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00:00Here.
00:01Who did this to her?
00:03Did either of you speak to the woman who lived there?
00:06We haven't spoken to anyone.
00:07I did see someone there.
00:08Where's Edie?
00:09I need to see Edie.
00:11Lana.
00:12Come on.
00:13Sorry about Mum.
00:14Dementia.
00:15I don't understand.
00:17What do you mean you found her body?
00:19We think someone killed your mum.
00:21Who?
00:22She kept talking about settling her affairs.
00:24What do you think she meant by that?
00:26That she knew something was coming.
00:28Edie Tullock's bank just sent through her account information.
00:30Where the hell did she get 400 grand from?
00:33God knows.
00:34But that is the kind of money someone would kill for.
00:58Who?
00:59Mama?
01:00This way.
01:01Come on.
01:02No.
01:03Come on.
01:04It's okay.
01:05It's okay.
01:06Easy.
01:07Mama.
01:08My God.
01:09Look.
01:10Just.
01:11Just.
01:12Stay there.
01:13Okay.
01:14It'll be okay.
01:15Look.
01:16It's okay.
01:17It's okay.
01:18Come on.
01:19Come on.
01:20It's okay.
01:21It's okay.
01:22It's okay.
01:23Easy.
01:24Mama.
01:25My God.
01:26Look.
01:27Just.
01:28Stay there.
01:29Okay?
01:30It'll be okay.
01:31Look.
01:32Is it?
01:33Just give me a minute.
01:34I'm not having it.
01:35What is it?
01:36That's.
01:37It's okay.
01:38Okay.
01:39Come on.
01:40Come.
01:41Come.
01:42Oh.
01:43Hmm.
01:44Mm.
01:45Hmm.
01:46Mm.
01:47Mm.
01:49Mm.
01:52Mm.
01:53Mm.
01:54Mm.
01:55Mm.
01:57Mm.
01:59Mm.
02:00Mm.
02:02Mm.
02:03Mm.
02:34Lana Mayer?
02:49I didn't see her. Only knew something was wrong when I heard the window. Sorry.
02:55And then you found her outside?
02:57Yeah.
02:58What does she say?
02:59Nothing. I hear it, isn't it?
03:01Okay, well, where is she now?
03:02Back home.
03:03Right.
03:14Hi.
03:17Uh...
03:18Where's Mrs Mayer?
03:22She needed to sleep.
03:24And no one saw her go out? Or heard her say anything? Would have stopped her. Mr. Jameson?
03:35I want to know what's going on as much as you. I mean, if she's setting fire out of things
03:40now. What? We live here too, Arthur.
03:45In my house.
03:47Look, has Lana ever done anything like this before? No.
03:53No.
04:05Mum.
04:06Oh.
04:07Sorry.
04:07Sorry.
04:08We'll have to bring her in and ask her a few questions.
04:11Please.
04:12Please.
04:13She won't have known what she was doing.
04:16Arthur?
04:17It's all right, lass.
04:20Nothing to worry about.
04:21Nothing to worry about.
04:22She's going nowhere without me.
04:27Hi, Mrs Mayer.
04:32I'm a police detective, D.I. Mackintosh.
04:38We need to talk to you about Edie Tulloch's house.
04:44Edie?
04:46There's something wrong with her.
04:47What about...
04:50We'll explain everything, but right now, it would be really helpful if you could come
04:55with us.
04:57This is ridiculous.
04:58They're just coming.
05:07They're just coming.
05:28Going underground.
05:29I'm so sorry.
05:29You're listening.
05:30You're listening.
05:30I'm so sorry.
05:31Please.
05:55Let's do it.
05:57Let's do it.
05:57Hayley, they've just arrested someone from the house across the way, saw the cops bring
06:20two old folks out. And? This is insane. What if the police want to speak to us again? I don't know if you've noticed, Chris, but you're not the centre of a true crime podcast.
06:50Oh, Billy. Sorry. Couldn't sleep. I tried not to wake you. I had a bad night myself. Coffee? Please.
07:07Here you go and round your head. Aye.
07:37Don't worry. Just a swab inside your mouth. It's okay. Thank you.
07:54Mrs. Mayor. Do you know why you're here? What it is we want to talk to you about?
08:02You did tell her. Did something happen to her?
08:10Yeah, that's right. It did.
08:13It's the girl that I'd worry about. I mean, she was a force of nature.
08:19Edie, you mean?
08:21I used to help. I mean, I'd cook the tea for the lads and that.
08:28Lana, you know Edie died?
08:32Mmm, well.
08:36You reap what you sow.
08:44What do you mean by that, Nana?
08:46Well, she was always nosing into other people's business, you know.
08:50I mean, it was probably her job, but...
08:52Are you saying that Edie did something?
08:55To someone else?
08:57Or to you?
08:58No. We were friends.
09:05Lana, her house was set on fire.
09:08Mm-hmm.
09:09Do you remember that?
09:14I want to see Arthur.
