04:13There has been an accident here tonight, but there is no need for alarm.
00:04:18Just walk out quietly and your money will be refunded at the box office.
00:04:59Don't leave the theater. You'll all be questioned later.
00:05:02Come now, Settle Ivy, please.
00:05:08You tell the truth, you'll save us a lot of trouble.
00:05:12You quarreled with your wife tonight, didn't you?
00:05:14Didn't you?
00:05:15Yeah, we had an argument.
00:05:17It all adds up to murder.
00:05:19No, I tell you, I didn't do it.
00:05:20I had nothing to do with it.
00:05:22You expect me to believe that?
00:05:24I tell you again, we just had an argument.
00:05:26All married people argue one hour.
00:05:28It doesn't mean anything.
00:05:29But this was more than an argument.
00:05:31Look, haven't you got any feelings?
00:05:32My wife's just been killed.
00:05:38Well?
00:05:39I just found this under the sofa.
00:05:41Four shots fired.
00:05:42I found two of them in the wall.
00:05:44I guess the other two are in the body.
00:05:46Poor Eddie.
00:05:48It's a dirty shame.
00:05:50Yep.
00:05:51I've been working here for 17 years.
00:05:53Never saw a prettier smile.
00:05:55She was nice to everybody.
00:05:57You should know.
00:05:58She was dynamite.
00:06:00When me and Sam played on the same deal with her,
00:06:02I never let him out of my sight.
00:06:04Well, only last night her light was out.
00:06:06She wanted me to fix it.
00:06:07And now her life is out forever.
00:06:11You see, then that least deserves it.
00:06:14Yet, sir.
00:06:15Better phone headquarters again.
00:06:16Get everyone on stage for questioning.
00:06:18Yes, sir.
00:06:21Everybody on stage.
00:06:22I guess this simplifies the whole matter.
00:06:25What does?
00:06:26Look at this.
00:06:29I suppose you never saw it before, did you?
00:06:32You're right.
00:06:32I didn't.
00:06:33They just found it in your dressing room.
00:06:35This is the gun you killed her with, isn't it?
00:06:37She was my wife.
00:06:38I loved her.
00:06:39You don't kill the woman you love.
00:06:45Get the rest of the performers up here.
00:06:47They're with Rosita.
00:06:48She's painted.
00:06:49But I'll get them, sir.
00:06:50Right away.
00:06:51Yes, sir.
00:06:51You?
00:06:53Monsieur.
00:06:54Name?
00:06:55You see, Francois Gaston de Barigny, monsieur.
00:06:57Profession?
00:06:57I am an artist, monsieur.
00:06:59You see, I am, uh, how do you say that?
00:07:00Comment get on ça?
00:07:01I dropped in and out of the barrel twice.
00:07:04You see?
00:07:05Hiding in a barrel.
00:07:06Oh, c'est fantastique, monsieur.
00:07:07All right, sir, you're down.
00:07:08All right, sir, you're down.
00:07:10All right, sir.
00:07:11All right, sir.
00:07:11Over here.
00:07:14Name?
00:07:17Sam and Sally Hampton.
00:07:19Ten minutes of snappy songs and sassy sayings.
00:07:21That's us.
00:07:22Right?
00:07:22Right.
00:07:23What do you know about this killing?
00:07:24Oh, not a thing, your honor.
00:07:25I mean, Mr. Officer.
00:07:27We were in our dressing room.
00:07:28We didn't see nothing, we didn't hear nothing,
00:07:30and we don't know nothing.
00:07:31Right?
00:07:32Right.
00:07:32Did you know the deceased?
00:07:34I'll say.
00:07:34And if you want my opinion,
00:07:36she didn't get no more than was coming to her.
00:07:38Right?
00:07:39Wrong.
00:07:40Well, right.
00:07:41Next.
00:07:51She was strangled.
00:07:59So she wasn't shot.
00:08:01She was strangled.
00:08:03Now what?
00:08:05Strangled?
00:08:06I don't believe it.
00:08:07I don't believe it.
00:08:08You're the only one who doesn't.
00:08:11Take this man to headquarters for further questioning.
00:08:19I wish I hadn't been here tonight.
00:08:22It was awful.
00:08:24Yeah.
00:08:25Just like I say.
00:08:27We can live our whole life backstage in just one night.
00:08:32Last week, this stork almost caught up with your own wife.
00:08:35And tonight.
00:08:37I don't even want to think about it.
00:08:40Those screams.
00:08:41Yeah.
00:08:42Now that I think of it, I should have invested in them sooner.
00:08:44Pop, you've seen a lot of things in your time, haven't you?
00:08:48Every day.
00:08:50Makes me feel that fellow was right.
00:08:52Life's nothing but a stage, and everybody plays on.
00:08:56Yeah.
00:08:58Only some of them get better billing.
00:09:00Guess you never know when your exit's coming.
00:09:03Better that way.
00:09:06Well, better go and finish my work.
00:09:09Oh, don't forget to turn out the lights when you're through.
00:09:12Okay, Pop.
00:09:41Who is it?
00:09:42Who's up there?
00:09:54Who's up there?
00:09:57Who are you?
00:10:00Say, I've seen you before.
00:10:03Sure I have.
00:10:04You're Flammarion.
00:10:06The great Flammarion.
00:10:11I'm Tony, the clown.
00:10:13I played on the same bill with you in Pittsburgh.
00:10:16Remember me?
00:10:22Water.
00:10:22There.
00:10:23Oh.
00:10:24You're so limelight for me.
00:10:52Where is it?
00:10:52I don't know what's up there.
00:10:52What's up there?
00:10:57You're hurtful, Mary. Now get a doctor.
00:10:59No, no, please don't.
00:11:01But, but you're liable to die.
00:11:04Oh, you don't know what you're saying.
00:11:07Nobody wants to die.
00:11:08I do.
00:11:10Why?
00:11:13Because I killed Kapanik.
00:11:17You?
00:11:19She shot me.
00:11:22That's right.
00:11:24But they're holding her husband.
00:11:27Tell them.
00:11:29He's innocent.
00:11:31Well, you better tell them yourself.
00:11:32They may not believe me.
00:11:34I'll have them here in no time.
00:11:35No use.
00:11:37I'll be there before they get here.
