🇮🇹💋 A Farewell to Arms (1932) brings Ernest Hemingway’s classic novel to the screen in a moving tale of love, sacrifice, and the brutality of war. Starring Gary Cooper and Helen Hayes, this pre-Code drama blends sweeping romance with the tragedy of World War I.
📽️ Plot Summary:
American ambulance driver Lt. Frederic Henry (Cooper) serves in the Italian army during the First World War. Amid the chaos, he falls deeply in love with British nurse Catherine Barkley (Hayes). Their romance blooms in stolen moments away from the front, but the shadow of war — and fate — threatens to tear them apart.
🕰️ Year Released: 1932
🎭 Genre: Romance, War, Drama
🎬 Directed by: Frank Borzage
🎞️ Starring: Gary Cooper, Helen Hayes, Adolphe Menjou
🎯 Why Watch It?
✔️ A faithful adaptation of Hemingway’s powerful novel
✔️ Gary Cooper and Helen Hayes’ timeless screen chemistry
✔️ Stunning pre-Code cinematography and bold emotional depth
✔️ A poignant anti-war message still resonant today
🔔 Don’t forget to LIKE 👍 | COMMENT 💬 | SUBSCRIBE 🔔 for more pre-Code classics and literary adaptations!
👇 Explore More Romantic Dramas & Vintage Literature Adaptations:
📺 https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY
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🎞️ #AFarewellToArms #GaryCooper #HelenHayes #ErnestHemingway #1930sCinema #PreCodeHollywood #ClassicRomance #PublicDomainMovies
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💔🎖️ In the midst of war, their love was their only peace.
________________________________________
📽️ Plot Summary:
American ambulance driver Lt. Frederic Henry (Cooper) serves in the Italian army during the First World War. Amid the chaos, he falls deeply in love with British nurse Catherine Barkley (Hayes). Their romance blooms in stolen moments away from the front, but the shadow of war — and fate — threatens to tear them apart.
🕰️ Year Released: 1932
🎭 Genre: Romance, War, Drama
🎬 Directed by: Frank Borzage
🎞️ Starring: Gary Cooper, Helen Hayes, Adolphe Menjou
🎯 Why Watch It?
✔️ A faithful adaptation of Hemingway’s powerful novel
✔️ Gary Cooper and Helen Hayes’ timeless screen chemistry
✔️ Stunning pre-Code cinematography and bold emotional depth
✔️ A poignant anti-war message still resonant today
🔔 Don’t forget to LIKE 👍 | COMMENT 💬 | SUBSCRIBE 🔔 for more pre-Code classics and literary adaptations!
👇 Explore More Romantic Dramas & Vintage Literature Adaptations:
📺 https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY
━━━━━━━━━━━━━━━━━━
🎞️ #AFarewellToArms #GaryCooper #HelenHayes #ErnestHemingway #1930sCinema #PreCodeHollywood #ClassicRomance #PublicDomainMovies
━━━━━━━━━━━━━━━━━━
💔🎖️ In the midst of war, their love was their only peace.
________________________________________
Category
🎥
Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:30The End
00:01:59The Brakes won't hold.
00:02:29The End
00:02:59And just as guilty as a soldier would be who deserted his post under fire.
00:03:06Now, in making an example of you, I...
00:03:10I beg your pardon, sir.
00:03:16I have some wounded outside.
00:03:17I'm looking for the...
00:03:18Oh, yes, yes, yes.
00:03:19You want the Italian unit.
00:03:21We're the English here, you see.
00:03:22Yes, number 207.
00:03:24They're in the other wing.
00:03:25Moved in today.
00:03:26Yes, out that way.
00:03:27Straight ahead.
00:03:29Thank you, Major.
00:03:29Yes.
00:03:30Yes.
00:03:36Shhh.
00:03:37What's the girlfriend been doing?
00:04:07I think they're going to send her back home.
00:04:22That's a dirty shame.
00:04:23She'll be disgraced.
00:04:24It's regulations.
00:04:25At least they might let her have her baby here.
00:04:27If they send her back now, all her friends will know.
00:04:29And her family.
00:04:30She's only herself to blame.
00:04:32This is war, Fergie, and she loved him.
00:04:37Shh, here they come.
00:04:44Well, is it necessary for us all to be here at one time?
00:04:49Get back to your posts.
00:04:51You will be packed and ready to leave within the hour.
00:04:57Molly.
00:05:02Can I help you pack?
00:05:04I guess so.
00:05:05If you want to.
00:05:07Why, of course I want to.
00:05:10Good girl.
00:05:11I beg your pardon.
00:05:13I say she's the only human being in the whole lot of us.
00:05:17I'm sorry, Miss Barclay appears to sympathize with one who has disgraced the uniform we all wear.
00:05:25All right.
00:05:26Come on.
00:05:27Come on.
00:05:28Come on.
00:05:29Come on.
00:05:30Come on.
00:05:31Come on.
00:05:32Come on.
00:05:33Come on.
00:05:34Come on.
00:05:35Come on.
00:05:36Come on.
00:05:37Come on.
00:05:38Come on.
00:05:39Come on.
00:05:40Come on.
00:05:41Come on.
00:05:42Come on.
00:05:43Baby.
00:05:44Rinaldi.
00:05:45Federico.
00:05:46Get away.
00:05:47You're filthy.
00:05:48You Anglo-Saxons.
00:05:50You're not to clean yourself.
00:05:51Did you bring me some good cases, baby?
00:05:53Did you have trouble finding us?
00:05:54No.
00:05:55How do you feel?
00:05:56Is there going to be an offensive?
00:05:57There's no...
00:05:58Were you on the fire?
00:05:59Madona, but I worried about you.
00:06:00Yes.
00:06:01I can see how much you've been worrying.
00:06:02Seven operations today, baby.
00:06:04And one of them was beautiful.
00:06:06I took the heart out.
00:06:09It lay in my hand and it beat like this.
00:06:12You should have seen it.
00:06:14It was lovely.
00:06:16Soon Rinaldi will be the best surgeon in all the corps.
00:06:19Then in all the army.
00:06:21And someday in all of Italy.
00:06:23Why not in all the world?
00:06:24Why not?
00:06:27You will like it here, baby.
00:06:29What sort of a town is this?
00:06:30Any girls.
00:06:31Many beautiful English nurses.
00:06:33No, I mean girls.
00:06:34Girls, too.
00:06:35A house full of them.
00:06:36Another Villa Rosa?
00:06:37Some of them have never been to the front before.
00:06:40Perhaps.
00:06:41But the nurses are much nicer.
00:06:43The most beautiful is Miss Barkey.
00:06:45I am in love with her.
00:06:48Does she know it?
00:06:49Not yet.
00:06:50Have you any money?
00:06:51Yes.
00:06:52Lend me 50 lire.
00:06:53What for?
00:06:54I want to make on Miss Barley the impression of a man of sufficient wealth.
00:06:58All right.
00:07:00You are my great and good friend and financial protector.
00:07:02You are an ass.
00:07:04And now we will eat and drink and I will take you to meet Miss Barley.
00:07:08But you must make for me a good impression upon her.
00:07:11Now listen.
00:07:12But you must.
00:07:13And you can have a nurse, too.
00:07:15There is another one named Miss Ferguson.
00:07:17She is also very, very nice.
00:07:18No.
00:07:19No?
00:07:20First we will eat and drink.
00:07:25And then we will go and see the girls who have never been to the front before.
00:07:28Yes?
00:07:31Yes.
00:07:42You know what an American is.
