- 14 hours ago
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00:00:00Transcription by CastingWords
00:00:30CastingWords
00:01:00CastingWords
00:01:30CastingWords
00:02:59In all circumstances, I have nothing further to add, my lord, except to draw your attention to the specialist report on the defendant.
00:03:05Thank you, Mr. Brunskill.
00:03:38Your complicity and guilt were beyond question.
00:03:42Normally, I would have no hesitation to impose the death penalty on you both.
00:03:47However, in view of the doctor's reports in front of me, I have no alternative but to make out a Section 65 order that you both be committed within 28 days to a mental institution.
00:03:58And let the members of the public be assured that you shall remain in this mental institution until there can be no doubt whatsoever that you are fit and able to take your place in society again.
00:07:00Come on, there we are.
00:07:01Nice people.
00:07:03Who cares?
00:07:05No trouble.
00:07:08Right.
00:07:12I'm scared to death.
00:07:30Boys, stop that I'm watching you.
00:07:33You're getting jealous, are you?
00:07:34You're getting dumb.
00:07:35She's underage.
00:07:36Just out of a convent.
00:07:37It wasn't a convent.
00:07:39Get one of them for me.
00:07:40I'll get your own.
00:07:40Well, you're going down, will you?
00:07:44I'll be okay.
00:07:52Can I have a bourbon lemon in a pint?
00:07:55How old are you?
00:07:56Eighteen.
00:07:57Oh, Paige.
00:07:58Eighteen, I tell you.
00:08:04Hey, here you are.
00:08:05Look at that.
00:08:09Oh, you're kidding.
00:08:10Oh, look at them.
00:08:20He wouldn't serve me.
00:08:22Why?
00:08:22He was a real bastard, Alec.
00:08:24What's up?
00:08:25Oh, he said this was a nice place.
00:08:27He didn't serve tart.
00:08:28Oh, he did, did he?
00:08:30We'll see about that.
00:08:31Alec.
00:08:32Alec.
00:08:41What's that?
00:08:42Him over there?
00:08:43Yeah.
00:08:46I want to work with you, mate.
00:08:48Don't you turn, will you?
00:08:49How would you like a fist in your face,
00:08:51you smart-ass bastard?
00:08:52Is this what you're going to get?
00:08:53What's the matter with you?
00:08:54Piss off.
00:08:55What did you call this girl?
00:08:56What did you call her?
00:08:57Nothing, I called her nothing.
00:08:58You know what you say?
00:08:59Well, she's underage.
00:09:00Who says she is?
00:09:01What did you call her?
00:09:01He called me a tart, Alec.
00:09:03Call her a tart, eh?
00:09:04I didn't call her anything.
00:09:10Right, that's it, John.
00:09:12Out.
00:09:13Pronto.
00:09:15You, I said out.
00:09:16I don't believe it.
00:09:17It's true, it's true.
00:09:18I think I pushed his wife out of bed because he wanted a matte finish.
00:09:29Oh, well, you've got to laugh, haven't you?
00:09:36Haven't you, Graham?
00:09:38Oh, yes, very funny.
00:09:40He's probably analysing the psychology of humour.
00:09:43No, no, I stopped work at six, and I had heard it before.
00:09:48What do you do?
00:09:49I'm afraid I'm a psychiatrist.
00:09:51Don't apologise, Graham.
00:09:53It's a force of habit.
00:09:54People tend to go quiet every time I mention it.
00:09:56Well, Jackie would.
00:09:57She knows quite a lot about psychiatry.
00:09:59Merle, I don't.
00:10:00Do you go to one?
00:10:01Me?
00:10:02Oh, no.
00:10:03It's just that her sister needs one.
00:10:05Merle.
00:10:06Sorry.
00:10:09My sister's a bit of an extrovert.
00:10:11Her!
00:10:12Well, she's a bit wild, but she's perfectly all right.
00:10:14Well, if she's your sister, she must be.
00:10:21Bye, bye.
00:10:26Well, yes, that's managed to kill off the conversation as usual, Graham.
00:10:29Well done.
00:10:30I think I'll get some more wine.
00:10:34That's him.
00:10:35Good night, Mike.
00:10:36See you tomorrow.
00:10:47Hello, barman.
00:10:48Give us a drink, barman.
00:11:00Where are you going, eh?
00:11:02We didn't finish our chat.
00:11:04Come on.
00:11:06Don't you want to have a chat?
00:11:08There's a friend of yours here.
00:11:10Do you remember her?
00:11:12Do you remember her?
00:11:13Yeah.
00:11:16Now, you were a bit rude to her.
00:11:19Do you remember that?
00:11:21She's lying to you.
00:11:22I wouldn't serve her a drink, that's all.
00:11:23She's...
00:11:24I thought she was underage.
00:11:26Calling her a lie now, are you?
00:11:28Are you?
00:11:28Mike!
00:11:37Mike!
00:11:38Get me!
00:11:40Mike, get me!
00:11:46Go!
00:11:47I said knock it off. I said knock it off now. Let's get out of here
00:12:17I'll let you lift. Come on, Deb! Come on, hey, ya! What are you doing?
00:12:35Tina! Where are we going? Rock his gap to play pit bull, okay?
00:12:38Oh, God, we went there last night. I hate that place.
00:12:41What's that? I'm not going to let Gaff. I think I'll go home. I'll let you lift.
00:12:46Do what you want, but don't hang around. The law's coming.
00:13:04Merle, it was marvellous. You're really so good at this sort of thing, it makes me mad.
00:13:08Yes, well, I'm thinking of taking it up for a living. Bye.
00:13:12Thanks a lot, Merle. Thanks for coming, Guy. Bye. Bye, love.
00:13:18I'll see you tomorrow. Right, love. Don't forget McDonald's latecomer's purge.
00:13:23Look who's talking. Now, now. Hey, can I help you with that?
00:13:26Oh, yes. I'd like a bit of that sort of thing.
00:13:28Oh, well, can I give you a ring tomorrow?
00:13:31Yes. Please. Now, that's enough of that sort of thing. He's got his career to think of.
00:13:38Yeah, well, so has he. God. Finals in six days. Yeah.
00:13:42Good night, all. Right. Good night. See you.
00:13:44Bye. Bye.
00:13:46Did you like her, Graham?
00:13:49Yeah, well, she was actually, she was rather super.
00:13:53I told you she was a lucre. You didn't believe me.
00:13:57Well, are you coming or...
00:13:58No, no, no. I'll be keeping here tonight.
00:14:00Yeah. I'll see you tomorrow.
00:14:01Right, fine. See you.
00:14:02Bye.
00:14:03Thanks, bye. See you, Mel.
00:14:04Okay.
00:14:05Bye.
00:14:35I suppose you know what time it is.
00:14:45Well, what are you doing?
00:14:47Nothing. I'm going to bed.
00:14:49It's five past two in the morning.
00:14:51Yeah, that's why I'm going to bed.
00:14:53Debbie, I've told you before, you must...
00:14:55I'm not interested in what you've told me before.
00:14:57I'm not interested in you.
00:14:59So why are you so interested in me?
00:15:01I'm responsible for you.
00:15:04Well, don't be. Our parents are dead and you're not my mother,
00:15:07however much you'd like to think you are.
00:15:09I was made responsible for you when you got slung out of that orphanage,
00:15:11you silly little...
00:15:12Don't keep calling it an orphanage.
00:15:14Orphanage? Convent? What difference does it make?
00:15:17Oh, don't be so childish.
