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  • 2 days ago
First broadcast 3rd August 2006.

Lynley investigates the murder of a 23 year old girl in Hyde Park after she quit her job with a high profile lawyer to work for an on-line sex site.

Isabella Calthorpe - Emily Proctor
Sharon Small - DS Barbara Havers
Nathaniel Parker - DI Thomas Lynley
Paul Hickey - Stewart Lafferty
Shaun Parkes - DC Winston Nkata
Ciaran McIntyre - O'Neill
Diana Hardcastle - Deborah Proctor
David Yelland - Guy Proctor
Lindsey Coulson - Hester Reed
Blake Ritson - Graham Marshall
Samuel West - Tony Wainwright
Catherine Russell - Helen Lynley
Vee Vimolmal - Cleaner
Georgia Mackenzie - Lisa Conroy (as Georgia McKenzie)
Joe Armstrong - Darren
Wayne Foskett - Robert Tanner
Roland Oliver - DS Robert Mills
Martin Heathcote - Police Officer

Category

📺
TV
Transcript
00:00:30Oh, my God.
00:01:00Oh, my God.
00:01:30I thought you were on leave today, sir.
00:01:45I was.
00:01:46I am.
00:01:48Well, what do you do on your days off?
00:01:49When Jack the Ripper was about, do you know where the most dangerous place in all of London
00:01:55was?
00:01:56Whitechapel's too obvious.
00:01:57Hyde Park.
00:01:58From dusk till dawn, this place belonged to a gang of vagrants whose favourite method
00:02:02of dispatch was the garrote.
00:02:05Well, we can rule out copycats in the store and she's stabbed.
00:02:08Do we know who she was?
00:02:09Yeah.
00:02:11Driver's license says Emily Proctor, 23, lived in Kensal Rise, West London.
00:02:17Winston.
00:02:17Sir.
00:02:17Who found the body?
00:02:20Litter collection, guys.
00:02:21Apparently, they cleared a park first light seven days a week.
00:02:24Impressively, they've seen enough forensic shows to know not to touch the body.
00:02:27Yeah, no, the rubbish by the look of it.
00:02:28They found her at 6 a.m., but body temperature and rigor mortis argue for a time of death several
00:02:34hours earlier.
00:02:34Sir, could it happen at least late last night?
00:02:37Yeah, possible.
00:02:37Still begs the question, what was she doing here after dark?
00:02:43Did the killer follow her here?
00:02:45Or was she just in the wrong place at the wrong time?
00:02:48Well, it would help if we knew which direction she came from.
00:02:50Sorry.
00:02:51No footprints.
00:02:52Grant's too hard.
00:02:55Awful lot of blood, Lafferty.
00:02:58Exsanguination.
00:03:00Stab wound severed.
00:03:01The left carotid.
00:03:03I'd say she lost the power of speech immediately.
00:03:06Consciousness in a couple of minutes.
00:03:07Probably dead in five.
00:03:09West Carriage Drive, which runs through the park, stays open till midnight.
00:03:12Well, that will give us a few hundred potential witnesses.
00:03:15Or a few hundred potential suspects.
00:03:21I've got Emily's tenancy agreement.
00:03:23Her parents were guarantors, so their details are in there.
00:03:27Lovely people.
00:03:28The day she moved in, I thought they'd never leave.
00:03:30What about the other tenants?
00:03:32I've got a single mum with her little boy on the first floor, then it's just me on the top.
00:03:36Used to rent the basement out till it flooded.
00:03:38What was she like, Emily?
00:03:40A good tenant.
00:03:41Practically a friend.
00:03:42Always checked if I wanted anything bringing in, however busy she was.
00:03:46What did she do?
00:03:47A lawyer.
00:03:48Well, a trade intervict.
00:03:50Do you know where?
00:03:51Oh, sorry.
00:03:52Did this come with a flare?
00:04:05Someone fitted it for her a few weeks ago.
00:04:07A bloke she worked with.
00:04:09A lawyer?
00:04:10Nice lad.
00:04:11Darren.
00:04:12Fixed me area while he was at it.
00:04:15Do you know why she felt the need for it?
00:04:16She said it was just a precaution, but I think maybe someone was bothering her.
00:04:19A stranger, an ex-boyfriend, wasn't she?
00:04:22Sorry.
00:04:24Thanks, Mr. Nell.
00:04:28Well, it looks like we might have a suspect.
00:04:30Yeah.
00:04:31I'll see if I can find out who this Darren is.
00:04:33See if it was just a precaution.
00:04:41Work pass.
00:04:42Chambers of Tony Wainwright.
00:04:45Human rights, right?
00:04:46You know, all these cards are the same, and they are all blank.
00:04:56Must have been the same sender.
00:04:58Why do you send flowers without a message?
00:05:00Well, then you can't express yourself in two inches.
00:05:03Or especially not down the phone to the woman at inter-floor.
00:05:06Well, could be an unwanted admirer who fit with the entry phone.
00:05:10Yeah, but why keep the flowers?
00:05:13Okay, Winston to find out who the florist is.
00:05:15More importantly, the sender.
00:05:18Informing the parents?
00:05:22Here.
00:05:24That's her address.
00:05:26I'll check out this workmate of hers, Darren.
00:05:28Very smoothly done.
00:05:30What's that?
00:05:30Getting out of the worst part of the job.
00:05:32I almost didn't notice.
00:05:34Well, it is my day off.
00:05:35Debra Proctor?
00:05:48Yes.
00:05:50Ah, Mr. Proctor, I'm...
00:05:52I'm Detective Sergeant Havers.
00:05:54This is Emily.
00:05:59July last year, she got her first in law.
00:06:03I understand she was training at the chambers of Tony Wainwright.
00:06:06It was her dream come true.
00:06:08She was...
00:06:1013?
00:06:11When she saw him talking on a documentary about refugees.
00:06:19So, Emily sees Wainwright on a TV documentary
00:06:22and ends up working for him 10 years later.
00:06:24Well, it's all a bit of a fairy tale, isn't it?
00:06:27Yeah.
00:06:28Right up to the grim ending.
00:06:32I'd better go.
00:06:33Thanks.
00:06:34Detective Inspector Lindley?
00:06:35Yes.
00:06:36Hester Reed, Chief Clark, Tony Wainwright's changers.
00:06:38Nice to meet you.
00:06:39This way.
00:06:43Actually, I'm looking for one of Emily Proctor's colleagues.
00:06:46Darren, somebody.
00:06:47I'm glad we don't know the surname.
00:06:50Well, there's no Darren anybody here.
00:06:52What's this about?
00:06:53For sure.
00:06:53Not in the security staff or the maintenance.
00:06:57Inspector Lindley, as Chief Clark, I know everybody.
00:07:00We don't have a Darren.
00:07:01Which isn't to say that Emily doesn't work with such a person.
00:07:05I'm sorry.
00:07:06I don't quite understand.
00:07:08Emily Proctor voluntarily ended her pupillage here four months ago.
00:07:12I see.
00:07:12I hope she isn't in any trouble.
00:07:16Well, I'm afraid that's why I'm here.
00:07:20Emily was found murdered this morning.
00:07:23Oh, my God.
00:07:24That's awful.
00:07:25That's terrible news.
00:07:27Sorry.
00:07:28Did you say...
00:07:29Rayan, I'll talk in a moment.
00:07:35This is a terrible, terrible shock.
00:07:39Miss Reed, everyone I've spoken to seems to think that Emily still worked here.
00:07:43Can you tell me what happened?
00:07:44Why she left?
00:07:44She just found the cut and thrust of the work wasn't for her.
00:07:49I see.
00:07:50Mr. Wainwright will take this particularly hard, I imagine.
00:07:53What makes you say that?
00:07:54I understand that he and Emily had been corresponding since she was a teenager.
00:07:59Mr. Wainwright might have been her inspiration, but that was a long time ago.
00:08:03Still, it's remarkable, isn't it?
00:08:06That she should end up working here.
00:08:08Yes.
00:08:11Did she shadow him?
00:08:13I'd need to check the records.
00:08:15Why don't we just ask Mr. Wainwright?
00:08:17I'm afraid Mr. Wainwright's due in court in a minute.
00:08:19Oh, he's evil. Better be quick, then.
00:08:24Did Emily have a boyfriend?
00:08:26She hasn't had the time for boys.
00:08:30Had Emily talked about being frightened or threatened recently?
00:08:33No. Why?
00:08:35Well, did she tell you why she felt the need to install a video entry system?
00:08:39I didn't know she had.
00:08:41You hadn't been to visit lately?
00:08:44No.
00:08:46Why, had she been here?
00:08:49It's ridiculous.
00:08:50Every time we arranged to meet, someone was ill or Emily had too much work.
00:08:54So when did you last hear?
00:08:56Three months ago.
00:08:58Maybe four.
00:08:58This is a tragedy.
00:09:11That's the only word for it.
00:09:16Miss Reed has been very helpful, but was unable to give me an explanation as to why Emily didn't continue her pupillage.
00:09:22I did give you an explanation.
00:09:23I beg your pardon, I should have said a satisfactory one.
00:09:26I'm not sure I'll be able to shed any more light.
00:09:28I thought you'd known her for ten years.
00:09:31You count replying to the inquisitive letters of a teenager as knowing her?
00:09:34Her parents describe you as her mentor.
00:09:37That was before she came to work for me.
00:09:39What happened then?
00:09:40It was a throwaway coin, Inspector.
00:09:41How very unlawyer-like.
00:09:43I take that as a compliment.
00:09:47Did she shadow you?
00:09:50Yes.
00:09:52There you are, Miss Reed.
00:09:53No need to check your records.
00:09:55Have any other pupils shadowed you recently?