00:07:46Yes.
00:07:47What is it?
00:07:50She doesn't know.
00:07:53Well, I am an American.
00:07:54Then what are you doing here?
00:07:57Drinking mostly.
00:07:58He likes the uniform.
00:08:01Wrong.
00:08:03I like the language.
00:08:05Then what were you doing in Italy?
00:08:08Studying.
00:08:10Studying what?
00:08:13Architecture.
00:08:15You know what that is.
00:08:16Yes.
00:08:18What?
00:08:22You see.
00:08:23She doesn't know.
00:08:27Neither do I.
00:08:28Oh, you've got too much wine.
00:08:31It's filthy wine.
00:08:32It takes the enamel off your teeth and leaves it on the roof of your mouth.
00:08:36Where was I?
00:08:37Architecture.
00:08:39Oh, yes.
00:08:40Look.
00:08:41I'll explain.
00:08:44This, my dear, is called an arch.
00:08:47Oh!
00:08:48Oh!
00:08:49Oh!
00:08:50Oh!
00:08:51Oh!
00:08:52Oh!
00:08:53Oh!
00:08:54Oh!
00:08:55Oh!
00:08:56Oh!
00:08:57Oh!
00:08:58Oh!
00:08:59Oh!
00:09:00Oh!
00:09:01Oh!
00:09:02Oh!
00:09:03Oh!
00:09:04Oh!
00:09:05Oh!
00:09:06Oh!
00:09:07Oh!
00:09:08Oh!
00:09:20The arch, my dear, is perhaps the oldest of architectural devices.
00:09:42Arch. Architecture.
00:09:45The very word will tell you how inextricably the two are one.
00:09:50In a word, my dear, architecture is the most ancient of the arts,
00:09:56just as yours is the most ancient of the professions.
00:10:00You better put your shoe on, you'll get cold feet.
00:10:06If you please, I'd like to go now. The air raid seems to be over.
00:10:10Catherine! Catherine! Catherine!
00:10:15Here I am, Fergie. I'm coming.
00:10:17Oh, I'm worried.
00:10:18Oh, you think I've been blown away?
00:10:21I didn't know what to think. Nobody saw where you went.
00:10:24Who's that man?
00:10:26Oh, I don't know. Some lunatic.
00:10:28Come on.
00:10:29What if we take the mountains to the north?
00:10:41Behind them are more mountains, and behind those, more yet.
00:10:44And we take them all.
00:10:46Only if the Austrians stop fighting.
00:10:48One side must stop.
00:10:49Stop? It'll go on forever.
00:10:51Like him.
00:10:52Like him.
00:10:52The dead ends.
00:11:03The priest wants the Austrians to win the war.
00:11:06Oh, no, no. It is not true.
00:11:07But you don't want us to attack.
00:11:09If we must have war, I suppose we have to attack.
00:11:13Oh, but so many die that way.
00:11:15But what is death to a Christian?
00:11:30Don't encourage him, Fergie.
00:11:32Oh, Federico.
00:11:35Oh, you are back safe.
00:11:36Hello, Father. I am so glad.
00:11:37The priest prayed for you, Federico.
00:11:39Every time you go up, he does the same.
00:11:41Oh, I pray for you all.
00:11:42You are late, baby. How is it up there?
00:11:45Quiet.
00:11:45You nearly missed the party.
00:11:47But it is very dull.
00:11:49But Miss Barkley is here, and her friend Miss Fergus,
00:11:52the one you will like.
00:11:54Come.
00:11:59Miss Barkley, permit me to present to you
00:12:02my friend and war brother, Lieutenant Henry.
00:12:05He has just returned back from the front.
00:12:07How do you do?
00:12:09How do you do?
00:12:10And this is Miss Ferguson.
00:12:14How do you do?
00:12:15How do you do?
00:12:17She begins again, that fellow.
00:12:19Quick, let us go into the garden.
00:12:21Now, you stay here.
00:12:42I will find something for us to drink.
00:12:45Asti, grappa, vermouth, which do you like?
00:12:48All of them.
00:12:49Then you shall have all of them.
00:13:08Nice out here.
00:13:09Isn't it?
00:13:10We seem fated to bump into each other in the dark.
00:13:18I'm sorry about that.
00:13:19I mistook you for someone else.
00:13:21So I gathered.
00:13:23I'd been drinking.
00:13:24I gathered that, too.
00:13:27Mad?
00:13:28No.
00:13:30You're an American, aren't you?
00:13:32Yes.
00:13:32Well, then what are you doing in the Italian Army?
00:13:35Well, it's not really the Army.
00:13:37It's very odd, though.
00:13:38Why'd you do it?
00:13:40I don't know.
00:13:41Why did you?
00:13:42Oh, I joined up in England.
00:13:45Besides, the boy I was engaged to had gone across.
00:13:53Where is Miss Ferguson?
00:13:55Why don't you go see?
00:13:56Yes, do bring her out, Captain Rinaldi.
00:14:11Have some?
00:14:13Thanks.
00:14:17He's sore.
00:14:18What for?
00:14:19Because I'm here with you.
00:14:22Women prefer him, as a rule.
00:14:23Shall we take a walk?
00:14:31Yes, let's.
00:14:35Where is he now?
00:14:37Who?
00:14:38The boy you're engaged to.
00:14:40He's dead.
00:14:41Oh.
00:14:42He was killed in the Somme.
00:14:44Were you engaged long?
00:14:46Eight years.
00:14:47We grew up together.
00:14:49Why didn't you marry?
00:14:51I didn't know what the war was like then.
00:14:54If I had her to do over again, I'd marry him.
00:14:57Or anything.
00:15:06When I joined up, I remember having this silly idea that he might come to the hospital where I was.
00:15:12With a saber cut, I suppose, and a bandage around his head.
00:15:15Shot through the shoulder.
00:15:17Something picturesque.
00:15:18This is the picturesque front, not France.
00:15:21He didn't have a saber cut.
00:15:24They blew him to bits.
00:15:25What?
00:15:47What are you thinking about now?
00:16:15About whiskey.
00:16:17What about whiskey?
00:16:20About how nice it is.
00:16:22And you're nice, too.
00:16:29No.
00:16:30Why not?
00:16:31No, don't.
00:16:32Yes.
00:16:33No, please.
00:16:40I'm sorry. Did I hurt you?
00:16:42It's all right.
00:16:43I'm dreadfully sorry, really.
00:16:46I just couldn't bear the nurse's evening off aspect of it.
00:16:51It's quite all right. I don't mind at all.
00:16:54Poor man.
00:16:56You see, I've been leading a funny sort of life.
00:17:00Besides, you're so very beautiful.
00:17:03You don't have to talk a lot of nonsense. I said I'm sorry.
00:17:09We could get along.
00:17:12Couldn't we?
00:17:14You're sweet.
00:17:15No, I'm not.
00:17:16Yes, you're a dear.
00:17:20I'd be very glad to have you kiss me now, if you don't mind.
00:17:22You'd be so nice.
00:17:23You're good.
00:17:24Yes, you're good.
00:17:25I'll call me now, if you don't mind.
00:17:26No, no.
00:17:27I'll call me now if you don't mind.
00:17:28No, no.
00:17:29No, no.
00:17:30No, no.
00:17:31No, no.
00:17:32No, no, no...
00:17:33No, no, no.
00:17:34No, no, no.
00:17:35No, no, no.
00:17:37No, no, no, no.
00:17:38You are looking for someone?
00:18:04Have you seen Miss Barkley?
00:18:06Miss Barkley?
