- 6 hours ago
- #realitytvdeep
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Short filmTranscript
00:00What is there to say about Thomas Edison that hasn't already been written?
00:11Well, let me tell you.
00:19Hey, hey, hey, hi.
00:23The year was 1867, and I was the very first female student chosen to participate at a very prestigious Ivy League institution.
00:33They called this the dawn of a new era.
00:43I know that's when life starts.
00:46I don't like that one.
00:48Excuse me.
00:53I'm looking for bioanthropology 215.
00:57I'm curious if any of you lot might be able to...
00:59Do you mind if I take a look?
01:03Bioanthropology.
01:06Hmm.
01:07215.
01:11215.
01:13215.
01:14Yes, 215.
01:16You can read numbers quite well.
01:20You know, I don't recall where that one is.
01:23Even though you're holding a bio textbook right there?
01:26That's for something different.
01:28Oh.
01:29I see.
01:32I see.
01:34You know, if the lot of you can't muster up a decent retort, how do you expect to charm your future wives one day?
01:40Well, we can retort.
01:42Sure you're telling yourselves it'll be all about the money, huh?
01:49But the truth is, women all over the country, the good ones anyway, they are just like me.
01:57They're challenging themselves to find unique purpose to do better, to be better.
02:03Enlightened women.
02:05I don't want enlightened women.
02:08I don't think you'll have much say in the matter after long.
02:13All right.
02:14Do you disagree?
02:15Yes, they disagree.
02:17Seems they disagree.
02:18Come on.
02:19Look at her.
02:20I mean, she's not a serious person.
02:22Look at her.
02:23Look at me.
02:24I am.
02:25Of the 6,072 submissions this year, there were 908 admissions, which makes you all very smart and very elite.
02:37But this fine lady, your name fine lady?
02:40Marian.
02:41Miss Marian, here, applied against an entirely separate pool of applicants.
02:46900 applicants.
02:48One slot.
02:51I'm sure I don't have to explain how ratios work, but that makes her even more elite than you.
02:56And I believe that Marian, may I call you that?
02:58Okay.
02:59I believe the difference between you lot and Marian is that she doesn't believe that any of this is owed to her.
03:04You see, Marian knows that there are plenty of women who deserve to be here, but there needs to be a first.
03:09A catalyst that sparks change throughout the world.
03:12So I suppose what I'm trying to say is that you're absolutely right about women.
03:16They don't need to be enlightened.
03:19But in fact, most already are.
03:21Just simply waiting in the wings for the right moment.
03:23Rest assured, I most certainly was not in need of his saving.
03:34If anything, you might say that I unknowingly saved him.
03:40Dear reader, I must warn that if it is indeed this narrow love story that you yearn for, I might encourage you to look elsewhere.
03:49This story is a bit more complex and sinister.
04:14Please.
04:15What's this?
04:29It's what?
04:32That's nothing.
04:33Nothing, nothing, nothing.
04:34It's nothing.
04:36I...
04:38I just mean to say it's, it's, it's, it's not ready yet.
04:41It's, I don't know, it's far-fetched.
04:44Please, please don't judge me.
04:45I truly am a realist.
04:47You know, I, I don't expect it to go anywhere.
04:51God, listen to me talking myself in circles.
04:53I should, I should really just shut up and, and stop talking myself in circles, but here I am.
04:59It's, it's really nothing.
05:00On the contrary, Miss Portia.
05:01On the contrary.
05:02On the contrary.
05:03On the contrary.
05:04On the contrary.
05:05On the contrary.
05:06On the contrary.
05:07On the contrary.
05:09On the contrary.
05:10On the contrary.
05:12On the contrary.
05:13On the contrary.
05:14I don't know.
05:44I don't know.
06:14You're not allowed in front of the property, Celia!
06:24Choke on your mother's tit.
06:27Tell me I didn't just see what I just saw.
06:29What do you think you saw?
06:31Don't tell me, Celia!
06:37Filthy, filthy place!
06:39Put down the symbols.
06:47Marion, I implore you to leave this alone.
06:50Well, I think you're all fucking cunts and leeches.
06:53That's what I think.
06:54Shut up, woman. Shut up.
06:56I never lied to you.
06:57Please, Marion, shut up.
06:59A woman was never to be published.
07:02I did you a favor.
07:03They lied to us with their kind eyes.
