- 18 hours ago
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00:00I don't know.
00:30I woke up early. I couldn't get back to sleep, so I thought you had nearly sat.
00:44The window was banging. Did you leave it open?
00:47I was just taking stuff to the studio. It must have swung open.
00:50Anyone could have come in.
00:54Are you OK?
00:55Yeah, I'm fine. It's just a bit jumpy, that's all.
01:00Don't worry.
01:24Long time no see.
01:25Nope. It's been a while.
01:32Time flies when you're having fun.
01:33Yeah.
01:34Be careful with that.
01:51Not really the point, but...
01:59Rhys, it's Caril.
02:01About what you said.
02:03About not asking questions about what happened in 95 and Cleve's murder.
02:07No, I'd been there too.
02:10I'd been blamed, been lied to, and it would have gone on forever if someone hadn't started asking questions.
02:14So if you really are innocent, don't you think we should be asking questions?
02:21No, I'm sorry.
02:21My earmuffs.
02:23I've done nothing.
02:24I've done nothing.
02:25No, I'm sorry.
02:26I have to be right now.
02:26I have to do things.
02:27I have to be right now.
02:29Oh, wait, you see?
02:30Oh, wait, you see?
02:31Oh, wait, you see?
02:33Yeah, it's great.
02:35Oh, wait.
02:39Oh, wait.
02:40P.C. Bracken.
03:09How can I help you?
03:10Sergeant Bracken.
03:11What's the emergency?
03:12Oh, um...
03:17For my dad.
03:18Incontinence pads.
03:20Can you step out the car, please?
03:31What's going on with that?
03:32Oh, yeah.
03:33Someone tried to run me off the road yesterday.
03:35Did you report it?
03:36Would there be any point?
03:38We're not the only person using the highway.
03:40She had the reg number?
03:41No.
03:42Description?
03:44Black.
03:45Tinted windows.
03:47Report it. You can do it online.
03:49Right, Mr. Owen, you've committed a moving traffic offence, namely speeding.
03:52I'm not going to wish you were taken on this occasion, but it will require a breath test under Section 5 of the Old Traffic Act, 1988.
04:01Some blow into this, please.
04:03One long breath, like you're blowing up a balloon.
04:10Keep going.
04:11Keep going.
04:12Keep going.
04:15Keep going.
04:17Stop.
04:18Good job.
04:19Good job.
04:20I know you're at Jobsworth, otherwise I might think you were picking on me.
04:28Okay.
04:29If you'd like to remove the tube.
04:33How's the family?
04:37That brake light needs attention.
04:38I'll sort it.
04:39Make sure you do.
04:40No.
04:43That's all.
05:08Is that Nyko?
05:09Yes. He's 27 now.
05:12Or 80 in human years, according to some chart of my granddaughter's.
05:18Oh, you're still a handsome boy, aren't you?
05:20But I didn't realise you had any animals left.
05:23Oh, Nicol's the only one now.
05:26And now we're selling, I'm not sure what's going to happen to him.
05:30Oh, Mabley loved him so much.
05:33It was the highlight of her week coming here.
05:35And now she prefers protesting.
05:39I'm good on her, I say.
05:41At least someone's still fighting.
05:44Oh, that's why I'm here.
05:46What happened to your fight, Sian?
06:04It's complicated.
06:06The land is in my son...
06:08Er, the land's name.
06:10So when your father phoned him...
06:12It was definitely Dad who phoned.
06:15Yes.
06:17Oh, Robert made him a very good offer.
06:21And all things considered, he accepted.
06:23Did they ask you what you wanted?
06:25Did they ask you what you wanted?
06:28Greedy bastards.
06:31I'm sorry.
06:34And, um, how are you doing yourself?
06:37I heard that...
06:39She's Owen is back.
06:42I'm just getting on with it.
06:43What else can I do?
06:45So it's, uh, only me who's, uh, who's supposed to stand up to the bastards, then?
06:56So, you're thinking about what resources might help you.
07:00Okay?
07:00Uh, who do I speak to?