09:16Yeah, well, Arthur will be here soon.
09:18Kirsty's here to look after you.
09:20You're safe, Lana.
09:21Where are my clothes?
09:30Lana, you said that Edie did something.
09:33Did Edie hurt someone?
09:34No, that's all behind us now.
09:37Aye, it is, but we still need to know.
09:40No, some things are best just left to lie.
09:43Was it connected to the fire?
09:45Lana, can you help us?
09:46Tell us what happened.
09:48Lana, you're doing really well.
09:50We just need to chat about the fire, and then you can go.
09:52I don't know, but I...
09:53Arthur, Arthur!
09:55Arthur, I don't want you...
09:56Lana, Mrs Mayor.
09:58Arthur!
10:03Arthur, Arthur!
10:05Lana?
10:06Arthur!
10:06Lana, Mrs Mayor.
10:08Please, Lana, calm down.
10:09No, just...
10:09Lana, we need to...
10:10I think we need to stop this.
10:12I know.
10:12I know.
10:13No, no, no.
10:14Oh, Tris, get Arthur in here!
10:16Lana, open the door!
10:18Let me in!
10:19I'm so sorry.
10:20Let's go, go, go!
10:22I'm okay.
10:23Hey.
10:24I don't know what happened there.
10:25Hey, lass.
10:26I'm so sorry.
10:27I'm become, I'm become...
10:28I'm taking it.
10:28It's okay.
10:30It's all right.
10:34Oh, man, I know what's been going on here.
10:36I'm so sorry.
10:36First a fire at our murder site, then an interview with a vulnerable adult descends into bedlam.
10:51Matt, we had an appropriate adult.
10:53We were gentle, respectful.
10:55So gentle she's been seen by a doctor.
10:57Matt, no one in our family could explain why she started that fire.
11:01We had to at least try and talk to her.
11:04Right, well, then you've got a problem.
11:06Because now you can't talk to her.
11:07Well, I know.
11:08Not until she's been checked over, obviously, and she's calm.
11:10No, absolutely not.
11:12Not if she's going to get distressed like that again.
11:15And let's brace ourselves for a formal complaint.
11:17Maybe we did push her too hard.
11:25Well, I don't know about that.
11:29You reap what you sow.
11:32But we don't know what it means.
11:33Well, maybe she meant Edie had it coming to her, or that she had something coming.
11:40Or maybe she was just babbling.
11:42Well, either way, I think we need to consider the possibility that maybe Edie had some enemies, including Lana.
11:51Yeah.
11:52Yeah, okay, maybe you're right.
11:54Well, I'll have a word with David Powell, see if Edie mentioned having any issues with anyone.
11:59Ruth.
12:01Eight tolics out front.
12:02Oh, okay.
12:03Thanks.
12:04Hey.
12:05Hey.
12:05Hey.
12:09I can talk to him as well.
12:13Were you expecting him?
12:15Yeah.
12:15He, well, he, he wanted someone to go with him to ID the body.
12:19You know, a bit more support.
12:22And he, he asked you?
12:26Uh-huh.
12:29Oh, and Billy rang too.
12:32Asked if you could go and see him at their house this afternoon.
12:34Morag has some information.
12:36Oh, sure.
12:37Oh, hey, did you get anywhere with the money in Edie's account?
12:41Talking to the bank today.
12:43Yeah, okay.
12:53So, is that it then?
12:56You're releasing me, right?
12:57You're still the last person to see Edie alive, David.
13:00So, you will need to stay on the aisles, do you understand?
13:03Yeah, okay.
13:07Also, I have a question.
13:10When you chatted with Edie, did she ever mention Lana Mayer?
13:15Yeah.
13:16They both used to help organise the Lana's Week Gala.
13:22Did you get any sense that they'd fallen out?
13:25That Edie had done anything to upset Lana?
13:29No.
13:30Did Edie talk about anything that was worrying her?
13:33No.
13:34What about that last time when she mentioned settling her affairs?
13:38She was clearing up her tea when I got there.
13:42Most of us talked about her son.
13:44She always did.
13:45Ed?
13:46No.
13:47The one that died.
13:50Craig.
13:51Never really mentioned Ed.
14:10Yeah, that's fair.
14:17I'm sorry it's been so long.
14:47I could do with something stronger, really.
14:56Thanks for being in there with me.
14:58Look, it's fine.
15:00Listen, Mum's house.
15:04This fire last night, what the hell happened?
15:06I'm sorry about that.
15:09We are still trying to get to the bottom of it, but...
15:13Was it an accident or something?
15:14Uh, do you know Lana, Mayor?
15:19Well, you're not saying Lana caused the fire.
15:22Why would she do that?
15:23Mum and Lana were close.
15:25We all were.
15:27Kim but not blood, Dad would say.
15:28What does that look like?
15:30Well, you know, us kids played together.
15:33I mean, their boy Ali and her Craig were best mates.
15:35Mum and Lana ran the village organising stuff.
15:39Dad and Arthur went fishing.
