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00:23:15eight o'clock. Don't you dare use that kind of tone with me. You were supposed to be home four
00:23:20hours ago to finish that job in the attic. I lost track of time. I'm sorry. Oh, well. Well, Debbie,
00:23:32these things happen. I mean, you're young. You're full of life. But if you want to remain in this
00:23:39house, you better learn to give me the respect I deserve. Now, when I tell you something, I mean it.
00:23:45And you better obey me and be on time. Goddammit, you're hurting me. How dare you use that language
00:23:51in this house. You're not going to turn out of the foul mouth trap your mother was. Oh, no, no, no.
00:23:57I'm going to teach you a little discipline. Now, you sit in there and you think what you have done.
00:24:04Tomorrow, you'll clean the garage and the attic.
00:24:15And I go running down the aisle where the wine is
00:24:43Now, Joy can't deal with the spiritual world at all. So, what she is symbolizing is, is the non-believer.
00:25:01So, we have the devil and we have a non-believer.
00:25:04Good morning, Mr. Strand. Good morning.
00:25:07Class, this is Debbie Strand. She's a new student.
00:25:14All right, settle down. Just settle down.
00:25:17Thanks for helping me yesterday.
00:25:19You're welcome. Please, take a seat.
00:25:21Oh, my.
00:25:30Okay, moving on.
00:25:32Uh, Ms. Wright, could you pass out this list of possible themes for tomorrow's homework?
00:25:40Okay, now getting back to what we were talking about.
00:25:42Joy is the intellectual.
00:25:43Her wooden leg represents Joy's soul.
00:25:46Now, what if he takes her from the schoolroom and takes her into the barn, opens his briefcase, and points...
00:25:54What a spaz.
00:25:59Sorry.
00:26:00Hey!
00:26:01What are you laughing at?
00:26:05Megan, are you all right?
00:26:07Yes, I'm fine, thank you.
00:26:09Okay, don't forget to write a page in your journals for tomorrow.
00:26:17The Strand, you need to start one.
00:26:20Oh, and last call for the garage sale on Saturday.
00:26:22Anything you want to get rid of, bring to my place.
00:26:24We're going to be there all day.
00:26:26I also need one kind-hearted volunteer to help me Saturday.
00:26:30I will.
00:26:31I will.
00:26:31Great.
00:26:32Two volunteers. Very cool.
00:26:34Okay.
00:26:35Great.
00:26:35I'll see you Saturday.
00:26:37See you.
00:26:37Okay.
00:26:38Bye-bye.
00:26:44Love or hate me
00:26:48Now, someday I'll make up your mind
00:26:54I'm no different
00:27:00And make it pisses me apart
00:27:05I want to talk to you, Strand.
00:27:11Piss up a rope, Megan.
00:27:14Megan with two E's?
00:27:17Two E's.
00:27:19I know what you're up to.
00:27:22What?
00:27:26Come on.
00:27:28What am I up to?
00:27:32Megan.
00:27:35Well, I know what you are.
00:27:39You're a little bitch.
00:27:42Don't show up on Saturday.
00:27:45You or the Freak.
00:27:56Excuse me, miss.
00:27:58Debbie?
00:28:00Who are you?
00:28:02Joe Rosales, LAPD.
00:28:04This is my partner, Phil Archer.
00:28:07What do you want?
00:28:09Debbie, we need to talk to you about the, uh...
00:28:11I know it's only been a few days, Debbie.
00:28:13We really have to go.
00:28:14I realize this must be tough for you,
00:28:16but we'd really like to talk about the fire.
00:28:18I don't want to talk about it.
00:28:19Debbie, the sooner we talk about this,
00:28:21the sooner we can put the whole matter behind us.
00:28:24I really don't want to talk about it.
00:28:26Oh, yeah, she's going to be a lot of fun.
00:28:38Yes?
00:28:38What do you want?
00:28:39Mrs. Long?
00:28:40Mrs. Long, yeah?
00:28:41Oh.
00:28:42I was Detective, uh, Rosales and Archer.
00:28:45Uh, we're sorry for your loss.
00:28:46I know this is a tough time,
00:28:47but if we could speak to Debbie about the fire for...
00:28:49No, you may not.
00:28:50That poor child has been through enough.
00:28:52Now it's time to put this in the past.
00:28:55Ma'am, we feel like we still have some unanswered questions.
00:28:57Questions.
