- 9 hours ago
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🎥
Short filmTranscript
00:00Previously on Tala Masca.
00:17You're going to use a 752 to bring down the Tala Masca?
00:19Once and for all.
00:20Are you even sure you know what you're looking for?
00:22I need two exapacks.
00:24I'm getting out of here and I'm taking someone with me.
00:26Who?
00:26Doris, you don't know her.
00:27You'll need a passport photo and an alias.
00:29Your mother's been in hiding 16 years now.
00:32What's it going to take for her to come out into the light?
00:34You're looking for something like something more than just the book.
00:37I need you to find someone for me.
00:40My sister is all I have.
00:42I'll do anything to find her.
00:43Do you understand?
00:55Oh, come on.
00:57You're taking a business.
00:59You and I both know that's not who they really are.
01:02These are con artists.
01:05Grifters.
01:05How can you say that?
01:06They're helping people.
01:07Where are we going?
01:08Helping groupies into the back of their disease-ridden limos is who they're helping.
01:13I mean, we are the world?
01:15More like you're a bunch of coked-up pop stars who can't even sing on...
01:18What are we doing down here?
01:20Why won't the deputy minister see me in his office?
01:22Deputy minister?
01:25Oh, you're away past him, mate.
01:27Away past him.
01:29Well, here we are.
01:34Good luck.
01:35Who are you?
01:56My name is Haussmann.
02:03Do you know why you're here?
02:07Well, it has come to our attention that you murdered two vampires in Marseille last week.
02:14Your wife and her lover.
02:18They had it coming.
02:20Oh, I'm sure they did.
02:22Codney act.
02:23Jealousy.
02:24Rage.
02:26Et cetera, et cetera.
02:27And I'm sure the surviving members of the coven will be forgiving about the entire business.
02:34I can hardly wait to discuss it with them.
02:38There's no reason to do that.
02:40Oh, on the contrary.
02:42There is every reason.
02:45It's the Talamasker's bread and butter.
02:48It's what we do.
02:50You brought me all the way here just to tell me that.
02:54Oh, no, no, no.
02:55Now, I brought you here to demonstrate our vast benevolence, to offer you a way out.
03:25What the hell is this?
03:29I think you see what it is.
03:32You want me to kill her?
03:35Kill her?
03:37Please.
03:39I'm not a monster.
03:41Why me?
03:43Because you are just good enough.
03:47And no better.
03:48This is against everything my kind believes.
04:01It isn't who we are.
04:03Who you are is a murderer in a tight spot.
04:13Something for something, my friend.
04:18Quid pro quo.
04:20Who you are.
04:44He's nuts.
06:15I can't find it.
06:31And there's no sign of our chum or his mystery girl.
06:35Where is it?
06:51Come on.
07:11Come on.
07:12It's not here.
07:16All right.
07:25Just this then.
07:27Cheers.
07:29What are you doing?
07:32Leaving.
07:33Just like that?
07:35Yes.
07:38I don't want you to get hurt.
07:40We can't just run off together.
07:43Why not?
07:44Guy.
07:45Hi.
07:46Taurus?
07:55Taurus.
07:56You've got to be kidding me.
08:02Ridge, for Christ's sake.
08:03Did they call you on this?
08:04I heard it from dispatch.
08:05Yeah, that's what I thought.
08:06Half was spouting off around the station last night.
08:12You went around and won that DNA from Epworth Lane.
08:13You ain't happy.
08:14Is he ever happy?
08:15He's your boss, ain't he?
08:16Do yourself a favor.
08:17Stick to your knitting for a couple of days.
08:18Come on, Marty.
08:19I just want to look around.
08:20You might regret that.
08:21Looks like some dogs or dogs.
08:22Are you kidding me?
08:23Are you kidding me?
08:24Ridge, for Christ's sake.
08:25Did they call you on this?
08:26I heard it from dispatch.
08:27Yeah, that's what I thought.
08:28Half was spouting off around the station last night.
08:30You went around and won that DNA from Epworth Lane.
