- 7 hours ago
Anne Rice's Talamasca: The Secret Order - Season 1 Episode 6 -
The 752
The 752
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00:00Previously on Tala Masca.
00:12You're going to use a 752 to bring down the Tala Masca?
00:15Once and for all.
00:15Are you even sure you know what you're looking for?
00:17I need two exit packs.
00:19I'm getting out of here and I'm taking someone with me.
00:21Who?
00:21Doris, you don't know her.
00:22You'll need a passport photo and an alias.
00:24Your mother's been in hiding 16 years now.
00:27What's it going to take for her to come out into the light?
00:29You're looking for something, I am.
00:31Something more than just a book.
00:33I need you to find someone for me.
00:35My sister is all I have.
00:37I'll do anything to find her.
00:38Do you understand?
00:50Oh, come on.
00:52You're taking the business.
00:54You and I both know that's not who they really are.
00:57These are con artists, grifters.
01:00How can you say that?
01:01They're helping people.
01:03Where are we going?
01:03Helping groupies into the back of their disease-ridden limos is who they're helping.
01:08I mean, we are the world?
01:10More like you're a bunch of coked-up pop stars who can't even sing on...
01:14What are we doing down here?
01:15Why won't the deputy minister see me in his office?
01:17Deputy minister?
01:20Oh, you're away past him, mate.
01:22Away past him.
01:25Well, here we are.
01:30Good luck.
01:30Who are you?
01:51My name is Haussmann.
01:58Do you know why you're here?
02:02Well, it has come to our attention that you murdered two vampires in Marseille last week.
02:09Your wife and her lover.
02:13They had it coming.
02:15Oh, I'm sure they did.
02:17Codney act, jealousy, rage, etc., etc.
02:22And I'm sure the surviving members of the Coven will be forgiving about the entire business.
02:29I can hardly wait to discuss it with them.
02:33There's no reason to do that.
02:35Oh, on the contrary.
02:37There is every reason.
02:40It's the Talamasca's bread and butter.
02:43It's what we do.
02:45You brought me all the way here just to tell me that.
02:49Oh, no, no, no.
02:50Now, I brought you here to demonstrate our vast benevolence.
02:57To offer you a way out.
03:20What the hell is this?
03:24I think you see what it is.
03:28You want me to kill her?
03:30Kill her?
03:32Please.
03:34I'm not a monster.
03:36Why me?
03:37Because you are just good enough and no better.
03:47This is against everything my kind believes.
03:56It isn't who we are.
03:58Who you are is a murderer in a tight spot.
04:08Something for something, my friend.
04:13Quid pro quo.
04:15I don't know.
04:16I don't know.
04:34Oh.
04:37Oh.
06:09I can't find it.
06:26And there's no sign of our chump or his mystery girl.
06:30Where is it?
06:46Come on.
07:06Come on.
07:07It's not here.
07:08What are you doing?
07:26Leaving.
07:28Just like that?
07:30Yes.
07:33I don't want you to get hurt.
07:36We can't just run off together.
07:38Why not?
07:40Guy.
07:40Horace?
07:51You've got to be kidding me.
08:12Ridge, for Christ's sake.
08:17Did they call you on this?
08:18I heard it from dispatch.
08:19Yeah, that's what I thought.
08:22Half was spouting off around the station last night.
08:25You went around and won that DNA from Epworth Lane?
08:28You ain't happy?
08:29Is he ever happy?
08:30He's your boss, ain't he?
08:32Do yourself a favor.
08:34Stick to your knitting for a couple of days.
08:35Come on, Marty.
08:37I just want to look around.
08:38You might regret that.
08:40Looks like some dogs or something got in there.
08:43It's a real mess.
08:45Let the leads at first crack before you go shoving your nose in.
08:51Give them an hour or two, yeah?
08:52Yeah.
08:53Yeah.
08:54Yeah.
08:55Yeah.
08:56Yeah.
08:57Yeah.
