- 1 day ago
A suspenseful classic mystery film filled with crime, danger, and thrilling investigations. Deadline for Murder (1945) follows a tense journey of reporters and detectives uncovering secrets hidden beneath the shadows of the city. Packed with dramatic moments, suspenseful twists, and vintage noir atmosphere, this classic movie delivers timeless entertainment for fans of old Hollywood cinema.
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Short filmTranscript
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00:03:35Say, that's dying for the beauty!
00:03:38Oh, by the way Miss Jordan
00:03:40I've arranged to have you with us at the Captain's table.
00:03:43We might brighten it up a bit.
00:03:44Oh, that's thoughtful obviously!
00:03:46I'm sure I shall enjoy it.
00:03:49Were you hungry?
00:03:50Oh, so hungry.
00:03:52That was actually good to me.
00:03:57Hello, Mother.
00:03:59Hello, darling.
00:04:00I got down long before you.
00:04:01I say, I hear that we are to have a little game this afternoon.
00:04:08Were you hungry?
00:04:10I believe you all know Miss Jordan.
00:04:12How do you do, Miss Jordan?
00:04:16Oh, yes, of course.
00:04:17Does Miss Jordan know Mr. Montmorency Upson?
00:04:20Oh, yes.
00:04:21We've met.
00:04:23Charles.
00:04:25If I'm not too inquisitive, Miss Jordan,
00:04:27was it on the continent you met Mr. Upson?
00:04:30It was on a boat.
00:04:31You know how it is in life sometimes.
00:04:33You open a door and before you know it you bump into somebody.
00:04:38I say, old thing, do we take on any passengers at Los Angeles?
00:04:42Why, yes.
00:04:43As I recall, there's a group of passengers going through to Panama.
00:04:47The Trixie Snell girls, down to perform in the Bull Ring Cabaret.
00:04:51You mean cabaret girls?
00:04:53Well, dancers, entertainers, hostesses.
00:04:55You can call them almost anything you like.
00:04:58Hoochie-coochie dancers, eh, what?
00:05:01Will they be permitted to mix with the passengers?
00:05:03They are passengers, Mrs. Grayson.
00:05:05The company cannot discriminate.
00:05:07Well, the passengers can discriminate, I assure you.
00:05:10Yes.
00:05:11I quite agree with you, Mother.
00:05:13That type should be kept in its place.
00:05:15Don't you think so, Dale?
00:05:17That depends.
00:05:18On the type and the place.
00:05:20Let's see.
00:05:42Hey, red!
00:05:44Her hair is a different color every year, but they still call her red.
00:05:50Pam the chatter, save your pets for Panama.
00:05:58You'd forget your rosy cheeks if they weren't slapped down with a paintbrush.
00:06:01I know I had them when I bumped into that traveling man last night.
00:06:05The brakes, I guess.
00:06:06Another farmer's dog.
00:06:08Have you looked in the First National?
00:06:10Oh.
00:06:14Horrid.
00:06:15Well, try the second branch, you sims.
00:06:20Hot dog!
00:06:22Hot dog!
00:06:29One side, sailor.
00:06:31You ain't seen nothing yet.
00:06:35In all the world, no trip like this.
00:06:38Hi, Skipper.
00:06:40How's your life?
00:06:41What's your old compass?
00:06:41Hello, Miss Nell.
00:06:42Glad to see you again.
00:06:43Oh, we both had a roll with a hay, Admiral.
00:06:48Hey, Admiral.
00:06:49Are there any hot hoppers on this tug?
00:06:51Scram, Dumbbell.
00:06:53Cramp your sound till you get where you can use it.
00:06:55Take down!
00:06:56Hey, sailor!
00:06:58Look who's back!
00:07:00Come on, come with me.
00:07:02Saloon!
00:07:06If you'll excuse me, Mr. Grayson, I think I'll go down to my cabin.
00:07:09Well, I'll see you later, won't I?
00:07:12Why, yes.
00:07:14Unless you look the other way.
00:07:20That's it.
00:07:21I think it is.
00:07:24Who's the roommate?
00:07:25Last time, he bumped me with a contortionist.
00:07:27Every time I looked at her in bed, I thought I was having a nightmare.
00:07:31Oh, she's a kid I picked up in Frisco.
00:07:33Kind of green, but she can sing.
00:07:35Oh, amateur, huh?
00:07:36What are we supposed to do, wiener?
00:07:38Well, there's nothing like a little fresh meat.
00:07:41After all, customers get kind of tired of has-been.
00:07:44You should know.
00:07:45Why, you low-down, plug-face.
00:07:48Oh, as I was saying, dear, we're going to have a delightful trip.
00:07:52Why, here's Miss Jordan now.
00:07:54Jolly what?
00:07:55Oh, hello, Miss Jordan.
00:07:57You received my wire, eh?
00:07:58Yes, I did, Miss Snell.
00:08:00I didn't really expect to hear from you.
00:08:02This is Jerry Royal, your roommate.
00:08:04Been with me before, and she knows the rope.
00:08:06How do you do, Miss Royal?
00:08:07Shake, Jordan.
00:08:08Hey, Trixie, when do rehearsal start?
00:08:11Not till this gang of slobs get their sea legs.
00:08:13And listen, you, keep their mitts off those sailors.
00:08:16They've got enough on their hands keeping this tub afloat.
00:08:21The last we'll see at Trixie till we get into port.
00:08:24She's a good egg, except when she gets scrambled.
00:08:28Got a nail file, honey?
00:08:29What's the matter?
00:08:30Did you lose the key?
00:08:31No, I locked it in my trunk so they'll know where it is.
00:08:34Is it your first time in show business?
00:08:36Yes, it's my first to been.
00:08:38Well, you sure picked a tough spot for a beginner.
00:08:41Well, you've got to begin someplace.
00:08:43Yeah?
00:08:44Well, you don't know the bull ring or Trixie Snell's technique.
00:08:47Have you been here before?
00:08:49Honey, I've been to Panama so often I feel like an isthmus.
00:08:53Well, if it's so bad, why do you and the other girls keep on going back again?
00:08:57Oh, different girls, different reasons.
00:08:59But mostly because it's just our speed.
00:09:02You know, you can't make a silk purse out of a horse's neck.
00:09:06And there's another reason.
00:09:07Good hunting for husbands.
00:09:10Say, there's 20 unmarried men to every woman.