15:40And then, my brother died.
15:44Yes.
15:46I, uh...
15:47I heard.
15:48I'm sorry about that.
15:49It was a long time ago, but that shared loss tied them even closer.
15:54What do you mean, shared?
15:56Well, Ali and Craig, they were in the storm together.
16:00Wait.
16:01Well, uh...
16:02Both families lost a son.
16:05Huh?
16:07Yeah, that's what started the rift between me and Mum, really.
16:11Could never live up to Craig.
16:18I might head back to the pub.
16:20Get something stronger after all.
16:22Were you there last Saturday?
16:24Working at the pub?
16:26Uh, Saturday, yeah.
16:27Yeah, I would have been there until pretty late.
16:28Why?
16:29It was the last time anyone saw your Mum alive.
16:31I just need to know everyone's movements.
16:38Sure.
16:42So, Billy says you wanted to talk about Edie's work.
16:47Aye, it's, uh...
16:48It's to do with Amy Shannon.
16:50Okay.
16:51Who's Amy Shannon?
16:53An old case of Edie's.
16:54She recommended that Amy and her sister be removed from their birth mum.
16:58She's suing social services.
16:59Why?
17:02It happens, Tosh, you know.
17:04Kids grow up.
17:05They look back.
17:07They want someone to blame.
17:10She's angry.
17:11But...
17:12The way she's been pressing her case, it's been very stressful.
17:16Has she been contacting you directly?
17:18Or Edie?
17:19She turned up at our offices once.
17:22Shouting.
17:22Delaying, accusing us of delaying the legal process.
17:25She threatened you?
17:26Not really.
17:27She...
17:27She calmed down and she left.
17:29It's just that...
17:31After Edie, I...
17:32Not that I think that Amy would...
17:35I thought you should know.
17:38Well, yeah.
17:39So, Amy's in Shetland?
17:42Aye, she was adopted here.
17:44She's a teacher.
17:45She's got a flat in Lerwick with a partner and a kid.
17:48And her sister?
17:49Stevie.
17:51She ended up in the mainland.
17:54Look, I'm sure Amy's got nothing to do with this.
17:57It's just...
17:58Edie had a long career.
18:00And the kind of work she was doing, well, it...
18:03Made her unpopular.
18:10So, I'll need copies of the letters Amy Shannon's solicitor sent
18:14and I'll look at her case file.
18:15I'll get more right to send them over.
18:17Well, here, there's something I was going to ask you.
18:19I was talking to Gina Powell last night.
18:22I was pulling her up for hindering the case
18:24and she said something strange.
18:26She said the last time she helped us,
18:29she nearly lost her family.
18:30Us, as in the police?
18:33Yeah, I think she meant Shetland Police.
18:36You said her husband was arrested.
18:38Ray Powell.
18:39Was there anything unusual about the case?
18:42Not really.
18:44Robert was the one who charged him.
18:45I didn't have anything to do with it.
18:47But I do know that he confessed.
18:50Hmm.
18:52All right.
18:53Well, you take care.
18:54Yeah.
18:54Okay?
19:00So, uh, what'd you make of yesterday's poetry now?
19:07Well, uh, I can't say I've been to many.
19:12Quite like your poem, though.
19:14Hmm?
19:14About the wind.
19:15Yeah?
19:17It's an old one.
19:18From back when I wrote properly.
19:21Well, I had a collection published years back.
19:23Hmm.
19:24Won a few awards.
19:25Oh.
19:25What, was it successful?
19:28Oh, I've definitely seen it in the odd charity shop.
19:35You, uh, seen James recently?
19:39Uh, no.
19:41No, um, well, not since Carl's funeral.
19:45I mean, I wanted to, but, uh, just, you know.
19:49I reckon he'd appreciate it.
19:52Yeah.
19:55Sorry.
19:57Gotta go.
19:58Sure.
20:02Loudon!
20:11I trust you to choose a dead end.
20:14I've been looking for you since your disappearing act yesterday.
20:19I told you that I could not be there when you started making arrests.
20:21You said we didn't make any, did we?
20:24Yeah, I heard about that.
20:25Oh, I heard, did you?
20:26What did you hear?
20:27After?
20:28Or did you set us up?
20:30What?
20:31No, why would I set you up?
20:33Oh, I don't know, you tell me.
20:35Look, I thought the stuff was on that boat, right?
20:38That's why I've been laying low since.
20:39Why?
20:40Because if it's not on the boat, then they're going to know someone talked.
20:42Look, they're going to know about me.
20:44Oh, I think you'll be fine, Will.
20:46You're hardly super grass material, are you?
20:51So that means they still need to land the gear, right?
20:54Yeah, I think so.
20:55You think so?
20:57Right.
20:59Well, if you hear of anything, you get in touch.
21:02Anything at all.
21:04Right?
21:05Yes.
21:06Yes!
21:06Yes!
21:07Good.
21:08You wee shite.
21:09I'll get directions to this beach.
21:17What's this now?