00:28:59Grieving mother.
00:29:01Poor thing.
00:29:05Anhydris.
00:29:06A-N-H-Y-D-R-O-U-S.
00:29:09Without water.
00:29:18Met Janie.
00:29:19Thank God.
00:29:20More importantly, Peter.
00:29:22The first time I saw you, the heat in your eyes.
00:29:25I knew you were different.
00:29:26I knew you were different.
00:29:26I knew you were different.
00:29:52What are you making?
00:29:55Pepper steak, broccoli, salad.
00:29:59Oh, my.
00:30:02No.
00:30:03No, I just got out of the shower.
00:30:05Oh, that's gonna stop me.
00:30:07Come on, I'm hungry.
00:30:08I'm hungry, too.
00:30:09My hair's wet.
00:30:12So?
00:30:12I don't know.
00:30:14I gave it a shot.
00:30:21Honey, is the stove on?
00:30:22Honey, honey, we need a bath.
00:30:49Okay.
00:30:49Okay.
00:30:50Okay.
00:30:51Let's go.
00:30:51Come on.
00:30:55Oh, sorry.
00:30:56I'm sorry.
00:30:57I'm sorry.
00:30:57I'm sorry.
00:30:57I'm sorry.
00:30:57I'm sorry.
00:30:58I'm sorry.
00:31:05Oh.
00:31:35I am looking forward to this weekend.
00:31:45You are?
00:31:47Yes.
00:31:49An entire weekend to ourselves?
00:31:52Well, sort of.
00:31:55I have two students coming over to help out.
00:31:57What?
00:31:58Wait.
00:32:00What are you talking about?
00:32:02I'm talking about the garage sale on Saturday.
00:32:04I have two students from my first period coming over to help out.
00:32:07No.
00:32:09No.
00:32:10We are going to the desert this weekend.
00:32:13Honey, I changed my whole flight schedule around.
00:32:16Shit.
00:32:17Uh-huh.
00:32:19Oh, man.
00:32:20I am so sorry.
00:32:23It's okay.
00:32:24Don't be sorry.
00:32:25Just postpone the garage sale.
00:32:27I can't postpone it.
00:32:29I have commitments to the art department.
00:32:30I have two students giving up their Saturday.
00:32:32I can't.
00:32:34This happens all the time, and, uh...
00:32:39Oh, come on.
00:32:39It doesn't happen all the time.
00:32:41Oh.
00:32:42Yeah.
00:32:42Well...
00:32:43What about my sister's wedding?
00:32:47I had 35 final papers to grade.
00:32:50Besides that, I don't like your sister.
00:32:55Okay?
00:32:56I really hate your sister.
00:33:05I'll make it up to you.
00:33:08You know what?
00:33:09I...
00:33:09I got it.
00:33:13Where are you going?
00:33:14I'm going to see if I can trade shifts with another flight attendant.
00:33:17I need some time away from you.
00:33:18Marilyn.
00:33:22Marilyn.
00:33:22I'm in.
00:33:42Hey, Greg, hop in.
00:33:44I'm walking today, guys.
00:33:46All right, later.
00:33:52Let's go.
00:34:10Need some help.
00:34:14Shouldn't you be with your jock-itch friends?
00:34:16I just wanted to walk my new neighbor to school.
00:34:22Be nice.
00:34:26Let's go.
00:34:36Is this fun for you?
00:34:38Fun? Yes.
00:34:48You don't know what fun is.
00:34:50You don't know what fun is.
00:34:52You don't know what fun is.
00:34:56You don't know what fun is.
00:35:00Let's do this.
00:35:27Debbie!
00:35:30Ow! Ow! Ow! Ow! Ow! Ow! Ow, my leg! Ow!
00:35:49I guess you won't be making it to the garage soon.
00:36:00Ma'am? Yes? May we speak with the principal, please?
00:36:23He's gone for the day. Your business?
00:36:26Former teacher of yours, Mr. Roberts, died recently in a fire.
00:36:31Now, maybe you can help us.
00:36:34Possibly.
00:36:36Do you remember a student by the name of Debbie Strand?
00:36:39She just transferred out of here last week.
00:36:41Yes, she left something of an impression here.
00:36:43How is that?
00:36:45She had a nasty crush on Mr. Roberts.
00:36:48How long did that go on?
00:36:50Oh, months. She was finally suspended when Mr. Roberts complained
00:36:54that she had been stalking him.
