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BRITCOM I
  • 13 hours ago

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00:00You know, non-militant Catholics are being radicalised by police brutality.
00:07The sound of his own voice.
00:08It makes him vulnerable to recruit him to the IRA.
00:10He looks tired.
00:11At this rate, the RUC and the IRA might as well be working together.
00:16Has he forgotten that judge's IRA shot last year?
00:19I won't let the bully boys on either side tell me what I've heard.
00:21Begging for a boat, all right?
00:23And she's freedom of affair.
00:24I'm going to the loo.
00:30But it was a poor election for his unionist party of Northern Ireland, which took only five seats.
00:40Unionist opposition to Faulkner's support of power sharing.
00:44I've undertaken the election, believing that they are converting politics.
00:49He should take up golf.
00:51What?
00:52Brian Faulkner.
00:55He should just give up.
00:57Michael Agnew, the lawyer representing Connor Kelly, Michael McAlevey and Patrick Coyle, spoke out today about police brutality.
01:05Young, non-militant Catholics are being radicalised by police brutality.
01:08There's another one who needs a hobby.
01:11At this rate, the RUC and the IRA might as well be working together.
01:15That's a very inflammatory statement.
01:17I won't let the bully boys on either side tell me what I can and can't say.
01:20I choose freedom over fear.
01:21You're just kept a good head out of here in fairness to him.
01:25I'm going to go to bed.
01:26No.
01:41Trishla.
01:42Ah, thank you for coming.
01:43No, thanks for having me.
01:45No, Michael.
01:46Is he not here?
01:47No.
01:48Oh.
01:50Here, she'll grab a wee drink and I'll see you inside, yeah?
01:52Yeah.
01:52Yeah.
01:56Thank you so much for coming.
02:09Your dress is lovely.
02:11Thank you, Penny.
02:12I love your work.
02:14Is there no sign of Michael?
02:15No.
02:16But he did say that these are your favourites.
02:19He brought you to Beaulieu.
02:20Aye, and Switzer's.
02:21In the look of it.
02:22Ah, speak of the devil.
02:23I'm sorry I missed a penny.
02:25Hard day at the office.
02:26You could say that.
02:27Come on, let's take the rest of the mic.
02:28Bloody air, you see a legal team trying to pretend they're impartial?
02:31Have you ever thought that maybe it's you that's not impartial?
02:34You're right, Vic.
02:35I am partial to a bit of justice.
02:36Oh, stop with the grandstanding.
02:38Would you like to be hauled off the street and have a false confession beaten out of you?
02:41Don't.
02:41We know all this.
02:42And then you get tried by one old judge who thinks you're inherently wrong on all three fronts.
02:46Class, religion, haircut.
02:47You are so bloody wearying.
02:49I can understand why the IRA are telling their lads not to recognise these diplod courts.
02:55Even if it makes my life harder.
02:57You did a good enough job of that yourself.
03:00Wasn't enough just to defend them, no.
03:02What do you mean?
03:03Michael here wasn't getting enough attention.
03:05So he's taken a case against the RUC.
03:08Police brutality.
03:10Enough is never enough with you.
03:12You sick.
03:13Michael.
03:14You need to keep some friends.
03:16What does that mean?
03:17It means you might need someone watching your back.
03:21I think I'm already being watched.
03:24Or surveillance might be a better word for it.
03:26Kushner, do you want to help me gather the rest of the glasses?
03:30Yeah?
03:30Yeah.
03:30Forget you work in a bar.
03:40Have Victor and Michael always sparred like that?
03:43Yeah, to some degree, yes.
03:45But it's getting worse.
03:48Everything always looks so clear to Michael.
03:52It'll do him no good in this town.
03:56Kushner.
03:57Have you thought about the risk to yourself?
04:04If people find out about you and Michael?
04:07Or if you are with Michael and if, God forbid, anything should happen.
04:15They must have the courage to choose from you.
04:17They're his words, not yours.
04:20Would your life be easier without me?