08:58Yeah.
08:59Yeah.
09:00Yeah.
09:01Yeah.
09:02Yeah.
09:03Yeah.
09:04Yeah.
09:05Yeah.
09:06Yeah.
09:07Yeah.
09:08Yeah.
09:09Yeah.
09:10Yeah.
09:11Yeah.
09:12Yeah.
09:13Yeah.
09:14Yeah.
09:26It should have been me.
09:27The hell are you talking about?
09:29This is what happens when people get close to me.
09:32First Kevis.
09:34Now the witches.
09:36Hey!
09:41I need you both to come with me.
09:43I need you both to be in the other night.
09:50Why did she play?
10:05Hey! Move it!
10:10This is fucking bullshit. On what basis are you taking us in?
10:35Save your breath.
10:36No, seriously.
10:37We'll take it down word for word at the station.
10:40Really?
10:41In you go.
10:46This way.
11:40I didn't receive any call from Amsterdam.
11:41Of course you didn't. This is that call. We can get on the horn and rouse an elder at headquarters
11:47I'd prefer but I guarantee by the end of that conversation you'll be on your way to cleaning bedpans at the field clinic in Winnipeg.
11:54Let her in Patricia.
12:01And then there's one of you following the man who wound up dead next to Kevis Papadoris.
12:18And Kevis, well her best friend, that's you, lives on a houseboat and made a veil.
12:25Same houseboat which happens to be the scene of a mass murder.
12:31Same houseboat I found the two of you looking down at this morning just hours after the crime.
12:38Never seen those trainers before in your life, eh?
12:45It's been a long time.
12:47Some tea please, Patricia.
12:49Can we get you anything?
12:50No, thank you.
12:52Why don't you have a seat and we can talk?
12:54What a good idea.
12:55It's all circumstantial.
12:57Everything you're saying.
12:59I don't know anything about any of these murders and neither does Doris.
13:03Now all I'm hearing is coincidences and guesses but not a shred of forensic evidence that ties either of us to a crime.
13:09Forensic evidence?
13:11Perhaps not, but photographic evidence.
13:14Well...
13:16Who's this?
13:18No idea.
13:20No idea.
13:22I'm sorry.
13:24Doesn't ring a bell.
13:33Ding, ding, ding.
13:42Tell me what happened to my sister.
13:43I don't know.
13:45I haven't known for years.
13:48They kicked me out of the program once my utility had been exhausted.
13:53Just like the telemasqueray.
13:55Use you for what they need and then toss you aside.
14:00What was the program for?
14:02What did you want with Emma?
14:05I suppose you have a right to know.
14:08You can have five more photos like this or 5,000.
14:11It wouldn't matter.
14:13He encumbered probatio qui dicid non qui negat.
14:16Oh.
14:17Clever clogs.
14:19What's that mean?
14:20It means that we don't have to explain these pictures.
14:23Or who we're friends with or how we like our eggs because the law presumes that we didn't do a damn thing.
14:30But hey, if you think that you've got enough evidence here to convince a jury to convict us of murder based on some blurry pictures of me kind of, sort of, maybe in the same vicinity as this lady, I mean best of luck.
14:47The program was created to identify children of outsized talent.
14:51And your sister proved to be the most talented of all.
14:54Because of her memory?
14:55Yes.
14:56It was extraordinary.
14:57Unnatural.
14:58You could ask her how many bricks there were in a building she'd walked past two days before.
15:05Or the precise weather for any day of her life.
15:08She was always right.
15:10She could remember passages from any text and then entire books verbatim after reading them only once.
15:18That's when we took her to Amsterdam where her training really began.
15:22She was exactly what we'd been looking for.
15:27Last night I received a DNA report on hair, blood and skin gathered at Clevis Bobadoris' flat but belonging to neither victim.
15:37Belonging instead to a third person.
15:39For the first ten years, she flourished.
15:43It was a miracle watching what she took in.
15:45Flourished?