00:36:56Stalking?
00:36:57Oh, the whole thing turned into quite a soap opera.
00:37:00Especially when he got involved with Debbie's mother.
00:37:03What on earth is going on in here?
00:37:13Nothing. I was just playing with Bebe.
00:37:16What do you have there? Let me see.
00:37:18They're just clothes.
00:37:19Well, where did you get these? Answer me!
00:37:25I bought them.
00:37:27Don't you lie to me! I told you I bought them!
00:37:31And where are you hiding the other things at home?
00:37:33I know there's more of them! Where are they, you sneaky little monkey?
00:37:36Get upstairs and finish packing that trunk!
00:37:40,
00:37:47.
00:37:59.
00:38:01.
00:38:35Hi, baby.
00:38:40Hey.
00:38:44Come on.
00:38:46Yes, that's good.
00:38:49Oh, yeah.
00:38:51Goodbye.
00:39:01Hasta la vista, baby.
00:39:05I'll see you next time.
00:39:35Yeah who is it? It's Debbie. Oh hi come on in. Hello? Yeah come on in here. Hi. Hi sorry I'm late. No actually I'm early. Thanks for helping out. Would have been nice if Megan could have made it too.
00:40:05But I'm sure we'll manage. She's such a cluck. Broke her leg. Don't you have any compassion? I didn't mean anything by it. Whatever. Are you mad at me? No. No I'm not mad. I had a really bad night. My girlfriend that night were uh
00:40:35Things aren't what they should be. I'm sorry. No. No I shouldn't be taking a bet on you. Friends. Friends. Great. Well let's sell some junk. Okay.
00:40:50Okay.
00:40:51Let's see.
00:40:52Bye.
00:40:55Bye.
00:41:09Bye.
00:41:12Bye.
00:41:14Bye.
00:41:14Bye.
00:41:15Bye.
00:41:18Bye.
00:41:18Bye.
00:41:19See, this isn't for milk, this is for cream.
00:41:46Saltadena Dairy, $10. No, $5.
00:41:51Two.
00:41:52Two?
00:41:53Okay.
00:42:00How much for lunchbox?
00:42:01Glitter?
00:42:03I don't know.
00:42:13Hey, you.
00:42:14Hey.
00:42:15What are you doing, girl?
00:42:16I thought I'd come check out the junk.
00:42:24Debbie, does this work?
00:42:27I don't know.
00:42:28Peter!
00:42:30Hey, Jenny.
00:42:31You come to help us out?
00:42:32Yeah, right.
00:42:33Does it work?
00:42:34Boy, that's a cool tattoo.
00:42:36I don't know.
00:42:37Here.
00:42:38Let's try it out.
00:42:45It works.
00:42:50$10.
00:42:51Why don't I get one of you grabbing his ass?
00:42:54What?
00:42:55I'm not doing anything.
00:42:59Cool picture, huh?
00:43:08Phoebe?
00:43:13Where are you, sweetheart?
00:43:16Phoebe!
00:43:17Mommy!
00:43:21Mommy's got a biscuit for you.
00:43:23Oh, yeah!
00:43:44$76, $77, $78, $178.
00:43:49Get out!
00:43:52We make a good tan.
00:43:54Yeah, we do.
00:43:58I'll get it.
00:43:59Thanks.
00:44:08It's locked.
00:44:09Sorry.
00:44:10The spare key's under the pot.
00:44:17Hi, it's Peter.
00:44:18Leave a message.
00:44:21Peter, there's a flu bug going around.
00:44:23Some of the girls are out sick.
00:44:25I'm gonna pick up a couple more flights,
00:44:26so I don't know when I'll be back.
00:44:28Probably Monday.
00:44:30We need to talk.
00:44:31Bye.
00:44:36Message erased.
00:44:39Bye.
00:45:09Who was it?
00:45:32No one.
00:45:34It was the wrong number.
00:45:39What are you doing?
00:45:50Where's the bathroom?
00:45:51It's right there.
00:45:52Thanks.
00:46:03That door is screwy.
00:46:05Let me get it.
00:46:09Well, thanks for helping me today.
00:46:18You were great.
00:46:20My pleasure.
00:46:26So I guess I'll see you Monday.
00:46:29Yeah.
00:46:30I'll see you.
00:46:31Peter, Peter, Peter.
00:46:54Peter, they didn't make them like that when I was in school.