04:46Us.
04:46Us.
04:46Us.
04:50Easier.
04:52Safer, I suppose.
04:55I like us a lot.
05:01I should go.
05:03Are you sure?
05:05I'll let you get ahead.
05:07Have a big day tomorrow.
05:09Communion.
05:12It'll be the first time seeing the McYoungs in a while.
05:14I'll let you get ahead.
05:19This is for you.
05:22So you can go and go to your place, whether I'm here or not.
05:28Thanks.
05:37for making my life in measure of me better.
06:07It's not what we wanted, mate.
06:24God knows when I look this good again.
06:28Beautiful.
06:29Slavery!
06:33Don't you look dapper, do you think?
06:35Thanks, miss.
06:35I'm just going to take your wee photos.
06:38Cheese!
06:42Oh, Bobby!
06:44Bobby, let's get a photo of all of us!
06:48Why don't you move in there, Tommy?
06:58Hey.
06:59Davy.
07:05Thank you, Mrs. Lavery.
07:07Yes, thank you.
07:09Too generous.
07:09Sorry, so we don't.
07:12Look at you.
07:13We best get on.
07:14Five point, no, Daddy.
07:15Get your Daddy out of this chaos.
07:18It wasn't me that called the social.
07:20It was Bradley.
07:25Come on, baby.
07:27Ask him.
07:28I'm just fine.
07:28I told Mum you wouldn't be out nice to us, and then report us.
07:35Yeah.
07:36I'm labouring now.
07:38With my cousins.
07:41Drop a couple of books, friend.
07:43Keep reading, and all will not be lost.
07:46Yes, miss.
07:46Mm-hmm.
07:47Why'd those do me have the egg in his pocket?
08:05They don't have them.
08:09You've got this on.
08:11You haven't.
08:12Who's that man?
08:22That's my repeater from Skandisco.
08:25My suitor.
08:30Thanks for the whiskey.
08:35Gentlemen, I may need of your assistance with the crossword.
08:40Here, minty.
08:41Help me.
08:41Look, you can see here.
08:48Why would your disco peeler be in the pub?
08:50Well, Gerry reckons he has eyes for me.
08:52There's nothing to be jealous over.
08:54Chris, this is serious.
08:57You need to tell me if he comes in again.
09:00Could it not just be a coincidence?
09:02There are no coincidences in Belfast.
09:07I saw a car.
09:09Outside your flat the other night.
09:11Did he get your number played?
09:13If he wanted it.
09:15Did he follow you home?
09:16No.
09:17Happy birthday, Jim.
09:30Thank you, Kushler.
09:32Michael, do us a favour.
09:33Grab that chair.
09:34All right?
09:34Oh, this is Mrs. Coyle, and we could not live without her.
09:38Mrs. Coyle, this is our friend Kushler.
09:40I'll just give you a hand.
09:41We've done this before.
09:46We have a bar.
09:48How's the other woman in my life?
09:50Oh, hi.
09:51Kushler, this is the lady responsible for the hospital corners of the Shennig Brassers in my flat.
09:57How are you?
09:58I'm all right.
09:59He rang me.
10:00He's not working nice.
10:02I don't know what to do.
10:03I'm going to speak to him this week.
10:04Michael, nice to see you.
10:14Nice things.
10:14Not too bad.
10:16Hey, look.
10:17Here's Jim.
10:20You look beautiful, Benny.
10:21I'm sure I do.
10:28Marjorie.
10:29How are you?
10:30Brian.
10:30How are you?
10:31Good.
10:32Kushler, this is Marjorie.
10:33Nice to meet you, Marjorie.
10:33Nice to meet you.
10:35See you later.
10:36See you later.
10:40Oh, my God.
10:41Oh, my God.
10:43I'm really.
10:45No, but he's working back in a hole.
10:46Oh, my God.
10:47Oh, my God.
10:48Oh, my God.
10:48Oh, my God.
10:49You're doing the wrong part, sir.