07:01Etc.
07:02But the key when looking at that research is always asking yourself, does it raise new
07:09questions?
07:10Okay, that's it for today.
07:11Emile?
07:18Yep.
07:18What's Eve around today?
07:20Uh, not till this afternoon, no.
07:22Oh, hey, hey.
07:23How's your research module going?
07:24Yeah, good.
07:26I've got a face-to-face with a reporter later today.
07:29Well, a retired reporter, I mean.
07:31So, what's your project again?
07:33It's a local story from the 90s.
07:36Pretty juicy.
07:38Bombs, murder, all the good stuff.
07:39Well, I look forward to hearing about it, then.
07:42Yeah.
08:03I'm not being funny, Rees.
08:04But you were going to be a rock star.
08:06Well, look at you now, fixing cookers and playing with plugs.
08:13What are you doing with your life that's so amazing?
08:16Awesome.
08:19Yeah, I know.
08:20What are you doing with your life that's so amazing?
08:35What are you doing with your life that's so amazing?
08:37How long does it take care of you?
08:38Are you sick of it?
08:53The way we're treated like half-wit pulls expected to come groveling for any crumbs they throw at us.
08:58You sound like my bloody father.
08:59Maybe you should listen. You might learn something.
09:08I don't know.
09:38This is everything I've got from when I covered the whole story.
09:46Record transcripts, photographs, notes.
09:48This is amazing.
09:51You know, I wouldn't normally share this, Carol, but I don't like what you've done.
09:55Changing your life, going back to college.
09:57Thanks. That means a lot.
09:59And I'll look after these, I promise.
10:02And yourself.
10:05Yeah, I will.
10:05No. I mean it.
10:08You could ruffle feathers with this.
10:13I've heard rumours that Riso might have been framed.
10:19You don't think there's anything in that, no?
10:21He was up to his eyes on the bomb plot.
10:23He admits that.
10:24He had a public punch-up with his cousin just before the murder.
10:28He was ID'd fleeing the explosion site.
10:31It was a big one.
10:34His fingerprints were on the murder weapon.
10:38Sorry.
10:39The murder weapon?
10:40I thought Cleo died in the explosion.
10:43No.
10:44It was a set of bolt cutters.
10:46He was brutally attacked, struck from behind.
10:48His skull fractured.
10:51Yeah.
10:51It's one thing to blow up a construction site, but another thing entirely to cave in your cousin's head and leave him there to die.
10:58And they're off.
11:06A clean break from all runners and it's lightning dump.
11:09He forced out to an early lead, setting the pace on the outside.
11:11Midnight Comet staying close on the rail, while Red Horizon slides up between, wasting no time.
11:16Midnight Comet staying close on the rail, while Red Horizon slides up between, wasting no time.
11:21All right.
11:26Dad.
11:26Bloody cow!
11:28Why'd you do that?
11:29I didn't hear me come in.
11:31I haven't got my urinate in.
11:32Why not?
11:34Why not?
11:36I fell out when I was upstairs.
11:41Where'd you drop it?
11:43Toilet.
11:45Bell down the pan.
11:46Oh, for fuck's sake.
11:59Can you see it?
12:01No.
12:01No.
12:16Excuse me.
12:20Are you madly?
12:22Yeah.
12:23I saw your video.
12:24The exhibition.
12:26Oh.
12:27I couldn't take my eyes off it.
12:29Sorry.
12:30I thought you were going to have a go.
12:32For these.
12:33Oh, no.
12:34No.
12:37Have you got a minute for a chat?
12:38I'm from Llanemlyn and I want to write about what happened in 95.
12:45Sorry, Carol.
12:47I'm a student here, journalism.
12:49Your mum is one of my lecturers.
12:52Poor you.
12:52No, she's great.
12:55Well, most of the time.
12:56Actually, I've got a bit of time now.
13:01Great.
13:02Yes, please.
13:03Thanks.
13:11That's Alan Owen.
13:12My grandad on my dad's side.
13:14That's his brother, Bryn.
