- 8 hours ago
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00:00It's like she's just popped in the back for some more wine.
00:29I keep expecting her to come round that corner laughing at Sheila Roberts' god-awful bob.
00:39Have you got your hearing aid?
00:40What?
00:41Ow!
00:42Ow, sorry, sorry. You were armed.
00:44Don't.
00:45I worry, Mum.
00:46And I told you, you don't have to.
00:48Now, come on.
00:53How many points for the creme?
00:55What?
00:56I thought Peter's eulogy was a bit meh.
01:01I mean, when did Marjorie ever light up a room?
01:04Bless her.
01:05I'll give it four, and that's being generous.
01:08What?
01:09Oh, funeral top trumps. Me and Marjorie used to...
01:14Darling, when you come to as many of these as we are, you have to laugh or you'll cry.
01:20Well, spread looks good.
01:22What would you say? Solid seven?
01:25It's very beige.
01:27Play havoc with Marjorie's IBS.
01:34Oh, my God.
01:35Don't start.
01:38Is that appropriate?
01:39Well, how am I going to attract anyone if I'm dressed like meh?
01:43It's a funeral.
01:44Oh, tragic, innit?
01:46You've got tinder, hinge and grinder, and I have to make do with this.
01:50Dad's only been gone a year.
01:52I know, darling.
01:53Although we didn't have a lot of fireworks.
01:56Doesn't mean I can't have a bit of fun, does it?
01:59Hm?
02:06Wish me luck.
02:29Oh, I'm so sorry.
02:30I'm really sorry.
02:31I'll get a...
02:32There's a tea towel somewhere.
02:33There we are.
02:34I'll just...
02:35It's fine, Peter.
02:36Well, you should do...
02:37Yeah.
02:38No, I just wanted to say I found it in a jewellery box.
02:39I hope you don't mind.
02:40Look at the state of us.
02:41It took a whole can of hairspray to style that beehive.
02:42What were we thinking?
02:43Well, you look very nice now.
02:44It's a beautiful day.
02:45I'm so sorry.
02:46I'm so sorry.
02:47I'm really sorry.
02:48I'll get a...
02:49There's a tea towel somewhere.
02:50There we are.
02:51I'll just...
02:52It's fine, Peter.
02:53Well, you should do...
02:54Yeah.
02:55What were we thinking?
02:56Well, you look very nice now.
02:58It suits you, the black.
03:01Good job, too.
03:02Social life's all funerals these days.
03:04Yeah, well, I like...
03:06I like the fit of it.
03:09I really enjoyed the eulogy, Peter.
03:12For your wife.
03:13Oh.
03:14Captured her perfectly.
03:15Oh, well, thank you.
03:16That means a lot from you.
03:18You know, you were such a good friend to Marjorie.
03:20And I like to think a good friend to me, too.
03:23I mean...
03:24You have to all your little secrets, don't we?
03:26Peter.
03:27Well, maybe now we're both on our own.
03:30We can spend a bit more time together.
03:32My heart is racing, too.
03:39Oh.
03:40Oh.
03:41Come on, call an ambulance.
03:43Ooh!
03:44Where's the captain?
03:45Whoa!
03:46That's a good day, too.
03:47Oh.
03:48I have a great friend.
03:50Oh, my God!
03:52It's amazing.
03:53Tracy, King!
03:56Ken!
03:57Oh, my God!
03:58What is that?
03:59Oh!
04:00You're welcome.
04:01You're welcome.
04:02You're welcome.
04:03All right.
04:04I know.
04:05Yeah!
04:06I know.
04:07I'm...
04:08I know.
04:09I know.
04:10I know.
04:11it'll be full of old people well I mean you're quite old excuse me 10,000 steps a day I'm sure
04:35they're all lovely you might even meet someone I read somewhere there's a lot of STIs in places like
04:41these you know I'd have had you at ours but the boys are already sharing well you've got your
04:46divorce lawyer to thank for that and I'm out all day so if anything happens I don't need anyone
04:52I was coping fine on my own mum I have really tried this place has had great reviews yeah on
05:00last trip advisor honestly one fall and you put me in a home two and it's not a home it's a
05:07retirement village you still have your own space there's just a supervisor on hand to watch me every
05:14hour tell me off treat me like a child no mum in case you collapse again look I know this is gonna
05:21feel very different and I know that it feels like a big step back but give it a chance please for me
05:30I mean you might even like it
05:40I mean you might even like it
05:40Oh, you must be Cynthia.