00:09:58No.
00:09:59No.
00:10:00No, because pupils don't generally shadow QCs, do they?
00:10:03Especially not most eminent QC in Chambers.
00:10:06I admit it was unorthodox.
00:10:08Is there anything else unorthodox about your relationship with Emily?
00:10:10Your implication is offensive.
00:10:11Hester, why don't you go back to your office?
00:10:13It's okay, Martin's covered.
00:10:14For God's sake, just go.
00:10:22Is there a best friend or someone Emily might have confided in?
00:10:27She had lots of friends.
00:10:29We'll get you a list.
00:10:31And she has an older sister.
00:10:33A half-sister, Lisa.
00:10:36Oh, who's half?
00:10:39Mine.
00:10:40We had a falling out.
00:10:47Did Emily still have a relationship with her sister?
00:10:51Emily was the problem.
00:10:53At least in Lisa's mind.
00:10:56Lisa always felt that we favoured Emily.
00:11:00And there was nothing we could do to make her think otherwise.
00:11:07So, um, is she Lisa Proctor?
00:11:09Lisa Conroy.
00:11:11If you find her,
00:11:14will you let us know where she is?
00:11:19All right.
00:11:19In allowing Emily to shadow me,
00:11:21I may have been guilty of favouritism.
00:11:23What about her pupillage?
00:11:24Absolutely not.
00:11:25She got that on her own merit.
00:11:28What went wrong, then?
00:11:30Why did she leave?
00:11:31I genuinely don't know.
00:11:33Even though you were her mentor?
00:11:35In our last conversation...
00:11:36Your last conversation?
00:11:37How many of these did you have?
00:11:37Do you want me to tell you what she said or not?
00:11:42Emily said as a teenager,
00:11:43she was fixated with the idea of being a lawyer.
00:11:46But now she felt that
00:11:47that might have been at the expense of something else.
00:11:50Such as?
00:11:51She had a half-sister.
00:11:53Lisa, I think her name was.
00:11:55Who she'd lost touch with.
00:11:57That had become an issue for her.
00:11:59Presumably,
00:11:59you were as unsatisfied with that explanation as I am.
00:12:02Yes.
00:12:06So?
00:12:07So, I couldn't make her tell me.
00:12:08Ultimately, I had regretfully to respect her decision.
00:12:12I'm sorry.
00:12:13I have to go.
00:12:13Mr. Wainwright,
00:12:14this is a murder inquiry
00:12:15and you'll go when I've finished asking you questions.
00:12:17Look, don't think me rude,
00:12:18but I'm due in court to get justice
00:12:19for 500 miners killed by asbestos poisoning in Kenya.
00:12:23That was murder on a grand scale
00:12:25perpetrated by a British company
00:12:26and Scotland Yard never sent so much as a constable.
00:12:29Kenya's a little off our patch, sir.
00:12:30If it had been a pretty backpacker in Australia,
00:12:32you'd have sent half a CID.
00:12:34Now, what were those questions?
00:12:39Yes, he's here.
00:12:40Sweet.
00:12:41Did Emily have a direct line?
00:12:44She shared one with another pupil.
00:12:46I'd like to see the records of that as long as possible, Miss.
00:12:49Also, a list of all the cases she'd been working on,
00:12:51however, um, however fleetingly.
00:12:53Of course.
00:12:54Mr. Marshall,
00:12:55I asked you to get those papers over to the madame.
00:12:57It was half an hour ago.
00:12:57The clients are waiting.
00:12:58Miss Wynne, can I...
00:12:59I don't tell you how to draft pleadings, Mr. Ingram.
00:13:01Don't tell me how to organise my pupils.
00:13:04Thank you for your time.
00:13:04Mr. Central.
00:13:10Graham?
00:13:10Do you want to talk to me?
00:13:15That wasn't just my imagination, was it?
00:13:16I think I know why Emily left.
00:13:21Go on.
00:13:22She had a fixation with Wainwright.
00:13:24I mean, she had her sights set on working days...
00:13:26No, no, no, we know all that.
00:13:26Why did she leave?
00:13:27I think she became disillusioned.
00:13:31I think Wainwright abused the esteem in which she held him.
00:13:35Do you have anything to back this up with?
00:13:36I went to the pub with Emily once.
00:13:39I had six pints, she had six cokes.
00:13:41You can guess who made the pass at who come 11 o'clock.
00:13:44She knocked you back.
00:13:45Told me she was seeing someone.
00:13:47But the details seemed sketchy.
00:13:50Why do you assume it was Wainwright?
00:13:52Well, about a week later, I was working late in the library,
00:13:54and I saw them leaving together.
00:13:55What, just leaving together?
00:13:58I could just tell.
00:13:59She was laughing, teasing him about something.
00:14:02He had his hand on her back.
00:14:03They just looked so happy.
00:14:05Are you sure you're not letting jealousy colour your judgement?
00:14:08I'm sure.
00:14:14Winston, I want you to get lowdown on Tony Wainwright QC.
00:14:19I seem to remember getting the wrong kind of headlines a couple of years ago.
00:14:22No, I'm not sure.
00:14:26I think he clubbed a photographer or something.
00:14:29Okay, thanks.
00:14:32Do you buy what this pupil says about Wainwright Emily?
00:14:35Yes, I do.
00:14:36Wainwright's got quite a reputation, you know.
00:14:38What for?
00:14:40Playing as hard as he works.
00:14:42Probably why his clerk didn't want to leave me alone with him in his office.
00:14:44You think such a famous QC needs his hand held?
00:14:50Behind every great lawyer is a clerk waiting to tie their shoelaces as soon as they leave the courtroom.
00:14:55Okay, let's say that Wainwright and Emily did have a fling.
00:14:57So what?
00:14:58It's not the fling, it's the fallout.
00:15:00You should have seen how beautiful his wife is in the picture on his desk.
00:15:03Might have been taken a few years ago.
00:15:05Okay, Wainwright does a younger model, thinks better of it.
00:15:08Emily threatens his marriage, he does something about it.
00:15:10It's a theory?
00:15:11No, it's four theories.
00:15:12All I know is that Emily Proctor does not sound like a quitter.
00:15:16At age 13, she decides she wants to work for Wainwright.
00:15:19She gets herself a first, she wins a pupillage under the guidance of her hero,
00:15:23and is well on her way to becoming a barrister and then gives it all up.
00:15:26Why?
00:15:27Sir.
00:15:28Oh, anything on Wainwright?
00:15:30Oh, it wasn't a photographer, it was the chairman of UAD Oil.
00:15:32Well, Wainwright spent three months fighting a case on par for the people of Bolivia.
00:15:36Yeah, and lost.
00:15:38But he knows how to lighten up, though.
00:15:39One spent drink-driving conviction, possession of a Class A drug.
00:15:42Which one?
00:15:43Cocaine.
00:15:44And cautioned for having sex in public.
00:15:48How does a QC weather those kind of storms?
00:15:50Well, he argued that the offences had no bearing on his right and ability to perform his function,
00:15:54plus he's the best.
00:15:55People make exceptions.
00:15:56And people shouldn't.
00:15:57Sir.
00:15:58Do we know where Emily was working when she left Wainwright?
00:16:00We are tracing the payment code on her bank statement.
00:16:02What about the flowers, Winston?
00:16:03I'm on the flowers.
00:16:04Sir.
00:16:05Helen's in the office.
00:16:07What?
00:16:08Damn, I completely forgot.
00:16:15Helen.
00:16:16Am I going mad, or was I supposed to pick you up from your place an hour ago?
00:16:20I am so sorry.
00:16:21Leave cancelled?
00:16:23Young girl murdered in Hyde Park last night, so yes, leave cancelled.
00:16:27Look, it never would have crossed my mind to ask you to come to my stupid lecture.
00:16:30I know, but I offered.
00:16:32Yes, and I was touched.
00:16:34And now I feel a tad silly.
00:16:37Well, you shouldn't feel silly.
00:16:41Hi, Barbara.
00:16:42Oh, hey.
00:16:43Two minutes.
00:16:44No, it is important.
00:16:48We've got a result on Emily's bank statement.
00:16:50For the last four months, she's been working for a media company in Dalston.
00:16:53Dalston?
00:16:54It's not at the white-hot centre of the media world, is it?
00:16:56Yeah, well, I've got a phone number, but I thought you'd prefer a surprise visit.
00:16:59Good idea.
00:17:00Two minutes.
00:17:05She doesn't think it's a good idea.
00:17:08Us being friends again.
00:17:10I doubt she thinks very much about us at all.
00:17:14Well, if I don't leave now, I'm going to miss my own lecture.
00:17:18Well, why don't we do something later?
00:17:19Busy.
00:17:20The vice-chancellor's invited me round for drinks.
00:17:23Has he?
00:17:24Indeed.
00:17:24And is this a courtesy he extends to all new members of staff?
00:17:27I have absolutely no idea.
00:17:31Is he married?
00:17:33Jealous.
00:17:43Helen and I...
00:17:45Sir?
00:17:47Staying friends.
00:17:51What do you think about it?
00:17:53Really.
00:17:55I don't think about it.
00:17:57Good.
00:17:58That's what I said.
00:18:01I mean, apart from the fact that you're obviously not just friends.
00:18:09Oh, yeah, I looked up Tony Wainwright and who's who.
00:18:12Yeah.
00:18:13You know, just get the fuller picture.
00:18:15Very resourceful.
00:18:15Yeah, he's got a longer entry than you.
00:18:18And it's not inherited.
00:18:19Oh.
00:18:20It's a good job we're friends, I was.
00:18:23He really likes to get under the skin of corrupt governments and businesses.
00:18:27So you didn't learn anything new, then?