10:50I'm sorry.
10:55Oh, my God.
10:56Do you know my business?
10:57How are you two getting along?
10:59Great.
11:00Feenian Corner, we're calling it, aren't we?
11:03Michael, we're in here.
11:05Jesus, don't tell me if party pays.
11:07Now, go on, you two.
11:08Let me get back to work.
11:12Come on.
11:12Come on.
11:12I travel with Jesus
11:20Honey, most of my life
11:25Yes, I travel overland, the sea
11:31I'll be taking my last trip
11:38Up to heaven on high
11:43That will be the last move for me
11:50When I move to the sky
11:56When I move to the sky
11:56Up to heaven on high
12:01What a wonderful trip
12:05What a wonderful trip
12:05That will be
12:07I am ready to go
12:14The last days of my life
12:19That will be
12:21The last move for me
12:26You're full of surprises
12:35Why the fuck are you crying?
12:37You know your language
12:38Is really deteriorating
12:39Since you met me
12:39What is it?
12:44The song made me sad
12:45Are you Catholics
12:48Are you high emotions?
12:49Come on, let's go inside
12:52I have not got
12:54One word left of me
12:56For those people
12:57Let's go home
13:01Yeah, I'll go get my jacket
13:02You're sneaking away, Mrs. Coyle
13:12I wouldn't let any of them
13:15Ones look down on me
13:16I'd clean for some of them
13:18Derp birds
13:19Well, now I want to stay
13:20And hear every ming and detail
13:21Right, let's go
13:26See you later
13:27I'll phone you tomorrow
13:29Okay, thank you
13:30Come on, let's go
13:33You're
13:35What's the quack on Mrs. Coyle?
13:37Her son's in trouble
13:38He's being identified in Atlanta
13:40What's that case?
13:43Do you think he can help?
13:45Only if he accepts the services of a lawyer
13:47The IRA man
13:48He's on remand with it
13:49Telling him not to recognize the court
13:50Sorry
13:52It's your night off
13:54It is
13:55Come on, let's go
13:56Come on
13:56Oh
14:00Now, do you
14:02Who am I?
14:12What would Sally Ball sound like
14:13If she were Irish?
14:16I am not reading Irish, do you?
14:18Come on
14:18No, not as Sally
14:20And not as me
14:21It's one line
14:21One line
14:22For fuck's sake
14:24Do you have any idea how sexy that time?
14:37You have a opinion about it
14:41I don't blame you
14:43I'm the alternative of a shaggin' old woman that answers to the name Marjorie
14:48You don't miss much, do you?
14:52That was an age ago before I knew they made women like you
14:54What does Marjorie like you to do, too?
14:57Oh, you really don't know
14:59I really do
15:02I really do
15:32I'll not be able to contact you for a while
15:55Or be here at the flat
15:59Incommunicado
16:06Must be serious
16:08Mrs. Corley's gonna love you forever
16:18Morning
16:36Morning
16:37Don't take any needless risks
16:41Munchabar, come on, please
16:44You are
16:48A rave man
16:50But I can wait for you
16:53Very, very careful
17:09I'm gonna go tag on them
17:13How's the look, Jerry?
17:14Yeah, I'll need it
17:15How do we fail it for you, miss?
17:21Let me see
17:21You know, I have a friend who has a book
17:25And in it, it says
17:27If you can turn a blue bell inside out
17:29Without tearing it
17:31You can feel what you love
17:33Isn't that nice?
17:37Yeah
17:37Can you take some photographs for me?
17:41Yeah
17:41On you go
17:42Sean was chasing Zoe
17:57With a used condom on a stick
17:58That's him flirting
18:01Charming
18:03What?
18:04What or who
18:07Has you turned?
18:09Nobody
18:10Tell me
18:11No
18:12Somebody calls you Easter Sunday
18:14Okay
18:20I'll tell you
18:23But you have to swear to God
18:25Not to tell a son
18:27I swear
18:28It's Brian Faulkner
18:32Fuck a way off
18:35It is?