06:06And Amanda, is it?
06:07Hi.
06:08I'm Heather, the village manager.
06:09I'll be here whenever you need me, always watching.
06:15Morning, Brian.
06:18Squire of the Morris Dancers, isn't she fab?
06:22She's practising hard for the big festival, Cedar Woodstock.
06:27Although she has been told several times to keep off the lawn.
06:31Heather?
06:37And this is her reception.
06:38Oh, let me show you to your room.
07:01Amanda?
07:02Come.
07:05And here's yours.
07:09Home sweet home.
07:11Feel free to make it your own.
07:14You'll find an approval list of white paint in your welcome pack.
07:20Oh, I found Dad.
07:22Oh, our residents absolutely love living here.
07:27There's something for everyone.
07:29What are you into?
07:31Crafts?
07:32Sport?
07:33I'm a bit old for pasta necklaces, and I got all my swimming badges in 1963.
07:38Oh, well, I'm sure we'll find you something.
07:41Now, we do have one or two little rules.
07:45The rules for fun, I like to call them.
07:47I'm sure you do, dear.
07:49No stiletto heels in communal areas.
07:52Ruins our lovely new carpet.
07:54No antisocial behaviour.
07:56No noise after 9pm.
08:01Shh.
08:02Bye, Mum.
08:03No, hang on.
08:04Oh, Cynthia, no, please don't worry.
08:06You'll have plenty of company here.
08:08Yeah, that's what I'm afraid of.
08:10Speaking of, your buddy's here.
08:13No.
08:13Amanda, tell her I don't need a buddy.
08:16This is Mary, your new BFF.
08:20She's going to give you the grand tour.
08:23No.
08:23See, I'm all right, thanks, because I know that it's left for the way in and right for the hospice.
08:28Mum.
08:31Look, thank you, everyone, for barging in, but I'd really rather be on my own.
08:38Two down, three up.
08:55Rested.
08:56Three, two, one.
08:58Go.
08:59One down, two down.
09:01The knit and natterers don't get much knitting done, but they know everything about everyone.
09:12Oh.
09:13Can't have my buddy all by herself.
09:16Actually, I quite like being on my own.
09:18Oh, hi.
09:20Wouldn't believe the gorgeous pair of tits I saw today.
09:23I've got photos.
09:25This is Brian.
09:27The pervert.
09:29Birdwatcher.
09:31Well, it was half of it.
09:32I don't know.
09:34So this one is for Anne in flat 12 from the walking netball girls.
09:39And where are you?
09:41Oh, there you are.
09:42You don't look a day over 81.
09:45Who's that?
09:46Oh, so what do you want me to play, my wife?
09:48Frank Davies.
09:49Used to tour the clubs back in the day, apparently.
09:52The knit and natter girls reckon his headlining Cedarwood stock.
09:59Sin?
10:01What's something for your nerves?
10:18I want to be on my own.
10:20Frank has this effect on all ladies.
10:22Mirror had to go on tablets.
10:23The stitch and bitch girls reckon he's having a thing with Heather.
10:27It's not like that.
10:28I know him.
10:30I mean, I knew him.
10:31You didn't.
10:32Long time ago.
10:33Look, I know you're trying to be friendly, but I don't need a minder.
10:37All this knitting, chamomile tea, bouncy people.
10:43It's just not for me.
10:45Help calm you down.
10:46See, what it was, me and my pal Marjorie, we were mucking about at this open mic night.
11:03I mean, stupid really.
11:04We were both about to get married.
11:06But I think I was trying to prove I was still young.
11:11Anyway, Frank Davies was the headline act.
11:14What was he like?
11:15Oh, you know, wannabe Sinatra.
11:18Smart suit.
11:19Trilby hat.
11:21It caught my eye once or twice.
11:23And then he came over later, said he loved my song.