07:05Quite a blaze as one of them.
07:06You are never going to go to Paris.
07:08Shut up, Marion.
07:09Shut up.
07:11I'm getting the sense this isn't entirely about me.
07:14Marion!
07:15Well, would you look at that?
07:22He's out cold.
07:26Where is my fucking room?
07:28Where is my fucking room?
07:31My charbon.
07:35Norman.
07:36Norman, Norman.
07:37Where is my fucking room?
07:39Sir, I'll show you to your room.
07:42This way, sir.
07:46To your right, sir.
07:47To your right.
07:50Sir.
07:50Right.
07:55Sir.
07:56What?
07:58Sir.
07:58The bell is broken.
08:02Norman.
08:02Doctor!
08:03Try to tell you that the bell is broken.
08:04That is broken, sir.
08:06You're in a manic spin.
08:08You see, you see, this is why he lost all of his businesses.
08:10He can't keep it together under Paris.
08:12Diana, I'm begging you to use discretion.
08:13Wait, look at that.
08:14I am begging you.
08:15I am begging you.
08:16Oh, oh, oh, you don't want Thomas to hear?
08:18Anybody who doesn't need to be here, please go away.
08:20Thomas can't come to the window right now.
08:21It appears that he's truly cold under.
08:24Doctor!
08:24Doctor!
08:25Doctor!
08:26Doctor!
08:27Doctor!
08:27Lily.
08:28Lily.
08:29Lily, where are you going?
08:31To my tent.
08:32To wait.
08:33For what?
08:36To be cold.
08:39Because I am a home.
08:40Except I'm a stupid doll.
08:44Because I'm not even paid.
08:45Oh, don't be so dramatic.
08:47We're all whores.
08:49Lily, don't you do anything brash.
08:52Lily!
08:53No, you cunt!
08:55He's nothing but smoke and mirrors.
08:57He's better off dead.
08:58Marion, if you can contribute at least one thing to this family,
09:00it will be to help revive this man.
09:02Well, um, I think you should get that bell fixed.
09:05Now, that's a meaningful confusion if you ask me.
09:09Because, you know, you never know when you're going to need some medicine.
09:11I fetch him, sir.
09:12Thank you, thank you.
09:12Doctor!
09:13Quite old.
09:14Doctor, doctor, doctor!
09:16Doctor, doctor!
09:17Doctor!
09:18Doctor!
09:18Oh.
09:19Oh, hey, hey, hi, hi.
09:29Oh, your wife's a cunt.
09:34Look, please, this is tremendous foolishness now.
09:38Please.
09:38How long was he out cold?
09:41Probably ten minutes or so.
09:42You have to be on my way, all right?
09:43This is foolishness.
09:44Mr. Edison, please, follow my finger.
09:47Would you like me to leave with my chin or...?
09:48No, only the eyes.
09:50But, okay.
09:51That was the chin.
09:53I wouldn't recommend he drive tonight.
09:55Fine, it is settled.
09:56No, nothing's settled.
09:57It's settled.
09:58There's something called a cerebral edema.
10:00Do you know what that is?
10:00Never in my life have I been more accosted.
10:03I was assaulted, really.
10:04My lawyer is going to be my first letter upon my release from this prison stint
10:08that is this hellscape that you call Rhode Island.
10:11Well, Mr. Edison, please, there was nothing more than the slip of, uh,
10:14to leave the fine state of Rhode Island quite out of it.
10:16Oh, it was a slip of nothing.
10:18It was positively intentional, and she needs a real talking to that woman of yours.
10:24What?
10:25What?
10:26What did you say?
10:27Your wife, sir, needs a real talking to.
10:33Call me if you, uh, feel any dizziness or you see black spots.
10:36I should sue.
10:38It's what I should do.
10:39For libel.
10:41Mr. Edison.
10:43Feels a bit brusque.
10:44That feels terse to you, does it?
10:47Can I ask you something?
10:48Yes.
10:49Honestly.
10:49Please.
10:50Are you a serious man?
10:52I believe you know the answer to that.
10:54Look around.
10:54Because I drove for hours to the middle of nowhere because I was told that you were someone
10:58who would not waste my time.
11:00And for that I shall write you a big fat check.
11:02At favorable terms, of course.
11:04Yeah, you're going to award me more than that.
11:08What, what, what, what are you implying?