21:22It's not the same house as earlier, but they were there yesterday.
21:25Oh, dropping someone back.
21:31For God's sake, Chris.
21:33Hey.
21:33Hey.
21:34I'm at the mortuary.
21:35Cora rang.
21:36She's got something for us.
21:36Oh, OK.
21:37Great.
21:37Well, I'll be with you as soon as I can.
21:39How's it going?
21:41Well, I had an unexpected interlude with Will Loudon.
21:44Loudon?
21:45Where did you find him?
21:46Just walking along the street.
21:47Says the name of Will Loudon.
21:48I'm at the mortuary.
21:49Oh, OK.
21:50I'm at the mortuary.
21:51Oh, OK.
21:52I'm at the mortuary.
21:53I'm at the mortuary.
21:54Hey.
21:55Hey.
21:56I'm at the mortuary.
21:57Hey.
21:58Hey.
21:59I'm at the mortuary.
22:00Cora rang.
22:01She's got something for us.
22:02Oh, OK.
22:03Great.
22:04Well, I'll be with you as soon as I can.
22:05How's it going?
22:06Well, I had an unexpected interlude with Will Loudon.
22:09Loudon?
22:10Where did you find him?
22:11Just walking along the street.
22:13Says he had no idea that boat was clean.
22:15What are you up to?
22:16I think you might be right about Edie having made some enemies.
22:20Well, who have you got in mind?
22:21Hmm.
22:22Mora gave me a heads up on an Amy Shannon, an old social work client.
22:26She has issues with the way Edie handled her case.
22:29Right.
22:30Have you spoken to her yet?
22:31Just about to.
22:32OK.
22:33I'll see you here when you're done.
22:41Hi.
22:42Sorry.
22:43Are you Amy Shannon?
22:44No.
22:45I'm her sister, Stevie.
22:46Who is it?
22:47Can I help?
22:48Is this about our case against children's services?
23:05Indirectly.
23:06It is about Edie Tulloch.
23:08Our social worker?
23:09Yeah.
23:10Look, I've got some difficult news.
23:13She's been found dead.
23:16What?
23:18Erm.
23:19Yeah, I heard on the radio that there was a body.
23:26That was her.
23:29She was killed.
23:32I'm afraid so.
23:33Your complaint is that she made a mistake in your care, is that right?
23:41She did.
23:42A few months after we were removed, our mum died.
23:47And then they, they split us up.
23:50You mean when you went to the mainland?
23:54Er, yeah.
23:55Disposed of in Aberdeen.
23:56On Edie Tulloch, say so.
23:59Stevie's been through four different foster families.
24:02Two children's homes.
24:04Did you ever talk to Edie directly about the case?
24:08No, of course not.
24:09Everything went to the solicitor.
24:11But you did go to the social services offices once.
24:15Er, once.
24:18But Edie wasn't there.
24:20She was long retired.
24:21What about you, Stevie?
24:23Had you seen Edie?
24:25No.
24:26No, not since I was a kid.
24:30Sorry, why exactly are you here?
24:33We're just looking into Edie's connections.
24:35And since your case is a live issue...
24:38You think we might have killed her?
24:44Oh, sorry.
24:46What's going on?
24:48Nothing.
24:50I think we were...
24:52I think we were finished.
24:55OK, well, look, thanks for your time.
25:06Stay where you can see us, Chloe.
25:08It's rocky down there.
25:09I will, Dad.
25:11Pretty spectacular.
25:16None?
25:17For God's sake.
25:22What?
25:24You're the one who brought us here, Hale.
25:27We dropped everything because you suddenly needed a break.
25:30And here we are, babe, on a beach having a break.
25:33Yeah, but you haven't been here since we've arrived.
25:37You've got sneaking off.
25:39Checking your emails, is it?
25:40Do you think the questions from the staff, the supplier,
25:42do you think they just stop coming?
25:43Yeah, they do.
25:45If you don't log on.
25:47I run two restaurants.
25:48It's not like taking the odd front of house shift.
25:50Then let me help you.
25:52Chris, you're amazing with customers, but you're hardly...
25:57What?
25:58A top entrepreneur?
25:59A girl boss?
26:00Oh, piss off.
26:08I thought things had got a lot better this year.
26:11You seemed less stressed.
26:12Why Shetland?
26:13London's Vic.
26:14I mean, it's the end of the world.
26:15I'm sorry.
26:16You were the one that didn't want to leave this morning
26:17because you were getting off on some local tragedy.
26:19No?
26:23You keep an eye on Chloe for once.
26:24I'm going for a walk.
26:25I want us to go to Mallorca.
26:26Whiskey?
26:27You can smell it as soon as I open the stomach.
26:28And we're not just talking a wee dram here?
26:31Toxicology will give us an idea of how much she actually consumed.
26:34But we're talking a skinful.
26:35So, hang on.
26:36Hang on.
26:37Hang on.
26:38Hang on.
26:39Hang on.
26:40Hang on.
26:41Hang on.