00:11:44But before I die,
00:11:48I want to tell you, Tony,
00:11:50tell me why I killed you.
00:11:54Let me.
00:11:57Let me.
00:12:01Go ahead.
00:12:03Talk to him.
00:12:06It all started in Pittsburgh.
00:12:11You remember my aunt
00:12:13and my two sisters,
00:12:17Mrs. Crummy,
00:12:18and...
00:12:18Al Wallace!
00:12:30I'll be here at the time.
00:12:37Who was it.
00:12:40That's a cause.
00:12:43I love it.
00:12:46I love it.
00:12:47You look so sweet.
00:15:25Mr. Plumerian.
00:15:29Mr. Plumerian.
00:15:32I'm sorry about Al's performance.
00:15:33So am I, I see.
00:15:37I promise you it won't happen again.
00:15:39It's not up to you, Rebecca, that promise.
00:15:42Don't worry.
00:15:43Al will do as I say.
00:15:45There is no room for mistakes, no matter what.
00:15:47I must be absolutely sure of my assistance.
00:15:50But Mr. Plumerian, you can always be sure of me, I guess you don't realize how important all this is
00:15:59to me.
00:15:59The continued success of my act is my only concern.
00:16:02And mine.
00:16:03And mine.
00:16:03It's the only thing that makes my life feral.
00:16:06If I couldn't look forward to the theater and the lights, just to seeing you, I wouldn't care if I
00:16:12never woke up again.
00:16:13Your personal feelings do not interest me in the least.
00:16:16I repeat once and for all one more mistake, and I'm through with both of you.
00:16:29I had picked up Connie and her husband, Al, six months before, when they were a third-rate dancing act.
00:16:36I had always thought of them as a happily married couple.
00:16:49Okay, Lush, that'll be enough of that.
00:16:51You heard Plumerian.
00:16:53Maybe you like sleeping on a park bench, but I don't.
00:16:56Scared it might cramp your style?
00:16:59Cramp like that, and you're going to be down for the count.
00:17:02Don't try playing rough with me.
00:17:06Brother, you're asking.
00:17:07Hey, can't you stay sober long enough to stooge for a couple of guns?
00:17:11Seems even a moron would have backbone enough to...
00:17:14So now I'm a moron, huh?
00:17:16You changed your tune since the day you bought our wedding ring.
00:17:20Were you scared I might slip off the hook?
00:17:22Now, look, Al, let's not go into that routine again.
00:17:25There's an easy way out of it.
00:17:27And it's another routine we won't go into.
00:17:29If you think I'm going to let you go so that some other guy can have you, you're off your
00:17:32nut.
00:17:34I'll get away from you sometime.
00:17:37You haven't got a prayer.
00:17:40Let's see.
00:17:41There was that business with a diamond ring in Memphis.
00:17:45The insurance company is still interested in that.
00:17:48And that little trick you pulled on the guy in Salt Lake City.
00:17:51He'd love to know where to find you.
00:17:54And that quick shuffle you gave the bank president in Des Moines.
00:17:58Whatever did become of those bonds, Connie?
00:18:01I didn't find out until after I married you what a busy life you'd led.
00:18:06No, I don't think you'll get away from me.
00:18:09Not until I'm good and ready to let you go.
00:18:15Oh, quit it, hon.
00:18:17You're just wasting a lot of valuable time on yesterday's bad news.
00:18:21Doesn't it interest you?
00:18:22No.
00:18:24Only tonight interests me.
00:18:26Goin' someplace?
00:18:28Sure I am.
00:18:30I'm goin' home with my husband.
00:18:35Connie, no matter what you do, you're the only damn for me.
00:18:38You're a bad habit I can't cure.
00:18:40Even if I wanted to.
00:18:46Any guy that wouldn't fall for you is either a sucker or he's dead.
00:18:56I lived a lonely life.
00:18:58I had no friends.
00:19:00I didn't like people, and people didn't like me.
00:19:05I didn't drink.
00:19:06I didn't smoke.
00:19:08I retired every night immediately after the performance.
00:19:13The hours I practiced to strengthen my eyes.
00:19:17This afternoon, my schedule was broken.
00:19:21I had an unexpected visitor.
00:19:26Who is it?
00:19:27Me, Connie.
00:19:29Mrs. Wallace, I'm busy.
00:19:30I'll see you at the theater.
00:19:31I've got to talk to you.
00:19:41This sign means exactly what it says.
00:19:43You must listen, it's important.
00:19:47You must listen to me.
00:19:49I've found out why Al's drinking.
00:19:52The reason for his conduct doesn't interest me.
00:19:54Except as it affects my act.
00:19:57This affects you, but for the person.
00:19:59He's jealous of me.
00:20:01Ridiculous.
00:20:02Jealous of me because I'm a star and he's a nobody?
00:20:05Am I responsible for his being a drunkard without ambition or talent?
00:20:09Has he any idea of how hard I had to work to get where I am?
00:20:12Al knows of that.
00:20:14But there's more to life than what happens in the theater.
00:20:16What is it, then?
00:20:18I think he knows how I feel about you.
00:20:21How you feel about me?
00:20:23Why, your work has always been satisfactory.
00:20:26You work for hours to strengthen your eyes, but you can't see.
00:20:29You're blind.
00:20:31Well, it had to happen.
00:20:34I'm only sorry that he found out before you did.
00:20:37I don't understand.
00:20:38Imagine what I go through every night.
00:20:41The music starts and the act begins.
00:20:43I move about the stage like a puppet.
00:20:45And then you enter.
00:20:46And everything begins to live.
00:20:48Come to the point, please.
00:20:49The excitement of standing on stage, facing the man who holds my life in his hands.
00:20:52You don't have to be afraid.
00:20:54No.
00:20:56It's a strange sensation.
00:20:58You look at them.
00:21:00Their eyes are so steady, so piercing.
00:21:03You aim and fire and the bullet cuts through the air.
00:21:05I close my eyes and then I feel a bullet hit the target and my shoulder strap.
00:21:11I tell myself that it was your hand.
00:21:15Every bullet is a caress.
00:21:18Do you see now?
00:21:24Mrs. Wallace, unless you realize that now I have to look for two new assistants.