18:36That's why I couldn't tell anyone
18:38So you're saying
18:41I'm still in with a chance
18:42Fancy coming to a wedding with me
18:46This Saturday
18:47In Belplest
18:48Guy gone
18:49They hope the blue bell looks like Venus
19:00Somebody somewhere
19:04Is determined
19:05That the ceasefire
19:06Which has held so precariously so far
19:08Will not be able to imagine
19:10This is the most horrific thing
19:13That I've got to do
19:13In Northern Ireland
19:14Shall we make on home?
19:24You'd be happy to hear
19:25He got blown up
19:26Nobody here's happy when anyone gets blown up
19:31Except the IRA
19:32You're all ungrateful animals
19:36No way should just go home
19:39And let you murder each other
19:40I'm sorry about your friend
19:45Jerry's eyes will be on stocks
19:58Well for you
20:01I'm gallivanting again
20:03Nothing like a good one
20:06Don't do that with me
20:08What?
20:09Feel sorry for yourself?
20:10If I don't feel sorry for myself
20:12Who will
20:12Not you
20:13I get more sympathy from a shoe
20:16You don't know what it's like
20:18To lose someone you love
20:19Yeah I do mummy
20:21He was my daddy's son
20:24At least I've got the bottle
20:27To keep me company
20:28I'm not even giving you an audience
20:29What does that mean?
20:31It means that I'm going to stay
20:32In Jerry's tonight
20:33Because I can't be bothered
20:34To come home and find you
20:35Bleeding out in the bath
20:36I've got nothing to look forward to
20:38Nothing
20:40If you do your nails
20:53Instead of getting plastered tonight
20:56I'll take you for a fancy lunch
20:58In the hotel tomorrow okay?
20:59I don't know how they booked a firebomb last week
21:20Poor fuckers
21:23I'm very proud of her Kathleen
21:29She's been a busy
21:31Happy wee thing
21:32Since the day she was born
21:33You better look after her
21:37Or you'll be getting the visits
21:39You look like you might cry
21:44You thinking about your upcoming nuttills
21:47With Brian Faulkner?
21:49He'd never settle for a leisure centre
21:51I reckon he needs settle for anything at the moment
21:53Yes
21:54I'm sorry
21:58I'm sorry
22:15I'll read the telegrams first
22:38This one's from Derry
22:39It came through the window
22:40Wrapped around a brick
22:41When God created a woman for me
22:56He must have been a beautiful
22:59He made the sunshine right out of your eyes
23:15That's Martin Gallagher
23:17You know exactly who he is
23:19I taught his wee lad Luke
23:20In teacher training
23:21He asked if he could send a couple of boys around
23:24This meant Sherry trifles into the wall of my garage
23:26Jesus Sherry
23:27What did you say?
23:28He says I haven't got a garage
23:29He asked after you
23:31Says he knew I wasn't your boyfriend
23:33How the fuck would the IRA?
23:34You know that?
23:37Look I'm gonna get a taxi
23:38No I'll take it
23:39I'm done dancing
23:40Can you drop me somewhere?
23:42Within reason
23:43My imagination's running over time
23:49Thanks
23:49Fucking Martin Gallagher
23:54Sticking his nebbin
23:55And now we're here
23:56In enemy territory
23:57Is your parents love next?
23:59We live here
24:00There are things we cannot do
24:02Intriguing what kind of things can do
24:04This kind of secrecy always blows up
24:06The wrong people are asking after you
24:08Forget about getting your heart broken
24:09You're risking much more than it
24:11I'll see you Monday Jerry
24:15Yeah I bloody hope so
24:18I'll see you next time
24:48All the gale is raging
24:52And my ship's without a sail
24:59All the gale is raging
25:04My ship's without a sail
25:10If someone don't save me
25:18I won't be left to tell the tales
25:23Morning
25:47Big night out was it?
25:52Er, just saw a wedding in Belfast.