26:42Hang on.
26:43Hang on.
26:44Hang on.
26:45Hang on.
26:46Hang on.
26:47Hang on.
26:48Hang on.
26:49Hang on.
26:50Hang on.
26:51Hang on.
26:52Hang on.
26:53Hang on.
26:54Hang on.
26:55Are you saying she was actually drunk at the time she was killed?
26:59More than likely, yes.
27:01That would account for the lack of self-defense wounds.
27:04She didn't fight back because she was in no fit state.
27:08Any food?
27:09Intestinal contents suggest ongoing digestion.
27:13But that's from a meal consumed well before death.
27:16How long before?
27:1710 to 14 hours, maybe.
27:20So she took to the whiskey after.
27:22And then some.
27:2410 to 14 hours.
27:25So, turns out, our 76-year-old victim was paralytic at the time of our murder.
27:33Yeah.
27:34Except I don't remember there being any booze in the house.
27:36Well, maybe we missed it.
27:38Sandy, can you ask Socko to send over the inventory from the Tulloch house?
27:43Sure.
27:44What are we looking for?
27:45Specifically, whiskey bottles.
27:47But, see if you can find anything else that would indicate that Edie Tulloch was a drinker.
27:52I'll get on to them.
27:53Yeah.
27:54And speak to Colin, wait.
27:55Find out if he ever added a bottle of scotch to one of her food parcels.
28:00Oh, sorry Sandy.
28:01Could you also phone Aberdeen Children's Services?
28:04I need some background on a Stevie Shannon.
28:07Got it.
28:09I thought it was Amy Shannon you were talking to.
28:11Who's Stevie Shannon?
28:12Her sister.
28:13Brought up in Aberdeen, but it turns out she's staying with Amy at the moment.
28:18It's kind of got a weird vibe from her.
28:21Why did Morag put you on to them?
28:23So, Edie handled their case and now Amy's suing social services.
28:27Any grounds?
28:28I mean, it seems pretty clear from their file that they were being neglected.
28:32And the mum had a string of boyfriends, a recurring drug habit, but they're angry at Edie's decision.
28:39Angry enough to hurt her.
28:43Well, it could be a motive if they felt that Edie had ruined their childhood.
28:47Question is, is there anyone else out there with a grudge against her?
28:51Oh.
28:52Did you get anything from Ed Tulloch?
28:54I don't think Ed knew anything about what was going on with his mum.
28:58He did say that Lana and Edie were close though.
29:01So, why set fire to her house?
29:05Well, unless Matt lets us have another crack at her, we'll never know.
29:10Hmm.
29:11I've had an idea about that.
29:14No.
29:15After this morning, we should have been sent home hours ago.
29:20Mr. Mayor, what Lana did was very, very serious.
29:27Why don't you help us to get her home?
29:31You'd need to let Lana talk on her own terms.
29:33You couldn't speak for her, but you would help her to feel safe.
29:38Lana, we need to speak to you again about the fire that you started.
29:56The one at Edie's house.
29:58We were such good friends.
30:00friends. Yeah, we know that you were close. That's why we don't understand last night.
30:09I know what happened. What do you mean, Lana? Edie Dulloch.
30:18You know what happened to Edie? It was terrible what it did.
30:23What, who did Lana? Him. Arthur.
30:39It's confusing having me here. We need to stop now. Lana, what did Arthur do? I said we need to stop.
30:46Are you cross? Lana, Lana, could you tell us what it was that Arthur did?
30:56No, stop. It's so cruel, so damn cruel. You've got a temper on you, Arthur Mayor.
31:06What was she talking about, Arthur? I told you, it's nonsense. She doesn't know what she is saying.
31:12I'm not sure that's entirely true. You're not answering any more of your damn questions.
31:31How you doing? It's like she's got away with it. Who? Edie. I mean, everything that she did and we're
31:39the ones they're looking into. I know. Look, maybe it's a sign to take stock as well.
31:46What Edie did was wrong. I know Stevie had it tough, but she was only supposed to stay a few days.
31:51Stevie's my sister, who I didn't see for years because Edie Tulloch sent her to fucking Aberdeen.
31:58Well, she apparently has no life to go back to.
31:59Stevie, I'm sorry.
32:08I'm sorry.
32:10I'm sorry.
32:20But I just need to work out how I'm going to get away. It's not going to be easy.
32:48Chloe.
33:06Chloe?
33:08Chloe!
33:12Chloe!
33:15Chloe!
33:16Oh, my God. Just stay there. Stay there. Don't move.
33:19I was just looking for shells.
33:21There you go. Go. Go. Go.
33:25Chloe.
33:26Oh, God.
33:27Oh, you're okay.
33:28Chloe. Chloe, what happened?
33:30She's okay. She's fine. She's okay.
33:33You're okay. It's okay.
33:34I'm fine, Dad.
33:35You're okay. You're supposed to be watching her.
33:42Okay, sweetheart.
33:43You all right?
33:43You're okay. Silly mum giving you a friend.