00:18:29Actually, Mr Wainwright's hobbies include drinking beer and rock climbing.
00:18:33Oh, in fact, in 2001, he took part in a successful attempt at Mount Everest.
00:18:39It's all been downhill for him from there, then.
00:18:40It's all still pretty impressive.
00:18:43And, um...
00:18:44Anything else?
00:18:46Yeah.
00:18:47He's never been married.
00:18:48Really?
00:18:50Where's the picture of the beautiful bride on his desk?
00:18:54Hardly at the end of court, is it?
00:18:56Hello, it's the police.
00:19:03Can you open up the door, please?
00:19:04No one here yet.
00:19:05Open this door now.
00:19:07I'm just a cleaner.
00:19:09Oh, I'm sorry.
00:19:11Yeah, all right.
00:19:12We understand.
00:19:12If you could just let us in, please.
00:19:13No one here yet.
00:19:22That's okay.
00:19:23Can you tell me what kind of media company this is?
00:19:25I don't know.
00:19:30Oh, a reception desk without a receptionist.
00:19:34Nice hours, eh?
00:19:35What time do the staff normally come in?
00:19:37Oh, please.
00:19:38I have next job now.
00:19:42No, no, no.
00:19:42Let it go.
00:19:43Let it go.
00:19:43We can have a nose around.
00:19:47What about a warrant?
00:19:49Witness admitted us to the building, fled the scene.
00:19:51What about a warrant?
00:20:00Oh, doing all right for part-timers.
00:20:03Yeah, it's quite well-organized, too, isn't it?
00:20:05Yeah, and even pay the VAT, look.
00:20:06Well, a light industrial space, but no industry.
00:20:22What do you think Emily's been paid to do for the last four months?
00:20:35It's hard to tell.
00:20:37Well, I think Emily's been paid to do for the last four months.
00:20:38I think Emily's been paid to do for the last four months.
00:20:40I think Emily's been paid to do for the last four months.
00:20:41Yeah.
00:20:42I think Emily's been paid to do for the last four months.
00:20:43Whoa.
00:20:44I think Emily was in the office helping with her legal work.
00:20:47Interesting collection.
00:20:53It looks like some kind of film set.
00:20:55Yeah.
00:20:57Well, maybe Emily was in the office,
00:20:59helping with her legal work.
00:21:01Well, I hope so,
00:21:02cos it could be too much for proud parents to bear.
00:21:05I suggest you leave now. The police are on their way.
00:21:08I suggest you call them back and tell them not to bother.
00:21:11I'm Detective Inspector Lindley,
00:21:13and this is Detective Sergeant Havers.
00:21:15Even if that's real, you're trespassing.
00:21:19Let's assure that it is real.
00:21:21And no, we are not trespassing.
00:21:23But don't worry, we're not Vice.
00:21:24We're here investigating the murder of a young woman.
00:21:26You think I have something to fear from Vice?
00:21:28Our parent company's a PLC.
00:21:30Well, why don't we start with your names,
00:21:31and what kind of business you're running here?
00:21:33My name is Lisa Conroy,
00:21:34and this is a licensed entertainment studio.
00:21:37Are you Emily Proctor's older sister?
00:21:40Yes.
00:21:42I'm sorry, Miss Conroy.
00:21:46We have some bad news for you.
00:21:48Emily was found dead this morning.
00:21:51It's her murder we're investigating.
00:21:54It can't be Emily.
00:21:57I spoke to her last night.
00:21:58It must be some sort of mistake.
00:22:00I'm so sorry.
00:22:02It's all right, Darren.
00:22:06Excuse me.
00:22:08Would you be the Darren who installed the video entry system in her flat?
00:22:11Yes, he is at my request.
00:22:13Darren's our technical supervisor here.
00:22:16Look, um, if you need a minute...
00:22:18I'm fine.
00:22:21If you're going to find who did this,
00:22:24I'll need to show you what Emily was doing here.
00:22:30The cameras provide a live feed eight till two, seven nights a week.
00:22:34There are at least six girls at any one time,
00:22:36so there's always something to see.
00:22:38And Emily was one of them?
00:22:40Yes.
00:22:41For the last four months.
00:22:44When did you last see or speak to your sister?
00:22:47Last night she called me at 7.50 to say she wasn't going to make it into work.
00:22:52What was her excuse?
00:22:54I don't know. I hung up on her.
00:22:58We were ten minutes from going online
00:23:00and I was already two girls down, plus Darren was off as well.
00:23:03Oh, really? Why?
00:23:06My mum was ill.
00:23:08I'm her principal carer.
00:23:12Wasn't that a little weird watching your sister?
00:23:14When Emily left Chambers, she had student debt.
00:23:15She wasn't going to pay off working in a bar.
00:23:18And Emily had a regular I think you should meet.
00:23:20I'll show you.
00:23:25Miss Conway?
00:23:27Your mother asked us to pass on that she'd like to see you.
00:23:31And she will.
00:23:33At Emily's funeral.
00:23:36Customers put in requests
00:23:37and the girls do their best to accommodate.
00:23:39They communicate via a keyboard.
00:23:41Chat is the best barometer of a punter's tastes and traits.
00:23:44And his favourite girls.
00:23:47And Emily had a number one fan?
00:23:49Yes, and I think he contacted her out in the real world.
00:23:52You think? Or you know?
00:23:53A man struck up a conversation with her in a cafe near her flat.
00:23:56She said it was quite amusing.
00:23:58They were chatting about this and that.
00:23:59And then suddenly he called her Bree.
00:24:01Bree?
00:24:02It's Emily's on-camera name.
00:24:04I never let them use their real ones.
00:24:06Like that?
00:24:09Hmm.
00:24:10How did she react when she realised he was a punter?
00:24:12She left the cafe, walked around till she was sure he wasn't following her
00:24:15and then came and found me.
00:24:17How could he have found her in the first place?
00:24:20In the real world?
00:24:21I don't know, but I have an idea which punter it was.
00:24:28Are you okay?
00:24:30Yeah.
00:24:31Yeah, fine.
00:24:37What was she like?
00:24:38Emily?
00:24:39Well, I didn't really know her.
00:24:42Oh, er, but you fitted her video entry system?
00:24:45Yeah, just because Lisa asked me to.
00:24:48Well, was she like the other girls?
00:24:51Er...
00:24:53No, she was nicer.
00:24:54A bit more friendly.
00:24:56In what way?
00:24:58Where she said hello.
00:25:00Asked after my mum, that sort of thing.
00:25:03Your mum?
00:25:05She's got senile dementia.
00:25:06Advanced.
00:25:07I'm sorry.
00:25:09That can be pretty tough.
00:25:10Hmm.
00:25:13Hey.
00:25:15It's okay to be upset.
00:25:16I'm not upset or hardly knew her.
00:25:22Winston.
00:25:23I thought Tanner was pretty meek and mild.
00:25:38Until he asked Emily to do something she wasn't comfortable with.
00:25:43This is how he showed his disappointment.
00:25:45And it wasn't banned.
00:25:51Terms and conditions stipulate they all get a second chance.
00:25:55Even when they've just threatened to strangle your little sister?
00:25:57I run this place.
00:25:58I don't make the rules.
00:25:59But the rules don't include the outside world.
00:26:01Like the cafe where she was approached, for instance.
00:26:03I wanted to go to the police.
00:26:04I really did.
00:26:05But Emily was adamant we didn't.
00:26:06So I had Darren install the entry phone.
00:26:12Was Emily due in the studio tonight?
00:26:15Yes.
00:26:17And Tanner's pre-booked his usual nine o'clock session.
00:26:20So if he missed it, it will be telling.
00:26:24Almost like showing his hand.
00:26:25I want a car outside Tanner's house as soon as possible.
00:26:26But for the moment that's it.
00:26:27No more.
00:26:28What, no rest?
00:26:29I want to see if he's got a guilty conscience first.
00:26:30Oh, Winston called.
00:26:31He's put some names to the numbers on Emily's mobile.
00:26:32Anyone interesting?
00:26:33Yeah.
00:26:34She called her old place for work yesterday at five o'clock.
00:26:35The call lasted just under half an hour.
00:26:36Tony Wainwright or someone else, I wonder?
00:26:37Well, the call's logged the main number, but Winston's finding out.
00:26:38Hey, Daphne.
00:26:39What have you got?
00:26:40I don't know.
00:26:41It's almost like showing his hand.
00:26:42I want a car outside Tanner's house as soon as possible,
00:26:43but for the moment that's it.
00:26:44No more.
00:26:45What, no rest?
00:26:46Tony Wainwright or someone else, I wonder?
00:26:49Well, the call's logged the main number, but Winston's finding out.
00:26:52Hey, Daphne.
00:26:53What have you got?
00:26:55Well, apart from a great body and a sharp sense of style.
00:26:58Yes, apart from that, yep.
00:27:01Okay.
00:27:03First point of interest, given this day and age,
00:27:06and the fact that the victim was 23,
00:27:08is that she was a virgin.
00:27:11Are you 100% on that?
00:27:14110, Virgo intacta.
00:27:19What about cause of death?
00:27:21Two stab wounds.
00:27:23The first one, miles off if death was the intention,
00:27:26a superficial wound to the upper right arm,
00:27:29but the second wound, bingo,
00:27:32cut straight through the internal and external carotid arteries.
00:27:36Same implement?
00:27:37Well, I've found traces of what looks like rust in both wounds,
00:27:42so, yeah, I'd say it's a fair conclusion.
00:27:44A knife?
00:27:45The wound's too broad and crooked,
00:27:49more like a curved spike.
00:27:52I'm gonna run up a rubberized mould.
00:27:55Anything else?