08:33You ain't happy?
08:34Is he ever happy?
08:35He's your boss, ain't he?
08:37Do yourself a favor.
08:38Stick to your knitting for a couple of days.
08:40Come on, Marty.
08:41I just want to look around.
08:42You might regret that.
08:44Looks like some dogs or something got in there.
08:47It's a real mess.
08:52Let the leads at first crack before you go shoving your nose in.
08:55Give them an hour or two, yeah?
09:14It should have been me.
09:31The hell are you talking about?
09:33This is what happens when people get close to me.
09:36First Kevis.
09:38Now the witches.
09:40Hey!
09:45I need you both to come with me.
09:47Now.
09:49Hey!
10:13Hey!
10:14Move it!
10:19This is fucking bullshit.
10:38On what basis are you taking us in?
10:41Save your breath.
10:41No, seriously.
10:42We'll take it down word for word at the station.
10:45Really?
10:46In you go.
10:49This way.
11:19May I help you?
11:32I'm here to see Dr. Jameson.
11:34Oh, I'm sorry.
11:35There's no one here by that name.
11:37Oh, cute.
11:39Dr. Melville, then.
11:41My white whale.
11:42I'm here from Amsterdam.
11:44I didn't receive any call from Amsterdam.
11:46Of course you didn't.
11:47This is that call.
11:49We can get on the horn and rouse an elder at headquarters if you prefer, but I guarantee by the end of that conversation you'll be on your way to cleaning bedpans at the field clinic in Winnipeg.
12:00Let her in, Patricia.
12:01And then there's one of you following the man who wound up dead next to Kevis Papadoris.
12:23And Kevis, well, our best friend, that's you, lives on a houseboat and made a veil.
12:32Same houseboat which happens to be the scene of a mass murder.
12:37Same houseboat I found the two of you looking down at this morning just hours after the crime.
12:43Never seen those trainers before in your life, eh?
12:46It's been a long time.
12:52Some tea, please, Patricia.
12:54Can we get you anything?
12:56No, thank you.
12:57Why don't you have a seat and we can talk?
12:59What a good idea.
13:00It's all circumstantial.
13:02Everything you're saying.
13:04I don't know anything about any of these murders and neither does Doris.
13:08And all I'm hearing is coincidences and guesses, but not a shred of forensic evidence that ties either of us to a crime.
13:14Forensic evidence, perhaps not, but photographic evidence.
13:20Well, who's this?
13:24No idea.
13:26No idea.
13:27I'm sorry.
13:29It doesn't ring a bell.
13:31Ding, ding, ding.
13:47Tell me what happened to my sister.
13:49I don't know.
13:51I haven't known for years.
13:52They kicked me out of the program once my utility had been exhausted.
13:59Just like the telemasqueray use you for what they need and then toss you aside.
14:06What was the program for?
14:07What did you want with Emma?
14:08I suppose you have a right to know.
14:14You can have five more photos like this or 5,000.
14:16It wouldn't matter.
14:18He encumbered probatio qui dicit.
14:21Non qui negat.
14:21Oh.
14:23Clever clogs.
14:24What's that mean?
14:25It means that we don't have to explain these pictures or who we're friends with or how we like our eggs because the law presumes that we didn't do a damn thing.
14:36But hey, if you think that you've got enough evidence here to convince a jury to convict us of murder based on some blurry pictures of me kind of, sort of, maybe in the same vicinity as this lady,
14:46I mean, best of luck.
14:52The program was created to identify children of outsized talent.
14:57Your sister proved to be the most talented of all.
15:00Because of her memory?
15:01Yes.
15:02It was extraordinary.
15:04Unnatural.
15:06You could ask her how many bricks there were in a building she'd walked past two days before.
15:11Or the precise weather for any day of her life.
15:14She was always right.
15:15She could remember passages from any text, and then entire books, verbatim, after reading them only once.
15:24That's when we took her to Amsterdam, where her training really began.
15:28She was exactly what we'd been looking for.