00:46:59Where have you been?
00:47:26I was at church praying for my mother.
00:47:29Oh, pray.
00:47:32Isn't that nice?
00:47:34Don't you lie to me, you blasphemous slut.
00:47:37You've been out carousing.
00:47:38Carousing?
00:47:40I was out with a friend.
00:47:42Oh, a friend.
00:47:43Are all your friends deviant men twice your age?
00:47:47What are you talking about?
00:47:48Giving your body to men.
00:47:51You're a whore just like your mother.
00:47:53Don't call me that.
00:47:54I'm nothing like her.
00:47:54Don't you dare talk back to me.
00:47:57I saw him.
00:47:57He's the one.
00:47:58The one you've been writing to.
00:47:59I'm talking about this.
00:48:02How dare you?
00:48:03This is my house.
00:48:05And I will not have this immoral behavior in it any longer.
00:48:08Now, I am calling the police.
00:48:10Then I am calling the school and reporting this devil, Peter.
00:48:14Then I'll call that Asian woman and have you put in a reform school.
00:48:18You're not going to do anything.
00:48:23What?
00:48:24Spare the rod.
00:48:25Spoil the child.
00:48:26Is that the idea?
00:48:27Is this how you raised my mother?
00:48:29No wonder she was such a fucking bitch.
00:48:31Oh, please do, John.
00:48:36Please don't.
00:48:37I'm sorry, Grandma.
00:48:39Did I hurt you?
00:48:43Please do.
00:48:45I can talk to you.
00:48:47I've hurt.
00:48:48Please have mercy on me.
00:48:51Fuck mercy.
00:48:52You never showed any mercy.
00:48:54My mother never had any mercy.
00:48:56And now I don't have any mercy.
00:48:59It's a family thing.
00:49:12Fiona sure has been generous.
00:49:14She's very excited about this mission.
00:49:16Careful, this thing weighs a ton.
00:49:18Yeah.
00:49:19I remember she said that if she were younger, she'd love to go herself.
00:49:22Oh, she is.
00:49:24Spiritually, of course.
00:49:26Let's tell Fiona we missed her at church
00:49:28and that we're all praying for a speedy recovery.
00:49:31Uh-huh.
00:49:56What will props for the children to stray so?
00:50:12I don't mind nor the devil's workshop.
00:50:15We must show them that Satan is not the way.
00:50:19Marilyn?
00:50:43I didn't expect you back so soon.
00:50:52I certainly didn't expect this.
00:50:57You have no idea how glad I am to see you.
00:51:01Glad to see you, too.
00:51:03What the hell are you doing here?
00:51:06Taking your shower.
00:51:08You know what I mean.
00:51:08How did you get in here?
00:51:10Don't you have any conditioner?
00:51:12How did you get in here?
00:51:16Your spare key, remember?
00:51:18Yeah, I remember.
00:51:21No, don't.
00:51:22You stay right there.
00:51:23We will discuss this when you're dressed.
00:51:25Hello?
00:51:40Marilyn?
00:51:43Yeah, yeah, no, I'm fine.
00:51:45Where are you?
00:51:45No, no, I'm sorry.
00:51:51You just caught me a little bit off guard.
00:51:54So where are you?
00:51:58No, no, I didn't.
00:51:59You left a message here.
00:52:05Yeah.
00:52:06Yeah, that sounds great.
00:52:08No, it sounds great.
00:52:10Okay.
00:52:11I'll see you tomorrow.
00:52:12Yeah, me too.
00:52:15Bye.
00:52:18So how's Marilyn?
00:52:23You have to leave.
00:52:26Peter.
00:52:27This one has some fun.
00:52:30Apparently you think there's more to our relationship than there is.
00:52:36I saw the way that you looked at me the other day.
00:52:42I don't know what kind of a schoolgirl fantasy you've got concocted for us,
00:52:46but you have to understand something right now.
00:52:48There is nothing going on here.
00:52:58There is something.
00:53:00No, there is nothing going on here.
00:53:03Fuck.
00:53:19Okay, everybody.
00:53:21Sit down.
00:53:24Open your readers to page 212.
00:53:26That's Young Goodman Brown by Hawthorne.
00:53:29Read that while I get organized.
00:53:31We'll discuss it when you're done.
00:53:32These are for you.
00:53:45Well, Mr. Mansoor, this is so sudden.
00:53:49They're not for me.
00:53:53Who?