00:09:12Why, it's a regular he harem.
00:09:14I shouldn't think a good-looking girl like you'd have any trouble finding a husband.
00:09:18She wanted one.
00:09:20Thanks for them kind words, sister.
00:09:22But I am married.
00:09:24You are?
00:09:25Yeah, or am was and is going to be.
00:09:27Are you joking?
00:09:28No, sir.
00:09:29Three times loser.
00:09:30Trouble with me is I go gaga over tattoo marks.
00:09:34Three splices and three sailors.
00:09:37The kind of sailors I hitched up with ain't never seen an anchor.
00:09:40How do you lose them?
00:09:41They don't just run away, do they?
00:09:43Well, some of them get lost in the fog.
00:09:45The rest of them I just throw out.
00:09:48Well, it was open all the time.
00:09:50As if I got to lock it.
00:10:03Well, that was number one.
00:10:04Olaf Anderson.
00:10:06He's a pretty good guy.
00:10:08Not much to look at, but oh, sister, what a man.
00:10:12What happened to him?
00:10:13Poor Olaf.
00:10:15He signed on one of those round-the-world cruises.
00:10:18Lost his boat in Shanghai, and I guess the dumb dodo can't learn enough Chinese to ask his way home.
00:10:23Want me to help you put your things away?
00:10:25Nope.
00:10:25I don't need any help.
00:10:32Well, I'm all settled.
00:10:35Haven't helped the poor sailors on a night like this.
00:10:38I thought you said you'd sworn off on sailors.
00:10:41Well, the gal's got to have some practice.
00:10:43Some of those sailors are pretty good at practice.
00:10:47Come on, let's get done.
00:11:08So your girlfriend turned out to be one of Trixie Snell's hot numbers.
00:11:25I'm a little nervous.
00:11:26Hal, I have a frightful headache.
00:11:28Will you see me to my cabin?
00:11:36Coming, children.
00:11:52Miss Jordan, I've been waiting for days to find someone to introduce us.
00:11:58Looks as though I'll have to take fate by the forelock and present myself.
00:12:01How do you do, Mr. Baylor?
00:12:03You knew my name.
00:12:05You knew mine?
00:12:07Would you dance?
00:12:20Aren't you afraid you'll lose your social standing?
00:12:24I haven't any.
00:12:26I might acquire some dancing with you.
00:12:36Phew!
00:12:37How many ports have you been in?
00:12:39A whole lot, baby, but I always go back to the same one.
00:12:43The same what?
00:12:44Back home where there's Mama and Gretchen and Mabel and Catherine and Isaacs and Aloysius and a baby I ain't
00:12:52even seen yet.
00:12:54And what am I supposed to be, the godmother?
00:13:04Do you realize that for the whole evening you've made me talk of nothing but myself?
00:13:08I certainly couldn't think of a better subject.
00:13:11Mr. Baylor, suppose you tell me the story of your life?
00:13:14Do you think you'd be interested?
00:13:16That depends on the story.
00:13:18It's a long one.
00:13:20Probably take all of tomorrow afternoon.
00:13:23Think you could stand it?
00:13:24I think so, Mr. Baylor.
00:13:26Tom.
00:13:27Tom.
00:13:33Oh, it must be very late.
00:13:36I think I'd better go.
00:13:43I've had a delightful evening, Tom.
00:13:46Good night, Dale.
00:13:47Good night, darling.
00:13:49Good night, darling.
00:14:02Good night, darling.
00:14:02Good night, darling.
00:14:04Good night, darling.
00:14:09Good night, darling.
00:14:10Good night, darling.
00:14:10Good night, darling.
00:14:10Good night, darling.
00:14:10Good night, darling.
00:14:11Good night, darling.
00:14:13Good night, darling.
00:14:14Good night, darling.
00:14:15Good night, darling.
00:14:15Good night, darling.
00:14:16Good night, darling.
00:14:18Good night, darling.
00:14:21Good night, darling.
00:14:29Oh dear, my ten dollar gold piece.
00:14:33Allow me to help you, my dear.
00:14:35Deucid embarrassing, what?
00:14:37Yes, yes.
00:14:38I think the bally thing rolled under my chair.
00:14:41Yes.
00:14:50Workhold, do dropping things, I see.
00:14:54Oh.
00:15:13Who is it?
00:15:14Hello, kid.
00:15:16I guess you've been having quite a laugh at my expense, haven't you?
00:15:19Laugh?
00:15:19What do you mean by coming into my room?
00:15:21Oh, well, the joke's on me, all right.
00:15:22Here I was, being so very, very careful.
00:15:26And all the time, you were one of Trixie Snell's girls.
00:15:32I think you've made a mistake.
00:15:34Good night, Mr. Grayson.
00:15:38Oh, come on, kid.
00:15:40That act's over.
00:15:41Be yourself.
00:15:43Is your face red?
00:15:45Oh, I see.
00:15:46Just a couple of...
00:15:48Outside, Bluebeard.
00:15:52Scram, bug, before I step on you.
00:15:57Say, you're no babe in rompers.
00:16:00You can take care of yourself.
00:16:01Only your technique's old-fashioned.
00:16:03Old-fashioned?
00:16:04Yeah, that, that, uh, face-slapping gag.
00:16:08They're mature-ish.
00:16:09It's all right for them parlor books and all that.
00:16:12But say, when a goof makes a pass at me,
00:16:14I ups to him and gives him a right hook to the kisser.
00:16:17You know, you've got to be prepared for things like that
00:16:19when you get in a troop of Trixies.
00:16:21Maybe I should have studied boxing instead of singing.
00:16:24You think you're kidding?
00:16:25Maybe you'll wish you had.
00:16:27You're going to meet plenty of palookas.
00:16:29Jerry, you make it sound pretty terrible.
00:16:32Oh, gee, kid.
00:16:34I didn't mean to scare you.
00:16:36You just tie onto Jerry's apron strings
00:16:39and everything will be all right.
00:16:41You know, Jerry knows their onions.
00:16:43And their tamales, too.
00:16:55Why, Tom, what an odd curio.
00:16:57It's a sort of good luck charm.
00:16:59I got it from an Indian chap
00:17:01that I managed to pull out of the water
00:17:02down in the San Blas Islands.
00:17:03That's where your business is.
00:17:05I'm in the copper trade down there.
00:17:07It's pretty wild.
00:17:08Often I don't see a white man for months.