33:53Anything?
33:54Still saying nothing.
33:57We could arrest him.
33:59For what? Not talking to us?
34:01Colin Wirt was offended when I asked him if he ever brought Edie whiskey.
34:05He says Edie didn't drink.
34:07Wait till he sees the path report.
34:09But Soko did come up with this.
34:12Where did they find that?
34:14Buried in Edie's wheelie bin.
34:16Were there any fingerprints on it? Any DNA traces?
34:19Contaminated, apparently.
34:21But that's a special release.
34:22Means it's pretty rare.
34:24Check the distillery website.
34:25You have to order this one direct from them.
34:28All right.
34:28Well, give them a call.
34:29See if anyone in Shetland ordered one.
34:31Will do.
34:31So how did it go with Lana Mare?
34:38Well, we're no closer to finding out why she set fire to Edie's house.
34:42She did accuse her husband, though.
34:44Accused him of what?
34:46Well, don't exactly know.
34:48Yeah, Arthur shut the interview down.
34:50He's scared of something.
34:51So maybe Lana's accusing him of killing Edie.
34:55That's why she started the fire.
34:57Covering Arthur's tracks.
34:58Destroying the evidence.
34:59Want to maybe take a wee breath here?
35:01Because we don't actually have any evidence that would support that.
35:04Yeah, everyone we've spoken to says the Mayors and the Tullochs were close friends for over 40 years.
35:10Come on, there must have been some issues.
35:12Can't have all been sweetness and light.
35:14So who really knows them?
35:15So why haven't you released her?
35:33Erm, because we don't quite have the answers that we're looking for yet.
35:38And you really think you will?
35:41Some days, Mum barely recognises me.
35:45Could I, er...
35:48So, what we're trying to do is establish when your dad last saw Edie.
35:58Do you remember?
36:00Did he call in on her sometimes?
36:02Edie was more and more shut off.
36:05And Dad's main concern is Mum.
36:09Did they ever fall out with each other?
36:12What, Dad and Edie?
36:14Any arguments or animosity?
36:18Our families went through a lot.
36:21Your brother Ali, you mean?
36:23And Craig Tulloch?
36:25Yeah.
36:27Losing Ali nearly broke Mum and Dad's apart in the way they supported Robert and Edie.
36:33If you're suggesting that my dad would ever hurt her, this is mad.
36:43Isabel, can I ask you a question?
36:46Sure.
36:47Who does that whiskey belong to?
36:56Arthur took that bottle to you, Edie's.
36:58Which puts him in her house.
36:59Which means he's lying to us.
37:03I want him in the interview room.
37:04I'll call Sandy.
37:05Sorry.
37:18I'm sorry.
37:23I've been looking for you.
37:26Eventually thought of Mum's grave.
37:28Listen, Luke's just been a dick.
37:33Yeah, well.
37:35He's got a point.
37:40Amy, I don't have a life to get back to in Aberdeen.
37:45So, I'm sorry for staying so long and getting in the way.
37:48See, but you're not.
37:50You've been great.
37:53Then, Aidan loves you.
37:55I'm a family.
38:00We've missed so many years together.
38:04We'll make new memories.
38:08Good ones.
38:14Come on.
38:16Let's go.
38:25We found out that Edie had been drinking just before she died.
38:52Do you recognise this?
39:03We found it at Edie's.
39:06It's yours, isn't it, Arthur?
39:08From your collection.
39:11Why would we have found this in Edie's bin?
39:14Lana said you did something terrible.
39:17She also said that you have a temper.
39:20That doesn't mean...
39:23But what if Lana found out that you had?
39:28And she was trying to help you cover your tracks?
39:31The fire?
39:34That's not why she started it.
39:36So then why did she?
39:38Arthur, Edie's dead.
39:41If you didn't hurt her, talk to us.
39:44Explain why you were in her house.
39:46Isabel said that you'd stuck by the Tullochs through the years.
39:54She said that your marriage had struggled after you'd lost your son.
40:04Oh.
40:05That was when it started, wasn't it?
40:13What do you mean?
40:14What started?
40:16Your affair.
40:18With Edie Tulloch.
40:19You don't know what you're talking about!
40:21Did Lana freeze you out?
40:23Is that what happened?
40:24Because that can happen sometimes.
40:26With grief.
40:27It can close people off.
40:29But it can also push them together.
40:35Was it still going on?
40:38Even when you were...
40:39You were caring for Lana?
40:40No!
40:41So when did it finish?
41:02I ended it for good when Lana was diagnosed five years back.
41:08You should have told us this.
41:13It's private.
41:16It's nothing to do with Edie's death.
41:19When did you last see her?
41:24Saturday.
41:27I brought a bit of dinner and the whiskey.
41:29And what happened?
41:31Nothing.
41:33We ate, we chatted.
41:35Had a dram after.
41:36Just the one?
41:38Yes.
41:39And Edie was fine when you left?
41:42Yeah, she was fine.