15:32Last night, I received a DNA report on hair, blood, and skin gathered at Kevis Bobadoris' flat, but belonging to neither victim.
15:42Belonging instead to a third person.
15:45For the first ten years, she flourished.
15:48It was a miracle watching what she took in.
15:51Flourished?
15:51Emma grew up alone in Amsterdam without her family.
15:54Why would you do that to her?
15:56She's not like the rest of us.
15:59Not anymore.
16:00And she hasn't been called Emma since she left London.
16:03Okay, my DNA would be on Kevis, should be.
16:07Okay, we were...
16:08We were together the night before she was killed.
16:15Well, that's a wrinkle to add to my elbow, but...
16:19DNA wasn't yours.
16:23Belongs to your friend.
16:24Helen's her name, right?
16:28Now does it ring a bell?
16:31It's her DNA that's all over the flat.
16:34We let your sister pick a new name.
16:37She called herself...
16:39Doris.
16:41Doris?
16:42You're not gonna charge us with a crime.
17:02I can tell.
17:04That means that you can't hold us.
17:07Come on, Doris, we're going.
17:08With all that fancy Latin falling out your pockets,
17:11I'm sure you passed the American bar with flying colors,
17:13but on my side of the pond,
17:15I can arrest you and hold you for 24 hours
17:18on suspicion of perverting the course of justice.
17:20So do me a favor.
17:23Sit tight.
17:33Here we go.
17:33Wait, here we go.
17:34This is Agent Wakefield from M.I.F.5.
17:48I'll be taking over from here.
17:49There was unrest in the Talabasca.
18:03If leadership hadn't done what they did,
18:05the organization would have been torn apart long ago.
18:08From within.
18:10By those who wished to use all our knowledge for evil.
18:13Once we had a safe backup,
18:15we had to destroy all the original texts and information
18:18in order to protect the greater good.
18:22The 752 worked.
18:24The program was a success.
18:34Stop.
18:35If nothing else, I'm the one who brought these two in.
18:46I'm the one who's been working this case
18:48and put the damn pieces together.
18:50You can't just barge in.
18:52You're the one that pitched all over the command chain.
18:55That's what you've done.
18:56I have my broad controller's order
18:58and the signed approval of a real direct supervisor.
19:01One question.
19:03If I called M.I.F.5 right now
19:04and asked them to verify an Agent Wakefield,
19:06what would they say?
19:07Because they're professionals,
19:08they'll say they've never heard of an Agent Wakefield.
19:11But if you give them this badge number,
19:13along with my verification password,
19:15Zephyr, you'll be connected to my section chief.
19:19Phone number's on the back.
19:23Ridge, if I were you,
19:25I wouldn't be near that phone.
19:26Right.
19:27Come on, you two.
19:30Come on.
20:00Where's Helen?
20:01We were supposed to meet her.
20:03Where?
20:04Waterloo.
20:05She has our passports.
20:07Guy, listen.
20:08I think it's a trap.
20:10We can't trust Helen anymore.
20:12I'm sorry.
20:14She's betrayed us all.
20:16It's right there.
20:27She has it.
20:28She has the fucking bullet.
20:30I think it's a trap.
20:44Doris?
20:46Trace!
20:49Doris!
20:52Trace!
20:52Trace!
20:54Trace!
20:56Trace!
20:57Trace!
20:57Trace!
20:58Trace!
20:58Trace!
20:59Trace!
21:00Wait! Wait! No!
21:07Wait! Wait! No!
21:10Wait!
21:13I need to go.
21:19I need to go.
21:29Shut the boot!
21:30What are you doing?
21:31Daylight!
21:37Jesus.
21:49Helen?
22:09Jay, I need your help. Can you talk?
22:12You'll be on your own.
22:13Helen, Helen, stop.
22:15In a poll has a red notice out for you for a double murder.
22:18They matched your DNA.
22:20How did they get my DNA?
22:21And they want you in for questioning about a mass killing in Maida Vale.
22:25What the hell is going on?
