- 2 months ago
Love and War is a timeless romantic war drama that captures the human spirit amidst chaos. Set during the turmoil of World War I, it follows a soldier and a nurse whose love blossoms in the shadow of battle. Their story unfolds with moments of passion, sacrifice, and tragedy — a reflection of how love can endure even in the darkest times. This classic film beautifully blends emotion, realism, and history, making it an unforgettable portrayal of devotion tested by war.
Category
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Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:30Driver
00:01:41Driver, stop!
00:01:44What trouble is in there?
00:01:45Why do you want to stop?
00:01:47The man up there, he's bleeding to death.
00:01:51Can't stop.
00:01:52Not here.
00:01:53Brakes won't hold.
00:02:00The End
00:02:29Orderly, orderly.
00:02:54And just as guilty as a soldier would be who deserted his post under fire.
00:02:59Now, in making an example of you, I...
00:03:07I beg your pardon, sir. I have some wounded outside. I'm looking for the...
00:03:10Oh, yes, yes, yes. You want the Italian unit. We're the English here, you see.
00:03:14Yes, number 207.
00:03:16They're in the other wing. Moved in today.
00:03:18Yes, out that way. Straight ahead.
00:03:20Thank you, Major.
00:03:22Yes.
00:03:24Yes, I know.
00:03:29Shh.
00:03:30Let's go.
00:03:32What's the girlfriend been doing?
00:03:42Typical male conceit.
00:03:50What's the girlfriend been doing?
00:03:52Typical male conceit.
00:03:55What's the girlfriend been doing?
00:04:01Typical male conceit.
00:04:03I think they're going to send her back home.
00:04:04That's a dirty shame. She'll be disgraced.
00:04:05Shh. Here they come.
00:04:06Well, is it necessary for us all to be here at one time?
00:04:10Get back to your posts.
00:04:11You will be packed and ready to leave within the hour.
00:04:13Molly.
00:04:14That's a dirty shame.
00:04:15She'll be disgraced.
00:04:16Shh.
00:04:17Here they come.
00:04:18Well, is it necessary for us all to be here at one time?
00:04:29Get back to your posts.
00:04:32You will be packed and ready to leave within the hour.
00:04:37Molly.
00:04:40Can I help you pass?
00:04:43I guess so.
00:04:44If you want to.
00:04:45Why, of course I want to.
00:04:48Good girl.
00:04:49I'll beg you, Father.
00:04:50I say she's the only human being in the whole lot of us.
00:04:56I'm sorry, Miss Barclay appears to sympathize with one who has disgraced the uniform we all wear.
00:05:05Baby!
00:05:06Rinaldi!
00:05:07Federico!
00:05:08How are you?
00:05:09You're filthy.
00:05:10You Anglo-Saxons.
00:05:11You're not to clean yourself.
00:05:12Did you bring me some good cases, baby?
00:05:13Did you have trouble finding us?
00:05:14No.
00:05:15How do you feel?
00:05:16Is there going to be an offensive?
00:05:17Were you under fire?
00:05:18Madonovat I worried about you.
00:05:19Yes.
00:05:20I can see how much you've been worrying.
00:05:21Seven operations today, baby.
00:05:22And one of them was beautiful.
00:05:23I took the heart out.
00:05:24It lay in my hand and it beat like this.
00:05:38All right.
00:05:39How are you?
00:05:40There.
00:05:41You're not to clean yourself.
00:05:43You Anglo-Saxons.
00:05:44I'm not to clean yourself.
00:05:45I'm not to clean yourself.
00:05:46I'm not to clean yourself.
00:05:47Did you bring me some good cases, baby?
00:05:48Did you have trouble finding us?
00:05:50It lay in my hand, and it beat like this.
00:05:54You should have seen it.
00:05:55It was lovely.
00:05:57Soon Rinaldi will be the best surgeon in all the corps.
00:06:00Then, in all the army.
00:06:02And someday, in all of Italy.
00:06:04Why not in all the world?
00:06:05Why not?
00:06:08You will like it here, baby.
00:06:10What sort of a town is this?
00:06:12Any girls.
00:06:13Many beautiful English nurses.
00:06:15The most beautiful is Miss Barton.
00:06:17I am in love with her.
00:06:19Does she know it?
00:06:20Not yet.
00:06:22Have you any money?
00:06:23Yes.
00:06:24Lend me 50 lire.
00:06:25What for?
00:06:26I want to make on Miss Barkley the impression of a man of sufficient wealth.
00:06:30All right.
00:06:31You are my great and good friend and financial protector.
00:06:34You're an ass.
00:06:35And now we will eat and drink, and I will take you to meet Miss Barkley.
00:06:39But you must make for me a good impression upon her.
00:06:43Now, listen.
00:06:44But you must.
00:06:45And you can have a nurse, too.
00:06:47There is another one named Miss Ferguson.
00:06:49She is also very, very nice.
00:06:51No.
00:06:52No?
00:06:54First, we will eat and drink.
00:06:56And then we'll go and see the girls.
00:06:58Yes?
00:07:01Yes.
00:07:01You see.
00:07:06She doesn't know.
00:07:10Neither do I.
00:07:11Oh, you've got too much wine.
00:07:14It's filthy wine.
00:07:15It takes the enamel off your teeth and leaves it on the roof of your mouth.
00:07:19Where was I?
00:07:20Architecture.
00:07:21Oh, yes.
00:07:23Look.
00:07:24I'll explain.
00:07:28This, my dear, is called an art.
00:07:31Oh, yes.
00:07:55Oh.
00:07:55The arch, my dear, is perhaps the oldest of architectural devices.
00:08:24Arch, architecture.