00:17:11I spend my days visiting native villages,
00:17:13sleeping outdoors.
00:17:14Sounds almost as exciting as the bull ring.
00:17:19Bill, tell me.
00:17:21How much do you actually know
00:17:22about Trixie Snell and the bull ring?
00:17:24Not much.
00:17:25But I seem to be learning.
00:17:26But you must have known something
00:17:27about what you were getting yourself in for.
00:17:29Things are a little different
00:17:30from what I thought they'd be,
00:17:31but I think I'll be able
00:17:33to take care of myself all right.
00:17:34Why, though?
00:17:36You know,
00:17:37until I heard about your stage ambitions,
00:17:40I was a little puzzled
00:17:41at seeing a girl like you
00:17:42in Trixie's troop.
00:17:43Most of the girls
00:17:44in the bull ring I've known
00:17:45signed up with Trixie
00:17:46either as a last resort
00:17:48or at most
00:17:49because they were hunting
00:17:50for sensations.
00:17:52I don't think I really belong
00:17:54to other class.
00:17:55How the old thing
00:17:56is the spirit of me?
00:17:58What is it?
00:17:58Haul.
00:17:59Say, what is this
00:18:00haul business
00:18:01you're always getting on?
00:18:03Why, my dear,
00:18:04it's an expletive
00:18:05that is indigenous
00:18:07to my stratum.
00:18:08You don't mean it.
00:18:10Isn't there something
00:18:11a doctor could do about it?
00:18:13Haul.
00:18:14We're right back
00:18:15where we started.
00:18:16I say, you know,
00:18:18I was quite distressed
00:18:19over your losing
00:18:20your money last night.
00:18:22So after you'd retired,
00:18:24I went back to your chair
00:18:25and looked around
00:18:26for your gold piece.
00:18:28Quite sporting of you,
00:18:30old thing.
00:18:31Too bad you didn't find it.
00:18:33But I did, you know,
00:18:35right under your chair.
00:18:37You know,
00:18:38I have remarkable eyesight.
00:18:41Remarkable eyesight?
00:18:43Why, you're a walking microscope.
00:18:45I think you're a honey.
00:18:47I say, old thing,
00:18:49I think you're a little bit
00:18:50of all right yourself.
00:18:52Quite spiffing.
00:18:53What?
00:18:54Say, what is this
00:18:55old thing
00:18:56and spiffing business?
00:18:58Are you trying
00:18:58to make fun of me?
00:19:00My word, old dear.
00:19:01So you're making fun of me, huh?
00:19:04Say, listen, Egg.
00:19:05If you think
00:19:06you can make fun of me
00:19:07for ten bucks,
00:19:08you're screwy.
00:19:12Paul.
00:19:19Well, Tom,
00:19:20tomorrow we'll be in Panama.
00:19:24That's right.
00:19:25This is our last night out.
00:19:28I'd better hurry and dress.
00:19:35Oh, dirt.
00:20:01What's the matter, Tom?
00:20:02You look as glum
00:20:03as one of those Indians
00:20:04on that island of yours.
00:20:06Oh, I don't know, Dale.
00:20:07Thought of your leaving
00:20:08as bad enough.
00:20:09Leaving with Trixie Snell
00:20:10and all that.
00:20:11That's awfully sweet, Tom.
00:20:12I'm really flattered
00:20:13that you should be worried
00:20:14about me.
00:20:15Worried about you?
00:20:17Why, Dale, I...
00:20:32All right, kids,
00:20:33come up for air.
00:20:34Jerry!
00:20:37I didn't know you were here.
00:20:39I'd like to know how you do it.
00:20:41Do what?
00:20:42Turn a sphinx
00:20:43into a caveman
00:20:44in six days.
00:20:45Wish you'd loaned me
00:20:46some of your technique.
00:20:48You seem to be doing
00:20:49all right with the men.
00:20:50How about your friend, Uppy?
00:20:52Oh, I dissed him
00:20:53two days ago.
00:20:55What?
00:20:56You know the ritzy way
00:20:57I talk when I try
00:20:58to impress someone?
00:20:59Yes.
00:21:00Well, Uppy tried
00:21:01the same thing on me.
00:21:02So I gave him the air.
00:21:05But, Jerry,
00:21:07that's the way
00:21:08Mr. Upson really talks.
00:21:09Oh, my gosh.
00:21:11Well, why didn't he say so?
00:21:33What a glorious night.
00:21:41Everlasting moonlight.
00:21:43One of the baits
00:21:44of the tropics.
00:21:47Face the truth, Dale.
00:21:49Half the girls
00:21:49who come down here
00:21:50never get home
00:21:51unless some man
00:21:51pays their way.
00:21:52You're exaggerating.
00:21:54I'm not exaggerating.
00:21:55I know what I'm talking about.
00:21:57I've seen how it goes.
00:21:59The girls start drinking,
00:22:01they forget how rotten
00:22:01and sordid the whole thing is.
00:22:04They show up some night
00:22:05too drunk to go on,
00:22:05there's a fight with Trixie,
00:22:07and she kicks them out.
00:22:07But, Tom,
00:22:09nothing like that's
00:22:09going to happen to me.
00:22:20It might, Dale.
00:22:22That's why I'm worrying.
00:22:26I'm crazy about you.
00:22:29I've even thought
00:22:30about selling
00:22:30my business interests.
00:22:32Well, Tom.
00:22:32It might sound foolish,
00:22:33but, well,
00:22:36maybe if you'd promise
00:22:37not to drink.
00:22:38After all,
00:22:39that's how the whole thing starts.
00:22:43You cheapen me
00:22:44by even asking
00:22:45such a thing.
00:22:46Cheapen you?
00:22:47You've cheapened yourself
00:22:48already by associating
00:22:49with Trixie's crowd.
00:22:50Tom!
00:22:51Why act like a child?
00:22:52Why put yourself
00:22:53in the way of temptations
00:22:55that thousands of women
00:22:55haven't been able to resist?
00:22:57Just a minute.
00:22:57I've had just about
00:22:58enough of this.
00:22:59It's going to take
00:23:00more than climate
00:23:01or a crowd
00:23:02to make me a wanton.
00:23:02I know, Dale, but...
00:23:03After Trixie's crowd,
00:23:04I only really know
00:23:05one of them.
00:23:06If she's an example
00:23:07of the rest,
00:23:07I'll throw my lot in with them.