41:44And what did you do for the rest of the evening then, Arthur?
41:47I was at home like every night.
41:49Ask Isabel and Jess.
41:51I helped bathe Lana.
41:54Helped put her to bed.
41:55And we fell asleep together.
42:02There's our reason for the fire.
42:04If he's telling the truth.
42:07You think he's lying?
42:09He did lie.
42:10Concealed this affair.
42:12Didn't tell us about being at Edie's on the day she died.
42:15His story checks out, timings-wise.
42:18He brings over some dinner, leaves Edie fit and well.
42:22David Powell comes over after.
42:24David even remembers Edie tidying up dinner when he arrived.
42:28And Isabel confirms Arthur being at home that night too.
42:31Oh, come on.
42:33A family member.
42:34Sure.
42:35But I don't see a motive.
42:38He was having an affair with Edie.
42:40Which ended years ago.
42:42Maybe Edie was threatening to tell.
42:44But why broadcast it now?
42:47With all the potential damage to her reputation.
42:50And even if Edie was threatening it,
42:53why would Arthur kill her like that?
42:56No.
42:57I don't think the affair is a motive.
43:00I think it's a defence.
43:03We need to release them.
43:06Okay, where does that leave us?
43:08I know it.
43:30Oh, no, I should get it back.
43:33Luke's been texted and I've probably ignored him enough to make my point.
43:37Sure.
43:38But you leave him to me.
43:43Okay?
43:45And all this what you do.
43:48You know, that doesn't change what we do.
43:50We still sue the hell out of them.
43:52Press harder even.
43:54If things had moved faster,
43:55maybe Edie felt like I would have faced some consequences.
43:58Maybe she did if she was killed.
44:00Something's caught up with her.
44:03I guess.
44:03And they're still the other one.
44:10Other what?
44:12Social worker.
44:13McCabe.
44:15Morag McCabe.
44:19Edie Tulloch's we sidekick.
44:20She's just as much to blame.
44:23Arthur.
44:24Arthur.
44:24That last time you saw Edie,
44:45was she worried about anything?
44:48No.
44:49Why?
44:50Someone saw her after you.
44:56Said she seemed strange.
44:59Talked about settling her affairs.
45:02Oh, well.
45:05We're all weighing that up at our age.
45:14Is that all for one of them?
45:18About the fire?
45:18No decision's been made.
45:39Do you want a cup of tea?
45:43Yes, please.
45:48I don't care.
46:08Yes, sir.
46:15Iʻt.
46:15Yes.
46:15It does.
46:16I'm out.
46:16What did you do?
46:18I won't pay.
46:18What the hell?
46:42We need to check out what's been reported
46:44Come on, this is nonsense
46:46What's going on?
46:48Amy
46:49Sorry, mister, are you?
46:51Amy Shannon, I live here
46:53There's been a report of a domestic disturbance at this address
46:57Putting a child in danger
46:59What?
47:00We had a wee argument, hours back, but no big disturbance
47:04Well, are we okay to come in and check?
47:08Yeah, go on, we have nothing to hide
47:13No, I'll go, I'll go
47:14No, I'll go, I'll go
47:15No, I'll go, I'll go
47:16No, I'll go
47:17No, I'll go
47:21No, I'll go
47:22No, I'll go
47:23I'll go
47:24No, I'll go
47:25No, I'll go
47:26No, I'll go
47:27No, I'll go
47:28No, I'll go
47:29No, I'll go
47:30No, I'll go
47:34No, I'll go
47:37I'll go
47:38No, I'll go
47:39No, I'll go
47:41No, I'll go
47:43No, I'll go
47:44It's my sister, she's been seen with us
47:46Sorry
47:47Apologies
47:48Apologies. We're obliged to check these things out, you know.
47:53Yeah, I know.
47:54Listen, sometimes wires get crossed.
47:56You know, people play jokes, even.
47:58Yeah. We'll leave you guys to enjoy your evenings, OK?
48:18You're looking for this?
48:36It explains your distraction anyway.
48:40So who is it?
48:42What?
48:43You're seeing someone else?
48:45Meet them tonight?
48:46No, Chris, no.
48:47Bollocks, explain this.
48:51You're stress.
48:53I thought it was the restaurants.
48:55It's the restaurants.
48:57No, wait, Chris, wait, wait.
48:59I'm in deep shit, OK? That's why I brought us here.
49:02You're not making any sense, Hayley.
49:06The restaurants got into debt and I did something stupid.
49:09And now I have to do exactly as I'm told or we're in danger.
49:13All of us, Chris.
49:14What? Who?
49:16What were they telling you to do?
49:18What were they telling you to do?
49:20What you cast?
49:21What were they telling you to do?
49:26What did you make up?
49:28What were they telling you to do?
49:29What did you mean to do?
49:30What did you tell me to do so they lost a haunted house aight?
49:32You couldn't take me off.
49:34I went out last night.
49:35What have you done?
50:03I've got to hand it to the dealer tonight.
50:05How could you do this to us?