00:18:07Didn't she go out there with you?
00:18:09With me?
00:18:10No, no, no.
00:18:12But just a little while ago.
00:18:15I thought I saw her go out to the garden gate with Lieutenant Henry.
00:18:19She went out with an officer?
00:18:20Alone?
00:18:21Well, perhaps I was mistaken.
00:18:23You know, it is quite dark out there.
00:18:25Oh, she wouldn't do that.
00:18:26No.
00:18:27No, I am sure I was mistaken.
00:18:30Where is she then?
00:18:35You're a grand girl.
00:18:37I'm a crazy girl.
00:18:39Why?
00:18:39To stay out here.
00:18:41It's nice.
00:18:42Isn't that enough?
00:18:43I suppose that has to be enough for people who are living as we live.
00:18:56Back home, I courted you and sent you flowers.
00:18:59Out here, you're crowded all into one hour.
00:19:03Isn't that the way it's got to be, out here?
00:19:07Look.
00:19:08Tomorrow morning, I've got to go up to the front again.
00:19:14And if a shell got me, and you never saw me again, then we'd both be sorry that we'd
00:19:22have been so formal, and waited.
00:19:27Besides, what's there so fine in putting it off, dragging it out, giving me your lips tonight.
00:19:32No.
00:19:32And your throat tomorrow.
00:19:33No.
00:19:34No, wait.
00:19:35No, please.
00:19:36No.
00:19:43Catherine.
00:19:46Catherine.
00:19:52Good night.
00:19:52Thanks for the lovely concert.
00:19:54I hope you are not worried about Miss Barclay.
00:19:56It's not like her to disappear this way.
00:19:58Well, perhaps she felt ill and went home alone.
00:20:01Perhaps.
00:20:02Good night.
00:20:02Come, girls.
00:20:03Come.
00:20:04Come.
00:20:04Come.
00:20:05Come on.
00:20:13Why didn't you tell me?
00:20:15It doesn't matter.
00:20:17If it had to happen, I'd rather it were like this.
00:20:19I couldn't know.
00:20:21In a churchyard under the stars.
00:20:23Well, why not?
00:20:24Why not?
00:20:25There's a war on.
00:20:27And tonight, who cares?
00:20:28And tomorrow, who knows?
00:20:30What did you say your name was?
00:20:36Stop it.
00:20:39If you knew how I was back home, you'd see the funny side of it.
00:20:47Please, stop it.
00:20:55Oh.
00:20:56We blame everything on the war, but that's rot.
00:21:00It's something in our cells.
00:21:07The lady sat in the public square and mourned her lost innocence.
00:21:14Don't be sorry.
00:21:16I'm not.
00:21:19I love you.
00:21:20Oh, darling.
00:21:25Did you have a nice, uh, time, baby?
00:21:50You made progress with her, eh?
00:21:54We're friends, if that's what you mean.
00:21:56I mean, uh, was she nice to you, practically speaking?
00:22:01Shut up.
00:22:01I am a man of extreme delicacy, but, uh, was she...
00:22:05Brinoli!
00:22:06Will you please shut up?
00:22:07If you want to be a friend of mine, shut up.
00:22:10I am your best friend and your war brother.
00:22:13Then shut up.
00:22:14Miss Barkley prefers you to me.
00:22:19That is very clear.
00:22:22But, uh, Miss Ferguson is very nice, too.
00:22:26You like her?
00:22:28No.
00:22:29No.
00:22:29No.
00:22:44That you of all people.
00:23:03A lot of geese, that's what you are.
00:23:05Silly geese.
00:23:07Stuffed with bunk about woman's part in the war.
00:23:10We must bring solace to the men who fight.
00:23:12Sacrifice ourselves.
00:23:14Give ourselves.
00:23:17If you'd known him for a long time,
00:23:19or been in love with him,
00:23:20but you only met him tonight.
00:23:23How long must you know a man before you can love him?
00:23:27Are you pretending to be in love with that man?
00:23:30I think I am, Fergie.
00:23:33I must be.
00:23:35Or it couldn't have happened.
00:23:39You're just another conqueror, Sam.
00:23:41One in a hundred.
00:23:43You'll probably never see him again.
00:23:47He said if he'd met me back home,
00:23:50he'd have courted me,
00:23:52sent me flowers.
00:23:54But now,
00:23:56I suppose I won't ever see him again.
00:24:00I'll be.
00:24:14I'll be.
00:24:14Oh, baby, good luck.
00:24:44Turn back.
00:25:13Back?
00:25:14Yes, back.
00:25:43I want to see Miss Barkley.
00:25:48She's on duty.
00:25:50Wait.
00:25:51You can't go in there.
00:25:52Hey, why did we come back here for?
00:25:59The tenant knows what he's doing.
00:26:01Please.
00:26:02What's wrong, Boremi?
00:26:03Don't we ever get started here?
00:26:04We got plenty of time.
00:26:05Hold it.
00:26:06I thought you started.
00:26:07Hold it.
00:26:08I thought you started.
00:26:09What are you doing here?
00:26:10We come back, signor Capitano.
00:26:11Tenente forgot something.
00:26:12Oh.
00:26:13Tenente forgot something.
00:26:14Oh.
00:26:15Oh.
00:26:16Oh.
00:26:17Tenente forgot something.
00:26:18Oh.
00:26:19Oh.
00:26:20Tenente forgot a.
00:26:21Okay, come back.
00:26:22Tenente forgot a.
00:26:23Oh.
00:26:24He forgot a.
00:26:25I thought you started.
00:26:27What are you doing here?
00:26:28We come back to signor Capitano.
00:26:29Tenente forgot to something.
00:26:31Oh.
00:26:54I... You're all right, aren't you?
00:26:57Yes, I'm all right.
00:26:59I came to...
00:27:00I thought...
00:27:02You see...
00:27:05I'm going to be away for a while.
00:27:08And I didn't want you to think that I'd just gone away.
00:27:13No, I...
00:27:14What I mean is...
00:27:16I'd hate to have you feel that...
00:27:19That it wasn't important to me...
00:27:22About... About us.
00:27:25I don't exactly know how to say it.
00:27:28You said it very nicely, dear. Thank you.
00:27:31No, I don't mean...
00:27:34You mustn't feel...
00:27:35Will you be gone long?
00:27:37No.
00:27:39Only a few days.
00:27:40There's going to be a show above...
00:27:42Up above Plava.
00:27:43Nothing much, I guess.
00:27:44A show?
00:27:46You'll be careful, won't you?
00:27:47I won't get hit.
00:27:48You'll be careful, won't you?
00:27:49You'll be careful, won't you?
00:27:50Hold this.
00:27:58Here.
00:28:00It's a St. Anthony.
00:28:06They say a St. Anthony is very useful...
00:28:08To guard you from harm.
00:28:11I'll take good care of them.
00:28:19Well, I wish I could kiss you.
00:28:21Yes, you.
00:28:22Now...
00:28:25He is my friend and a good soldier.
00:28:28I do not like to see him lose his head over a woman.
00:28:30He is my friend and a good soldier.
00:28:40I do not like to see him lose his head over a woman.
00:28:43Aren't you exaggerating, Mbeth?
00:28:45I think not.
00:28:46Couldn't we send her back to the base, Major?
00:28:48No, if you could send her away, it would simplify everything.
00:28:52Could perhaps send her to Milan?
00:28:55Excellent, my dear Major.
00:28:56Magnificent.
00:28:56No wonder the English are first in diplomacy.
00:29:00What did you say her name was?
