- 2 days ago
Farewell to Arms – The War of Love and Destiny (1932) is a timeless classic romantic drama set during World War I. The film tells the emotional story of an American ambulance officer and a British nurse who fall deeply in love amidst the chaos of battle. Their relationship is tested by war, sacrifice, and the struggle to hold onto hope in the face of tragedy. With powerful performances and unforgettable emotional depth, this film remains one of the most iconic love stories of early Hollywood. A moving portrayal of passion, heartbreak, and the painful cost of war.
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00:03:18THE POINT
00:03:20THEE
00:03:25out that way straight ahead mm-hmm thank you major here
00:03:55what's the girlfriend been doing
00:04:04typical male conceit
00:04:10I think they're going to send her back home
00:04:21that's a death of shame she'll be disgraced
00:04:23shh here they come
00:04:27well is it necessary for us all to be here at one time
00:04:36get back to your posts you will be packed and ready to leave within the hour
00:04:41Molly
00:04:45can I help you pack
00:04:51I guess so if you want me why of course I want to
00:04:57good girl I beg your father
00:05:00I say she's the only human being in the whole lot of us
00:05:04I'm sorry Miss Barclay appears to sympathize with one
00:05:10who has disgraced the uniform we all wear
00:05:12you're filthy
00:05:21you want those saxons you not to clean yourself did you bring me some good cases baby did you have trouble finding us no
00:05:22how do you feel is there going to be an offensive were you on the fire mad donna but I worried about you yes I can see how much you've been worrying about seven operations today baby and one of the
00:05:41and one of them was beautiful I took the heart out it lay in my hand and it beat like this you should have seen it it was lovely soon Rinaldi will be the best surgeon in all the corps then in all the army and someday in all of Italy
00:05:57why not in all the world why not you will like it here baby what sort of a town is this any girls many beautiful English nurses the most beautiful is Miss Barclay I am in love with her does she know it
00:06:12not yet have you any money have you any money what for I want to make on Miss Barclay the impression of a man of sufficient wealth
00:06:32all right thank you you are my great good friend and financial protector you're an ass and now we will marry you
00:06:37Thank you. You are my great and good friend and financial protector.
00:06:40You're an ass.
00:06:42And now we will eat and drink, and I will take you to meet Miss Bartley.
00:06:46But you must make for me a good impression upon her.
00:06:49Now, listen.
00:06:50But you must.
00:06:52And you can have a nurse too.
00:06:53There is another one named Miss Ferguson.
00:06:55She is also very, very nice.
00:06:57No.
00:06:58No?
00:07:00First, we will eat and drink.
00:07:03And then we'll go and see the girls.
00:07:04Yes?
00:07:07Yes.
00:07:11You see, she doesn't know.
00:07:17Neither do I.
00:07:18Oh, you've got too much wine.
00:07:20It's filthy wine.
00:07:22It takes the enamel off your teeth and leaves it on the roof of your mouth.
00:07:25Where was I?
00:07:26Architecture.
00:07:28Oh, yes.
00:07:30Look.
00:07:31I'll explain.
00:07:33This, my dear, is called an arch.
00:07:36This, my dear, is called an arch.
00:07:41Ire x33Yoo.
00:07:53Thank you!
00:07:56I am hungry, thank you.
00:07:58Don't be hungry.
00:08:00My dear.
00:08:02He Va., he will.
00:08:04The arch, my dear, is perhaps the oldest of architectural devices.
00:08:31Arch.
00:08:32Architecture.
00:08:34The very word will tell you how inextricably the two are one.
00:08:39In a word, my dear, architecture is the most ancient of the arts.
00:08:45Better put your shoe on, you'll get cold feet.
00:08:52If you please, I'd like to go now.
00:08:54The air raid seems to be over.
00:08:56Catherine!
00:08:58Catherine!
00:09:00Catherine!
00:09:00Here I am, Fergie, I'm coming.
00:09:02Oh, I was so worried.
00:09:04Oh, you think I've been blown away?
00:09:07I didn't know what to think.
00:09:08Nobody saw where you went.
00:09:10Who's that man?
00:09:12Oh, I don't know.
00:09:13Some lunatic.
00:09:14Come on.
00:09:15What if we take the mountains to the north?
00:09:27Behind them are more mountains, and behind those, more yet.
00:09:30And we take them all.
00:09:31Only if the Austrian stop fighting.
00:09:34One side must stop.
00:09:35Stop?
00:09:36It'll go on forever.
00:09:37Like him.
00:09:49The priest wants the Austrian to win the war.
00:09:52Oh, no, no.
00:09:52It is not true.
00:09:53But you don't want us to attack.
00:09:55If we must have war, I suppose we have to attack.
00:09:59Oh, but so many die that way.
00:10:01But what is death to a Christian?
00:10:15Don't encourage him, Fergie.
00:10:19Federico!
00:10:20Oh, you are back safe.
00:10:22Hello, Father.
00:10:22I am so glad.
00:10:23The priest prayed for you, Federico.
00:10:25Every time you go up, he does the same.
00:10:27Oh, I pray for you all.
00:10:28You are late, baby.
00:10:30How is it up there?
00:10:31Quiet.
00:10:31You nearly missed the party.
00:10:33But it is very dull.
00:10:35But Miss Barkley is here, and her friend Miss Ferguson.
00:10:38The one you will like.