25:55Stayed with a friend.
25:57Lucky friend.
25:59Do I know him?
26:01Might have been a girl.
26:03Was I?
26:07Everything all right, Gooseley?
26:10Ah, Sergeant Reid.
26:12Yeah, all good here.
26:14Who's you always coming to see, actually?
26:16I'm going to take my mummy for lunch.
26:22Lavery.
26:26The table for ten.
26:28There must be a mistake.
26:34Sorry, yes.
26:35There's a lavery table for two also.
26:37Follow me.
26:46I didn't expect to see news here.
26:48Obviously.
26:50It's, er, Maureen's mummy's birthday.
26:54Will you just come and join us?
26:56You're all right, thanks.
27:00Happy birthday, dear Riley.
27:04Happy birthday to you.
27:08What?
27:09We're going in!
27:12Well, should we go?
27:14Oh, how are you, Michael?
27:15We met at the anchor.
27:16Our family bar.
27:17Hello, Mrs Lavery.
27:18Hi.
27:19How are you?
27:20Call me Jane, please.
27:21This is my wife, Joanna.
27:22Oh.
27:23This is my daughter, Kusla.
27:24Great place to meet you, Kusla.
27:25Great place to meet you, Kusla.
27:26This is our son, Dermot.
27:27This is my daughter, Kusla.
27:28Great place to meet you, Kusla.
27:29This is our son, Dermot.
27:30Dermot.
27:31Dermot, sailor, Kusla.
27:33Hello.
27:34Oh, how are you, Michael?
27:36We met at the anchor.
27:37Our family bar.
27:38Hello, Mrs Lavery.
27:39Hi.
27:40How are you?
27:41Call me Jane, please.
27:42This is my wife, Joanna.
27:43Oh.
27:44This is my daughter, Kusla.
27:45Great place to meet you, Kusla.
27:48Great place to meet you, Kusla.
27:53This is our son, Dermot.
27:55Dermot, sailor, Kusla.
27:59Hello.
28:03I need to introduce you to Michael.
28:09We really better be going on, but enjoy your lunch.
28:11Sure.
28:18What does Michael and Joanna think of us?
28:20Sitting at separate tables.
28:24Hi.
28:29That's a good idea.
28:31Great.
28:33No harm to you, but I'm fine, Dermot.
28:37You don't get to recall.
28:48And now, ladies and gentlemen, we move on to the ever-popular swimwear round.
29:11Get that Kusla, Kutner.
29:13Just leave it.
29:14Good night, two tambours.
29:16Doors and three are in a time all night.
29:17Need for coming in, mother.
29:18With electric lines,
29:19alma mater,
29:20coordinate lines.
29:22That's how they reach home from mom,
29:24But,DERSTNUM and and 快,
29:25pack nine at home from home.
29:27And,
29:29sh BUILD
29:35Take care.
29:40Watch your brain at.
29:42Later.
29:43Let's go.
30:13Let's go.
30:43Let's go.
30:44Don't you?
30:45Fine.
30:46Might be good practice.
30:47Okay.
30:48Okay.
30:51Okay, you start with your address in the right hand corner.
30:55Doesn't that mean they'll know where you live?
30:59That's not always a bad thing.
31:04Dear Jimmy, I hope you're keeping well.
31:07Things are fine here.
31:09The school holidays begin next week,
31:11and I will be off work for two months.
31:13I had intended to spend the summer
31:15slinking round Michael Agnew's flat,
31:18making myself irresistible to him,
31:20so he'd leave his wife.
31:22Only his wife is a lady,
31:24and they appear to be happily married,
31:26and he is a lying, cheating, philandering fucker.
31:31Wishes are for children and foos.
31:33Yours sincerely, Cushla Lavery,
31:36age 24 and three quarters.
31:48Trouble in paradise?
31:50Break off, Gerry.
31:52You need to be safe from yourself.
31:56Come to France, with me and my friends for the summer.
31:59We have a lead on some bar work.