15:46Emma grew up alone in Amsterdam without her family.
15:49Why would you do that to her?
15:51She's not like the rest of us.
15:53Not anymore.
15:55And she hasn't been called Emma since she left London.
15:58Okay.
15:59My DNA would be on Kevis.
16:01Should be.
16:02Okay, we were...
16:03We were together the night before she was killed.
16:10Well, that's a wrinkle to add to my elbow, but...
16:14DNA all wasn't yours.
16:17Belongs to your friend.
16:19Helen's her name.
16:21Right?
16:23Now does it ring a bell?
16:26It's her DNA that's all over the flat.
16:28We let your sister pick a new name.
16:31She called herself...
16:33Doris.
16:36Doris.
16:54You're not gonna charge us with a crime.
16:57I can tell.
16:59That means that you can't hold us.
17:02Come on, Doris, we're going.
17:03With all that fancy Latin falling out your pockets,
17:05I'm sure you passed the American bar with flying colors,
17:08but on my side of the pond,
17:10I can arrest you and hold you for 24 hours
17:12on suspicion of perverting the course of justice.
17:15So do me a favor.
17:18Sit tight.
17:19This is Agent Wakefield from MIF-5.
17:40I'll be taking over from here.
17:42There was unrest in the Talabasca.
17:57If leadership hadn't done what they did,
17:59the organization would have been torn apart long ago.
18:02From within.
18:04By those who wished to use all our knowledge for evil.
18:09Once we had a safe backup,
18:10we had to destroy all the original texts and information
18:13in order to protect the greater good.
18:16The 752 worked.
18:19The program was a success.
18:21Stop.
18:38If nothing else, I'm the one who brought these two in.
18:40I'm the one who's been working this case,
18:42who put the damn pieces together.
18:44You can't just barge in.
18:46Enough.
18:47You're the one that pitched all over the command chain.
18:49That's what you've done.
18:51I have my branch controller's order
18:53and the signed approval of a real direct supervisor.
18:56One question.
18:58If I called MIF-5 right now
18:59and asked them to verify an Agent Wakefield,
19:01what would they say?
19:02Because they're professionals,
19:03they'll say they've never heard of an Agent Wakefield.
19:06But if you give them this badge number,
19:08along with my verification password,
19:10Zephyr, you'll be connected to my section chief.
19:14Phone number's on the back.
19:15Right.
19:18Ridge, if I were you,
19:19I wouldn't be near that phone.
19:21Right.
19:22Come on, you two.
19:23Come on, you two.
19:53Where's Helen?
19:56We were supposed to meet her.
19:58Where?
19:59Waterloo.
20:00She has our passports.
20:01Guy, listen.
20:03I think it's a trap.
20:05We can't trust Helen anymore.
20:07I'm sorry.
20:09She's betrayed us all.
20:11She has it.
20:13She has the fucking barley shit.
20:14She has the fucking barley shit.
20:20It's right there.
20:21She has it.
20:22She has the fucking barley shit.
20:26Toris!
20:27Doris!
20:40Jai!
20:44Doris!
20:57Wait! Wait! No!
21:04Hey!
21:15I need to go.
21:24Shut the boot!
21:25What are you doing?
21:26Daylight!
21:33Jesus.
21:56Helen?
22:04Jay, I need your help. Can you talk?
22:07Are you on your own?
22:08Helen, Helen, stop.
22:10It'll pull as a red notice out for you for a double murder.
22:13Yeah, you matched your DNA.
22:14How did they get my DNA?
22:15How did they get my DNA?
22:16And they want you in for questioning about a mass killing in Maida Vale.
22:20What the hell is going on?
22:22Olive.
22:25Olive.
22:26on the future?
22:27I can't remember.
22:27When we got to share some details, we had to be rescued by a man.
22:29I wanted to ask them to miss a special note.
22:31What do you think we wanted to do?
22:33Come on.
22:33How did the dear instance...
22:34Come on.