00:29:14We won't get anything else to eat once the attack starts.
00:29:17This is all they give me.
00:29:19Starting to eat at an end?
00:29:21No, we'll all eat together.
00:29:23Come on, sit down to it.
00:29:24Come on.
00:29:31Here, you come.
00:29:32This is what I'm doing here, take it.
00:29:35Oh, my God.
00:29:36Another beer.
00:29:38Here.
00:29:39All you want.
00:29:40Good night.
00:29:43Here, take some cheese.
00:29:44Let's go.
00:29:47Washing down with wine.
00:29:49Tell him.
00:29:52Who goes to the attack?
00:29:53If nobody would attack, the war would be over.
00:30:14No.
00:30:28This was a big one.
00:30:30420.
00:30:31No, it's behind them fives.
00:30:33Sounded like a skoda to me.
00:30:34Skoda?
00:30:35That's what I say.
00:30:42Oh, shit.
00:30:43Are you back?
00:30:56Tenente.
00:30:57Anybody hurt?
00:30:58My leg.
00:31:04Hold on my leg.
00:31:05You're dead.
00:31:07You were right, Tenente.
00:31:09It was a score of guns.
00:31:11Easy now.
00:31:12Watch out.
00:31:14Lacerations of the scalp and possible fracture of the skull.
00:31:18Multiple superficial wounds of the left and right thigh,
00:31:22left and right knee and right foot.
00:31:25Profound wounds of right knee and foot incurred in line of duty.
00:31:30Antitetonus, please.
00:31:41Come on, lift them up a little more.
00:31:44All right.
00:31:45Go ahead.
00:31:46Go ahead.
00:31:47Please.
00:32:00Hurry, hurry.
00:32:02How do you feel, baby?
00:32:04Rinaldi.
00:32:05What are you doing here?
00:32:06Bonello telephoned me.
00:32:07The Major gave me permission to come.
00:32:10No one shall hurt you, baby.
00:32:11I won't let them.
00:32:12No butcher is going to touch my wall, brother.
00:32:14Only Rinaldi can take you and never hurt you.
00:32:16You must forgive me, baby, for talking so much,
00:32:18but I am very moved to see you badly wounded.
00:32:21How did it happen?
00:32:22I will see you are decorated for bravery.
00:32:23Perhaps we can get you the medaglia d'argento,
00:32:24but surely the bronze one.
00:32:25Did you carry somebody on your back?
00:32:26I didn't carry anybody.
00:32:27I couldn't move.
00:32:28Surely there was something heroic.
00:32:29Tell me what you did.
00:32:30I was blown up eating cheese.
00:32:31Don't worry, baby.
00:32:32I will fix you so that you are as good as you are.
00:32:33I will never hurt you.
00:32:34I will never hurt you.
00:32:35You must forgive me, baby, for talking so much,
00:32:36but I am very moved to see you badly wounded.
00:32:38How did it happen?
00:32:39I will see you are decorated for bravery.
00:32:40Perhaps we can get you the Medaglia d' Argento,
00:32:41but surely the bronze one.
00:32:42Did you carry somebody on your back?
00:32:43I didn't carry anybody.
00:32:44I couldn't move.
00:32:45I was blown up eating cheese.
00:32:49Don't worry, baby.
00:32:50I will fix you so that you are as good as new.
00:32:52You will see.
00:32:53Every day I learn to do things smoother, quicker.
00:32:56Soon, very soon, you will be walking again.
00:33:00I brought a present for you.
00:33:03You will find it under your blanket next to your heart.
00:33:06It is a bottle of brandy, baby.
00:33:08Very good brandy.
00:33:09The infantry captured it from the Austrians on San Gabriele.
00:33:12I have another surprise for you.
00:33:14Take a deep breath.
00:33:16Where do you think you will go from here?
00:33:19To the Italian hospital where they have the male nurses with the beards?
00:33:23No.
00:33:24I will arrange everything with my friend, the British Major.
00:33:27You will go to Milan to the beautiful Miss Barclay.
00:33:31That makes you happy, eh?
00:33:34Think of Rinaldi.
00:33:35Left all alone with the war.
00:33:37No one to make fun of.
00:33:39No one to lend him money.
00:33:41While you, while you are in Milan with the beautiful Miss Barclay,
00:33:46making love in Milan to the chaste Miss Barclay.
00:33:50Miss Barclay.
00:33:51Look out for the step.
00:34:13Look out for the step.
00:34:36Why do you stop?
00:34:37I am the superintendent.
00:34:39May I have your medical papers, please?
00:34:41They're in my coat.
00:34:42In the button-down pocket.
00:34:45Take him up those stairs, down the corridor.
00:34:48His room is the one at the end.
00:34:49You show them, Giulio.
00:34:51Who are you?
00:34:53I'm the porter, signor Tenente.
00:34:56Come.
00:34:57Follow me.
00:35:09Now, signor Tenente, we must lift you off the bed.
00:35:11All right.
00:35:12But keep my legs straight.
00:35:14This is, signor Tenente.
00:35:19Anything more, signor Tenente?
00:35:20Here'll be some brandy.
00:35:21No, it's not allowed, Silver.
00:35:23Wasn't I wounded, fighting for the glory of Hitchley?
00:35:26You'll find some money in my pocket.
00:35:28As you wish.
00:35:36So it's you.
00:35:37Ferguson.
00:35:38Is Catherine here?
00:35:39As if you didn't know.
00:35:40I believe that's why you got wounded.
00:35:41Where is she?
00:35:42You're to be still.
00:35:43Here's your chart.
00:35:44I must take your temperature.
00:35:46Does she know I'm here?
00:35:49Under the arm, please.
00:35:59Hello, darling.
00:36:00Catherine.
00:36:03You're lovely.
00:36:04Are you badly hurt?
00:36:05You're lovely.
00:36:06Oh, my poor darling, it's your leg, isn't it?
00:36:08You're the loveliest thing I ever saw.
00:36:09I have to go now, darling.
00:36:10I can't stay.
00:36:11You'll come back?
00:36:12Later, but we'll have to be awfully careful.
00:36:13You've got to come back.
00:36:14Oh, well, when I can.
00:36:15Tonight.
00:36:16I'll try.
00:36:17Somebody's coming.
00:36:18Tonight.
00:36:19Tonight.
00:36:20I'll take that thermometer now.
00:36:21Good gracious.
00:36:22Hitch the doctor.
00:36:24It's a miracle you're not delirious with such a fever.
00:36:26Well, you have to be very careful.
00:36:27You have to be awfully careful.
00:36:28You've got to come back.
00:36:29Oh, well, when I can.
00:36:30Tonight.
00:36:31I'll try.
00:36:32Somebody's coming.
00:36:33Tonight.
00:36:34I'll try.
00:36:35Somebody's coming.
00:36:36Tonight.
00:36:37I'll take that thermometer now.
00:36:40Good gracious.
00:36:42Hitch the doctor.
00:36:44It's a miracle you're not delirious with such a fever.
00:36:47I haven't got any fever.
00:36:50Stay quiet.
00:36:51Please.
00:36:52It's not what you think.
00:37:17I've brought you a few little things.
00:37:20And this is mosquito netting.
00:37:21And this is a bottle of vermouth.
00:37:23You like vermouth, huh?
00:37:25And these are English papers.
00:37:27Thank you, Father.
00:37:28It's very good of you to come.
00:37:30Oh, but I mustn't stay long.
00:37:31They warned me not to tire you.
00:37:33You seem very tired yourself.