11:28And we went to a few clubs.
11:31And then we went back to his hotel.
11:34What was he like?
11:36He was...
11:39I mean, it was meant to be just a bit of fun.
11:47And then Marjorie decided to go home.
11:50And I...
11:52I stayed just for a week or two.
11:56He told me that he loved me.
11:59And he begged me to go on tour with him.
12:02And did you?
12:03Course not.
12:04Oh.
12:05I know his type.
12:07Living out of a suitcase, girlfriend in every city.
12:10Part of you must have wanted to.
12:12No.
12:13I went home, married Kenneth,
12:16and had my Mandy.
12:17Best decision I ever made.
12:30Trillian, five minutes.
12:33Come on.
12:34You only got a three.
12:37Alexa, volume up.
12:42Trillian.
12:42Hi, Cyn.
12:57Oh.
12:58What are you doing here?
13:00Well, this is my flat.
13:02I guess we're neighbours.
13:03Of all the retirement villages in the world,
13:07she walks into mine.
13:10I just want to talk.
13:11Go away.
13:13Alexa, music off, please.
13:30I said go away.
13:32I'll use my lifeline alarm.
13:34Come on, Cyn.
13:35It's Cyn.
13:36It's Cynthia.
13:38No, no, no.
13:40It's still Cyn.
13:44Oh, you do remember.
13:49Oh, come on, Cyn.
13:51At least I deserve an explanation.
13:53You couldn't stop talking about the tour.
13:55And then...
13:55And then I came to my senses,
13:57went home, got married.
13:59You're kidding.
14:00You went through with it.
14:02Best decision I ever made.
14:05What went on between us
14:06was just pre-wedding nerves.
14:08I just needed to get whatever it was
14:10out of my system.
14:11So you used me?
14:12Oh, I used you.
14:15You used a different girl every night.
14:18I know your type, Frank.
14:20You chase after us,
14:22tell us everything we want to hear,
14:24make us fall in love with you,
14:26and then when we do,
14:27you lose interest.
14:30So that's what you really think of me, is this?
14:42The man broke into my flat.
14:49I don't feel safe.
14:51This place is full of freaks.
14:53I don't know how you stand it.
14:54Some of them are all right.
14:56I've only had somewhere else to go.
14:58What about your old place?
14:59Rent it out.
15:00Amanda won't let me live on my own.
15:02Have you talked to her?
15:03I don't want to worry her.
15:05It's me that should be looking after her,
15:06not the other way around.
15:09Anyway, I promised her
15:10I'd make a go of this place.
15:12And I've been here, what, 24 hours?
15:14Six and a half.
15:16Oh, my God.
15:18You promised you wouldn't leave.
15:20I just said.
15:22So, what if you didn't?
15:26If I stay here much longer,
15:27I will go mad.
15:29What if you got yourself
15:31kicked out?
15:35Whoa.
15:38Let's do it.
15:42It works wonders for my arthritis.
15:48I am out.
15:52Well, we are playing strip bridge, aren't we?
15:57No stilettos.
16:13Dick.
16:14Careful.
16:15The waiting list for hip replacement
16:16is 18 weeks.
16:18Please.
16:19I did the school running higher than these.
16:23Although it was a lot easier
16:24before my plantar fasciitis.
16:28What's that?
16:30It got pushed through my door this morning.
16:32Oh.
16:34It's stupid.
16:35Mm-hmm.
16:35To the lady with the kestrel spirit,
16:43whose last...
16:44That's last startles pigeons,
16:48and with the slender nose of a heron.
16:53Have you ever read anything so crass?
16:56Who's it from?
16:57It's obvious who it's from,
16:58and it's offensive.
17:00Is it?
17:01Mary,
17:02have you seen the state of him?
17:07He's got the social skills of an amoeba,
17:10and he smells like compost.
17:13It's a natural deodorant.
17:14Oh, give me strength.
17:16Mary,
17:16look at yourself.
17:18You're fun,
17:18you're gorgeous,
17:19with an interesting take on vintage clothing.
17:23How dare he even think
17:24he's remotely in your league?
17:26Don't worry.
17:28I'll see to it.