22:35Come on.
22:36Hey.
22:36Come on.
22:36Come on.
22:37Come on.
22:37Okay.
22:38Come on.
22:38How are you doing?
22:39Come on.
22:39Come on.
22:40Come on.
22:40Come on.
22:40Come on.
22:41Come on.
22:41Come on.
22:42Come on.
22:43Come on.
22:43Come on.
22:43Come on.
22:44Come on.
22:45I don't know.
23:15Guy, what are you doing?
23:29You can let me out now.
23:38Can you hear me?
23:40Guy!
23:41What the fuck?
23:42Guy!
23:45It's just a scrapbook.
23:52That's exactly what I told you.
23:55You didn't tell me what you are?
24:00Does it change anything?
24:03Yes.
24:06I don't understand.
24:07If you're a vampire, how do you hide your...
24:10When we first met, you called me a liar.
24:27I'm not sure what that makes you.
24:29Well, now you see.
24:32Now you understand why I have...
24:33Just stop, okay?
24:34We're getting out of the country and we're going our separate ways.
24:36You understand?
24:40Guy.
24:42Would you just tell me the truth?
24:43Doris.
24:57I wouldn't know where to start.
25:02If you can't tell me, show me.
25:06Let me in.
25:09Guy.
25:12Let me in.
25:15I was taken from home when I was very young.
25:40My parents were both dead. My sister and I were separated.
25:45I was taken to Amsterdam. I spent most of my time inside a library.
25:51The books, the knowledge, it was everything I wanted.
25:56And then they took it all away.
25:58They said it was inside me. That they didn't need the books.
26:03Because I was at the library now.
26:06The 752 isn't a book.
26:10Guy.
26:14It's you.
26:18After the fire, everything changed.
26:23Talamasca minders would come to extract information.
26:26They told me that I was a vital part of some mission
26:30to keep the peace between the mortal and the immortal worlds.
26:34And then, when I was old enough, they made me into what I am today.
26:40So that they could keep me forever.
26:42And use me forever.
26:44They moved me from Amsterdam. They hid me.
26:46I had no one. I was miserable. I was a tool.
26:51I didn't even know what for.
26:53But you're powerful. Couldn't you just...
26:54No. They'd made me into a vampire, but a weak one.
26:58I was immortal, yes, but I couldn't freeze time or read other people's minds.
27:04I felt trapped.
27:05I had to get out.
27:07You escaped.
27:08Yeah.
27:09And then I met Kevis.
27:12She had just lost her mum, and she was just a kid.
27:17So I took care of her.
27:19Watched her grow up.
27:20She gave my life meaning.
27:25When she found out that people were getting close to me, like Archie,
27:29she couldn't help but get involved.
27:41You killed Archie.
27:42But I was too late to save Kevis.
28:12And then you showed up.
28:33Kevis got hurt because she got close to me.
28:36The witches were massacred because they took me in.
28:38And now I have hurt my sister.
28:40Because the police think that she is the one who killed Archie.
28:45Your sister.
28:50Ellen.
28:51Fiona, to me.
28:53I was Emma back then.
28:56They tried to change everything about us.
28:58They tried to wipe away everything about who we were.
29:03But they couldn't.
29:05Because we're identical twins.
29:08And twins share an awful lot.
29:10Including our blood.
29:14The detective had the right DNA.
29:17But the wrong twin.
29:21Does she know?
29:22That you're, um, what you are?
29:31I know everything in every single book I've ever read.
29:35But I have no idea what my sister knows about me.
29:42We're about to find out.
29:43Yes?
29:43Director Hausman.
29:44Yes?
29:44Director Hausman.
29:45Yes?
29:45Director Hausman.
29:46Director Hausman.
29:47Intercepted an all ports warning, sir.
29:47Well, there you are.
29:48They're going to try and flee the country.
29:55And what about the other thing?
29:58And what about the other thing?
29:59And what about the other thing?
30:00And what about the other thing, sir?