00:08:27The very word will tell you how inextricably the two are one.
00:08:32In a word, my dear, architecture is the most ancient of the arts.
00:08:38Better put your shoe on, you'll get cold feet.
00:08:45If you please, I'd like to go now. The air raid seems to be over.
00:08:49Katherine! Katherine! Katherine!
00:08:54Here I am, Fergie. I'm coming.
00:08:56Oh, I was so worried.
00:08:58Oh, do you think I've been blown away?
00:09:00I didn't know what to think. Nobody saw where you went.
00:09:03Who's that man?
00:09:05Oh, I don't know. Some lunatic. Come on.
00:09:08There he is.
00:09:17What if we take the mountains to the north?
00:09:20Behind them are more mountains, and behind those, more yet.
00:09:23And we take them all?
00:09:25Only if the Austrian stop fighting. One side the most stop.
00:09:28Stop? It'll go on forever.
00:09:30Like him.
00:09:42It means for the Austrian to win the war.
00:09:45Oh, no, no. It is not true.
00:09:46But you don't want us to attack.
00:09:48If we must have war, I suppose we have to attack.
00:09:52Oh, but so many die that way.
00:09:54But what is death to a Christian?
00:09:56Don't encourage him, Fergie.
00:10:11Oh, Frederico.
00:10:13Oh, you are back safe.
00:10:15Hello, Father. I am so glad.
00:10:17The priest prayed for you, Frederico.
00:10:18Every time you go up, he does the same.
00:10:20Oh, I pray for you all.
00:10:22You are late, baby. How is it of them? Quiet.
00:10:25You nearly missed the party.
00:10:26But it is very dull.
00:10:28But Miss Barkley is here, and her friend Miss Ferguson, the one you will like.
00:10:33Come.
00:10:37Miss Barkley, uh, permit me to present to you my friend and war brother, Lieutenant Henry.
00:10:42He has just returned back from the front.
00:10:44How do you do?
00:10:46How do you do?
00:10:48And this is Miss Ferguson.
00:10:51How do you do?
00:10:52How do you do?
00:10:53He begins again, that fellow.
00:10:56Quick, let us go into the garden.
00:10:58Now, you stay here. I will find something for us to drink. Asti, grappa, vermouth. Which do you like?
00:11:13All of them.
00:11:14Then you shall have all of them.
00:11:15All of them.
00:11:16Then you shall have all of them.
00:11:18All of them.
00:11:19Nice out here.
00:11:20Mm, isn't it?
00:11:21Nice out here.
00:11:22Isn't it?
00:11:23Mm, isn't it?
00:11:24We seem fated to bump into each other in the garden.
00:11:27And you shall have all of them.
00:11:46Nice out here.
00:11:47Isn't it?
00:11:52We seem fated to bump into each other in the dark.
00:11:56I'm sorry about that.
00:11:57I mistook you for someone else.
00:11:59So I gathered.
00:12:01I'd been drinking.
00:12:02I gathered that, too.
00:12:05Mad?
00:12:06No.
00:12:08You're an American, aren't you?
00:12:10Yes.
00:12:11Well, then what are you doing in the Italian army?
00:12:13It's not really the army.
00:12:15It's only the ambulance.
00:12:17It's very odd, though.
00:12:17Why'd you do it?
00:12:19I don't know.
00:12:20Why did you?
00:12:22Oh, I joined up in England.
00:12:24Besides, the boy I was engaged to had gone across.
00:12:27Where is Miss Ferguson?
00:12:34Why don't you go see?
00:12:36Yes, do bring her out, Captain Rinaldi.
00:12:38Have some?
00:12:52Thanks.
00:12:56He's sore.
00:12:57What for?
00:12:59Because I'm here with you.
00:13:01Women prefer him, as a rule.
00:13:02Shall we take a walk?
00:13:10Yes, let's.
00:13:14Where is he now?
00:13:16Who?
00:13:17The boy you're engaged to.
00:13:19He's dead.
00:13:20Oh.
00:13:22He was killed in the Somme.
00:13:24Were you engaged long?
00:13:26Eight years.
00:13:26We grew up together.
00:13:28Why didn't you marry?
00:13:30I didn't know what the war was like then.
00:13:33If I had it to do over again, I'd marry him.
00:13:42When I joined up, I remember having this silly idea that he might come to the hospital where I was.
00:13:47With a saber cut, I suppose, and a bandage around his head, shot through the shoulder.
00:13:53Something picturesque.
00:13:54This is the picturesque front, not France.
00:13:57He didn't have a saber cut.
00:14:00They blew him to bits.
00:14:01He didn't want to be.
00:14:19He was murdered.
00:14:19They gave him for the murder.
00:14:21What?
00:14:23He was murdered.
00:14:23And the other night is about to cut out his chair.
00:14:26They gave him apart.
00:14:27If they were rescued...
00:14:28Peter, he seemed to hurt him.
00:14:28Without fitting, he shawěd.
00:14:28what are you thinking about now about whiskey what about whiskey about how nice it is and
00:14:58you're nice to know when I don't yeah no please I'm sorry did I hurt you it's all right I'm dreadfully sorry
00:15:20really I just couldn't bear the nurse's evening off aspect of it it's quite all right I don't mind
00:15:29at all poor man you see I've been leading a funny sort of life besides you're so very beautiful
00:15:39you don't have to talk a lot of nonsense I said I'm sorry
00:15:42we could get along couldn't we you're sweet no I'm not yes you're a dear
00:15:54I'd be very glad to have you kiss me now if you don't mind
00:15:59I'm
00:16:06I'm
00:16:08I'm
00:16:10I'm
00:16:11I'm
00:16:18I'm
00:16:22I'm
00:16:24I'm
00:16:26I'm
00:16:28I'm
00:16:30I'm
00:16:32I'm
00:16:34I'm
00:16:35I'm
00:16:36I'm
00:16:37I'm
00:16:38I'm
00:16:39I'm
00:16:40I'm
00:16:41I'm
00:16:42I'm
00:16:43I'm
00:16:44I'm
00:16:45I'm
00:16:46I'm
00:16:47I'm
00:16:48I'm
00:16:49I'm
00:16:50I'm
00:16:51I'm
00:16:52I'm
00:16:53I'm
00:16:54I'm
00:16:55I'm
00:16:56I'm
00:16:57I'm
00:16:58I'm
00:16:59I'm
00:17:00than your war brother.