00:15:19I'm old enough to do what I like.
00:15:22You're only 15 and I'm buggered if I'm going to...
00:15:25Debbie, look, I don't want to have to wait up for you again.
00:15:30Don't give me that.
00:15:32I beg your pardon?
00:15:34Well, you're not setting up for me. You're waiting to go out.
00:15:37What are you dressed for?
00:15:38You're waiting to go out like you always do.
00:15:40And don't say you don't because I've heard you.
00:15:42You creep out and you creep back two hours later.
00:15:45And if you can go out at two o'clock, I can come in at two o'clock.
00:15:49Do you know who they were?
00:15:54Now I couldn't see.
00:15:56I know them. One of them's called Alec. They've been here before.
00:16:00Your barman turned up yet?
00:16:02Now he must have gone home, I suppose.
00:16:04Funny the way they were laying into him.
00:16:07I thought you would have come inside to get patched up.
00:16:10Can I have anything, Sergeant?
00:16:12There's quite a bit of blood round here.
00:16:14We'd better find out what's going on, hadn't we?
00:16:16And we...
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00:19:45Jackie! Hello, darling.
00:19:48Hello, Mother.
00:20:00How are you, dear? Very well. You?
00:20:06You're standing there letting that fire go out, aren't you?
00:20:09We're going to bed soon. Yes.
00:20:12Well, I still have one or two things to do, haven't I?
00:20:16Yes.
00:20:17Just one or two little things.
00:20:23It's such fun being a night person, isn't it, Jackie?
00:20:27Some people are day people, but we like being night people, don't we?
00:20:31Night people.
00:20:32How's your migraine?
00:20:35I haven't had migraine for many, many months now.
00:20:38I thought you knew that.
00:20:41Things have been so very much better since we came here.
00:20:44I think I left all my headaches and problems behind at the other place.
00:20:50I closed the door very carefully when I left and I locked them all in.
00:20:54Perhaps you won't be needing the parcels for very much longer.
00:21:00Thank you so much for bringing it, Jackie.
00:21:03Oh, dear.
00:21:04It's left a mark on the table.
00:21:05I'll see to it, Dorothy.
00:21:06Why don't you just go and take it away?
00:21:08Thank you so much.
00:21:10I'll see you next week.
00:21:11Next week.
00:21:12I'll see you next week.
00:21:13Next week.
00:21:14She doesn't know.
00:21:15I'll see you next week.
00:21:16Next week.
00:21:17She doesn't know.
00:21:18She doesn't know.
00:21:19I'll see you next week.
00:21:20She doesn't know.
00:21:25I'll just sit here and get these ideas.
00:21:32I must go.
00:21:33I must go.
00:21:34Are you all right for money?
00:21:35Yes, thank you, dear.
00:21:36We've got everything we need.
00:21:37We haven't even touched the Joseph's Christmas bonus yet.
00:21:40He's a very generous man.
00:21:41All right, then.
00:21:42Good night, Dad.
00:21:43Good night, dear.
00:21:44Take care.
00:21:45Both of you.
00:21:46I'll see you next week.
00:21:47Bye.
00:21:48Bye.
00:21:49Bye.
00:21:50Bye.
00:21:51Bye.
00:21:52Bye.
00:21:53Bye.
00:21:54Bye.
00:21:55Bye.
00:21:56Bye.
00:21:57Bye.
00:21:58Bye.
00:21:59Bye.
00:22:00Bye.
00:22:01Bye.
00:22:02Bye.
00:22:03Bye.
00:22:04Bye.
00:22:05Bye.
00:22:06Bye.
00:22:07Bye.
00:22:08Bye.
00:22:09Bye.
00:22:39Bye.
00:22:40Bye.
00:22:41Bye.
00:23:09Let's go.
00:23:39Let's go.
00:24:09Let's go.
00:24:39Let's go.
00:24:40Alec Marini saw Magic the barman.
00:24:42That's right.
00:24:43And you went over to him?
00:24:45No.
00:24:46Just Alec and the boys.
00:24:47Well, I stayed by the bikes with the other two girls.
00:24:51What did Alec do?
00:24:52I don't know.
00:24:53He followed this guy around the corner and we heard a bit of shouting.
00:24:57And Alec said that this guy ought to watch you as being cheeky too.
00:25:00That's all.
00:25:01And then they came back and we went home.
00:25:03You didn't ask what happened?
00:25:06No.
00:25:07He wouldn't have told me anyway.
00:25:08And you didn't see the barman again?
00:25:10No.
00:25:11I see.
00:25:12It's not quite the story as Marini told him.
00:25:17Look, it's what happened.
00:25:19Fair enough.
00:25:21Whether this goes any further or not will depend on what magic the barman has to say.
00:25:30Meanwhile, young lady, I should be careful of the company you keep.
00:25:36Right, two ultimatums.
00:25:42Firstly, if the police ever come here again, I'm not covering up for you.
00:25:46Do you understand?
00:25:47And secondly, my salary will not support two people.
00:25:50You've got three interviews.
00:25:51If you haven't got a job by the end of the week, you can get out, which is what you want to do anyway.
00:25:54You can fend for yourself and see how that grabs you.
00:25:57No, no.
00:25:58There you are.
00:25:59Now, don't touch it.
00:26:00How am I supposed to blow my nose?
00:26:01With great difficulty.
00:26:02I repeat.
00:26:03With the cast and operational personnel of the Robert Hood Junior production…
00:26:05There you are.
00:26:06Now, don't touch it.
00:26:07How am I supposed to blow my nose?
00:26:09With great difficulty!
00:26:10With great difficulty.
00:26:11I repeat.
00:26:12With the cast and operational personnel of the Robert Hood Junior production…
00:26:14There you are.
00:26:15I thought I'd run into a corner for the rest of the day.
00:26:16You in your small corner and me in mine.
00:26:18Everything's really getting me down, Mel.
00:26:20You in your small corner, and me in mine.
00:26:24Everything's really getting me down, Mel.
00:26:28Darling, in this job, anything less than screaming ab-dabs is perfectly normal.
00:26:38Hello?
00:26:40Yes?
00:26:43Why?
00:26:44I've got to talk to you.
00:26:47I wouldn't have phoned if it hadn't been urgent.
00:26:50But...
00:26:51Look, I'm outside.
00:26:52I've driven Sir Joseph to his stockbrokers.
00:26:54It won't take long, I promise you.
00:26:56It's terribly difficult.
00:26:59Please, Jackie, it's about Dorothy.
00:27:04All right.
00:27:05All right, I'll come out.
00:27:10I've got to go and see somebody.
00:27:13Can you...?
00:27:14Yes, don't worry.
00:27:15I'm coming.
00:27:18I'm coming.
00:27:19Which is your father's house, please?
00:27:21Yes.
00:27:22I've got to go.
00:27:23We can't get up.
00:27:24I'll move on to the house.
00:27:25It's about five rooms.
00:27:27There is a bath.
00:27:28Excuse me, Mr wimpers.
00:27:29If you're alone, you're alone.
00:27:31You're alone.
00:27:33You're alone.
00:27:35I'm going to move on to the house.
00:27:36Yes, Mrs. Crosby.
00:28:03Oh, I read this advert in Time Out.
00:28:08I think it's very interesting that...
00:28:10Yes, I'm sure you do, dear.
00:28:12It's a fascinating, fascinating subject.
00:28:14Come in. Your timing's immaculate.
00:28:17I've just put the kettle on.
00:28:33Yeah?