00:23:34I'll throw my lot in with them.
00:24:01We've got a full house, girls.
00:24:02So buckle up your brassieres
00:24:04and get ready
00:24:04for Jerry's members.
00:24:13You ain't heard nothing
00:24:14from them yet, huh?
00:24:16No, not a word.
00:24:17Maybe he's out in front.
00:24:19Yeah, sipping a lemonade.
00:24:23Hey, handsome.
00:24:26Who's the stew
00:24:27at the end table?
00:24:34All right, girls.
00:24:36Let's go.
00:24:38Get into love.
00:24:42See you later, kid.
00:24:43Good luck.
00:24:44Get out of the way
00:24:45and let me in.
00:24:47Smile.
00:24:56Now, customers,
00:24:58I'm going to introduce
00:24:59110 pounds of American squab
00:25:01with a chili dressing
00:25:03and a tamale tone
00:25:04that'll knock you
00:25:04on your tortilla.
00:25:06Miss Jerry Royal.
00:25:17There's a gal
00:25:19they say to with you
00:25:21Just a pal
00:25:23who knows what to do
00:25:25has a playin' that I'm tellin' to you
00:25:32If it ain't one man
00:25:37It's another
00:25:42Undertaker, I'm a man
00:25:43I'm a shady, slenderin' crown
00:25:47Just a lady
00:25:49who's been around
00:25:51She ain't got an enemy
00:25:55in the town
00:25:57If it ain't one man
00:26:02It's another
00:26:09Undertaker, face long and sad
00:26:12Undertaker, face long and sad
00:26:13Tried to shake her
00:26:14That made her mad
00:26:16Ain't been got
00:26:18What he's gonna be had
00:26:23If it ain't one man
00:26:27If it ain't one man
00:26:28It's another
00:26:33Round the world
00:26:35That gal made her swing
00:26:37She got famous
00:26:40Doin' that thing
00:26:42When his desire
00:26:44The queen
00:26:45Was hiding the king
00:26:49If it ain't one man
00:26:53If it ain't one man
00:26:54If it ain't one man
00:26:55If it ain't one man
00:26:56It's another
00:26:59Traveled every land
00:27:02Every land
00:27:02Every time
00:27:03She told Gandy
00:27:06When it hit the rhyme
00:27:08When it hit the rhyme
00:27:08Darken heads
00:27:10Come a stupid little time
00:27:13Come a stupid little time
00:27:15If it ain't one man
00:27:17If it ain't one man
00:27:19Is another
00:27:25On her tomb
00:27:27On her tomb
00:27:27Don't say to relu
00:27:29On her tomb
00:27:30Don't say to relu
00:27:30On her tomb
00:27:30Won't death writ
00:27:31She wasn't free
00:27:33Gone to Haiti
00:27:35To give the devil his due
00:27:40If it ain't one man
00:27:43And it's another.
00:28:09Hey, you showed about as much pep as a nervous oyster.
00:28:12What's the matter? Too much navy on the boat?
00:28:14Oh, I don't know. I guess it's a heat.
00:28:16Well, you'll be in a hunter place someday.
00:28:20Jerry, not so bad. But next time, give them all you got.
00:28:23No rainy days down here to save anything for.
00:28:27Jordan, you're on next. Come on.
00:28:33On the up and up, kid. You never played a cabaret before, did you?
00:28:37No. Only college shows.
00:28:39I knew you were lying. They all do.
00:28:42Well, you're on the spot now.
00:28:45Honey boy.
00:28:48There's the one I mean.
00:28:53Oh, you mean the one with the glasses.
00:28:58Well, that might be the case.
00:28:59All right, sucker. Now there's two of you.
00:29:09And now, pikers, I'm going to introduce the answer to a traveling salesman's prayer.
00:29:14She can go up and down the scale faster than a Wall Street bond.
00:29:18She's been a hit in New York and Chicago and other foreign countries.
00:29:22So get a firm grip on your blood pressure and meet Miss Dale Jordan.
00:29:38some things vexing me.
00:29:42so perplexing to me
00:29:45how I sigh
00:29:47at times of war to cry
00:29:53Something makes me do things I oughtn't do.
00:29:59How I try to find the reason I do.
00:30:02Say, listen to that kid sing.
00:30:08There's something in the air that's bringing a new desire.
00:30:15My senses are all on fire.
00:30:18Oh, tell me what can it be.
00:30:22That air of I don't care.
00:30:26Has something to me so thrilling.
00:30:30I feel oh so weak and willing.
00:30:33Oh, tell me what can it be.
00:30:37Something that makes an old man get busy with his feet.
00:30:43Something that makes a calm man get busy with the heat.
00:30:51There's something in the air that's holding me close and closer.
00:30:58I know that I can't say no to her.
00:31:02Oh, tell me what can it be.
00:31:05There's something in the air that's making me see things double.
00:31:12Oh, making my feelings bubble.
00:31:16Oh, tell me what can it be.
00:31:19That air of I don't care.
00:31:23Has something beyond revealing.
00:31:27It's lifting me to the ceiling.
00:31:30Oh, tell me what can it be.
00:31:34Something that makes a teacher start acting like a clown.
00:31:40Something that makes a preacher just laying his Bible down.
00:31:48There's something in the air that takes everything it touches.
00:31:55It has me within it, but it's all.
00:31:59Oh, tell me what can it be.
00:32:26Good work, kids. You sure put it over.
00:32:28Oh, thank you, dearie.
00:32:29Oh, thank you, dearie.
00:33:24Good work, Mom.
00:33:25Can you see what makes you look like...
00:33:26Ms. Dale Jordan gets this, please?
00:33:27Yes, sir.
00:33:28How much?
00:33:28Oh, thank you.
00:33:34All right, Scallions, get out and make the customers thirsty.
00:33:37Okay.
00:33:43Well, Goofus, what do you want?
00:33:46I got a...
00:33:49Here, Jordan, you've collected a dividend already.
00:33:53It's all right, Nosy, take a run-out powder.
00:33:56There's a guy at Table 616 calling for Mr. Royal.
00:34:00Maybe I'll get a break, too.
00:34:03Hey, wait a minute.
00:34:05See that he buys plenty and don't let that whiskey ten of yours catch up on you.
00:34:36Guys, what do you want?
00:34:40It's all right.
00:34:40Oh, wait a minute.
00:34:43You've got to get rid of him.