00:17:02Then shut up.
00:17:06Miss Barkley prefers you to me.
00:17:08That is very clear.
00:17:10But Miss Ferguson is very nice too.
00:17:15You like her?
00:17:17No.
00:17:30Do you know who ever was?
00:17:32No, don't you.
00:17:33I am the only one.
00:17:35Do you know who I am?
00:17:37I'm back!
00:17:39I'm back.
00:17:40I'm back.
00:17:41I'm back.
00:17:43I'm back.
00:17:45I'm back.
00:17:46You're back.
00:17:47I'm back.
00:17:48I'm back.
00:17:49I'm back!
00:17:50I'm back!
00:17:51Oh, look!
00:17:52No, no, no, he's not...
00:17:54Wait a minute.
00:17:55Yes, old!
00:17:56I'm back.
00:17:57I'm back.
00:17:58Yes, old!
00:17:59Oh, baby, good luck.
00:18:29Turn back.
00:18:54Back?
00:18:55Yes, back.
00:18:56Back?
00:19:01Yeah.
00:19:05Yeah.
00:19:08Yeah.
00:19:14Yeah.
00:19:17I want to see Mr. Barclay.
00:19:29He's on duty.
00:19:31Wait, you can't go in there.
00:19:47Hey, why have we come back here?
00:19:58The tenente knows what he's doing.
00:20:00Please.
00:20:00What's wrong, Bonanni?
00:20:01Don't we ever get started here?
00:20:02We've got plenty of time.
00:20:04Hold it.
00:20:06I thought you started.
00:20:07What are you doing here?
00:20:08We come back, signor Capitano.
00:20:10Tenente forgot something.
00:20:12Oh.
00:20:17You're all right, aren't you?
00:20:37Yes, I'm all right.
00:20:39I came to...
00:20:41I thought...
00:20:44You see...
00:20:45I'm going to be away for a while.
00:20:49And I didn't want you to think that I'd just gone away.
00:20:53No, I...
00:20:54What I mean is...
00:20:56I'd hate to have you feel that...
00:20:59That it wasn't important to me about...
00:21:03About us.
00:21:06I don't exactly know how to say it.
00:21:09You said it very nicely, dear.
00:21:11No, I don't mean...
00:21:15You mustn't feel...
00:21:16Will you be gone long?
00:21:19No.
00:21:20Only a few days.
00:21:21There's going to be a show above...
00:21:23Up above Plava.
00:21:24Nothing much, I guess.
00:21:25A show?
00:21:26You'll be careful, won't you?
00:21:28I won't get hit.
00:21:31Hold it.
00:21:31Here.
00:21:40It's a St. Anthony.
00:21:47They say a St. Anthony is very useful...
00:21:50To guard you from harm.
00:21:51I'll take good care of him.
00:22:01I wish I could kiss you.
00:22:02He is my friend and a good soldier.
00:22:20I do not like to see him lose his head over a woman.
00:22:24Aren't you exaggerating a bit?
00:22:26I think not.
00:22:27Couldn't we send her back to the base, Major?
00:22:29No, if you could send her away...
00:22:30It would simplify everything.
00:22:33Could perhaps send her to Milan?
00:22:35Excellent, my dear Major.
00:22:36Magnificent.
00:22:37No wonder the English are first in diplomacy.
00:22:44What did you say her name was?
00:22:54We won't get anything else to eat once the attack starts.
00:22:57This is all they'd give me.
00:22:58Starting to eat at the end.
00:23:02No, we'll all eat together.
00:23:03Come on, sit down to it.
00:23:05Come on, President.
00:23:07Get some credit.
00:23:08Yes, sir.
00:23:11Here, you come.
00:23:12This is a bit of a bit here.
00:23:15Good boy.
00:23:16Another piece.
00:23:18Yeah.
00:23:20All you want.
00:23:20Good night.
00:23:23Here, take some cheese.
00:23:24That's good.
00:23:25Let's go.
00:23:28Wash it down with wine.
00:23:29At the end.
00:23:32Who goes to the attack?
00:23:33If nobody would attack, the war would be over.
00:23:55No, it's behind the fives.
00:24:13Sounded like a scoter to me.
00:24:15Scoter?
00:24:15That's what I say.
00:24:17My leg.
00:24:23Hold on, my leg.
00:24:30My leg.
00:24:37Hold my leg.
00:24:40You're all right, Terenthe.
00:24:43It was a score of gun.
00:24:45Easy now.
00:24:47Halt it.
00:24:48Halt it.
00:24:50Halt it.
00:24:52Halt it.
00:24:53Halt it.
00:24:55Lacerations of the skull and possible fetcher of the skull.
00:24:59Multiple superficial wounds of the left and right thigh,
00:25:03left and right knee, and right foot.
00:25:06Profound wounds of right knee and foot incurred in line of duty.
00:25:10Anti-Tetanus, please.
00:25:24Come on, lift them up a little more.
00:25:26All right, go ahead.
00:25:27Oh, please.