00:28:42You bet I do. I'll be down in a while.
00:28:48Aren't I rude, keeping you waiting like that? You don't mind, do you?
00:29:02Oh, of course not.
00:29:05We must get down to work.
00:29:07It's so... I don't know what to say. It's all so accurate.
00:29:14Exciting, isn't it?
00:29:16It's a bit unnerving.
00:29:20You should have finished that earlier.
00:29:25It's... it distracts me.
00:29:28I'm sorry.
00:29:36Swords, swords, swords, swords.
00:29:44It's all strife, isn't it?
00:29:47Strife and heartache and loneliness.
00:29:51Not a lot of friends.
00:29:53None at all to speak of.
00:29:58No.
00:30:00No close family ties.
00:30:08No romantic involvement.
00:30:10Not even round the corner.
00:30:13Never.
00:30:15Never any.
00:30:19This is the card that shows what lies ahead, Lillian.
00:30:23Oh, it's symbolic, of course.
00:30:29It predicts an end to the strife and the loneliness.
00:30:34Very soon.
00:30:46It was last night, after you left.
00:30:48That still doesn't prove she knows we're tricking her.
00:30:50It does.
00:30:52And I've found something else, as well.
00:30:54What?
00:30:56I didn't want you to know, Jackie.
00:30:57Oh, for Christ's sake.
00:30:58I've been involved in this since I was eight years old.
00:31:01What could they possibly be that you can't tell me about?
00:31:04Look, I just want you to trust me.
00:31:06Come down tonight and talk to her.
00:31:08No.
00:31:10Look, I can't seem to make her talk to me, but you can.
00:31:13She'll tell you the truth.
00:31:14I can't come tonight.
00:31:16I'm going out.
00:31:17I've got a dent.
00:31:19Oh, that woman has had enough of my time already.
00:31:21I'm not going to let her wreck my love life, as well.
00:31:25Look, I'm sorry, Dad, but I've got to draw the line somewhere.
00:31:30Jackie.
00:31:31I didn't want to show you.
00:31:36Show me.
00:31:38Oh, don't touch me.
00:31:41What have they done to you?
00:31:43I can never forgive you, Mark.
00:31:45But, Dad, you must go to the police, now.
00:31:46You have no feelings, no idea of how I suffer.
00:31:48Oh, then what can I do, I'm sure.
00:31:50Yes, I wanted to know that, too.
00:31:51That's all right. Robin's seen it. I'll ask him what happened.
00:31:54I feel so guilty about this.
00:31:56Oh, don't worry. Can't be helped.
00:31:58Look, I'll take you home.
00:31:59You do not know what you've done.
00:32:01You do not know what you've done.
00:32:03I'm sure.
00:32:05I'm sure.
00:32:06Yes, I wanted to know that, too.
00:32:07That's all right, Robin's seen it.
00:32:08I'll ask him what happened.
00:32:10I feel so guilty about this.
00:32:12Oh, don't worry, can't be helped.
00:32:14Look, I'll take you home.
00:32:15You do no such thing.
00:32:17I've ruined the evening already.
00:32:18I'm not going to let you put yourself out any further.
00:32:20Oh, don't be silly. It doesn't matter.
00:32:22It means a lot to me.
00:32:24My bus goes from over the road.
00:32:26It drops me right past my door.
00:32:28Promise you'll ring me tomorrow.
00:32:30Yeah, all right.
00:32:32I'm terribly sorry.
00:32:45Great.
00:32:51Awesome.
00:32:56I'm too, that's how I saw it.
00:32:58It's always good.
00:32:59I'm too, I'm too.
00:33:02I'm too, I'm too.
00:33:03I'm too, I'm too, I'm too, I'm too.
00:33:05I'm too, I'm too.
00:33:06You have to the The122, you have to be in charge and charge.
00:33:08Oh, God, I can't stand much more of this.
00:33:18Oh, God, I can't stand much more of this.
00:33:40Hello, Mel.
00:33:43Hello, Graham.
00:33:45I thought you were studying all evening.
00:33:47I thought you were going out all evening.
00:33:49Okay, okay, I'll go to the pub.
00:33:51No, you don't. Don't be a martyr.
00:33:53We're all friends here.
00:33:55Friendship does have its limits.
00:33:57I am not suggesting a ménage à trois, dear.
00:33:59Thank God for that.
00:34:01Oh, go and make the coffee.
00:34:03It's freezing out, isn't it?
00:34:05Well, I can go if you like.
00:34:07Sit down, Graham, and don't pretend you've got any intention of leaving.
00:34:10What's with this 9.30 routine?
00:34:12She slapped your face or something.
00:34:14I thought you had to go home. Some relative coming down from Glasgow.
00:34:16I don't know.
00:34:17Oh, she didn't mention it to me.
00:34:18I think it was an excuse, actually.
00:34:20But don't tell her I said so.
00:34:21No, of course not.
00:34:22Mind you, you're probably right.
00:34:24Is there someone else?
00:34:26Someone else?
00:34:27No.
00:34:28It's that sister of hers.
00:34:30She's driving Jackie up the wall, the little cow.
00:34:32Ah, yes.
00:34:33You mentioned her at dinner.
00:34:34Hmm.
00:34:35What's wrong with her?
00:34:36What's wrong with her?
00:34:37What's right with her?
00:34:39She's a bloody delinquent.
00:34:40She's absolutely uncontrollable.
00:34:42Do you know they had the police there this morning?
00:34:44What, didn't Jackie tell you?
00:34:45No, she didn't tell me.
00:34:47Ah, she wouldn't.
00:34:49She spends half her life trying to sort that kid's life out
00:34:51and then pretends everything's peaches and cream.
00:34:53The sooner they get that kid to a psychiatrist, the better.
00:34:56Ah, well, here I am.
00:34:57You wait till you're asked.
00:34:58He'll wait a long time.
00:34:59Well, I'd better offer, then.
00:35:01What, now?
00:35:02Why not?
00:35:03Why not?
00:35:30Oh, come in.
00:35:31Come in, Jackie.
00:35:32I'm not gonna make a big thing of this, Dad.
00:35:34I'm staying half an hour and that's all.
00:35:36Ah, don't go in yet.
00:35:37I won't have a word with you.
00:35:38This is a waste of time, you know.
00:35:40I've been thinking about what you've shown me.
00:35:43There's a simple explanation.
00:35:45There must be.
00:35:46Keep your voice down, please.
00:35:47Dad, she's been in an asylum for 15 years.
00:35:51She must be cured.
00:35:52We've both been in an asylum, Jackie.
00:35:55Well, then you ought to know it better than anyone else.
00:35:57I found something else this evening, Jackie.
00:35:59Oh, God, no.
00:36:00Look.
00:36:01What are they?
00:36:02Tarot cards.
00:36:03Found them in a drawer.
00:36:04So?
00:36:05Well, it takes two to play that game, Jackie.
00:36:06And if I'm not the other one, who is?
00:36:07Who are you talking to, Eddie?
00:36:08Oh, Jackie, it's you.
00:36:09How nice.
00:36:10How are you feeling, Mother?
00:36:11See, see how much I've done since I saw you last week.
00:36:13I've almost finished.
00:36:14How are you feeling, Mother?
00:36:15How are you feeling, Mother?
00:36:16How are you feeling, Mother?
00:36:18Pardon, dear?
00:36:19You heard what I said.
00:36:21Mother, I know we agreed not to talk about the past, but Dad and I have been discussing...