22:29Olive.
22:48Martin!
22:49.
22:55.
22:57.
22:59Let's go.
23:29Guy, what are you doing?
23:34You can let me out now.
23:43Can you hear me?
23:45Guy!
23:46What the fuck?
23:47Guy!
23:55It's just a scrapbook.
23:56That's exactly what I told you.
24:00You didn't tell me what you are?
24:05Does it change anything?
24:08Yes.
24:11I don't understand.
24:12If you're a vampire, how do you hide your...
24:14When we first met, you called me a liar.
24:29I'm not sure what that makes you.
24:33Well, now you see.
24:35Now you understand why I have...
24:37Just stop.
24:38Okay?
24:39We're getting out of the country and we're going our separate ways.
24:41You understand?
24:45Guy.
24:46Would you just tell me the truth?
25:01Doris.
25:05I wouldn't know where to start.
25:07If you can't tell me...
25:10Show me.
25:12Let me in.
25:13Guy.
25:17Let.
25:18Me.
25:20In.
25:21Hey.
25:22Okay.
25:27I was taken from home when I was very young.
25:40I was taken from home when I was very young.
25:45My parents were both dead.
25:47My sister and I were separated.
25:50I was taken to Amsterdam.
25:52I spent most of my time inside a library.
25:55The books, the knowledge, it was everything I wanted.
26:01And then they took it all away.
26:03They said it was inside me.
26:06That they didn't need the books.
26:08Because I was at the library now.
26:11The 752 isn't a book, Guy.
26:19It's you.
26:23After the fire, everything changed.
26:28Talamaske minders would come to extract information.
26:31They told me that I was a vital part of some mission
26:35to keep the peace between the mortal and the immortal worlds.
26:39And then, when I was old enough, they made me into what I am today.
26:45So that they could keep me forever.
26:47And use me forever.
26:49They moved me from Amsterdam.
26:51They hid me.
26:51I had no one.
26:54I was miserable.
26:55I was a tool.
26:56I didn't even know what for.
26:58But you're powerful.
26:59Couldn't you just...
26:59No.
26:59They'd made me into a vampire, but a weak one.
27:03I was immortal, yes.
27:04But I couldn't freeze time or read other people's minds.
27:09I felt trapped.
27:10I had to get out.
27:12And you escaped.
27:12Yeah.
27:14And then I met Kevis.
27:17She had just lost her mum, and she was just a kid.
27:22So I took care of her.
27:24Watched her grow up.
27:26She gave my life meaning.
27:28When she found out that people were getting close to me, like Archie, she couldn't help but get involved.
27:46You killed Archie.
27:47But I was too late to save Kevis.
28:17And then you showed up.
28:37Kevis got hurt because she got close to me.
28:40The witches were massacred because they took me in.
28:43And now I have hurt my sister.
28:45Because the police think that she is the one who killed Archie.
28:50Your sister.
28:55Ellen.
28:56Fiona, to me.
28:58I was Emma back then.
29:01They tried to change everything about us.
29:03They tried to wipe away everything about who we were.
29:08But they couldn't.
29:09Because we're identical twins.
29:13And twins share an awful lot.
29:15Including our blood.
29:19The detective had the right DNA.
29:22For the wrong twin.
29:25Does she know?
29:28That you're, um...
29:31What...
29:33You are?
29:35I know everything in every single book I've ever read.
29:40But I have no idea what my sister knows about me.
29:46Well, we're about to find out.
29:48Yes?
29:58Yes?
30:00Director Hausman.
30:03Intercepted an all-ports warning, sir.
30:05Well, there you are.
30:18They're gonna try and flee the country I want agents found out across the city.
30:25And what about the other thing?
30:26Yes.
30:27These serve its purpose.
30:29Mm-hmm.
30:30Lead us straight to her.
30:32The team is standing by.
30:33Clean it up.
30:47All right.
30:48All right.
30:49Are you okay?
30:50It's just...
30:51I thought that if I found the book, the 752, that maybe I would get closer to finding my mom.