17:30See to it.
17:31Oh!
17:35Brian,
17:36she's not interested.
17:37She never will be.
17:39So you can keep your grubby little love letters
17:42to yourself.
17:45Oh!
17:46Frank!
17:47Frank!
17:48Oh!
17:50Which one's there?
17:52I...
17:53I don't care.
17:56I'm so sorry.
18:02Peter?
18:03No, no, it's me
18:04that should apologise to you.
18:05After what happened at the funeral.
18:07I've been married so long,
18:08I just didn't realise
18:09the effect I had on women.
18:11Carnations?
18:12Oh!
18:14Marjorie's favourite.
18:15Yeah, she loved carnations.
18:17From the little natter lady.
18:17Actually, she preferred...
18:18A little get well soon.
18:20Yeah,
18:20I've been needing something
18:21to keep me warm at night.
18:23Push the boat out a bit.
18:24Frank,
18:24what are you like?
18:25Come on in.
18:28Expensive,
18:29but, er...
18:29Do they smell?
18:31No, they don't smell.
18:32Peter?
18:34Why don't you come inside?
18:37Ha-ha.
18:39Still got it.
18:40That is the curve.
18:54What?
18:55Oh, probably.
18:57Stop it!
18:59Well,
19:00at least you've got company,
19:01I suppose.
19:02Yeah,
19:02far too much of that.
19:04Yeah.
19:05I'm just rattling about
19:06in my big old house
19:07all by myself.
19:07Peter?
19:24Would you like to stay for dinner?
19:28Yes, please.
19:31Oh, it's hot.
19:32The beef
19:42will be about an hour.
19:46We'd better make our own fun,
19:48then.
19:49Oh, Peter,
19:50whatever did you have in mind?
19:52Oh,
19:52you didn't tell me I knew.
19:56Oh, well,
19:57I did do 12 years of Irish time.
19:59You know what?
20:00I do love a man with passion.
20:04Ha-ha-ha.
20:05Ha-ha.
20:05Well, actually,
20:06I am very passionate,
20:08although I haven't since Marjorie,
20:11so I might be a bit out of practice.
20:13Fire on the pizza.
20:22I'll start with the corners.
20:23Marjorie usually start with the scum.
20:25No,
20:25I won't,
20:26actually,
20:26thank you.
20:27No,
20:27place havoc with my stomach acid.
20:32I'll check on the beef.
20:34Oh,
20:34no,
20:35and look,
20:35um,
20:36sorry,
20:37I,
20:37I hope this isn't
20:39really forward,
20:40but I cannot be really,
20:43really cheeky.
20:45Ha-ha.
20:46Ha-ha.
20:49I haven't been able to work the machine
20:51since Marjorie died.
20:58Show yourself out.
20:59Frank,
21:18can you please keep the noise down?
21:26Come to break the other arm.
21:27It was an accident.
21:28I've told Heather I'm pulling out.
21:30I don't need the gory detail,
21:32thank you.
21:32Of the festival.
21:34First gig in a decade.
21:35Pathetic.
21:36Can't play the guitar with this,
21:38can I?
21:38Frank!
21:40All right,
21:40I'll turn it down.
21:43I didn't want to disturb you
21:44and your friend.
21:46He's left,
21:47actually.
21:48Really?
21:49Seemed like a nice guy.
21:50Solid.
21:51Just your type.
21:54Oh.
21:56Listen.
21:57Do you remember this?
21:58It had to be you.
22:03May I?
22:04Yes.
22:13Why didn't you come away with me?
22:15I thought about it.
22:18I really did.
22:20Me and poor Marjorie went over and over it.
22:24And then I woke up one morning and thought,
22:27screw it.
22:28Got on a train and went to Newcastle.
22:32You came back.
22:33You came back.
22:34I didn't see you.
22:35I went round after the gig
22:37to surprise you.
22:39And there you were,
22:41coming out of the stage door
22:42with someone else.
22:45Oh, she was...
22:46I know what she was, Rick.
22:48She was me five weeks before.
22:52I thought you'd left Sin honestly.
22:55You were just having a bit of fun.
22:59I never had as much fun
23:01as I did with you.