00:10:40Come.
00:10:44Miss Barkley, permit me to present to you my friend and war brother, Lieutenant Henry.
00:10:49He has just returned back from the front.
00:10:51How do you do?
00:10:53How do you do?
00:10:55And this is Miss Ferguson.
00:10:57How do you do?
00:10:59How do you do?
00:11:02He begins again, that fellow.
00:11:04Quick, let us go into the garden.
00:11:05Now, you stay here.
00:11:26I will find something for us to drink.
00:11:29Asti, grappa, vermouth.
00:11:31Which do you like?
00:11:32All of them.
00:11:33Then you shall have all of them.
00:11:34Nice out here.
00:11:54Isn't it?
00:11:54We seem fated to bump into each other in the dark.
00:12:02I'm sorry about that.
00:12:03I mistook you for someone else.
00:12:05So I gathered.
00:12:06I'd been drinking.
00:12:09I gathered that, too.
00:12:11Matt?
00:12:12Yeah.
00:12:14You're an American, aren't you?
00:12:16Yes.
00:12:17Well, then what are you doing in the Italian army?
00:12:19Well, it's not really the army.
00:12:21It's only the ambulance.
00:12:23It's very odd, though.
00:12:24Why'd you do it?
00:12:24I don't know.
00:12:27Why did you?
00:12:28Oh, I joined up in England.
00:12:30Besides, the boy I was engaged to had gone across.
00:12:39Where is Miss Ferguson?
00:12:40Why don't you go see?
00:12:42Yes, do bring her out, Captain Rinaldi.
00:12:54Have some?
00:12:58Thanks.
00:13:02He's sore.
00:13:03What for?
00:13:05Because I'm here with you.
00:13:07Women prefer him, as a rule.
00:13:13Shall we take a walk?
00:13:16Yes, let's.
00:13:20Where is he now?
00:13:22Who?
00:13:23The boy you're engaged to?
00:13:25He's dead.
00:13:27Who?
00:13:28He was killed in the Somme.
00:13:30Were you engaged long?
00:13:32Eight years.
00:13:33We grew up together.
00:13:34Why didn't you marry?
00:13:36I didn't know what the war was like then.
00:13:39If I had her to do over again, I'd marry him.
00:13:48When I joined up, I remember having this silly idea
00:13:51that he might come to the hospital where I was
00:13:53with a saber cut, I suppose,
00:13:55and a bandage around his head,
00:13:57shot through the shoulder,
00:13:59something picturesque.
00:14:01This is the picturesque front, not front.
00:14:03He didn't have a saber cut.
00:14:06They blew him to bits.
00:14:07Of course.
00:14:09They won't床 him.
00:14:21They'll do something to work.
00:14:25They'll do something to second.
00:14:26They'll do something to kick.
00:14:28They'll do something to do with the other way.
00:14:30They'll do something to do.
00:14:30They want to be aeed.
00:14:31Where did he want other people want me to discuss?
00:14:32Well, what?
00:14:32Jim's right!
00:14:33When we saw some of us who lab quiens me at it today,
00:14:34see if we weren't probably thought I would have asked for it.
00:14:35What are you thinking about now?
00:14:58About whiskey.
00:14:59What about whiskey?
00:15:02About how nice it is.
00:15:04And you're nice, too.
00:15:06Hmm.
00:15:11No.
00:15:12Why not?
00:15:13No, don't.
00:15:14Yeah.
00:15:14No, please.
00:15:22I'm sorry. Did I hurt you?
00:15:24It's all right.
00:15:25I'm dreadfully sorry, really.
00:15:28I just couldn't bear the nurse's evening off aspect of it.
00:15:34It's quite all right. I don't mind at all.
00:15:37Poor man.
00:15:39You see, I've been leading a funny sort of life.
00:15:43Besides, you're so very beautiful.
00:15:46You don't have to talk a lot of nonsense. I said I'm sorry.
00:15:51We could get along.
00:15:54Couldn't we?
00:15:57You're sweet.
00:15:58No, I'm not.
00:15:59Yes, you're a dear.
00:16:02I'd be very glad to have you kiss me now, if you don't mind.
00:16:05I see you.
00:16:06I don't know.
00:16:10I'm sorry.
00:16:11What are you doing?
00:16:11I don't know.
00:16:12I don't know.
00:16:12I don't know.
00:16:13I don't know.
00:16:14I don't know.
00:16:15The End
00:16:45Did you have a nice time, baby?
00:16:49You made progress with her, eh?
00:16:51We're friends, if that's what you mean.
00:16:53I mean, was she nice to you?
00:16:56Shut up!
00:16:57I am a man of extreme delicacy, but was she...
00:17:00Brinoli!
00:17:01Will you please shut up?
00:17:03If you want to be a friend of mine, shut up.
00:17:05I am your best friend and your war brother.
00:17:08Then shut up.
00:17:12Miss Barkley prefers you to me.
00:17:15That is very clear.
00:17:17But Miss Ferguson is very nice too.
00:17:22You like her?
00:17:24No.
00:17:24No.
00:17:25No.
00:17:25No.
00:17:26No.
00:17:26No.
00:17:26No.
00:17:26No.
00:17:27No.
00:17:57Come on, baby.
00:18:15Good luck.
00:18:27Good luck.
00:18:57Turn back.
00:19:00Back?