13:16He was taken in 67.
13:17You met him, Bryn?
13:19No.
13:20But I'd like to.
13:23Brothers in arms.
13:25They were.
13:27Till Alan went to work for Robert Davis.
13:29That's my other grandfather.
13:32Robert Davis is Eve's father.
13:37His company was...
13:39is connected to the reservoir expansion plans.
13:43How does that work with your protesting?
13:46It doesn't.
13:47But I believe in what I'm doing
13:49and I hope he respects that.
13:52I'm sorry if this sounds dumb.
13:55But what do you believe in?
13:57In our right to say no to the expansion.
14:00That reservoir displaced people once already.
14:03My dad was trying to stop it from happening in the 90s.
14:06Now they want to come back and do it to us again.
14:12I met Rhys Owen at your exhibition.
14:17He was here?
14:19Yeah.
14:20I didn't know who he was at the time.
14:26Did he say anything about my dad?
14:27No.
14:30But I have spoken to him since.
14:34He claims that he didn't kill Thir.
14:37Hardly breaking news.
14:39That's what he's always said.
14:40Does my mum know you're writing about this?
14:52No, I haven't told her yet.
14:53Eve.
14:54Can I come in?
14:57Yeah, of course.
15:01Eve.
15:14Can I come in?
15:17Yeah, of course.
15:27Bryn?
15:28How are you?
15:29Dev is a post.
15:31How are you?
15:33Like a lay-in.
15:35You?
15:35I'm sure you've got a lot of catching up to do.
15:46I'm sorry if I'm sorry.
15:47Don't you ever come to my house again.
15:50Things don't have to be like this, you know.
15:51You should have never have come back here.
15:54Or assumed that we'd all be okay with that.
15:56I didn't kill Thir.
16:00I loved him.
16:02You know I didn't.
16:03I don't give a fuck about your deluded version of offence.
16:07Now you stay away from us.
16:09Or I'll report you to the police for harassment.
16:12I met Mabley.
16:15I saw her work in the college.
16:18She's very talented.
16:20And passionate.
16:22Like her parents.
16:25Don't you dare.
16:26Ever.
16:28Don't you threaten me.
16:32Ever.
16:40Well, at least there weren't any fisticuffs this time.
16:54Is the dean going all right?
16:55I met the reporter who covered Rhys Owen's trial for the Western Herald.
17:00I thought I'd warned you not to get involved with all that business.
17:04Well, I didn't realise that you were a witness.
17:06Well, why would you?
17:06Claire and Rhys Owen had a fight in here a couple of days before the explosion.
17:13Yes.
17:15It was a shame to see them like that.
17:19What was the fight about?
17:21Oh, I don't know.
17:22That's all I heard was your father this and your father that.
17:26So it was about Bryn and Alan Owen?
17:30Yeah, of course it was.
17:31Bryn never forgave Alan for taking that job on the reservoir.
17:35They could have let it go for the kids.
17:38No.
17:39Bryn?
17:40No.
17:41He didn't even go to his brother's funeral.
17:43God, that's so sad.
17:44All right, do you want the pudding?
17:48Because I need to get rid of a sticky toffee.
17:50No.
17:52OK.
17:58Hello.
17:59Hiya.
18:00Ah, hiya.
18:02I'm making a salad with Lumi.
18:04Is that all right?
18:05Mm.
18:05Lovely.
18:12Want one?
18:14No, thanks.
18:17I met one of your students today.
18:20Oh, yeah?
18:21Which one?
18:22Carl.
18:23She saw my piece at the college, wanted to ask me a couple of questions.
18:28About your dad?
18:31About the past.
18:32The reservoir.
18:33She wants to write about what happened.
18:38And with Risse Owen being back, maybe we can understand what really happened that night.
18:45Understand?
18:47Your dad was killed 30 years ago, and the man who did it was lawfully banged up.
18:52What else is there to know?
18:55I don't want you talking to Carol again.
19:03You all right?
19:17I'm late.