00:37:35I am tired, but I have no right to be.
00:37:37You have the war disgust.
00:37:39Oh.
00:37:40But I hate the war.
00:37:42I don't enjoy it.
00:37:43But you do not mind it.
00:37:44You do not see it.
00:37:45Oh, you must forgive me.
00:37:46I know you are wounded.
00:37:47That was an accident.
00:37:48Still even wounded.
00:37:49You do not see it.
00:37:50I can tell.
00:37:51I do not see it myself, but I feel it a little.
00:37:54Come in, Kath.
00:37:57Oh, don't go yet, Father.
00:37:58It's still early.
00:37:59You are sure?
00:38:00In the operation in the morning, he should rest.
00:38:01Oh, he's strong.
00:38:02He has such a lovely temperature.
00:38:03It's always normal.
00:38:04I am very proud of his temperature.
00:38:05Maybe all our children will have fine temperatures too.
00:38:06Our children will probably have beastly temperatures.
00:38:19Don't mind us, Father.
00:38:20We're in love.
00:38:21I know.
00:38:23I could see it in your faces.
00:38:25You're approved, don't you, Father?
00:38:27You spoke of children.
00:38:29You spoke of children.
00:38:35This, too, is the war.
00:38:36Without the war, you would live married in God's grace.
00:38:42Is it not so?
00:38:48And you?
00:38:51Well, I...
00:38:53I hadn't thought about it like that, but...
00:38:56yes, I suppose so.
00:38:59Father, are you?
00:39:21Is that the marriage service?
00:39:22Father, are you?
00:39:23Is that the marriage service?
00:39:26Of course, you realize, Father, that army regulations prevent us from marrying.
00:39:47It's in Catherine Hall.
00:39:48Oh, my God.
00:39:48I don't know.
00:40:02Poor Carol.
00:40:03Such a crazy marriage.
00:40:05At least I'm in white.
00:40:09No orange blossoms.
00:40:10I can smell them.
00:40:11No organ music?
00:40:14I can hear it plainly.
00:40:31It was a foolish notion, perhaps.
00:40:34I have not the right to say you are married,
00:40:37yet it has made me happy to do this.
00:40:40For now, from my heart, I can say I bless you in his name.
00:40:43Thank you, Father.
00:40:46Goodbye, and be happy, both of you.
00:40:49Thank you, Father.
00:40:51Give my regards to the mess.
00:40:54I will, and get well soon.
00:40:56I will come again the next time I am in Milan.
00:40:59Goodbye, my dear.
00:41:00Goodbye.
00:41:02Is Miss Barkley here?
00:41:08Uh-uh.
00:41:09No.
00:41:10No.
00:41:11No.
00:41:12No.
00:41:13No.
00:41:14No.
00:41:27Shut the door.
00:41:28I can't.
00:41:29I can't.
00:41:30Please, darling.
00:41:40We mustn't.
00:41:41Your operation's in the morning.
00:41:42It's our wedding night.
00:41:44Oh, darling.
00:41:48You'll have to take your oil.
00:41:50Castor oil?
00:41:51No.
00:41:52You don't take it from me.
00:41:53I'll take anything from you.
00:41:54Darling.
00:41:55If you stay.
00:41:58Oh, darling, darling.
00:42:01I want what you want.
00:42:02There isn't any me anymore.
00:42:03Just what you want.
00:42:04You sweet.
00:42:13Did I make a lovely wife?
00:42:14Such a lovely wife.
00:42:15Such a lovely wife.
00:42:21Feel our heart beat.
00:42:22No wonder my heart beat.
00:42:25I'm mad about you.
00:42:44You've got to Ugh.
00:42:48But we're loving you.
00:42:50That's a lovely invite.
00:42:52Father from the River.
00:42:54Let?
00:42:55Do not go through.
00:42:56You've flown in the night.
00:42:57For a baby.
00:42:58And you can feel me wrong.
00:42:59I'm a loyal
00:43:05dentist.
00:43:06Of June.
00:43:06Of June.
00:43:07Who fell,
00:43:08And I'll see you next time.
00:43:38That's the opera I made my debut in at the Scala.
00:43:42They threw benches at it.
00:43:44That's a lie.
00:43:45Yes, they did.
00:43:46I threw six benches myself.
00:43:47That's not funny.
00:43:55Oh, now he's offended.
00:43:56You'll get over it.
00:43:57That's his sore spot.
00:43:58We always tease him.
00:43:59You don't care whom you hurt.
00:44:01Don't you get mad, too.
00:44:03Katherine and I were thinking of asking you to our wedding.
00:44:06Where'd we get?
00:44:07You'll never get married.
00:44:08We will.
00:44:09No, you won't.
00:44:10We'll fight before you'll marry.
00:44:12Oh, we never fight.
00:44:13You've time yet.
00:44:14We won't fight ever.
00:44:15You'll die, then.
00:44:16Fight or die.
00:44:17That's what people do.
00:44:19They don't marry.
00:44:20Why, Fergie.
00:44:21Don't.
00:44:23I'm not crying.
00:44:27Maybe you'll be all right, you two.
00:44:29Watch out, you don't get her in trouble.
00:44:31I won't get her into trouble.
00:44:33You better not, or I'll kill you.
00:44:35Why, Fergie.
00:44:37What is the matter with her?
00:44:40She doesn't like me, that's all.
00:44:42Oh, no.
00:44:43She just likes me more.
00:44:52Are you on night duty tonight?
00:44:54Yes, but you won't care.
00:44:55You'll go right off to sleep.
00:44:56You wait and see.
00:44:57Darling.
00:44:58How many other girls have you ever loved?
00:45:00None.
00:45:01How many, really?
00:45:02None.
00:45:03How many have you, um...
00:45:04How do you say it?
00:45:05Loved.
00:45:06None.
00:45:07You're lying to me.
00:45:08Of course.
00:45:09Oh, that's right.
00:45:10You just keep right on lying.
00:45:11That's what I want you to do.
00:45:12Were they pretty?
00:45:13I've never been with anyone.
00:45:14That's right, darling.
00:45:15What were they like?
00:45:16I don't know anything about it.
00:45:17You're just mine.
00:45:18That's true.
00:45:19You've never belonged to anyone else.
00:45:20I don't care if you have, though.
00:45:21I'm not afraid of them.
00:45:22Only don't tell me about them.
00:45:23I don't care if you have, though.
00:45:24I'm not afraid of them.
00:45:25Only don't tell me about them.
00:45:26You never told them you loved them, did you?
00:45:27No.
00:45:28I knew you wouldn't.
00:45:29Oh, darling, I do love you.
00:45:30Then kiss me.
00:45:31Right here in the street?
00:45:32Yes.
00:45:33Oh.
00:45:34Oh.
00:45:35Oh, darling, I do love you.
00:45:36Then kiss me.
00:45:37Right here in the street?
00:45:38Yes.
00:45:39Oh.
00:45:40Oh.
00:45:41Oh.
00:45:42Oh.
00:45:43Oh.
00:45:44Oh.
00:45:45Oh.
00:45:46Oh.
00:45:47Oh.
00:45:48Oh.
00:45:49Oh.
00:45:50Oh.
00:45:51Oh.
00:45:52Oh.
00:45:53Oh.
00:45:54Oh.
00:45:55Oh.
00:45:56Oh.
00:45:57Oh.
00:46:05Oh, my dear.
00:46:07Oh.
00:46:08Oh, my goodness.
00:46:09Oh, I'mata gallery.
00:46:10Oh, my dear.
00:46:11Oh, Mr.