00:25:41Hurry, hurry.
00:25:44How do you feel, baby?
00:25:47Rinaldi, what are you doing here?
00:25:49Bonello telephoned to me.
00:25:51The Major gave me permission to come.
00:25:54No one shall hurt you, baby.
00:25:56I won't let them.
00:25:58No butcher is going to touch my wall, brother.
00:26:00Only Rinaldi can take you and never hurt you.
00:26:03You must forgive me, baby, for talking so much, but I am...
00:26:06I am very moved to see you badly wounded.
00:26:09How did it happen?
00:26:11I will see you are decorated for bravery.
00:26:13Perhaps we can get you the medaglia d'agento.
00:26:15But surely the bronze one.
00:26:16Did you carry somebody on your back?
00:26:17I didn't carry anybody.
00:26:18I couldn't move.
00:26:19Surely there was something heroic.
00:26:20Tell me what you did.
00:26:22I was blown up eating cheese.
00:26:29Don't worry, baby.
00:26:31I will fix you so that you are as good as new.
00:26:33You will see.
00:26:34Every day I learn to do things smoother, quicker.
00:26:37Soon, very soon, you will be walking again.
00:26:40I brought a present for you.
00:26:43You will find it under your blanket next to your heart.
00:26:46It is a bottle of brandy, baby.
00:26:48Very good brandy.
00:26:49The infantry captured it from the Austrians on San Gabriele.
00:26:53I have another surprise for you.
00:26:55Take a deep breath.
00:26:57Where do you think you will go from here?
00:26:59To the Italian hospital where they have the male nurses,
00:27:02the witty beards?
00:27:03No.
00:27:04I will arrange everything with my friend, the British Major.
00:27:08You will go to Milan, to the beautiful Miss Barclay.
00:27:12That makes you happy, huh?
00:27:15To think of Rinaldi.
00:27:17Left all alone with the war.
00:27:18No one to make fun of.
00:27:20No one to lend him money.
00:27:22While you, while you are in Milan,
00:27:25with the beautiful Miss Barclay,
00:27:27making love in Milan to the chase of Miss Barclay.
00:27:42Look out for the steps.
00:27:55Look out for the steps.
00:28:12I am the superintendent.
00:28:13May I have your medical papers, please?
00:28:14They are in my coat.
00:28:15In the button-down pocket.
00:28:16Take him up those stairs.
00:28:17Down the corridor.
00:28:18His room is the one at the end.
00:28:19You show them, Giulio.
00:28:20Who are you?
00:28:21I am the porter, signor Tenente.
00:28:22Come.
00:28:23Follow me.
00:28:24Now, signor Tenente.
00:28:26Come.
00:28:27How are you going?
00:28:28I am the porter, signor Tenente.
00:28:29I am the porter, signor Tenente.
00:28:30Come.
00:28:31You are going to come.
00:28:32Come.
00:28:33I am the porter, signor Tenente.
00:28:34Come.
00:28:35Follow me.
00:28:36Come, follow me.
00:28:50Now, Senor Tenente, we must lift you off the bed.
00:28:52All right, but keep my legs straight.
00:28:54Si, si, Senor Tenente.
00:28:59Anything more, Senor Tenente?
00:29:01Get me some brandy.
00:29:02No, it is not allowed, Senor Tenente.
00:29:04Wasn't I wounded, fighting for the glory of Hitchley?
00:29:07You'll find some money in my pocket.
00:29:09As you wish.
00:29:17So it's you.
00:29:18Ferguson.
00:29:19Is Catherine here?
00:29:20As if you didn't know.
00:29:21I believe that's why you got wounded.
00:29:23Where is she?
00:29:24You ought to be still.
00:29:25Here's your chart.
00:29:26Now I must take your temperature.
00:29:27Does she know I'm here?
00:29:30Under the arm, please.
00:29:34Hello, darling.
00:29:35Catherine.
00:29:36You're lovely.
00:29:37Are you badly hurt?
00:29:38You're lovely.
00:29:39Well, my poor darling, it's your leg, isn't it?
00:29:40You're the loveliest thing I ever saw.
00:29:41I know.
00:29:42I have to go now, darling.
00:29:43I can't stay.
00:29:44You'll come back?
00:29:45Later, but we'll have to be awfully careful.
00:29:46You've got to come back.
00:29:47Oh, well, when I can.
00:29:48Tonight.
00:29:49I'll try.
00:29:50Somebody's coming.
00:29:51Tonight.
00:29:52Tonight.
00:29:53I'll take that thermometer now.
00:29:54Good.
00:29:56Good.
00:29:57to go now darling i can't stay you'll come back later but we'll have to be awfully careful you've
00:30:01got to come back oh well when i can tonight i'll try somebody's coming tonight i'll take that
00:30:16thermometer now good gracious fetch the doctor it's a miracle you're not delirious with such a fever
00:30:29i haven't got any fever stay quiet please it's not what you think
00:30:46i have brought you a few little things and this is mosquito netting and this is a bottle of vermouth
00:31:04you like vermouth huh and these are english papers thank you father it's very good of you to come
00:31:10oh but i mustn't stay long they warned me not to tire you you seem very tired yourself
00:31:15uh i am tired but i have no right to be you have the war disgust oh i hate the war i don't enjoy it
00:31:24but you do not mind it you do not see it oh you must forgive me i know you are wounded that was an
00:31:30accident still even wounded you do not see it i can tell i do not see it myself but i feel it a little
00:31:38come in cap don't go yet father it's still early you are sure the operation in the morning he should
00:31:47rest oh he's strong he has such a lovely temperature it's always normal i'm very proud of his temperature
00:31:53maybe all our children will have fine temperatures too our children will probably have beastly temperatures
00:31:58so don't mind us father we're in love i know i could see it in your faces you're approved don't you father
00:32:10you spoke of children
00:32:15this too is the war without the war you would live married in god's grace
00:32:19this isn't that so
00:32:28and you
00:32:32well i hadn't thought about it like that but yes i suppose so
00:32:37father are you is that the marriage service
00:33:07the
00:33:32poor chap such a crazy marriage at least i'm in white
00:33:37i don't know
00:33:39no orange blossoms i can smell them
00:33:44no organ music i can hear it plainly
00:33:51it has made me happy to do this for now from my heart i can say i bless you in his name thank you father
00:34:11goodbye and be happy both of you thank you
00:34:14my father give my regards to the mess i will and get well soon
00:34:20i will come again the next time i am in milan goodbye my dear goodbye
00:34:35my father
00:34:49my father
00:34:53The
00:35:23That's the opera I made my debut in, at the Scala.