00:21:28Oh, no, Sir Marianne.
00:21:29No, please.
00:21:30You've left me no choice.
00:21:33Okay, so we close tonight.
00:21:34You go to Frisco alone.
00:21:37See how the act goes without us.
00:21:40Wait.
00:21:43Considering the fact that it will be impossible for me to replace you on such short notice,
00:21:49I'll have to overlook what happened.
00:21:52And go with me to San Francisco.
00:21:55Thank you, Fr. Marianne.
00:22:19That was the way Connie began.
00:22:22It was her first approach.
00:22:24I didn't know what was coming.
00:22:42I've been waiting for you for half an hour.
00:22:44I thought you'd never get in.
00:22:46How did you get in here?
00:22:47Wouldn't you rather know why than how?
00:22:49I'm not interested.
00:22:50In me or in anything about me.
00:22:52I know the line.
00:22:55Mrs. Wallace, please go.
00:22:57Oh, dear.
00:22:58I don't see any reason why I should...
00:22:59Please, Sir Marianne.
00:23:11I know all about Alma.
00:23:14How do you know?
00:23:17You went through my suitcase?
00:23:19You are, Hugh.
00:23:21Oh, darling, I wasn't really spying.
00:23:23Maybe a lady wouldn't have done it, but I'm just a woman in love.
00:23:26I had to find out what made you afraid of me.
00:23:28I'm not afraid of anybody.
00:23:29Oh, yes, Hugh.
00:23:30You're afraid of your heart.
00:23:32I never allow a woman to enter my life again.
00:23:34Isn't that simple?
00:23:35It's because you were burned once.
00:23:37I must ask you again to leave.
00:23:38I had to come.
00:23:40Al's at it again.
00:23:40He beat me.
00:23:41I'm not interested in your domestic problems.
00:23:43You don't seem to want to believe anything.
00:23:45Do I have to prove everything to you?
00:23:47I'll show you.
00:23:48Never mind.
00:23:48Get out.
00:23:49What are you?
00:23:51Haven't you any feelings?
00:23:53Isn't there any place in your life for anything but your work?
00:23:55Don't you care about what happens to me at all?
00:23:58I thought I had made that perfectly clear.
00:24:00We work together, but that's all.
00:24:01Understand?
00:24:02Well, Marion, you can't toss me out like this.
00:24:04I haven't any place to go.
00:24:06Al's crazy drunk.
00:24:07If I go back now...
00:24:08I'll ring for the porter and he'll get you another room.
00:24:10The train's sold out.
00:24:12That's no concern of mine.
00:24:13Isn't it?
00:24:15Doesn't it mean anything to you that when I'm in trouble, my only thought is of you?
00:24:18I forbid you to speak this way.
00:24:20I can't help it.
00:24:21And it is your affair.
00:24:23Al's on a bender because...
00:24:26Because he knows I love you.
00:24:30That's settled, sir.
00:24:32You both need the act in San Francisco.
00:24:36Simple, isn't it?
00:24:37I'm honest and what are my thanks?
00:24:39You fire it.
00:24:40Exactly.
00:24:41So it's curtains for the Wallaces, huh?
00:24:44Now I guess it's up to me to go back and break the glad news down.
00:24:47They'll probably start in right where he left off.
00:24:50The funny part of it is I don't give up.
00:24:52And you don't either, do you, Flammarion?
00:24:55I do feel a certain responsibility.
00:24:57Then let me stay here.
00:24:58No.
00:24:58Please.
00:25:00Life's funny.
00:25:02I guess it happens to everyone sooner or later.
00:25:05It's not much fun to show your heart and then watch it get kicked around all the breaks, is it?
00:25:12Well, thanks for the lesson.
00:25:15All right.
00:25:18You may stay.
00:25:19You know, Flammarion, I just found out what's the matter with you.
00:25:24You're asleep.
00:25:27Maybe this a week.
00:25:50It struck me like lightning.
00:25:54Not for 15 years, not since the tragedy of Almar and my dismissal from the army,
00:26:00that I've been so close to a moment.
00:26:02One look into her mirror would have shown me that I was not for her.
00:26:07That there must have been something else behind it.
00:26:10It was three days from Pittsburgh to San Francisco,
00:26:13and in all that time, she never went back to her husband.
00:26:17I suppose he was too drunk to care.
00:26:20It seemed that a new life had just begun.
00:26:25In reality, it was the beginning of the end.
00:26:37Shall I serve now?
00:26:38No, I'm waiting for a lady.
00:26:41This is a very special occasion.
00:26:59Hello, darling.
00:27:03Remember what you said that night on the train?
00:27:06I thought you'd never get here.
00:27:10Orchids and champagne.
00:27:11You think of everything.
00:27:13I'm trembling.
00:27:15You were as steady as a rock during the act tonight.
00:27:17Yes, but I wasn't ready for you then.
00:27:20I love your hand.
00:27:27I stopped in at a little shop on Grand Avenue.
00:27:30Oh, a present.
00:27:32I hope you like it.
00:27:34It's the first gift I've made to a woman in 15 years.
00:27:42It's the Mary and it's beautiful.
00:27:45I bought it because I, I seem to see you in it.
00:27:50And you will, darling.
00:27:51But you must keep it for me.
00:27:53I would know I could never afford anything so expensive.
00:27:59His drinking's getting worse.
00:28:01It worries me.
00:28:03Yes, during the last show in Pittsburgh, I had to watch his every move.
00:28:07Yes, I know.
00:28:09One mistake.
00:28:10One serious mistake on this part might be fatal.
00:28:15Frightens me to think of it.
00:28:16He should be the one to think about it.
00:28:19Does he realize that my only reason for keeping him is you?
00:28:23You want me, you've got to keep him.
00:28:25I've always been his meal ticket.
00:28:29Perhaps if I spoke to him and told him how we feel about each other.
00:28:34Oh, no, darling.
00:28:35That would only make things worse.
00:28:39But now we have each other today and tomorrow and all the other tomorrows.
00:28:47Just leave it to me.
00:28:50I'll figure it out.
00:28:54She made it sound so convincing.
00:28:57I believed him because I wanted to believe him.
00:29:02But what I didn't know then was that on the same bill was a bicycle ride.
00:29:08He was young, handsome.