11:11I'm going to need a formal apology from your wife, sir, before a deal can be done.
11:16And let me tell you something.
11:18Any deal that could be done, so it shall be done.
11:20And when it is, it's going to make you more money than you've ever seen in your life.
11:25And let me tell you, at saying something, ask your robber baron friends.
11:30Well, of course you'll apologize, Mr. Edison.
11:33She's not a, a, a, a, a peasant.
11:38She's a Henry.
11:39She's a Henry for fuck's sake.
11:41A few other things, too.
11:42She's a Henry for fuck's sake.
12:12A few other things, too.
12:42Yes, Norman, what is it?
12:46You got us into trouble today, Marion.
12:48And I, I, I mean that in the most constructive way I can, because I'm your wife.
12:53My husband.
12:54You've instigated madness in this house.
12:56Madness that's bled through into my business dealings.
12:59Thomas Edison is not a business dealing.
13:01He is an ass fucker.
13:03I told you that.
13:03You don't tell me what a business dealing is.
13:05You don't tell me what a business dealing is.
13:08Norman, I would ask you to take two big deep breaths before you speak to me again.
13:14You're acting with such savagery and barbarism that it's hard to...
13:18Savagery and barbarism?
13:19Norman, you're the one who's frothing a...
13:21Let me finish, I beg you.
13:23Warthog!
13:25You might think me a dim-witted opportunist.
13:28But you need to set your differences aside now for the betterment of the Henry name.
13:36Mr. Edison has asked for an apology.
13:38I, for one, think that's a good idea.
13:44I owe him nothing.
13:46And you're the one who punched him.
13:48You know what I think it is?
13:49I think you can't conceive that an uneducated man like him...
13:52Uneducated?
13:53An uneducated man...
13:54Say that again.
13:55...may try to claw his way out of the rat-infested rungs of society...
13:59The rungs of society is where he belongs.
14:00...and make something of his life without having to marry up.
14:08You will apologize in the morning.
14:17I know you can hear me.
14:19I know you're not asleep yet.
14:30You think you're the first artist who's ever whored herself for a warm bed?
14:38And a loaf of stale bread?
14:41You disgust me!
14:43Do you know that?
14:44I loathe you.
14:45And not because you're an unadulterated cunt.
14:49But because you somehow actually believe that your talent means something more than all the others.
14:56You believe that you're better than all of us girls.
15:00And you're not.
15:01You're nothing.
15:03You're a passionate nothing.
15:08So don't you fuck us.
15:11Do you hear me?
15:13Don't even think about fucking this all up.
15:18Look at me.
15:19Look at me!
15:34I hit ambition once, too.
15:38You know that, don't you?
15:40I was reviewed by the Times.
15:46I was reviewed by the Times.
15:46When you create something, even if it lasts, but only for a moment, something you believe
15:59to be truly remarkable and singular in this world...
16:02And then to have it ripped away without an ounce of acknowledgement by a complete and utter nobody.
16:18You'd think, perhaps, that one might feel rage.
16:23Bitterness.
16:23But the truth is...
16:29No, man.
16:31The truth is...
16:32I could never get past the shame.
16:36Because it was always my fault.
16:40All of it.
16:42Tell me she's a liar.
16:47Tell me she's a liar, no, man.
16:49I will go to Maui, yes.
16:56Come.
17:07I will see you on that stage in Paris.
17:11If it's the very, very last thing I do.
17:14Annoying self-hatred that rattles you to your core.
17:19Because deep down, you know that you're better than the bed you've made.
17:27You're better.
17:36Did you hear the news?
17:37He did it!
17:38Tom, he did it!
17:40Tom, he did what?
17:42What did Tom do?
17:43He figured the whole damn thing out!
17:45Direct current.
17:48Using direct current, we can generate heat.
17:50Just like the candles in this very room, only it is enclosed within a glass tube.
17:54But what does it mean?
17:55Just speak plainly, you louse.
17:57It's a candle that can burn forever without ever needing tending.
18:01...
18:22...
18:24Congratulations, Thomas.
18:35I am so very proud of what you have accomplished.
18:54We will continue this moment.
19:09Pardon me, miss.
19:24Oh, it's okay, Ida.
19:25I thought you were asleep by now.
19:28I didn't realize I drew your curtains about half past.
19:31I'm very sorry.
19:32It's fine.
19:32I suppose that's the reason.