00:35:41They threw benches at it.
00:35:43That's a lie.
00:35:44Yes, they did.
00:35:45I threw six benches myself.
00:35:46That's not funny.
00:35:53Oh, now he's offended.
00:35:55You'll get over it.
00:35:56That's his sore spot.
00:35:57We always tease him.
00:35:59You don't care whom you hurt.
00:36:00Now, don't you get mad, too?
00:36:02Catherine and I were thinking of asking you to our wedding.
00:36:05Where'd we get?
00:36:06You'll never get married.
00:36:07We will.
00:36:08No, you won't.
00:36:09We'll fight before you'll marry.
00:36:11Oh, we never fight.
00:36:12You've time yet.
00:36:12We won't fight ever.
00:36:14You'll die, then.
00:36:15Fight or die.
00:36:17That's what people do.
00:36:18They don't marry.
00:36:19Oh, Fergie.
00:36:21No.
00:36:21I'm not crying.
00:36:26Maybe you'll be all right, you two.
00:36:29Why, Fergie.
00:36:31What is the matter with her?
00:36:34She doesn't like me, that's all.
00:36:35Oh, no.
00:36:37She just likes me more.
00:36:45Are you on night duty tonight?
00:36:47Yes, but you won't care.
00:36:49You'll go right off to sleep.
00:36:50You wait and see.
00:36:51Mm-hmm.
00:36:54Darling, how many other girls have you ever loved?
00:36:57None.
00:36:58How many, really?
00:37:00None.
00:37:02How many have you, um, loved?
00:37:06None.
00:37:06You're lying to me.
00:37:09Of course.
00:37:09Oh, that's right.
00:37:10You just keep right on lying.
00:37:11That's what I want you to do.
00:37:12That's what I want you to do.
00:37:14Were they pretty?
00:37:16I've never been with anyone.
00:37:17That's right, darling.
00:37:20What were they like?
00:37:22I don't know anything about it.
00:37:24You're just mine.
00:37:25That's true.
00:37:26You've never belonged to anyone else.
00:37:27I don't care if you have, though.
00:37:30I'm not afraid of them.
00:37:31Only don't tell me about them.
00:37:33You never told them you loved them, did you?
00:37:36No.
00:37:36I knew you wouldn't.
00:37:39Oh, darling, I do love you.
00:37:41Then kiss me.
00:37:42Right here in the street?
00:37:43Yes.
00:37:44I'll go in first.
00:38:12So, what is this?
00:38:14If I may ask.
00:38:15What was in it?
00:38:17That's Kimmel.
00:38:19That's the best kind.
00:38:20It comes in those bear-shaped bottles from Russia.
00:38:22And these?
00:38:25That's brandy, wine, and whiskey.
00:38:27And I've been pitying you for being wounded.
00:38:30Pity is something that is wasted on you.
00:38:33If you're so anxious not to go back to the front,
00:38:35I should think you'd try something more intelligent.
00:38:38Not self-inflicted alcoholism.
00:38:40What?
00:38:40I said alcoholism.
00:38:42And I also say
00:38:43that I'll see your convalescent leave is cancelled.
00:38:47You'll go back to the front tomorrow night.
00:38:49Have I time for a drink before the train leaves?
00:39:15For the front?
00:39:15Yes.
00:39:16About 20 minutes, signora Capitano.
00:39:18Right.
00:39:18You're a fine, simple girl.
00:39:20I am a simple girl.
00:39:22Nobody but you ever realized it.
00:39:24At first, I thought you were a crazy girl.
00:39:26I was a little crazy at first.
00:39:33Is that your train?
00:39:34Maybe.
00:39:35It makes up a turn,
00:39:37but it stays in the station here till time to leave.
00:39:40There's really lots of time.
00:39:41But at my back,
00:39:48I always hear
00:39:49time's winged chariot hurrying near.
00:39:52I know that poem.
00:39:53It's by Marvel.
00:40:02Listen.
00:40:03Listen.
00:40:10It's only the rain.
00:40:11I hate the rain.
00:40:13I like it.
00:40:15I'm afraid of the rain.
00:40:17Afraid?
00:40:18Why?
00:40:18I...
00:40:20Oh, well, perhaps it's silly.
00:40:22What?
00:40:22Tell me.
00:40:23No, don't make me.
00:40:24Tell me.
00:40:26All right.
00:40:28I'm afraid of the rain
00:40:29because sometimes I see me dead in it.
00:40:31No.
00:40:33And sometimes I see you dead in it.
00:40:36That's more likely.
00:40:37Oh, now, darling, don't say that.
00:40:41That is your train.
00:40:47Time's winged chariot.
00:40:55I'll come with you, hmm?
00:40:57No, please.
00:40:58I don't want you...