00:36:22Jackie.
00:36:23Why, I've got such a migraine!
00:36:24Your friend, I've been discussing...
00:36:25Oh, Jackie, it's you.
00:36:26How nice.
00:36:27Oh, Jackie.
00:36:28Oh, Jackie, it's you.
00:36:29How nice.
00:36:30How are you feeling, Mother?
00:36:31See, see how much I've done since I saw you last week.
00:36:36How are you feeling, Mother?
00:36:40Pardon, dear?
00:36:41You heard what I said.
00:36:45Mother, I know we agreed not to talk about the past,
00:36:48but Dad and I have been discussing...
00:36:50Jackie!
00:36:51I've got such a migraine tonight, I can hardly see the stitches.
00:36:54The migraine you haven't had for months?
00:36:57I don't understand, you dear.
00:36:59You understand every word I say, Mother.
00:37:01You just choose to ignore most of it, that's all.
00:37:04Jackie, don't! There's no need.
00:37:06I don't know what's come over you, Jackie.
00:37:08Just tell me one thing, Mother.
00:37:10Are you well?
00:37:11Am I well, dear? I don't understand.
00:37:14You know what I mean.
00:37:16I...
00:37:18Have you started again?
00:37:20Oh!
00:37:21Oh, how can you?
00:37:24How can you ask me that? How can you be so cruel?
00:37:28That was months ago.
00:37:30Years ago.
00:37:32That was in the old place.
00:37:36So long ago.
00:37:37So many years ago.
00:37:38All over so long ago.
00:37:40Then what are these?
00:37:42Oh, hello.
00:37:43You Debbie?
00:37:44Yeah.
00:37:45Is your sister in?
00:37:46No.
00:37:47She's not?
00:37:48Oh, any idea when she'll be back?
00:37:50Well, my name's Graham Haller.
00:37:51Actually, it was you I wanted to speak to.
00:37:52Do you mind if I come in for a minute?
00:37:54They come and go.
00:37:55Lonely people.
00:37:56All lonely people.
00:37:57All lonely people.
00:37:59Not a friend of the world.
00:38:00And I help them.
00:38:01And I help them.
00:38:02I haven't got a friend.
00:38:03I don't have a friend.
00:38:04Oh, I don't have any idea when she'll be back.
00:38:06Oh, my name's Graham Haller.
00:38:07Oh, my name's Graham Haller.
00:38:08Actually, it was you I wanted to speak to.
00:38:10Do you mind if I come in for a minute?
00:38:12a minute. Thank you. They come and go. Lonely people. All lonely people, not a friend in
00:38:26the world. And I help them. I haven't got a friend in the world, you know that. Only
00:38:35you. We're trying to help you, mother. You're trying to help me back into that asylum, that's
00:38:41what you're trying to do. Trying to trick me into thinking I'm not better than I am.
00:38:47All right then, mother. All I've done is ask you one question. And I've given you an answer.
00:38:53I never go out of this house. It's so lonely here all day. Can't I have any interests?
00:39:03And those cards are my property. Give them back to me, you thief.
00:39:06You don't like me having anything of my own, do you? I'm not allowed to keep everything.
00:39:16Oh, Eddie. They even took my baby away from me. My only child. She doesn't even know I exist.
00:39:28Oh, now, Dorothy. It won't have you upsetting yourself like this. There's no need. We're going to
00:39:34forget that any of this happened.
00:39:37You...
00:39:42You plotted it all between you.
00:39:44No, no. Jackie insisted on coming down.
00:39:48Dad!
00:39:49It's all over now. We're going to forget that any of this ever happened. We're not going
00:39:54to mention it again. And we're going to go on just like we were. Just the two of us together.
00:40:05Well, I've lost my needle.
00:40:08I'll get you another one, dear.
00:40:09You know how I look forward to your visits, Jackie. With your little parcels. I do appreciate
00:40:27the trouble you take. You know that, don't you? You will keep on bringing them, won't you, dear?
00:40:33Just to please me. You will, won't you?
00:40:40W…
00:41:02Did anyone ever tell you you've got a great bedside manner?
00:41:05I don't think that's quite the right expression, is it?
00:41:08Well, it is for what I've got in mind.
00:41:18Thank you, Doctor.
00:41:19Graham.
00:41:20Thank you, Graham.
00:41:23You were telling me about the orphanage.
00:41:25No, I wasn't.
00:41:27You said you didn't like it.
00:41:28I didn't like it.
00:41:29Look, I don't want to talk about it.
00:41:31It's boring.
00:41:31Did you resent being there?
00:41:35Are you screwing Jackie?
00:41:40I ask first.
00:41:41Well, if I tell you, will you tell me?
00:41:45No.
00:41:46That's not fair.
00:41:49Did you ever see a photo of your parents?
00:41:52I don't know.
00:41:54I can't remember.
00:41:56I don't even care about them.
00:41:57Why should I?
00:41:58I haven't even met them.
00:41:59I think you do care, Debbie.
00:42:01I think you care very much.
00:42:05Well, he's a great showman, but I can't stand his music.
00:42:25Oh, he's a great musician.
00:42:27He was at the Rainbow last week.
00:42:28Really?
00:42:29I know.
00:42:29He had hysterics.
00:42:30We waited for him to come out afterwards, but he didn't come.
00:42:33No?
00:42:33Jackie went there, because I didn't get home until three.
00:42:35Did you?
00:42:37Oh, hello, Jackie.
00:42:40How long have you been here?
00:42:41Not long.
00:42:42We've just been having a little chat.
00:42:43You don't mind, do you?
00:42:46It's time you were in bed.
00:42:47Oh, for Christ's sake!
00:42:49Don't shout at me.
00:42:50I'll shout at you.
00:42:51I'll shout at you whenever I like!
00:42:53Chewing off!
00:42:54Well, where do you think you're going?
00:42:55Out.
00:42:56You're not, you know.
00:42:57Try and stop me!
00:42:58Don't treat her like a child.
00:43:11Thank you very much.
00:43:12How much do I owe you for that piece of analysis?
00:43:14Why don't you try sitting down and talking to her for a change?
00:43:16Well, I'll certainly think about that, Graham.
00:43:18After all, you seem to have achieved so much.
00:43:20Yes, we were getting on quite well, actually.
00:43:22Talking about me, I suppose.
00:43:23No, mostly about your parents.
00:43:25No, mostly about your parents.
00:43:55Call and play a宗č!
00:44:00No,塚!
00:44:09No, I'm not!
00:44:15I just wish you'd asked me first, that's all.
00:44:36But you would have said no.
00:44:39Look, Jackie,
00:44:41Mer says you like to pretend that nothing's the matter.
00:44:43But something is the matter, and Debbie can be helped.
00:44:47By you?
00:44:49Yes, I'd like to try.
00:44:51Look, it's too early to draw any conclusions.
00:44:53I'd have to spend much more time with her,
00:44:54but it's pretty obvious that she's suffering from some identity problem.
00:44:58I can't stand that jargon.
00:44:59Yes, well, it's very simple if you just listen.
00:45:04Look, on the surface, she seems cold and insensitive,
00:45:10but that's because she's got no background, no roots.
00:45:14She doesn't seem to have been given much understanding in the orphanage.
00:45:17So this is the result.
00:45:20But Debbie's got an additional problem in the shape of a close relative,
00:45:23you,
00:45:24who refuses to tell her anything about her parents.
00:45:26Now, why won't you discuss it with her?
00:45:29You must remember them.