00:29:39Come over here, Eddie.
00:29:41You know something, honey?
00:29:42Know what?
00:29:44You look better to me now than you ever do.
00:29:46Why didn't you write me?
00:29:47I'm the kind of guy that likes to deliver things in person.
00:29:54How long are you going to be in town?
00:29:56Two weeks.
00:29:56Me too.
00:29:58He's separated from Michael.
00:30:01Look, Eddie, our next jump to Los Angeles.
00:30:03Couldn't you get on the trip?
00:30:03Look, if I don't make it, it won't be because I didn't try.
00:30:06About 16 bars and I'm on.
00:30:08Keep me up to the show.
00:30:08Don't I wish I could.
00:30:10Al's on the warpath.
00:30:11Let's make it tomorrow.
00:30:12That little bar around the corner.
00:30:19Hiya, babe.
00:30:20Hello, Cleo.
00:30:21What's new?
00:30:22Not a thing with me.
00:30:23Collecting men, steal your hobby?
00:30:26Can you think of a better one?
00:30:27Yeah.
00:30:28I'll take my dogs every time.
00:30:30You don't sit up nights waiting for them.
00:30:32Good evening, boss.
00:30:33Good evening.
00:30:34Got a lot of class, ain't they?
00:30:36Plenty.
00:30:36Don't you think so, Con?
00:30:38Yeah, they're swell performers.
00:30:40They certainly is.
00:30:42Hiya, maestro.
00:30:43What gives?
00:30:45That guy's family must have been awfully fond of children.
00:30:49Lumerian's all right.
00:30:49He's just a little strange.
00:30:51Keep right on calling it strange, but in my book, he's strictly a heel.
00:30:54Well, I guess it's time to get down to the office.
00:30:56I'll see you around, Cleo.
00:30:57Don't go leaning into no bullet.
00:30:59Don't worry.
00:31:00Lumerian knows what he's doing.
00:31:01Meaning that I don't?
00:31:04See?
00:31:05That's what I meant when I said I'd take my dogs.
00:31:11You like it, darling?
00:31:13Very much.
00:31:16And do you like me a little, too?
00:31:21Connie, we've got to do something about Al.
00:31:25I thought if I were to make it worth his while, I mean financially...
00:31:29He'd only spend what you gave him.
00:31:31And then no dough, no wife, and no meal ticket.
00:31:34Oh, no.
00:31:34He'd never stand for a deal like that.
00:31:36I want to make a new life for us.
00:31:39That would be wonderful.
00:31:42Even if there isn't any chance of making it come true.
00:31:44It must come true.
00:31:54You're proud of these, aren't you?
00:31:57They were my only friends until I found you.
00:32:02I hope you take as good care of me.
00:32:04Put that down.
00:32:05That's dangerous.
00:32:06Now you know how I feel.
00:32:08What if I had as little faith in you?
00:32:11I entrust my life to you every night.
00:32:15That's another reason why we belong together in August's world.
00:32:19I won't even think about tomorrow without you.
00:32:21I know.
00:32:22I can't sleep at night.
00:32:24I just lie awake and dream about tomorrow.
00:32:26Or tomorrow.
00:32:28The other night I dreamed about the three of us.
00:32:31It was on stage.
00:32:33You and Al and I.
00:32:35As Al stood before the mirror, you fired and missed.
00:32:39I never missed.
00:32:41Of course not.
00:32:43Al was drunk.
00:32:44It was an accident.
00:32:57I never asked you to come here because I want to talk to you.
00:33:18Okay.
00:33:19Start talking.
00:33:20Sit down.
00:33:25None of my warnings have meant anything to you.
00:33:29You still continue to drink.
00:33:31I know how to take care of myself.
00:33:34Don't you realize, Al, that every time we step onto that stage that you're nothing but a live target which
00:33:39I must miss?
00:33:40I knew that when I took the job.
00:33:44Won't you let me help you?
00:33:47Help me?
00:33:48Let me lend you some money.
00:33:50Why?
00:33:50We're booked solid, aren't we?
00:33:53Well, that means the old letters will be coming in every payday.
00:33:57Of course I could always use a little extra money.
00:34:01Has it ever occurred to you, Al, that you might not be cut out for this sort of work?
00:34:07Why not go back to dancing?
00:34:09That costs dough.
00:34:10You may leave that entirely to me.
00:34:14I don't get this.
00:34:18I don't get this.
00:34:44I don't get it.
00:34:4515 minutes.
00:34:4615 minutes.
00:34:46All right.
00:34:47I've got to get made up.
00:34:49But what I said still goes.
00:34:51The Wallaces stick together.
00:34:53So stop trying to run our lives right now.
00:34:55Come on.
00:35:16Elves stood before the mirror, being fired and missed.
00:35:21Fired and missed.
00:35:23Fired and missed.
00:35:32Fired and missed.
00:35:33What's eating you?
00:35:34I've had just about all a Mr. Flammarion I can use.
00:35:37And vice versa, I should say.
00:35:40What goes with you and him, anyway?
00:35:42With me and Flammarion?
00:35:44Oh, don't be a sap.
00:35:46That guy wouldn't be interested in this unless she had a couple of guns in her girdle.
00:35:49He just had me in his dressing room for a pep talk.
00:35:52Which ended up with him trying to ease me out of the acting, too.
00:35:54In exchange for a little dough.
00:35:58Are you kidding?
00:35:59Do I look like it?
00:36:01What a nerve that guy's got.
00:36:03Trying to run our lives for us.
00:36:04He covered up by telling me it was for my own good.
00:36:06Why, that dirty chisel.
00:36:09Imagine trying to come between a husband and wife that way.
00:36:12And the crummy way he did it.
00:36:13Offering you money.
00:36:14Just as though I were...
00:36:15I don't know what kept me from punching him right in the nose.
00:36:21But, baby, we ain't got no dough.
00:36:23We can't afford to lay off.
00:36:24Now that I know what sort of a man he is, I won't work with him any longer.
00:36:28And I'm surprised at you, hon.
00:36:31Haven't you any pride left?
00:36:32Yeah, but that check coming in every Tuesday is the difference between meat on the table and no bread in
00:36:37the house.
00:36:38Don't worry, sugar.