00:27:56Well, significant pre-mortem abrasions to the left elbow,
00:28:01left thigh and left kneecap.
00:28:03And I found asphalt grit in the kneecap wound
00:28:08and corresponding tear in the jeans
00:28:14with dusting of the same grit.
00:28:17She fell?
00:28:18Yeah, but the abrasions go back and front,
00:28:22so she must have hit the ground with speed and rolled over.
00:28:27So, she jumped or was pushed from a car?
00:28:31That's my guess.
00:28:32She jumped.
00:28:33Explains why the killer chased her.
00:28:35Yeah, but she must have been terrified to jump from a car.
00:28:37Terrified and or in pain.
00:28:40One thing I haven't worked out yet,
00:28:59small, deep, triangular wound to the side of the calf.
00:29:04If it suggests anything, it's an arrowhead.
00:29:09The killer shot with an arrow?
00:29:11What, to stop her escaping?
00:29:13No, that would have been from behind, wouldn't it?
00:29:15Well, however she got it,
00:29:16there's the beginning of bruising,
00:29:18so she was definitely still alive.
00:29:21And that's it for the moment.
00:29:24Thanks.
00:29:32Oh, er, by the way,
00:29:34the parents want to see the body first thing tomorrow.
00:29:37Okay.
00:29:38Sure.
00:29:39Er, I'd like to be there.
00:29:41Okay.
00:29:42Why?
00:29:43Just to say hello.
00:29:50Helen, it's just me wanting to know how the lecture went.
00:29:53So, er, give me a call if you want.
00:29:57Actually, no, give me a call anyway.
00:29:59Just let me know.
00:30:00Thanks.
00:30:01Bye.
00:30:02Okay, these gates,
00:30:04north and south at West Carriage Drive,
00:30:06through Serpentine Road to here,
00:30:08are closed between midnight and 5 a.m.
00:30:10Leopardy said that the body temperature would argue
00:30:13time of death 3 a.m. maybe earlier.
00:30:15Oh, definitely earlier.
00:30:16No, definitely earlier.
00:30:17If she fell or jumped from the car here,
00:30:19it had to have been before midnight.
00:30:20Uh-huh.
00:30:21Winston, what about those flowers?
00:30:22I've tried 67 florists in north-west London.
00:30:25None have records of deliveries to Emily's address.
00:30:28Better wind your net, then.
00:30:31It's not a canteen sandwich, is it?
00:30:33No, that's one of the pleasures of Liv and Shay, Mum.
00:30:36All right.
00:30:38All right.
00:31:06All right.
00:31:08Bye.
00:31:36Oh, blacklight's only presumptive, but I've got what look like traces of blood and denim
00:31:50fibre here.
00:31:52Well, the position fits.
00:31:55If she jumped from the car, then maybe the car pursued her.
00:31:58She runs through here to the park, and she's so scared she doesn't even clock the fence.
00:32:01Well, given where the body was found, the killer must have chased her on foot, which
00:32:04means they must have left their vehicle here for two, three minutes, minimum.
00:32:08Hey, Viz, I want you to get your uniform to canvas this road until it closes for the next
00:32:11few nights.
00:32:12Must be a jogger or cyclist or taxi drivers or something.
00:32:15Lily?
00:32:16Hi, it's Lisa Conroy.
00:32:18Hi.
00:32:19What you said about Tanner showing his hand, I think we can go one better.
00:32:24I'll explain if you can get here before nine o'clock.
00:32:34Yes, Winston.
00:32:55Tanner just came out.
00:32:57Yep, go on.
00:32:57Guess what he does when he's not threatening girls in chat rooms.
00:33:00What?
00:33:00Deputy Director of Holloway Council.
00:33:03All right, good work.
00:33:04Keep watching.
00:33:11So, each camera features a different girl.
00:33:15They come up on the screen, and you add the chat boxes.
00:33:19And all this goes out live on the net?
00:33:21Yes, right now.
00:33:24Emily was normally on screen too.
00:33:26How exactly will Tanner show his hand?
00:33:28Have you got a video about me?
00:33:34It was the most respectable footage we could find.
00:33:37It still fills it all.
00:33:39Do you think this is a ball for me?
00:33:41She shouldn't have been here in the first place.
00:33:43I don't need a guilt trip, Darren.
00:33:46Why don't you just go home?
00:33:48What about the desk?
00:33:50I can work the desk.
00:33:51I can work the desk.
00:33:51Hopefully, Tanner won't notice it's a repeat.
00:34:11Lost boy just logged on to the website.
00:34:13That's Tanner.
00:34:13But he's not asking to speak to Emily.
00:34:20Is that a first?
00:34:21Yeah, that's a first.
00:34:24Darren.
00:34:29Darren, you seem a little bit too upset for someone who hardly even knew, Emily.
00:34:33Now, if you had a soft spot for her, then he's not going to make you a prime suspect.
00:34:39But on the other hand, if you're holding out no sin.
00:34:44You know, most of these girls treat me like I'm not even here.
00:34:48But not Emily.
00:34:50No, she took an interest.
00:34:53She helped me out with my mum's disability claims.
00:34:56Seen informed.
00:34:57Yeah, they're a nightmare.
00:34:58Yeah.
00:34:58Yeah.
00:34:58Yeah.
00:34:58Yeah.
00:34:58Yeah.
00:34:58Yeah.
00:34:58Yeah.
00:34:58Yeah.
00:34:58Yeah.
00:34:59Yeah.
00:34:59Yeah.
00:34:59Yeah.
00:34:59Yeah.
00:34:59Yeah.
00:34:59Yeah.
00:34:59Yeah.
00:34:59Yeah.
00:35:00Yeah.
00:35:00Yeah.
00:35:00Yeah.
00:35:01Yeah.
00:35:01Yeah.
00:35:01Yeah.
00:35:02Yeah.
00:35:03Emily was beautiful.
00:35:06Outside and in.
00:35:08The most beautiful thing about her was she didn't even know it.
00:35:11Did you ever see her out of work?
00:35:15The night I fitted her video entry system, we went for a pizza.
00:35:19I had American art.
00:35:19She had a chicken Caesar salad.
00:35:24You're going to ask me what I was doing last night now, aren't you?
00:35:28I know who you were.
00:35:30You were at home looking after your mum.
00:35:32She'll vouch for me.
00:35:32She'll vouch for me.
00:35:33Yeah, except she's got semenial dementia.
00:35:36What exactly was wrong with her last night?
00:35:38She was upset because I raised the taboo subject of a nursing home.
00:35:42She said she'd kill herself if I so much had mentioned it again.
00:35:459.06 and he's still keeping her waiting.
00:36:02He pays regardless.
00:36:031.75 a minute.
00:36:06Hey.
00:36:07Who?
00:36:10Hang on.
00:36:11Here he comes.
00:36:12Lost boy is requesting a one-to-one with Bree.
00:36:15Request granted.
00:36:16Hi, Bree.
00:36:20Well, uh, why was he so late?
00:36:26Want to tell me why you kept me waiting?
00:36:36I'm just glad you're okay.
00:36:38Why wouldn't I be okay?
00:36:39No reason.
00:36:49Push him.
00:36:52Why are you so polite tonight?
00:36:55Take your top off.
00:37:03Walked into that one.
00:37:05Tease him.
00:37:06You can keep us waiting.
00:37:08Not so fast.
00:37:17Take your top off now.
00:37:18First, tell me what's going on with us.
00:37:48You're not Bree.
00:37:52He's on to us.
00:37:59Winston?
00:38:04I work hard and pornography relaxes me.
00:38:07You're all right.
00:38:09What?
00:38:11You've only ever used the web to buy CDs and book train tickets?
00:38:14Do it, you bitch, or I'll strangle you with that dressing gown called.
00:38:21Come on.
00:38:22It's pantomime.
00:38:24Your obsession with Emily was very real.
00:38:26She was the prettiest, that's all.
00:38:29I think it was a bit more personal than that.
00:38:31You wanted to get closer.
00:38:32Yeah, and you did.
00:38:33You approached her in a cafe.
00:38:34That's ridiculous.
00:38:35You even got into a conversation with her,
00:38:37which went very well until, of course, you slipped up.
00:38:41You called her by her work name.
00:38:42You called her Bree.
00:38:44Look, she's just an image on my computer.
00:38:54At 9.07 tonight, you typed,
00:38:59I'm glad you're okay.
00:39:03Why?
00:39:04Just being friendly.
00:39:05You don't pay £1.75 a minute just to be friendly.
00:39:09Why shouldn't she be okay?
00:39:11No reason.
00:39:11Why shouldn't she be okay, Mr. Tanner?
00:39:17You kept Bree waiting tonight.
00:39:20What?
00:39:22I wasn't in the mood.
00:39:23If you weren't in the mood, why did you bother to log on at all?
00:39:26Why didn't you just watch the telly or talk to your wife or play with your children?
00:39:31It must be quite a shock to see her on the screen when you know that she's dead.
00:39:38I didn't know she was dead, all right.
00:39:40But you thought she was.
00:39:41No.
00:39:43The conversation in the cafe, we know the date and the time it took place.
00:39:47Great.
00:39:48I wasn't there.
00:39:49Ah, so you didn't see the CCTV cameras above the counter?
00:39:53Like I said, I wasn't there.
00:39:54Or the one in the back room covering you or a man who looked very much like you,
00:39:59contriving to run into Bree.
00:40:01If you've got some footage, let's see it.
00:40:05Give us a couple of hours.
00:40:06We'll be happy to oblige.
00:40:08You're bluffing.
00:40:09No, no, no.
00:40:09They keep it for a year.
00:40:11Yeah, it's an insurance thing.
00:40:13Let me give you some advice.