00:34:45Wait a minute.
00:34:47I can't see.
00:34:48I want to see.
00:34:48You've got to see...
00:34:49I can't see.
00:34:50I can't see.
00:34:52You haven't experienced it yet.
00:34:53You're back to see.
00:34:53I can't see.
00:34:53I've got a few...
00:34:53I can see.
00:35:03Jerry Royal, you've hung that picture in a different spot every week for three months.
00:35:08Every time you hang a crooked.
00:35:10That's the right stance for number one.
00:35:12Every time he came home, he gave a list to the starboard.
00:35:15Well, we're going to feed the flesh this morning or rehearse on an aspirin tablet.
00:35:19I don't feel fit for anything.
00:35:21Oh, snap out of it.
00:35:25I don't know whether it's the heat or what it is that's getting me.
00:35:28I'm so tired of the same old faces and the same old songs.
00:35:35Oh, it affects different people different ways.
00:35:38Now, take me, for instance.
00:35:39I like to get drunk and go on a toot and kick Trixie's cash register.
00:35:44Sometimes I wonder whether Tom Bailey wasn't partly right.
00:35:47Of course he was right, but don't give him a break and admit it.
00:35:51Well, it won't be long now, baby.
00:35:53Keep a stiff upper lip.
00:35:54That's all we've got to do is keep our head in the clenches.
00:36:00Well, how'd you like your hen fruit?
00:36:02Let's have them sunny side up.
00:36:03Atta girl, we'll have them.
00:36:09There's something in the air that's making me see things double,
00:36:16making my feelings bubble.
00:36:20Oh, tell me what can it do.
00:36:23That air of I don't care has something beyond revealing.
00:36:30It's lifting me to the ceiling, it's lifting me to the ceiling.
00:36:34Oh, tell me what can it do.
00:36:36Something that makes a teacher start acting like a clown.
00:36:45Something that makes a preacher just lay his Bible down.
00:36:52There's something in the air that takes everything it touches.
00:36:58It had me within it's flutches.
00:37:03Oh, tell me what can it do.
00:37:13Say, Bill, that one's different.
00:37:17I'd like to meet her.
00:37:18That should be easy.
00:37:23Say, uh, Trixie.
00:37:25I'm off you for life, Bill Burr.
00:37:27Me with a brand new show,
00:37:29and it's taken you two, three months to get around here.
00:37:32Don't blame me, Trix.
00:37:33The boss has kept me jumping ever since he got in from Havana.
00:37:36Oh, Trix, uh, meet Jim Crosby.
00:37:38How do you do?
00:37:41General Manager, Standard Airlines.
00:37:43And General Nuisance, round a Panama officer.
00:37:47Not Jimmy Crosby, the flyer.
00:37:49Right.
00:37:50Gosh, Jimmy, I saw you at the races last year,
00:37:53and you gave me heart failure.
00:37:55He's been doing that to girls for years.
00:37:58Say, Trix, how about the little girl that did the last number?
00:38:02Lay off, kid.
00:38:03She'd give a cold potato chills.
00:38:06Come on.
00:38:07I've baked some potatoes before.
00:38:10Any of the others, Jimmy.
00:38:11But not this one.
00:38:12You'd only be wasting your time.
00:38:15Well, it'd be the first time I ever have.
00:38:18I've got a hundred bucks that says I won't be wasting my time.
00:38:21And I've got a hundred that says you will.
00:38:24It's a bet.
00:38:25Go buy yourself some lollipops.
00:38:27I like all-day suckers, too.
00:38:36Good night, Mr. Crosby.
00:38:41Say, um...
00:38:42How about a little supper with me somewhere?
00:38:44After you're through here.
00:38:46No, thank you, Mr. Crosby.
00:38:48Not tonight.
00:38:51Well, Miss Jordan,
00:38:52how about breakfast at my hotel in the morning?
00:38:56Yes.
00:39:00You're very sweet, Dale.
00:39:02You've been very sweet, too, Jimmy.
00:39:06You know, if I'd had my way,
00:39:08we'd be drinking champagne up in my room.
00:39:11And I'd show up a rehearsal full of champagne
00:39:14and Trixie'd kick me out.
00:39:16Oh, come on, Dale.
00:39:17Couldn't you check rehearsal just for today?
00:39:20No, I'm afraid not, Jimmy.
00:39:24Well, how about tomorrow?
00:39:27I thought...
00:39:28I thought we might take a little spin in my car.
00:39:49Have a nice day.
00:39:50Oh, lovely.
00:39:51It's been like a dream.
00:39:54Feel like going back to the bull ring?
00:39:55Of course I don't, Jimmy.
00:39:57But I have to.
00:39:58You don't have to go back there, Dale.
00:40:01I could make life very happy for you.
00:40:03Make this day last forever.
00:40:06You don't believe that, Jimmy.
00:40:08Any more than I do.
00:40:09There'd have to be a rude awakening sometime.
00:40:12I love you, Dale.
00:40:14I mean it.
00:40:17Oh, I admit I've said that many times before.
00:40:20I haven't been exactly a plaster saint.
00:40:23But you've made me realize for the first time
00:40:25what it means to say,
00:40:28I love you.
00:40:29Jimmy, no wonder you swept them off their feet.
00:40:33Do you know what I'd like to do?
00:40:35Hop into my plane with you
00:40:37and fly back to the States.
00:40:39It would only take a few hours.
00:40:40Mr. Crabby,
00:40:42am I to consider this a proposal?
00:40:44You can take this any way you want to.
00:40:46You name the terms.
00:40:53But I...
00:40:55I don't love you.
00:40:57Well, I could make you love me.
00:41:07Well, Jimmy,
00:41:09if you can make me love you,
00:41:11I'll marry you.
00:41:12Of course.
00:41:13But if you don't take me right back to town,
00:41:15I'll be late for my number at the bull ring.
00:41:20You mean he actually asked you to marry him?
00:41:22Well, that was the general idea, darling.
00:41:25But I don't love him.
00:41:26Oh, baloney.
00:41:27I married three cluffs who couldn't give me anything but love.
00:41:30It's a high-class name for hooey.
00:41:33Say, you still stuck on that bimbo from the Indian country?
00:41:37What did he ever give you?
00:41:39A worm-eating piece of coral
00:41:40and that act to his wigwam?
00:41:42Say, the big salami did you a favor.
00:41:45If you let that Crosby off the hook,
00:41:47you ought to be.