00:36:39We'll get another job.
00:36:41And we'll get it quick.
00:36:44You're a funny kid, Con.
00:36:48I don't mind telling you I had you figured all wrong.
00:36:52Just what did you think the score was?
00:36:55I don't know.
00:36:57But it looked to me like you were getting ready to take a powder on me.
00:37:23This evening, waiting for her at the usual time, she didn't come.
00:37:29I grew more and more restless.
00:37:33Time dragged and always ringing in my ear was that terrible refrain.
00:37:39Repeated over and over.
00:37:43Al stood before the mirror.
00:37:46You fired and missed.
00:37:49You fired and missed.
00:37:53It haunted me.
00:37:56It took possession of me.
00:38:03What about Los Angeles, hon?
00:38:05Can you make it?
00:38:06It's out.
00:38:07They offered me a Central American tour.
00:38:09You can't take that.
00:38:11I won't let you.
00:38:13You know, we're in a couple of heels.
00:38:15Al's a good guy.
00:38:17Here I am hiding in dark corners with his wife.
00:38:19We don't have to.
00:38:21It wouldn't make any difference if he knew all about us.
00:38:24I just can't figure that way.
00:38:27With you, it's all or nothing, huh?
00:38:30Yeah.
00:38:31That's what makes me think I'll sign for that tour.
00:38:34You wouldn't see each other for a whole year.
00:38:38Well, I might be able to get you out of my blood that way.
00:38:41Is that what you want?
00:38:42To get me out of your blood?
00:38:45It's gonna be tough, but it's the only way out.
00:38:48The cinch is no good this way, so...
00:38:50Central America.
00:38:51Eddie, don't sign yet, please.
00:38:54I've got an idea.
00:38:57Let me try and see if I can make it work.
00:39:00I know you and your ideas, hon, and...
00:39:03Some of them are good, but...
00:39:06Hey, there's Al.
00:39:09No matter how blind he gets, he doesn't need a seeing eye to lead him to a joint.
00:39:13Shall I...
00:39:13No, stay where you are.
00:39:15I'll handle it.
00:39:16Oh, Al.
00:39:18Over here.
00:39:28What are you doing here?
00:39:29I was waiting for you.
00:39:32I thought maybe I could keep you sober for a change.
00:39:35Eddie asked me to have a drink with him.
00:39:37Is there anything wrong with that?
00:39:39Hi, kid.
00:39:40Hello, Al.
00:39:41I was looking for you.
00:39:42I need some dough.
00:39:44I don't have any with...
00:39:45What did you do with...
00:39:46What did I do with it?
00:39:47How much do you think there's left in the grouch bag after the way you've been kicking it around?
00:39:50For the love of Mike, cut out the preaching.
00:39:54Hey, George.
00:39:55Give me your bourbon.
00:39:57See what the boys in the back room will have.
00:40:00Same here, George.
00:40:02Better make mine a double bourbon, George.
00:40:05I'm in kind of a hurry.
00:40:07Okay, Sheriff.
00:40:09You know, no matter how fast you drink it, the distilleries can still stay way ahead of you.
00:40:13Yep.
00:40:14But by next week, I'll have them working nights to do it.
00:40:21Someday you're gonna do that and not pull back anything but a stump.
00:40:25I've got something better to do than to sit here and watch you get plastered.
00:40:29Thanks for the drink, Eddie. I'll be seeing you.
00:40:48You're giving yourself quite a beating, aren't you?
00:40:51You're gonna start that too?
00:40:53Your wagon, chum. Ain't any color you want to.
00:40:57Look, Eddie.
00:41:00Do you know why I'm drinking?
00:41:02No, and what's more...
00:41:03Then I'll tell you.
00:41:04It's her.
00:41:06Connie.
00:41:07She's got me bats.
00:41:09I don't know which ends up.
00:41:13What do you mean, Al?
00:41:18I can't tell you, Eddie.
00:41:20It's a question of honor.
00:41:24But if she don't cut out some of the stuff she's pulled, I'm gonna...
00:41:28You're right, Al.
00:41:30You shouldn't be talking to me about it.
00:41:32Me nor anybody else.
00:41:34It's strictly between you and Connie.
00:41:36I'll be seeing you.
00:41:38Eddie.
00:41:41What have you chances of a fin till Tuesday?
00:41:43Sure, Al.
00:41:48Here, Al.
00:41:50Thanks.
00:41:52Now, how's about me buying your drink?
00:41:56No, thanks, Al.
00:41:57I'll be seeing you later.
00:42:06You're late again.
00:42:08Where have you been?
00:42:09Al was suspicious.
00:42:10I thought I'd never get away.
00:42:12I was afraid something had happened to you.
00:42:14We've got to be careful.
00:42:16Al's changed since you talked to him.
00:42:18He's all burned up.
00:42:19In all fairness to him, I had to do it.
00:42:21Of course you did, darling.
00:42:24But you've only managed to make things tougher for us.
00:42:26In what way?
00:42:27Al's forcing me to quit.
00:42:29Oh, I'm sure I can talk him out of that.
00:42:32Nobody's ever been able to talk Al Wallace out of anything.
00:42:35Once he makes up his mind, nothing can change it.
00:42:38And you know what that'll mean.
00:42:40I'll never see you again.
00:42:41And I can't go on without you.
00:42:45You won't have to.
00:42:47You...
00:42:47You mean you've thought of a way?
00:42:50I'll cancel all my contracts and we leave the country.
00:42:53He'd manage to find out where we were and he'd follow us somehow.
00:42:57I know you don't like to be reminded of it, but...
00:43:00But this is the past repeated.
00:43:03You'd grow to hate me like you did Alma.
00:43:05You'd blame me and you'd be right.
00:43:08No.
00:43:10Once a woman you loved double-crossed you.
00:43:13But I'm on the level.
00:43:14Lucky for you, unlucky for me.
00:43:17I just can't let you do it.
00:43:43Donnie.
00:43:44I've been thinking.
00:43:48So have I.
00:43:50We haven't a chance.
00:43:54There is one chance.
00:43:57The way you said.
00:43:58The way I said?
00:44:00Remember your dream.
00:44:03Well, I had the same dream.
00:44:05I was drunk.
00:44:06You mean?