31:11Excuse me.
31:12Yeah.
31:13We're getting out.
31:18Where are you?
31:19The girl's a damn vampire.
31:22She killed Highsmith.
31:24They're on their way to Waterloo.
31:26Now.
31:27And they have the 752.
31:30I'm coming back to you.
31:42We got him.
31:44I've had enough of this.
31:46You've gone too far.
31:47The fuck are you yapping about?
31:49I know what you did in Maida Vale, and I won't put up with any more of it.
31:52You won't put up with any more of it.
32:09You won't put up with any more of it?
32:11No.
32:12I will not.
32:13And...
32:15What exactly are you going to do?
32:19File a grievance form?
32:21Bury me in org charts?
32:27What power?
32:29Exactly.
32:31Do you think you possess?
32:33It's not mine to possess.
32:35That's how powerful it is.
32:38You have no idea what you're toying with, Jasper.
32:42You are a flea bouncing off the hard dick of our immortal history.
32:56And you landed under a fucking tidal wave.
33:00And yet I stand.
33:01And yet I stand.
33:02And yet I stand.
33:03Damn, get the fuck off me!
33:05Hey, kid!
33:06Go.
33:07No!
33:09Get the fuck off me!
33:31Go now. Restraints, go.
33:36Roll and lift.
34:01Oh, my God.
34:03Oh, my God.
34:04Oh, my God.
34:06Oh, my God.
34:09Oh, my God.
34:12Oh, my God.
34:17Oh, my God.
34:19What do you mean I'm going to be a sit-down?
34:31Oh, shit.
34:46Come on.
34:49In here.
34:53Okay?
35:01Hey.
35:24Isn't that the one from New York?
35:27Can you see her?
35:49Excuse me.
35:57Excuse me.
35:58Excuse me.
35:59I'm so sorry to bother you.
36:01I need the police.
36:02Sorry?
36:03I'm wanted.
36:04Why?
36:05For a devil matter.
36:07Ah.
36:08Very funny, ma'am.
36:09Be on the yellow line, please.
36:11Is this funny?
36:17Wait.
36:18They'll see you.
36:19Shh.
36:20Wait.
36:21They'll see you.
36:22Shh.
36:23I'm so sorry.
36:27I'm so sorry.
36:28Let's just pull the gun out of me, so she wrote for two people.
36:30I'm so sorry.
36:31Let's just pull the gun out of me, so she wrote for two people.
36:33All right.
36:34I'm so sorry.
36:35Let's just pull the gun out of me, so she wrote for two people.
36:37All right.
36:38Okay, good.
36:39That's what I'm gonna do.
36:40I'm going to do.
36:41I'm so sorry.
36:42I'm so sorry.
36:43Let's just pull the gun out of me, so she wrote for two people.
36:46Right out of the accession, right for two feet here, all right?
37:16You can see that.
37:21You see what he could see, see, see, watch all that he could see...
37:271, 2, 3, 3, 4, 5, 6.
37:40You are very gifted, Guy.
37:43I do know that you care about me.
37:48If I want you to know something, you will.
37:56I'm so sorry.
38:01Go.
38:13We can't lower cover.
38:43I'm sorry.
38:46She seemed to really care about you.
38:50It's always like your family.
38:58I'm so sorry.
39:01I want to be right back.
39:03What are you doing?
39:09I don't know.
39:13I don't know.
39:19I'm sorry.
39:28I'm sorry.
39:41Oh, Rich.
39:42I thought you were sleeping in the doghouse.
39:44That's just tough.
39:46Butterfly flaps its wings and leads.
39:48He goes from hugging you to kicking you.
39:50I'm doing the grunt work.
39:51You know how it is.
39:52I'll take her in.
40:02Watch your heads.
40:03You don't look much like a homicidal maniac, do you?
40:20It's always a mistake to underestimate a woman of my age.
40:28I'm going to tell you a secret.
40:31I'm not supposed to be here.
40:33I've been suspended.