19:34I'm very sorry, miss.
19:37Ida?
19:41Are you frightened of me?
19:46Pardon, miss?
19:49I sense a liberal amount of anxiety pulse through your veins every time I turn a corner.
19:54I see.
20:00Is it like that with Mr. Henry, too?
20:10It's okay, Imago.
20:11I'm not frightened, miss.
20:20You just confuse me, is all.
20:26Good evening, ma'am.
20:27I'll be right back to the west in a jiffy.
20:41You, sitting at the table for me.
20:43Take my plates.
20:44Tadol!
20:52Tadol!
21:01It's really an ancient.
21:03Me!
21:04Are you with Hound?
21:06Am I with what?
21:09The Puddles!
21:09Are you with the Puddles?
21:12Yes, sir.
21:14The evening walk.
21:15Are they the very same Puddles that I paint?
21:18Yes, sir.
21:20They seem less fidgety in the twilight.
21:24Well, I suppose maybe they are, perhaps.
21:26Less fidgety.
21:29In the evening.
21:30So, we paint in the evenings.
21:35Ah.
21:37Do you hear?
21:38Bon.
21:39It's, it's all right.
22:06For an artist who painted Puddles,
22:28his passion was surprisingly palpable.
22:32Oh, passion I hadn't felt in years.
22:39And for just a moment,
22:42I felt like a woman again.
22:54A dangerous woman.
22:55With her own thoughts.
23:00And her own ideas.
23:06And quite a bit of power.
23:14I asked myself if anyone might hear him gasping for breath
23:17if I strangled him right then and there with a pillow.
23:19Oh, my God, how cute!
23:25I can feel it!
23:28Oh, yeah, yeah, yeah!
23:32Oh, la, la, la, la!
23:34I don't care about you.
23:52I don't care about you.
23:54I don't care about you.
24:04But the truth remained, I didn't hold the power.
24:18He did.
24:19Oh, how history might have been written differently, had I not lost myself in him.
24:30But in both of them, instead, I sat empty, powerless, on the floor of a home that was
24:45in my husband's name, a home that we would not be able to afford without the proceeds
24:51from a deal with this man who had ruined me.
24:56Oof.
24:58I told myself at no point would I wallow in self-pity as I write to you.
25:02So I believe it best we break for an intermission so that I might regain my composure.
25:09Come one, come all to the city that never sleeps, New York City.
25:15Rub shoulders with the high society elite at the Madison Square Garden rooftop theater designed
25:19by acclaimed architect Stanford White.
25:22Feast your senses upon the greatest arena in this world-famous metropolis.
25:27The only building on the island with a rooftop cabaret now opens Sunday.
25:31The following morning was a Tuesday.
25:40I knew this because there had been a murder in the city the night before.
25:45This was one of those unconnected events that would ultimately contribute to my husband's
25:51untimely demise.
25:53Anything interesting?
26:06No, kind of killing in the city.
26:09Oh, I fucking hate the city.
26:11Oh, I fucking hate the city.
26:41Hey, Maria.
27:00Hey, you know, I think that the missus was shagging Mr. Edison yester-eve.
27:07Oh, deplorable.
27:21Absolutely deplorable.
27:24Have you seen this?
27:25Huh?
27:26What?
27:27The murder of Sandy White.
27:29Absolutely unbelievable.
27:31He was so proud of the rooftop at the garden.
27:35Have you been up there?
27:37Harry!
27:38Harry!
27:39Madison Square Garden?
27:40Of course, of course.
27:41Yeah, but have you been up top to the cabaret there?
27:44It's absolutely wonderful.
27:46View of the city in every direction.
27:48Mr. Edison, I've just said I've been.
27:50I wasn't exactly sure if you had.
27:54What made you unsure?
27:55I think it was your tone, sir.
28:00Morning, Miriam.
28:01Morning.
28:03Morning, Mary.
28:04Morning.
28:08Have you heard?
28:09Yes, it's deplorable.
28:11It is absolutely deplorable.
28:15Harry always struck me as a man I'd never want to find myself alone in a room with.
28:18Well, of course not.
28:19You're a married woman.
28:20Oh, yes, I agree with that.
28:22Married women should definitely not be left unattended in rooms and such.
28:29Well, he has just murdered a man, so I imagine it's more than just, you know, the married woman thing, wouldn't you think?