00:44:07I was to be for the mirror.
00:44:09I fired.
00:44:11And missed.
00:44:12Don't ever say that.
00:44:15It was just like your dream.
00:44:18When did it happen?
00:44:20Tomorrow, the matinee.
00:44:22No.
00:44:24Saturday night performance.
00:44:26Everybody lets down.
00:44:29I'm certain I will be drunk.
00:44:32Absolutely certain.
00:44:34No.
00:44:35It's all just a matter of timing.
00:44:56What's the matter?
00:44:57Where's Connie?
00:45:00Well, if you don't know, I'm sure I wouldn't.
00:45:02I've lived all over the hotel for her.
00:45:05I need some dough.
00:45:07You're drunk already, Al.
00:45:09Why not?
00:45:10What else is there to do?
00:45:12My office still holds, Al.
00:45:15Let me get you another job.
00:45:17I won't leave Connie.
00:45:20This way, you're driving her away.
00:45:22I'll get her back.
00:45:23Don't you worry about little Al thing.
00:45:26Maybe you could let me have ten bucks to payday, huh, boss?
00:45:30Sure.
00:45:39It's a hundred dollars.
00:45:42I'm going to change.
00:45:44That's all right.
00:45:45I'll press you.
00:45:48Me too.
00:45:50You're my pal.
00:45:52That's what I say every night.
00:45:56How about a drink?
00:45:59A cigarette to celebrate.
00:46:02I'll have a smoke.
00:46:04Good night.
00:46:06Good night.
00:46:08Good night.
00:46:31Change.
00:46:48Change.
00:47:27Hello, darling.
00:47:28Hey, what'd you get me up in the middle of the night for?
00:47:30What's it all about?
00:47:31I had to see you right away.
00:47:33Eddie, everything's going to be all right.
00:47:34Yeah? How come?
00:47:35Don't ask him any questions. Just do as I tell.
00:47:38Call your agent first thing in the morning and tell him you'll take that Central American tour.
00:47:41I don't get it. I thought you didn't want me to go.
00:47:43I've changed my mind.
00:47:45Because now I'm going with you.
00:47:47With me? Hey, what about Al?
00:47:49Al's a dead pigeon. And I'm clearing out for good.
00:47:52And I do mean good.
00:47:53He'll never let you go. You've tried that.
00:47:56Oh, yes.
00:47:58I just found something out tonight.
00:48:01Never mind what it was.
00:48:03You take my word for it.
00:48:05I've got enough money now so that when my lawyer tells him I want to go bye-bye, he can't
00:48:10see me.
00:48:11But that's blackmail.
00:48:13So it's blackmail.
00:48:14He played straight with me, kicking me around, taking my dough. He forced me to...
00:48:20Hey, wait a minute.
00:48:23What are you worrying about?
00:48:25Al or me?
00:48:28You wouldn't know the answer to that one.
00:48:31Well, then act like a measure.
00:48:38I'm going to say I should do this.
00:48:38OK, let me get you guys.
00:49:04I thought I did all the drinking for the Wallace family.
00:49:08I kind of got the willies tonight.
00:49:09I thought maybe a drink might help.
00:49:11You worried about leaving the act?
00:49:13I wondered if I should have made you quit.
00:49:16Oh, sure you should.
00:49:18When we get away from here, things will be a whole lot better.
00:49:21There's room for proof.
00:49:25Honey.
00:49:33I guess you know why I act like this.
00:49:37I'm jealous.
00:49:38But once Flammarion's out of our lives, it'll be just like it used to when we first started out.
00:49:44Yeah, I bet it will at that.
00:49:46I know the going's been pretty tough, baby.
00:49:49But at least we've been together.
00:49:51Hey, wait a minute.
00:49:53What are you doing?
00:49:54Going sentimental on me?
00:49:55Maybe I got a funny way of showing it.
00:49:58that I'm just as crazy about you as I ever was.
00:50:03You know, you're kind of a sweet kid at that.
00:50:06Maybe you're right.
00:50:08Maybe from here on, things are going to be a whole lot better.
00:50:12Fifteen minutes.
00:50:13Okay.
00:50:18Well, here's how.
00:50:20Well, here's how.
00:50:40Well, I remember, I know the time.
00:51:10Hiya, boss.
00:51:11Everything all set.
00:51:27I was like a man who walks through a nightmare with teeth of lead.
00:51:33I didn't speak.
00:51:34I didn't dare to.
00:51:36I simply went on.
00:51:38Because now there was no turning back ever.
00:51:43You're leaving.
00:51:44You're leaving.
00:51:46You're leaving.
00:52:05Thank you, sir.
00:52:11I was fantastical.
00:52:12Keep your mind on the race.
00:52:34Mechanically, I moved about the stage like a machine.
00:52:39I looked at her. She was everything I wanted.
00:52:44Then I stood before the mirror.
00:53:35It's Al. He's been shot.
00:53:38It's the rotten house.
00:53:39Get out.
00:53:39Get out.
00:53:40Get out.
00:53:40Get out.
00:53:41Get out.
00:54:08Get out.
00:54:11The world has been shot with respect to his death.
00:54:12Therefore, the coroner's verdict is accidental death.
00:54:15Jury is discharged.
00:54:50Aren't you ever on time?
00:54:52Did you miss me very much?
00:54:54These last two days were the most miserable I've ever spent.
00:54:57I missed you, too.
00:55:07Tickets for Las Vegas.
00:55:08I went to the bank this morning,
00:55:09and I drew enough money out for the honeymoon.
00:55:11You shouldn't do that, darling.
00:55:13You shouldn't have bought tickets on the same train.
00:55:15It's dangerous.
00:55:16Then I can leave the next day and meet you there.
00:55:18If anyone found out that you took all that money out of the bank,
00:55:21and they saw us together,
00:55:22you'd just be begging for a call from the DA.
00:55:26Are you afraid?
00:55:29No, it isn't that.
00:55:32It's just that I don't want anything to happen to you.
00:55:36Nothing will, I hope.
00:55:39No, it might be a good idea if I did go away for just a little while.
00:55:44But I told you I don't want to be separated from you again.
00:55:47That's to be sensible, darling.
00:55:48We've got to let the grass grow.