19:19Someone's persuaded Mrs. Lewis not to sell up.
19:21I've just had a call from her son.
19:24And she's instructed a solicitor, and she won't talk to me.
19:27You won't sell me lose some.
19:29And she will lose.
19:31And all her money paying for that solicitor.
19:33And for what, eh?
19:35To cling on to that damp pile of stones she lives in.
19:38But she loves that damp pile of stones.
19:40And she won't lose her money.
19:42Her solicitor is giving her a reduced rate.
19:44And I'm chipping in.
19:47Ah.
19:48Why do you love undermining me, Eve?
19:50What you and Dylan have done is disgusting.
19:53I mean, ganging up on his mother to manipulate her out of her home.
19:56Look, look, look, look.
19:57Just come and look at the bungalow we've got planned for her.
20:00I mean, it's lovely.
20:00It's got a new kitchen, rose garden.
20:03I'd live them yourself.
20:04Fine.
20:04If it's your choice.
20:06Not fine if you've been bullied into it.
20:08Well, Dylan thinks it's the best thing for his mother.
20:11And there's no bullying about it.
20:12So you come and look at the bungalow, yeah?
20:26Without forgiveness, you'll never really be free.
20:29As the transgressor, if that forgiveness is not forthcoming,
20:33if what you've done is considered unforgivable,
20:37can you try to find peace in forgiving yourself?
20:39You just have to accept that you can't control what she says about you.
20:43She just fucking lies.
20:44No, but right now you've got a war going on in your head
20:47about what she's saying about you and you can't do anything about it.
20:49So you just, just let it go.
20:52It's not that easy.
20:52No, it is that easy.
20:57What's going on right now?
20:59My girlfriend's mum saying shit about me.
21:01No, no.
21:03What are you doing right now?
21:05Trying to understand why...
21:06No, no, no, no, no, no.
21:08What are you doing right now?
21:15Sitting here?
21:16Mm-hmm.
21:17Sitting here talking to my knobhead counsellor.
21:20How's it feel?
21:26Fucking hell.
21:28Yeah?
21:29It's all right.
21:30Mm-hmm.
21:36Eve.
21:38Oh, Carol.
21:40You sent me an email.
21:41I'm so sorry I didn't get a chance to get back to you.
21:44I'm always chasing my tail.
21:45It's okay.
21:45I'm busy.
21:46Um, can we talk now?
21:49I've literally got a minute, but yeah, shall we, um...
21:53Yeah, great.
22:00So, I've been thinking about what you said before.
22:03And if I want to bag this job at the Herald, I need to write about something that I care about.
22:10So, I've decided to write about Nant Nguyen Reservoir.
22:13Yeah, Mabley did tell me that you'd spoken to her.
22:16Yeah, I can't believe she's your daughter.
22:18I mean, it was her exhibition that got me started on this, actually.
22:22Really made me realise that there is a whole history of...
22:25of conflict attached to Nant Nguyen in 69 and 95.
22:31And I didn't know about it.
22:32I mean, not properly.
22:33But this is...
22:34It's huge.
22:35So, how were you thinking I could help you?
22:38Well, obviously, it...
22:41It's not just about the reservoir, is it?
22:44Claire Owen and his family are an integral part of this story, and...
22:54I was wondering whether you would be willing to talk to me about him.
23:02Look, Carol, I...
23:04I don't think it would be relevant.
23:07Or appropriate.
23:08Even if I wasn't one of your lecturers, I wouldn't be comfortable discussing my personal history.
23:17Yeah, of course, I get that.
23:18Yeah, why don't you focus on the current-day protests?
23:23Yes, and I totally want to do that.
23:25But it's like you said before, the past informs the present, so...
23:29Yeah, look at what's happening now.
23:32That's what people will care about.
23:34Yeah, but...
23:35Yeah, well, I'm really sorry, Carol, but...
23:38I can't help you.
23:43Okay.
24:05Dad?
24:08Dad!
24:08Dad!
24:16Dad!
24:21Fuck!
24:21Jesus!