32:03Cushla.
32:05Let me in.
32:06Doesn't matter.
32:09It's over.
32:18Was he married?
32:19Was he a brother?
32:20Like...
32:21Since we're asking questions,
32:22what were you doing out by the lock in the middle of the night?
32:26It wasn't me.
32:27Yeah, it was Gerry.
32:28I know what I saw.
32:29Is this anything to do with Martin Keller?
32:32Look, Gerry, are you in trouble?
32:33No disrespect, Cushla.
32:34Who the fuck are you to be demanding answers from me?
32:35No disrespect, Cushla.
32:36No disrespect, Cushla.
32:37Who the fuck are you to be demanding answers from me?
32:41Just leave it off the hook, Mummy.
32:42Excuse me.
32:43I might have someone calling.
32:44No disrespect, Cushla.
32:45No disrespect, Cushla.
32:46No disrespect, Cushla.
32:47No disrespect, Cushla.
32:48No disrespect, Cushla.
32:49No disrespect, Cushla.
32:50No disrespect, Cushla.
32:51But who the fuck are you to be demanding answers from me?
32:54No disrespect, Cushla.
32:55Just leave it off the hook, Mummy.
32:56Excuse me.
32:57I might have someone calling.
32:58I assume it's Gerry you don't want to talk to?
33:13Well, if you ask me.
33:15He was never good enough for you.
33:18Here.
33:23Steak always helps.
33:26Hey, Daddy, and I used to have a steak every Monday night when we first married.
33:30Just to spite the week ahead.
33:34Yeah, well, I'm home every evening now.
33:38I'm giving up the pub shifts, so...
33:41that's very Ignite the tradition.
33:53PHONE RINGS
34:03Will you just talk to the wee puke?
34:16What happened at the hotel was a pony.
34:20Yeah.
34:21Because I thought that you were going missing to save Mrs Carlson.
34:26I know. I'm sorry.
34:29I knew you thought it was work-related.
34:34I never thought about her much.
34:38And...
34:40when I did, I pictured somebody else.
34:45Like a wizened wee hag or...
34:48some old-all that needed a roots done.
34:55You're a fucking god.
35:00And you're always vining on about bravery.
35:02Did she help my fucking hand, Michael?
35:07She's not well, Kushlin.
35:11She seems perfect to me.
35:15Sometimes she's well enough to do things.
35:18Dermot had just finished his A-levels, and so we...
35:23We all went out for lunch, but...
35:28She has long-term clinical depression,
35:31and she's been in hospital the last few months,
35:33getting electric shock treatment.
35:34Is that why you could see so much of me?
35:38She came home the day after I last saw you.
35:42It's a bloody mess.
35:45It's a bloody mess.
35:49I want to be with you.
35:52But I can't leave Joanna.
35:55Why not?
36:00I'm the one that will take the brunt of it.
36:04You'll...
36:06keep...
36:07your job, your friends, your life.
36:10I can't leave because I ruined her life.
36:16How?
36:18Joanna was studying law in Dublin.
36:21When I got her pregnant.
36:25And, um...
36:27After the birth, she was never right.
36:32Never.
36:34And she just got worse.
36:36And worse.
36:38She can't live on her own.
36:40And I cannot ask Dermot to give up his life for her.
36:43Because he would.
36:47Do you sleep with her?
36:48No.
36:50We should have her bed.
36:52But there hasn't been sex for years.
36:55Have you had many affairs?
36:57Three.
36:58Including me.
37:00This is not an affair. This is different.
37:02How?
37:04Because I love you.
37:08I love you.
37:10And whatever happens.
37:13I will never ever lie to you again.
37:16I promise.
37:18I didn't expect to fall in love.
37:23And I do not expect you to give up your life for me.
37:26You'd make a wonderful, wonderful wife and mother, but I-I-I can't give you any of that.
37:37Do you want to stop seeing me?
37:51No.
37:52God help me, I don't.
37:53God help me, I don't.