28:35I'm sorry, do you know the murderer?
28:38Yes, yes, we do.
28:39Well, you know, he is an associate of Normans to some degree or other, so we've had them over and they've had us over here.
28:45You know, the way it goes.
28:47Well, isn't that a little bit troubling?
28:49No, no, no.
28:49I'm one signature away from being the associate of an associate of a murderer.
28:55Mira Quintins.
28:56Harry's always had a screw loose.
28:58Darlene, you remember the time, uh...
28:59At the racehorses.
29:01Yeah, but, you know, was that even his real mother?
29:03Well, not when he was done with her.
29:05Mr. Henry.
29:05Yeah.
29:06This message came in for you, sir.
29:08It was a note on prison letterhead from the murderer himself.
29:12I'm going to take care of poor Evelyn until it's time for her to testify.
29:20On my behalf, I'm afraid she's my only way out of this mess.
29:24This mess, murder, misunderstanding.
29:31Write that, misunderstanding.
29:36And Matt suggests that you distance yourself from this person?
29:39I mean, uh...
29:41God.
29:43He's a madman, isn't he?
29:45Playing devil's advocate a moment because...
29:47Weren't you meant to be on your way home?
29:48I was meant to, yeah.
29:50Sanford White did rape her, if I'm not mistaken.
29:52The incident happened...
29:53Plenty of times.
29:54...before they even met.
29:55So, why linger?
29:57What's a man to do?
29:58I'd at least sit by and watch a white woman rape.
29:59It's such a glorious morning out here, Marion.
30:01But raping's a raping, if you ask me.
30:02Yeah, but Harry is a murderer.
30:04Do you not find your wife's tone a little bit troubling?
30:07Why are you still here?
30:08Tone, Marion.
30:09I...
30:09Tone. Tone.
30:10You seem so bitter, Marion.
30:12So very bitter.
30:13And yet, apparently, you've been handed the world.
30:19How dare you?
30:21You just don't seem happy, Marion.
30:24Well, I am happy.
30:26Well, you sure there's not an ounce of regret?
30:28Not a shred?
30:30Nothing?
30:33Wow.
30:34You bitter, lonely little man.
30:37Is that all you have left?
30:38Is it?
30:39The need to placate your wrongdoings
30:41by trying to force me to admit
30:43that I might have been better off.
30:45I'm not following.
30:45What does placate mean?
30:47What?
30:48Placate means to mollify.
30:50To appease.
30:50Norman, I have told you what this man is.
30:53Why won't you believe me?
30:55I mean, I know I am tempestuous,
30:57but have you ever known me to be a liar?
30:59What the fuck does mollify mean?
31:01What am I, Marion?
31:03Hmm?
31:03No, what am I?
31:04You step away from me.
31:06Don't shout, Marion.
31:07Work yourself into a huff.
31:08I'm not shouting.
31:09I'm calm.
31:09I am completely calm and collected.
31:11You know, he's a man who invented the light bulb.
31:13For heaven's sake.
31:13Give him some respect.
31:23Jesus fucking Christ!
31:25Don't touch that glass.
31:30You don't touch that glass, Gretchen.
31:33It's not your mess to clean up.
31:36No, you're right about that.
31:38You are absolutely right about that.
31:43Well, I guess that's my cue.
31:46Norman, he did not invent the light bulb.
31:50Norman, please, he did not invent the light bulb.
31:56I suppose you know who did.
32:00Huh.
32:07Look at me.
32:09Look at me.
32:10You can't, can you?
32:29Pardon him.
32:31I'm so very sorry that you've had to endure such preposterous ridicule.
32:35You have my sympathy for what you have to put up with on a daily basis.
32:40I don't know.
33:01I don't know.
33:03No!
33:04No!
33:16Crazy, Trot.
33:20You left your books.
33:22Just leave them.
33:23Here, you will need these, I assure you.
33:24Just leave them.
33:25Marion.
33:25You cannot just fucking leave them.
33:27Marion, you need to calm down.
33:30The nerve.
33:32And I want to say amen.
33:34The nerve of men.
33:35But no, I've come to the realization that you are not men.
33:39No.
33:40No, you are so much worse.
33:44You are an abomination.
33:46And you can take this entire institution and fuck it.
33:51What am I even saying?
33:52You're not even a member of this institution.
33:54You're a squatter.
33:55A research assistant.