00:45:30Listen, the one thing you're conveniently leaving out, Graham,
00:45:32is the fact that I know a damn sight more about her than you do,
00:45:35and I know how to handle it.
00:45:36Jackie, I'm sorry, but I don't think you do.
00:45:40Jackie, I'm trying to help.
00:45:43I want to help you.
00:45:44I don't need help.
00:45:46Graham, I'm very tired.
00:45:48We're going to have to leave it there.
00:45:51Yes, you've had a very busy evening, haven't you?
00:45:54Good night, Graham.
00:46:02How are you going to do it?
00:46:04Somerset House.
00:46:05Did Jackie ask you to?
00:46:08No.
00:46:09Why are you doing it, then?
00:46:13I don't know, really.
00:46:16I think you need your head examined.
00:46:17Come on, Bill.
00:46:30Good night.
00:46:34I don't mind.
00:46:35I don't mind.
00:46:36I don't mind.
00:46:36I don't mind.
00:46:37I don't mind.
00:46:38I don't mind.
00:46:39What's all this about, Deb?
00:46:50Come here.
00:46:51You come here.
00:47:02It's yours.
00:47:03I use it to keep things in.
00:47:06I've got something in here for you.
00:47:09Nice.
00:47:18Jesus Christ.
00:47:20Nasty, isn't it?
00:47:22How did he get in there?
00:47:23I put him in there.
00:47:25Why?
00:47:26Well, if he was left where he was, you'd be in a cell by now.
00:47:29I didn't do that to him.
00:47:31Look at his head.
00:47:32I didn't do that.
00:47:34Who did then?
00:47:35But I hardly.
00:47:36Oh, Christ.
00:47:37What are we going to do?
00:47:38Dump him off.
00:47:39Where?
00:47:40Well, you bring your brother's van around tonight and we'll go and stick him in the quarry.
00:47:44No.
00:47:47Leave him there, then.
00:47:48There was a call out for you at reception.
00:48:01Ah, yes, uh, oh, excuse me, excuse me, David.
00:48:03Dr. Lytell, could you spare me a moment now, please, sir?
00:48:06Oh, Graham, of course.
00:48:09By all means, come on in.
00:48:11I should have seen you long ago, but I've just had one of those morning.
00:48:13Right.
00:48:13Thank you, sir.
00:48:16Now, what's your problem?
00:48:19Forgive me if I potter a bit while we're talking.
00:48:22Well, it's a favor, actually, sir.
00:48:23I was wondering if you could give me an introduction to one of the supervisors at the Lansdowne Hospital.
00:48:28Well, Lansdowne?
00:48:30Well, that's a bit off your beat.
00:48:31What are you working in?
00:48:33Well, it's a patient of mine, sir.
00:48:35She's under the impression that her...
00:48:37Yes, she's under the impression that her parents are dead, but they're not.
00:48:47I found out that they were committed to the Lansdowne in 1957, and I'm trying to find out why.
00:48:53You have been busy.
00:48:58Well, I think it's important, sir.
00:49:01Is it vital?
00:49:04Yes, I think so.
00:49:05Fair enough.
00:49:08If it's vital, I'll get you in touch with Matt Lawrence.
00:49:10He's the medical superintendent, Mr. Lansdowne.
00:49:12Oh, well, I didn't expect you to go to all that trouble, sir.
00:49:15No, no, it's nothing.
00:49:16He and I are old friends.
00:49:18We were at King's together.
00:49:20Give me a line, will you?
00:49:26Did you cut them, dear?
00:49:28Yes.
00:49:33Then, uh...
00:49:35We shall see what we shall see.
00:49:40Are you warm enough?
00:49:42I'm fine, thanks.
00:49:44It does get so chilly here sometimes.
00:49:47You didn't come by car, did you?
00:49:50Why?
00:49:51No, I don't think you did.
00:49:56Now, this signifies you, dear, the Queen of Pentacles.
00:50:00Cunning.
00:50:02Passionate.
00:50:03Self-reliant.
00:50:05This covers you.
00:50:07This crosses you.
00:50:09This beneath you.
00:50:10This behind you.
00:50:11This crowns you.
00:50:12This crowns you.
00:50:15And this is before you.
00:50:16I think you've had a sudden loss, haven't you?
00:50:37Not a death.
00:50:41A sudden departure.
00:50:44Someone you love.
00:50:45I think it's your husband.
00:50:52Yes?
00:50:55Yes.
00:50:59You did say your name was Delia, didn't you?
00:51:01You don't like being left on your own, do you, Delia?
00:51:10You're frightened you're going to be left by yourself.
00:51:18But don't worry about that, will you, dear?
00:51:20You said you were alone.
00:51:25Sometimes the little animals come in.
00:51:28And go all over the place.
00:51:29They're awfully naughty.
00:51:32Do you like little animals?
00:51:34Little squirrels and things?
00:51:36I'm not all that fussy.
00:51:39There's one peeping at you down there.
00:51:44No, not really.
00:51:50My husband.
00:51:56Will he come back?
00:51:58What else do you know about him?
00:52:01Nothing.
00:52:03But I know everything about you.
00:52:06One look and I know it all.
00:52:10Then perhaps you'd like to tell me.
00:52:13Perhaps you'd like to tell me.
00:52:15Perhaps I wouldn't.
00:52:18Delia.
00:52:20Look, I've paid you a considerable amount of money.
00:52:29There is your considerable amount of money.
00:52:35There is your future.
00:52:50You're quite mad.
00:52:54I suppose you know that.
00:52:55I suppose you know that.
00:52:55You're quite mad.
00:53:10You're quite mad.
00:53:17You're quite mad.
00:53:18You've locked this door.
00:53:48You've locked this door.
00:54:18Help me! She's not dead yet!
00:54:29Dorothy!
00:54:37Dorothy!
00:54:41Dorothy!
00:54:44Dorothy!
00:54:46Oh my God!
00:54:48Oh my God!
00:55:19Dorothy!
00:55:23I had to do it! I had to do it! I had to! I had to!
00:55:31She's the first.
00:55:36What have you been doing to them?
00:55:38What have you been doing to them?
00:55:46She was a cannibal.
00:55:48I'm sorry?
00:55:49I can't put it more daintily than that, I'm afraid.
00:55:52The fact is, she ate people.
00:55:56Horrifying, but thankfully quite unique.
00:55:59Caused a bit of a scandal in 1957.
00:56:02Probably you remember.
00:56:03I'm afraid I was a bit too young.
00:56:05Oh yes, yes, of course I tend to forget.
00:56:08What was the case history?
00:56:10Oh, it goes way back.
00:56:12What is it down, please?
00:56:18Here we are.
00:56:20Yes.
00:56:22She had a pet she was very fond of when she was a girl.
00:56:25Rabbit or something similar.
00:56:27And it died.
00:56:29I'm afraid the parents were foolish enough to use it as food.
00:56:32It was right in the middle of the depression, late twenties, early thirties.
00:56:34Meat was hard to get hold of.
00:56:36As she found out.
00:56:38She went into such shock
00:56:40that she twisted the horror of the situation into something pleasurable.
00:56:44She began killing animals and dissecting them.
00:56:47Eating them.
00:56:48Secretly, of course.
00:56:49Nobody found out about it for years.
00:56:51Oh, God.
00:56:53She was especially interested in their brains, I remember.
00:56:55They held some sort of weird fascination for her.
00:57:00How long before she started on...
00:57:02On people.
00:57:03Well, by the time she met her husband, what was his name?