00:40:59not at the station.
00:41:01All right, darling.
00:41:01How often will you write?
00:41:04As often as I can.
00:41:05Do they read your letters?
00:41:06They can't read English enough to hurt any.
00:41:08Well, I'll make them very confusing.
00:41:10But not too confusing.
00:41:12Oh, I should have got you a going-away gift.
00:41:14A whistle to make you feel better in the dark.
00:41:16Or a sword.
00:41:17I'm sure we could get a used sword very cheap.
00:41:20Swords aren't very useful at the front.
00:41:21Oh, I see.
00:41:22They get in the way of your legs when you're running.
00:41:24They might be useful at mess, though.
00:41:29I'm afraid I have to start, darling.
00:41:34I hate to leave our fine house.
00:41:36So do I.
00:41:39We never stay settled very long in a home, do we?
00:41:43We will.
00:41:45I'll have a fine home for you when you come back.
00:41:49Say I'll come back to Catherine.
00:41:51Catherine.
00:41:53I'll come back to Catherine.
00:42:02I'll always come back.
00:42:08Maybe this time you'll be hurt just a little in the foot.
00:42:12Or the lobe of the ear.
00:42:13Oh, no, no, no.
00:42:13I want your ears just the way they are.
00:42:16Your feet have been hurt already.
00:42:23I'll always come back.
00:42:28I'll walk away.
00:42:32Oh, no.
00:42:32Oh, no, no.
00:42:33Oh, no.
00:42:34It's right.
00:42:35I'll never come back.
00:42:35This time?
00:42:37Oh, no.
00:42:48I'll never come back.
00:42:48No, I'll never come back.
00:42:49Thank you very much.
00:43:19foreign
00:43:33foreign
00:43:47And now we have the sand in a binario number 9.
00:44:17I want a ticket to Switzerland, please.
00:44:25To where, signora? To what town?
00:44:27The nearest one to Italy.
00:44:28That would be Brissago, signora.
00:44:29Then give me a ticket to Brissago.
00:44:30All right.
00:44:31Oh.
00:44:32Oh, Fergie, I was afraid you wouldn't come.
00:44:34Would you mind telling me what this is all about?
00:44:36I'm going away.
00:44:37So I gathered by this, but...
00:44:38You didn't tell him?
00:44:39Well, what would be the good? It would only worry him. He'd have to go anyway.
00:44:42Aren't you going to tell him?
00:44:44Well, not yet.
00:44:45But I may write him from Switzerland.
00:44:48You're a fool.
00:44:49Here, signora.
00:44:51On track three.
00:44:53But what's the hurry? Why tonight?
00:44:55Couldn't go back to that hospital.
00:44:56I couldn't stand it, not with him gone.
00:44:58But you'll be all alone in Switzerland.
00:44:59Don't worry, Fergie. I'll be all right.
00:45:04You're not afraid of anything, are you?
00:45:07Only of going back to that hospital.
00:45:10Don't scold me, Fergie.
00:45:11I'll carry you.
00:45:15I'll carry you.
00:45:17I'll carry you.
00:45:24I've always told you I was a creeper.
00:45:54Easy girl. I couldn't bear my land with you away, so I've chucked the war and come to live in this little Swiss town as near as possible to the Italian border and you. And darling, it's an adorable place. I'm going to be very happy here. I've taken a suite suite in the best hotel and I'm fairly wallowing in luxury. The bed is ampere and fit for an empress.
00:46:20There's a maroon velvet carpet, ankle deep, and a bathroom. Oh, darling, the bathroom. It's a black marble with silver fittings. I've just dined in state at my sitting room window, from which there is a divine view of the lake shimmering in moonlight.
00:46:39I'm an awful liar, darling. It's not really a nice place at all. It's mean and cheap and horrible.
00:46:58But it doesn't matter where I live, because I don't really live at all when I'm not with you.
00:47:05Oh, darling.
00:47:06What I really want to tell you is that I shall lie awake in the dark and cry, because you're not here.
00:47:17I'm lonely and frightened.
00:47:20And I love you both.
00:47:23Hurry, baby.
00:47:36Why?
00:47:36Time to go.
00:47:37Go where?
00:47:38But I told you before, to the Villa Rosa. New girls, everybody's going.
00:47:42Not me.
00:47:43But you must.
00:47:44It would be a fine party. And besides, I said you would go.
00:47:47I can. I've got to write some letters.
00:47:48Oh, to that little, every day more letters. You might as well be married.
00:47:54That's my business.
00:47:56Oh, baby. How you have come back to me. Serious like a shopkeeper with a liver.
00:48:03Where is my war brother who used to get drunk with me and go to the Villa Rosa every night?
00:48:08Leave me alone, will you?
00:48:10Why? Isn't she just a girl?
00:48:14Keep her out of this.
00:48:16Sacred subject.
00:48:17Believe me, baby. Sacred subjects are not good for soldiers.
00:48:23Why don't you be like me? All fire and smoke. And nothing inside.
00:48:29Come on, baby. You're drunk.
00:48:31Stop it.
00:48:31Of course I am drunk. You come with me and you will be drunk, too.
00:48:35Come on, baby.
00:48:37Oh, I am sorry. Now you must come.
00:48:40There is no more ink.
00:48:41Get your hands off me and get out.
00:48:47Poor baby.
00:48:51Tomorrow I will get you drunk and I will take out your liver and I will put you in a good Italian liver and make a man of you again.
00:48:57You are going out, signor Capitano?
00:49:13Yes, why?
00:49:15The mail just came, signor Capitano.
00:49:17You censored it.
00:49:18Signor Capitano.
00:49:20The officer's mail, too?
00:49:25Very well.