37:54God help me, I don't.
37:56There is so much that we can do.
37:57There's the sim.
37:58Oh, it's beautiful.
37:59There's this cottage in Donegal.
38:00And we can go there at the end of the summer.
38:01And we'll see God in the skies.
38:02And we'll see God in the skies.
38:03God help me, I don't...
38:10There's so much...
38:12that we can do.
38:15There's the sim.
38:17Oh, it's beautiful.
38:20There's this cottage in Donegal.
38:23And we can go there at the end of the summer.
38:28And we'll see God in the skies.
38:34We can take trips away, long weekends.
38:39Go to Amsterdam and Barcelona.
38:46This is gonna end really badly, isn't it?
38:53It doesn't have to.
39:03It doesn't have to.
39:09Jimmy.
39:10Here's our girl.
39:11Hello, hello, hello.
39:13Eamon, what can I do for you?
39:14What needs to be done?
39:15Just throw out a few pints and keep me company.
39:17You're actually doing an impression of Mike Yarwood,
39:19doing an impression of Frank Spencer.
39:22I'm missing my daughters growing up because of these ages.
39:24I love it.
39:26If you laugh.
39:28Sometimes it's like it used to be.
39:29Here.
39:30Finish this film.
39:31It doesn't have to be.
39:32It doesn't have to be.
39:33It doesn't have to be.
39:34It doesn't have to be.
39:35It doesn't have to be.
39:36It doesn't have to be.
39:37It doesn't have to be.
39:38All right, lads.
39:39Photograph now.
39:40Come on.
39:41That's it.
39:42We're putting together.
39:43All right, mate.
39:44Hey, mate.
39:45Right to you.
39:46Get in.
39:47Get in.
39:48Get in.
39:49Come on.
39:50All away.
39:51Let's go.
39:52Come on.
39:56Can you not stay away from me?
39:58It appears so.
40:00Come to the flat on Thursday.
40:02I'm ready to bring more of your things.
40:05I will.
40:06If I survive sports day.
40:10I love you.
40:12You better, Agnew.
40:15So we're all right then?
40:17We're doomed.
40:20Apart from that, we're grand.
40:23Mummy!
40:28Mummy!
40:29I won, Mummy!
40:30I won!
40:31I won!
40:32I won!
40:33Well done, darling!
40:34I put my head down and I ran like the clapper, did you?
40:37You outran them all, Daddy?
40:38I wish you could have seen them.
40:42I'll put the kettle on.
40:44Yeah?
40:45Go and tell Daddy.
40:48Daddy!
40:50Daddy!
40:52Look, Daddy.
40:53Stevie played an absolute blinder.
40:57He's a good lad.
40:58I pity we can't say the same about the other one.
41:02Tommy?
41:03He moved out weeks ago.
41:04We hardly see him.
41:05What we do, he's swaggering about with a few bob in his pocket,
41:08thanking the big fella.
41:10Look, maybe it's just a face.
41:12I hope so.
41:15Show's your wee trophy.
41:16Well, wait.
41:17I'm staying over at Jerry's tonight.
41:18I'm staying over at Jerry's tonight.
41:21What do you think?
41:22I don't know what the hell is.
41:23I don't know what any of the hot water is.
41:24I have not got space...
41:25I don't know what to do.
41:26I don't know what to do.
41:27Oops.
41:28I don't know what to do.
41:29But I'm staying over at Jerry's tonight!
41:30Well, wait.
41:31I'm staying over at Jerry's tonight.
41:32Well, wait.
41:33I'm staying over at Jerry's tonight.
41:34We'll see you tonight!
41:55The Anger?
41:56Where's Mummy?
41:57She's bloody here, falling about the place. Come and get her.
41:59Okay, but I have plans.
42:00Now, Coochla.
42:04What's going on?
42:14Oh, no.
42:16What's wrong with her?
42:18Hi.
42:19Do you not hear?
42:20Hear what?
42:22Michael Agnew is shot there this morning.
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