40:34And if my supervisor knew I was picking you up, I'd be busted down to death to you, Ian Croydon, if I came out of the good side of his ass.
40:41And why are you telling me all this?
40:42Because I've just laid eyes on some information no one else has seen yet.
40:46And since I won't get a chance with you in an interview room, I thought I should ask now.
40:51This is a photo of an MI5 agent named Wakefield.
41:00Turned up on an encrypted drive belonging to a dead woman named Soledad Marcel.
41:05But I made some calls.
41:08An MI5 had never heard of an agent, Wakefield.
41:11Sounds like she's quite the imposter.
41:13Mm.
41:14Well, you should know.
41:17You've been all over London with her.
41:19I'll tell you what, let's circle back to that.
41:23Because I think that's a real head spinner.
41:26It's this.
41:29Just one hour after you apparently killed two souls in a London flat, you're all the way back at JFK, boarding a flight to Heathrow.
41:38Now how is that possible?
41:42You might be very surprised by what's possible.
41:45What's your name?
41:48Ridge.
41:49Ridge.
41:52You strike me as someone who's been overlooked, but who has quite a bit of potential.
42:14Ridge.
42:14I don't know.
42:44I don't know.
43:14I don't know.
43:44They're ready for you downstairs, sir.
43:54Go ahead.
44:08Target is in sight.
44:11Very good.
44:13Shall I bring her in?
44:16No.
44:17Let's see who she leads us to.
44:19I don't know.
44:49Ahem.
45:19Do you know why you're here?
45:46You've been training a little army of half-bred vampires in the London Mother House.
46:00Now that, that is a no-no.
46:09Whoever the hell you are, why don't you just kill me and get it over with?
46:15No.
46:16No.
46:17I prefer to show you my vast benevolence.
46:22Offer you an alternative.
46:25Quid pro quo.
46:27You help me.
46:28I help you.
46:29Something for something.
46:34Who are you?
46:35My name is Hausmann.
46:36Who are you?
46:37Who are you?
46:38My name is Hausmann.
46:44And I am the man who watches.
46:45Tell me.
46:46Who are you?
46:47Who are you?
46:48My name is Hausmann.
46:54And I am the man who watches.
46:55Tell me.
46:56How many vampires would you say are in the world?
47:01Not enough.
47:02Who are you?
47:03Who are you?
47:04Who are you?
47:05Who are you?
47:07Who are you?
47:08Who are you?
47:17in the world.
47:23Not enough.
47:37Come.
47:47What is this?
48:08It's your destiny.
48:11Better get to work.
48:17Better get to work.
48:47You're going to be okay out there on your own?
48:58Never, never, before.
49:01The world's a big place.
49:05So, where are you going to go?
49:13Oh, Guy.
49:15It's okay.
49:15You don't have to tell him.
49:16I think, um...
49:24I think I know where your mother is.
49:46I think I know where your mother is.
49:56I think I know where your mother is.
49:58I think I know where your mother is.
50:08It belongs to your friend.
50:10Helen's her name.
50:11I don't want you to get hurt.
50:25And we can't just run off together.
50:27The early going of episode six is all our chaos.
50:30Because you've got Doris, who Guy believes that she's got the 752.
50:35He thinks that Helen has killed Kevis.
50:37All of this stuff is coming to a real head.
50:38All of this stuff is coming to a real head here.
50:40He doesn't really know who to trust.
50:43This is intercut between Helen at Jameson's house.
50:46What was the program for?
50:47What did you want with Emma?
50:48Who's this?
50:49And Guy and Doris at the police station.
50:51No idea.
50:52What we come to find in these scenes is not only Helen realizing that the 752 is not a book.
50:59It's not something, it's not an object to be searched for.
51:03That it is her sister.
51:05Doris.
51:06Doris.
51:07How could that be?
51:08They're different ages.
51:09Well, she's a vampire.
51:10Three, two, one, action!
51:14It was a massive stunt day.
51:16And we were using a rubber knife.
51:18It's a knife fight.