24:31What the hell are you doing, boy?
24:47What the hell are you doing?
24:48What's all this blood everywhere?
24:50You give yourself a heart attack.
24:52Can you answer me when I call you?
24:53I didn't have my ear in it.
24:58I was pruning the roses without my spectacles on.
25:02It's a hell of a cut.
25:03Come downstairs.
25:04Come downstairs.
25:07If I can take a proper look at it.
25:09Here we are.
25:12I don't know.
25:12I don't know.
25:13I don't know.
25:14I don't know.
25:16What the hell are you doing?
25:17I don't know.
25:18I see.
25:18I don't know.
25:19I've been thinking a lot since we spoke.
25:48Can I come in?
25:48Yeah.
25:49Yeah.
25:50Of course.
25:51Have you talked any more to Reese Owen or my dad or anything?
26:02No.
26:03I did try to speak to your mum though.
26:05What is she saying?
26:07She wasn't that keen on discussing the past.
26:10Sounds about right.
26:12I did manage to speak to someone who covered the case in 95.
26:16Yeah?
26:17The evidence against Reese Owen was pretty strong.
26:21This looks like one of Auntie Megan's.
26:26She took a load of the protests.
26:29Megan Bracken?
26:30Yeah.
26:31Yeah, she was a photographer.
26:33It was her video of Lyra I used at the exhibition.
26:36I did business with Megan for years.
26:38I had no idea she was a photographer.
26:40She gave it all up after that night.
26:42Look at them together.
26:43I wonder why it went so wrong.
26:44You thought someone had broken in, didn't you?
26:57No.
26:58It was just odd.
26:59Blood and...
27:00I forgot about the hearing aid.
27:01You were scared.
27:02You've made a lot of enemies around here.
27:03People hate you.
27:04I could always go back to Swansea.
27:05You'd be buggered then, wouldn't you?
27:06Hmm?
27:07On your own.
27:08Like I was in prison.
27:09What could I have done?
27:10Showed up.
27:11What could I have done?
27:12Showed up.
27:13You were scared.
27:14You made a lot of enemies around here.
27:16People hate you.
27:17I could always go back to Swansea.
27:22You'd be buggered then, wouldn't you?
27:27Hmm?
27:28On your own.
27:30Like I was in prison.
27:33What could I have done?
27:35Showed up.
27:36Written to me.
27:40Help me appeal.
27:43Anything.
27:53Why didn't you visit me?
27:54I had no one.
27:56Why are you bringing all this up now?
27:58You're here.
27:59We're all right.
28:00We're not all right!
28:01We're not all right!
28:03I spent 22 years in the prison for something I didn't do!
28:06And you never once told me what the fuck happened!
28:09Because I didn't know!
28:12How could I?
28:14Come on!
28:15With your contacts!
28:16No one knew anything!
28:18As far as I knew, you could have been guilty!
28:21Oh!
28:22Oh!
28:23Oh!
28:24So that's it, is it?
28:25But you didn't believe me!
28:27Well...
28:29You weren't completely innocent, were you?
28:35Were you?
28:36You!
28:37Oh!
28:38So...
28:39Where you at?
28:41You.
28:42We...
28:44I need you!
28:45Oof...
28:46...
28:47We have a win!
28:48You're not the one, man!
28:49How are you?
28:50What are you...
28:51You're not the one!
28:52You're not the one!
28:53And...
28:54Well...
28:55I'm the one!
28:56So...
28:57I've never.
28:58I've never seen a lesson!
28:59You've never seen any mess.
29:00Not you...
29:01You've never seen any mess!
29:02...
29:03I want her to speak to your mother.
29:19She wouldn't want you to be here.
29:21I know.
29:29What are you doing here?
29:31You owe me some answers.
29:32I owe you nothing.
29:34Mabley, go inside.
29:36Now leave, or I'm calling the police.
29:39Why did you lie to me?
29:40Why did you say those things in court?
29:42I don't know what you're talking about.
29:44Mabley, please.
29:46I need to know.
29:47No.
