00:00This is Tim Waspuk from Best Track Concert TV.
00:29I'm here in Austin for Fantastic Fest.
00:32Now, did you have videotap so you could see how it looked?
00:36Well, we shot on film and we had a videotap that looked like it was a CCTV monitor from like 1995.
00:46No.
00:47Sometimes when you see how close you are to camera, you can obviously perform.
00:52Did you guys ever watch playback?
00:54Yeah, we watch playback sometimes.
00:55I think for like the really fun stunts, people record it on their phone.
00:58And then we watched the phone footage was better.
01:02I mean, we like we walked into Kodak and robbed them of all their film stock and for no money, really.
01:09And they gave us film, 16 millimeter.
01:13But like the videotap is like a 480p videotap for the like it's literally like you were like, is this in focus?
01:20We're like, I don't know.
01:21But Danny knew.
01:23He knew.
01:24Yeah.
01:25First AC had to actually.
01:26He literally.
01:27I want to point out Danny's a ninja.
01:29He never, never measured anything.
01:32Dude, do you know that?
01:33No.
01:34Danny, the second movie with Danny, he was on Blood for Us 2.
01:37He would just rip it, dude.
01:39What, is he focused?
01:40You mean you're focused?
01:40Yes, dude.
01:41Never, never got a mark.
01:43Like never a laser.
01:44Just be like, I don't know.
01:45That's, that's art.
02:01We gotta go.
02:02We gotta hurry, please.
02:10You're saying that dance.
02:12Did you find it fairly early on?
02:14How long did it take to sort of find that sort of back and forth?
02:17I just feel like we kind of clicked as people pretty early on and we shared ourselves with each other about our lives and things like that.
02:26And I just, I don't know.
02:27It just felt organic.
02:28I don't really know how else to explain it.
02:31Because it doesn't always feel that way.
02:33No, it doesn't.
02:34And I think, I mean, I've done films where like when it's on your coverage, the other actor leaves and you're just, you're just looking at a sticker.
02:42And, you know, really, and you're alone.
02:46And I don't think we ever left each other alone.
02:48We were really, really just like, I'm getting emotional.
02:51We were really there for each other.
02:53And, and it's not required in every project.
02:57But like, it was really necessary in this for us to just like, keep this lifeline with each other.
03:04And even in moments of like, you know, one of us being tired or something being difficult and then being like, okay, do you want me to go talk to production about like, you can stay, like, we would just really take care of each other first.
03:20Makes me happy.
03:21Yeah.
03:27What you think?
03:28You can just do whatever you want now?
03:30This is still my fucking house.
03:38Well, that's how people can respond to it.
03:41If they see it, you know, so there you go.
03:44Because it's hard to do in this way when you have so much, you know, it's, it's horror.
03:48You have to look at it as that entertainment.
03:49And we had different strengths.
03:52Like we, we had different, we had different skill sets, you know, there was so much physicality in this.
03:57And I am a klutz to like the, I injure myself, like walking out of my house.
04:02Like, you know, I think my biggest injury on set was like me trying to open a door one day.
04:06I jammed my finger or like, or like running to the shovel.
04:09I like jammed my other finger.
04:10I just, I didn't have like a brace.
04:13I am such a klutz.
04:14And so there was like a physical safety that Max provided.
04:18And then like, I also have a lot of experience in film.
04:22And so there was like a, a knowledge safety that, yeah.
04:26Like we just really were like, okay, how can we, how can we be there for each other?
04:31Like we, how can we be there for each other?
Comments