00:40:14If you're going to change your story, don't do it when your back's against the wall and
00:40:19everything you tell us we already know.
00:40:21Yeah, oh, and make it a positive choice.
00:40:24One that reflects well in your character.
00:40:26You followed her to the cafe.
00:40:29How would I know where to find her, hmm?
00:40:31Well, as deputy council director, it can't be hard to get the sight of the studio's entertainment license.
00:40:36Yeah, and that's where you picked up her trail, isn't it?
00:40:39So you went to her work, and then what?
00:40:44I followed her home.
00:40:48I just wanted to watch her.
00:40:49But you went one step further.
00:40:52You talked to her in the cafe.
00:40:55Yeah.
00:40:57Why?
00:40:59What you said.
00:41:02I wanted to get closer.
00:41:06I wanted to know her as a person.
00:41:11And yeah.
00:41:14I know how sad and deluded that sounds.
00:41:20What about the flowers?
00:41:21Expensive.
00:41:22Bunches and bunches of them.
00:41:25I never sent any flowers.
00:41:27I mean,
00:41:29I thought it'd be creepy.
00:41:30Hello.
00:41:44Helen, um, just wondering if you got my message?
00:41:47No.
00:41:49Well, just wanted to know how it all went.
00:41:51Oh, you know, sorry.
00:41:52Yeah, I did get your message.
00:41:53I haven't had a second, but everything went far.
00:41:57Good.
00:41:57Great.
00:41:58Look, sorry.
00:41:59I'm ready to go.
00:41:59I'll talk to you later.
00:42:00Bye.
00:42:04Bye.
00:42:07Hey, um, you okay?
00:42:11Yeah, fine.
00:42:13Okay, we've got two witnesses supporting Tanner's alibi.
00:42:15He was nowhere near Hyde Park.
00:42:19Uh-huh.
00:42:20Okay.
00:42:21Just found out who was sending Emily Flowers.
00:42:24A woman.
00:42:25Hester Reed.
00:42:26Wainwright's clerk, right?
00:42:28Which really means they come from Wainwright,
00:42:29who's just too busy saving Kenyan miners.
00:42:31I want his address now.
00:42:33One step ahead of you, sir.
00:42:34Already got it.
00:42:35Who is it?
00:42:36Not in Hill.
00:42:38Of course he does.
00:42:39Come on, Hayworth.
00:42:41Surely it's just a question of finding the leak and patching it up.
00:42:43Mr. Wainwright's a very busy man.
00:42:45He doesn't want to be thinking every night
00:42:46as he's coming home to a flooded house.
00:42:51Inspector Lindley.
00:42:53Can I help you?
00:42:54Does Mr. Wainwright ever sort out your household problems, Miss Reed?
00:42:57I'd have thought a policeman would understand a simple system
00:43:00of hierarchical responsibility.
00:43:03Oh.
00:43:04Yeah, no, he's a governor, all right.
00:43:06But if he ever asked me to send his flowers for him,
00:43:08then I'd tell him where to plant them.
00:43:10She would too, you know.
00:43:12Well, here's Mr. Wainwright himself.
00:43:13I'll wait there.
00:43:19Hester, why don't you take my cap home?
00:43:21Really?
00:43:22I bought your car.
00:43:24Yeah, thanks.
00:43:24Sorry if I'm a bit fragrant.
00:43:31I've been for a climb and a few drinks.
00:43:33Your body odor is the least of my concerns, Mr. Wainwright.
00:43:46Okay, this is the truth.
00:43:47I was in love with Emily Proctor,
00:43:49and I wanted to spend the rest of my life with her.
00:43:54So I take it she ended the relationship?
00:43:57No, I did.
00:43:59Why?
00:44:01Because...
00:44:03because she had a problem with intimacy,
00:44:05and I was an impatient, insensitive idiot.
00:44:09You mean she wouldn't have sex with you?
00:44:12Yes, if you want to get gynaecological.
00:44:14Why didn't you tell us this earlier?
00:44:15I should have done, of course. I was in shock.
00:44:22Is that the only reason?
00:44:24There are elements within chambers jealous of my reputation,
00:44:27always looking for a stick to oust me with.
00:44:31So getting back to Emily,
00:44:33could you give her an ultimatum?
00:44:36I was so selfishly frustrated,
00:44:38I couldn't see what was staring me in the face.
00:44:41Emily's fear of sex was a symptom of something.
00:44:44Like abuse?
00:44:47Perhaps I think so, yes.
00:44:48Or maybe she was just waiting for Mr. Wright.
00:44:51Look, she loved me.
00:44:53And I loved her.
00:44:55It wasn't that she didn't like sex or want it.
00:44:57It just reminded her of something terrible.
00:45:01Did you try to talk to her about it?
00:45:03She wouldn't.
00:45:04So I suggested a shrink.
00:45:06She said that wasn't going to help.
00:45:07I said, how did she know unless she tried it?
00:45:09And then I lost it.
00:45:13Told her to come back when she'd sorted her head out.
00:45:18Monday morning, she didn't come into work.
00:45:21Ah, so the flowers were your way of saying,
00:45:24please forgive me?
00:45:25And she did.
00:45:28She did forgive me.
00:45:31She called me yesterday evening
00:45:32and told me she wasn't going to let her past ruin her future.
00:45:36Did you arrange to meet?
00:45:37I had to dash off to this bar council dinner in Kensington,
00:45:40so I sent a cab for her and to her flat to pick her up.
00:45:44What time for?
00:45:45Eleven.
00:45:46She wasn't there.
00:45:49Driver waited for ten minutes and then left.
00:45:52Just thought she'd changed her mind.
00:45:53Excuse me.
00:45:57We're going to need an alibi to confirm your presence at the dinner.
00:46:00Not a problem.
00:46:04Who's the lady in this picture?
00:46:07Why?
00:46:08Because there's a photograph on your desk of her wearing a wedding dress
00:46:11and you're not married.
00:46:13You do do your detective work, detective.
00:46:18A photograph on my desk was taken by the dress designer.
00:46:21The woman wearing it died the next day.
00:46:26I'm sorry.
00:46:28I think you mean who was she and how did she die?
00:46:33Her name was Carrie Hart.
00:46:37She was killed in a street robbery in 1991,
00:46:39four days before we were due to marry.
00:46:45Did the police catch the perpetrator?
00:46:48No, they did not.
00:46:49Sir, we have to go now.
00:46:56Mr. Wingman.
00:46:57Sir, when did you last see me there?
00:47:06I was just walking to my car when I saw him.
00:47:08He must have done it right after he left.
00:47:12Take Miss Conoy home, please.
00:47:15Lafferty.
00:47:17Carbon monoxide, exhaust pipe, textbook.
00:47:21There's a note.
00:47:22Couldn't live without Emily is the gist.
00:47:24He wasn't her boyfriend or anything.
00:47:26But I'm thinking, what if there's another reason
00:47:29why he took her death side personally?
00:47:30Yeah, well, he said he was with his mum
00:47:32the night that Emily died.
00:47:33We'd better check that again.
00:47:35Fine, but I don't want you losing sight of Wainwright, all right?
00:47:37Why?
00:47:37He's been quite open about Emily.
00:47:39Oh, come on, only when he had to be.
00:47:42He's made necessity into a virtue.
00:47:43I want you to check his alibi for the bar council dinner
00:47:46very thoroughly.
00:47:46And Winston, I need you to look for Carrie Hart,
00:47:48which is fiancé murdered in 1991.
00:47:51Order up the file.
00:47:51Well, some of those of them are dying.
00:47:55I don't know if they're in one bathroom or something.
00:47:57I don't know if they can say,
00:47:58but it's kind of admirable, really, isn't it?
00:48:00What?
00:48:01Giving yourself a 22?
00:48:04Being so much in love with someone
00:48:05that you can't see life without them.
00:48:08Well, he never had it in the first place.
00:48:12But he had the hope of having her.
00:48:15One day.
00:48:17Maybe.
00:48:17You need to get some sleep, sir.
00:48:33Come on.
00:48:46Oh, Dad.
00:48:47Oh, my God.
00:49:17Thanks. Bye.
00:49:20Thanks, love.
00:49:26Tommy!
00:49:28What are you doing?
00:49:30I just want to make sure you got back safely
00:49:32and that you didn't bring the face chancellor with you.
00:49:36That's touchingly jealous and paranoid of you.
00:49:40Are you stalking me?
00:49:41Yes.
00:49:42Why?
00:49:43Because I miss you too much.
00:49:45You saw me this morning.
00:49:47I'm going to arrest my case.
00:49:52Twice in a day.
00:49:54We're not getting serious, are we?
00:49:56Strictly recreational.
00:49:58I see.
00:50:00So if I had come back with the vice chancellor,
00:50:03you'd have been okay with that?
00:50:04Absolutely.
00:50:05Once I'd ripped his heart out with my teeth.
00:50:07Come on, then.
00:50:19Oh, God.
00:50:20Don't worry about it, Tommy.
00:50:25Last night was last night.
00:50:28I mean, oh, God, it's late.
00:50:32It's fine.
00:50:33As you've counseled before, we'll see what happens.
00:50:36Let's not see what happens.
00:50:44Don't you dare bloody say that unless you mean it.
00:50:48I mean it.
00:50:49Then promise me, if it happened again.
00:50:57Come on, why should it eat?
00:50:59Don't, Tommy.
00:51:01If I...
00:51:02If I lost another child,
00:51:07or if it turned out that we could never have children,
00:51:10promise me we won't deal with it with child separations
00:51:13and burying ourselves in work.
00:51:15I promise.
00:51:19I can't cope with another breakup, Tommy.
00:51:23Not I don't want to.