00:19:01Yes, back.
00:19:02Back?
00:19:03Yes, back.
00:19:04Yes, back.
00:19:06Yes, back.
00:19:08I want to see Mr. Barkley.
00:19:22I want to see Mr. Barkley.
00:19:35She's on duty.
00:19:36Wait.
00:19:37You can't go in there.
00:19:39Hey, why are we coming back here?
00:19:52The tenant knows what he's doing.
00:19:56Hey, why we come back here?
00:20:04The Tenente knows what he's doing.
00:20:06Please.
00:20:07What's wrong, Bonanni?
00:20:07Don't we ever get started here?
00:20:09We've got plenty of time.
00:20:10Hold it.
00:20:12I thought you started.
00:20:14What are you doing here?
00:20:14We come back, Signor Capitano.
00:20:16Tenente forgot something.
00:20:18Oh.
00:20:26You're all right, aren't you?
00:20:43Yes, I'm all right.
00:20:45I came to...
00:20:47I thought...
00:20:50You see...
00:20:52I'm going to be away for a while.
00:20:54Well, and I didn't want you to think that I'd just gone away.
00:20:59No, I...
00:21:00What I mean is...
00:21:02I'd hate to have you feel that...
00:21:05That it wasn't important to me about...
00:21:09About us.
00:21:12I don't exactly know how to say it.
00:21:15You said it very nicely, dear.
00:21:19No, I don't mean...
00:21:21You mustn't feel...
00:21:23Will you be gone long?
00:21:25No.
00:21:26Only a few days.
00:21:27There's going to be a show above...
00:21:29Up above Plata.
00:21:30Nothing much, I guess.
00:21:31A show?
00:21:32You'll be careful, won't you?
00:21:34I won't get hit.
00:21:37Hold it.
00:21:44Here.
00:21:44Here.
00:21:46It's a St. Anthony.
00:21:48They say a St. Anthony is very useful...
00:21:56To guard you from harm.
00:21:59I'll take good care of him.
00:22:07I wish I could kiss you.
00:22:08He is my friend and a good soldier.
00:22:26I do not like to see him lose his head over a woman.
00:22:29Aren't you exaggerating a bit?
00:22:32I think not.
00:22:33Couldn't we send her back to the base, Major?
00:22:35No, if you could send her away...
00:22:37It would simplify everything.
00:22:39Could perhaps send her to Milan?
00:22:42Excellent, my dear Major.
00:22:43Magnificent.
00:22:43No wonder the English are first in diplomacy.
00:22:45What did you say her name was?
00:23:00We won't get anything else to eat once the attack starts.
00:23:03This is all they'd give me.
00:23:06Starting to eat at an end?
00:23:08No, we'll all eat together.
00:23:09Come on, sit down to it.
00:23:12Come on, Pratia.
00:23:12Come on, Pratia.
00:23:13Get some credit.
00:23:14Get me.
00:23:15Come on, Pratia.
00:23:17Here, look at this.
00:23:18This is better than you take it.
00:23:24Here, take it all you want.
00:23:26Here, take some cheese, that's good.
00:23:29Here, take some cheese, that's good.
00:23:33Wash it down with wine.
00:23:34Who goes to the attack?
00:23:38Who goes to the attack?
00:23:45If nobody would attack, the war would be over.
00:24:00It was a big one.
00:24:17420.
00:24:18No, it's behind in fives.
00:24:19Sounded like a Skoda to me.
00:24:21Skoda?
00:24:22That's what I say
00:24:52Thank you, sir
00:24:56It was a score of gun
00:24:58Easy now
00:25:02Lacerations of the scalp and possible fracture of the scalp
00:25:06Multiple superficial wounds of the left and right thigh
00:25:10Left and right knee and right foot
00:25:13Profound wounds of right knee and foot
00:25:16Encouraged in line of duty
00:25:18Antitetonus, please
00:25:22Come on, lift them up a little more
00:25:32All right, go ahead
00:25:34Please
00:25:48Hurry, hurry
00:25:50How do you feel, baby?
00:25:52Rinaldi
00:25:54What are you doing here?
00:25:56Bonello telephoned to me
00:25:58The Major gave me permission to come
00:26:00No one shall hurt you, baby
00:26:02No one shall hurt you, baby
00:26:04I won't let them
00:26:06No butcher is going to touch my wall, brother
00:26:08Only Rinaldi can take you and never hurt you
00:26:10You must forgive me, baby, for talking so much
00:26:12But I am
00:26:14I am very moved to see you badly wounded
00:26:16How did it happen?
00:26:18I will see you are decorated for bravery
00:26:20Perhaps we can get you the Medaglia d'Algento
00:26:22But surely the bronze one
00:26:23Did you carry somebody on your back?
00:26:24I didn't carry anybody
00:26:26I couldn't move
00:26:27Surely there was something heroic
00:26:28Tell me what you did
00:26:30I was blown up
00:26:32Eating cheese
00:26:34Don't worry, baby
00:26:36I will fix you so that you are as good as new
00:26:38You will see
00:26:40Every day I learn to do things
00:26:42Smoother, quicker
00:26:44Soon, very soon
00:26:45You will be walking again
00:26:48I brought a present for you
00:26:50You will find it under your blanket
00:26:52Next to your heart
00:26:53It is a bottle of brandy, baby
00:26:55Very good brandy
00:26:56The infantry captured it from the Austrians
00:26:58On San Gabriele
00:27:00I have another surprise for you
00:27:02Take a deep breath
00:27:04Where do you think you will go from here?