51:21I think they're always actually a lot more scrappy than you think.
51:25I got stabbed twice.
51:27I didn't die, and lucky that knife was rubber, but we had fun with it.
51:31I'm grabbing Maisie.
51:32I'm dragging her this way.
51:33She's stabbing me here.
51:34I'm telling her don't stab me too much.
51:36It was a lot of fun.
51:37Hey!
51:38Hey!
51:39Come on in!
51:47It's a scratch.
51:48It's a flesh wound.
51:49I've worked fine football.
51:51It is this huge reveal, which on paper reads like a hell of a lot of comedy.
51:56It's a hell of a lot of context and exposition.
51:58It's a really gratifying thing for all of us.
52:00It was seeing Selene Buckins burst out of this band.
52:05And this look that the two of them have with each other, it's a fleeting look, but it's a look of shock.
52:09It's a look of disappointment.
52:11It's a look of betrayal.
52:13There's a lot going on between the two of them at this point.
52:18You didn't tell me what you are?
52:21I always knew who she was, and so it was kind of a relief once those scripts were out and everyone knew, because I could be honest about who this character was.
52:32The 752 isn't a book.
52:37It's you.
52:38It is a heartbreaking story that she's been groomed much like Guy has and treated as kind of a specimen to the telemasker and turned into this big holding cell for telemasker intel.
52:49The detective had the right DNA.
52:52But the wrong twin.
52:59We got him.
53:00When Jasper, who's gotten, you know, way out ahead of his skis, goes too far for the telemasker, they dispatched their cleanup crew.
53:07I know what you did in Maida Vale, and I won't put up with any more of it.
53:11Well, I just think that Jasper just takes one look at him like, I'm sorry. Come again?
53:18You have no idea what you're toying with, Jasper.
53:21That was one of my favorite scenes in the whole season, especially to do with him, with Johnny.
53:29And then, of course, you know, great storytelling.
53:32All of a sudden, boom, I'm in a carpet, and I've got a metal cage on my head.
53:41And I'm like, see the two stunt guys?
53:43See this nose here?
53:44Don't break it.
53:51Come on.
53:52We have to be out of this train station before 5 in the morning because, you know, it's a train station.
53:59People need to go somewhere.
54:00We shot those scenes all through the night in a freezing cold station.
54:05And before we started, I was thinking, how am I going to do this at my age?
54:09But the commitment of this crew, it just lifts you up and you just want to do anything in order to not let them down.
54:19I feel like we're all pieces in this big sort of puzzle, and it's kind of cool to see the whole collage come together.
54:26Can you see it?
54:28You start wide and get tighter and tighter and tighter both emotionally and from a camera standpoint.
54:32Wait.
54:33You'll see you.
54:34It's all done without dialogue.
54:37All done through their thoughts.
54:42For us, it's the kind of freshness of seeing each other for the first time.
54:47The cliffhangers at the end, I hope, are provocative and have viewers asking, what if, type of thing.
54:52What is this?
54:53It's your destiny.
54:54I want this.
54:55I want this.
54:56I want more vampires.
54:57Hey.
54:58At this point, they'd put them in world and experience and then go in world.
55:01This season others.
55:02I want more vampires.
55:03với loài của người ta đetta.
55:04And he probably has the ability now to go after and find his mom.
55:05She's saving them from the town of Maska.
55:07And she's saving them from herself.
55:08I don't know for me.
55:09I'll take a raid.
55:11The cliffhangers at the end, I hope, are provocative
55:14and have viewers asking, what if, type questions.
55:18What is this?
55:19It's your destiny.
55:20I want this.
55:21I want more vampires.
55:22Hey, at this point, they don't care.
55:23I want more vampires.
55:24I want more vampires.
55:26At this point, they're probably trying to make the best of a bad situation.
55:29I think I know where your mother is.
55:31Doris basically gets what she wants by revealing that she might know where his mother is.
55:36I don't even know if it's an ending.
55:38They're still on a big old journey.
55:56I don't even know if it's an ending.
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