00:51:26I can't.
00:51:29Neither can I.
00:51:34I can't.
00:51:43Yes, it's Detective Inspector Lindley here.
00:51:50I'm looking for Detective Sergeant Robert Mills,
00:51:54worked out of Lambeth Central, 1991.
00:51:56Can you hold?
00:51:57Yeah, I'll hold.
00:52:00You said you wanted a heads-up
00:52:01when Emily's parents came in?
00:52:03They're on their way.
00:52:04This video technician Emily worked with,
00:52:13is he a suspect?
00:52:15We're keeping all our options open, haven't you, sir?
00:52:17Surely the fact that he's killed himself
00:52:19shows he's guilty.
00:52:20This is what I'm really not allowed to discuss this with you.
00:52:23Well, whoever it was, we know who really killed her.
00:52:25Sweetheart.
00:52:26Lisa had to drag her into her sorry little world.
00:52:28Guy, please.
00:52:29How have we here?
00:52:31Are they?
00:52:33Are you sure you're up to this?
00:52:35I have to see her.
00:52:37I have to say goodbye.
00:52:46Mrs. Proctor.
00:52:48Mr. Proctor.
00:53:04We'll leave you in peace.
00:53:15Not exactly united in their grief, are they?
00:53:35Tragedy can be a wedge.
00:53:38Especially if there was a problem in the first place.
00:53:40Yes.
00:53:40Yes.
00:53:40She had something, didn't she, your sister?
00:54:05The fellow pupils in Chambers.
00:54:10Darren, the girls here.
00:54:12Even her landlord.
00:54:14It was the same when we were kids.
00:54:16Half the school came to her birthday parties.
00:54:18But she held something back for herself, didn't she?
00:54:22Doesn't everyone?
00:54:26Did you know that Emily was a virgin?
00:54:29Yes.
00:54:30Do you know why?
00:54:34Does there have to be a reason?
00:54:38No.
00:54:39But she had a boyfriend in college.
00:54:41And in this day and age...
00:54:42Look, Emily only got back in contact with me in April.
00:54:45Before that, I hadn't seen her in ten years.
00:54:47I didn't know her when she was at college.
00:54:50When Tony Wainwright broke things off, she was heartbroken.
00:54:53She needed a shoulder to cry on.
00:54:58Why yours, then?
00:55:01That's what big sisters are for.
00:55:03You hadn't seen each other in ten years, you said.
00:55:12Why was sex such a big issue for Emily?
00:55:18Lisa?
00:55:20I don't know.
00:55:21I don't believe you.
00:55:25When we spoke to your parents,
00:55:27they said they hadn't seen her for months.
00:55:31Was that related to her getting back in touch with you?
00:55:36You might say that.
00:55:40Winston?
00:55:42Look.
00:55:43The landlord said he hadn't rented out the basement since it flooded.
00:55:45The main pipe's flooded Christmas before last.
00:55:48The main pipe's flooded Christmas before last.
00:55:50I'm still fighting with the insurance people.
00:55:56I don't have the key.
00:55:56It's missing.
00:55:57What, when Darren fitted you a video interest system,
00:55:59did he borrow that?
00:56:00Yeah, he needed access to the roof.
00:56:01Did you give him the one key or the bunch?
00:56:02The bunch.
00:56:03Oh, great.
00:56:04Last time I did this, I had a frozen shoulder for a moment.
00:56:05Come on.
00:56:06He'll love it.
00:56:07Oh!
00:56:08Oh!
00:56:09Oh!
00:56:09Oh!
00:56:10Oh!
00:56:10Oh!
00:56:11Oh!
00:56:11Oh!
00:56:12Oh!
00:56:12Oh!
00:56:13Oh!
00:56:13Oh!
00:56:14Oh!
00:56:14Oh!
00:56:15Oh!
00:56:16Oh!
00:56:17Oh!
00:56:18Oh!
00:56:19Oh!
00:56:20Oh!
00:56:21Oh!
00:56:22Oh!
00:56:23Oh!
00:56:24Oh!
00:56:25Oh!
00:56:26Oh!
00:56:27Oh!
00:56:28Oh!
00:56:29Oh!
00:56:30Oh!
00:56:31Oh!
00:56:32Oh!
00:56:33Oh!
00:56:34Oh!
00:56:35Oh!
00:56:36Oh!
00:56:37Oh!
00:56:38Oh!
00:56:39Oh!
00:56:40Oh!
00:56:41Oh!
00:56:42Oh!
00:56:43Oh!
00:56:44Oh!
00:56:45Oh!
00:56:46Oh!
00:56:47Oh!
00:56:48Oh!
00:56:49Oh!
00:56:50Oh!
00:56:51Oh!
00:56:52Oh!
00:56:53Oh!
00:56:54Oh!
00:56:55Oh!
00:56:56Oh!
00:56:57Oh!
00:56:58Oh!
00:56:59Oh!
00:57:00Oh!
00:57:01What I'm about to tell you, I'll deny if you ask me under caution.
00:57:09Emily's dad, my stepfather, every night from the age of 12 to 16.
00:57:16With Emily?
00:57:18No, not Emily, me.
00:57:22The first time Mum brought him home, I didn't like him.
00:57:25She thought he was such a catch because he spoke well and he'd been to a posh school.
00:57:31Even when it turned out he was up to his eyes in debt, nothing could knock him off that pedestal.
00:57:35Did you ever try telling your mum what was going on?
00:57:38Once.
00:57:39She was so angry I questioned if it was all in my head.
00:57:46I'm sorry.
00:57:48I'd faced what happened a long time ago, but Emily hadn't.
00:57:52She and my mother developed strategies for burying their heads in the sand.
00:57:57Mum put it down to my jealousy of Emily.
00:57:59Emily worked herself up into a stew about human rights abuses in the third world.
00:58:06So much easier to bear than those under your own roof.
00:58:11So.
00:58:14Wainwright wanting Emily sexually and her wanting him back.
00:58:18That forced Emily to confront what she'd always known.
00:58:23Look, our bedrooms were next door to each other.
00:58:27At the time, did you ever contemplate going to the police?
00:58:31With what?
00:58:32I didn't have any Polaroids.
00:58:34My sister and my mother would have backed him up that I was some jealous freak.
00:58:39And he was clever.
00:58:39He always used a condom and he never left a mark on me.
00:58:49Having accepted the truth, do you know if Emily confronted her father?
00:58:55When she stopped phoning and returning his calls.
00:58:59Well, he knew.
00:59:03You know what I'm asking you, Lisa?
00:59:06Hearing that accusation from Emily's mouth may be more than he could stand.
00:59:11Well, as far as I know, she hadn't seen him or my mother since she came to work for me.
00:59:16He had a camera in every room.
00:59:28Yeah.
00:59:30And she thought he was helping keep the freaks out.
00:59:34He used button cameras, painted the same shade of magnolia as the walls and ceiling.
00:59:39Do we have any footage from the night she was murdered?
00:59:41Yeah, these are the last images of Emily.
00:59:43At 11 and 5pm she leaves the flat.
00:59:46This is a girl who's recently been stalked.
00:59:49So Eva's on the other end of that entry phone.
00:59:51She knows and trusts.
00:59:52But the taxi Wainwright booked for her wasn't due for ten minutes.
00:59:56Yeah, and Wainwright himself is at the bar cancer dinner.
00:59:58So he says.
01:00:00He hasn't supplied us with an alibi yet.
01:00:01There's another possibility.
01:00:03If we scroll back a few hours, we'll see that Emily had a visitor.
01:00:10You're kidding.
01:00:10In a conversation with Detective Sergeant Haveres yesterday morning, you said you hadn't seen your daughter for months.
01:00:22I didn't tell you because I knew it had nothing to do with Emily's death.
01:00:25I think you didn't tell us because you'd had a row with her.
01:00:30Even without the soundtrack, you can see you're having a row, can't you?
01:00:36Did you come back and pick her up?
01:00:38No.
01:00:39Did you wait for her outside?
01:00:42No.
01:00:42After I left, I drove straight home.
01:00:44How long did you get there?
01:00:468.45.
01:00:48Nine at the latest.
01:00:49And what was the argument about?
01:00:52None of your business.
01:00:59Mr. Proctor, you are helping the police with their inquiries.
01:01:02You are not under arrest.
01:01:03I can change that in an instant.
01:01:05Then I'll need my lawyer, won't I?
01:01:09I know what Lisa thinks the argument was about.
01:01:12Lisa poisoned Emily's mind with the most diabolical lies.
01:01:16Would you care to elaborate?
01:01:16Groundless accusations that I abused Lisa when she was a teenager.
01:01:23It wasn't the first time she'd come out with these stories,
01:01:25so I couldn't understand why Emily was suddenly giving them creams.
01:01:29So, this is you trying to persuade Emily of your innocence,
01:01:34just as you're trying to persuade me?
01:01:35I am innocent.
01:01:36Then why didn't Emily believe you?
01:01:39Because Lisa is a very cunning, manipulative, and...
01:01:42You nearly said seductive, then, didn't you?
01:01:45Don't be disgusting.
01:01:45Do you think it's all Lisa's fault?
01:01:50What exactly am I being interviewed about?
01:01:53My relationship with my stepdaughter or my movements the night before last?
01:01:57Well, you tell me.
01:02:00The two seem to be index-linked.
01:02:03Look, you said Emily was killed after 11.
01:02:06I was home by nine, and in for the night.
01:02:10You can ask my wife!
01:02:14Mrs. Proctor,
01:02:15you put me in here on purpose, didn't you?
01:02:19Was you home by nine?
01:02:22Yes.
01:02:24Are you sure?
01:02:25Mrs. Proctor?
01:02:30I want to wait in my car.