23:02I'm sorry.
23:11I can't.
23:12I can't.
23:12I can't.
23:42I think you and I need to have
23:54a little chat, don't we?
23:57Can it wait, dear?
23:58I'm feeling a bit under the weather.
24:01I don't know where to start with you, Cynthia.
24:03We have had complaints
24:04about antisocial behaviour,
24:07nudity,
24:08rumours about the ingredients
24:10in your bake sale brownies.
24:11every are refusing
24:12to take back the Gaboon Viper.
24:16And then,
24:17to top it all off,
24:19you injure
24:19our poor,
24:21lovely Frank.
24:23You have cost us
24:24our most exciting headliner
24:26since that dancing
24:27bordeaux collie
24:28of Britain's Got Talent.
24:29Have you got anything
24:30to say for yourself?
24:30you've got five days
24:36to find something else.
24:37I'll let your daughter know.
24:38No.
24:39No, please,
24:40let me tell her.
24:47Oh!
24:48Oh!
24:52Oh!
24:53Oh!
24:56Oh!
24:56Oh!
25:27You were right, love. Number of damn pants moments I had since you got here.
25:33Well, I might miss you. A bit.
25:37What did your daughter say?
25:39Oh, you know.
25:40You have told her.
25:43It's complicated.
25:45You do want to leave, don't you?
25:47I've got no choice now, have I?
25:48Mary, how long have you liked old Birdman over there?
26:01Well, I...
26:03I don't.
26:05But it's not like I think about him all that much.
26:12I just like our chats and his poetry.
26:18Mary, I've seen better prose on toilet walls.
26:21There are 23 women for every 10 men in this retirement village.
26:25As far as I'm concerned, that man's a poet.
26:30Anyway, we don't really anymore, so...
26:37It doesn't matter.
26:42Mary, I've got some making up to do before I go.
26:45Oh, it's you.
26:56Cedarwood's answer to Charles Bronson.
26:58Oh, you've heard, have you?
26:59Well, I bumped into Heather.
27:02Frank, I need to talk to you about the festival.
27:05You can't deny all those people the chance to see you at your best.
27:09I told you, without my guitar.
27:12Yeah, but I was thinking maybe you could make a change to the performance.
27:15Add a new element.
27:17Make it a duet.
27:18Oh, with who?
27:22You?
27:23Well, I promised to sing with you 50 years ago.
27:26Maybe it's time I made good on my promise.
27:28I don't understand. I thought you were leaving.
27:30Not until I get you back on that stage where you belong.
27:34You're not going to run out of me again, are you?
27:36Not with my plantar fasciitis, no.
27:38Is it a deal?
27:41Great.
27:42I just need one minute because I need to go to talk to Mary about her bush.
27:45No, that was...
27:47Just leave.
27:47Leave the room.
27:51Brian!
27:54Brian!
27:57Brian!
28:00Ah, there you are.
28:01Hi.
28:02Now, this is a bit awkward.
28:04Obviously, I said some things about you, about your poor personal hygiene, and I think there
28:10was something about you having the social skills of an amoeba.
28:12Oh, sorry, did I not say that to your face?
28:17Oh.
28:17Oh, well.
28:18Anyway, for some reason, well, for many reasons, actually, none of which I can remember,
28:22Mary does, in fact, like you.
28:25If I were you, I'd write another one of your so-called poems, and this time, sign it.
28:30She likes you, you like her, no point in pissing about, right?
28:35Yes.
28:37Good boy.
28:38It's London town, a town made for lovers, London town, ain't like...
28:49Christ.
28:50I feel such an old fool.
28:52They're trying to play at being a pop star.
28:55You're not an old fool, Frank.
28:57You've got more sex appeal in your good arm than any GMZ boy band.
29:02Ah, thank you.
29:03It's my pleasure.
29:04Why didn't you say something when you came to Newcastle?
29:09Oh, Frank.
29:09I just thought that, you know, I thought we could be something serious.
29:17You didn't want serious.
29:19I did.
29:20I thought we could make a go of it, you know, wife, kids, and then you blink, and you're in your 70s.
29:27No one coming to visit, living in a retirement village for company.