00:57:05Edmund.
00:57:06It was only 55.
00:57:08She was a hopeless case.
00:57:10The craving had become almost uncontrollable.
00:57:13And he, it seems, helped her to find human victims.
00:57:16They killed six people before they were caught.
00:57:19They were sent here in 1957.
00:57:21It was the only case of cannabantropy on record in this country.
00:57:25Carry what?
00:57:26Cannabantropy.
00:57:28Pathological cannibalism.
00:57:30There's a couple of cases in the United States, almost unheard of anywhere else.
00:57:33They had children, this couple, didn't they?
00:57:36Oh, you were one up on me, then.
00:57:40Oh, yes. There was a daughter, born in 1948.
00:57:43Jackie.
00:57:44Jacqueline, that's right.
00:57:46Yes, she was the daughter of the father's previous marriage.
00:57:48She was sent to live with an aunt, who later died, apparently.
00:57:51And there was now a daughter, Deborah, born shortly after the couple were committed.
00:57:54Yeah, they put her in an orphanage.
00:57:56That's right.
00:57:58Suddenly, it all makes sense.
00:58:00You know, I always felt that the father was the more interesting of the parents.
00:58:04You see, it's always been my opinion that he should never have been committed.
00:58:07It was never really established that he had anything to do with the actual murders.
00:58:10We knew about them, certainly.
00:58:12But I think it was more of a case of his being totally devoted to his wife, turning a blind eye to absolutely anything that she might do.
00:58:19You know, even towards the end, I was almost certain that he was deliberately faking derangement in order that he might remain here with his wife.
00:58:28Towards the end? You mean they died?
00:58:29No, no, they were released. That was some months ago. He's got a job, I believe. Some aristocrat's dog's body or something.
00:58:36Released?
00:58:38Well, don't look so flabbergasted about it. We didn't kick them out just for the fun of it. They're completely cured. As sane as you are.
00:58:48You won't tell anyone, will you, Eddie?
00:58:51It'll be our secret, won't it? You won't tell, will you?
00:58:55You haven't got much choice, have I?
00:58:59Well, no one would be interested. These people, they've no friends, no relations. No one will miss them.
00:59:08Are they all in here?
00:59:10Most of them.
00:59:25Let's go back, Eddie.
00:59:38When did you find out about the parcels?
00:59:41Find out, dear?
00:59:43You've known all along, haven't you?
00:59:45Well, I wanted to please you, Eddie.
00:59:48You started as soon as you left the Lansdowne, didn't you?
00:59:50Let's go back, Eddie. It's not right that you should be here.
00:59:55In future, I'll come here by myself.
00:59:59In future.
01:00:01You're going to tell me everything.
01:00:03That's just my jacket.
01:00:05Everything.
01:00:06I couldn't bear it, Eddie.
01:00:08What?
01:00:10To be sent back.
01:00:12You won't be sent back.
01:00:14You do understand, then?
01:00:16I understand.
01:00:18I understand.
01:00:19And you're not angry with me?
01:00:20I'm not angry.
01:00:21I'm not angry.
01:00:22I'm not angry.
01:00:23I'm not angry.
01:00:24I'm not angry.
01:00:25I'm not angry.
01:00:26I'm not angry.
01:00:28You're not angry?
01:00:31You're not angry.
01:00:32You do understand, then?
01:00:34I understand.
01:00:36And you're not angry with me?
01:00:44Not angry?
01:00:47I always wonder why people got glasses of water thrust at them when they've been crying.
01:01:02It relaxes you.
01:01:03Really?
01:01:05Do you want to talk about it?
01:01:07Yes, I do, quite honestly.
01:01:10Oh, I'm sorry, I interrupted you, breaking down like the fragile creature I'm not.
01:01:16Um, you were saying you've been researching something.
01:01:19No, it can wait.
01:01:20Come on, tell me what's wrong.
01:01:23I feel like falling on my knees and asking for forgiveness.
01:01:27Why?
01:01:28I was wrong about Debbie.
01:01:30I should have taken everybody's advice.
01:01:32Now it's too late.
01:01:34Why?
01:01:35She got involved in a fight a couple of nights ago. A man was killed.
01:01:41She told you?
01:01:43No. I found her jacket covered in blood.
01:01:45I had to force her to tell me.
01:01:49Did, did Debbie kill the man?
01:01:52No, no.
01:01:53Her, her boyfriend, so-called, he, he hit him with a, or a thing, a bicycle chain.
01:01:59Debbie panicked and hit, hit the body of Christ.
01:02:05Oh, come on.
01:02:06That's the worst over now, finding out and then having to tell me.
01:02:09I don't know.
01:02:11I'm so worried about the police.
01:02:13There's no need to be.
01:02:14Debbie's committed a crime.
01:02:15I want to do all I can to help you both.
01:02:17My offer still holds, you know.
01:02:19I don't deserve you, do I?
01:02:22We'll have to do something about that inferiority complex of yours, won't we?
01:02:26Is she here?
01:02:29In her room.
01:02:30We're leaving now, Debbie.
01:02:46Okay.
01:02:47Oh, don't worry.
01:02:48It'll be all right.
01:02:49Graham knows what to do.
01:02:50Oh, you better give me the key.
01:02:52We'll be back as soon as we can.
01:02:56See you soon, Debbie.
01:02:57Now stay here till we get back, won't you?
01:02:59Yeah, sure.
01:03:22That was done with a bicycle change.
01:03:41Look, I'm sorry, but I don't understand.
01:03:44What are you talking about?
01:03:45Light her word for your sister, please, miss.
01:03:47What did you mean when you said it was more than murder?
01:03:50Exactly what I said.
01:03:52Now, if we can go back to your flat, please.
01:04:01She's gone, Graham.
01:04:02She's gone.
01:04:03The wardrobe's empty and her suitcase is missing.
01:04:05This is a missing persons called all units.
01:04:08Deborah Yates, aged 15 and wanted for questioning in connection with the murder of Douglas Metchick on February 27th,
01:04:14is missing from her home in Beaufort Street, SW10.
01:04:17His five foot two, light brown hair, light coloring.
01:04:21It's a bit early for me.
01:04:35You're over 18, aren't you?
01:04:37Early in the evening, idiot.
01:04:38Oh.
01:04:39Well, just think of it as Dr. Haller's nerve tonic.
01:04:42Mine hasn't even more than a tonic, I can tell you.
01:04:44Neat.
01:04:45Of course.
01:04:46Cheers.
01:04:47Better?
01:04:47Give it time.
01:04:55I've made rather a mess of it, haven't I?
01:04:57Oh, I wouldn't say that.
01:04:58You would if you knew everything.
01:05:00I think I do.
01:05:01You don't, Graham, that's the trouble.
01:05:05I was at Lansdowne today.
01:05:07Oh, God.
01:05:09And I still wouldn't say you'd made a mess of anything.
01:05:11What I can't understand is why you feel you've still got something to be guilty about.
01:05:15Look, your parents were certified sane, Jackie, and that's the way you've got to learn to treat them.
01:05:20I know it must have been difficult for you, but don't you see it's all over now?
01:05:25It's not all over, Graham.
01:05:27I'm afraid it's just beginning again.
01:05:40I can't see nothing.
01:05:42We're in the middle of nowhere.
01:05:44What is all this?
01:05:45Look, I told you it's a place where they won't find us.
01:05:47Stay here.
01:05:48I want to see if everything's all right.
01:05:50Well, hurry up.