50:20Hi.
50:21Hi.
50:23You didn't have to drive them home personally, you know.
50:29At least we're learning a bit more about E.D.
50:31You mean the affair with Arthur?
50:33Hmm.
50:34But also, you know, the son who didn't speak to her, strange friendship with David Powell,
50:44potentially questionable work decisions.
50:47You heard anything from the angry sisters?
50:50No, we're still waiting on Aberdeen services, but Sandy's checking if we can place either
50:54of them in Linerswick.
50:56Good idea.
50:57Because something happened that made E.D. hit the whiskey.
51:01Hmm.
51:02Sandy also looked into her money.
51:04The digital statements go back ten years and nothing has been touched that whole time.
51:09He's trying to find paper records so we can go back even further.
51:13Oh, oh.
51:14A Hunting Wind by E.D. Tulloch.
51:26Just curious.
51:27Thought it might give me a bit of insight into the family, you know.
51:31I, er, I also found out that E.D. knew Cal.
51:41Cal?
51:42Yeah.
51:43How?
51:44It's a, you know, small place.
51:47James and Cal who drank at his bar and Ed and Cal played music together.
51:53Wow.
51:54I know.
51:57You don't talk about him much, Cal.
52:01No.
52:05No, I suppose I don't.
52:07I don't like people skulking round my place.
52:31James, er, sorry.
52:35It's been a while.
52:37Let me park and we'll get inside.
52:40Okay.
53:02Cheers.
53:03Oh, cheers.
53:10Business still thriving then.
53:12Ah.
53:14I was always the brains.
53:16He was just the poster boy.
53:17It's good to see you, Ruthie.
53:23You too.
53:24Why'd you leave it so long?
53:25Um, just protecting myself, you know.
53:34Try to move on.
53:40It was Ed, actually, that, er, encouraged me to.
53:43Aye.
53:44He texted.
53:45Said your past had crossed.
53:46Hmm.
53:47Well, that would have given you time to hide your contraband then, case I showed up.
53:53That was definitely all my brother.
53:55Do you know him well?
53:56Oh, Ed.
53:57I mean.
53:58No, no, a long time.
53:59Yeah.
54:00And he's been round a lot the last year.
54:02He's a good lad.
54:03He reminds me of Cal.
54:04Hmm.
54:05Oh, come on.
54:06If you're done with that bed, you look wrecked.
54:07Oh, thanks very much.
54:08It looks rude to call me in.
54:09Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
54:11It's rude to comment on a lady's appearance.
54:12What if you're concerned because the lady is working insane hours?
54:13No.
54:14No.
54:15No.
54:16No.
54:17No.
54:18No.
54:19No.
54:20No.
54:21No.
54:22No.
54:23No.
54:24No.
54:25No.
54:26No.
54:27No.
54:28No.
54:29No.
54:30No.
54:31No.
54:32No.
54:33No.
54:34No.
54:35No.
54:36No.
54:37No.
54:38No.
54:39No.
54:40No.
54:41I know.
54:42I know.
54:43It's been a crazy few days.
54:45Thanks for picking up this line.
54:47Oh.
54:48You're not me, Tosh.
54:49I run a tight shit.
54:54No bad.
54:56Okay.
54:57Oh.
54:58Sandy.
54:59Sorry.
55:00Late in the day.
55:01But we just got something back from Aberdeen.
55:04On Stevie Shannon?
55:06Yes.
55:07Not the official files yet.
55:08yet this is more anecdotal.
55:10What is it?
55:11Seems there were some disturbing reports
55:13that came from the children's homes
55:15where Stevie was placed.
55:16What kind of reports?
55:18Concerns that she was manipulating other kids,
55:22turning them against one another.
55:24On occasion, encouraging them to run away with her.
55:38Hayley?
55:42I'm coming with you.
55:46Are you sure?
55:47Yeah.
55:49You're not doing this alone.
55:52If it has to happen, we're in it together.
55:56What about Chloe?
55:57Oh, she has to bark it out.
55:58She never wakes up.
56:02And we'll be quick.
56:05The dealer said if we hand this over,
56:08then we're free.
56:09That's what they said, right?
56:11That's what they said.
56:14Then let's do it.
56:16Come on.
56:18I love you.
56:25Who do you think called them?
56:26The police.
56:28Next door.
56:29She's had in for us since they'd knocked her flowers over.
56:33They came into her home, Luke.
56:35Uniformed officers.
56:36In case we were a danger to her son.
56:38I know.
56:40You're the one that let them in.
56:42Well, then act like you care.
56:45I mean, this should bother you.
56:48What are you talking about, Amy?
56:51It's like you're not even-
56:52Amy, Amy.
56:53I care, for God's sake.
56:55You're small on your phone.
56:56You're literally sitting there scrolling on your phone and just-
57:00Please go hide.
57:01I'm just going to-
57:02I'm just going to-
57:03I'm just going to-
57:04I'm just going to-
57:05I'm just going to-
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57:14
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