29:47I need to know.
29:48Please.
29:49Leave, or I'm calling.
29:52Oh, God.
29:55Okay.
29:57It's okay.
30:02What did you mean?
30:09Ma'am.
30:09I hope you've got a health and safety certificate.
30:30Oh, who am I going to sue if I have an accident?
30:33Myself.
30:35Still got your butcher's muscles then?
30:36Thought they'd have wasted away now you're a student.
30:38No, no, I still get plenty of exercise, don't worry.
30:40Oh, yeah, like this, is it?
30:42No way.
30:43I can't handle the hangovers anymore.
30:44Oh, you're not the only one.
30:45I wanted to have a little chat with you about this.
30:57Where did you get it?
31:00Gillian Morris-Jones.
31:01She's a journalist.
31:04But why have you got it?
31:06Well, I'm thinking about writing a story about the reservoir and the town,
31:09and, um, well, Mabley mentioned that you might have more photos from this time.
31:15Oh, God, I'm sorry.
31:19I'm such a rhino just barging in here talking about your brother like that.
31:21I know.
31:23No, it's fine.
31:24It's just a surprise seeing it, that's all.
31:27Yeah.
31:32Yeah, it's a really interesting take, but...
31:35Oh, sorry.
31:38I could come back later.
31:39No.
31:40No, we're just wrapping up.
31:42So, um, yeah, take a look at the other women
31:45and see if you can give them that same deeper perspective.
31:48Okay, thanks.
31:49Thanks.
31:50Bye.
31:50Bye.
31:55Yeah, you know not to come to my office.
32:00Sorry, I just had a lecture in an hour.
32:01I wondered if you wanted to do something after.
32:04No.
32:05I've got students to see.
32:08You okay?
32:09Yeah.
32:10Yeah, fine.
32:14Eve, I'm here for you.
32:15If there's anything you need, I just want to help.
32:19I don't need help.
32:20I just need everyone to back off.
32:25Okay.
32:25No, I'm sorry.
32:32Please try to understand.
32:35I'm here if you need me.
32:42Shit.
32:43What was he like, Cleer?
32:45He was a good person at heart.
32:51I don't know if you knew, but Mum died when we were still at school.
32:55So Dad had to work all hours, and Cleer was fragile, you know.
33:00Easily influenced by people with an agenda.
33:04Like who?
33:07Bryn and Lisa Wynne, among others.
33:09And when Dad got a job on the reservoir, Bryn started dripping poison into Llyr's ear.
33:17Calling his own brother a scab and a traitor.
33:20And it turned Llyr against him.
33:24But, you know, Dad, he was just trying to provide for us.
33:31Killed him in the end.
33:34The dog does blame the drink, but I blame Bryn.
33:39Must be hard for you, seeing the most in the town still.
33:44And I blame them both for Llyr's death.
33:48Rhyse might have killed him, but Bryn made Rhyse the person he is.
33:54Llyr grew up surrounded by love.
33:58Rhyse had nothing but hate.
34:06Red kite.
34:09Do you remember the time that one landed in the garden?
34:17Oh, no.
34:19You were in prison.
34:21I've got your new hearing aid.
34:24Can't wait to try that one.
34:32What did you mean about my mum lying?
34:33Did she know you're here?
34:37No.
34:39It's not my place to tell.
34:42Right.
34:43So nobody will.
34:48Okay, we can talk.
34:51I'm not here.
34:54Come on.
34:54Come on.
34:54Come on.
34:55Come on.
34:56Come on.
34:56Come on.
34:56Come on.
34:58Come on.
35:00Come on.
35:02Ma'am.
35:07Mably asked me to bring these back.
35:09Where do you want them?
35:10Er, leave them there.
35:12I'll put them back in the garage.
35:13Oh, it's all right.
35:14I could do that.
35:14Oh, erm.
35:15She also asked me to ask you if you had any more of Llyr.
35:21Are they cleared?
35:22Er, maybe.
35:23Er, I'll have a look when I have time.
35:25I'll have a look.