00:55:51We've got the rest of our lives to be together.
00:55:54And you'll figure it that way.
00:55:57Three months isn't such a long time.
00:55:59A dream, huh?
00:56:06Do you think I like the idea of leaving him?
00:56:09But where will you go?
00:56:11Hibbing, Minnesota.
00:56:13I haven't seen my mother in eight years.
00:56:16There never was enough time or money before.
00:56:20I'll write you every day.
00:56:22No, no letters, please.
00:56:24Never put anything in writing.
00:56:25Well, then I tell from you.
00:56:26Don't you understand?
00:56:27We've got to be strangers.
00:56:29Even my family wasn't no more friends.
00:56:33We'll make up for it.
00:56:35Connie, you haven't even given me your address.
00:56:38So that I know at least where you are.
00:56:43I'd like to send you little presents
00:56:44to let you know that I'm thinking of you.
00:56:502907 Ferndale, the address, if it's any easier for you.
00:56:53But no gifts.
00:56:55The widow shouldn't have it, Marlis.
00:56:59Please take this.
00:57:01It will remove one of my worries until I see you again.
00:57:06That would be exactly three months from tonight.
00:57:09October 14th, where shall we meet?
00:57:12As far away from here as possible.
00:57:14What about Chicago?
00:57:17I love Chicago.
00:57:19Chicago, the Empire Hotel.
00:57:22I will register under the name of H.J. Brant.
00:57:25Do you remember that?
00:57:27Mrs. Brant joins you in Chicago, the Empire Hotel.
00:57:32On October 14th.
00:58:05My name is H.J. Brant.
00:58:07I have reservations.
00:58:08How do you do, Mr. Brant?
00:58:11Your reservation is for October 14th.
00:58:13Yes, my wife arrives tomorrow,
00:58:14but I would like to check in now and prepare everything.
00:58:17Yes, of course.
00:58:22Show Mr. Brant the bridal suite.
00:58:24Yes, sir.
00:58:25This way, please, Mr. Brant.
00:58:39Thank you, Mr. Brant.
00:59:01Do you like it, sir?
00:59:03Yes, needs flowers.
00:59:05Is there flowers in the house?
00:59:06Yes, sir.
00:59:07Well, tomorrow morning, I want six dozen roses,
00:59:09various colors, long stem.
00:59:11I want some flowers for this vase
00:59:14and another basket with mixed flowers.
00:59:16Six gardenias for her pillow
00:59:19and a standing order of a corsage.
00:59:22Three orchids with this, white.
00:59:24Will you deliver it every morning with our breakfast?
00:59:26Yes, sir.
00:59:27Got that straight?
00:59:28Yes, sir.
00:59:28Is there anything else, sir?
00:59:29Yeah, you can bring me some ice water.
00:59:34And I want good service.
00:59:36Thank you, sir.
00:59:55Thank you, sir.
01:00:09Come in.
01:00:12Good morning, Mr. Brant.
01:00:13Good morning.
01:00:15Here we go.
01:00:17All right, I'll put it.
01:00:40All right.
01:00:45Thank you, sir.
01:00:46Thank you, sir.
01:01:13Good morning, Mr. Brant.
01:01:14I would like to get the schedule of all incoming trains and planes, please.
01:01:18Yes, sir.
01:01:21Anything else, sir?
01:01:22No, thanks.
01:01:30Good morning.
01:01:30Good morning, Mr. Brant.
01:01:32Have you any mail?
01:01:33No, sir. There's nothing.
01:01:34Have you anything under the name of Flammarion?
01:01:37Flammarion?
01:01:37F-L-A-M-A-R-I-O-N.
01:01:39He asked me to pick it up for him.
01:01:40I don't think there's anything under that name, but I'll see.
01:01:47Sorry, Mr. Brant. There's nothing.
01:01:49Well, in case anything should come, you let me know immediately.
01:01:52Yes, sir.
01:02:12Mr. Brant, give me the desk, please.
01:02:14That guy in 1406 is nuts. He's done nothing but call me all day.
01:02:19Well, desk?
01:02:21It's Mr. Brant, 1406.
01:02:25Haven't there been any calls, messages, letters?
01:02:33Has there been anything for my friend Flammarion?
01:02:39All right. Thank you.
01:03:03Mr. Brant, call me Mr. Brant.
01:03:04Here.
01:03:06Uh, Mr. Brant?
01:03:07Brant.
01:03:08Oh, I'm sorry, sir. It's a Mr. Brant.
01:03:09A Mr. George Brant.
01:03:13Call me Mr. Brant.
01:03:17Call me Mr. Brant.
01:03:19Call Mr. Brant.
01:03:19Call Mr. Brant.
01:03:21Call Mr. Brant.
01:03:38Call me Mr. Brant.
01:03:41Call me Mr. Brant.
01:03:42Call me Mr. Brant.
01:03:44Call me Mr. Brant.
01:03:45Call me Mr. Brant.
01:03:45Call me Mr. Brant.
01:03:45Call me Mr. Brant.
01:03:56Call me Mr. Brant.
01:04:10Sir, any answer, sir?
01:04:32Address unknown. Address C. Unknown.
01:04:45Thanks.
01:04:50Any forwarding address, Mr. O'Brien?
01:04:53I'll let you know.
01:04:55You appreciate the...
01:04:57I had lost all sense of time.
01:05:00The only excuse she could have had was death.
01:05:05Otherwise, she hadn't ever crossed me.
01:05:08I didn't know which would have been worse.
01:05:13I had to find her.
01:05:16I remembered her ticket to Las Vegas.
01:05:19It was a wild chance, but my only clue.
01:05:23After I'd searched for days, I ended in a gambling club, like the rest of the suckers.
01:05:32For what money I didn't lose gambling, I lost Tracing Connie.
01:05:38Every day, some racketeer gave me some new clue.
01:05:43All false.
01:05:45Then I went to Los Angeles to see the agent.
01:05:47With Chase Connie and Allen and Mack.
01:05:52Sorry.
01:05:52I've tried everything.
01:05:54I've checked with the NBA, Central Casting, and every agent in the business.
01:05:59Maybe she went back to dancing.
01:06:01I've covered all those angles, too.
01:06:03There's no trace of her.
01:06:05Look, O'Brien.