00:27:06To the Italian hospital
00:27:08Where they have the male nurses
00:27:09With the beards?
00:27:10No
00:27:11I will arrange everything
00:27:13With my friend
00:27:14The British Major
00:27:15You will go to Milan
00:27:17To the beautiful Miss Barclay
00:27:19That makes you happy, eh?
00:27:21Think of Rinaldi
00:27:23Left all alone with the war
00:27:25No one to make fun of
00:27:27No one to lend him money
00:27:29While you
00:27:30While you are in Milan
00:27:32With the beautiful Miss Barclay
00:27:34Making love
00:27:35In Milan
00:27:36To the chase
00:27:37Miss Barclay
00:27:38Look out for the steps
00:27:39Look out for the steps
00:27:43Look out for the steps
00:28:01Why do you stop I am the superintendent may I have your medical papers please
00:28:28they're in my coat in the button-down pocket take him up those stairs down
00:28:34the corridor his room is the one at the end you show them Julio who are you and
00:28:42the power that's new to me come follow me
00:28:47now in your tenant we must lift you off the bed all right but keep my legs
00:29:00straight this is in your tormentor anything else in your training get me some
00:29:08brandy it's not allowed wasn't I wounded fighting for the glory of Italy you'll
00:29:14find some money in my pocket I wish so it's you Ferguson is Catherine here as if
00:29:26you didn't know I believe that's why you got wounded where is she you ought to be
00:29:30still here's your chart now I must take your temperature does she know I'm here
00:29:35under the arm please
00:29:46hello darling
00:29:47Catherine you're lovely are you badly hurt you're lovely oh my poor darling it's
00:29:55your leg isn't it you're the loveliest thing I ever saw I have to go now darling I can't
00:30:04stay you'll come back later but we have to be awfully careful you've got to come
00:30:07back oh well when I can tonight I'll try somebody's coming tonight
00:30:21I'll take that thermometer now
00:30:27good gracious pitch the doctor it's a miracle you're not delirious with such a
00:30:34fever we haven't got anything stay quiet please it's not what you think
00:31:04I have brought you a few little things and this is mosquito netting and this is a bottle of
00:31:09vermute you like vermute huh and these are English papers thank you father it's very good of you to
00:31:16come oh but I mustn't stay long they warn me not to tire you you seem very tired
00:31:21yourself I am tired but I have no right to be you have the war discussed I hate the war I don't enjoy it
00:31:30but you do not mind it you do not see it you must forgive me I know you are wounded that was an
00:31:36accident still even wounded you do not see it I can tell I do not see it myself but I feel it a little
00:31:43yeah come in cap
00:31:45oh don't go yet father still early you are sure the operation in the morning he should rest oh he's
00:31:54strong he has such a lovely temperature it's always normal I'm very proud of his temperature
00:31:59maybe all our children will have fine temperatures too our children are probably have beastly temperatures
00:32:04don't mind us father we're in love I know I could see it in your faces you're a groove don't you father
00:32:14you spoke of children this too is the war without the war you would live married in God's grace
00:32:25is it not so
00:32:29and you
00:32:35I hadn't thought about it like that but
00:32:41father are you is that the marriage service
00:33:07father is
00:33:11and which is really
00:33:14what
00:33:17I
00:33:19I
00:33:21I
00:33:23I
00:33:25I
00:33:27I
00:33:29I
00:33:31I
00:33:33Poor chap. Such a crazy marriage.
00:33:40At least I'm in white.
00:33:42No orange blossoms?
00:33:45I can smell them.
00:33:47No organ music?
00:33:50I can hear it plainly.
00:34:03It has made me happy to do this.
00:34:09For now, from my heart, I can say I bless you in his name.
00:34:13Thank you, Father.
00:34:16Goodbye, and be happy, both of you.
00:34:18Thank you, Father.
00:34:21Give my regards to the mess.
00:34:23I will. And get well soon.
00:34:26I will come again the next time I am in Milan.
00:34:29Goodbye, my dear.
00:34:30Goodbye.
00:34:33Bye.
00:34:34Bye.
00:34:35Bye.
00:35:03Bye.
00:35:04Bye.
00:35:05Bye.
00:35:06Bye.
00:35:07Bye.
00:35:08Bye.
00:35:09Bye.
00:35:10Bye.
00:35:11Bye.
00:35:12Bye.
00:35:13Bye.
00:35:14Bye.
00:35:15Bye.
00:35:32Bye.