00:49:26Are you going to open them, signor Capitano?
00:49:41No.
00:49:42I'm going to hurry.
00:49:43I'm going to hurry.
00:49:43I'm going to hurry.
00:49:43Send this one back.
00:50:02Yes, signor Capitano.
00:50:04I do not like to see him lose his head over a woman.
00:50:07Yes, signor Capitano.
00:50:08And today, my letters came back.
00:50:33Every one I'd ever written on.
00:50:34Came back?
00:50:35Just marked return to sender.
00:50:37Person unknown.
00:50:38Well, that's very strange.
00:50:4032 letters.
00:50:41She never got one.
00:50:42Well, that's why she never wrote you.
00:50:44No.
00:50:45She'd have written me anyway.
00:50:46Something's happened to her.
00:50:48Have you tried to...
00:50:48I can't get any information at all.
00:50:51I've got to go and find her myself.
00:50:53Now, can you?
00:50:54I'm going to Milan.
00:50:55I'll find her.
00:50:56But aren't all leaves of absence forbidden since that battle in the north began?
00:51:00I'm going anyway.
00:51:01Well, that's desertion.
00:51:03I don't care.
00:51:04I'm going.
00:51:05You'll be caught.
00:51:06Oh, you mustn't do this, Federico.
00:51:08Yes, I must.
00:51:10That's what I wanted to tell you, Padre.
00:51:12What does this war mean to me anymore?
00:51:14What does anything mean but finding her?
00:51:16But, Federico, consider the...
00:51:18I can depend on you, Padre.
00:51:24Say goodbye to Rinaldi and the others for me.
00:51:27When are you leaving?
00:51:28Now.
00:51:28While we're at dinner.
00:51:30And by morning, when they miss me, I'll be halfway to Milan.
00:51:32If they ask me what will I say, I...
00:51:35Anything you like.
00:51:37Goodbye, Padre.
00:51:39Goodbye, Federico.
00:51:41May the Lord bless and preserve you.
00:51:42Come on.
00:51:51Goodbye, Padre.
01:00:42You see,
01:01:12I'm going to do that.
01:01:42My boat.
01:01:44Thank you, sir.
01:01:52I know that.
01:01:54Look,
01:01:56I'm going to do that.
01:01:58I'm going to do that.
01:01:59I'm going to do that.
01:02:01I'm going to do that.
01:02:03And how do you do that.
01:02:05I'm going to do that.
01:02:06I've got you going to do that.
01:02:10I've got to do that.
01:02:12My baby.
01:02:19So.
01:02:21And that means everything to you.
01:02:25Yes, it would.
01:02:27It means that I've got to find her and get her out of Italy.
01:02:32Perhaps she is no longer in Italy.
01:02:34What makes you say that?
01:02:36She is in Switzerland.
01:02:38Where?
01:02:40Brissago.
01:02:41Brissago?
01:02:43Harry.
01:03:07Will you do one for me, too?
01:03:09Yes, madam.
01:03:10Step around here.
01:03:11Just the head, please.
01:03:13Just the head, please.
01:03:43Isn't there any mail for me yet?
01:03:50Ah, madam.
01:03:52Yes, yes.
01:03:53Today there are letters.
01:03:54Many letters.
01:03:55Many. Oh.
01:03:57Twenty.
01:03:58Twenty?
01:03:58Oh, that was worth waiting for.
01:03:59What?
01:04:04Oh.
01:04:13It is up the lake.
01:04:39And across.
01:04:40About thirty-five kilometers.
01:04:42I'll make it.
01:04:43At the frontier there will be sentries.
01:04:44I know.
01:04:45And you will have to watch out for the patrol boats.
01:04:47I will.
01:04:48If it blows too hard you will...
01:04:49I won't drown.
01:04:53Have you enough money?
01:04:54Here.
01:04:58Won't you need it?
01:04:59There must be a Villa Rosa at Porto Danone.
01:05:02Always the same girls until they become like old friends.
01:05:05Like war comrades.
01:05:06Take it, baby.
01:05:07Please.
01:05:07Please.
01:05:08You're a good egg, Renning.
01:05:10No.
01:05:11I am not a good egg.
01:05:13I am a fool.
01:05:15But if I had understood how you felt about her...
01:05:19Good luck, Renning.
01:05:20It doesn't work.
01:05:46Shall I get a new cylinder, Doctor?
01:05:48There is a new cylinder.
01:05:49Oh, I wanted so to have this baby and not make any trouble.
01:05:56And now I'm all done.
01:05:59All gone to pieces.
01:06:01Hmm.
01:06:04Hmm.
01:06:06Hmm.
01:06:07Hmm.
01:06:08Hmm.
01:06:09Hmm.
01:06:10Hmm.
01:06:11Hmm.
01:06:12Hmm.
01:06:13Hmm.
01:06:14Hmm.
01:06:15Hmm.
01:06:16Hmm.
01:06:17Hmm.
01:06:18Hmm.
01:06:19Hmm.
01:06:23She is losing strength fast, Doctor.
01:06:25There's no use.
01:06:26I'll have to operate.
01:06:30Hmm.
01:06:31That was lovely.
01:06:34Frederick.
01:06:36Darling.
01:06:38Hmm.
01:06:39Hmm.
01:06:39Hmm.
01:06:42You mustn't worry, darling.
01:06:43Hmm.
01:06:45Hmm.
01:06:46I'm not going to die now.
01:06:48Hmm.
01:06:49I got past the place where I was going to die.
01:06:52I'm not too glad.
01:06:53Of course you're not going to die.
01:07:00You mustn't think about it.
01:07:02It's a cesarean.
01:07:23We're lucky to be on time.