00:53:59Be right back.
00:54:00What's the problem?
00:54:06They were sent to my room by mistake.
00:54:08I assumed they were for me, and I opened the card.
00:54:14I thought you were still seeing Marilyn.
00:54:16I am.
00:54:17She must be very understanding.
00:54:19No, this is a student.
00:54:20A student?
00:54:21Are you out of your mind?
00:54:22That's not what you think.
00:54:23It might be in your interest not to go to prison for buffing your student.
00:54:27I mean, we all have our little fantasies.
00:54:29I just don't think you should act on them.
00:54:31I am not buffing my student.
00:54:33Yes.
00:54:34The flowers are for your diction and penmanship.
00:54:36Miss McGray, you're late.
00:54:44Miss McGray, you're late.
00:55:06Hi, it's Peter. Leave a message.
00:55:11Hey, I'm arriving at 6. I got a great idea. Dinner at Umberto's around 8? Let me know.
00:55:17I'm at 212-555-0183, room 876. Bye.
00:55:33New York Gardens Hotel.
00:55:34Yes, hello? Hi. I'd like to leave a message for room 876, please.
00:55:40Please hold.
00:55:41Thanks.
00:55:47Ms. Nakashi?
00:55:48Can I help you?
00:55:52Joe Rosales, LAPD Homicide.
00:55:54It's my partner, Phil Archer.
00:55:55I was wondering if we could talk to you about Debbie Strand.
00:55:58Sure. How can I help?
00:56:01We need some family background information.
00:56:03Well, not much I can tell you.
00:56:05Anything would be helpful.
00:56:07Well, she's a minor. That stuff is confidential.
00:56:12Yeah.
00:56:14You mind?
00:56:14Please.
00:56:22We're not looking to hurt anybody.
00:56:24But we have an open investigation with this fire incident, and nobody wants to talk about it.
00:56:29Now, I don't want to call the D.A. and drag this kid and her grandmother into court if I don't have to.
00:56:33Off the record, otherwise we do the court and D.A. thing.
00:56:42What do you want to know?
00:56:43It is true, this love.
00:57:00You'll see.
00:57:01With your beautiful stare that sees only me, I will stay in your arms until forever meets.
00:57:07What do you want?
00:57:21You weren't at school today.
00:57:22I want to make sure you're feeling okay.
00:57:24Obviously you are.
00:57:26Thanks for caring so much.
00:57:28Where's the witch?
00:57:29She's asleep, so you should leave.
00:57:32Asleep?
00:57:33Oh, asleep.
00:57:36Well, good.
00:57:37She won't hear us.
00:57:38I told you, I'm seeing someone.
00:57:41Oh, yeah, who?
00:57:43You don't know him.
00:57:44Yeah, because he doesn't exist.
00:57:46Yes, he does.
00:57:48Yeah, who, Mr. Rinaldi?
00:57:53Oh, bingo.
00:57:55Yeah, I think I nailed it.
00:57:56I've seen the way you look at him.
00:57:58Every chick in school has a crush on him.
00:58:00It's that poetry bullshit.
00:58:03It's not a crush.
00:58:06It's serious.
00:58:08You're nuts.
00:58:10You know, he doesn't even know you exist.
00:58:12Really?
00:58:12Then what was he doing with me Saturday?
00:58:14Oh, because you helped him with this garage sale nut bag.
00:58:18That's what everyone thinks we did.
00:58:22Oh, really?
00:58:25Well, then why don't you show me what he's been teaching you?
00:58:28I'm not interested.
00:58:29Well, then if you're having an affair with Mr. Rinaldi, I better have a talk with Principal Saunders.
00:58:36You know, it's just not right, his corrupting a minor and all.
00:58:41So that's where we're at?
00:58:45Yeah.
00:58:45Let's see what we can work out.
00:58:53I mean, this is gross.
00:59:11Let's go to your bedroom.
00:59:12No, my grandmother will hear us.
00:59:15But it smells like that bug spray stuff.
00:59:17But, uh, I like bug spray.
00:59:36Hey.
00:59:40Take it easy.
00:59:41Come on.
00:59:41Stop it.
00:59:47You'll rip it.
00:59:47Look, I'll get you a new one.
00:59:52Look, maybe we shouldn't do this.
00:59:54Look, what the fuck is wrong with you?
00:59:57What?
00:59:57You're not getting out of this now.
01:00:01Stop it.