00:46:12Oh.
00:46:12It's alright.
00:46:13Oh, Robin.
00:46:14Oh, Ann.
00:46:15OK.
00:46:17I'll go in first.
00:46:18We'll go in first.
00:46:19So, what is this, if I may ask?
00:46:23You asked me what was in it, one of them.
00:46:24And this, if I may ask. What was in it?
00:46:28That's Kimmel. That's the best kind. It comes in those bear-shaped bottles from Russia.
00:46:33And these?
00:46:35That's brandy, wine, and whiskey.
00:46:38And I've been pitying you for being wounded.
00:46:41Pity is something that is wasted on you.
00:46:44If you're so anxious not to go back to the front, I should think you'd try something more intelligent.
00:46:48Not self-inflicted alcoholism.
00:46:50What?
00:46:51I said alcoholism. And I also say that I'll see your convalescent leave is cancelled.
00:46:58You'll go back to the front tomorrow night.
00:47:21Have I time for a drink before the train leaves?
00:47:25For the front?
00:47:26Yes.
00:47:27About 20 minutes, senor Capitano.
00:47:28Right.
00:47:51It's a fine room. A lovely room.
00:48:01It's all right.
00:48:03The red plush is just the thing.
00:48:06Those mirrors are very attractive, too.
00:48:08People who go in for vice seem to have very good taste about it.
00:48:12You're a grand girl.
00:48:14Oh, darling.
00:48:18I wish you could do something really sinful.
00:48:21Everything we do seems so innocent and right.
00:48:24You're a fine, simple girl.
00:48:26I am a simple girl.
00:48:28Nobody but you ever realized it.
00:48:30At first, I thought you were a crazy girl.
00:48:32I was a little crazy at first.
00:48:39Was that your train?
00:48:40Maybe.
00:48:41It makes up a turn.
00:48:42But it stays in the station here till time to leave.
00:48:45There's really lots of time.
00:48:47But at my back, I always hear time's winged chariot hurrying near.
00:48:58I know that poem.
00:48:59It's by Marvel.
00:49:00Only it's about a girl who wouldn't live with a man.
00:49:11Listen.
00:49:17It's only the rain.
00:49:21I hate the rain.
00:49:23I like it.
00:49:24I'm afraid of the rain.
00:49:26Afraid?
00:49:27Why?
00:49:28I...
00:49:29Oh, well, perhaps it's silly.
00:49:31What?
00:49:32Tell me.
00:49:33No, don't make me.
00:49:34Tell me.
00:49:35All right.
00:49:37I'm afraid of the rain because sometimes I see me dead in it.
00:49:41No.
00:49:42And sometimes I see you dead in it.
00:49:45That's more likely.
00:49:46Oh, now, darling.
00:49:47Don't say that.
00:49:53That is your train.
00:49:56Time's winged chariot.
00:50:05I'll come with you, hmm?
00:50:06No, please.
00:50:07I don't want you...
00:50:08Not at the station.
00:50:09All right, darling.
00:50:12How often will you write?
00:50:13As often as I can.
00:50:14Do they read your letters?
00:50:15They can't read English enough to hurt any.
00:50:17Well, I'll make them very confusing.
00:50:19But not too confusing.
00:50:20Oh, I should have got you a going away gift.
00:50:22A whistle to make you feel better in the dark.
00:50:25Or a sword.
00:50:26I'm sure we could get a used sword very cheap.
00:50:28Swords aren't very useful at the front.
00:50:30Oh, I see.
00:50:31They get in the way of your legs when you're running.
00:50:32They might be useful at mess, though.
00:50:34I'm afraid I have to start, darling.
00:50:35I hate to leave our fine house.
00:50:36So do I.
00:50:37We never stay settled very long in a home, do we?
00:50:38We will.
00:50:39I'll have a fine home for you when you come back.
00:50:41Say I'll come back to Catherine.
00:50:43I'll come back to Catherine.
00:50:44I'll come back to Catherine.
00:50:46I'll always come back.
00:51:00I'll always come back.
00:51:13Maybe this time you'll be hurt just a little in the foot.
00:51:18Or the lobe of the ear.
00:51:19Oh, no, no, no.
00:51:20I want your ears just the way they are.
00:51:22Your feet have been hurt already.
00:51:43Keep, keep, keep.
00:52:06Keep, keep.
00:52:13Keep.
00:52:17Good.
00:52:23Oh, no.
00:52:25We have to.
00:52:30Where are the.
00:52:31We have to.
00:52:36I'm sorry.
00:52:39I'm sorry.
00:52:41I'm sorry.
00:52:46Do you even know that it's not the end?
00:52:49I'm sorry.
00:52:53I'm sorry.
00:52:58I'm sorry.
00:53:00You're right.
00:53:04I want a ticket to Switzerland.
00:53:34To where, signora? To what town?
00:53:36The nearest one to Italy.
00:53:37That would be Brissago, signora.
00:53:39Then give me a ticket to Brissago.
00:53:40All right.
00:53:41Oh, Fergie, I was afraid you wouldn't come.
00:53:43Would you mind telling me what this is all about?
00:53:45I'm going away.
00:53:46So I gathered by this, but...
00:53:47Where? Why?
00:53:48To Switzerland, to have a baby.
00:53:51Oh.
00:53:53I knew he'd get you in trouble.
00:53:55Oh, no, it wasn't his fault, really, Fergie.
00:53:56But what's he going to do about it?
00:53:57He doesn't know it.
00:53:59You didn't tell him?
00:54:00Well, what would be the good?
00:54:01It would only worry him.
00:54:02He'd have to go anyway.
00:54:03Aren't you going to tell him?
00:54:05Well, not yet.
00:54:06I may write him from... from Switzerland.
00:54:09You're a fool.
00:54:10Here, signora.
00:54:12On track three.
00:54:13Oh, thank you.
00:54:14But what's the hurry?
00:54:15Why tonight?
00:54:16I couldn't go back to that hospital.
00:54:17I couldn't stand it.
00:54:18Not with him gone.
00:54:19But you'll be all alone in Switzerland.
00:54:20Don't worry, Fergie.
00:54:21I'll be all right.
00:54:23You're not afraid of anything, are you?
00:54:27Only of going back to that hospital.
00:54:30Don't scold me, Fergie.
00:54:32I'll carry it.
00:54:36I'll carry it.
00:54:37I'll carry it.
00:54:38I'll carry it.
00:54:43I'll carry it.
00:54:44You'll be all alone.
00:54:46You'll find him my name.
00:54:47He'll take it.
00:54:48I'll carry it in.
00:54:49He'll take it out.
00:54:50I'll take it.
00:54:51I gonna get you there.
00:55:01Good night.
00:55:07Now.
00:55:10I've always told you I was a crazy girl.
00:55:13I couldn't bear my land with you away.
00:55:15So I've chucked the war and come to live in this little Swiss town.
00:55:19chuck the war and come to live in this little Swiss town as near as possible to the Italian
00:55:23border and you. And darling, it's an adorable place. I'm going to be very happy here. I've
00:55:29taken a suite... suite in the best hotel and I'm fairly wallowing in luxury. The bed is
00:55:40ampere and fit for an empress. There's a maroon velvet carpet, ankle deep, and a bathroom.
00:55:46Oh, darling, the bathroom. It's of black marble with silver fittings. I've just dined in state
00:55:54at my sitting room window from which there is a divine view of the lake shimmering in moonlight.
00:56:01I'm an awful liar, darling. It's not really a nice place at all. It's mean, cheap, and horrible. But it doesn't matter where I live because I don't really live at all when I'm not with you.