00:41:48Say, passionflower,
00:41:49what's the idea of keeping that Dutch skipper waiting?
00:41:52Oh, nerd.
00:41:53He's so dumb,
00:41:54we have to talk in the sign language.
00:41:55He can't even recognize a stop signal.
00:41:58Your boyfriend's outside, innocent.
00:42:00And listen,
00:42:01if you bail out of Panama with Crosby,
00:42:02I want a month's notice to get another singer.
00:42:04Are you savvy?
00:42:05I don't think you need to worry about it, Trixie.
00:42:07Well, I don't care,
00:42:08but I never allow love to interfere with business.
00:42:11I thought that in your case,
00:42:13they were the same thing.
00:42:14Say, listen, high-hat.
00:42:16Did you ever get a sock on the beezer?
00:42:19No.
00:42:19How does it feel?
00:42:39You better lay off that kid.
00:42:40You're on next, you know.
00:42:51Say, where is this Germany?
00:42:54In Switzerland?
00:42:55Switzerland, nothing.
00:42:56It's just on the other side of Hoboken.
00:42:58Oh, ducky wucky.
00:43:07Oh, what's the matter, Dale?
00:43:09You look worried.
00:43:12Trixie's been hitting the bottle lately
00:43:13and the girls are all on edge.
00:43:17You know what I told you.
00:43:19Over and over again.
00:43:22Yes, I know, Jimmy.
00:43:26Oh, so is your old man.
00:43:29Yes, I know.
00:43:29Ach, du zusser, chasse,
00:43:30ich hab die doppelmeidu.
00:43:31Why, you old pretzel.
00:43:33What?
00:43:34You want a pretzel?
00:43:35Better, better.
00:43:36What is locian better?
00:43:37No, stupid.
00:43:38I got one.
00:43:40He wants a bottle of champagne.
00:43:42Yeah, he has champagne.
00:43:49And now, folks,
00:43:51I'm going to introduce
00:43:52the sweetest little girl,
00:43:54Miss Delore.
00:44:05Jim Hammond.
00:44:10Sit tight, honey.
00:44:11I'll be right back.
00:44:13Oh, it's mid-midman.
00:44:18You little pig,
00:44:19what do you mean by hooking up my show?
00:44:20I can't go on.
00:44:22I'm home, sir.
00:44:23You think this poison's
00:44:24going to cure you?
00:44:25I won't have you drinking
00:44:26before your numbers.
00:44:28I'm sped up with you
00:44:29and your rotten old show.
00:44:30Why, you dirty little unguent...
00:44:39Seven years, bad luck.
00:44:44Fourteen years, bad luck.
00:44:45Excuse me, Jimmy.
00:44:46I might have to go on.
00:44:51Say here, you fool.
00:44:54I'll beat some braves into you,
00:44:56you cheap little...
00:45:03Keep out of my business
00:45:04or I'll give you a dose of this yourself.
00:45:06I've never known a woman
00:45:07as low as you.
00:45:11Get out, Dale.
00:45:14You raise that bottle one inch
00:45:16and I'll knock those
00:45:17false teeth of yours
00:45:17down your gizzard.
00:45:26Jimmy!
00:45:28Get me out of it!
00:45:29Take me away!
00:45:30Anywhere!
00:45:31What's happened?
00:45:46Don't.
00:45:47Don't.
00:45:49You don't have to go back there.
00:45:53Jimmy, do you still mean
00:45:56what you said about
00:45:57marrying me?
00:46:01Well, yes.
00:46:04Yes, of course.
00:46:06All right.
00:46:08I'll fly to New York
00:46:09with you tomorrow.
00:46:11And I'll spend my whole life
00:46:13being grateful to you
00:46:14for taking me out
00:46:14of all this.
00:46:45Well, dearie, you got my nose.
00:46:47Oh, yes.
00:46:49Jerry dear, won't you come and visit me in my suite at the Hotel Washington?
00:46:56Boy, what a dump this is.
00:46:59Never saw so much plush since Astor's pet horse died.
00:47:04Oh!
00:47:09Boy, if I ever climbed into this, I'd never get out.
00:47:14Putting you up in style, huh?
00:47:16Oh, no, Jerry, I'm paying for this.
00:47:19That's the way it's going to be until after we're married.
00:47:21Well, you better get hitched in a hurry. Your bankroll won't stand this over a couple of days.
00:47:26When the festivities coming off?
00:47:28We'll probably start to fly to New York late today or early tomorrow.
00:47:33When's the splicing going to be, before or after?
00:47:36I mean before or after New York.
00:47:38Oh, I'm willing to leave that to Jimmy.
00:47:41The only thing I'm sorry about is leaving you, Jerry.
00:47:45But I miss you too, kid.
00:47:47And I'm glad for your sake. You never were cut out for this kind of a racket.
00:47:51It's only for slobs like me.
00:47:53Oh, no it isn't, honey. You've got to get out of it too.
00:47:58Sure.
00:48:00When one of my ships comes in.
00:48:05Come in.
00:48:08Oh, good morning, Jimmy.
00:48:09Hello, darling.
00:48:10You remember Jerry, don't you?
00:48:11Well, yes, of course.
00:48:12How are you, Jerry?
00:48:13Oh, topping.
00:48:21Well, I guess I'd better be going.
00:48:23I'll see you before you go, won't I?
00:48:25Well, of course.
00:48:26Jerry, I'm going out to buy some clothes.
00:48:28Why don't you drop in this afternoon and look them over?
00:48:30Okay, I'll do that.
00:48:32So long, Crosby. You're a lucky egg.
00:48:37How are you, darling?
00:48:38I'm fine, thanks, Jimmy.
00:48:41When do you think we'll be getting away?
00:48:42Well, I don't know just yet.
00:48:44I have some business affairs to attend to.
00:48:47And then I've got to test out that plane.
00:48:50Tell you what I'll do.
00:48:52I'll fly over the hotel.
00:48:53It'll be about four o'clock.
00:48:55I'll be watching for you.
00:48:57Why don't you sit down?
00:48:58Well, if you don't mind, dear.
00:49:00I've got to get back to the office.
00:49:02I'm expecting an important message.
00:49:06There's nothing else you need, is there?
00:49:08No.
00:49:08Money?
00:49:09No, thanks, Jimmy.
00:49:11I don't want to take it.
00:49:12Not yet, anyway.