00:35:33that's the opera i made my debut in scala they threw benches at it that's a lie yes they did i
00:35:50threw six benches myself that's not funny oh now he's offended you'll get over it that's his sore
00:36:03spot we always easy you don't care whom you hurt how don't you get mad too kathleen and i were
00:36:09thinking of asking you to our wedding what we can you'll never get married we will no you won't
00:36:15we'll fight before you'll marry oh we never fight you've time yet we won't fight ever you'll die then
00:36:21fight or die that's what people do they don't marry oh fergie i'm not crying
00:36:29maybe you'll be all right you two why fergie what is the matter with it she doesn't like me that's
00:36:41all oh no she just likes me more are you on night duty tonight yes but you won't care you'll go right
00:36:55off to sleep you wait and see darling how many other girls have you ever loved none how many really
00:37:06none how many have you um loved none you're lying to me of course oh that's right you just keep right
00:37:17online that's what i want you to do were they pretty i've never been with anyone that's right darling
00:37:26what were they like i don't know anything about it you're just mine that's true you've never belonged
00:37:32to anyone else i don't care if you have though i'm not afraid of them only don't tell me about them
00:37:38you never told them you love them did you no i knew you wouldn't oh darling i do love you then kiss me
00:37:48right here in the street yes
00:37:52so what is this if i may ask what was in it
00:38:22that's kimmel that's the best kind it comes in those bear-shaped bottles from russia and these
00:38:30that's brandy wine and whiskey and i've been pitying you for being wounded
00:38:36pity is something that is wasted on you thank you if you're so anxious not to go back to the front
00:38:41i should think you'd try something more intelligent not self-inflicted alcoholism what i said
00:38:47alcoholism and i also say that i'll see your convalescent leave is cancelled you'll go back to the front
00:38:55tomorrow night
00:39:09am i time for a drink before the train leaves for the front yes about 20 minutes in your capitano
00:39:22right you're a fine simple girl i am a simple girl nobody but you ever realized it and first
00:39:29i thought you were a crazy girl i was a little crazy at first
00:39:37is that your train maybe it makes up a turn but it stays in the station here till time to leave
00:39:45there's really lots of time
00:39:46but at my back i always hear time's winged chariot hurrying near i know that poem it's by marvel
00:39:59listen
00:40:14it's only the rain i hate the rain i like it i'm afraid of the rain afraid why i
00:40:23oh well perhaps it's silly what tell me no don't make me tell me all right
00:40:33i'm afraid of the rain because sometimes i see me dead in it no and sometimes i see you dead in it
00:40:41that's more likely oh now darling don't say that
00:40:43that is your train time's winged chariot
00:41:00i'll come with you hmm no please i don't want you not at the station all right darling
00:41:08how often will you write as often as i can do they read your letters they can't read english enough
00:41:12to hurt any well i'll make them very confusing but not too confusing oh i should have got you a
00:41:17going away gift a whistle to make you feel better in the dark or a sword i'm sure we could get a
00:41:23used sword very cheap swords aren't very useful at the front oh i see they get in the way of your
00:41:27legs when you're running they might be useful at mess though i'm afraid i have to start darling
00:41:35i hate to leave our fine house so do i
00:41:44we never stay settled very long in a home do we we will
00:41:50i'll have a fine home for you when you come back say i'll come back to katherine
00:41:56i'll always come back
00:42:13maybe this time you'll be hurt just a little in the foot or the lobe of the ear oh no no no i want
00:42:18your ears just the way they are your feet have been hurt over it
00:42:32that's the way i am
00:42:34I don't know.
00:43:04I don't know.
00:43:34I don't know.
00:44:04I want a ticket to Switzerland, please.
00:44:30To where, signora? To what town?
00:44:31The nearest one to Italy.
00:44:33That would be Brissago, signora.
00:44:34Then give me a ticket to Brissago.
00:44:35All right.
00:44:36Oh.
00:44:37Oh, Fergie, I was afraid you wouldn't come.
00:44:39Would you mind telling me what this is all about?
00:44:41I'm going away.
00:44:42So I gathered by this, but you didn't tell him?
00:44:44Well, what would be the good?
00:44:45It would only worry him.
00:44:46He'd have to go anyway.
00:44:47Aren't you going to tell him?
00:44:49Well, not yet.
00:44:50I may write him from Switzerland.
00:44:53You're a fool.
00:44:54Here, signora.
00:44:56On black, please.
00:44:58But what's the hurry?
00:44:59Why tonight?
00:44:59Couldn't go back to that hospital.
00:45:01I couldn't stand it.
00:45:02Not with him gone.
00:45:03But you'll be all alone in Switzerland.
00:45:04Don't worry, Fergie.
00:45:05I'll be all right.
00:45:09You're not afraid of anything, are you?
00:45:11Only of going back to that hospital.
00:45:15Don't scold me, Fergie.
00:45:19I'll carry it.
00:45:33I've always told you I was a crazy girl.
00:46:00I couldn't bear my lamether that you were waiting.
00:46:02So I'll chuck the war and come to live in this little Swiss town
00:46:05as near as possible to the Italian border and you.
00:46:08And, darling, it's an adorable place.
00:46:10I'm going to be very happy here.
00:46:12I've taken a suite...
00:46:16suite in the best hotel
00:46:19and I'm fairly wallowing in luxury.
00:46:22The bed is ampere and fit for an empress.
00:46:26There's a maroon velvet carpet, ankle deep,
00:46:28and a bathroom.
00:46:30Oh, darling, the bathroom.
00:46:31Oh, it's a black marble with silver fittings.
00:46:35I've just dined in state
00:46:37at my sitting room window
00:46:39from which there is a divine view of the lake
00:46:42shimmering in moonlight.
00:46:44I'm an awful liar, darling.
00:46:59It's not really a nice place at all.
00:47:01It's mean, cheap, and horrible.
00:47:03But it doesn't matter where I live
00:47:05because I don't really live at all
00:47:07when I'm not with you.
00:47:08Oh, darling.