00:56:24Oh, darling. What I really want to tell you is that I shall lie awake in the dark and cry because you're not here. I'm lonely and frightened. And I love you both.
00:56:45Hurry, baby. Why? Time to go. Go where?
00:57:00But I told you before, to the Villa Rosa. New girls. Everybody's going.
00:57:04Not me.
00:57:05But you must. It would be a fine party. And besides, I said you would go.
00:57:08I can. I've got to write some letters.
00:57:12Oh, to that little, every day more letters. You might as well be married.
00:57:17That's my business.
00:57:18Oh, baby. How you have come back to me. Serious like a shopkeeper with a liver.
00:57:25Where is my war brother who used to get drunk with me and go to the Villa Rosa every night?
00:57:30Leave me alone, will you?
00:57:31Why, isn't she just a girl? Keep her out of this. Sacred subject. Believe me, baby, sacred subjects are not good for soldiers.
00:57:45Why don't you be like me? All fire and smoke and do nothing inside.
00:57:51Come on, baby. You're drunk.
00:57:53Stop it.
00:57:53Of course I am drunk. You come with me and you will be drunk, too.
00:57:57Come on, baby.
00:57:58Oh, I am sorry. Now you must come. There is no more ink.
00:58:04Get your hands off me and get out.
00:58:12Poor baby.
00:58:13Tomorrow I will get you drunk and I will take out your liver and I will put you in a good Italian liver and make a man of you again.
00:58:21Ciao, baby.
00:58:28You're going out, signor Capitano?
00:58:36Yes, why?
00:58:37The mail just came, signor Capitano.
00:58:39You censor it.
00:58:40Signor Capitano.
00:58:42The officers?
00:58:44Mail, too?
00:58:47Anyway.
00:58:48Are you going to open them, signor Capitano?
00:59:03No.
00:59:04I'm going to hurry.
00:59:05I'm going to hurry.
00:59:18Send this one back.
00:59:24Yes, signor Capitano.
00:59:26I do not like to see him lose his head over a woman.
00:59:29Yes, signor Capitano.
00:59:30And today my letters came back.
00:59:55Every one I'd ever written.
00:59:56Came back?
00:59:57Just marked return to sender.
00:59:59Person unknown.
01:00:00Well, that's very strange.
01:00:0232 letters.
01:00:03She never got one.
01:00:04Well, that's why she never wrote you.
01:00:06No.
01:00:07She'd have written me anyway.
01:00:08Something's happened to her.
01:00:10Have you tried to...
01:00:10I can't get any information at all.
01:00:13I've got to go and find her, myself.
01:00:15Now, can you?
01:00:16I'm going to Milan.
01:00:17I'll find her.
01:00:18But aren't all leaves of absence forbidden since that battle in the north began?
01:00:22I'm going anyway.
01:00:23Well, that's desertion.
01:00:25I don't care.
01:00:26I'm going.
01:00:27You'll be caught.
01:00:28Oh, you mustn't do this, Frederico.
01:00:30Yes, I must.
01:00:32That's what I wanted to tell you, Padre.
01:00:34What does this war mean to me anymore?
01:00:36What does anything mean but finding her?
01:00:38But, Frederico, consider the...
01:00:40I can depend on you, Padre.
01:00:46Say goodbye to Rinaldi and the others for me.
01:00:48When are you leaving?
01:00:50Now.
01:00:50While we're at dinner.
01:00:52And by morning, when they miss me, I'll be halfway to Milan.
01:00:55If they ask me what...
01:00:56What do I say, I...
01:00:57Anything you like.
01:00:59Goodbye, Padre.
01:01:01Goodbye, Frederico.
01:01:03May the Lord bless and preserve you.
01:01:04Goodbye, Padre.
01:01:05Goodbye, Padre.
01:01:06Goodbye, Padre.
01:01:07Goodbye, Padre.
01:01:08Goodbye, Padre.
01:01:09Goodbye, Padre.
01:01:10Goodbye, Padre.
01:01:11Goodbye, Padre.
01:01:12Goodbye, Padre.
01:01:13Goodbye, Padre.
01:01:14Goodbye, Padre.
01:01:15Goodbye, Padre.
01:01:16Goodbye, Padre.
01:01:17Goodbye, Padre.
01:01:18Goodbye, Padre.
01:01:19Goodbye, Padre.
01:01:20Goodbye, Padre.
01:01:21Goodbye, Padre.
01:01:22Goodbye, Padre.
01:01:23Goodbye, Padre.
01:01:24Goodbye, Padre.
01:01:25Goodbye, Padre.
01:01:26Goodbye, Padre.
01:01:27Goodbye, Padre.
01:01:28Goodbye, Padre.
01:01:29Goodbye, Padre.
01:01:30Goodbye, Padre.
01:10:38I'm through the
01:10:42Okay.
01:10:44I'm good.
01:10:48I'm through the war.
01:10:50Can I speak to you a moment, sir?
01:10:57It's all right, Harry.
01:10:57He's my friend.
01:10:58But I, uh...
01:10:59He keeps telling me that it's dangerous for me to stay here any longer.
01:11:03The policeman was in tonight.
01:11:05He spoke of notifying the carabinieri.
01:11:08When will they come?
01:11:09Tonight, tomorrow, who knows?
01:11:10But soon.
01:11:12My boat is still ready, sir.
01:11:16Thank you, Harry.
01:11:16Harry, if they arrest you, no one can save you.
01:11:22I know that.
01:11:23They will shoot you.
01:11:24Look, get this through your head.
01:11:26I'm not going back.
01:11:29I've got to wait here until I can find Catherine.
01:11:33And how do you expect to do that?
01:11:36I've got some people looking for her.
01:11:39That is more important than...
01:11:40She's going to have a baby.
01:11:43My baby.
01:11:46So.
01:11:50And that means everything to you.
01:11:54Yes, it would.
01:11:56It means that I've got to find her and get her out of Italy.
01:12:01Perhaps she is no longer in Italy.
01:12:03What makes you say that?
01:12:05She is in Switzerland.
01:12:07Where?
01:12:09Brissago.
01:12:10Brissago?
01:12:12Harry!
01:12:13Harry!
01:12:16Will you do one for me, too?
01:12:38Yes, madam.
01:12:39Step around here.
01:12:40Step around here.
01:12:44No.
01:12:45Just the head, please.
01:13:10Isn't there any mail for me yet?
01:13:24Ah, madam.
01:13:25Yes, yes.
01:13:26Today there are letters.
01:13:28Many letters.
01:13:28Many.
01:13:28Oh.
01:13:30Twenty.
01:13:31Twenty.
01:13:31Oh, that was worth waiting for.
01:13:33What?
01:13:33What?
01:13:33Oh.
01:13:33Oh.
01:13:59Hmm.
01:13:59it is up the lake and across about 35 kilometers i'll make it at the frontier there will be
01:14:17sentries i know and you will have to watch out for the patrol boats i will if it blows too hard
01:14:22i won't drown have you enough money here won't you need it there must be a villa rosa at porto denoni
01:14:35always the same girls until they become like old friends like war comrades take it baby please please
01:14:42you're a good egg running no i am not a good egg i am a fool but if i had understood how you felt
01:14:51about uh good luck baby
01:15:10ciao baby
01:15:19shall i get a new cylinder doctor there's a new cylinder
01:15:24oh i wanted so to have this baby and not make any trouble and now i'm all done
01:15:31i'm all gone to pieces
01:15:44She is losing strength fast, doctor.