01:00:02Stop.
01:00:04No, stop.
01:00:05Please.
01:00:05Shut up.
01:00:07Shut up.
01:00:07Shut up.
01:00:07Let me help you with that.
01:00:29Answer.
01:00:32Answering.
01:00:33Answering.
01:00:33Answering.
01:00:37Answering.
01:00:48Answering.
01:01:06Actress.
01:01:06Bitch. You're awful.
01:01:23Damn.
01:01:27No means no. Don't you guys get that?
01:01:31What is it? You stop understanding English when you get a hard-on?
01:01:36No. It's too bad your macho friends can't see you now. You're not too bad, are you?
01:02:06Oh, Marilyn. I'm so sorry about the other night.
01:02:29I'm so sorry about the other night.
01:02:31I'm so sorry about the other night.
01:02:37I'm so sorry.
01:02:39Oh, my God.
01:03:09Oh, my God.
01:03:39Oh, my God.
01:03:49Peter.
01:03:53Yes.
01:03:54Have you got a moment?
01:03:56I'm running really late, Joyce.
01:03:58This won't take long.
01:03:59Have a seat.
01:04:08How are you doing, Peter?
01:04:12Fine.
01:04:13I could use a little more sleep, but otherwise no problems.
01:04:17Yeah.
01:04:18Everything okay at home then?
01:04:19Yeah.
01:04:20Perfect.
01:04:21Uh-huh.
01:04:22Joyce, if this is all you want to talk about, can we do it late around late for class?
01:04:28Peter, sit down.
01:04:30Okay.
01:04:31Peter, it's been brought to my attention that you may be getting a little too involved with
01:04:37your students.
01:04:39What has that pompous ass been telling you?
01:04:43What pompous ass would that be?
01:04:46Mansoor?
01:04:47Mansoor and I didn't talk about you.
01:04:50Is there something he knows that I should be aware of?
01:04:54Peter?
01:04:55No.
01:04:56No.
01:04:57Peter, I heard about the basketball game.
01:05:03Come on, Peter.
01:05:06Gambling for grades.
01:05:09The basketball game?
01:05:13Oh!
01:05:14Oh.
01:05:15Yeah.
01:05:16Rather unorthodox, don't you think?
01:05:19Not to mention setting a bad precedent, perhaps?
01:05:22Yeah.
01:05:23I guess I see your point.
01:05:26Good.
01:05:29Thanks, Joyce.
01:05:31Anytime.
01:05:53Debbie?
01:05:54Miss Long?
01:05:55Hi, Miss Nikashi.
01:05:56You scared me.
01:05:57Sorry.
01:05:58Debbie?
01:06:02Miss Long?
01:06:14Hi, Miss Nikashi.
01:06:18You scared me.
01:06:21Sorry.
01:06:25How's school?
01:06:27Good.
01:06:29Any trouble with Fiona?
01:06:31No.
01:06:32She's okay.
01:06:33Thanks.
01:06:36Oh, my God.
01:06:38What happened to your face?
01:06:39Nothing.
01:06:40Nothing.
01:06:41I just fell.
01:06:43Debbie, you can tell me.
01:06:45What happened?
01:06:46Was it Fiona?
01:06:47You can tell me.
01:06:49It's really okay.
01:06:52She won't be doing that anymore.
01:06:54So sorry.
01:06:56I should have known with your mother's history of abuse.
01:07:02What?
01:07:05I think it's best you come with me now.
01:07:08I like it here.
01:07:09I don't want to leave.
01:07:10I have to take you out of any abusive situation.
01:07:14And after what those detectives told me, I have no choice.
01:07:16Detectives?
01:07:19Would you like some lemon?
01:07:25I think it's best you come with me right now.
01:07:28I'm sorry, Anna.
01:07:30I just can't do that!
01:07:31I've got a date.
01:07:48May I help you, sir?
01:07:49Yeah.
01:07:50I have a reservation.
01:07:51Rinaldi for two at 7.30.
01:07:53Rinaldi, Rinaldi.
01:07:54Yes, uh, the lady's already here.
01:07:58If you would follow me, sir.
01:08:12Here you are, sir.
01:08:15Hello, Peter.
01:08:16How sweet.
01:08:22No.
01:08:26These are my new friends.
01:08:28This is Dan, and this is Art, and this is Peter.
01:08:32Hey, Peter.
01:08:37If you'll excuse me.