01:05:51Freezing me bollocks off out here.
01:05:55I don't like your gloomy face, Eddie.
01:05:59Reminds me of a gargoyle.
01:06:02Gloomy enough here already.
01:06:05Only the little animals are happy.
01:06:08They come and see me sometimes when you're not here, Eddie.
01:06:12I wish you could be here during the day to see them.
01:06:16What's the matter?
01:06:18Hear the noise.
01:06:20Someone else in the house.
01:06:25Who are you?
01:06:31Hello, Dad.
01:06:33I can't believe it.
01:06:58It's our little girl, Eddie.
01:07:00It's true.
01:07:01Hasn't she grown?
01:07:03Oh, my God.
01:07:04I wanted to protect her from this.
01:07:06We were going to tell you, Eddie.
01:07:08In time.
01:07:12How long has she known?
01:07:13I've always known.
01:07:16Jackie told me.
01:07:17She promised.
01:07:20She promised.
01:07:21She promised me.
01:07:25Who else have you told?
01:07:26My boyfriend outside.
01:07:27She's so grown up, isn't she?
01:07:30She's so grown up, isn't she?
01:07:32I miss her.
01:07:33I don't know.
01:07:34She's so grown up.
01:07:35I know.
01:07:36I can't believe you.
01:07:38I've never seen her.
01:07:39She's so grown up.
01:07:40Oh, my God.
01:07:41You need to talk to!
01:07:42Oh, my God.
01:07:43You have to come to Asia.
01:07:44I'm not coming.
01:07:45I'm coming to Asia.
01:07:46I'm coming up.
01:07:47Oh, my God.
01:07:48You're out.
01:07:49Oh, my God.
01:07:50I was coming to Asia.
01:07:51Oh, my God.
01:07:52I'm coming to Asia.
01:07:53Oh, my God.
01:07:54Good morning.
01:07:55Good morning.
01:07:56I'm coming.
01:07:56Oh, my God.
01:08:26There's a... I've found...
01:08:33Oh, no. Please!
01:08:36Dad!
01:08:56What the hell are you thinking of, Jackie? It's absolutely ludicrous.
01:09:11It was Dad's idea. A week after they left Lansdowne, he realised something was wrong. Dorothy used to just sit and gaze into the fire. It seemed she was pining away.
01:09:20So you decided to play amateur psychiatrist? You seriously thought you could diminish her so-called killing instincts by pretending you were doing it for her? And taking down these ridiculous things that you bought from the butchers?
01:09:31It seemed to work. And anyway, Dad wouldn't consider the alternative.
01:09:35And what was the alternative? She'd be sent back to Lansdowne.
01:09:38I'm sorry, Jackie. You don't know what the hell you're thinking about.
01:09:42Dorothy was in the best care for 17 years. She was certified same.
01:09:46But I swear, there's still something wrong!
01:09:48All right. She's probably going through a period of readjustment. But if there is something wrong, it can easily be remedied by a course of outpatient treatment. In her own home, if necessary.
01:09:57I never considered anything like that. I had nobody to talk to.
01:10:02Well, you have now.
01:10:11Eight o'clock.
01:10:14Well, what about it?
01:10:16Well, you could be down there in an hour and a half.
01:10:19There's hardly likely a psychiatrist to make a house call in the middle of the night, is it?
01:10:23Oh, that's right.
01:10:26You could go for a reading.
01:10:29With her set of marked tarot cards.
01:10:41You're going?
01:10:42Hmm. Something else I want to check on.
01:10:45About Dorothy?
01:10:46No, about Debbie.
01:10:47Debbie?
01:10:48Hmm. After all, she is Dorothy's daughter.
01:10:56No alternative.
01:10:57No alternative, Eddie.
01:10:58The boy knew everything. I mean, we've got to wipe the slate clean, haven't we?
01:11:15How many more? How many more are before the slate is wiped clean?
01:11:21One more. Jackie.
01:11:22No.
01:11:23No!
01:11:24Stop kidding yourself, Dad. Forget about Jackie. She's an enemy.
01:11:25I won't listen to this.
01:11:26She's an enemy, I tell you.
01:11:27She's an enemy, I tell you.
01:11:28She's going to break this family up. You've got your sins.
01:11:29You don't know what you're talking about.
01:11:30I know, Father. That's all she wants to do, break us up.
01:11:31She tried to keep me away from you for as long as she could, didn't she?
01:11:32No, no, no arguing. Not when we're all together again.
01:11:33This has gone too far, Deborah. I can't handle this anymore.
01:11:34Is it for you?
01:11:35We never have visitors.
01:11:36No, no, no, no, no.
01:11:38We never have visitors.
01:11:40The other one's.
01:11:41Is it for you?
01:11:42Is it for you?
01:11:43We never have visitors.
01:11:45Come on.
01:11:46Well, it's time with me.
01:11:47You, you, you, you.
01:11:48You don't know what you're talking about.
01:11:49I know, Father.
01:11:50You, you, you.
01:11:51You're not sure what you're talking about.
01:11:52I know, Father.
01:11:53That's all she wants to do, break us up.
01:11:54She tried to keep me away from you for as long as she could, didn't she?
01:11:56Is it for you?
01:12:01We never have visitors.
01:12:06Police?
01:12:08Take her to the attic, Dorothy.
01:12:09All right, Eddie, this way, dear.
01:12:26Oh, good evening.
01:12:37I'm sorry to trouble you so late.
01:12:38I wonder if Mrs. Yates could give me a reading.
01:12:40This darn out, I'm afraid.
01:12:42Well, look, it's rather difficult for me, you see.
01:12:44I'm staying overnight in the area,
01:12:46and I'm leaving early in the morning,
01:12:48so I won't get another chance.
01:12:49Perhaps you could call in next time you're passing.
01:12:51Perhaps I could persuade you, you see.
01:12:52I'm rather worried about my health.
01:12:53I think I may be very ill.
01:12:56And I'd like to know one way or the other.
01:12:59You understand?
01:13:00Come in.
01:13:01Oh, I'm very grateful.
01:13:03I won't stay in here longer than necessary.
01:13:06Wait here.
01:13:07If you tell my wife.
01:13:23Will you go through?
01:13:26Mrs. Yates?
01:13:42Hail to the Knight of Pentacles.
01:13:47I'm sorry?
01:13:49You are the Knight of Pentacles.
01:13:52This is your card.
01:13:55I see.
01:13:58Sit down.
01:14:00The other side.
01:14:10Would you like me to pay you beforehand?
01:14:14Yes.
01:14:15Yes.
01:14:36Well, then
01:14:36it's all right.
01:14:36I'm sorry.
01:14:37There he is.
01:14:37There he is.
01:14:38He's seen.
01:14:38Well, it's so good.
01:14:39No, no.
01:14:39I'm sorry.
01:14:40I'm sorry.
01:14:41I'm sorry.
01:14:41This covers you.
01:14:43This covers you.
01:14:45This beneath you.
01:14:47This behind you.
01:14:49This crowns you.
01:14:51This is before you.
01:14:55Your name was...
01:14:57Robin.
01:14:59I'm a commercial traveller, just staying in the village for one night.
01:15:01How did you know about me?
01:15:03A friend recommended you.
01:15:05His name?
01:15:07Well, he's not exactly a friend.
01:15:09And I heard him talking about you.
01:15:13Do you travel in medical supplies?
01:15:15No.
01:15:17I see healing hands.
01:15:21You're either something to do with the hospital, or you're a doctor.