00:49:16Bye-bye.
00:49:26Hello, Trixie.
00:49:28Hello, Baylor.
00:49:29How's Stan Blast and the Red Men?
00:49:31I've sold out.
00:49:32Going back to San Francisco.
00:49:33Well, I guess this place will struggle along without you.
00:49:36You never gave me much of a play, anyway.
00:49:39Listen, Trixie.
00:49:40Can you give me Miss Jordan's address?
00:49:41Sure.
00:49:43That's easy to remember.
00:49:44Washington Hotel.
00:49:46Just asked for Jimmy Crosby's suite.
00:49:50What?
00:49:51Sure.
00:49:52She's been playing around with him for a week.
00:49:54She's a smart girl.
00:49:56She'll do all right for Dale Jordan.
00:49:59But she ran out on me and left me in the lurch.
00:50:01And if I never see that snob again, it'll be years too soon.
00:50:16Hello, Miss Baylor.
00:50:17Want your key?
00:50:20Do you have a Miss Dale Jordan registered here?
00:50:22Yes.
00:50:23She's out now.
00:50:24Want to leave a message?
00:50:26I don't think so.
00:50:28She's checking out tonight or tomorrow morning.
00:50:30Flying to New York with Jimmy Crosby.
00:50:35When my luggage arrives, check it through to San Francisco.
00:50:37You have my forwarding address.
00:50:38Yes, sir.
00:50:41Why?
00:50:41Why, Tom.
00:50:43Hello, Dale.
00:50:47I've been buying some new clothes.
00:50:49So I see.
00:50:50Doing all right, aren't you?
00:50:53I guess I was wrong about you.
00:50:55You're really doing better than I expected.
00:50:58What do you mean?
00:50:59Well, you moved up from the Bullring to the Washington Hotel.
00:51:03I understand the next hop is New York.
00:51:06And I suppose a Park Avenue apartment.
00:51:09Yes, Mr. Baylor.
00:51:11I'm afraid that if I stayed in this part of the world any longer,
00:51:14I might be contaminated by some of its filth.
00:51:19My key, please.
00:51:37Guess what?
00:51:38I saw Tom Baylor going out of the lobby.
00:51:41I know.
00:51:41I saw him too.
00:51:42You did?
00:51:43And?
00:51:44I don't know, Jerry.
00:51:46Maybe it'll do me good to get away.
00:51:48I guess Tom Baylor's just one of those things that's in the air down here.
00:51:52Well, he won't be here much longer.
00:51:54He's checking out bag and baggage.
00:52:02What is this?
00:52:03The new truceo?
00:52:04Boy, it must have cost plenty of sugar.
00:52:06Everything I had but a couple of dollars.
00:52:09Hey, what is this?
00:52:11A marriage or a Dutch treat?
00:52:12Take a seat.
00:52:15Good tea.
00:52:29Good tea.
00:52:31Good tea.
00:53:10Oh, I've been looking all over for you.
00:53:14What's up?
00:53:17Bill, I got myself into a tough spot.
00:53:22You know about me and Dale.
00:53:44You never told me we're married, Jim.
00:53:48It was years ago, Bill.
00:53:50Before I ever even knew you.
00:53:54It's just one of those things.
00:53:56The woman's impossible.
00:53:59Every son I've ever given has been just like blackmail.
00:54:02What are you going to do about, uh, about Dale?
00:54:08I don't know.
00:54:11That's what I've got to think of.
00:54:16My plane ready?
00:54:17It's ready now.
00:54:21You're in no condition to fly, old man.
00:54:23Don't you worry about me, Bill.
00:54:26That's where I've always thought things out.
00:54:30Solved all of my problems.
00:54:35Up in the clouds.
00:54:39Boy, I could get myself an admiral in this, huh?
00:54:43There must be Jimmy now.
00:54:56I don't know.
00:54:56Isn't it thrilling?
00:54:58You can have it.
00:55:14I've got to go get packed now.
00:55:17Oh, pick them up and tie them in a bundle and throw them in like I do.
00:55:21I'll do it.
00:55:42The last two dollars and 75 cents.
00:55:45Which we blow it in on.
00:55:47How about a bottle of scotch?
00:55:49Now, I'm liable to get sentimental and turn on the waterworks all over your new dress.
00:55:55I have an idea.
00:55:56Let's get some flowers to brighten up the room for Jimmy when he comes back.
00:56:00Okay, kid.
00:56:01Anything but heliotripe.
00:56:03Gives me hay fever.
00:56:09Hello?
00:56:11Yes?
00:56:12Mr. Barrett?
00:56:13Certainly.
00:56:14Send him right up.
00:56:15Oh, wait a minute.
00:56:16Will you please ask the florist to send me up some flowers?
00:56:19Oh, about two dollars and 75 cents worth.
00:56:26Bill Barrett's on his way up.
00:56:28I wonder what he wants.
00:56:30Probably trailing me to find out why I didn't buy those lollipops.
00:56:34Come in.
00:56:38Hello, Mr. Barrett.
00:56:39How are you?
00:56:40How'd you do, old thing?
00:56:41It's a topping day.
00:56:42What?
00:56:49Why, Mr. Barrett.
00:56:51Is there anything wrong?
00:56:54Jimmy.
00:56:57Crashed.
00:57:18Oh, gee, kid.
00:57:19He was a regular guy.
00:57:22You'll never know quite how regular he was.
00:57:29Here are your flowers, Miss Jordan.
00:57:42You got your nerve coming back asking for a job?
00:57:46Threw me down for a mug that was on the make for you.
00:57:50Please don't talk like that about Jimmy Crosby.
00:57:52Sure, he was going to marry Dale.
00:57:55Why, you poor sap.
00:57:56He bet me a hundred dollars on you.
00:57:58Looks like if he hadn't cashed in, I'd have to pay the best.
00:58:03Now, listen, Trixie.
00:58:04You lay off of Dale.
00:58:06She's been through enough.
00:58:07Say, you get fresh with me and you'll go out on your ear, too.
00:58:10Oh, yeah?
00:58:11Yeah, yeah, you, you, you sailor's delight.
00:58:18I know how you feel about this cobra joint, Dale.
00:58:22Gosh, we've got to eat, let alone earn enough dough to get out of this god forsaken no woman's land.
00:58:27I know, Jerry, but that man burger that runs the place for voting.
00:58:33Aren't there any more cabarets we haven't tried?