01:02:33We need you to corroborate your husband's statement, I'm afraid.
01:02:35Mom.
01:02:38Lisa.
01:02:39What are you doing here?
01:02:41Don't you dare cover up for him.
01:02:42You know what he's capable of.
01:02:44You know what he did to me.
01:02:45No.
01:02:46No, I don't.
01:02:47Was he at home when Emily was killed?
01:02:49Don't answer that, Deborah.
01:02:50Where did he say he was?
01:02:52Looking at a car.
01:02:54But you weren't looking at a car, were you?
01:02:56I've made my statement.
01:02:57You were trying to win Emily back,
01:02:59but you couldn't because she'd faced the truth.
01:03:01She'd listened to your lies, certainly.
01:03:04When did you get home?
01:03:05Nine o'clock.
01:03:06Hours before Emily was killed.
01:03:10Is that true, Mom?
01:03:12Yes.
01:03:13Yes, it is.
01:03:15Let's go, Deborah.
01:03:17No.
01:03:20No.
01:03:21Let's go.
01:03:23I think your wife has made her feelings perfectly clear, sir.
01:03:39Sir, what are we doing now?
01:03:41Just letting go?
01:03:43For the moment.
01:03:49Come in.
01:03:51Detective Sergeant Mills to see you.
01:03:53Retired in 99.
01:03:55Plain old Bob now.
01:03:56Appreciate this, Bob.
01:04:02God.
01:04:05Brings it all back.
01:04:06So when did you first doubt that it was a street robbery?
01:04:10Her wallet had gone, but the gold necklace hadn't, and her earrings were worth a bit too.
01:04:16If you kill someone to rob them, you're going to take the lot, right?
01:04:19Right.
01:04:19Carrie was stabbed right here.
01:04:21Carrie was stabbed right here.
01:04:23She walked this way every day, and it was raining.
01:04:27So why the detour?
01:04:28Well, because she was forced to.
01:04:30No evidence she was dragged or manhandled.
01:04:32And there was a bloke working on his boat just down there.
01:04:36He'd have heard something.
01:04:38So you wondered if she was lured here?
01:04:40Maybe by someone she knew.
01:04:43Yeah.
01:04:43Why a fiancé?
01:04:45Friends of the victim said she was having doubts about the marriage because Wainwright
01:04:49had played away with an ex.
01:04:51Did he provide an alibi?
01:04:52Eventually.
01:04:53To start with, he said he'd been on his own in his chambers.
01:04:56Then he suddenly remembers his clerk dropping in.
01:04:59Do you remember the name of the clerk?
01:05:01A woman.
01:05:02Hester something.
01:05:03Hester Reed.
01:05:04Was she still his clerk?
01:05:05Well, she was very jumpy when I interviewed her.
01:05:07I was that close to breaking her that she stuck to her story.
01:05:12Or his story.
01:05:13He must have had more to peg Wainwright as the killer.
01:05:16When I first asked him for his alibi, before I suspected him, he totally flipped.
01:05:22Screamed at me that he'd lost his soulmate.
01:05:23And there I was adding insult to injury.
01:05:26I thought, that's a nasty temper if you can't control it in a police station.
01:05:30Then when he smacked that bloke outside court a couple of years ago, my blood ran cold,
01:05:34I can tell you.
01:05:36Have you got any firm evidence that Carrie wanted to back out of the wedding?
01:05:38No.
01:05:40In fact, I had nothing.
01:05:40Ended up calling in a few convicted muggers for form's sake, then filing and forgetting.
01:05:47Or trying to.
01:05:49Carrie Hart's murder.
01:05:50We must be able to use it.
01:05:52Lighting doesn't strike twice.
01:05:54Wainwright is a lawyer, and an exceptionally clever one, and he will say that it does strike twice.
01:05:58Especially over 15 years.
01:06:00And then he will maintain that he has the luck of the devil, and that we should feel sorry for him.
01:06:05And not accuse him of killing the two loves of his life.
01:06:08And do we really believe that he did?
01:06:09Well, I don't think he's a psychopath.
01:06:14But I do think he's a brilliant man with a big ego and an even bigger temper.
01:06:19Who hates to be denied.
01:06:20Emily was denying him.
01:06:22Carrie's friends vouched that she was in two minds about the marriage.
01:06:25So, we're wasting our time trying to break him up with what we have in the cupboard.
01:06:28What about Esther?
01:06:30Their loyalty incarnate, isn't she?
01:06:32If we're right, and she lied for him then, she'll lie for him now.
01:06:40Graham, how are you?
01:06:41Sorry, I can't talk.
01:06:43This is Detective Sergeant Havers.
01:06:44Just two minutes of your time, please.
01:06:46Last time I spoke to you, I nearly lost my job.
01:06:49Wainwright called you in, did he?
01:06:50What's the story with Wainwright and History Read?
01:06:53How would I know?
01:06:54Well, the last time we spoke, you proved yourself a keen observer of human relations.
01:06:58So, I was right about Wainwright and Emily.
01:06:59Tell me, are all clerks as loyal and committed as Hester Read?
01:07:05I don't think she's like that with all the barristers.
01:07:08Just Wainwright?
01:07:09Some kind of strange glue there.
01:07:12A few months ago, he had a big bash for his birthday.
01:07:14He rented a barge, hundred plus guests at the works.
01:07:18Hester arranged the whole thing, and he never even invited her.
01:07:21Sounds more like devotion than loyalty.
01:07:24And over the last couple of days, has that glue come unstuck at all?
01:07:28Oh, I don't know about that.
01:07:31But?
01:07:33Well, um, yesterday he dumped some files on our desk and spilled her coffee.
01:07:39She completely freaked out.
01:07:41Put his head off in front of everybody.
01:07:42How did Wainwright take that?
01:07:44He was so stunned, he just walked out.
01:07:46But she'll pay for it down the line.
01:07:51Could you have phoned? I've got somebody's lunch here.
01:07:53I bet I know whose.
01:07:55When I politely suggested this morning that Tony Wainwright and Emily had been having a relationship,
01:07:59you said your implication is offensive.
01:08:01Which sounds like a denial.
01:08:02But the implication was fact, and you knew it.
01:08:05We'll party to it. Flowers, the taxis.
01:08:08You know what a movable feast pervert in the course of justice is.
01:08:10Yeah, even if we can't make it stick, we can ruin your career.
01:08:13But we don't really want to.
01:08:16This is a novel take on good cop, bad cop.
01:08:18I can't tell who's who.
01:08:22Fifteen years ago, did Tony Wainwright coerce you into explaining him a false alibi?
01:08:26No, he did not.
01:08:27Come on, Hester. Haven't you been protecting him for long enough?
01:08:30I don't want to hear about this man who slays corporate giants or who scales Everest on his days off.
01:08:34Of course you don't.
01:08:35I want to hear about the real Tony Wainwright.
01:08:38No one knows him better than you.
01:08:40So come on, what does he do behind closed doors when things go wrong?
01:08:43Does he shout? Does he throw things? We know he hits people.
01:08:46If Tony's hard on his staff, he's even harder on himself.
01:08:49I've heard Bassard Wise say something similar.
01:08:51Oh, shut up.
01:08:52Oh, now we're communicating.
01:08:53I've seen the way he treats you.
01:08:55Dismissing you from his hallowed presence without so much as a second glance.
01:08:58He was upset.
01:08:59Oh, does he always have that excuse?
01:09:00We have an understanding.
01:09:02Well, understanding goes both ways.
01:09:04He expects you to sort out his plumbing, lie for him in a murder inquiry.
01:09:08What would he do for you if Bush came to shove?
01:09:11Not much, I'd say.
01:09:12Given he barely acknowledges your existence.
01:09:14He'd be lost without me.
01:09:15He would be in jail without you, Hester.
01:09:18Look, if you lied for him 15 years ago, now is the time to tell us.
01:09:25What's funny?
01:09:28There's a bit of truth in everything you said.
01:09:30You can be rude, selfish, and unappreciative.
01:09:32But your attempts to paint him as an evil man, masquerading as a good one, are laughable.
01:09:40Laughable.
01:09:50Maybe she's right about Wainwright.
01:09:53I'm with Winston.
01:09:55Lightning doesn't strike twice.
01:09:57Oh, my word.
01:10:02Have a tea.
01:10:03Your canvassing idea paid off.
01:10:06Peter delivery guy cutting through the park at 11.30, 11.35.
01:10:09Saw an empty SUV parked up on West Carriage Drive.
01:10:13Lights blazing inside and out.
01:10:16Make?
01:10:16Registration?
01:10:18By courtesy of BVLA, I can tell you that Tony Wainwright drives one of these.
01:10:22Ah, we're getting closer.
01:10:25No, I'm sorry, guys.
01:10:26I think there's a problem with all this.
01:10:31Okay, this is 11.05pm.
01:10:33If it is Tony Wainwright she's going down to meet, then, well, he must have cut away from
01:10:36his bar council dinner at, what, 10.45 at the latest?
01:10:40Where are we on his alibi?
01:10:42The man himself hasn't got back to me yet, but I'm on to security at the bar council.
01:10:45Now, if he meant to pick up Emily himself, then why did he send a cab?
01:10:50Maybe he'd forgotten he'd even booked it.
01:10:53Driving over there was an impulsive, drink-fueled, libido-fueled kind of thing.
01:10:59Okay, so why the detail through Hypop?
01:11:02Same thing, really.
01:11:07He couldn't wait any longer for her to make good on her promise that she wasn't going to
01:11:11let her past ruin her future.
01:11:13Then why not just go back to his place?
01:11:15In case she still said no.
01:11:17But we know that Wainwright has a violent, uncontrollable temper.