01:15:25Well, that'll be all the doctors I've been to.
01:15:29There have been so many.
01:15:31It's not the doctors you've been to.
01:15:35I'm telling you, it's you.
01:15:39Well, I was a medical student once.
01:15:41It was a long time ago.
01:15:43Were you now?
01:15:45You're worried about something.
01:15:47Yes, very.
01:15:49A girl.
01:15:51No, two girls.
01:15:53Two girls.
01:15:55There's a romantic involvement with one,
01:15:57and some other involvement with the other.
01:15:59Now, what is it?
01:16:05Isn't that strange?
01:16:07I come back to the healing hands.
01:16:15Why are you lying to me?
01:16:17I'm not lying to you.
01:16:19You called me Mrs. Yates.
01:16:25You've come here for a purpose.
01:16:27To have my fortune told.
01:16:29No, no, there's something else.
01:16:31Now, what is it?
01:16:32I've told you, I'm worried about...
01:16:33I'm worried about...
01:16:34Be quiet.
01:16:37You've come here to search.
01:16:39You're searching for...
01:16:41No.
01:16:42No, not searching.
01:16:46Investigating.
01:16:49Investigating me!
01:16:51You're dead right, ears.
01:16:54Debbie!
01:16:56What did he tell you his name was?
01:16:57This is Robin, my dear.
01:17:00This is Graham, my dear.
01:17:02Dr. Graham Haller, to be exact.
01:17:04One of Jackie's little friends.
01:17:07She sent him down here to put you back in the nuthouse.
01:17:09Now, that's not true.
01:17:10You know it isn't.
01:17:11You lie!
01:17:12You lie!
01:17:13You lie!
01:17:14You lie!
01:17:15You lie!
01:17:16I have the proof here in the cards!
01:17:25Come on, love.
01:17:26We're waiting for you.
01:17:28I'm sorry, Merla.
01:17:29I just can't concentrate.
01:17:30Oh, don't worry, kid.
01:17:32We'll wind it up.
01:17:33No.
01:17:34We'll go on.
01:17:35No, no.
01:17:36It was just one of my stupid ploys to try and get your mind off things.
01:17:38You're obviously not up to it.
01:17:40Oh, I'm sorry.
01:17:41Don't worry, kid.
01:17:42We'll have a chat instead.
01:17:43After all, that's what you came round for, isn't it?
01:17:46Yes.
01:17:47Very much so.
01:17:49I just couldn't bear sitting alone in the flat, just waiting.
01:17:53Well, what are friends for?
01:17:56Oh, bugger.
01:17:57Hang on a minute.
01:18:00You know what really drove me out tonight?
01:18:04What?
01:18:05I knew that any second the phone would ring and it would be the police to say they'd found Debbie.
01:18:10That'd be the end, wouldn't it?
01:18:13Jackie, you're building this up into something it isn't.
01:18:16Why would it be the end?
01:18:17They don't send 15-year-old girls to prison anymore, you know?
01:18:19They send them to a reformatory.
01:18:21They're not going to send Debbie anywhere.
01:18:24Jackie, it's for you.
01:18:26Who knows I'm here?
01:18:27Well, I wouldn't swear to it, but it sounds like Debbie.
01:18:39Hello?
01:18:40Jackie, it's Debbie.
01:18:41Debbie, where are you?
01:18:42I'm at the farm.
01:18:43What?
01:18:44I'm at the farm with Mum and Dad.
01:18:47But how?
01:18:49Look, I can't explain now. Will you come down?
01:18:52Yes, of course.
01:18:54Graham's here.
01:18:55Yes, I know.
01:18:57You will come down, won't you?
01:18:59Straight away.
01:19:00Okay, see you then.
01:19:02Debbie!
01:19:03Debbie!
01:19:08I'm flying high with an ace.
01:19:10Hewitt.
01:19:12Was it her?
01:19:13Yes.
01:19:14Well, where is she?
01:19:15Well, she's found a place to hide.
01:19:18Oh, are you going?
01:19:19I must.
01:19:21Well, what about the police?
01:19:22I don't know.
01:19:23I don't know.
01:19:27Jackie!
01:19:33Really?
01:19:34Damn.
01:19:35I don't know.
01:19:36Let's go.
01:20:06Let's go.
01:20:36Debbie, is that you?
01:20:46I almost hoped you wouldn't come, Jackie.
01:21:02What are you prowling round with the bloody lights off for?
01:21:05I won't be spoken to like that in my own home, especially by you.
01:21:10Especially by me?
01:21:11What am I supposed to have done?
01:21:12You hurt me, Jackie.
01:21:14You hurt all of us.
01:21:16What are you talking about?
01:21:19What's Debbie been saying to you?
01:21:22She's told us the truth.
01:21:24And you believed it?
01:21:25She is my daughter.
01:21:27And I'm not, I suppose.
01:21:29We both feel closer to Deborah.
01:21:33You stupid old man!
01:21:34How dare you!
01:21:35You've been taken in by a 15-year-old delinquent!
01:21:38All right, then.
01:21:39If that's the way you want it, you can get along without me.
01:21:42You can all get along without me.
01:21:43I'll wash my hands of the lot of you!
01:21:44Shh!
01:21:46Oh, Jackie, if only you hadn't come.
01:21:49What is it?
01:21:50What's going on?
01:21:52Where's Graham?
01:21:53Who?
01:21:55The man who...
01:21:56For God's sake, I'm not going to stand here talking to you in the bloody twilight!
01:21:59No, Jackie!
01:22:01I'll put the lights on.
01:22:03What's the matter with you?
01:22:05Nothing.
01:22:09You've been hit.
01:22:11You've been hit with something.
01:22:13Who was it?
01:22:16It was Dorothy, wasn't it?
01:22:18She did it...
01:22:19with...
01:22:20with this!
01:22:22The stepmother's a very sick woman, Jackie.
01:22:24How sick?
01:22:25How sick?
01:22:28She's had a very serious relapse, I'm afraid.
01:22:33Jackie,
01:22:34I love her.
01:22:36Can you understand that?
01:22:38But I can't do any more for her now.
01:22:42Deborah's looking after her.
01:22:44Looking after her?
01:22:46What do you mean, looking after her?
01:22:48She's with her now.
01:22:49A 15-year-old girl?
01:22:50I don't believe it!
01:22:53They have a lot in common, you know.
01:22:56More in common than you would think.
01:23:03Where's Graham?
01:23:04Where is he?
01:23:06I said she was well again.
01:23:10I said she was well.
01:23:11I said she was well.
01:23:15Graham?
01:23:16Graham!
01:23:19Leave us alone, Jackie.
01:23:19Leave us alone, Jackie.
01:23:21Leave us alone, Jackie.
01:23:26Ả.....
01:23:26Let's go.
01:23:56Shut up, that stupid screaming.
01:24:26He knew. He knew.
01:24:29Why did you let them?
01:24:35No.
01:24:36No.
01:24:37No.
01:24:48No.
01:24:49No.
01:24:50No.
01:24:50No.
01:24:51No.
01:24:51Please.
01:24:52Please, please, no!
01:25:10Dad! Dad, please, please help me!
01:25:13Please, Dad! No! Dad, please, Dad!
01:25:23And let the members of the public be assured
01:25:27that you shall remain in this mental institution
01:25:31until there can be no doubt whatsoever
01:25:35that you are fit and able to take your place in society again.
01:25:52To be continued...
01:25:55To be continued...
01:25:56To be continued...
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