29:37Why didn't you tell me you were there?
29:38I could have explained it all.
29:39Well, I didn't know how you were going to react.
29:42Oh, come on, Sin.
29:43I begged you to come with me.
29:46Well, it wasn't just about me.
29:48I was pregnant.
29:54So that's why you got married?
29:57No.
29:59Kenneth and I didn't before we got married.
30:01It was over-the-clothes action at best.
30:04What did you try to tell me?
30:09I'm sorry, I...
30:10I should have told you before, but I only told Marjorie.
30:14It was only years later I found out that she'd blurted it out to Peter.
30:19She never could keep a secret.
30:21Bless her.
30:23I just wanted my baby to have a father.
30:27Someone who was present.
30:31You didn't think to get me involved.
30:34You didn't give me a chance.
30:35I tried.
30:36That's why I came to Newcastle.
30:41You can go, Cynthia.
30:43What?
30:43I just want to be on my own.
31:01I just want to be on my own.
31:13I've been in a lot of places, never called on home.
31:23A crowd of friendly faces, still fell alone to you.
31:30Hiya.
31:31Hi.
31:33Bit of spring watch and chill, is it?
31:35Make sure you use protection.
31:42Oh, Heather.
31:59Oh, Heather.
32:00You wanted to talk?
32:30Peter.
32:32Sorry about before time of the month.
32:35Oh, right.
32:36Yeah, yeah, yeah.
32:36Yeah, of course.
32:37You mentioned about rattling around in that big old house?
32:41Well, yes.
32:43There's always a bed for you.
32:45It doesn't have to be mine, obviously.
32:48Sin, are you all right?
32:49Leave me alone.
32:50What?
32:51What's the matter?
32:51No, she said, can you leave?
32:54So, will you leave, please?
32:55What have you got to do with you?
32:56But you're him, aren't you?
32:58You're the bloke in the photograph.
32:59And you are?
33:00Well, I'm...
33:01We're moving in together, actually.
33:04No, we're not.
33:04What?
33:05No, just...
33:07No, don't look.
33:08Oh!
33:09There you go.
33:10Go easy.
33:10Ow, my arm.
33:24Let's be careful.
33:24Oh, you're all right.
33:25She's got a bad arm.
33:26It's all right.
33:26Just give me a minute.
33:27Can someone pull my fucking lifeline?
33:33Nurse?
33:40The beta blockers should manage her bradycardia, but I advise you watch her diet and alcohol intake.
33:48Avoid stress.
33:50Thanks, nurse.
33:53How are you feeling?
33:54Mortified.
33:55I'm sorry.
33:57What for?
33:58The antisocial behaviour or the casual drug use?
34:01Heather is not a fan of yours.
34:02I'm sorry for all of it, but it'll be all right, because once I get out of here, I'll move in with Peter,
34:08and then there'll be someone there if I have a funny turn.
34:11Is this really what you want to do?
34:14It's for the best.
34:16Mum, when Marjorie was alive, you said Peter had the personality of a tub of cottage cheese.
34:21Why didn't you tell me things had gotten this bad?
34:24I didn't want to worry you.
34:25I worry because I care.
34:28Mum, we've got to start being open with each other.
34:31We've got to start talking.
34:32Mrs Jackson, what did I say about keeping calm?
34:35Kenneth wasn't your father.
34:36Mrs Jackson.
34:38Yeah, he was.
34:39No, you don't understand, you see.
34:41Before we got married...
34:42It doesn't matter what happened before.
34:45He was my dad.
34:46He was.
34:49You knew.
34:51I think I always suspected.
34:54Never really saw much of myself in Dad.
34:57And after a few chardonnays, you and Marjorie would always bang on about some wild night you had with a sexy singer, although Frank...
35:04Why didn't you say anything?
35:05I wanted to, but when Dad was alive, he stepped up, didn't he?
35:13I cried at all my parents' evenings, came to all my terrible student shows.
35:18And then after he died, I thought about mentioning it, but I guess I didn't really want to know.
35:28What was the point?
35:30Did it matter?
35:31He was my dad.
35:34And when he was alive, I didn't want him to think he wasn't, because he was, enough.