01:11:20We know he likes sex in public.
01:11:22No, no, no, look.
01:11:23Um, there are a dozen ways from Kensal Rise to Notting Hill, and not one of them goes
01:11:27through Hyde Park.
01:11:28Maybe that's when she got spooked.
01:11:30Now, what were we doing in the park in the middle of the night?
01:11:32Squarewick, why she jumped out of the car.
01:11:34Okay, another question.
01:11:36All right, say picking up Emily was an impulsive thing.
01:11:39Why do you have a weapon in the car?
01:11:40Hello?
01:11:44Mm-hmm.
01:11:45Lafayette.
01:11:48Yes.
01:11:49So, I've given the Kerry Hart evidence the once-over.
01:11:52And?
01:11:52No substantive link with Emily's murder.
01:11:55To be honest, I don't really know what you're hoping to find.
01:11:58No, neither do I.
01:12:00What about the good news, then?
01:12:02Well, there's some interesting news.
01:12:05I'll settle for interesting.
01:12:06Just got word back on the brown deposits that we found in Emily Proctor's wounds.
01:12:10Tellingly, they contain pyroxene, CA-rich plagio-class, and hornblende.
01:12:17Telling to you, maybe.
01:12:20That mineral assemblage indicates that the rock is an andesite.
01:12:24Volcanic?
01:12:26Which chimes with the cast I had made from the neck wound.
01:12:34Looks to me like the head of a climbing axe.
01:12:38That's more than interesting.
01:12:40Mr. Wainwright?
01:12:59Do you know what this is a picture of?
01:13:01Climbing axe.
01:13:02Do you own such a thing?
01:13:03You can't just march in here.
01:13:04Esther's fine.
01:13:04Yes, I do.
01:13:05Where is it?
01:13:07Either at home or in my booth.
01:13:08Back to your land, Rover?
01:13:10Yes.
01:13:10And where's that?
01:13:12Outside in the car park.
01:13:13Do you mind if we continue this conversation in my office?
01:13:15Absolutely.
01:13:16But first, we'll need to read this.
01:13:17It's a warrant to search your vehicle.
01:13:18And we'll need the keys, too.
01:13:20Thank you, Greg.
01:13:27Lefty.
01:13:29Land Rover.
01:13:31So, what kind of lawyer is he?
01:13:32Criminal?
01:13:33Quite possibly.
01:13:34Depends what we find in here.
01:13:41How did you travel to your bar council dinner two nights ago?
01:13:44Can.
01:13:47There'll be a record of that?
01:13:48No, I held it in the street.
01:13:50Oh.
01:13:50Well, there won't be a record of that.
01:13:52Are you sure he didn't take your Land Rover?
01:13:54Positive.
01:13:54I knew I'd be drinking, so I left it outside in the car park.
01:13:57Who were you seated next to at the dinner?
01:13:58I was table-hopping like a tart, to be honest.
01:14:00I can't remember who I was next to by the end.
01:14:02Is that the best you can do?
01:14:04Listen, I'd had a lot to drink, all right?
01:14:06When did you leave?
01:14:07Around 11.
01:14:09Were there speeches?
01:14:10I may have left before the speeches.
01:14:12Why?
01:14:13Because I couldn't wait to see Emily.
01:14:14So you drove over to a flat?
01:14:16Now, how would I do that without my car?
01:14:19All right, then, what did you do?
01:14:20I just walked the mile or so home.
01:14:23Ran, in fact.
01:14:24Why the hurry?
01:14:25Because every day without her had been hell.
01:14:27And finally you thought you could have your way with her.
01:14:29Ha!
01:14:31To the extent that you can't separate love and the act of love,
01:14:33that may have crossed my mind.
01:14:35Yes, so what?
01:14:36Emily could separate them, though, couldn't she?
01:14:38That's what drove you mad.
01:14:39You got this so wrong.
01:14:40I wasn't some pissed-up predator.
01:14:42I was happy.
01:14:44I was laughing and singing, greeting strangers in the street
01:14:47because I was going to see the woman I love.
01:14:49And what if, after all that, she still denied you?
01:14:52She still kept you waiting.
01:14:53Is that why you went through the park?
01:14:55Just in case it came to it, you could force the issue.
01:14:57You're not going to trap me, Lindley.
01:14:58I didn't have my car.
01:15:06Leucomalachite green reacts with the peroxidase in blood.
01:15:14Ah!
01:15:15Ah!
01:15:15Ah!
01:15:16Ah!
01:15:17Ah!
01:15:17Ah!
01:15:18Ah!
01:15:19Ah!
01:15:24So, when will we know if it's Emily's blood?
01:15:28Old school blood test today, DNA, 48 hours.
01:15:34Fifteen years ago, Carrie Hart was going to back out of your wedding, wasn't she?
01:15:37You've been speaking to DS Mills.
01:15:38What a surprise!
01:15:39Because Mr Wainwright, who had slept with an ex-girlfriend,
01:15:42and she felt she couldn't trust you any longer, just like I can't trust you now.
01:15:44Carrie had forgiven me if she wasn't backing out of anything.
01:15:46DS Mills warned me about that temper.
01:15:49DS Mills was a thug and a bully, and a crap detective to boot.
01:15:52He was smart enough to squeeze you into providing a false alibi.
01:15:55Prove it.
01:15:56You're not a good loser, are you, Mr Wainwright?
01:15:59Oh, the chairman of UAD Oil would testify to that.
01:16:03Did you actually break his nose?
01:16:04No, you're right.
01:16:05I'm a terrible loser.
01:16:07The girl I was going to spend the rest of my life with is stabbed to death in the street
01:16:10like an animal, and that bastard Mills tries to blame it on me.
01:16:14Have you any idea how that feels?
01:16:15I was 26 years old.
01:16:18If you were innocent, why did you get Hester Reed to lie for you?
01:16:26She's still lying for you now, isn't she?
01:16:2915 years on.
01:16:32Now, do you really think that's fair on her?
01:16:34Do you really think that's right?
01:16:37I have nothing more to say.
01:16:39Don't worry, we're keeping the pressure up on Hester.
01:16:41This time I'm sure she'll do the right thing.
01:16:43Leave her out of this.
01:16:43Only you can do that.
01:16:51Do you admit to conspiracy to providing a false alibi in 1991?
01:16:55No, I do not.
01:16:59Yes?
01:17:02We'll be right down.
01:17:13I found this in the boot.
01:17:19It smells like it's been washed with bleach really recently, but if we can't get blood
01:17:23from it, it's not disastrous.
01:17:25Why did you take the trouble to clean it and then put it back in the car?
01:17:28Look, I can't tell you how or why, but someone has set me up here.
01:17:33You don't have to take my word for it.
01:17:34On my way home, I walked down to Kensington High Street, past banks, building societies,
01:17:39jewellers.
01:17:40I bet most of my journey would be caught on CCTV.
01:17:42Last night at your house, Hester Reid said your car's outside, didn't she?
01:17:47Was that because she'd driven it back so you could have a drink at your party and it would
01:17:51still be there in the morning?
01:17:52Yes.
01:17:53Does she do that a lot?
01:17:55I've never asked her to.
01:17:56She just offers.
01:17:57What about the night Emily died?
01:18:00She said she was going to bring the car back.
01:18:01But she didn't.
01:18:04Oh, my God.
01:18:06Does she have a set of keys?
01:18:10In the light of that, I'm going to ask you one last time.
01:18:13Fifteen years ago, did Hester Reid stop by your office on the afternoon your fiancée was
01:18:17murdered?
01:18:19No.
01:18:23All this time, you thought she was giving you the alibi.
01:18:31Graham, where's Hester Reid?
01:18:35She just left.
01:18:36Where did she go?
01:18:37Said she was going to drop something off with the steward.
01:18:39At the main gate?
01:18:39Yeah.
01:18:40I'll see if I can catch her up.
01:18:42Um, she seemed very upset.
01:18:44She might have gone home.
01:18:46She lives within walking distance.
01:18:47Have you got her address?
01:18:48It's on file in my office.
01:18:50I need to see where she worked.
01:18:51Um, straight through.
01:19:01Avis?
01:19:11What's going on?
01:19:12I've just seen Wainwright.
01:19:14Where?
01:19:15Heading for the library.
01:19:31They're looking for you.
01:19:36For me?
01:19:38They are barking up the wrong tree, aren't they, Hester?
01:19:45I need you to look me in the eye and tell me that.
01:19:51Just give me a minute, could you?
01:20:01Emily.
01:20:04Carrie.
01:20:06They weren't right for you.
01:20:08It wouldn't have worked out, not long term.
01:20:31I spared you a lot of pain and hassle.
01:20:40What in God's name gives you the right?
01:20:42The right!
01:20:45Because I loved you unconditionally, that's what gave me the right.
01:20:49And compared to me, they didn't know the first thing about you.
01:20:59Come on, Tony.
01:20:59You work hard, you play hard.
01:21:02That's what makes you tick.
01:21:03Marriage, kids, that's just not you.
01:21:05I guess I'll never find out, will I?
01:21:08Look at your career.
01:21:11It's gone the way it's gone, because that's the only thing you ever had to worry about.
01:21:14Because you took care of everything else.
01:21:16What, didn't I?
01:21:17Yes, you did.
01:21:19I always had your best interests at heart.
01:21:21Including killing the only two women I was ever in love with.
01:21:24You didn't love them.
01:21:26Ah!
01:21:29No!
01:21:30No!
01:21:30No!
01:21:33Don, let go!
01:21:35Look at her!
01:21:35Let's go!
01:22:05Next time you say you're taking the day off, take the day off.
01:22:16Sound advice, Haynes.
01:22:18Sound advice.
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