00:47:14What I really want to tell you is that
00:47:16that I shall lie awake in the dark
00:47:19and cry because you're not here.
00:47:22I'm lonely and frightened.
00:47:25And I love you both.
00:47:27Hurry, baby.
00:47:40Why?
00:47:41Time to go.
00:47:42Go where?
00:47:43But I told you before, to the Villa Rosa.
00:47:45New girls, everybody's going.
00:47:46Not me.
00:47:47But you must.
00:47:49It will be a fine party.
00:47:50And besides, I said you would go.
00:47:51I can.
00:47:52I've got to write some letters.
00:47:54Oh, to that little...
00:47:56Every day more letters.
00:47:58You might as well be married.
00:47:59That's my business.
00:48:01Oh, baby.
00:48:03Oh, you have come back to me.
00:48:05Serious like a shopkeeper with a liver.
00:48:07Where is my war brother
00:48:08who used to get drunk with me
00:48:09and go to the Villa Rosa every night?
00:48:12Leave me alone, will you?
00:48:13Why?
00:48:16Isn't she just a girl?
00:48:19Keep her out of this.
00:48:21Sacred subject.
00:48:22Believe me, baby.
00:48:24Sacred subjects are not good for soldiers.
00:48:28Why don't you be like me?
00:48:29All fire and smoke.
00:48:31And nothing inside.
00:48:33Come on, baby.
00:48:34You're drunk.
00:48:35Stop it.
00:48:36Of course I am drunk.
00:48:37You come with me and you will be drunk, too.
00:48:40Come on, baby.
00:48:41Oh, I am sorry.
00:48:43Now you must come.
00:48:44There is no more ink.
00:48:46Get your hands off me and get out.
00:48:54Poor baby.
00:48:56Tomorrow I will get you drunk
00:48:57and I will take out your liver
00:48:59and I will put you in a good Italian liver
00:49:01and make a man of you again.
00:49:03Ciao, baby.
00:49:13You're going out, signor Capitano?
00:49:18Yes, why?
00:49:19The mail just came, signor Capitano.
00:49:22You censored it.
00:49:23Signor Capitano.
00:49:25The officers?
00:49:26Mail, too?
00:49:30Very well.
00:49:31Are you going to open them, signor Capitano?
00:49:46No.
00:49:47I'm in a hurry.
00:49:47I'm in a hurry.
00:49:47Send this one back.
00:50:07Yes, signor Capitano.
00:50:08I do not like to see him lose his head over a woman.
00:50:12Yes, signor Capitano.
00:50:13And today, my letters came back.
00:50:38Every one I'd ever written on.
00:50:39Came back?
00:50:40Just mark return to sender.
00:50:41Person unknown.
00:50:43Well, that's very strange.
00:50:4532 letters.
00:50:46She never got one.
00:50:47Well, that's why she never wrote you.
00:50:48No.
00:50:50She'd have written me anyway.
00:50:51Something's happened to her.
00:50:52Have you tried to...
00:50:53I can't get any information at all.
00:50:56I've got to go and find her, myself.
00:50:58Now, can you?
00:50:59I'm going to Milan.
00:51:00I'll find her.
00:51:01But aren't all leaves of absence forbidden
00:51:03since that battle in the north began?
00:51:05I'm going anyway.
00:51:06Well, that's desertion.
00:51:08I don't care.
00:51:09I'm going.
00:51:10You'll be caught.
00:51:11You mustn't do this, Frederico.
00:51:13Yes, I must.
00:51:14That's what I wanted to tell you, Padre.
00:51:17What does this war mean to me anymore?
00:51:19What does anything mean but finding her?
00:51:21But, Frederico, consider the...
00:51:22I can depend on you, Padre.
00:51:28Say goodbye to Rinaldi and the others for me.
00:51:31When are you leaving?
00:51:32Now.
00:51:33While they're at dinner.
00:51:34And by morning, when they miss me,
00:51:36I'll be halfway to Milan.
00:51:37If they ask me, what will I say, I...
00:51:40Anything you like.
00:51:42Goodbye, Padre.
00:51:44Goodbye, Frederico.
00:51:45May the Lord bless and preserve you.
00:51:58How can I help you?
00:52:09THE END
00:52:39THE END
00:53:09THE END
00:53:39THE END
00:54:09THE END
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00:56:59The End
00:57:29The End
00:57:59What are you going to be nearly doing in the yards?
00:58:03Looking for stragglers.
00:58:05What do you do with them?
00:58:06Send them back to fight invaders.
00:58:08Every foot of Italian soil must be regained.
00:58:11Suppose they don't want to go back.
00:58:12Then we shoot them.
00:58:29What are you doing back here?
00:58:38Where's Catherine?
00:58:39I know.
00:58:41You've run away.
00:58:42You're a deserter.
00:58:43Where is she?
00:58:44I've got to see her.
00:58:45You can't.
00:58:45She's gone.
00:58:47Gone?
00:58:47Where?
00:58:48Then you'd better get out.
00:58:52Has she been transferred?
00:58:53If you don't get out of here, I'll scream and bring the whole hospital down on you.
00:58:57Why'd she go?
00:58:58Where?
00:58:59Tell me.
00:58:59No.
00:59:00Tell me where she is.
00:59:01I hate you.
00:59:02Understand?
00:59:02I won't tell you anything.
00:59:05I hope they catch you.