35:46Anyway, this Frank's probably long gone.
35:49Probably dead.
35:49Mum, what aren't you telling me?
35:58Mum?
35:59Sin?
36:15Sin?
36:18Sorry, I thought you might be your mum.
36:21You must be Frank.
36:22Well, um, that's my stage name.
36:25I'm really Colin, but we'll keep that between us.
36:30Nice to meet you.
36:35So, she really is going with that strong and stable guy?
36:39No, she's, uh, she's moving in with me, actually.
36:42For a while.
36:44I'm sure we'll sort something out.
36:46My ten-year-old's going to move out the bottom bunk.
36:49Oh, you've got kids?
36:51Yeah, two.
36:53Sorry, you, you, you must be thinking...
36:55Well, don't know what to think, really.
36:56She wanted the best for you, Amanda.
37:02And after what she saw in Newcastle,
37:05she decided that I wasn't the one.
37:08And I don't blame her.
37:11But I'm not that guy anymore.
37:15So, if you wanted...
37:16To what?
37:17I'm not going to call you Dad.
37:19No, you had a Dad.
37:23I just want to get to know you a bit, that's all.
37:27Yeah.
37:29Yeah, maybe.
37:32Better get this stuff to the car.
37:34Tell my 12-year-old to, uh,
37:36clean the dirty plates out of their room.
37:38Look, I can't stop her going if that's what she wants.
37:41But there is another way.
37:46Come in, Amanda.
37:56Actually, she sent me.
38:04You know, she's great.
38:06Hmm.
38:07She has her moments.
38:10I just want to say,
38:12is there any part of you that would like to stay at Cedarwoods?
38:16Because you could always live with me.
38:21I've sorted Heather.
38:22I'd rather not know what you've done with Heather.
38:25Uh, is that a no?
38:26Of course it's a no.
38:28I saw you ramming your tongue down her throat.
38:30Ah.
38:32I'm so sick of you messing me about.
38:35Telling me you've changed
38:36and you're pulling the same tricks
38:37you pulled 50-odd years ago.
38:40If Amanda can't pick me up,
38:41then I'm going to call her taxi.
38:42No resident-staff relationships.
38:45It's the number one rule
38:46for the village managers
38:48and Heather broke it.
38:50And?
38:51Well, she's on gardening leave
38:52so she won't be able to throw you out.
38:57Do you expect me to believe
38:59that you kissed her for me?
39:01No, she's been flirting with me for months
39:03and I knew I could get her to overstep the line.
39:08And I just thought, well,
39:09if it meant I could get you to stay.
39:12I...
39:12I didn't mean you to actually...
39:15watch it.
39:21I hope I haven't blown my chances.
39:23You and I have something to do, haven't we?
39:32I don't know.
39:56Commander, thanks for coming.
39:58Yeah, of course.
39:59You know,
40:00I never kept it a secret to hurt you.
40:02I just wanted you to have a good life.
40:05Yeah.
40:07But we've got a lot to talk about, haven't we?
40:09This time we were honest with each other.
40:12But for now, good luck.
40:15Yeah.
40:24I love you, Cynthia.
40:28You can be with me.
40:32You ready?
40:38It had to be you.
40:42It had to be you.
40:45I wandered around and finally found
40:49There's somebody who
40:52Could make me be true
40:55And could make me be blue
40:58And even be glad
41:02Just to be sad
41:04Thinking of you
41:06Some others I've seen
41:09You might never be mean
41:12I miss the love
41:13Might never be close
41:16Or try to be worse
41:17But they wouldn't do
41:20What nobody else gave me control
41:25Without your faults
41:26I love you still
41:28It had to be you
41:30Wonderful you
41:31It had to be you
41:34Youcak's the love
41:35There's somebody who
41:36But...
41:36It had to be you
41:37And...
41:38It had to be you
41:39To be you
41:39And...
41:40Yeah.
41:40I love you
41:40So you're in the back
41:41And you're on the back
41:42Your way
41:43So you know
41:44I love you
41:44Matthew
41:44You're in the back
41:46And look a lot of
41:46And remember
41:47Miller
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