01:15:58There's no use.
01:15:59I'll have to operate.
01:16:03That was lovely.
01:16:07Frederick.
01:16:09Darling.
01:16:14You mustn't worry, darling.
01:16:18I'm not going to die now.
01:16:23I got past the place where I was going to die.
01:16:30Aren't you glad?
01:16:32Of course you're not going to die.
01:16:34You mustn't think about it.
01:16:44It's a cesarean.
01:16:57Oh, we're lucky to be on time.
01:16:58I'm sorry.
01:17:00Is she going to be all right?
01:17:20Are you the husband?
01:17:20Yes.
01:17:21She kept calling for you all night.
01:17:22It would have been better if you'd been here.
01:17:24I'm sorry.
01:17:25Is she in danger?
01:17:26Oh, she's very weak.
01:17:27You don't suppose I can see her now?
01:17:29Later, later.
01:17:30It won't be long.
01:17:57She can't die.
01:17:59She can't die.
01:18:00Shh.
01:18:15Did you call?
01:18:21No.
01:18:21I didn't say anything.
01:18:23Is she all right?
01:18:49I hope so.
01:18:50She's the baby.
01:18:51The boy, but he was dead before she ever came in here.
01:18:54Oh, but she'll be all right.
01:18:57That's not in my hands any longer.
01:19:02Better go across the street and get yourself some breakfast.
01:19:05You'll kiss if you need it.
01:19:07It will be some time before she can see you.
01:19:09There's nothing there, dog.
01:19:30Yeah.
01:19:31I'm sorry.
01:19:32But I'm sorry.
01:19:33No.
01:19:33You're not at all.
01:19:35I'm sorry.
01:19:35I'm sorry.
01:19:38I'm sorry.
01:19:39You're not at all.
01:19:39But I'm sorry.
01:19:40But I'm fine.
01:19:42You're not at all.
01:19:43I or it's not at all.
01:19:43I want to see you.
01:19:45But I'm sorry.
01:19:46It's not at all.
01:19:47You've had children. What was it like?
01:20:05I beg your pardon. What did you say?
01:20:09Nothing. Some coffee, please. And a brioche.
01:20:17It's in the papers. Italy has won.
01:20:26Thank God it's over.
01:20:28This is the beginning of the end.
01:20:30But it'll be a long time before they can rebuild what's been destroyed.
01:20:34In the early morning hours of November 4th,
01:20:38the Austro-Hungarian Supreme Command accepted by radiogram
01:20:42the armistice conditions laid down by General Bedoglio.
01:20:47Don't let her die.
01:20:51Oh, God. Please don't let her die.
01:20:55I'd do anything for you if you don't let her die.
01:20:59You took the baby.
01:21:01That was all right.
01:21:02But don't let her die.
01:21:05Please.
01:21:06Please, dear God.
01:21:09Don't let her die.
01:21:10Don't let her die.
01:21:24But then it will let her die...
01:21:27Your husband's out there.
01:21:29Might as well let him in.
01:21:39I knew he was coming.
01:21:43When I went under, I knew he was here.
01:21:49You won't be here.
01:21:51You won't be here.
01:21:53You won't be here.
01:21:55You won't tell him, will you?
01:21:57Tell him what?
01:22:01That I'm going to die.
01:22:05No, you won't tell him.
01:22:11Doctor,
01:22:15have I loaned you?
01:22:25Don't you see?
01:22:27I have to know.
01:22:29Inoculum.
01:22:37Let him come in.
01:22:41No way.
01:22:43Could I...
01:22:45Could I have my bag first?
01:22:59Such a mess.
01:23:05You never liked me to be pale.
01:23:15You can go in now.
01:23:19You can go in now.
01:23:21You're all right.
01:23:23I'm fine.
01:23:25Did you worry about me?
01:23:27I'm fine.
01:23:29I'm fine.
01:23:31I'm fine.
01:23:33I'm fine.
01:23:35You're fine.
01:23:36I'm fine.
01:23:37I'm fine.
01:23:38You're fine.
01:23:39You're fine.
01:23:40I'm fine.
01:23:41I'm fine.
01:23:42You're fine.
01:23:43You're fine.
01:23:44You're fine.
01:23:45You're fine.
01:23:46You're fine.
01:23:47You're fine.
01:23:48You're fine.
01:23:49You're fine.
01:23:50You're fine.
01:23:51You're fine.
01:23:52I'm fine.
01:23:53Did you worry about me?
01:23:54I came as soon as...
01:23:55I found where you were.
01:23:56Poor darling.
01:23:57Let me look at you.
01:23:59Oh.
01:24:01You're wet and tired.
01:24:03Sit down, darling.
01:24:04Here.
01:24:05Here.
01:24:13You're gonna be all right, Kath.
01:24:23You want me to do anything, Kath?
01:24:25Can I get you anything?
01:24:27No.
01:24:29Just talk to me.
01:24:31Tell me you haven't stopped loving me.
01:24:34You know, I couldn't stop.
01:24:37I like to hear you say it, though.
01:24:39I'll never stop loving you.
01:24:42Never?
01:24:44Not even...
01:24:46if I died?
01:24:50Never.
01:24:55You'd never do our things with any other girl,
01:24:57or say the same things, would you?
01:25:00Never.
01:25:01Never.
01:25:02I want you to have other girls for me.
01:25:05I don't want them.
01:25:07That's right, Dad.
01:25:16Try to...
01:25:17try to sleep, Kath.
01:25:18When I get Will...
01:25:22we'll...
01:25:24we'll...
01:25:25we'll take a little house in the mountains.
01:25:29We always plan the house of our own, remember?
01:25:33I'll get you a fine house.
01:25:35And we'll live in it until the war's over.
01:25:38And then you'll go back to America and be a splendid architect.
01:25:44We'll be married all over again.
01:25:46In a church.
01:25:48In a church.
01:25:50Oh, darling.
01:25:52I'm gonna die.
01:25:54Don't let me die.
01:25:56Take me in your arms.
01:25:58Hold me tight.
01:25:59Don't let me go.
01:26:01It's dark out there and lonely.
01:26:03I don't want to leave you anymore.
01:26:04I've been alone so much.
01:26:06You...
01:26:07you can't die.
01:26:08You're too brave to die.
01:26:09You're a fine girl.
01:26:10A brave girl.
01:26:12Yes.
01:26:14I...
01:26:15I...
01:26:16Am a brave girl.
01:26:17Whatever happens...
01:26:18Do not be afraid.
01:26:20I'll not be afraid.
01:26:22I'll not be afraid.
01:26:24I'll not be afraid.
01:26:26I'll not be afraid.
01:26:28I'll be afraid.
01:26:30You know...
01:26:32I am a brave girl.
01:26:34Whatever happens...
01:26:36Do not be afraid.
01:26:39I'll not be afraid.
01:26:41We've never been apart.
01:26:43Really.
01:26:44Not since we met.
01:26:46Not since we met.
01:26:48And never can be.
01:26:50Never parted.
01:26:51In life and in death.
01:26:54Say it, Kath.
01:26:56In life and in death.
01:26:59We'll never be parted.
01:27:03You do believe that, don't you, Kath?
01:27:06I believe it.
01:27:10And I'm not afraid.
01:27:36Peace.
01:27:38Peace.
01:27:39Peace.
01:27:40Peace.
01:27:47Peace.
01:27:48Peace.
01:27:49Peace.
01:27:59Peace.
01:28:03Peace.
01:28:05Peace.
01:28:35The End
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