33:57Yeah, you're nothing.
34:01How can you do that?
34:02After what you just did to me, you smile?
34:07You stand there with a smugness that permeates to my very core and makes me want to take a boxing!
34:19I'm very sorry, Marion, but I'm entirely confounded by this behavior.
34:22It's not very ladylike at all, I'm afraid.
34:24Oh, you're confounded?
34:26Are you dumb?
34:28Are you mentally retarded?
34:31Keep your voice down.
34:31I said, are you mentally fucking retarded?
34:35Marion, I would just watch my tone if I were you.
34:37Or what?
34:40Marion, I was always going to add your name to the work, but you know as well as mine.
34:43That women can't publish on their own?
34:45Yes.
34:46But they will.
34:48I will.
34:54You've stolen my work, Thomas.
34:58Marion, we're a team.
34:59We are not.
34:59No, no, we are not.
35:02We are not a team at this.
35:06My mind, my thoughts are not communal.
35:10They are wholly mine.
35:14Marion, Marion, Marion, Marion, Marion, Marion, Marion, Marion, Marion, will you just, just marry me?
35:19What?
35:32I will never, ever marry you, Thomas.
35:39Not ever.
35:41Not ever.
36:09Gentlemen.
36:11Davulfe?
36:23Davulfe?
36:24Davulfe?
36:24Ow!
36:25Davulfe?
36:26Shut up!
36:28Oh,унд...
36:29Putain!
36:30Shut up!
36:34Do you ever speak to me like that? Do you hear me? Ever? I have had quite the morning of abuse, and I will not be spoken to it. Am I a fake fucking artist who paints fucking poodles?
36:59Do you ever hear me? Do you ever hear me?
37:06Wait. I hear you. I hear you. I hear you. I will. I will.
37:18Everything all right?
37:25Looky, look. Now he comes to rescue her from the crazy freshman. He's so possessive of her.
37:32Oh, he doesn't love her. I believe he does. Well, you're stupid. Honey, if he loved her, why would he be parading you around like his little pony?
37:42He's a complicated man. The painting is finished. It is?
37:49It is? Would you like to see it? She thinks it a foolish venture. My commissioning poodles.
37:59Yes, well, I don't usually paint, uh, poodles. What do you usually paint?
38:06Oh, look at her. She's just begging to be fucked. You see how she looks at the artist. She can't help herself.
38:14Well, this we both agree on. Hmm. Why don't you have the painting brought to my study and then we'll settle up and you can get on your way. Now, now. Good time, now.
38:29Please.
38:33Oh, she's a terrifying woman. I mean, I can understand why he can't, you know, make the whole thing work.
38:43Are you scared of powerful women?
38:46Not all of them.
38:48She's the reason I have not missing back to Paris.
38:51Well, I can't understand that logic.
38:54She doesn't believe I deserve to succeed. She'd rather seem trapped in a cage with her, living in a circle of hell over and over again.
39:04Oh, darling, it just doesn't add up. If it were up to Marion, she would have sent you back to Paris months ago. She hates you, Lily.
39:13All right. Les saisons, Gunter, please, from the top.
39:19You know, for a smart girl, you're really quite daft about the dynamics here in the country.
39:25Marion.
39:28Yeah.
39:30I'm sorry.
39:32What for?
39:34For not understanding you in the way a husband should, I suppose.
39:38I do wish sometimes, just sometimes, you could simply speak truth and honesty instead of dancing around your thoughts like a romantic.
39:59Maybe I am a romantic.
40:04Well, you're not French, thank God.
40:06I told you the truth, Norman.
40:09In simple terms, I told you the truth.
40:11He left Marion.
40:13He can quit the charade. He's gone about his business.
40:16All done now.
40:20Truth doesn't matter anyway.
40:26But you're my wife.
40:28I don't know.
40:31Here we are.
40:32Ironically, the feeling of resignation that sat squarely between his eyes that day was the very same emotion that I had wrestled with for most of our marriage.
40:41Well, um.
40:42Wolf.
40:43I appreciate that, Norman.
40:44You know, for trusting me on this one.
40:46There will be other deals, I promise.
40:47But unfortunately, the truth was, for Norman Henry, there would be no other deals.
40:54Not ever again.
40:55No.
40:56No.
40:57No.
40:58No.
40:59No.
41:08No.
41:09No.
41:10No.
41:15No.
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