00:59:06I hope they shoot you.
00:59:07They do back what you've done to her.
00:59:09Making her have a baby.
00:59:13Baby?
00:59:13Oh, I warned you, but you didn't care.
00:59:15Not about her.
00:59:17Now she's had to go away.
00:59:18Where?
00:59:19Where?
00:59:20Oh, for pity's sake, tell me.
00:59:21Fergie.
00:59:21No.
00:59:22No.
00:59:23No.
00:59:26No.
00:59:26Hold her.
00:59:27What can he do?
00:59:28Be careful, girls.
00:59:30Where is he?
00:59:34And get me some clothes.
00:59:36A full outfit.
00:59:37I can't go around in this uniform.
00:59:39As long as I don't get mixed up in it myself.
00:59:42You won't.
00:59:42I just want you to get some things and put an advertisement in the newspaper for me.
00:59:46I really oughtn't to, if I had any sense.
00:59:49I know I shall have awful gas pains in the morning as a result of this.
00:59:54Just say, Catherine, where are you?
01:00:00I am free at last.
01:00:02Meet me, Palace Hotel, Straser.
01:00:07Signed, Frederick.
01:00:37The Major made an obituary speech in your memory, and the priest, he wanted to say mass for your soul.
01:00:43But what?
01:00:44Vermouth, one for you, two vermouth.
01:00:46You see, we all thought you were dead.
01:00:48It never occurred to us that you might have been shell-shocked, wandered away, lost your memory.
01:00:53How did you find me?
01:00:55I saw your advertisement in the paper.
01:00:58But as soon as we knew, we arranged everything.
01:01:01Rinaldi will work on you with one of his miraculous cures.
01:01:04You will go back a hero.
01:01:06I'm not going back.
01:01:08They will decorate you for bravery. They will even promote you.
01:01:11No.
01:01:13I'm through the war at that straight.
01:01:16But you cannot do that.
01:01:18You cannot just stop and say I'm through with the war. They will not let you do that.
01:01:21Two vermouth.
01:01:29Can I speak to you a moment, sir?
01:01:31It's all right, Harry. He's my friend.
01:01:33But I, uh...
01:01:34He keeps telling me that it's dangerous for me to stay here any longer.
01:01:38But the policeman was in tonight. He spoke of notifying the carabinieri.
01:01:42When will they come?
01:01:43But tonight, tomorrow, who knows? But soon.
01:01:47My boat is still ready, sir.
01:01:50Thank you, Harry.
01:01:52If they arrest you, no one can save you.
01:01:56I know that.
01:01:57They will shoot you.
01:01:58Look.
01:01:59Get this through your head. I'm not going back.
01:02:03I've got to wait here until I can find Catherine.
01:02:07And how do you expect to do that?
01:02:10I've got some people looking for her.
01:02:13That is more important than...
01:02:14She's going to have a baby.
01:02:18My baby.
01:02:23So.
01:02:25And that means everything to you.
01:02:29Yes, it would.
01:02:31It means that I've got to find her and get her out of Italy.
01:02:35Perhaps she is no longer in Italy.
01:02:37What makes you say that?
01:02:40She is in Switzerland.
01:02:42Where?
01:02:44Brissago.
01:02:45Brissago?
01:02:47Harry!
01:03:11Will you do one for me, too?
01:03:13Yes, madam. Step around here.
01:03:16Just the head, please.
01:03:53Isn't there any mail for me yet?
01:03:55Ah, madam.
01:03:56Yes, yes.
01:03:57Today there are letters.
01:03:58Many letters.
01:03:59Many. Oh.
01:04:01Twenty.
01:04:02Twenty? That was worth waiting for.
01:04:03What?
01:04:25Hello?
01:04:26It is up the lake and across, about 35 kilometers.
01:04:46I'll make it.
01:04:47At the frontier, there will be sentries.
01:04:49I know.
01:04:50And you will have to watch out for the patrol boats.
01:04:52I will.
01:04:53If it blows too hard, you will...
01:04:54I won't drown.
01:04:56Have you enough money?
01:04:58Here.
01:04:59Won't you need it?
01:05:03There must be a Villa Rosa at Port Danone.
01:05:05Always the same girls until they become like old friends.
01:05:09Like war comrades.
01:05:10Take it, baby.
01:05:11Please, please.
01:05:12You're a good egg, Lenin.
01:05:14No.
01:05:15I am not a good egg.
01:05:17I am a fool.
01:05:19But if I had understood how you felt about her...
01:05:23Good luck, baby.
01:05:25Tchao, baby.
01:05:26It doesn't work.
01:05:27Shal I get a new cylinder, doctor?
01:05:28A bit, a new cylinder.
01:05:33It doesn't work.
01:05:50Shall I get a new cylinder, Doctor?
01:05:52There is a new cylinder.
01:05:55Oh, I wanted so to have this baby and not make any trouble.
01:06:00And now I'm all done.
01:06:04Oh, come to pieces.
01:06:27She is losing strength fast, Doctor.
01:06:29There's no use.
01:06:30I'll have to operate.
01:06:33Oh, that was lovely.
01:06:38Frederick.
01:06:40Darling.
01:06:46You mustn't worry, Alex.
01:06:49I'm not going to die now.
01:06:51I got past the place where I was going to die.
01:07:01I declare.
01:07:03Of course you're not going to die.