01:06:07Why don't you start rehearsing with the new team?
01:06:09All you need is a couple of stooges who know how to stand still and keep sober.
01:06:14Okay.
01:06:15Then do a single.
01:06:16I can book you anywhere.
01:06:18Get back in your own racket and forget all this.
01:06:23Do you...
01:06:24Do you need money?
01:06:32Well, I guess, sir, I've got to keep on looking.
01:06:37Well, good luck.
01:06:47I covered the country.
01:06:50Seattle, Detroit, Minneapolis, Philadelphia, Kansas City.
01:06:55Everywhere.
01:06:56I was obsessed by one thought only.
01:07:00The thought of finding her.
01:07:02That's a mighty nice set of guns you've got there.
01:07:04What do you want to do, pawn them or sell them?
01:07:06Sell them.
01:07:08I'll give you $80.
01:07:12I've got to keep this one.
01:07:14Oh, if you're going to break the set up, I'll have to give you less money.
01:07:17I'll give you $60.
01:07:19I'll take it.
01:07:33I never figured a smart guy like you'd let a dame make a sucker of him.
01:07:37I don't even know whether she's dead or alive.
01:07:41She's alive all right.
01:07:42Her guy never dies.
01:07:44Well, then why can't I find her?
01:07:46Because you don't know what you're looking for.
01:07:47That's why.
01:07:49I don't know why I should help you, but here it is.
01:07:54Remember a bicycle act that was on the bill when we played for San Francisco?
01:08:00Is it wheeling?
01:08:01Wheelers.
01:08:03I understand they had a lot of trouble finding someone to replace Eddie when he left the act.
01:08:07The big, good-looking one.
01:08:09Connie was nuts about him then.
01:08:11And it ain't more than a year ago, so she probably still is.
01:08:14Last thing I heard about Eddie, he was someplace south of the border.
01:08:18So if you really want to find her, you better start hunting for him.
01:08:23But what you want with that dame after the way she crossed you up is something I'll never be able
01:08:28to figure out.
01:08:33At last I had found something tangible to guide me.
01:08:37I hitchhiked my way to the border, then I walked.
01:08:42Finally I got a ride on a truck here to Mexico City.
01:08:45I made the rounds of the whole town.
01:09:17?
01:09:17?
01:09:17?
01:09:17?
01:09:18?
01:09:18?
01:09:21You are the love of a flower, and when I gave you my love, your image was my inspiration.
01:09:34I have a father, and I have a capistrano, and I'm sad, I hope you can answer your answer, and
01:09:50I'm happy to see my life, and since the day I achieved your love, I always think about you.
01:10:01You are my love.
01:10:31You are my love.
01:10:39You are my love.
01:10:44You are my love.
01:10:58You are my love.
01:10:59You are my love.
01:11:00You are my love.
01:11:02You are my love.
01:11:14You are my love.
01:11:14You are my love.
01:11:20You are my love.
01:11:24You are my love.
01:11:26You are my love.
01:11:29You are my love.
01:11:43You are my love.
01:12:04You are my love.
01:12:09You are my love.
01:12:17You are my love.
01:12:56You are my love.
01:12:59You are my love.
01:13:02You are my love.
01:13:06You are my love.
01:13:07You are my love.
01:13:33You are my love.
01:13:34You are my love.
01:13:36You both have changed.
01:13:38How did you get here?
01:13:39We had a date, remember?
01:13:42I always keep my dates.
01:13:46I tried to get there.
01:13:48Three months weren't long enough to see your mother in Minnesota.
01:13:52You were so busy at home that that phony address...
01:13:55That's it. It was too long.
01:13:57I was wrong for Mary and all wrong. I know that now.
01:14:01I waited for you and then Eddie came along.
01:14:03But I never stopped thinking about you, never.
01:14:06I know how it is. You wanted me too.
01:14:09Every minute you were away from me made me more than happy.
01:14:12I'm so glad you've come.
01:14:13That's why I'm here.
01:14:16I've come to get you.
01:14:19Of course, it was different before.
01:14:23Nine hotels, nothing but the best.
01:14:26We'll have it all again, just the two of us.
01:14:28It'll be just like it used to be.
01:14:30We'll have our future together.
01:14:33Just as we had planned?
01:14:34Yes.
01:14:35We'll go back to the States, get a new act.
01:14:38You'll be a headliner.
01:14:39Your name will be in lights again.
01:14:43And you will be my assistant?
01:14:45Of course.
01:14:47You might have had everything.
01:14:49Yes.
01:14:50Everything you want.
01:14:52And so will I.
01:14:54You go away.
01:14:56You don't belong here, Connie.
01:15:03We...
01:15:04We do understand each other, don't we?
01:15:07Yes, I understand.
01:15:09But this one time you'll keep your date.
01:15:13You wouldn't.
01:15:14You couldn't.
01:15:15I'm through and so are you.
01:15:17No, think.
01:15:18I'll never squeal.
01:15:19Ever.
01:15:20That's right.
01:15:21Look, just let me go.
01:15:22I'll give you back your money, all of it.
01:15:24You won't need any now.
01:15:25You wouldn't, Dad.
01:15:27I'll tell him you'll kill my husband.
01:15:28I'll tell him that you're a murderer.
01:15:30And what are you?
01:15:31And I'm the last man you'll ever cheat.
01:15:35Why, you poor sucker.
01:15:38How could anyone love you?
01:15:40A fat, bald neck.
01:15:42A squiddy eyes.
01:15:43You're old.
01:15:44You're ugly.
01:15:45Even the touch of you made me sick.
01:15:47I hated you, and I've always hated you.
01:15:50That was your curtain speech, Connie.
01:15:54Keep away from me.
01:15:55Keep away from me!
01:16:03What?
01:16:04What was that?
01:16:06Who screamed?
01:16:21I held on as long as I could.
01:16:25Until the lights went out.
01:16:28Everybody had gone.
01:16:31All the time I was growing weak.
01:16:35Loss of blood.
01:16:37And then I let go.
01:16:41Tell them.
01:16:45It's the police for Brian.
01:16:48I said I was going to be dead when they got there.
01:16:52Good night.
01:16:58That's a wonderful...
01:16:59All the time!
01:17:25¶¶
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