01:08:40Peter, have a seat.
01:08:42Where's Marilyn?
01:08:42Marilyn.
01:08:46She couldn't make it.
01:08:48Who's Marilyn?
01:08:50The other woman.
01:08:53Come on, let's go.
01:08:54I'm going to take you home.
01:08:56But you just got here.
01:08:57We're having so much fun, aren't we?
01:09:01I said let's go.
01:09:03Why don't you go, Peter?
01:09:04I'll take her home.
01:09:05Why don't you and your friend go back to your Anna Pasto?
01:09:08She's a minor.
01:09:09I don't know.
01:09:09Let's go.
01:09:17I don't want to go.
01:09:19I don't think she wants to go, Peter.
01:09:20It's not your business.
01:09:22I said, come on.
01:09:24Let's go.
01:09:25Come on.
01:09:28I'm making it my business, Peter.
01:09:29I'm making it my business.
01:09:40Please.
01:09:42Please.
01:09:42Please.
01:09:42Somebody.
01:09:43Please.
01:09:43Please.
01:09:43Oh, shit!
01:10:13Jesus, Peter.
01:10:23I know.
01:10:26What the hell's going on?
01:10:32I don't know.
01:10:43I mean, who's that?
01:10:47That's her.
01:10:49Just wait in the car.
01:11:01I've been waiting here forever.
01:11:04Peter, thank God you're all right.
01:11:06Don't.
01:11:07You were so great with those men last night.
01:11:09Listen to me.
01:11:10Peter.
01:11:10Just listen to me.
01:11:11You need some help.
01:11:13Peter.
01:11:14Listen.
01:11:15I'm going to talk to somebody at the school.
01:11:18No, you can't.
01:11:19I don't love you.
01:11:23Don't say that.
01:11:25Peter.
01:11:27It's all right, Marilyn.
01:11:28Just get back in the car.
01:11:33It's her.
01:11:36That's why you're being like this?
01:11:38This game stops now.
01:11:40It's all right.
01:11:41I don't know.
01:13:11In this case, it was probably done with a right-handed sweep like this from behind.
01:13:17And it could have gone deep enough to sever the carotid sheath, in which case, would have
01:13:20stroked out like that.
01:13:27Uh, Detective's Homicide, looking for Principal Saunders?
01:13:37I'm still holding.
01:13:51Cyanometry.
01:13:53P-S-Y-A-N-O-M-E-T-R-Y.
01:14:00Blue tissue.
01:14:01Anything blue.
01:14:03Wrong.
01:14:04S-Y-A-N-O-M-E-T-R-Y.
01:14:09The study of blue light.
01:14:10Gentlemen.
01:14:11Cyanometry.
01:14:12C-Y-A-N-O-M-E-T-R-Y.
01:14:15Cyanometry.
01:14:16C-Y-A-N-O-M-E-T-R-Y.
01:14:18The study of blue in light.
01:14:23Is there anything else I can do for you?
01:14:34Uh, yeah.
01:14:37Mr. Rinaldi, she's in a meeting right now.
01:14:40Just ignore her.
01:14:44Joyce, I need a minute.
01:14:48We were just going to call for you.
01:14:50I'm just going to call for you. Please come in and sit down.
01:14:58Peter, this is detectives Rosales and Archer.
01:15:02They're here because of Debbie Strand.
01:15:04We haven't been able to locate her this morning,
01:15:06and we understand that you were involved with her
01:15:08in some sort of an altercation last night.
01:15:11Yeah, I can explain that.
01:15:15Is something... is she okay?
01:15:18I'd have to say no. She's not okay.
01:15:21What do you think?
01:15:22What do I think?
01:15:24Well, the reason I was coming to talk to Joyce this morning
01:15:27was about Debbie Strand.
01:15:29You see, Debbie believes that she's...
01:15:32that we are in love with each other.
01:15:35Oh, good.
01:15:37Yeah.
01:15:39I've tried talking to her. Nothing gets through.
01:15:43She's obsessed or delusional or something.
01:15:48You haven't done anything to encourage this kind of behavior.
01:15:50No. No, I didn't.
01:15:51But you didn't feel it was necessary to tell Miss Saunders about this?
01:15:54Well, I thought I could handle it.
01:15:56I thought that it was a simple schoolgirl... thing.
01:16:00You don't have kids.
01:16:01I have dozens.
01:16:02I have dozens.