30:12Well, there you are.
30:16They're going to try and flee the country of what agents found out across the city.
30:22And what about the other thing?
30:24Yes.
30:26These serve this purpose, hmm?
30:31Let us straight to her.
30:34The team is standing by.
30:40Clean it up.
30:52All right.
30:55Are you okay?
30:58It's just...
31:01I thought that if I found the book, the 752, that maybe I would get closer to finding my mom.
31:06Excuse me.
31:09Yeah, we're getting out.
31:14Where are you?
31:15The girl's a damn vampire.
31:18She killed Highsmith.
31:21They're on their way to Waterloo.
31:23Now.
31:24And they have the 752.
31:27I'm coming back to you.
31:28Coming back to you.
31:38We got him.
31:40I've had enough of this.
31:42You've gone too far.
31:43What the fuck are you yapping about?
31:44I know what you did in Maida Vale, and I won't put up with any more of it.
31:48You won't put up with any more of it.
31:49No.
31:50I will not.
31:51And...
31:52what exactly are you going to do?
31:53File a grievance form?
31:54Bury me in org charts?
31:56What power?
31:58What power?
32:00What power?
32:02You won't put up with any more of it.
32:05You won't put up with any more of it.
32:07No.
32:08I will not.
32:10And...
32:11what exactly are you going to do?
32:15File a grievance form?
32:18Bury me in org charts?
32:20What power exactly do you think you possess?
32:29It's not mine to possess. That's how powerful it is.
32:33You have no idea what you're toying with, Jasper.
32:38You are a flea, bouncing off the hard dick of our immortal history.
32:51And you landed under a fucking tidal wave.
32:56And yet I stand.
33:08Get the fuck off me!
33:26Hey, Jasper, go. Restraints, go.
33:30Roll, and...
33:38Oh, no.
33:40Oh.
33:41Oh.
33:42Oh.
33:44Oh.
33:47Oh, that's my turn.
33:49I mean, what's that?
33:51The thing is, is that the other lady's standing at me?
33:54Oh.
33:55I'm alright.
33:56Oh.
33:58Oh.
33:59Oh, no.
34:01Oh, no.
34:02Oh, no.
34:04Oh.
34:06Oh, so cold.
34:14I'll be your sit down.
34:36Oh, shit.
34:41Come on.
34:44In here.
34:48Okay?
35:06Hey.
35:21Isn't that the one from New York?
35:36Can you see her?
35:52Excuse me.
35:53Excuse me.
35:55I'm so sorry to bother you.
35:56I need the police.
35:58Sorry?
35:58I'm wanted.
35:59Why?
36:00For a devil now to.
36:02Ah, very funny, ma'am.
36:04Be on the yellow line, please.
36:07Is this funny?
36:29Wait.
36:30They'll see you.
36:35Shh.
36:35I'm so sorry.
36:40Yeah.
36:40Let's just pull the guy out of the session.
36:42Let's just pull the guy out of two people.
36:42Oh, my God.
37:12One, two, three, four, five, four.
37:36You are a very gifted guy.
37:39I do know that you care about me.
37:43If I want you to know something, you will.
37:51I'm so sorry.
37:56Go.
37:57We can't blow a cover.
38:20I'm sorry.
38:41She seemed to really care about you.
38:45It's always like your family.
38:53I'm so sorry.
38:54I want to be right back.
38:58What are you doing?
39:04I don't know.
39:05I'm sorry.
39:15I'm sorry.
39:15I'm sorry.
39:22I'm sorry.
39:24I don't know.
39:25I don't know.
39:26I'm sorry.
39:27I don't know.
39:28I don't know.
39:28I don't know.
39:28Oh, Rich, I thought you were sleeping in the doghouse.
39:39That's just tough.
39:40A butterfly flaps its wings and leeds.
39:42He goes from hugging you to kicking you.
39:44I'm doing the grunt work.
39:46You know how it is.
39:47I'll take her in.