01:07:05You mustn't think about it.
01:07:06It's a cesarean.
01:07:10Oh, we're lucky to be on time.
01:07:12It's a cesarean.
01:07:28Oh, we're lucky to be on time.
01:07:29Is she going to be all right?
01:07:37Are you the husband?
01:07:38Yes.
01:07:39She kept calling for you all night.
01:07:40It would have been better if you'd been here.
01:07:42I'm sorry.
01:07:43Is she in danger?
01:07:44Oh, she's very weak.
01:07:44You don't suppose I can see her now?
01:07:45Later.
01:07:45Later.
01:07:46Later.
01:07:46It won't be long.
01:07:47It won't be long.
01:07:48It won't be long.
01:07:49It won't be long.
01:08:17It won't be long.
01:08:42She can't die.
01:08:43Shh.
01:08:44Shh.
01:08:44Shh.
01:08:45Shh.
01:08:46Did you call?
01:08:51No.
01:08:52I didn't say anything.
01:09:15Not yet.
01:09:15Is she all right?
01:09:16I hope so.
01:09:17She's the baby.
01:09:18A boy, but he was dead before she ever came in here.
01:09:19Oh.
01:09:20But she'll be all right.
01:09:21That's not in my hands any longer.
01:09:22Better go across the street and get yourself some breakfast.
01:09:24Look at this if you need it.
01:09:25It will be some time before she can see you.
01:09:26It will be some time before she can see you.
01:09:31It will be some time before she can see you.
01:09:32It will be some time before she can see you.
01:09:38It will be some time before she can see you.
01:09:39It will be some time before she can see you.
01:09:45You've had children.
01:09:46What was it like?
01:09:47I beg your pardon.
01:09:48What did you say?
01:09:49Nothing.
01:09:50Some coffee, please.
01:09:51And a brioche.
01:09:52And a brioche.
01:09:53I beg your pardon.
01:09:54What did you say?
01:09:55Nothing.
01:09:56You've had children.
01:10:07What was it like?
01:10:08I beg your pardon.
01:10:11What did you say?
01:10:13Nothing.
01:10:16Some coffee, please.
01:10:17And a brioche.
01:10:23it's in the papers italy has won thank god it's over this is the beginning of the end
01:10:35but it'll be a long time before they can rebuild what's been destroyed in the early morning hours
01:10:41of november 4th the austro-hungarian supreme command accepted by radiogram the armistice
01:10:48conditions laid down by general fadoglio
01:10:56oh god please don't let her die i do anything for you if you don't let her die
01:11:04he took the baby that was all right but don't let her die please please dear god don't let her die
01:11:18her husband's out there might as well let him in
01:11:48i knew he was coming when i went under i knew he was here
01:11:56you won't tell him will you can what
01:12:06but i'm going to die
01:12:07no you won't tell him thank you
01:12:17doctor
01:12:20have i wrong
01:12:21don't you see don't you see i have to know
01:12:34not
01:12:35let him come in
01:12:43let him come in
01:12:45no way
01:12:48could i
01:12:50could i have my bag first
01:12:52i have my bag first
01:13:02oh
01:13:04such a mess
01:13:10he never liked me to be pale
01:13:22you can go in now
01:13:41darling
01:13:41you're all right
01:13:50i'm fine
01:13:52did you worry about me
01:13:55i came as soon as i found where you were
01:13:58poor darling
01:14:00let me look at you
01:14:01oh
01:14:05you're wet and tired
01:14:08sit down darling
01:14:10here
01:14:18you're going to be all right
01:14:19you want me to do anything
01:14:30can i get you anything
01:14:34just talk to me
01:14:36tell me you haven't stopped loving me
01:14:39you know i couldn't stop
01:14:42i like to hear you say it too
01:14:44i've never stopped loving you
01:14:47never
01:14:49not even
01:14:51if i died
01:14:53never
01:14:55i want you to have other girls
01:14:58i don't want to
01:15:00that's right
01:15:08try to
01:15:09try to sleep
01:15:17when i get will
01:15:21take a little house in the mountains
01:15:24we always plan the house of our own remember
01:15:28i'll get you a fine house
01:15:31and we'll live in it until the war is over
01:15:36and then you'll go back to america and be a splendid architect
01:15:39we'll be married all over again
01:15:43in a church
01:15:45in a church
01:15:50oh darling
01:15:52i'm going to die
01:15:54don't let me die
01:15:55cap
01:15:57take me in your arms
01:15:59hold me tight
01:16:00don't let me go
01:16:03it's dark out there and lonely
01:16:05i don't want to leave you anymore
01:16:07i've been alone so much
01:16:12you can't die
01:16:13you're too brave to die
01:16:14you're a fine girl
01:16:22a brave girl
01:16:24yes
01:16:25i am a brave girl
01:16:28whatever happens
01:16:29you'll not be afraid
01:16:31i'll not be afraid
01:16:34we've never been apart
01:16:35really not since we met
01:16:38not since we met
01:16:40and never can be
01:16:43never parted
01:16:44in life and in death
01:16:46say it cat
01:16:49in life
01:16:50and in death
01:16:52we'll never be parted
01:16:55you do believe that don't you cat
01:16:59i believe it
01:17:04and i'm not afraid
01:17:16and i'm not afraid
01:17:29i believe it
01:17:54peace
01:17:55Peace.
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