01:16:08This girl's father was killed when she was a child.
01:16:11There was suspicion her mother did it, but never proved out.
01:16:15On top of that, it looks like both her mother and father abused her when she was young.
01:16:20Nothing about this girl is simple.
01:16:22I'm sorry. I have a call for Mr. Rinaldi. It's Debbie Strand.
01:16:29She says it's an emergency.
01:16:33No, Peter.
01:16:35You need to make this real clear.
01:16:37You do what we say, or I cuff you to the car.
01:16:39Stay behind me.
01:17:09Debbie, this is Detective Rosales.
01:17:12I've got Peter with me.
01:17:14Go away. I only want to see Peter.
01:17:17He's out here.
01:17:19Come on out. Let me talk about this.
01:17:21No, I don't want to talk anymore. Leave me alone.
01:17:24Debbie, you know we can't leave.
01:17:26We're here to help you.
01:17:28Let me go in there.
01:17:32Let me go first.
01:17:39Debbie?
01:17:43Why don't you...
01:17:47Joe!
01:17:48Why didn't you bring him here?
01:17:50Why won't you love me?
01:17:56God damn it, Peter! Get back here!
01:18:02Fuck! This hurts.
01:18:07Debbie?
01:18:08Debbie, it's Peter. Open the door.
01:18:10You can trust me, Debbie.
01:18:12I don't want to talk anymore.
01:18:15Debbie, you don't have to do this.
01:18:17You come out of there.
01:18:18I promise I'll stick by you all the way.
01:18:20I know how you really feel.
01:18:22Debbie, I am on your side.
01:18:24I'm on your side. I promise.
01:18:26Officer down. Request backup.
01:18:28Debbie, you come out of there.
01:18:291729 Oxford.
01:18:31Debbie, please come out of there.
01:18:35No!
01:18:38No.
01:18:43key
01:19:08Thanks.
01:20:49Wait, that's a cool tattoo.
01:20:52It's her.
01:20:53That's why you're being like this.
01:20:58Oh, God, no.
01:21:00Oh, no.
01:21:05Oh, no.
01:21:05What the hell?
01:21:18Come on, come on.
01:21:26Oh, my God.
01:21:33Come on, come on, come on.
01:21:35Stay with me.
01:21:37You're not going anywhere.
01:21:54Fuck.
01:22:08Fuck.
01:22:16You bitch.
01:22:18He's mine!
01:22:40Marilyn!
01:22:41Marilyn!
01:22:42Debbie!
01:22:43No!
01:22:48Marilyn!
01:22:58Marilyn!
01:22:59Please be...
01:23:00Don't move!
01:23:02Officer, there's a girl in here with a knife.
01:23:04Let me see your hands!
01:23:05Now!
01:23:06There's a girl in here...
01:23:07Now!
01:23:08Shut up!
01:23:09Get down!
01:23:10You're making a mistake!
01:23:11Shut up!
01:23:14Get off!
01:23:18Oh!
01:23:31This is ruining everything.
01:23:35No!
01:23:36No, no.
01:23:37Forget her.
01:23:38This is ruining everything.
01:23:40No.
01:23:42No, no, forget her.
01:23:45I will in a minute.
01:23:47Debbie.
01:23:49There's no need to kill her.
01:23:55Peter, we need some time alone.
01:23:58I know.
01:24:00I know.
01:24:02It's just you and me, Debbie.
01:24:06It's just you and me.
01:24:16I love you.
01:24:36Ah!
01:24:38Ah!
01:24:40Ah!
01:24:42Ah!
01:24:44Ah!
01:24:46Peter.
01:24:48Come on, Peter.
01:24:50Peter, come on.
01:24:52Don't die, Peter.
01:24:54Come on.
01:24:56Okay.
01:24:58Okay.
01:25:00Okay.
01:25:02Okay.
01:25:04Okay.
01:25:06Okay.
01:25:08Okay.
01:25:10Okay.
01:25:12Okay.
01:25:14Okay.
01:25:16Yeah.
01:25:18I don't know.
01:25:20Okay.
01:25:22Yeah.
01:25:24Yeah.
01:25:26Yeah.
01:25:28Yeah.
01:25:30Yeah.
01:26:00Yeah.
01:26:30Yeah.
01:27:00Yeah.
01:27:30Yeah.
01:28:00Yeah.
01:28:30Yeah.
01:29:00Yeah.
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