39:56Watch your heads.
39:58You don't look much like a homicidal maniac, do you?
40:15It's always a mistake to underestimate a woman of my age.
40:20I'm going to tell you a secret.
40:25I'm not supposed to be here.
40:27I've been suspended.
40:29And if my supervisor knew I was picking you up, I'd be busted down to death to you, Ian Croydon, if I came out the good side of his arse.
40:35And why are you telling me all this?
40:37Because I've just laid eyes on some information no one else has seen yet.
40:41And since I won't get a chance with you in an interview room, I thought I should ask now.
40:46This is a photo of an MI5 agent named Wakefield.
40:53Turned up on an encrypted drive, belonging to a dead woman named Soledad Marcel.
40:59But I made some calls.
41:02And MI5 had never heard of an Agent Wakefield.
41:05Sounds like she's quite the impostor.
41:07Mm.
41:08Well, you should know.
41:11You've been all over London with her.
41:14I'll tell you what, let's circle back to that.
41:18Because the thing that's a real head spinner is this.
41:23Just one hour after you apparently killed two souls in a London flat, you're all the way back at JFK, boarding a flight to Heathrow.
41:32And how is that possible?
41:35You might be very surprised by what's possible.
41:40What's your name?
41:41Ridge.
41:43Ridge.
41:45You strike me as someone who's been overlooked, but who has quite a bit of potential.
41:52Ridge.
42:10Ridge.
42:12Ridge.
42:14Ridge.
42:18Ridge.
42:20Ridge.
42:22Ridge.
42:25Ridge.
42:27Ridge.
42:29Ridge.
42:31Ridge.
42:33Ridge.
42:35Ridge.
42:37Ridge.
42:39Ridge.
42:41Ridge.
42:43Ridge.
42:45Ridge.
42:47Ridge.
42:49Ridge.
42:51Oh, shit.
43:01Oh, shit.
43:21They're ready for you downstairs, sir.
43:51Go ahead.
44:04Target is inside.
44:06Very good.
44:08Shall I bring her in?
44:11No.
44:13Let's see who she leads us to.
44:21Let's see who she leads us to.
44:51Let's see who she leads us to.
45:21Let's see who she leads us to.
45:51Go to the house.
45:55Now that, that is a no-no.
46:04Whoever the hell you are, why don't you just kill me and get it over with?
46:08No. I prefer to show you my vast benevolence, offer you an alternative, quid pro quo. You help me, I help you. Something for something.
46:38Who are you? My name is Haussmann, and I am the man who watches.
47:03Tell me, how many vampires would you say are in the world?
47:18Not enough.
47:20Come.
47:50What is this?
48:02It's your destiny.
48:06Better get to work.
48:08Better get to work.
48:38Yeah.
48:41You're gonna be okay out there on your own?
48:53I haven't ever thought. The world's a big place.
49:00So, where are you gonna go?
49:03Oh, Guy.
49:10It's okay. You don't have to tell.
49:11I think, um...
49:13I think I know where your mother is.
49:33I think I know where your mother is.
50:03It belongs to your friend.
50:06Ellen's her name.
50:08Right?
50:09How does it ring a bell?
50:19I don't want you to get hurt.
50:21We can't just run off together.
50:23The early going of episode six is all our chaos.
50:26Because you've got Doris, who Guy believes that she's got the 752.
50:30He thinks that Helen has killed Kebis.
50:32All of this stuff is coming to a real head here.
50:36He doesn't really know who to trust.
50:38The center cut between Helen at Jameson's house.
50:42What was the program for?
50:43What did you want with Emma?
50:44Who's this?
50:45And Guy and Doris at the police station.
50:47No idea.
50:48What we come to find in these scenes is not only Helen realizing that the 752 is not a book.
50:55It's not something.
50:56It's not an object to be searched for.
50:58That it is her sister.
51:01Doris.
51:02Doris.
51:02How could that be?
51:03They're different ages.