35:26I'll have a look at your time.
36:28This is where we used to hang out.
36:30Used to come here with my friends.
36:31This is where we used to hang out.
36:32This is where we used to hang out.
36:36This is where we used to hang out.
36:37This is where we used to hang out.
36:41This is where we used to hang out.
36:42This is where we used to hang out.
36:44Clearly did that.
36:45Really?
36:46Yeah.
36:47I've seen this loads of times.
36:51Maybe you should listen.
37:02You might learn something.
37:04All right?
37:05Can we help you?
37:06You came!
37:07Um, so, er, Rhys.
37:08This is Eve.
37:09Eve Rhys.
37:10Eve Rhys.
37:11All right?
37:12I know who she is.
37:13What's she doing here?
37:14Er, she?
37:15Eve's my girlfriend.
37:16Oh, um, did you do this?
37:17Yeah.
37:18Oh, wow.
37:19I love it.
37:20I can see him here like it was yesterday.
37:21And Eve.
37:22And Eve.
37:23It's true.
37:24It's true.
37:25She?
37:27Eve's my girlfriend.
37:34Oh, um, did you do this?
37:36Yeah.
37:37Oh, wow.
37:38I love it.
37:41I can see him here like it was yesterday.
37:49And Eve.
37:53It's true.
37:55This is where we met.
37:59This is where we fell in love.
38:03No. Bullshit.
38:04I don't know why she lied about us then.
38:06I don't know why she's lying now, but...
38:08We were together.
38:11You know, I have to go.
38:12Family, please.
38:13Get out of my way!
38:14I just wanted to answer your question.
38:17Fuck!
38:25It's really hard.
38:35Oh, my God.
38:36Oh, my God.
38:38Oh, my God, my God.
38:42Ooh.
38:43Uh.
38:43I've been thinking about
39:12what you said.
39:13Oh, yeah?
39:15Kyle, I think I've met my daughter.
39:17What do you mean, you daughter?
39:19Mabley.
39:20It was her work we were looking at
39:22in the exhibition.
39:24You and Eve.
39:28Oh, no wonder she didn't want to talk to me.
39:30You know Eve Davis?
39:32She's one of my tutors.
39:33What?
39:35Is that why you and Lear fell out?
39:38Fell out?
39:39Yeah, you were seen arguing in the pub.
39:40No, no, no, hang on a minute.
39:41Is that why it ended up the way that it did?
39:43Because of Eve?
39:43It was more complicated than that.
39:45What was?
39:45The argument or your motive?
39:48Who told you this?
39:51I've been talking to a lot of people.
39:53Oh.
39:55I found out a lot about you.
39:57And the evidence against you.
40:00From who?
40:04Come on, Carol.
40:04You know what this town is like.
40:06You've been blamed and lied about yourself.
40:07Please, you've got to trust me.
40:10No, I haven't got to do anything.
40:14And you know what?
40:14I've been lying to people quite a bit recently, too.
40:17And I don't like it.
40:18I don't like misleading people.
40:20You need to grow up.
40:22Excuse me?
40:23What, did you think it was going to be easy?
40:24That you were going to flip open your notebook
40:26and everyone would just roll over and start talking?
40:29No.
40:31You've got to prize it out of them.
40:33Well, like the fact that you could be a brutal killer.
40:35No, no, no.
40:36Listen, listen, listen.
40:37Listen, just, just...
40:38Just give me a chance, okay?
40:41Okay?
40:44There was someone else there that night.
40:47What?
40:48Another car.
40:51What, did you tell the police?
40:52Of course I did.
40:53They said there was no evidence, but I know what I saw.
40:55Then appeal, force them to reopen the case.
40:59Well, you think I didn't try?
41:00I need new evidence, some kind of proof.
41:04Please, Carol, if you help me clear my name,
41:07I promise you I will help you get a story
41:09that no one else could ever get.
41:12The person driving that car could be Lhia's murderer.
41:15Please?
41:35Is that you?
41:38What the hell?
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41:55
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