01:07:32Is she going to be all right?
01:07:46Are you the husband?
01:07:47Yes.
01:07:48She kept calling for you all night.
01:07:49It would have been better if you'd been here.
01:07:51I'm sorry.
01:07:52Is she in danger?
01:07:53She's very weak.
01:07:54You don't suppose I can see her now?
01:07:56Later, later.
01:07:57It won't be long.
01:08:02It won't be long.
01:08:32She can't die.
01:08:38Did you call?
01:08:46No.
01:08:48I didn't say anything.
01:09:02Not yet.
01:09:14Is she all right?
01:09:15I hope so.
01:09:16The baby.
01:09:17The boy, but he was dead before she ever came in here.
01:09:20Oh, but she'll be all right.
01:09:23That's not in my hands any longer.
01:09:27Better go across the street and get yourself some breakfast.
01:09:31Well, look at this if you need it.
01:09:33It will be some time before she can see you.
01:09:35You've had children.
01:10:03What was it like?
01:10:05I beg your pardon.
01:10:06What did you say?
01:10:09Nothing.
01:10:10Some coffee, please.
01:10:12And a brioche.
01:10:24It's in the papers.
01:10:25Italy has won.
01:10:26Thank God it's over.
01:10:27This is the beginning of the end, but it'll be a long time before they can rebuild what's
01:10:34been destroyed.
01:10:35In the early morning hours of November 4th, the Austro-Hungarian Supreme Command accepted
01:10:41by radiogram, the armistice conditions laid down by General Fadoglio.
01:10:48Don't let her die.
01:10:51Oh, God.
01:10:53Please don't let her die.
01:10:55I'd do anything for you if you don't let her die.
01:10:59I took the baby.
01:11:01That was all right.
01:11:03But don't let her die.
01:11:05Please.
01:11:06Please.
01:11:07Please.
01:11:08Dear God.
01:11:09Don't let her die.
01:11:11Our husband's out there.
01:11:39Might as well let him in.
01:11:46I knew he was coming.
01:11:49When I went under, I knew he was here.
01:11:56You won't tell him, will you?
01:11:59Tell him what?
01:12:01That I'm going to die.
01:12:06No.
01:12:07You won't tell him.
01:12:12Doctor.
01:12:15Have I long enough?
01:12:25Don't you see?
01:12:27I have to know.
01:12:30Enough, you don't.
01:12:31Let him come in.
01:12:38Let him come in.
01:12:41No, wait.
01:12:44Could I...
01:12:44Could I have my bag first?
01:12:47Oh, such a mess.
01:13:00He never liked me to be pale.
01:13:07You can go in now.
01:13:21You can go in now.
01:13:21Oh, my God.
01:13:34Kath.
01:13:36Darling.
01:13:44You're all right?
01:13:46I'm fine.
01:13:48Did you worry about me?
01:13:49I came as soon as I found where you were.
01:13:54Poor darling.
01:13:56Let me look at you.
01:13:59Oh.
01:14:00You're wet and tired.
01:14:03Sit down, darling.
01:14:05Here.
01:14:13You're going to be all right, Kath.
01:14:19You want me to do anything, Kath?
01:14:25Can I get you anything?
01:14:27Hmm?
01:14:29Just talk to me.
01:14:31Tell me you haven't stopped loving me.
01:14:34You know, I couldn't stop.
01:14:37I like to hear you say it, too.
01:14:40I'll never stop loving you.
01:14:42Never?
01:14:43Never?
01:14:43Not even if I died.
01:14:49Never.
01:14:50I want you to have other girls, baby.
01:14:53I don't want to.
01:14:56That's right, Dad.
01:15:03Try to...
01:15:04Try to sleep, Kath.
01:15:06When I get Will,
01:15:14we'll...
01:15:15we'll take a little house in the mountains.
01:15:19We always plan the house of our own, remember?
01:15:23I'll get you a fine house.
01:15:27And we'll live in it until the war's over.
01:15:29And then you'll go back to America
01:15:33and be a splendid architect.
01:15:37We'll be married all over again.
01:15:39In a church.
01:15:41In a church.
01:15:45Oh, darling.
01:15:47I'm going to die.
01:15:49Don't let me die.
01:15:51Kath.
01:15:52Take me in your arms.
01:15:54Hold me tight.
01:15:56Don't let me go.
01:15:57Kath.
01:15:57It's dark out there and lonely.
01:16:00I don't want to leave you anymore.
01:16:02I've been alone so much.
01:16:06You...
01:16:07You can't die.
01:16:08You're too brave to die.
01:16:15You're a fine girl.
01:16:17A brave girl.
01:16:19Yes.
01:16:21I...
01:16:22am a brave girl.
01:16:24Whatever happens,
01:16:25you'll not be afraid.
01:16:26I'll not be afraid.
01:16:29We've never been apart.
01:16:31Really.
01:16:32Not since we met.
01:16:34Not since we met.
01:16:36And never can be.
01:16:38Never parted.
01:16:39In life
01:16:40and in death.
01:16:42Say it, Kath.
01:16:44In life
01:16:45and in death.
01:16:47We'll never be parted.
01:16:49You do believe that.
01:16:52Don't you, Kath?
01:16:56I believe it.
01:16:59And I'm not afraid.
01:17:00I...
01:17:01No.
01:17:01Not since we met here.
01:17:03No.
01:17:04No.
01:17:04No.
01:17:08No.
01:17:09No.
01:17:17No.
01:17:18No.
01:17:18No.
01:17:18No.
01:17:19No.
01:17:19No.
01:17:20No.
01:17:21No.
01:17:21No.
01:17:22No.
01:17:23Peace.
01:17:53Peace.
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