51:05Well, she's a vampire.
51:06Three, two, one, action!
51:08It was a massive stun day.
51:12And we were using a rubber knife.
51:14It's a knife fight.
51:17I think they're always actually a lot more scrappy than you think.
51:21I got stabbed twice.
51:22I didn't die.
51:24And lucky that knife was rubber.
51:25But we had fun with it.
51:26I'm grabbing Maisie.
51:27I'm dragging her.
51:29She's stabbing me here.
51:30I'm telling her to stab me too much.
51:32It was a lot of fun.
51:33Hey!
51:34Good!
51:36Good!
51:43Scratch.
51:44Just fresh wood.
51:45I've worked by a football.
51:47It is this huge reveal, which on paper reads like a hell of a lot of context and exposition.
51:54A really gratifying thing for all of us.
51:56We're seeing Celine Buckin burst out of this video.
52:01And this look the two of them have with each other.
52:03It's a fleeting look, but it's a look of shock.
52:05It's a look of disappointment.
52:07It's a look of betrayal.
52:09There's a lot going on between the two of them at this point.
52:14You didn't tell me what you are?
52:17I always knew who she was.
52:19And so it was kind of a relief once those scripts were out and everyone knew.
52:23Because I could be honest about who this character was.
52:28The 752 isn't a book.
52:33It's you.
52:34It is a heartbreaking story that she's been groomed much like Guy has and treated as kind
52:39of a specimen to the telemasker and turned into this big holding cell for telemasker intel.
52:46The detective had the right DNA.
52:48But the wrong twin.
52:49We got him.
52:56When Jasper, who's gotten, you know, way out ahead of his skis, goes too far for the telemasker,
53:01they dispatched their cleanup crew.
53:04I know what you did in Maida Vale and I won't put up with any more of it.
53:07Well, I just think that Jasper just takes one look at him like, I'm sorry.
53:13Come again?
53:13You have no idea what you're toying with, Jasper.
53:17That was one of my favorite scenes in the whole season.
53:20Especially to do with him, with Johnny.
53:25And then, of course, you know, great storytelling.
53:28All of a sudden, I'm in a carpet and I've got a metal cage on my head.
53:35Restraints.
53:36And I'm like, see the two stunt guys?
53:38See this nose here?
53:40Don't break it.
53:41Don't break it.
53:43Come on.
53:48We have to be out of this train station before five in the morning because, you know, it's
53:53a train station.
53:54People need to go somewhere.
53:56We shot those scenes all through the night in a freezing cold station.
54:01And before we started, I was thinking, how am I going to do this at my age?
54:05But the commitment of this crew, it just lifts you up and you just want to do anything in
54:13order to not let them down.
54:14I feel like we're all pieces in this big sort of puzzle.
54:19And it's kind of cool to see the whole collage come together.
54:22Can you see it?
54:23You start wide and get tighter and tighter and tighter, both emotionally and from a camera
54:27standpoint.
54:28It's all done without dialogue.
54:33All done through their thoughts.
54:37For us, it's the kind of freshness of seeing each other for the first time.
54:43God has become the perfect spy that she hoped he could become.
54:48Oh, he can do this.
54:50Sorry.
54:50He can be a spy.
54:52And he probably has the ability now to go after and find his mom.
54:57She's saving them from the town of Maska and she's saving them from herself.
55:02I'll take her.
55:06The cliffhangers at the end, I hope, are provocative and have viewers asking what if type questions.
55:13What is this?
55:14It's your destiny.
55:16I want this.
55:16I want more vampires.
55:20Hey, at this point, they're probably trying to make the best of a bad situation.
55:25I think I know where your mother is.
55:26Doris basically gets what she wants by revealing that she might know where his mother is.
55:31I don't even know if it's an ending.
55:34They're still on a big old journey.
55:46I don't think she's going to be the last.
56:04It's your savior.
56:04I'm going to take my kids from the beginning.
56:08Transcription by CastingWords
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