00:58:36Listen, I've tramped the streets until my pet bunion's gone on strike.
00:58:40Trixie and the bullring have all the high-class trade in town all sewed up.
00:58:45All the rest of the joints are just like the cobra.
00:59:08All the rest of the joints are just like the cobra.
00:59:10N%, don't stitcher, that's all right?
00:59:18All right.
00:59:26Oh, are you doing better?
00:59:30All right.
00:59:31All right.
00:59:34All right.
00:59:35All right.
00:59:53Where may he, I'd like you.
00:59:57What's the matter?
00:59:58He's a good customer.
01:00:00You think you're too good for him, huh?
01:00:02Oh, I know, Mr. Berger.
01:00:04I thought it was time for my soul.
01:00:06Come on.
01:00:16There's something in the air
01:00:20That's pulled all the world around me
01:00:24With patterns of pain
01:00:26And bound me all
01:00:28Tell me what can it be
01:00:31That air of
01:00:34I don't care
01:00:36Has slowly
01:00:37And surely gripped me
01:00:40Right down to the ground
01:00:42It gripped me
01:00:44Oh, tell me
01:00:45What can it be
01:00:47Something that drags and shatters
01:00:52Everything's good inside
01:00:55Leaving just drag and shatter
01:00:59Nothing at all to hide
01:01:03There's something in the air
01:01:07That's taken
01:01:09The law is free
01:01:11It's taken
01:01:13My very team
01:01:15Oh, tell me
01:01:17What can it be
01:01:23A hundred and thirty-nine
01:01:25A hundred and forty
01:01:26A hundred and forty
01:01:27A hundred and forty-one dollars
01:01:28Uh-uh
01:01:29Oh, and um
01:01:32Eighty-five cents
01:01:34Only sixty-five dollars to go
01:01:36And we're on our way to San Francisco
01:01:37Only ten more days
01:01:39And that burger joint
01:01:40Oh, stomach
01:01:41Be good to me now
01:01:43Oh, Jerry
01:01:43Why don't you keep your own money?
01:01:44I don't like the responsibility
01:01:45For all of us
01:01:46Oh, you don't know me like I do
01:01:48A dreadnought's liable to come into port
01:01:50I'll wake up to find I've been out in a binge
01:01:52And bought the grog for the whole fleet
01:02:04Come on, baby, give us the sweet little kids, huh?
01:02:07Let me help
01:02:07Give us the kids, huh?
01:02:14You blame at my customers and friends
01:02:17Or get out
01:02:17I'm here to sing
01:02:19Not to be mauled by a lot of drunken sots
01:02:21Is that so?
01:02:22Well, I don't want no lilies around here
01:02:24You're through
01:02:25Get out
01:02:29Hello, Burger
01:02:30Hello
01:02:31Isn't Joe around?
01:02:32Well, why do you want Joe?
01:02:34Plenty
01:02:35Another knifing down the dock
01:02:54Come on, Joe
01:02:54The captain wants to talk to you
01:03:06Come on, Joe
01:03:19Oh, Joe
01:03:22Jerry!
01:03:23Oh, Jerry!
01:03:27Jerry...
01:03:28Oh, Jerry...
01:03:29Oh, Jerry...
01:03:30Oh, Jerry...
01:03:44You can come in for a minute, Ms. Jordan, but please don't excite the patient, she's a little weak.
01:04:02Gary, honey? How are you, Dale? Number one can only see me now. You're feeling better, aren't you? Sure, I'll
01:04:12be okay. It's a knife more or less than your gizzard.
01:04:23Listen, kid, I want you to promise me something. Of course, Jerry. Anything. Don't you give old sore bones or
01:04:30this joint any of the dough we saved up. I want you to buy yourself a ticket and scram for
01:04:35Frisco. Oh, no, dearie. I couldn't do that. Do what I tell you. You'd be a sap. This joint can't
01:04:43throw me out. Let them stand the gaff.
01:04:53I'll come to see you every day, honey. All you have to worry about is getting well.
01:05:01Don't forget what I told you.
01:05:15She's still pretty weak, isn't she?
01:05:17Yes. I am afraid it's going to be a long convalescence. She lost a great deal of blood, you know.
01:05:23What do you think we ought to do for her? What she needs most is sunlight, proper nourishment, and treatments.
01:05:30The place for her is a sanitarium.
01:05:34How much will that cost? We have one near here, where the rates are rather reasonable. Somewhere around fifty dollars
01:05:40a week.
01:05:42All right. All right, doctor. You make the arrangements.
01:05:51The hospital bills are payable in advance. The total is one hundred and seventy-four dollars.
01:06:09Here's one hundred and fifty dollars. I'll get the rest. Some half.
01:06:21Here's one hundred and fifty dollars. I'll get the rest. Some half.
01:06:30Here's one hundred and fifty dollars. Once the upper fat ะดะตะปะฐะตั it, the ...
01:06:46There's one hundred and fifty dollars. You make the fort...
01:06:51I don't know if you want to do it. There's a regular Schutz pool.
01:06:52There may be one of usโฆ
01:06:53There may not be one of us...
01:06:55There may be one of us with four units.
01:06:56In addition to this world target focus is Wijam ๋ค๋.
01:08:41Come in.
01:08:42Tom.
01:08:43Why, Dale.
01:08:45I thought you were ill.
01:08:46Ill?
01:08:48What do you mean?
01:09:07Well, little Ming.
01:09:10She's up in the hospital now.
01:09:14You...
01:09:16You...
01:09:16You came all the way down here because of this?
01:09:20Yes.
01:09:22Tom, I...
01:09:24I want to explain to you about Mr. Crosby.
01:09:27You don't have to explain anything to me, Dale.
01:09:30Excuse me.
01:09:32I reckon this is how you dropped your bracelet.
01:09:44Thank you very much.
01:09:57Hello?
01:09:59Hello, Jerry.
01:10:01Dale, he's back.
01:10:03He's back.
01:10:04Who?
01:10:05Who's back?
01:10:06Number one.
01:10:07My ship's come in.
01:10:13And guess what?
01:10:16Olaf's an admiral.
01:10:17What?
01:10:19In the Chinese Navy.
01:10:23Oh, Olaf.
01:10:25Tell me something in Chinese.
01:10:32I love you.
01:10:34Olaf.
01:10:34Oh, Olaf.
01:10:38Oh.
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